Jazz Index: Louis Armstrong

The following bibliographical information relates to periodicals and books present in the archive of the Jazz-Institut Darmstadt. Our extensive periodical collection comprises 1.000 periodicals, more than 60.000 single issues. About 50% of the collection have been indexed. 

Following the more recent entries you'll find abbreviations which will give you a clue about the nature in the respective articles. The abbreviations are: 

• Louis Armstrong Bibliography - Introduction
• Books and essays 1935 to 1949
• Books and essays 1950 to 1959
• Books and essays 1960 to 1969
• Books and essays 1970 to 1979
• Books and essays 1980 to 1999 (this page)
• Books and essays 2000 to present

Jazz Index on this page has been compiled on 18. August 2004 by Wolfram Knauer

• Donald Marquis: Louis Armstrong Statue, in: The Second Line, 32 (Summer 1980), p. 1-2 (F)
• Gilbert M. Erskine: Two Classic Blues Instrumentals. "Knockin' a Jug" / "Blues. A Jam Session at Victor", in: The Second Line, 32 (Spring 1980), p. 5-8 (F)
• Humphrey Lyttelton: Louis Armstrong, in: Humphrey Lyttelton: The Best of Jazz. Basin Street to Harlem. Jazz Masters and Masterpieces 1917-1930, Harmondsworth 1980 [book], p. 130-137 (F)
• Humphrey Lyttelton: Louis Armstrong and Earl Hines, in: Humphrey Lyttelton: The Best of Jazz. Basin Street to Harlem. Jazz Masters and Masterpieces 1917-1930, Harmondsworth 1980 [book], p. 199-206 (F)
• Jacques Réda: La dernier combat de Louis Armstrong, in: Jacques Réda: L'improviste. Une lecture du jazz, Paris 1980 [book], p. 30-39 (F); Reprint, in: Jacques Réda: L'improviste. Une lecture du jazz, Paris 1990 [book: Folio Essais], p. 47-55 (F)
• NN: Hall of Fame 12 Great Jazz Solos. Louis Armstrong's Trumpet in "Wolverine Blues", in: Down Beat Music '80 (1980), p. 50 (T)
• Sam Tanenhaus: Louis Armstrong. Musician, Los Angeles 1988 [book]
• Howard Rye: Visiting Firemen. 2: Louis Armstrong, in: Storyville, #89 (Jun/Jul.1980), p. 184-187 (F: England-Tour, 1932-1934); part 2, in: Storyville, #100 (Apr/May 1982), p. 146 (F); part 3, in: Storyville, #114 (Aug/Sep.1984), p. 215 (F); additional information, in: Storyville, 1996/97, p. 28 (F)
• Jacques Réda: Le combat decisif d'Armstrong, in: Jazz Magazine, #291 (Nov.1980), p. 16-19 (F)

• Arrigo Polillo: Louis Armstrong, in: Arrigo Polillo: Jazz. Geschichte und Persönlichkeiten, München 1981 [book: Herbig], p. 319-340 (F); reprint, in: Arrigo Polillo (ed. Hans-Jürgen Schaal): Jazz. Die neue Enzyklopädie, München 2003 [book: Herbig], p. 357-378 (F)
• Hans Westerberg: Boy from New Orleans. Louis "Satchmo" Armstrong - on records, films, radio and television, Copenhagen 1981 [book: Jazzmedia ApS] (D/Filmography)
• Joachim Ernst Berendt: Louis Armstrong, in: Joachim Ernst Berendt: Das große Jazzbuch. Von New Orleans bis Jazz Rock, Frankfurt/Main 1981 [book], p. 67-75 (F)
• Lewis Porter: Louis Armstrong and Sidney Bechet in New York, 1923-1925 (excerpts), in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 33-36 (F; reprint, from "The Smithonian Collection of Recordings, RO 26, 1981)
• Paul O.W. Tanner & Maurice Gerow: Five Out of Many. Louis Armstrong (1900-1971), in: Paul O.W. Tanner & Maurice Gerow: A Study of Jazz, 4/1981 [book, 1/1963], p. 153-156 (F)
• Joe Delaney: Remembering Louis, in: Think Jazz, 6/2 (Feb.1981), p. 3-4 (F)
• Alfonso de Lucas: "Mi vida en Nueva Orleans", in: Quartica Jazz, #2 (May 1981), p. 58-59 (B)
• John McDonough: Louis Armstrong - "The Side Man, 1924-1927" (MCA/Jazz Heritage); "Back in New York, 1935" (MCA/Jazz Heritage); "Swing That Music, 1936-1938" (MCA/Jazz Heritage); "Satchmo's Collectors Items, 1936-37" (MCA/Jazz Heritage); "Satchmo's Discoveries, 1936-38" (MCA/Jazz Heritage); "Satchmo Forever, 1935-1945" (MCA/Jazz Heritage); "With Guest Stars" (MCA/Jazz Heritage); "Satchmo Serenaders" (MCA/Jazz Heritage); "The All-Stars, 1950-1957" (MCA/Jazz Heritage); "Louis and the Good Book" (MCA/Jazz Heritage), in: Down Beat, 48/6 (Jun.1981), p. 46-48 (R)

• Joachim Ernst Berendt: Louis Armstrong and Jazz, in: Jazz Forum, #78 (1982), p. 30-34
• G. Fehrmann: Boy from New Orleans. Armstrong on Records, Films, Radio and Television, von Hans Westerberg, in: Jazz Podium, 31/12 (Dec.1982), p. 59 (B)

• Adriano Mazzoletti: Louis Armstrong a Torino, in: Adriano Mazzoletti: Il jazz in Italia. Dalle origini al dopoguerra, Rom 1983 [book], p. 224-229 (F)
• Hanns-Werner Heister: West End Blues, in: Hanns-Werner Heister: Jazz, Kassel 1983 [book], p. 62-68 (A/T)
• Henri Lauener: Erinnerungen an Louis Armstrong, in: Jazz (Schweiz/A3), 3/1983, p. 32-34 (F)
• Henri Lauener: Erinnerungen an Louis Armstrong, in: Jazz (Schweiz/A3), 3/1983, p. 34-36 (F)
• Humphrey Lyttelton: Louis Armstrong, in: Humphrey Lyttelton: The Best of Jazz II. Enter the Giants, 1931-1944, New York 1983 [book], p. 11-29 (F)
• James Lincoln Collier: Louis Armstrong. An American Genius, New York 1983 [book: Oxford University Press]; review, by John McDonough, in: Down Beat, 51/6 (Jun.1984), p. 69 (B)
• Michael S. McLaughlin: African Music, Rhythm, and Jazz, in: Jazz Research Papers, #3 (1983), p. 74-91 (A/T)
• Vittorio Castelli & Luca Cerchiari: Jazz su disco, Milano 1983 [book: Oscar Mondadori], p. 20-25 (R: "Louis Armstrong 1926-1928", Joker; "Louis Armstrong's Story (1924-1945)", MCA Coral; "The All-Stars Collection", MCA Coral; "Satchmo Sings", MCA Coral; "Ella and Louis", Verve)
• NN: A Batch of Satch, in: Collectors Items, #18 (Jun.1983), p. 2 (D: recent LP releases)
• Peter Vacher: The Louis Armstrong Anniversary Concert, Queen Elizabeth Hall, London, in: Jazz Journal, 36/9 (Sep.1983), p. 10 (C)
• S.G. Biamonte: La leggenda di Armstrong, in: Musica Jazz, 39/12 (Dec.1983), p. 35-50

• Bob Morris: Rhapsody in Gold, in: The Second Line, 36 (Winter 1984), p. 8-9 (F: Armstrong's tombstone in New York)
• John Norris: Louis' Children, by Leslie Gourse, in: Coda, #197 (1984), p. 23 (B)
• Leslie Gourse: Louis Armstrong. Everyone's Pops, in: Leslie Gourse: Louis' Children. American Jazz Singers, New York 1984 [book], p. 21-32 (F)
• Whitney Balliett: Daner Dancing All Around, in: Whitney Balliett: Goodbye and Other Messages. A Journal of Jazz 1981-1990, New York 1991 [book], p. 97-100 (B: James Lincoln Collier: Louis Armstrong; Reprint von 1984)
• Wolfgang Riefler: Jazz. Eine improvisierte Musik, dargestellt an vergleichenden Analysen des St.Louis Blues, Menden 1984 [book]
• Hans-Georg Klauer: Help Wanted - Louis Armstrong, in: Storyville, #111 (Feb/Mar.1984), p. 107-108 (request for discographical information); part 2, in: Storyville, #112 (Apr/May 1984), p. 131-132; part 3, in: Storyville, #113 (Jun/Jul.1984), p. 190
• Max Harrison: Che belli quei chorus di Armstrong. Sembrano veri..., in: Metronome, 40/2 (Feb.1984), p. 32-33
• Philip Larkin: Pleasing the People. "Louis Armstrong", by James Lincoln Collier, in: Richard Palmer & John White (eds.): Reference Back. Philip Larkin's Uncollected Jazz Writings 1940-84, Hull 1999 [book: University of Hull Press], p. 115-117 (B; reprint, from: Observer, 25.Mar.1984)
• NN: Louis Documentary to Head July TV Bonanza, in: Jazz Express, #52 (May 1984), p. 1 (F)
• E. Cook: The Wonderful World of Louis Armstrong, in: Jazz Journal, 37/10 (Oct.1984), p. 12
• Brian Priestley: Great Recordings. Louis Armstrong - West End Blues / Weather Bird, in: The Wire, #10 (Dec.1984), p. 17-18 (F)

• Barney Bigard: The All Stars..., in: Barney Bigard: With Louis and the Duke. The Autobiography of a Jazz Clarinetist, London 1985 [book], p. 96-124 (F)
• Charles Delaunay: Delaunay's Dilemma. De la peinture au jazz, Macon/F 1985 [book], p. 83-88 (F)
• Dan Morgenstern: Louis Armstrong - An American Genius, by James Lincoln Collier, in: Annual Review of Jazz Studies, #3 (1985), p. 193-196
• Hawe Schneider: Arm in Arm mit Armstrong, in: Hawe Schneider: ...und abends swing, Hinterzarten 1985 [book], p. 119-128 (F)
• Red Callender & Elaine Cohen: Unfinished Dream. The Musical World of Red Callender, London 1985 [book], passim
• Robert Jackson: Analysis of Selected Louis Armstrong Solos, in: Jazz Research Papers, #5 (1985), p. 74-82 (F/A/T: "Struttin' with Some Barbecue", "S.O.L. Blues", "Potato Head Blues")
• Abbi Hübner: Louis Armstrong, in: Jazz Podium, 34/7 (Jul.1985), p. 17 (poem)
• Steve Voce: Louis Armstrong, by James Lincoln Collier, in: Jazz Journal, 38/7 (Jul.1985), p. 24 (B)
• Eddie Cook: Louis Armstrong - The Louis Armstrong Legend, in: Jazz Journal, 38/10 (Oct.1985), p. 22 (R)

• Danny Barker: Louis Armstrong and Trumpet Rivalry, in: Danny Barker: A Life in Jazz, New York 1986 [book], p. 129-133 (F)
• Heiner Mückenberger: Meet Me Where They Play the Blues. Jack Teagarden und seine Musik, Gauting-Buchendorf 1986 [book: Oreos], p. 137-154 (F: chapter "Die Armstrong-Teagarden All Stars")
• Henry Martin: Louis Armstrong - "West End Blues" [ p. 71-72 (A)]; Louis Armstrong [p. 107-109 (A)]; Louis Armstrong - "West End Blues" [p. 234-235 (A/T)], in: Henry Martin: Enjoying Jazz, New York 1986 [book]
• Trevor Tolley: Louis Armstrong - Turning Point, in: Coda, #207 (Apr.1986), p. 10
• Trevor Tolley: Louis Armstrong. Turning Point. Louis and the Big Bands - 1928 to 1930, Swing SW 8450, in: Coda, #207 (Apr/May 1986), p. 10-11 (F/R)
• Javier Coma: Louis Armstrong. La creación del horizonte, in: Quartica Jazz, #14 (Sep.1986), p. 24-27 (F)
• John Norris: Louis Armstrong - The Masters of Jazz, in: Coda, #211 (Dec.1986), p. 21 (R)

• Al Rose: Louis Armstrong, in: Al Rose: I Remember Jazz. Recollections of Six Decades Among the Great Jazzmen, Baton Rouge 1987 [book], p. 127-130 (F)
• Arnold Shaw: King Oliver, Jelly Roll, and Satchmo, in: Arnold Shaw: The Jazz Age. Popular Music in the 1920s, New York 1987 [book], p. 14-30 (F)
• Bob Wilber & Derek Webster: Music Was Not Enough, Houndsmills 1987 [book: Macmillan; New York 1988: Oxford University Press], passim (F)
• Giampieri Cane: Facciamo che eravamo negro: Il jazz e il suo blackground, Bologna 1987 [book: Clueb], p. 219-238 (F: chapter "Tra il blues e la canzone (Louis Armstrong)")
• Joe Darensbourg: Yes, the Lord picked out Louis, in: Joe Darensbourg & Peter Vacher: Telling It Like It Is, Houndsmills 1987 [book], p. 147-168 (F)
• Harry Hochberg: Dr. Jazz. Louis Armstrong, in: Marge Hofacre's No Name Jazzletter, 3/10 (Sep.1987), p. 4 (F); part 2, in: Marge Hofacre's No Name Jazzletter, 3/11 (Oct.1987), p. 4 (F); part 3, in: Marge Hofacre's No Name Jazzletter, 4/1 (Nov.1987), p. 4 (F); part 4, in: Marge Hofacre's No Name Jazzletter, 4/2 (Dec/Jan.1987/1988), p. 6 (F)
• Kalamu Ya Salaam: Satchmo. America's Musical Legend, in: Coda, #216 (Oct/Nov.1987), p. 34-35 (C: musical about Armstrong)
• Kaluma Ya Salaam: Satchmo. America's Musical Legend, in: Coda, #216 (Oct/Nov.1987), p. 34-35 (F)
• Luciano Federighi: Louis Armstrong. La voce del jazz, in: Musica Jazz, 43/12 (Dec.1987), p. 36-48 (F)

• Digby Fairweather: The Seeker, in: Jazz Rag, #6 (Autumn 1988), p. 16-17 (F/short story)
• Don Marquis: The Louis Armstrong Foundation, in: The Second Line, 40/1 (Winter 1988), p. 15-17 (F)
• Gary Giddins: Satchmo, New York 1988 [book]; review, in: Jazz Nu, #238 (May 1999), p. 37 (B)
• Ted Gioia: Louis Armstrong and Furniture Music, in: Ted Gioia: The Imperfect Art. Reflections on Jazz and Modern Culture, New York 1988 [book], p. 3-18 (F)
• Gary Giddins: Satchmo's Nursery. Happy Birthday, in: Gary Giddins: Faces in the Crowd. Musicians, Writers, Actors, and Filmmakers, New York 2/1996 [book: Da Capo; O: New York 1992: Oxford University Press], p. 103-106 (F; Reprint, from: Village Voice, Aug.1988)
• Jack Sohmer: Louis Armstrong - What a Wonderful World, in: Down Beat, 55/8 (Aug.1988), p. 37-38 (R)
• Scott Yanow: Retrospectives. Louis Armstrong, in: Jazziz, 5/5 (Aug/Sep.1988), p. 74 (F/R)
• Dara O'Lochlainn: Hot Fives & Sevens, in: Jazznews, 2/5 (Nov/Dec.1988), p. 8 (F)
• Dara O'Lochlainn: Jazz & Blues fan. Armstrong Never Played the Blues!, in: Jazznews, 2/5 (Nov/Dec.1988), p. 5-6 (F/I mit verschiedenen Musikern)
• Digby Fairweather, in: Jazznews, 2/5 (Nov/Dec.1988), p. 14-15 (Kurzgeschichte)
• NN: Louis Armstrong Chronology, in: Jazznews, 2/5 (Nov/Dec.1988), p. 20-21 (F)

• Alain Tomas: Louis Armstrong, in: Noel Balen (ed.): Les grandes voix du jazz, Paris 1989 [book: Jazz Hot], p. 14-15 (F)
• Floyd Levin: Louis Armstrong. His Undrrated Recordings During the Big Band Era, in: The Second Line, 41/3 (Summer 1989), p. 12-15 (F)
• Gunther Schuller: Louis Armstrong, in: Gunther Schuller: The Swing Era. The Development of Jazz, 1930-1945, New York 1989 [book], p. 158-197 (A/T)
• Ilse Storb: Louis Armstrong, Reinbek 1989 [book]
• Lionel Hampton & James Haskins: Hamp. An Autobiography, New York 1989 [book], passim (F)
• Stan Britt: Po'k Chops with Hamp/All Love with Louis, in: Stan Britt: Dexter Gordon. A Musical Biography, New York 1989 [book], p. 29-51 (F)
• Chip Deffaa: Satchmo, in: Down Beat, 56/4 (Apr.1989), p. 51 (B)
• Gary Giddins: Satchmo's Nursery. Signifying, in: Gary Giddins: Faces in the Crowd. Musicians, Writers, Actors, and Filmmakers, New York 2/1996 [book: Da Capo; O: New York 1992: Oxford University Press], p. 106-110 (F; Reprint, from: Village Voice, May 1989)
• John McDonough: Louis Armstrong Story, in: Down Beat, 56/9 (Sep.1989), p. 53 (R; Reprint aus den 50er Jahren)

• Ilse Storb: Louis Armstrong. Entertainer and Real Ambassador, in: Jazz Research Papers, #10 (1990), p. 132-137 (F)
• Jaromir Navràtil: Il caso Armstrong - ovvero un caso di coscienza, in: Blu Jazz, 2/6 (1990), p. 30-37 (F)
• John Chilton: The Song of the Hawk. The Life and Recordings of Coleman Hawkins, London 1990 [book: Quartet Books], passim (F)
• A. Barris: Louis Armstrong, in: Jazz Report, 3/6 (Jun/Jul.1990), p. 18-20 (F)

• Boris Farberman: Coloquios con Louis Armstrong, in: Cuadernos de Jazz, 1/5 (1991), p. 18-24 (I)
• Dave Gelly: Louis Armstrong Connection, in: Jazz FM, #5 (1991), p. 11-12 (F)
• NN: Jazz Slang. Heebies Jeebies, in: Blu Jazz, 3/13 (1991), p. 62-63 (F: lyrics)
• NN: Jazz Slang. Heebies Jeebies, in: Blu Jazz, 3/13 (1991), p. 62-63 (F + Text)
• Floyd Levin: Louis Armstrong. Seine unterschätzten Aufnahmen in der Big-Band-Ära, in: Jazz Podium, 40/3 (Mar.1991), p. 8-9 (F)
• Coen de Jonge: De eeuwige Satchmo. Armstrong wist cultuut van de straat plaats te geven in muziek, in: Jazz Nu, 149 (Apr. 1991), p. 208-311 (F)
• Arrigo Polillo: Louis Armstrong in Italia. Affiorano le prime critiche nel viaggio più lungo, in: Musica Jazz, 47/7 (Jul.1991), p. 43-44 (F)
• Claude Maudoux: St. Louis Armstrong Blues. Louis Armstrong, ou le jazz personifié, in: Bulletin du HCF, #393 (Jul.1991), p. 4-5 (F)
• G. Testoni: Louis Armstrong in Italia. Finalmente il jazz italiano può incoronare sua meastà, in: Musica Jazz, 47/7 (Jul.1991), p. 39-40 (F)
• G.M. Maletto: Louis Armstrong in Italia. Occhiate indiscrete di "fans" e bizzarie della stampa, in: Musica Jazz, 47/7 (Jul.1991), p. 41-42 (F)
• Hugues Panassié: Louis Armstrong. Jadis et maintenant, in: Bulletin du HCF, #393 (Jul.1991), p. 5-9 (F)
• Jacques Pescheux: Louis Armstrong. Roi du jazz forever, in: Bulletin du HCF, #393 (Jul.1991), p. 1-3 (F)
• P. Mafei: Louis Armstrong in Italia. Il mondo intero si fermò guardando a Spoleto, in: Musica Jazz, 47/7 (Jul.1991), p. 45-47 (F)
• P. Maffei: Louis Armstrong in Italia. Un "Blitz" semiclandestino in un solo teatro, in: Musica Jazz, 47/7 (Jul.1991), p. 37-38 (F)
• S.G. Biamonte: Louis Armstrong in Italia. Quando se ne impadoni il "pop" italiano, in: Musica Jazz, 47/7 (Jul.1991), p. 48-50 (F)
• David H. Ostwald: Louis Armstrong, Civil Rights Pioneer, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 186-188 (F; reprint, from: New York Times, 3.Aug.1991)
• Scott Yanow: Jazz Legends... Happy 90th, Louis!, in: Jazz Times, 21/5 (Aug.1991), p. 31, 70 (F)
• Chip Deffaa: Louis Armstrong Archive Dedicated, in: Mississippi Rag, Oct.1991, p. 11-12 (F)
• Ernie Anderson: Louis Armstrong. A Personal Memoir, in: Storyville, #148 (1.Dec.1991), p. 124-148 (F/I)
• Ernie Anderson: Louis Armstrong. A Personal Memoir, in: Storyville, #148 (Dec.1991), p. 124-148 (F)
• Richard Cook: Top of the Pops. Louis Armstrong, in: The Wire, #94/95 (Dec/Jan.1991/92), p. 46-49 (F)

• Art Hodes & Chadwick Hansen: Hot Man. The Life of Art Hodes, Urbana 1992 [book: University of Illinois Press], passim (F)
• Jon P. Pult: The Undeniable One. Some Thoughts on Louis Armstrong, in: The Second Line, 44/2 (Spring 1992), p. 18-20 (F)
• Joshua Berrett: Louis Armstrong and Opera (excerpt), in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 24-29 (F; excerpted reprint, from: The Musical Quarterly, summer 1992)
• Tom Reed: Louis Armstrong, in: Tom Reed: The Black Music History of Los Angeles. Its Roots, Los Angeles 1992 [book], p. 215-216 (F)
• Dan Havens: A Year with Satchmo, 1931-32. George James Talks, in: Jazz Journal, 45/1 (Jan.1992), p. 6-9 (F/I)
• Robert Baranello: Armstrong Archive Arrives, in: Down Beat, 59/1 (Jan.1992), p. 11 (F)
• Floyd Levin: Louis Armstrong's Underrated Big Band Recordings, in: Jazz Journal, 45/2 (Feb.1992), p. 20-21 (F)
• John Chilton: The Louis Armstrong Archive, in: Jazz Journal, 45/2 (Feb.1992), p. 22 (F)
• Jacob A. Stein: An Evening with Louis Armstrong, in: Jazz Beat, 4/1 (Aug.1992), p. 7-8, 25 (F)

• Brian Priestley: Starter Pack. Louis Armstrong, in: Jazz. The Magazine, #18 (1993), p. 24-25 (F)
• Dan Morgenstern: King Louis, in: Dan Morgenstern: Jazz People [1984], New York 1993 [book], p. 81-98 (F)
• Frank Tirro: Louis Armstrong [p. 78-80 (F)]; Louis Armstrong [p. 170-182 (A/T: Hotter Than That / West End Blues]; Louis Armstrong - Cornet Chop Suey [Anhang, p. 8-9 (A/T)]; S.O.L. Blues / Struttin' With Some Barbecue / West End Blues [Anhang, p. 62-64 (T)], in: Frank Tirro: Jazz History, New York 2/1993 [book]
• James M. Doran: On Tour with Louis Armstrong, in: James M. Doran: Herman Chittison. A Bio-Discography, Bel Air/MD 1993 [book], p. 11 (F)
• Lewis Porter & Michael Ullman: "King" Joe Oliver [p. 39-45 (F/A/T: Chimes Blues]; Louis Armstrong [p. 57-73 (F/A/T: Mandy, Make Up Your Mind / Potato Head Blues), in: Lewis Porter & Michael Ullman: Jazz. From Its Origins to the Present, Englewood Cliffs/NJ 1993 [book]
• Louis Armstrong Joe Oliver Is Still King, in: Jerry's Rhythm Rag, #1 (Winter 1993), p. 8-10 ("I"; reprint aus: Record Changer, Jul.1950)
• Mark Gridley: Louis Armstrong, in: Mark C. Gridley: Jazz Styles. History and Analysis, Englewood Cliffs 5/1993 [book], p. 68-73 (F/A: "West End Blues")
• NN: Louis Armstrong Stamp Up-Date, in: The Second Line, 45 (1993), p. 45-46 (appeal for Armstrong stamp)
• Robert Dupuis: Bunny Berigan. Elusive Legend of Jazz, Baton Rouge 1993 [book: University of Louisiana Press], passim (F)
• Stuart Nicholson: Ella Fitzgerald, London 1993 [book]; German translation as: Ella - Die Stimme des Jazz, München 1993 [book], passim (F)
• Al van Starrex: An Adventure in Discography. Louis Armstrong Discoveries - New Finds from 1929, in: Coda, #249 (May/Jun.1993), p. 32-33 (F)
• Leo Walker: Louis, in: Joslin's Jazz Journal, 12/3 (Aug.1993), p. 12-13 (F)
• Ib Skovsted Thomsen: Louis Armstrong. dengang og nu, in: Jazz Special, #13 (Dec.1993), p. 16-17 (F)

• André Clergeat: Le timbre d'Armstrong, in: Les Cahiers du Jazz, #4 (1994), p. 89-94 (F)
• Bridget Fenlason: At last - A United States Postage Stamp for Louis Armstrong, in: The Second Line, 46 (1994), p. 61 (F)
• Dan Morgenstern: Louis Armstrong and the Development & Diffusion of Jazz, in: Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art], p. 95-145 (F); German translation, as "Louis Armstrong und die Verbreitung des Jazz", in: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne], p. 95-145 (F)
• Donald Bogle: Louis Armstrong. The Films, in: Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art], p. 147-179 (F); German translation, as "Louis Armstrong. Seine Filme", in: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne], p. 147-179 (F)
• Len Salik: Louis Armstrong Archive Open in new York City, in: The Second Line, 46 (1994), p. 15-16 (F)
• Lucien Malson & Christian Bellest: Armstrong. Le "West End Blues" fondateur, in: Les Cahiers du Jazz, #1 (1994), p. 15-26 (A/T)
• Lucille Armstrong: Louis' Favorite Dish. The Recipe for Red Beans and Rice, in: Jazz Beat, 5/3 (Winter 1994), p. 6 (F)
• Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art] (F); German translation: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne]
• Marc H. Miller: Louis Armstrong. A Cultural Legacy, in: Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art], p. 17-65 (F); German translation, as "Louis Armstrong - ein kulturelles Vermächtnis", in: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne), p. 17-65 (F)
• Marc H. Miller: Louis Armstrong. A Portrait Record, in: Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art], p. 180-230 (F); German translation, as "Louis Armstrong. Eine Porträtbilanz", in: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne], p. 181-230 (F)
• Mel Tormé: Louis and Billie, in: Mel Tormé: My Singing Teachers. Reflections on Singing Popular Music, New York 1994 [book: Oxford University Press], p. 9-13 (F)
• Richard A. Long: Louis Armstrong and African-American Culture, in: Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art], p. 67-93 (F); German translation, as: "Louis Armstrong und die afro-amerikanische Kultur", in: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne], p. 67-93 (F)
• Rick Kennedy: Louis Armstrong and the Red Onion Jazz Babies, in: Rick Kennedy: Jelly Roll, Bix, and Hoagy. Gennett Studios and the Birth of Recorded Jazz, Bloomington 1994 [book], p. 85-89 (F)
• Whitney Balliett: King Louis, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin's Press], p. 813-819 (F; reprint, from 1994)
• Coen de Jonge: Louis Armstrong toegewijd gerestaureerd. In volle pracht en met licht geknetter, in: Jazz Nu, #179 (Jan.1994), p. 38, 40-41 (F/R)
• Lucille Armstrong: The Armstrong recipe for Red Beans and Rice, in: Jersey Jazz, 22/6 (Jul/Aug.1994), p. 38 (F)
• David Bradbury: Rethinking a Legend. Was Louis Armstrong's Fifties period Any Good?, in: Jazz on CD, 1/8 (Sep.1994), p. 12-14 (F)
• Max Harrison: Louis Armstrong, in: Jazz on CD, 1/8 (Sep.1994), p. 15 (R: "Great Original Performances 1923-31", "The Best of Louis Armstrong")
• Robert Baranello: Riffs. Satchmo's Legacy. Armstrong Archives Open to Public, in: Down Beat, 61/9 (Sep.1994), p. 12 (F)
• Abby Hübner: Louis Armstrong, in: Jazz Podium, 43/11 (Nov.1994), p. 18, 21 (F; Vorabdruck aus Armstrong-Biographie im Oreos-Verlag)
• Jean-Pol Schroeder: Pour une Pléiade Bleue. A la Découverte des Intégrales de Media 7, in: Jazz in Time, #57 (Nov.1994), p. 31-33 (F/R)
• Ernie Anderson: Joe Glaser & Louis Armstrong. A Memoir. Part 1: Early Days, in: Storyville, #160 (Dec.1994), p. 123-135 (F)
• Kees Delsman: Really the Blues 97-1, in: Doctor Jazz Magazine, #147 (Dec.1994), p. 27-30 (F/Text.Transkription zu "Put 'Em Down Blues", "The Last Time", "I'm Not Rough ", "Hotter Than That", "Big Butter and Egg Man from the West", "Sunset Cafe Stomp")
• NN: Really the Blues 97-2, in: Doctor Jazz Magazine, #147 (Dec.1994), p. 31-34 (F/Text-Transkription zu Armstrong/Vocal-Nummern mit Hociel Thomas,. Butterbeans and Susie: "Gambler's Dream", "Sunshine Baby", "Adam and Eve Had the Blues", "Put It Where I Can Get It", "Wash Woman's Blues", "I've Stpped My Man", "Deep Water Blues", "G'wan I Told You", "Listen to Ma", "Lonesome Hours", "He Likes It Slow")

• Barry Kernfeld: What to Listen for in Jazz, New Haven 1995 [book: Yale University Press], p. 11 (A/T: trumpet break in "Hotter Than That"); p. 16-18 (A/T: trumpet and clarinet solo, beginning of scat solo in "Hotter Than That"); p. 32 (A/T: scat solo in "Hotter Than That"); p. 61-62 (A: form of "Hotter Than That"); p. 167-168 (A: scat singing in "Hotter Than That")
• Don Marquis: At last - a stamp for Satchmo, in: The Second Line, 47 (1995), p. 47-50 (F)
• Herman Leonard: Jazz Memories, Levallois-Perret/France 1995 [book: filipacchi], p. 20-23 (photos)
• NN: Louis Armstrong Jazz Stamp 'Unvieled'. A Packed House Celebrates at Louisiana Jazz Federation's Tribute, in: Jazztown Crier, Fall 1995, p. 11 (C)
• Stefano Zenni: Louis Armstrong. Satchmo. Oltre il mito del jazz, Roma 1995 [stampa alternativa] (F)
• Stephan Richter: "Swing" als Persönlichkeitswert. Louis Armstrongs "Big Butter and Egg Man" und die Folgen, in: Stephan Richter: Zu einer Ästhetik des Jazz, Frankfurt 1995 [book], p. 131-138 (F/A/T)
• Wynton Marsalis: Marsalis on Music, New York 1995 [book], p. 116-118 (F)
• NN: Finally, Louis Gets Stamp of Approval, in: Mississippi Rag, Jan.1995, p. 11 (N: Briefmarke)
• J.Lee Anderson: The Iron Lip Cornet Wonder. The Early Years - New Orleans, King Oliver, Fletcher Henderson, the Hot Fives and Hot Sevens, in: Mississippi Rag, Feb.1995, p. 1-4, 6-8 (F)
• Jeroen de Valk: Grooves. Pijnlijk complete Louis Armsztrong-Box krijgt geen vervolg, in: Jazz Nu, #191 (Feb.1995), p. 6 (F)
• NN: Louis Armstrong. Hommage cinématographique, in: Jazz Magazine, #445 (Feb.1995), p. 31-34 (Filmprogramm)
• Stephen Maitland-Lewis: Louis Armstrong. A Fan Remembers, in: Mississippi Rag, Feb.1995, p. 22-23 (F)
• Alain Tercinet: Bonheur. Louis Armstrong, la voix de la trompette, in: Jazzman, #1 (Mar.1995), p. 18-19 (F)
• Michel Laverdure: En direct. Louis Armstrong. Hommage cinématographique, in: Jazz Magazine, #446 (Mar.1995), p. 8 (Film-C)
• Ira Gitler: Live! The Armstrong Continuum, in: Jazz Times, 25/3 (Apr.1995), p. 64, 66 (C: Tribute to Armstrong by Wynton Marsalis, Nicholas Payton, Clark Terry and others)
• Jean-Pol Schroeder: Pour une pléiade bleue. A la découverte des Intégrales de Media 7 - Louis Armstrong, in: Jazz in Time, #61 (Apr.1995), p. 13-15 (F/R)
• Tom Alexios: Riffs. Armstrong Gets Stamp of Approval, in: Down Beat, 62/6 (Jun.1995), p. 13 (F)
• Larry Blumenfeld: Second Line. Ten Trumpeters Talkin' About Louis, in: Jazziz, 12/7 (Jul.1995), p. 76-80 (F/I mit Nicholas Payton, Jon Faddis, Wynton Marsalis, Terence Blanchard, Dic Cheatham, Donald Byrd, Dave Douglas, Leroy Jones, Randy Sandke, Marcus Printup)
• Leslie Gourse: Heebie Jeebies. Louis Armstrong and the Vocal Tradition, in: Jazziz, 12/7 (Jul.1995), p. 70-75 (F)
• Scott Yanow: Satchmo The Great, in: Jazziz, 12/7 (Jul.1995), p. 63-69 (F)
• Geraldine Wyckoff: Strictly Jazz. City trumpets new Louis Armstrong stamp, in: Offbeat, Aug.1995, p. 19 (F)
• Bill Milkowski: 25 Who Mattered. Louis Armstrong, in: Jazz Times, 25/7 (Sep.1995), p. 52 (F)
• Tom Jacobsen: Firs-Class Celebration, in: Mississippi Rag, Oct.1995, p. 28-30 (F: New Armstrong stamp)
• Fred Robbins: Intervista a Louis Armstrong sulla Stazione Radio WHN New York City, 26 gennaio 1944, in: Jazz (Italy), 2/13 (Nov/Dec.1995), p. 14-20 (I)
• NN: Block Notes 1944, in: Jazz (Italy), 2/13 (Nov/Dec.1995), p. 21 (F)
• NN: Louis Armstrong. Il CD del mese, in: Jazz (Italy), 2/13 (Nov/Dec.1995), p. 22-25 (F)
• Philippe Baudoin: Armstrong compositore. "Someday You'll Be Sorry", in: Jazz (Italy), 2/13 (Nov/Dec.1995), p. 26-27 (A/T)

• Albert Murray: The Armstrong Continuum. The Twentieth-Century American Herald, in: Albert Murray: The Blue Devils of Nada. A Contemporary Approach to Aesthetic Statement, New York 1997 [book: Vintage; Original: New York 1996, Random House], p. 51-72 (F)
• Albert Murray: The Ellington Synthesis. Armstrong and Ellington. Stompin the Blues in Paris, in: Albert Murray: The Blue Devils of Nada. A Contemporary Approach to Aesthetic Statement, New York 1997 [book: Vintage; Original: New York 1996, Random House], p. 97-113 (F)
• Chip Deffaa: Louis Armstrong, in: Chip Deffaa: Jazz Veterans. A Portrait Gallery, Fort Bragg/CA 1996 [book: Cypress House], p. 126-127 (F)
• David Perry: Satchmo, in: David Perry: Jazz Greats, London 1996 [book: Phaidon], p. 41-74 (F9
• Duncan Schiedt: Twelve Lives in Jazz, Parma 1996 [book], p. 6-19 (F/photos)
• Klaus Stratemann: Louis Armstrong on the Screen, Copenhagen 1996 [book] (F/Filmography)
• Klaus-Uwe Dürr: Louis Armstrong, 1923-1932, Hamburg 1996 [book: privately published] (D)
• Krin Gabbard: Actor and Musician. Louis Armstrong and His Films, in: Krin Gabbard: Jammin' at the Margins. Jazz and the American Cinema, Chicago 1996 [book], p. 204-238 (F); reprint, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 201-233 (F)
• Richard Domek: Musical Organization and Trademarks in the Maturing Solos of Louis Armstrong, in: Jazz Research Papers, 16 (1996), p. 32-47 (A/T: excerpts from "Cornet Shop Suey"; "Strutti With Some Barbecue"; "Potato Head Blues"; "Beau Koo Jack"; "Mahogany Hall Stomp"; "Big Butter and Egg Man"; "Ding Gong Daddy")
• Richard H. Knowles: The Waifs Home Brass Band, in: Richard H. Knowles: Fallen Heroes. A History of New Orleans Brass Bands, New Orleans 1996 [book: Jazzology Press], p. 101-103 (F)
• Scott Reeves: From Pops to Miles. The Evolution of the Jazz Vocabulary, in: Jazz Research Papers, 16 (1996), p. 113-122 (F/T: trumpet transcription of "Hotter Than That")
• Doug MacCash: Eye Music. NOMA exhibit follows Armstrong from musician to icon; how to draw the human body, in: Offbeat, Jan.1996, p. 18-19 (F)
• NN: Armstrong's Home to Be Museum, in: The American Rag, 8/3 (Apr.1996), p. 1, 48 (F)
• Rudie Kagie: Satchmo's schatkamer. De gearchiveerde erfenis van Louis Armstrong, in: Jazz Nu, #206 (Jun.1996), p. 8-9, 11 (F/I mit Michael Cogswell)
• Gian Carlo Roncaglia: Armstrong a Torino nel '35. Un po' di chiarezza, in: Ritmo, #705 (Jul.1996), p. 18-19 (F)
• Luciano Federighi: Ella e Satchmo. Dal contrasto magiche fusioni, in: Musica Jazz, 52/8-9 (Aug/Sep.1996), p. 44-47 (F)
• Ate van Delden: Bengt Persson's Armstrong's project, in: Doctor Jazz, #154 (Sep.1996), p. 19-21 (F)
• Jon Pult: Armstrong über alles. An exhibit at NOMA makes clear that King Louis was the greatest, in: OffBeat, Dec.1996, p. 45-46 (F)

• Brian Cameron Harker: The Early Musical Development of Louis Armstrong, 1901-1928, Columbia University 1997 [book/dissertation: University Microfilm facsimile], passim (F/A/T); p. 127, 279 (T: "Cornet Shop Suey"); p. 127 (T: "Weatherbird Rag"); p. 129 (T: "Froggie Moore"); p. 134-136 (T: "Tears"); p. 160, 167, 178 (T: "Words"); p. 163 (T: "I Miss My Swiss"); p. 166 (T: "Go 'Long Mule"); p. 176 (T: "Tell Me, Dreamy Eyes"); p. 177 (T: "My Rose Marie"); p. 179-180, 291 (T: "Naughty Man"); p. 182 (T: "Shanghai Shuffle"); p. 183 (T: "Copenhagen"); p. 185-186, 188 (T: "Why Couldn't It Be Poor Little Me?"; p. 190-191 (T: "Alabamy Bound"); p. 192-193 ("Money Blues"); p. 196-197 (T: "Mandy Make Up Your Mind"); p. 226 (T: "Poor House Blues"); p. 228 (T: "Railroad Blues"); p. 236 (T: "See See Rider Blues"); p. 238 (T: "Terrible Blues"); p. 244 (T: "Savoy Blues"); p. 247, 371-375 (T: "West End Blues"); p. 290 (T: "Muskrat Ramble"); p. 292 (T: "Oriental Strut"); p. 294-295 (T: "Potato Head Blues"); p. 302, 304-316 (T: "Big Butter and Egg Man"); p. 322, 324 (T: "Heebie Jeebies")
• Christian Batchelor: Louis Armstrong, in: Christian Batchelor: This Thing Called Swing. A Study of Swing Music and The Lindy Hop, The Original Swing Dance, London 1997 [book: The Lindy Hop Collection], p. 64-67 (F)
• David Chevan: Written Music in Early Jazz, City University of New York 1997 [book/dissertation: University Microfilm facsimile], p. 238-306 (F: chapter "The Copyright Deposits of Louis Armstrong"); p. 420-421 (A: stock arrangement of "Beau Koo Jack" compared to recording by Louis Armstrong); p. 471-489 (T: original manuscripts of "Coal Cart Blues"; "Cornet Shop Suey"; "Don't Forget to Mess Around When You're Doing the Charleston"; "Drop That Sack"; "Gate Mouth"; "Gully Low Blues"; "Gut Bucket Blues"; "Heah Me Talkin' to Ya"; "I Am In the Barrel, Who Don't Like It?"; "Knockin' a Jug"; "Muggles"; "Papa What You Are Trying to Do to Me I've Been Doing It for Years"; "Tears"; "Weather Bird Rag"; "Weather Bird"; "When You Leave Me Alone to Pine")
• Dempsey J. Travis: The Louis Armstrong Odyssey. From Jane Alley to America's Jazz Ambassador, Chicago 1997 [book: Urban Resarch Press] (F)
• Dempsey J. Travis: The Voices of Pop's Children, in: Dempsey J. Travis: The Louis Armstrong Odyssey. From Jane Alley to America's Jazz Ambassador, Chicago 1997 [book: Urban Resarch Press], p. 186-187 (F/I with Homes Daylie, Cab Calloway, Floyd Campbell, Bud Freeman, Art Hodes, George Kirby, Maxine Sullivan, Miles Davis, Earl Hines, Dizzy Gillespie, Taft Jordan, Roy Eldridge, Jonah Jones, Dud Bascomb, Sammy Lowe, Lionel Hampton)
• Eric Nisenson: Blue. The Murder of Jazz, New York 1997 [book: St. Martin's Press], p. 60-69 (F: chapter "Genius: The Triumph and Tragedy of Louis Armstrong")
• Krin Gabbard: Louis Armstrong and His Audiences, in: Lewis Porter: Jazz. A Century of Change. Readings and New Essays, New York 1997 [book: Schirmer], p. 164-171 (F)
• Laurence Bergreen: Louis Armstrong. An Extravagant Life, New York 1997 [book: Broadway Books; German translation as "Louis Armstrong. Ein extravagantes Leben", Zürrich 2000 (Haffmanns Verlag)] (F); review, by Thomas Brothers, in: American Music, 16/2 (Summer 1998), p. 234-237 (B); review, by Dave Nathan, in: Marge Hofacre's Jazz News, 15/100 (Mar.1999), p. I: 25 (B); review, by Mike Hazeldine, in: New Orleans Music (Footnote), 7/2 (Dec.1997), p. 22-23 (B)
• Werner Burkhardt: Satchmo... strahlend neu und doch der Alte. The Louis Armstrong Connection - Satchmo, Swing That Music, in: Jazz Time (CH), 1/1997, p. 18-20 (F/R)
• Herman Openeer: Meningen over Jazz. Nederlands debuut van Louis Armstrong, November 1933, part 1, in: NJA Bulletin, #23 (Mar.1997), p. 40-50 (F); part 2, in: NJA Bulletin, #24 (Jun.1997), p. 36-43 (F); response, by Robert Pernet, in: NJA Bulletin, #32 (Jun.1999), p. 7 (letter)
• Ken Rattenbury: The Influential Improvisers. Louis Armstrong - 'Weather Bird Rag', part 1, in: Crescendo & Jazz Music, 34/4 (Aug/Sep.1997), p. 38-39 (A/T); part 2, in: Crescendo & Jazz Music, 34/5 (Oct/Nov.1997), p. 38-39 (A/T)
• Loren Schoenberg: Woodshedding. 'If I Could Be With You One Hour Tonight'. Loren Schoenberg looks at a great Louis Armstrong performance from 1930, in: Jazz UK, #17 (Sep/Oct.1997), p. 18-19 (A/T)
• Vittorio Castelli: Satchmo, Handy e le forbici, in: Musica Jazz, 53/12 (Dec.1997), p. 52 (F/R)

• Abbi Hübner: Louis Armstrong, in: Klaus Neumeister: And Our Hearts in New Orleans. Die Geschichte des Hot-Jazz in Hamburg ab 1950, Schacht-Audorf 1998 [book: Köller Verlag], p. 27 (poem)
• Alain Gerber: Louis Armstrong. Le génie en contrebande, in: Alain Gerber: Fiesta in Blue. Textes de Jazz, Tome 1, Paris 1998 [book: Editions Alive], p. 113-117 (F)
• Alain Gerber: Louis Armstrong. Louis et les philistins, in: Alain Gerber: Fiesta in Blue. Textes de Jazz, Tome 1, Paris 1998 [book: Editions Alive], p. 118-120 (F)
• Carol O. Bartels: Louis Armstrong. Fond Memories, in: Jon Kukla (ed.): Jazz Scrapbook. Bill Russell and Some Highly Musical Friends, New Orleans 1998 [book: Historic New Orleans Collection], p. 28-43 (F)
• Dick Russell: Albertg Murray and Louis Armstrong, in: Dick Russell: Black Genius and the American Experience, New York 1998 [book: Carroll & Graf], p. 22-36 (F)
• Fips Fleischer: Erinnerungen, Berlin 1998 [book: Ullstein], p. 65-68, 73 (F)
• Gary Giddins: Visions of Jazz. The First Century, New York 1998 [book: Oxford University Press], p. 23-27 (F: chapter "Louis Armstrong/Mills Brothers. Signifyin'")
• Gary Giddins: Visions of Jazz. The First Century, New York 1998 [book: Oxford University Press], p. 82-102 (F: chapter "Louis Armstrong. The Once and Future King"); p. 634-640 (F: chapter "Louis Armstrong/Nicholas Payton. Interpreted")
• John Clare: Doin' the Satchmo Split, in: JazzChord, #44 (Summer 1998/1999), p. 9 (F)
• John Potter: Armstrong to Sinatra. Swing and sub-text, in: John Potter: Vocal Authority. Singing Style and Ideology, Cambridge 1998 [book: Cambridge University Press], p. 87-112 (F)
• Katherine Adzima: Interview with Louis Armstrong, in: Michel Boujut: Louis Armstrong, Paris 1998 [book: Éditions Plume], p. 4-5 (I with Marsalis about Armstrong)
• Michel Boujut: Louis Armstrong, Paris 1998 [book: Éditions Plume] (F)
• R. Craig Sautter: Satchmo, in: Curt Johnson & R. Craig Sautter: The Wicked City. Chicago from Kenna to Capone, Chicago 1994 [book: December Press; Reprint, New York 1998: Da Capo], p. 277-291 (F)
• Randi Hultin: Born Under the Sign of Jazz, London 1998 [book: Sanctuary], p. 111-120 (F)
• David Joyner: Louis Armstrong. The Great Communicator, in: Jazz Player, 5/4 (Jun/Jul.1998), p. 11-13 (F)
• NN: Louis Armstrong honoté à Paris, in: Bulletin du HCF, #471 (Jun.1998), p. 29 (short F)
• Stefano Zenni: "West End Blues". Tre minuti che cambiarono il mondo, in: Musica Jazz, 54/6 (Jun.1998), p. 22-26 (F/A/T)
• Jacques Pescheux: La Place Louis Armstrong à Paris enfin inaugurée, in: Bulletin du HCF, #473 (Aug.1998), p. 7-9 (F)
• André Clergeat: La Piazza Louis Armstrong a Parigi, in: Jazz 'n' Blues 'n' Around, 5/5 (Oct.1998), p. 14-15 (F)
• Art Fell & Peter Gaskell: Paris Honors Louis Armstrong, in: Mississippi Rag, Oct.1998, p. 34-35 (F)
• Al van Starrex: "Louis Armstrong. An Extravagant Life", by Laurence Bergreen, in: Coda, #282 (Nov/Dec.1998), p. 16-18 (B)
• Michel Laplace: La trompette, instrument roi. La chanson de Louis Armstrong: Le trompettiste du siecle, in: Jazz Hot, #555 (Nov.1998), p. 32-35 (F)
• Scott Menhinick: Satchmo Speaks. Preserving Louis Armstrong's private tapes, in: Signal to Noise, #8 (Nov/Dec.1998), p. 6-7 (F/I with Michael Cogswell)
• Patrice Caratini: Création. Louis Armstrong, in: Jazzman, #42 (Dec.1998), p. 24-25 (F)
• Richard Wiedamann: Louis "Satchmo" Armstrong. "Er schuf den Jazz, wie wir ihn kennen", in: Jazz Zeitung, 23/12 (Dec.1998), p. 8-9 (F)

• Alyn Shipton: Groovin' High. The Life of Dizzy Gillespie, New York 1999 [book: Oxford University Press], passim (F)
• Dale Keiger: White House Trumpets Support for the House That Jazz Built, in: Q - The Magazine of Queens College, 7/2 (Summer 1999), p. 6-9 (F) [vert.file]
• Dan Morgenstern: Commentary, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 177-186 (F; reprint from liner notes to "Louis Armstrong. Chicago Concert")
• Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books] (F/I/"I")
• Keith Shadwick: Louis Armstrong. The Beginning and the End of It All, in: Jon Newey (ed.): Tower Jazz Guide 2000/01, London 1999 [book: Tower Records], p. 38 (F)
• Leonard Brown: Jazz Masters. Louis Armstrong, in: Leonard Brown & Claude Page (eds.): Kansas City and All That Jazz, Kansas City 1999 [book: Andrews McMeel Publishing], p. 5-8 (F)
• Leslie Gourse: Wynton Marsalis. Skain's Domain - A Biography, New York 1999 [book: Schirmer Books], passim (F)
• Lil Hardin: Lil and Louis. Satchmo and Me (excerpts), in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 36-42 (F; transcription from recording on Riverside RLP 12-120)
• Milt Hinton: On the Road with Louis Armstrong, in: Milt Hinton & David Berger: Overtime, New York 1991 (F); Reprint, in: Charles Graham & Dan Morgenstern (eds.): The Great Jazz Day, Emeryville/CA 1999 [book: Woodford Press], p. 141-142 (F)
• Peter J. Levinson: Trumpet Blues. The Life of Harry James, New York 1999 [book: Oxford University Press], passim (F)
• Randi Hultin: Louis Armstrong far eget museum, in: Jazz Nytt (Norway), 1/1999, p. 30 (F)
• Simon Géza Gábor: Magyar Jazz Történet, Budapest 1999 [book + 2 CDs: Magyar Jazzkutatási Társaság], p. 164-165 (F)
• Thomas Brothers (ed.): Louis Armstrong In His Own Words, New York 1999 [book: Oxford University Press] (F/I); review, by Jay Weiser, in: Down Beat, 66/11 (Nov.1999), p. 73 (B); review, by Jack Sohmer, in: Jazz Times, 30/1 (Feb.2000), p. 77-78 (B); review, by Barry Witherden, in: Jazz Review, #10 (Jul.2000), p. 12 (B); review, by W. Mark Sutherland, in: The Jazz Report, 13/2 (Winter 2000), p. 39 (B); review, by Mark Berresford, in: VJM's Jazz and Blues Mart, #119 (fall 2000), p. 14 (B); review, by Christopher Hillman, in: Jazz Journal, 53/11 (Nov.2000), p. 18 (B); review, by Ben Kragting Jr., in: Doctor Jazz Magazine, #171 (Dec.2000), p. 50 (RB)
• William Russell (ed.): "Oh, Mister Jelly". A Jelly Roll Morton Scrapbook, Copenhagen 1999 [book: Jazz Media], p. 347-348 (I)
• Chelsea J. Carter: His Horns of Plenty. History Is Hearing Satchmo, and All That Jazz, in: New York Newsday, 21.Jan.1999, p. A39 (F/I with Michael Cogswell) [vert.file]
• Jeff Hannusch: Carnival Tales. When Satchmo Was King, in: OffBeat, Feb.1999, p. 58-59 (F)
• Jason Koransky: Louis Armstrong. Echoes of New Orleans, in: Down Beat, 66/7 (Jul.1999), p. 10-12 (F/I with Nicholas Payton, Clark Terry, Jon Faddis)
• Ken Rattenbury: The Influential Improvisers. Louis Armstrong: "A Monday Date" (part 1), in: Crescendo & Jazz Music, 36/4 (Aug/Sep.1999), p. 38-39 (F/T); part 2, in: Crescendo & Jazz Music, 5/36 (Oct/Nov.1999), p. 38-39 (A/T)
• Loren Schoenberg: 52nd Street Themes. Louis Armstrong, in: Jazz UK, #29 (Sep/Oct.1999), p. 14 (F)
• John Evers: Wonderful Louis, in: Jazz Zeit, #6 (Dec.1999), p. 23 (F)