Archiv der Kategorie: Jazz Index

Jazz Index: Peter Brötzmann

Beispiel für einen Jazz Index zu Peter Brötzmann

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Jazz Index – created on 13. August 2014

The following bibliographical information is drawn from periodicals and books present in the archive of the Jazzinstitut Darmstadt. Our extensive periodical collection comprises more than 55,000 issues of some 1,050 jazz periodicals. Close to two-thirds of the collection has been indexed.

Following the more recent entries are abbreviations denoting the nature of the material in the respective articles. These symbols are:

[A] = analytical remarks
[B] = extensive book review
[BT] = blindfold test
[C] = concert review
[D] = discography
[F] = feature article
[I] = interview
[“I”] = article written by the respective musician himself
[N] = (very short) news item
[O] = obituary
[R] = extensive record review
[T] = transcription

The Jazz Index is a service of the…

Jazzinstitut Darmstadt, Bessunger Strasse 88d, D-64285 Darmstadt, Germany
phone ++49 (6151) 963740, fax ++49 (6151) 963744

This bibliography has been compiled and mailed by … Jazzinstitut Darmstadt,
e-mail: jazz@jazzinstitut.de, Internet: www.jazzinstitut.de

Brötzmann, Peter (ts * b: 6.Mar.1941, Remscheid/Germany; Lexikon: Feather [1976,1999]; Companion [1987]; New Grove [1988,2001]; rororo [1988]; Reclam [1989]; Dictionnaire [1988,1995]; MusicHound [1999]; Rough Guide [1999,2000]; Wölfer [2008]; vertical file: Peter BRÖTZMANN [1986-1987,1992-1995,1999,2002,2006])

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J.-M. Fehlhaber: Das Peter Brötzmann Trio in Aachen, in: Sounds, 1/1966-67, p. 25-26 (C)

Rainer Blome: Ein neues Gesicht im Jazz. Peter Brötzmann, in: Jazz Podium, 125/8 (Aug.1966), p. 216 (F/I) [digi.copy]

Rainer Blome: Peter Brötzmann – Do It Yourself / Peter Brötzmann Trio, in: Sounds, 4/1967, p. 33-34 (R)

Manfred Miller: Irene Schweizer / Peter Brötzmann. Deserving of wider recognition, in: Jazz Podium, 16/3 (Mar.1967), p. 86-87 (F) [digi.copy]

NN: Jazz in Deutschland 1967. Die Musiker. Peter Brötzmann Trio, in: Jazz Podium, 16/3 (Mar.1967), p. 66 (F) [digi.copy]

NN: Free Jazz – Pop Jazz. Jazz – unverständlich oder populär? Klaus Doldinger und sein Quartett, Vertreter des modernen Jazz und Peter Brötzmann und sein Trio, exponierte freejazzer, liefern sich musikalisch und in der Diskussion eine harte Auseinandersetzung, in: [WDR archive, call slip], 12.May 1967 (call slip; no further information; video not available at the Jazzinstitut) [digi.copy]

Keith Knox: Peter Brötzmann, in: Jazz Monthly, #155 (Jan.1968), p. 15 (F)

Siegfried Schmidt-Joos: “Weil viele Dinge geändert werden müssen.” Ein Interview mit Peter Brötzmann, in: Jazz Podium, 17/4 (Apr.1968), p. 128-129 (I) [digi.copy]

NN: Wohlklang nein. “Machine Gun” (Brötzmann 2), in: Der Spiegel, 10.Sep.1968, p. 195 (R) [digi.copy]

Manfred Miller: Peter Brötzmann, in: Sounds, #8 (Sep.1968), p. 16-17 (F)

H.D. Schelte: Peter Brötzmann und die Jazzkritik, Köln 1969 [book: Sounds], passim (F/A: “Machine Gun”) [digi.copy]

Günther Eichler: Zwischen Klarheit und Chaos. Konstruktivismus und Free Jazz im Darmstädter Studentenkeller, in: Darmstädter Echo, 6.May 1969 (C: Peter Brötzmann, Fred van Howe, Peter Kowald, Sven Ake Johansson) [digi.copy]

NN: “Brötzmann kommt”, in: [concert info], Darmstadt, 19.Jun.1969 (short F) [digi.copy]

NN: Das neue Profil der deutschen Jazzmusiker. Peter Brötzmann, in: Jazz Podium, 19/3 (Mar.1970), p. 91-92 (F)

R. Williams: “Nipples” Is Outstanding, in: Melody Maker, 21.Nov.1970, p. 32 (R)

European Jazz Personalities. German Federal Republic, Part 1, in: Jazz Forum, #13/14 (Fall/Winter 1971), p. 108 (short F: biography)

Dieter Zimmerle: Brötzmann Trio, in: Jazz Podium, 20/8 (Aug.1971), p. 280-286 (F/I with Peter Brötzmann, Fred van Hove, Han Benning) [digi.copy]

Nele Hertling & Peter Brötzmann & Jost Gebers: Free Jazz und Kinder. 15 Kinder & Brötzmann, Van Hove, Bennink, in: Free Jazz und Kinder [EP], FMP S 1/2 (1972) (F/”I”: liner notes) [digi.copy]

W.P.: Peter Brötzmann + Albert Mangelsdorff, in: Sounds, 6/1972, p. 36 (R)

NN: Platte des Monats. Peter Brötzmann Trio + Albert Mangelsdorff, in: Jazz Podium, 21/2 (Feb.1972), p. 34 (R)

R. Williams: Blasting Berlin, in: Melody Maker, 5.Feb.1972, p. 34 (R: Florence Nightingale / The End u.a.)

NN: Brötzmann-van Hove-Bennink, in: Jazz Podium, 21/4 (Apr.1972), p. 104-105 (F)

Peter Schulze: Free Jazz ohne Publikum, in: Jazz Podium, 21/9 (Sep.1972), p. 15-17 (F/I)

NN: Free-Jazz-Förderung, in: Der Spiegel, 19.Mar.1973, p. 137 (short F/I) [digi.copy]

D. Pennequin: Onze Européens parlent de leur musique. Peter Brötzmann, in: Jazz Magazine, #220 (1974), p. 19-21

Gérard Rouy: Brötzmann-Mangelsdorff (Musée d’Art Moderne de la Ville de Paris, in: Jazz Magazine, #220 (1974), p. 4-5

Alfred König: Podium Jam Session. Brötzmann “Einheitsfrontlied”, in: Jazz Podium, 23/1 (Jan.1974), p. 27 (letter)

Werner Panke: A Portrait of Peter Brötzmann, in: Jazz Forum, #38 (Dec.1975), p. 46-48 (F/I)

Peter Brötzmann & Jost Gebers: Free Jazz und Kinder, in: Jost Gebers (ed.): For Example. Workshop Freie Musik 1969-1978. Photographs, Documents, Statements, Analyses, Berlin 1978 [book/LP booklet: FMP/Free Music Production], p. 21 (“I”)

Peter Brötzmann: 10mal Spaß und Musik / Ten Times Fun and Music, in: Jost Gebers (ed.): For Example. Workshop Freie Musik 1969-1978. Photographs, Documents, Statements, Analyses, Berlin 1978 [book/LP booklet: FMP/Free Music Production], p. 126a-127a (“I”)

H. Lukas Lindenmaier: Peter Brötzmann. Interview, in: Cadence, 4/10 (Oct.1978), p. 3, 5-7, 20, 22 (I) [digi.copy]

Werner Panke: Ohne Kompromiß. Weg mit den Jugendsünden des Jazz!, in: Fono Forum, 10/1979, p. 56-57

John Fordham: Storm, in: John Fordham: Shooting from the Hip. Changing Tunes in Jazz, London 1996 [book: Kyle Cathie Limited], p. 83-84 (C; Reprint, from: The Guardian, Oct.1980)

Bert Noglik: Peter Brötzmann, in: Bert Noglik: Jazz-Werkstatt International, Berlin 1981 [book], p. 190-211 (I)

Bernd Ogan: Peter Brötzmann Trio. Aggressivität und Nuancenreichtum, in: Jazz Podium, 30/3 (Mar.1981), p. 22-23

Philippe Haller: Jazz en direct. Peter Brötzmann, in: Jazz Magazine, #296 (Apr.1981), p. 14-15 (C)

Werner Panke: Brötzmann-Schönenberg. Unüberhörbare Annäherungen, in: Jazz Podium, 31/2 (Feb.1982), p. 19

Bernd Ogan: Peter Brötzmann Trio. Überraschende, unkalkulierbare Variationen und Spielarten, in: Jazz Podium, 31/5 (May 1982), p. 25

Peter Kostakis: Peter Brötzmann & Harry Miller & Louis Moholo – “Opened, But Hardly Touched” (FMP), in: Down Beat, 50/4 (Apr.1983), p. 30-32 (R)

Peter Brötzmann: Pieces for Reed-Instruments Solo, Berlin 1984 [sheet music: FMP/Free Music Production] (T)

H.D. Grünfeld: Interview mit Peter Brötzmann. Zu Kurz gekommen: die Klarinette, in: Jazz Podium, 33/11 (Nov.1984), p. 7-8 (I)

Steve Lake: Great Recordings. The Peter Brötzmann Octet – Machine Gun, in: The Wire, #13 (Mar.1985), p. 45 (F/R)

Bernd Ogan: Brötzmann/Hannes Bauer/Bennink (im Nürnberger Jazzstudio), in: Jazz Podium, 34/5 (May 1985), p. 19 (C)

D. Ilic: Peter Brötzmann – 14 Love Poems, in: The Wire, #23 (1986), p. 52 (R)

NN: Szene. Lärm pur von “Last Exit”, in: Der Spiegel, 19.May 1986, p. 185 (short F) [digi.copy]

Steve Lake: Last Exit. The Living End, in: The Wire, #29 (Jul.1986), p. 22-23, 25 (I with Peter Brötzmann, Bill Laswell, Ronald Shannon Jackson, Sonny Sharrock)

Werner Wenzel: Brötzmann – Harth. Offener Austausch, in: Jazz Podium, 35/8 (Aug.1986), p. 27 (C)

Ekkehard Jost: Sieben Wege, ins Freie zu gelangen. Peter Brötzmann: For Adolphe Sax [p. 99-102 (F/A)], Brötzmann – van Hove – Bennink [p. 121-134 (F/A)], in: Ekkehard Jost: Europas Jazz 1960-80, Frankfurt/Main 1987 [book]

Bill Shoemaker: Han Bennink & Peter Brötzmann. First Entrances and Last Exits, in: Down Beat, 54/1 (Jan.1987), p. 24-26 (F/I)

Bill Shoemaker: Peter Brötzmann & Bill Laswell – “Low Life” (Celluloid), in: Down Beat, 54/8 (Aug.1987), p. 40 (R)

Thomas Tang: Peter Brötzmann & Alfred Harth. Offener Austausch, in: Jazz Podium, 36/12 (Dec.1987), p. 31 (C) [digi.copy]

Michael Rüsenberg: Es ist nicht das Metall – Peter Brötzmann, in: Ekkehard Jost & Annette Hauber & Klaus Wolbert (Hgg.): That’s Jazz. Der Sound des 20. Jahrhunderts, Darmstadt 1988 [book], p. 685-687 (I)

James Brinsfield: Peter Brötzmann – “Last Exit” (Enemy); “The Noise of Trouble” (Enemy), in: Down Beat, 55/1 (Jan.1988), p. 27-28 (R)

Edward Jarvis: Tyskfrijazz lever och har hälsan, in: Orkester Journalen, 56/4 (Apr.1988), p. 31-33 (R: several records on FMP)

Ulrich Stock: Peter und Caspar Brötzmann. Nie schön. Der Vater macht Free Jazz, der Sohn Rockmusik, in: Die Zeit, 12.Aug.1988 (F/I) [vert.file]

Thomas Tang: Floros Floridis Meets Peter Brötzmann & Paul Lytton. Energy- and Power-Play, in: Jazz Podium, 38/5 (May 1989), p. 34 (C)

Steve Lake: Backgrounds + Reviews. Last Exit – A Lexicon of Lightning, in: Day In Day Out, #4 (1990), p. 35-36 (F/I)

Michael Scheiner: Das Jazz-Portrait. Peter Brötzmann, in: Jazz Zeitung, 15/2 (Feb.1990), p. 2-3 (F/I)

John Fordham: Cabaret for Elephants, in: John Fordham: Shooting from the Hip. Changing Tunes in Jazz, London 1996 [book: Kyle Cathie Limited], p. 226-227 (C; Reprint, from: The Guardian, Oct.1990)

Ekkehard Jost: Free Jazz. Peter Brötzmann – “Machine Gun” (BRO 2), in: Barry Kernfeld (ed.): The Blackwell Guide to Recorded Jazz, Cambridge/MA 1991 [book: Basil Blackwell]¸p. 413-415 (R)

Thomas Mießgang: Peter Brötzmann, in: Thomas Mießgang: Semantics. Neue Musik im Gespräch, Hofheim 1991 [book], p. 61-66 (I)

Thomas Tang: Peter Brötzmann zum 50. Einen kleinen Auschnitt aus einem kleinen Leben erzählen, in: Jazz Podium, 40/3 (Mar.1991), p. 10-12 (I)

Markus Müller: Nachrichten aus der Wirklichkeit. Die ganze Wahrheit in zwei Akten, in: Jazzthetik, 5/5 (May 1991), p. 16-23 (I)

Bert Noglik: Danke und guten Weg. Peter Brötzmann zum 50., in: Neue Zeitschrift für Musik, 152/6 (Jun.1991), p. 30-35 (F/I)

Peter Erik Hillenbach: Familienkrach. Portrait: Brötzmann & Brötzmann, in: Zeitmagazin, 27.Mar.1992, p. 46-48, 52 (F/I)

Gérard Rouy: Jazz en direct. Peter Brötzmann, in: Jazz Magazine, #311 (Oct.1992), p. 6 (C)

Thomas Tang: Peter Brötzmann. Film-Portrait ist meine Sprache, in: Jazz Podium, 42/1 (Jan.1993), p. 29 (C)

John Corbett: Machine Gun Etiquette, in: The Wire, #108 (Feb.1993), p. 42-43, 46-47 (I) [digi.copy]

Gary Parker Chapin: Brötzmann / Van Hove / Bennink plus Albert Mangelsdorff – “Live in Berlin ’71” (FMP CD 34/35), in: Coda, #253 (Jan/Feb.1994), p. 25 (R) [digi.copy]

Manu Holterbach, Jérome Noetinger & Pascal Kobert: Peter Brötzmann, in: Revue & Corrigée, #22 (Dec.1994), p. 20-21 (I)

Bert Noglik: Peter Brötzmann Quartet, in: Jazzfest Berlin ’95, Berlin 1995 [program], p. 58-59 (F)

Gudrun Edel-Rösnes: Peter Brötzmann. När det låter runt, starkt och skönt – då tycker jag om det, in: Gränslöst, #1 (May 1995), p. 12-16 (I)

Peter Kemper: Behutsamer Berserker. Peter Brötzmann als unermüdlicher Prophet des freien Jazz, in: Frankfurter Allgemeine Zeitung, 12.Sep.1995 (F/C) [vert.cile]

Chema Chacón: Peter Brötzmann, in: Margen (Spain), #8 (Winter 1996/1997), p. 39 (F)

Wolfram Knauer: Emanzipation wovon? Zum Verhältnis des amerikanischen und des deutschen Jazz in den 50er und 60er Jahren, in: Wolfram Knauer (Hg.): Jazz in Deutschland, Hofheim 1996 [book], p. 141-157 (F)

Gérard Rouy: Peter Brötzmann. Le free explosif, in: Jazz Actuel, #3 (Apr.1996), p. 4-5 (I)

Ssirus W. Pakzad & Christian Stolberg: Könner an der Kanne, in: WOM Journal, Aug.1996, p. 40 (short F)

Franck Médioni & Alexandre Pierrepont & Gérard Rouy: Albert Ayler. Message reçu, in: Jazz Magazine, #462 (Sep.1996), p. 34 (short I über Albert Ayler)

Jörg Fischer: “Unser Kopf ist rund, damit das Denken die Richtung ändern kann”. Zur stilistischen Entwicklung Han Benninks unter besonderer Berücksichtigung von Einflüssen aus den bildenden Künsten, Mainz 1997 [Examensarbeit], p. 30-31 (A: Brötzmann/van Hove/Bennink: “Balls”, 1970); p. 50-51 (A: Brötzmann/van Hove/Bennink); p. 54-61 (A: Das Spielen mit verschiedenen Idiomen bei Brötzmann/van Hove/Bennink); p. 70-71 (A: “Schwarzwaldfahrt”); passim (F)

Kouichi Ohshima: Peter Brötzmann Discography, Tokyo 1997 [book: Improvised Company] (D)

Gérard Rouy: Les tendres violences de Peter Brötzmann, in: Jazz Magazine, #470 (May 1997), p. 38-39 (I)

Marcello Lorrai: Peter Brötzmann vecchio ragazzo free, in: Musica Jazz, 53/7 (Jul.1997), p. 28-30, 32 (I)

Felix Klopotek: Peter Brötzmann. Saxophonsoloaufnahmen sind heute keine Besonderheiten mehr…, in: Jazzthetik, 11/9 (Sep.1997), p. 52-55 (F/I)

Adam Strider: Peter Brötzmann. Two Nights in New York City, in: Stridernews, #5 (Jul.1998), p. 6-7 (C)

Patrik Landolt: Peter Brötzmann. Genie des Dilettanten. Das große Donnern und der lange Nachhall, in: DU, Jul.1998, p. 70-72 (F)

Bruce Carnevale: Common Currencies. For European jazz musicians bent on freedom and independence, cultural exchange has led to a new definition of terms, in: Jazziz, 15/9 (Sep.1998), p. 116-117 (F/short I with Evan Parker, Peter Kowald, Peter Brötzmann)

Harald Hult: Öppna Öron. Peter Brötzmann, in: Gränslöst, 4/3 (Sep.1998), p. 36-38 (BT: George Lewis: Ice Cream”; Bose Wärmell: “The Golden View”; Don Cherry & Bernt Rosengren: “Brotherhood Suite II”; Anthony Dalgas: “Manes Begoglou”; Ethnic Heritage Ensemble: “Afro Slick”; David Ware: “Blues for a Change”; Lennie Tristano: “Ghost of a Chance”; John Russell & Roger Turner: “Romney Marsh”)

Wolf Kampmann: Peter Brötzmann Chicago Tentet, in: Jazz Fest Berlin ’99, Berlin 1999 [program booklet], p. 22-23 (F)

Bruce Carnevale: Auditions. Peter Brötzmann – “The Chicago Octet/Tentet” (Okla Disk), in: Jazziz, 16/1 (Jan.1999), p. 60 (F/R)

Reiner Kobe: Die Like a Dog Quartet – “Little Birds Have Fast Hearts” (FMP), in: Jazz Podium, 48/1 (Jan.1999), p. 68 (R)

Bob Rusch: Peter Brötzmann Review, in: Cadence, 25/2 (Feb.1999), p. 5-7 (I)

James Hale: Brötzmann 1998, in: Coda, #284 (Mar/Apr.1999), p. 12-14 (F/R)

Sam Prestianni: Peter Brötzmann’s Die Like a Dog Quartet – “Little Birds Have Fast Hearts, No. 1” (FMP), in: Jazziz, 16/3 (Mar.1999), p. 71 (R)

Steven A. Loewy: Peter Brötzmann Unmasked. Leader of the Pack, in: Coda, #284 (Mar/Apr.1999), p. 8-12 (F/I)

Ben Watson: Peter Brötzmann’s Die Like a Dog Quartet – “Little Birds Have Fast Hearts, Volume Two” (FMP), in: Jazziz, 16/7 (Jul.1999), p. 81, 83 (R)

Carina Prange: Peter Brötzmann. Wanderer dies- und jenseits der Grenzen, in: Jazz Podium, 48/10 (Oct.1999), p. 30-31 (I)

John Corbett: Machine Gunners. Evan Parker / Peter Brötzmann, in: Down Beat, 66/10 (Oct.1999), p. 40-44 (F/I); response, by Matt Banash, in: Down Beat, 66/12 (Dec.1999), p. 12 (letter)

Jon C. Morgan: Iron Lungs. After four decades of intense activity, Peter Brötzmann’s spirit is undiminished, in: The Wire, #188 (Oct.1999), p. 26-29 (F/I)

Klaus Mümpfer: Solokonzertreihe der Jazz-Fabrik Rüsselsheim mit Mangelsdorff, Schlippenbach, Brötzmann, in: Jazz Podium, 48/11 (Nov.1999), p. 40 (C)

Mark Greenaway: Peter Brötzmann. Nipples Out Again, in: Avant, #17 (fall 2000), p. 25 (F)

Mike Heffley: Northern Sun, Southern Moon. Identity, Improvisation, and Idiom in Freie Musik Produktion, Middletown/CT 2000 [PhD thesis: Wesleyan University], passim, especially p. 568-571, 583-584, 590-591, p. 676-721 (F/I), p. 1332-1334 (A: “Die Like a Dog”, p. 1335-1337 (A: “For Adolphe Sax”) [digi.copy]

Steve Kulak: Dying Like a Dog. Inside the mind of God: Sunday Morning, Frankfurt, with the Peter Brötzmann Quartet, in: Avant, #14 (Winter 2000), p. 6-9 (F)

Patrick Hughes: Peter Brötzmann’s Die Like a Dog Quartet featuring Roy Campbell – “From Valley to Valley” (Eremite), in: Jazziz, 17/3 (Mar.2000), p. 66-67 (R)

John Corbett: Freeways. A Tour Diary from the Improvised Road with the Peter Brötzmann Chicago Tentet Plus Two, in: Down Beat, 67/10 (Oct.2000), p. 36-39 (F)

Amiri Baraka: Peter Brötzmann Sextet & Quartet – “Nipples” (Unheard Music Series/Atavistic), in: Jazz Times, 30/10 (Dec.2000), p. 148 (R)

Jon Andrews: Peter Brötzmann Chicago Tentet – “Stone/Water” (Okadisk); Peter Brötzmann Sextet/Quartet – “Nipples” (UMS/ALP), in: Down Beat, 67/12 (Dec.2000), p. 76, 78 (R) [digi.copy]

Dan Warburton: On Location. Peter Brötzmann’s Chicago Tentet, Banlieue Bleue Festival, Paris, in: Signal to Noise, #22 (summer 2001), p. 39 (C)

Hannes Schweiger: Peter Brötzmann. Much to Say, in: Jazz Live, 131 (2001), p. 8 (F/I)

Serge Perrot: Peter Brötzmann, in: ImproJazz, #71 (Jan.2001), p. 4-5 (I)

Gérard Rouy: Peter Brötzmann, le colosse de Wuppertal, in: Jazz Magazine, #512 (Feb.2001), p. 24-25 (F/I)

Phil Freeman: Peter Brötzmann Group – “Fuck de Boere” (Atavistic), in: Jazziz, 18/8 (Aug.2001), p. 50 (R)

Andreas Felber: Peter Brötzmann. Teatime in Wuppertal, in: Jazzthetik, 15/11 (Nov.2001), p. 46-48, 50-51 (I) [xerox in vert.file]

Gérard Rouy: Peter Brötzmann, 60 ans saxophoniste, in: Jazz Magazine, #520 (Nov.2001), p. 34-35 (F/I)

Felix Klopotek: Peter Brötzmann, Gregor Hotz. One That Stood Alone, in: Felix Klopotek: How They Do It. Free Jazz, Improvisation und Niemandsmusik, Mainz 2002 [book: Ventil], p. 45-50 (F)

Klaus Mümpfer: Brötzmann-Sommer. Leidenschaftliche Verausgabung, in: Jazz Podium, 51/1 (Jan.2002), p. 43 (C)

Mitch Myers: Peter Brötzmann – “Fuvk de Boere” (Unheard Music/Atavistic); Haaz & Company – “Unlawful Noise” (Unheard Music/Atavistic), in: Down Beat, 69/1 (Jan.2002), p. 73 (R)

Andreas Felber: Der unbezähmbare Realo. Die kultige Sturheit des Peter Brötzmann, in: Jazz Zeit, #30 (Jul/Aug.2002), p. 8 (F/I)

Peter Margasak: Peter Brötzmann, in: Down Beat, 69/9 (Sep.2002), p. 17 (C)

Phil Freeman: Peter Brötzmann Trio – “For Adolphe Sax” (Atavistic), in: Jazziz, 19/10 (Oct.2002), p. 65 (R)

Marc Chénard: Brötzmann + 9 = Wild Nights at the Casa, Casa del Popolo, Montreal, in: Coda, #306 (Nov/Dec.2002), p. 27-28 (C)

Clifford Allen: Peter Brötzmann, in: All About Jazz, #13 (May 2003), p. 5, 17 (I)

Michael Rosenstein: Peter Brötzmann, Four CDs, in: Coda, #309 (May/Jun.2003), p. 23-24 (R)

Bill Shoemaker: Peter Brötzmann & William Parker & Hamid Drake – “Never Too Late but Always Too Early” (Eremite); Peter Brötzmann Die Like a Dog Quartet – “Aoyama Crows” (FMP); Peter Brötzmann Sextet/Quartet – “More Nipples” (Unheard Music Series/FMP Archive Edition), in: Jazz Times, 33/7 (Sep.2003), p. 108 (R)

Georg Kleinert: Peter Brötzmann Chicago Tentet, in: Jazzclub Magazin (Karlsruhe), 18/4 (Sep/Oct.2003), p. 7 (F: concert preview)

Jérôme Baboulène: Eric Dolphy. L’outrepasseur. La jazz dans la troisième dimension, in: Jazz Magazine, #552 (Oct.2004), p. 18-23 (F/short I with Peter Brötzmann, Denis Colin, Han Bennink, Mats Gustafsson, Joe McPhee, Misha Mengelberg, Evan Parker, Michel Portal, Louis Sclavis, Jef Sicard, Ken Vandermark, Otomo Yoshihide, Mike Zwerin)

Chris Kelsey: Peter Brötzmann Chicago Tentet – “Signs” (Okkadisk), in: Jazz Times, 34/10 (Dec.2004), p. 125-126 (R)

David Borgo: Sync or Swarm. Improvising Music in a Complex Age, New York 2005 [book: Continuum], passim (F/A)

Mike Heffley: Northern Sun / Southern Moon. Europe’s Reinvention of Jazz, New Haven 2005 [book: Yale University Press], passim; especially p. 137-145 (F: chapter “Peter Brötzmann (Improvisation)” [digi.copy]; “The ’68ers”); p. 265-266 (F/I: chapter “Peter Brötzmann”) [digi.copy]

Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 2005 [book: Reclam], p. 31-32 (R: “Machine Gun”, FMP); reprint, in: Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 4/2011 [book: Reclam], p. 35-36 (R)

Thomas Loewner: Peter Brötzmann, in: Peter Niklas Wilson (ed.): Jazz Klassiker, Stuttgart 2005 [book: Reclam], p. 659-666 (F)

Ulfert Goeman: Trio Sonore. Überzeugt mit freiem Spiel, in: Jazz Podium, 54/4 (Apr.2005), p. 40 (C)

Christian Broecking: Peter Brötzmann. Harte Arbeit Free Jazz, in: Jazz Thing, #61 (Nov/Jan.2005/2006), p. 78-79 (F/I)

E. Dieter Fränzel & Dietrich Rauschtenberger: Peter Brötzmann. “Wir hatten den Willen, so weit wie möglich zu gehen”, in: E. Dieter Fränzel & JAZZ AGe Wuppertal (eds.): sounds like whoopataal. Wuppertal in der Welt des Jazz, Essen 2006 [book: Klartext], p. 171-181 (I)

E. Dieter Fränzel & Heiner Bontrup: Peter Brötzmann, der Free Jazz und der Zeitgeist, in: E. Dieter Fränzel & JAZZ AGe Wuppertal (eds.): sounds like whoopataal. Wuppertal in der Welt des Jazz, Essen 2006 [book: Klartext], passim; especially p. 168-170 (F)

E. Dieter Fränzel & JAZZ AGe Wuppertal (eds.): sounds like whoopataal. Wuppertal in der Welt des Jazz, Essen 2006 [book: Klartext], passim (F)

Lloyd Peterson: Music and the Creative Spirit. Innovators in Jazz, Improvisation, and the Avant-Garde, Lanham/Md 2006 [book: Scarecrow Press], p. 29-33, 43-55 (I)

Hans-Jürgen von Osterhausen: Musik und Bildende Kunst. Gemeinschaftsausstellung Peter Brötzmann / Han Bennink im Remscheid, in: Jazz Zeitung, 31/3 (Mar.2006), p. 4 (F)

Adam Olschewski: Poesie ist in Musik verwandelte Sprache. Freejazz-Veteran Peter Brötzmann hat sich mit dem Chicago Tentet dem Beatnik Kenneth Patchen zugewandt. Ein kleines Update über Jazz und Lyrik und ihre verschiedenen Annäherungen, in: Frankfurter Rundschau, 20.Apr.2006 (F) [vert.file] [digi.copy]

Andreas Fellinger: Live! Gemütlichkeit unerwünscht. Peter Brötzmann Tentett, Alter Schlachthof Wels, in: FreiStil, #9 (Aug.2006), p. 11 (C)

Leif Wigh: På scen. Tre imponerande improvisatörer. Sonore, Ugglan, Stockholm, in: Orkester Journalen, 74/10 (Oct.2006), p. 22 (C)

Scott Verrastro: Peter Brötzmann Group – “Alarm” (Atavistic), in: Jazz Times, 37/1 (Feb.2007), p. 132 (R)

Thierry Lepin: Peter Brötzmann, l’insurgé, in: Jazzman, #138 (Sep.2007), p. 30-32 (F/I)

Christian Broecking: Wer auftreten will, muss Geld mitbringen. Peter Brötzmann im Gespräch über das Berliner Jazzfest, Exportsubventionen und seine Musik, in: Berliner Zeitung, 29.Oct.2007, p. 33 (F/I) [digi.copy]

Bill Meyer: Peter Brötzmann Chicago Tentet – “American Landscapes 1” (Okka Disk 12067); “American Landscapes 2” (Okka Disk 12068), in: Down Beat, 74/10 (Oct.2007), p. 82 (R: 3 1/2 stars; 4 stars)

Howard Reich: Brotzmann ignites fellow tentet players, in: Chicago Tribune, 3.Dec.2007 (C) [digi.copy]

Michael Jackson: Caught. Ten-Year Brötzmann Tentet Takes Chicago by Storm, in: Down Beat, 75/3 (Mar.2008), p. 22-23 (C) [digi.copy]

NN: Peter Brötzmann / Pal Nilssen – “Love”; Mats Gustafsson – “The Fat Is Gone” (Smalltown Superjazz), in: Eartrip, #1 (Mar.2008), p. 72-74 (R) [digi.copy]

Anders Lindén: Brötzmann Brölar, in: Orkester Journalen, 76/5 (Oct/Nov.2008), p. 26-27 (poem)

“swm”: Wie ein einziger kollektiver Urschrei. Enjoy Jazz: Debüt von Saxofonist Peter Brötzmanns Sextett Full Blast in der Alten Feuerwache, in: Mannheimer Morgen, 8.Nov.2008 (C) [digi.copy]

Daniel Spicer: Master Blaster. Until you’ve heard saxophonist Peter Brötzmann in the flesh you only can gain a partial sense of the primeval sound and sheer power of the free jazz German pioneer through listening to him on CD. For those who haven’t heard him live already, this month you’ll get the chance at the London Jazz Festival. Daniel Spicer talks to him about his motivations for playing the way he does and looks back at his seminal album ‘Machine Gun’ 40 years ago, in: Jazzwise, #125 (Nov.2008), p. 30-32 (F/I)

Hans-Jürgen Linke: Das Rudel. Peter Brötzmanns Full Blast in Mannheim, in: Frankfurter Rundschau, 8.Nov.2008 (C) [digi.copy]

Maxi Sickert: Was bleibt, sind die Bilder. Wertmüller, Brötzmann und Haino spielten im Quasimodo ihre Mitmusiker an die Wand, in: die tageszeitung, 8.Nov.2008 (C) [digi.copy]

Amiri Baraka: Digging. The Afro-American Soul of American Classical Music, Berkeley 2009 [book: University of California Press], p. 398-400 (F/R: chapter “Peter Brötzmann, ‘Nipples’, and Joe McPhee, ‘Nation Time'”)

Andrew Wright Hurley: The Return of Jazz. Joachim-Ernst Berendt and West German cultural change, New York 2009 [book: Berghahn Books], passim; especially p. 118-121 (F: chapter “Peter Brötzmann and the “Kaputtspiel” (Playing Things to Pieces)” / “‘Machine Gun’, Free Jazz, and Politics”)

Erik van den Berg: Han Bennink. De wereld als trommel, Amsterdam 2009 [book: Uitgeverij Thomas Rap], passim (F/I)

NN: Peter Brötzmann – “Berg- und Talfahrt. A Night in Sana’a” (ARM 02), in: [CD info], Nov.2009 (F) [digi.copy]

Uli Armbruster: Peter Brötzmann – “Berg- und Talfahrt / A Night in Sana’a / Live at ‘Deutsches Haus'” (ARM 02), in: [CD flyer], Nov.2009 (F) [digi.copy]

Galerie Epikur (ed.): Brötzmann. Arbeiten 1959-2010, Wuppertal 2011 [book: Galerie Epikur], passim (F/art work) [digi.copy]

Harald Kisiedu: “European Freedom”. Zum Verhältnis von Musik und Politik bei Peter Brötzmann, in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 141-155 (F) [digi.copy]

John Corbett: Chicago, Januar 2011 / January 2011, in: Galerie Epikur (ed.): Brötzmann. Arbeiten 1959-2010, Wuppertal 2011 [book: Galerie Epikur], p. 14-15 (F) [digi.copy]

Jürgen Arndt: Misha Mengelberg und Peter Brötzmann in improvisatorischen Dialogen zwischen Europa und den USA, in: Jazzforschung/jazz research, #42 (2010), p. 33-58 (F)

Marcello Lorrai: William Parker. Conversazioni sul jazz, Milano 2010 [book: Auditorium], passim (F)

Mike Pearson: Cardiff, Dezember 2010 / December 2010, in: Galerie Epikur (ed.): Brötzmann. Arbeiten 1959-2010, Wuppertal 2011 [book: Galerie Epikur], p. 16-17 (F) [digi.copy]

Peter Brötzmann: Personal Statement, in: Jost Gebers (ed.): FMP. Im Rückblick – In Retrospect. 1969-2010, Berlin/Wuppertal 2010 [book: FMP-Publishing], p. 11-16 (“I”/photos)

Ralf Dombrowski: Portrait Saxofon. Kultur, Praxis, Repertoire, Interpreten, Kassel 2010 [book: Bärenreiter], p. 51-52 (F: chapter “Stimmen Europas. Von Peter Brötzmann bis Jan Garbarek”); p. 99-100 (F: chapter “Peter Brötzmann. For Adolphe Sax”)

Susanne Buckesfeld: Die Kunst von Peter Brötzmann, in: Galerie Epikur (ed.): Brötzmann. Arbeiten 1959-2010, Wuppertal 2011 [book: Galerie Epikur], p. 9-11 (F); englisch translation as: The Art of Peter Brötzmann, in: Galerie Epikur (ed.): Brötzmann. Arbeiten 1959-2010, Wuppertal 2011 [book: Galerie Epikur], p. 12-13 (F) [digi.copy]

Dan Rule: No artificial ingredients. Jazz. In his playing as in his art, saxophonist and visual artist Peter Brotzmann is cutting through the claptrap, in: The Age (Melbourne), 1.May 2010, p. 21 (F/I: about his graphic work) [digi.copy]

NN: Hairy Bones, in: Sandra Costantini (ed.): Crossroads. Jazz e altro in Emilia Romagna, Italy, 27.Feb.2010 – 23.May 2010 [festival booklet], p. 22 (F: concert preview) [digi.copy]

Brent Burton: Peter Brötzmann – “Lost & Found” (FMP), in: Jazz Times, 40/2 (Mar.2010), p. 52-53 (R)

Bill Meyer: Sonore – “Call Before You Dig” (Okka Disk 12083), in: Down Beat, 77/4 (Apr.2010), p. 52 (R: 3 1/2 stars) [digi.copy]

Daniel Spicer: On Location. Peter Brötzmann, Café Oto, London, in: The Wire, #314 (Apr.2010), p. 81 (C)

John Fordham: 50 great moments in jazz. Peter Bröttmann’s Machine Gun. A trailblazing piece of free jazz that arrived in the revolutionary year of 1968 – and later found a fan in Bill Clinton, in: The Guardian, 22.Nov.2010 (F) [digi.copy]

Uli Kurth: The 4th Quarter of the Triad. Tony Oxley. Fünf Jahrzehnte improvisierter Musik, Hofheim 2011 [book: Wolke], passim, especially p. 159-162 (F)

Wolfram Knauer: Der europäische Free Jazz, in: Helga de la Motte-Haber & Lydia Rilling & Julia H. Schröder (Eds.): Dokumente zur Musik des 20. Jahrhunderts, Teil 2, Laaber 2011 [book: Laaber], p. 118-119 (F: about Rainer Blome’s “Ein neues Gesicht im Jazz. Peter Brötzmann”)

Julian Weber: Sie nennen ihn Machine Gun. Ausnahmemusiker. Er ist der radikalste Vertreter des Free Jazz – der Saxofonist Peter Brötzmann feiert seinen 70sten, in: die tageszeitung (TAZ), 5.Feb.2011 (F/I) [digi.copy]

Volker Lüke: Nicht mehr alle Tassen im Schrank. Peter Brötzmann im HAU, in: Der Tagesspiegel (Berlin), 9.Feb.2011 (C) [digi.copy]

Valeska von Dolega: Peter Brötzmann. Geburtstag eines Grenzgängers, in: Westdeutsche Zeitung, 4.Feb.2011 (F) [digi.copy]

Markus Schneider: Die Teutonische Axt. Dem großen Free-Jazz-Saxofonisten Peter Brötzmann zum 70. Geburtstag, in: Berliner Zeitung, 5./6.Mar.2011 (F) [digi.copy]

NN: Jazz-Musiker Brötzmann stellt seine Bilder aus, in: Westdeutsche Zeitung, 10.Apr.2011 (short F) [digi.copy]

NN: “Rage!” Un film de Bernard Josse en collaboration avec Gérard Rouy, in: [film info], 30.Apr.2011 (F) [digi.copy]

Alain Brunet: Peter Brötzmann. Un demi-siècle d’improvisation libre, in: , 21.May 2011 (F/I) [digi.copy]

Steven Lafortune: Le jazz expérimental en péril selon Peter Brötzmann, in: La Nouvelle Union (Canada), 21.May 2011 (F/I) [digi.copy]

Nate Chinen: A Kind of Orthodoxy Built on Improvisation, in: New York Times, 9.Jun.2011 (C) [digi.copy]

Valeska von Dolega: Ein Film über Peter Brötzmann. Die leisen Töne der Jazz-Ikone, in: Westdeutsche Zeitung, 16.Jun.2011 (F/I/Film-R: “Brötzmann”) [digi.copy]

Anders Lindén: Brötzmann brölar, in: Orkester Journalen, 79/3 (Jun/Aug.2011), p. 14-15 (poem)

Christian Broecking: Jazzpreis. Er hat wieder gebrötzt, in: Berliner Zeitung, 20.Sep.2011 (F) [digi.copy]

Dan Warburton: Soldier on the Road. Brötz on Film, in: The Wire, #331 (Sep.2011), p. 10 (Film-R) [digi.copy]

Ted Panken: Caught. Vision Fest Brings Brötzmann, New Combos Into Sight, in: Down Beat, 78/9 (Sep.2011), p. 17 (C) [digi.copy]

Gudrun Endress: Peter Brötzmann. Glauben an das, was man tut, in: Jazz Podium, 60/10 (Oct.2011), p. 3-4, 6, 8-9 (I) [digi.copy]

NN: Long Story Short. Brötzmann, in: [festival program], Wels, Austria, 3.-6.Nov.2011 (F) [digi.copy]

“pd” & Peewee Windmüller: Albert-Mangelsdorff-Preis (Deutscher Jazzpreis) 2011 an Peter Brötzmann, in: Jazz ‘n’ More, Nov/Dec.2011, p. 4 (short F)

Andreas Felber: Einen Peter Brötzmann braucht die Welt! Music Unlimited feierte Peter Brötzmann und sich selbst. Die Welser Dezibel-Festspiele gerieten Anfang November 2011 zum denkwürdigen Ereignis, in: Concerto, Dec/Jan.2011/2012, p. 36 (F)

Christoph J. Bauer: Brötzmann. Gespräche, Berlin 2012 [book: Posth Verlag], passim (“I”)

Josef Woodard: Peter Brötzmann. Perpetually Seeking Freedom, in: Down Beat, 79/1 (Jan.2012), p. 40-42, 44-45 (F/I with Peter Brötzmann, Evan Parker, Ken Vandermark, Peer Nilssen-Love) [digi.copy]

Wolfram Knauer & Dieter Mack & Klaus Walter & Armin Köhler: Zitat und Transkulturalität. Beispiele aus der Sicht des Beirats Musik, in: [Goethe-Institut, Protokoll], 4.Mar.2012 (F: Peter Brötzmann – Berg- und Talfahrt: A Night in Sana’a: Live) [digi.copy] {confidential; internal use only}

Shaun Brady: Full Blast & Friends – “Sketches and Ballads” (Trost), in: Jazz Times, 42/3 (Apr.2012), p. 60-61 (R)

Ben Ratliff: Generations United for Improvisation, Refined but Violent. Peter Brötzmann and Jason Adasiewicz at Le Poisson Rouge, in: new York Times, 6.Sep.2012 (C) [digi.copy]

Wolf Kampmann: Mauerpark. Fluchtpunkte. Kraftvoll interurban, in: Jazz Thing, #95 (Sep/Oct.2012), p. 27 (C)

Andrey Henkin: New York at Night. Peter Brötzmann & Jason Adasiewicz, in: New York City Jazz Record, #126 (Oct.2012), p. 5 (C) [digi.copy]

Jacek Slaski: Ein herrliches Gebrüll! Peter Prötzmann im Hau 2. Eine symbolträchtige Entscheidung. Peter Brötzmann, 71, Träger des Deutschen Jazzpreises, spielte mit seinem Chicago Tentet einen Tag nach dem Ende des diesjährigen Jazzfests, in: Frankfurter Rundschau, 6.Nov.2012 (C) [digi.copy]

Jacek Slaski: Ein herrliches Gebrüll! Peter Prötzmann mit seinem Chicago tentet im Hau 2, in: Berliner Zeitung, 7.Nov.2012 (C) [digi.copy]

Alain Drouot: Peter Brötzmann – “Solo + Trio Roma” (Victo 122/123), in: Down Beat, 79/11 (Nov.2012), p. 65 (R: 4 stars) [digi.copy]

Daniel Spicer: The Primner. In the second part of our Peter Brötzmann special, Daniel Spicer provides a user’s guide to the veteran saxophonist’s crucial recordings, in: The Wire, #345 (Nov.2012), p. 46-52 (F) [digi.copy]

Daniel Spicer: The Visual Primer. A guide to the art of Peter Brötzmann, in: The Wire, #345 (Nov.2012), p. 53 (F) [digi.copy]

David Keenan: Last Man Standing. Peter Brötzmann is a legend in his own lifetime – at the age of 71 he remains one of the most uncompromising and catalytic figures in Europe’s postwar free music avant garde. In the forst of a two part special, David Keenan meets the saxophonist and visual artist at his home in Wuppertal to hear about some of the forces and experiences that have shaped his total synthesis of life, music and art over more than four decades, in: The Wire, #345 (Nov.2012), p. 38-45 (F/I) [digi.copy]

Willy Theobald: Culture Club. Ist Free Jazz heilbar? Was soll das Theater, wo spielt die Musik? Unser Experte weist den Weg durch den Kulturbetrieb der nächsten Woche. Diesmal: Die Free-Jazz-Legende Peter Brötzmann, in: Financial Times Deutschland, 3.Dec.2012 (F) [digi.copy]

Henrik Günther: Peter Brötzmann: “Wir sind dabei, einzuschlafen”. Der Jazz-Musiker stellte im Café Ada an der Wiesenstraße sein neues Buch vor, in: Westdeutsche Zeitung, 16.Dec.2012 (F/I) [digi.copy]

David Keenan: Last Man Still Standing. We so enjoyed David Keenan’s interview with peter Brötzmann in last month’s issue, that when we found out he had extracted it from a 35,000 word transcript, we asked him to write up part two from the best of the outtakes, in: The Wire, #346 (Dec.2012), p. 32-37 (F/I) [digi.copy]

Daniel Spicer: After the storm – Peter Brötzmann calls time on Chicago Tentet, in: Jazzwise, #172 (Mar.2013), p. 8 (F/I: announces end of tentet) [digi.copy]

Daniel Spicer: Brötzmann / Edwards / Noble, The Green Door Store, Brighton, in: Jazzwise, #172 (Mar.2013), p. 58 (C) [digi.copy]

Jürg Solothurnmann: “Es gibt keine Freundlichkeiten, es gibt nur Musik.” Jürg Solothurnmann über das neue Buch “Brötzmann – Gespräche” von Christoph J. Bauer und Peter Brötzmann, in: Jazz ‘n’ More, Mar/Apr.2013, p. 28 (B) [digi.copy]

Mats Guistafsson: Vaxdax. I örat på en discaholic, in: Orkester Journalen, 81/2 (Apr/May 2013), p. 46-47 (F: early FMP releases)

Peter Margasak: Peter Brötzmann Creates Strong Global Legacy. “Long Story Short” (Trost 112); “Boneshaper” (Trost 113); Exit!” (Rune Grammofon 2138); “Provoke” (Clean Feed 273), in: Down Beat, 80/5 (May 2013), p. 51 (R: 4 1/2 stars; 4 stars; 4 stars; 4 stars) [digi.copy]

Steve Greenlee: “Long Story Short. Curated by Peter Brötzmann”, in: Jazz Times, 43/4 (May 2013), p. 70 (R)

Simon Leth Stolzenbach: Peter Brötzmann. Skamfuld saxofon fra Tyskland, in: Jazz Special, #133 (Jun/Jul.2013), p. 84-87 (F/I)

Olaf Maikopf: Peter Brötzmann Jubiläum in Wels 2011, in: Jazzthetik, 27/7-8 (Jul/Aug.2013), p. 75 (F/R) [digi.copy]

Olivier Ledure: Peter Brötzmann. Un instant chaviré, Montreuil, in: ImproJazz, #200 (Nov/Dec.2013), p. 47-48 (C)

Michael Jackson: Brötzmann / Noble – “I Am Here Where Are You” (Trost 122), in: Down Beat, 80/12 (Dec.2013), p. 85 (R: 4 stars) [digi.copy]

Oliver Augst: Ab Goldap. Rüdiger Carl im Gespräch mit Oliver Augst, Frankfurt/Main 2014 [book: weissbooks], passim (F) [digi.copy]

Peter Brötzmann & Gérard Rouy: We Thought We Could Change the World. Conversations with Gérard Rouy, Hofheim 2014 [book: Wolke Verlag], passim (“I”)

Rainer Bratfisch: Jazz in Berlin, Berlin 2014 [book: Nicolai Verlag], passim (F)

Reiner Kobe: “Brötzmann Conversations with Gérard Rouy. We Thought We Could Change the World”, in: Jazz Podium, 67/6 (Jun.2014), p. 60 (B) [digi.copy]

Ted Panken: The 80 Coolest Things in Jazz Today. Global Jazz. Peter Brötzmann, in: Down Beat, 81/7 (Jul.2014), p. 50 (short F) [digi.copy]

Jazz Index: Albert Mangelsdorff

Beispiel für einen Jazz Index zu Albert Mangelsdorff

————————————————-

Jazz Index – created on 13. August 2014

The following bibliographical information is drawn from periodicals and books present in the archive of the Jazzinstitut Darmstadt. Our extensive periodical collection comprises more than 55,000 issues of some 1,050 jazz periodicals. Close to two-thirds of the collection has been indexed.

Following the more recent entries are abbreviations denoting the nature of the material in the respective articles. These symbols are:

[A] = analytical remarks
[B] = extensive book review
[BT] = blindfold test
[C] = concert review
[D] = discography
[F] = feature article
[I] = interview
[“I”] = article written by the respective musician himself
[N] = (very short) news item
[O] = obituary
[R] = extensive record review
[T] = transcription

The Jazz Index is a service of the…

Jazzinstitut Darmstadt, Bessunger Strasse 88d, D-64285 Darmstadt, Germany
phone ++49 (6151) 963740, fax ++49 (6151) 963744

This bibliography has been compiled and mailed by … Jazzinstitut Darmstadt,
e-mail: jazz@jazzinstitut.de, Internet: www.jazzinstitut.de

Mangelsdorff, Albert (tbn * b: 5.Sep.1928, Frankfurt am Main/Germany; d: 25.Jul.2005, Frankfurt am Main/Germany; Lexikon: Feather [1958]; Feather [1960]; Companion [1987]; New Grove [1988]; rororo [1988]; Reclam [1989]; Dictionnaire [1988,1995]; Komponisten [1995]; MusicHound [1999]; Rough Guide [1999]; vertical file: Dieter GLAWISCHNIG [1998]; Albert MANGELSDORFF [1969;1978;1985-1988;1991-2005])

***

Martin Kunzler (compiler): Albert Mangelsdorff, article collection for his entry in “ro ro ro Jazz Lexikon”, 1950s to 1980s (F) [digi.copy]

“hoe”: Jazzfestival in Willisau, in: Darmstädter Echo, 29.Jul.1975 (short F: concert preview: Albert Mangelsdorff Quartet) [digi.copy]

NN: Breaks. Leonard Feather, in: Der Drummer, 8/1954, p. 6 (N: Feather calls Mangelsdorff, Koller, Domnerus, Deuchar, Jaspar, Michelot excellent musicians who could play in any US name band) [digi.copy]

NN: Jazz-Echo war dabei, in: Jazz-Echo, Jul.1954, p. 47 (N/photo: with Hans Koller) [digi.copy]

Ernest Borneman: From Frankfurt, Columnist Ernest Borneman describes A cellar club where jazz stars play for free, in: Melody Maker, 30/1092 (21.Aug.1954), p. 3, 8 (F: Domicile of Jazz; Albert Mangelsdorff, Emil Mangelsdorff, Jutta Hipp, Carlo Bohländer, Harry Schell, Karl Sanner) [digi.copy]

K.B.: “Unser Albert”, in: vierViertel, 8/8 [Jazz Revue, 5/8] (Aug.1954), p. iv-v (F)

Ernest Borneman: Jazz in Germany, in: Jazz-Echo, Nov.1954, p. 42-44 (short F) [digi.copy]

NN: … kurz berichtet…, in: Der Drummer, 9/1955, p. 9 (N: records for US label) [digi.copy]

NN: … kurz berichtet…, in: Der Drummer, 10/1955, p. 8 (N: plans new quintet) [digi.copy]

NN: Hans Koller und Albert Mangelsdorff wurden als “Musiker des Jahres” gewählt, in: Jazz-Echo, Jan.1955, p. 1 (N/photo: cover) [digi.copy]

NN: Jazz-News, in: Jazz-Echo, Jan.1955, p. 44 (N: tour through South Germany plus Jutta Hipp Quintet, Two Beat Stompers) [digi.copy]

Joachim Ernst Berendt: Albert Mangelsdorff, in: Jazz Hot, #97 (Mar.1955), p. 15-16 (F) [digi.copy]

NN: Baden-Baden, in: Jazz-Echo, Mar.1955, p. 47 (C: Kurt Edelhagen Orchestra with Hans Koller, Albert Mangelsdorff) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Jun.1955, p. 43 (N: concert in Koblenz) [digi.copy]

NN: Jazz News. Amerika, in: Jazz-Echo, Nov.1955, p. 43 (N: record issued in USA on Angel label) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Oct.1956, p. 47 (N: tour “Jazz 1956 – History of Jazz”) [digi.copy]

NN: Jazz-News, in: Jazz-Echo, May 1957, p. 47 (N: German tour of Frankfurt All Stars) [digi.copy]

Pete Schmidt: Am Stateside gemessen. Joki, Albert & Co., in: Jazz Podium, 6/8 (Aug.1957), p. 11 (C) [digi.copy]

Leonard Feather: Blindfold Test. Al Mangles, in: Down Beat, 25/19 (1958), p. 45 (BT) [digi.copy]

NN: Jazz-News. Europa, in: Jazz-Echo, Mar.1958, p. 48 (N: not accepted by German tour manager as supporting act for the Modern Jazz Quartet) [digi.copy]

“DJF”: Albert Mangelsdorff fährt nach Newport, vertritt Deutschland im “Turmbau-zu-Babel-Orchester”, in: Schlagzeug, 3/9 (May 1958), p. 8 (F) [digi.copy]

NN: “Joki Freund / Albert Mangelsdorff Sextett” (Brunswick 10 804 EPB), in: Jazz-Echo, May 1958, p. 45 (R) [digi.copy]

NN: A. Mangelsdorff beim Newport-Festival. Vertreter Deutschlands beim amerikanischen Jazz-Festival, in: Westjazz, 3/33 (May 1958), p. 3 (F) [digi.copy]

NN: Albert Mangelsdorff spielt in Newport!, in: Jazz-Echo, May 1958, p. 40 (short F/copy of telegram announcing Mangelsdorff selection for the International Youth Orchestra) [digi.copy]

Eric T. Vogel: “Ich habe nicht viel Neues gelernt!” Unterhaltung mit Albert Mangelsdorff, in: Jazz Podium, 7/8 (Aug.1958), p. 160 (I) [digi.copy]

Albert Mangelsdorff: Wir spielten mit Satchmo. Albert Mangelsdorff berichtet aus Newport, in: Schlagzeug, 3/13 (Sep.1958), p. 7, 25 (“I”) [digi.copy]

Albert Mangelsdorff: Sam Session, in: Schlagzeug, 3/14 (Oct.1958), p. 12 (“I”: letter) [digi.copy]

NN: Albert Mangelsdorff plays Opa Hirchleitner, in: Schlagzeug, 3/16 (Dec.1958), p. 4 (N) [digi.copy]

Lawrence Gushee: Newport 1958. The International Youth Band, in: Jazz Review, 2/3 (1959), p. 27-28 (R) [digi.copy]

NN: Opa Hirchleitner-Story nunmehr musikalisch, in: Jazzpress, 2/1 (12.Jan.1959), p. 2 (F) [digi.copy]

“gr”: Jazz im Konzertsaal, in: Darmstädter Echo, 24.Feb.1959 (N) [digi.copy]

NN: Mangelsdorff-Jazztet in San Remo, in: Jazzpress, 2/6 (16.Feb.1959), p. 2 (N) [digi.copy]

“Schi.”: Die gelassene Sieben. Das Albert-Mangelsdorff-Septett in der Stadthalle, in: Darmstädter Echo, 2.Mar.1959 (C) [digi.copy]

NN: Bundesjugendkonferenz des DGB eröffnet mit Jazz, in: Jazzpress, 2/12 (30.Mar.1959), p. 3 (N) [digi.copy]

NN: Hans Koller Jazz Stars – “The New Hans Koller Jazz Stars featuring Albert Mangelsdorff” (Brunswick 10 811 EPB), in: Westjazz, 4/41 (Mar.1959), p. 7 (R) [digi.copy]

NN: Oberbürgermeister für Jazz, in: Jazzpress, 2/11 (23.Mar.1959), p. 2 (N) [digi.copy]

NN: Deutscher Jazz in Italien, in: Schlagzeug, #20 (Apr.1959), p. 5 (N: San Remo Festival) [digi.copy]

NN: Deutscher Jazz in Italien, in: Schlagzeug, #21 (May 1959), p. 4 (N: Mangelsdorff in San Remo) [digi.copy]

NN: Breaks, in: Schlagzeug, #22 (Jun.1959), p. 14 (N: plays for German union) [digi.copy]

NN: Stu Hamer bei Mangelsdorff, in: Schlagzeug, 4/8 (Aug.1959), p. 5 (N) [digi.copy]

NN: Jazz-Ensemble des Hess. Rundfunks, Albert Mangelsdorff Jazztet, in: Berliner Jazz-Programm, Sep/Oct.1959, p. 3 (F: concert preview) [digi.copy]

NN: Albert Mangelsdorff – “A Ball with Al” (Philips 423 277 PE), in: Schlagzeug, #27 (Nov.1959), p. 32 (R) [digi.copy]

NN: Die Opa Hirchleitner Story, musikalisch illustriert, in: Schlagzeug, #27 (Nov.1959), p. 8 (N/photo) [digi.copy]

NN: “Die Opa Hirchleitner Story” (Brunswick 10 815 EPB), in: Schlagzeug, #28 (Dec.1959), p. 31 (R) [digi.copy]

NN: Albert Mangelsdorff besetzt um, in: Jazz Podium, 9/2 (Feb.1960), p. 28 (short F) [digi.copy]

NN: Überraschung bei Mangelsdorff, in: Schlagzeug, #30 (Feb.1960), p. 4 (short F: changes in Mangelsdorff band: Bent Jaedig replaces Stu Hamer; Hartwig Bartz replaces Rudi Sehring) [digi.copy]

Dieter Zimmerle: Das Mangelsdorff-Quintett wieder neu, in: Jazz Podium, 9/4 (Apr.1960), p. 80 (F) [digi.copy]

Wolfgang Dohl: Albert Mangelsdorff, in: Jazz Podium, 10/4 (Apr.1961), p. 101-102 (F) [digi.copy]

Dieter Zimmerle: jazz pur und gemixt. Rückschau auf den Deutschen Jazz-Salon Berlin 1961, in: Jazz Podium, 10/6 (Jun.1961), p. 152-155 (C: European All Stars, Klaus Doldinger, Rolf Kühn, Attila Zoller, Helmut Brandt, Roland Kovac, Johannes Rediske, Joki Freund, Albert Mangelsdorff, Hans Koller [as painter], others) [digi.copy]

“Schi”: Atemberaubende Jazz-Phrasierung. Mangelsdorff, Grappelly, Auer spielen in Darmstadt, in: Darmstädter Echo, 5.Dec.1961 (C) [digi.copy]

P. Adler: A Juan-les-Pins. Petit Festival, Grande Semaine, in: Jazz Hot, 28/180 (1962), p. 7 (C)

Albert Mangelsdorff: Jazz in Deutschland. Gestern und heute, in: Jazz Podium, 11/1 (Jan.1962), p. 7-9 (“I”) [digi.copy]

NN: Albert Mangelsdorff schwer geschädigt, in: Jazz Podium, 11/2 (Feb.1962), p. 31 (short F: instrument stolen) [digi.copy]

NN: Zuerst Mangelsdorff – dann Hampel, in: Jazz Podium, 11/7 (Jul.1962), p. 159 (N: German tour) [digi.copy]

NN: Albert Mangelsdorff spielte für Atlantic, in: Jazz Podium, 11/9 (Sep.1962), p. 199 (short F: with John lewis) [digi.copy]

Edward A. Podesta: John Lewis & Albert Mangelsdorff & The Zagreb Jazz Quintet – “Animal Dance” (Atlantic 1402), in: Jazz [USA], 3/6 (Oct.1964), p. 18 (R) [digi.copy]

Albert Mangelsdorff: Neue Schallplatten, in: Jazz-Bulletin [Deutsche Jazz Föderation], #1 (Mar.1963), p. 4-6 (“I”: record reviews of: Modern Jazz Quartet, “The Comedy; Horace Parlan Quintet, “On the spur of the moment”; John Coltrane, “Die neue Welle im Jazz”; Sonny Rollins & Co., “The Bridge”; Shelly Manne & Bill Evans, “Empathy”) [digi.copy]

NN: Auslandstournee des Mangelsdorff Quintetts, in: Jazz Podium, 12/4 (Apr.1963), p. 76 (short F: Yugoslavia, Lyia, Egypt, Turkey) [digi.copy]

NN: Kurz notiert…, in: Jazz Podium, 12/5 (May 1963), p. 115 (N: jam session with Albert Mangelsdorff and others in Stuttgart) [digi.copy]

NN: In Kürze notiert. Albert Mangelsdorff Quintett, in: Showbusiness, 3/5 (15.Oct.1963), p. 5 (N: Asia tour planned) [digi.copy]

Horst Lippmann & Albert Mangelsdorff: Langersehnter Startschuß. Horst Lippmann beginnt CBS-Plattenserie mit deutschen Musikern, in: Jazz Podium, 12/10 (Oct.1963), p. 210-211 (F/”I”) [digi.copy]

NN: German Jazzmen to Go to Asia, in: Down Beat, 30/27 (10.Oct.1963), p. 11 (F) [digi.copy]

François-René Cristiani: Des Allemands mal soutenus ont manqué de feeling, in: Jazz Hot, #193 (Dec.1963), p. 15-16 (C) [digi.copy]

NN: German Jazz Group Thrills Local Fans, in: [Malaysian newspaper], 1964 (C) [digi.copy]

NN: Konzert des Monats. Albert Mangelsdorff Quintett, Frankfurt / Main, in: [concert info], 1964 (F: program leaflet for DDR tour) [digi.copy]

NN: Top German jazz group to play in Penang, in: [Manaysian newspaper], 1964 (F) [digi.copy]

Don DeMichael: Albert Mangelsdorff – “Tension” (CBS), in: Down Beat, 31/4 (13.Feb.1964), p. 29 (R) [digi.copy]

Gilbert M. Erskine: John Lewis & Albert Mangelsdorff / Zagreb Jazz Quartet – “Animal Dance” (Atlantic), in: Down Beat, 31/11 (7.May 1964), p. 28-29 (R)

Joachim Ernst Berendt: Jazz für den Fernen Osten. Asien-Tournee des Albert-Mangelsdorff-Quintetts, in: Jazz Podium, 13/6 (Jun.1964), p. 138-140 (F) [digi.copy]

Albert Mangelsdorff: Jazz für den fernen Osten, in: Jazz Podium, 13/7 (Jul.1964), p. 158-159 (“I”) [digi.copy]

NN: Now Jazz Ramwong. Asiatische Themen – aber Jazz à la Mangelsdorff, in: Jazz Podium, 13/8 (Aug.1964), p. 192 (F/R) [digi.copy]

Joachim Ernst Berendt: Teutonic Tour. Through Asia with the Albert Mangelsdorff Quintet, in: Down Beat, 31/25 (10.Sep.1964), p. 13-15 (F) [digi.copy]

NN: S Albert Mangelsdorffem na Dálném východě, in: Melodie [CSSR], 2/10 (Oct.1964), p. 155-156 (F)

NN: Mangelsdorff Pierces Curtain, Takes Jazz to E. Germany, in: Down Beat, 31/30 (19.Nov.1964), p. 13 (N) [digi.copy]

NN: Albert Mangelsdorff, in: Jazz Podium, 13/12 (Dec.1964), p. 298 (N: plans for East German Mangelsdorff release) [digi.copy]

Albert Mangelsdorff: Jazz Studio. Anleitung zur Improvisation für Posaune, Maint 1965 [book: Schott], passim (“I”: A/T)

Pete Welding: Albert Mangelsdorff – “Now Jazz Ramwong” (CBS), in: Down Beat, 32/3 (11.Feb.1965), p. 29-30 (R) [digi.copy]

Reginald Rudorf: Mangelsdorff kommt auch drüben an. Jazzquintett des Hessischen Rundfunks zum zweitenmal in Mitteldeutschland, in: Darmstädter Echo, 30.Jun.1965 (F/I) [digi.copy]

Joachim Ernst Berendt: Newport Jazz Festival, in: Jazz Podium, 14/8 (Aug.1965), p. 196-198 (C) [digi.copy]

NN: German 5 Set for Scott Club, in: Melody Makr, 7.Aug.1965, p. 4 (N) [digi.copy]

NN: Mangelsdorff. Now Europe Is Swinging, Too, in: Melody Maker, 21.Aug.1965, p. 6 (F/I) [digi.copy]

NN: Editorial. Bilder vom Newport Festival, inkl. Mangelsdorff, in: Sounds & Fury, 1/2 (Oct.1965), p. 12-20 (C) [digi.copy]

NN: Publishers Page. At Newport, in: Sounds & Fury, 1/2 (Oct.1965), p. 1-2 (+ cover) [digi.copy]

Misja Mengelberg: Albert Mangelsdorff Quitnet, in: Holland Festival, 1966 (F) [digi.copy]

“wd”: Ein Jazz-Konzert der Spitzenklasse. Das Albert-Mangelsdorff-Quintett gastierte in Darmstadts Stadthalle, in: Darmstädter Echo, 31.Jan.1966 (C) [digi.copy]

NN: Gastspiele und Tourneen mit Mangelsdorff, in: Jazz Podium, 15/1 (Jan.1966), p. 4 (N: tour listing) [digi.copy]

Gérald Merceron: Albert Mangelsdorff en Angleterre, in: Jazz Hot, #217 (Feb.1966), p. 9 (C) [digi.copy]

“bora”: Das war deutscher Jazz Sound. Das Albert-Mangelsdorff-Quintett gastierte in Krefeld, in: Westdeutsche Zeitung, 1.Apr.1966 (C) [digi.copy]; reprint, in: Günter Holthoff & Mojo Mendiola (eds.): 50 Jahre Jazzkeller Krefeld, Krefeld 2008 [book: Leporello Verlag], p. 65 (C) [digi.copy]

Taylor Castell: Albert Mangelsdorff – Now Jazz Ramwong, in: Sounds & Fury, 2/2 (Apr.1966), p. 56 (R) [digi.copy]

NN: Jazz at the Opera. Jazz-Matinee in der Hamburgischen Staatsoper aus Anlaß der Oper “The Visitation” von Gunther Schuller, in: Hör Zu Black Label SHZE 802 BL [LP cover, liner notes], 1967 (F: Rolf Liebermann, Gunther Schuller, Albert Mangelsdorff, Dusko Goykovic, Rolf Kühn, Bent Jaedig, Ralph Hübner, Peter Trunk, John Eaton) [digi.copy]

NN: Jazz in Deutschland 1967. Die Musiker. Albert Mangelsdorff Quintett, in: Jazz Podium, 16/3 (Mar.1967), p. 68 (F) [digi.copy]

“uli”: Mangelsdorff und Degenhardt. Konzert in der Darmstädter Stadthalle, in: Darmstädter Echo, 5.May 1967 (C) [digi.copy]

Joachim Ernst Berendt: J.E. Berendt’s Mai Jazz-Notizen. Die Kollegen sagen: Karlhanns Berger aus Heidelberg ist der beste Vibraphonist der Welt, in: Twen, May 1967, p. 140-141 (F: “summit meeting” Baden-Baden with Albert Mangelsdorf/Wolfgang Schoof Band, Rolf + Joachim Kühn Quartet, Eje Thelin/Barney Wilen Quartet) [digi.copy]

“we”: Nichts für ungeübte Ohren. Mangelsdorff-Konzert mit ausgesuchtem Cool-Jazz, in: Darmstädter Echo, 12.Jun.1967 (C) [digi.copy]

NN: Jazz News. Albert Mangelsdorff, in: Jazz Podium, 17/3 (Mar.1968), p. 75 (N: concert in Belgium) [digi.copy]

NN: Platte des Monats. Albert Mangelsdorff – “Folk Mond & Flower Dream” (CBS), in: Jazz Podium, 17/3 (Mar.1968), p. 72 (R) [digi.copy]

Claus Schreiner: Albert Mangelsdorff Quintett, Marburg 1969 [program booklet; vert.file: Albert MANGELSDORFF] [digi.copy]

Dieter Glawischnig: Motivische Arbeit im Jazz, in: Jazzforschung/jazz research, #1 (1969), p. 133-139 (A/T: “Blues du Domicile”)[digi.copy](F)

“ap”: Jazz und Turnen. Neue Impulse durch aktuelle Musik, in: Darmstädter Echo, 3.Feb.1969 (C) [digi.copy]

NN: Unter der Lupe. Ein weiterer Versuch. Jazz statt Jahn – Seltsamer Applaus, in: Darmstädter Echo, 4.Feb.1969 (C) [digi.copy]

NN: Jazz News, in: Jazz Podium, 18/3 (Mar.1969), p. 77 (N: tours Yugoslavia, France) [digi.copy]

Alan Heineman: Lee Konitz & Albert Mangelsdorff & Attila Zoller -“Zo-Ko-Ma” (MPS), in: Down Beat, 36/26 (25.Dec.1969), p. 30, 32 (R) [digi.copy]

NN: Das neue Profil der deutschen Jazzmusiker. Albert Mangelsdorff, in: Jazz Podium, 19/3 (Mar.1970), p. 88-92 (F) [digi.copy]

NN: Mangelsdorff auf Europatournee, in: Jazz Podium, 19/4 (Apr.1970), p. 121 (N) [digi.copy]

R. Williams: Straight Ahead for Elvin (Mangelsdorff Quartet at the Expo, London), in: Melody Maker, 31.Oct.1970, p. 30 (C)

European Jazz Personalities. German Federal Republic, Part 1, in: Jazz Forum, #13/14 (Fall/Winter 1971), p. 113 (short F: biography) [digi.copy]

NN: the german all-stars 71. a music tour organized by the Goethe-Institut, München 1971 [program booklet: Goethe-Institut], p. 4 (F) [digi.copy]

Wolfgang Sandner: Anmerkungen zur Improvisationstechnik von Albert Mangelsdorff, in: Jazzforschung/jazz research, #3/4 (1971/1972), p. 166-171 (A/T: excerpts from “Never Let It End”; “Square Dance”; “Open Mind”)[digi.copy]

Dieter Zimmerle: Wieder daheim: German All Stars, Kommentare und Kritik, in: Jazz Podium, 20/6 (Jun.1971), p. 214-219 (F/I) [digi.copy]

Joachim Ernst Berendt: Jazz Goes Europe, in: Frankfurter Hefte, 7/1972, p. 522-525 (F)[digi.copy]

Joachim Ernst Berendt: Spontan komponieren. Allein. Mit Humor. Ausschnitte aus einem Gespräch mit Albert Mangelsdorff, in: Jazz Podium/Jazz Now, 1972, p. 17-18 (I) [digi.copy]

W.P.: Peter Brötzmann + Albert Mangelsdorff, in: Sounds, 6/1972, p. 36 (R) [digi.copy]

NN: Platte des Monats. Peter Brötzmann Trio + Albert Mangelsdorff, in: Jazz Podium, 21/2 (Feb.1972), p. 34 (R) [digi.copy]

NN: Mangelsdorff Quartett, in: Jazz Podium, 21/4 (Apr.1972), p. 102-103 (F/I) [digi.copy]

Joachim Ernst Berendt: Solo Now! Spontan komponieren. Allein. Mit Humor. Albert Mangelsdorff, in: Jazz Podium, 21/8 (Aug.1972), p. 17-18 (I) [digi.copy]

NN: Neues Mangelsdorff Quintett, in: Jazz Podium, 21/9 (Sep.1972), p. 8 (N) [digi.copy]

“p”: Free Jazz und Elektronik. Tage für Neue Musik beginnen am Samstag, in: Darmstädter Echo, 23.Nov.1972 (short F: concert preview: workshop with Albert Mangelsdorff, Manfred Schoof, Peter Trunk) [digi.copy] {filed under “Deutschland/Darmstadt”}

Ivan A. Gonzalez: Albert Mangelsdorff, Santiago de Chile, in: Coda, 11/3 (1973), p. 41-43 (C) [digi.copy]

Joachim Ernst Berendt: Albert Mangelsdorff, interviewed, in: Jazz Forum, #21 (1973), p. 41-45 (I) [digi.copy]

NN: Posaunist hielt Treue, in: Westdeutsche Zeitung, 19.Mar.1973 (short F/photo: Jazzkeller Krefeld, with Peter Giger) [digi.copy]

Gerard Rouy: Brötzmann-Mangelsdorff (Musée d’Art Moderne de la Ville de Paris), in: Jazz Magazine, #220 (1974), p. 4-5 (C) [digi.copy]

Ray Townley: Albert Mangelsdorff – “Live in Tokyo” (Enja), in: Down Beat, 41/1 (17.Jan.1974), p. 24 (R)

NN: How They See the EJF. Albert Mangelsdorff, in: Jazz Forum, #28 (Apr.1974), p. 35 (short I) [digi.copy]

“hoe”: festival für Mangelsdorff. Jazztage in der Schweizer Gemeinde Willisau, in: Darmstädter Echo, 4.Sep.1975 (C) [digi.copy] {filed under “Schweiz/Willisau”}

Bernd Ogan: 2x4tett. Alexander von Schlippenbach und Albert Mangelsdorff, in: Jazz Podium, 24/12 (Dec.1975), p. 19 (C) [digi.copy]

Werner Panke: Federal Republic of Germany. Recording Awards for Mangelsdorff, in: Jazz Forum, #42 (1976), p. 12 (N) [digi.copy]

Claus Berger: Burton und Mangelsdorff beim NDR Workshop, in: Jazz Podium, 25/2 (Feb.1976), p. 21 (C) [digi.copy]

Steve Lake: The stunning art of Albert Mangelsdorff, in: Melody Maker, 17.Apr.1976, p. 39, 44 (F/I) [digi.copy]

Jean Buzelin: Concerts. Albert Mangelsdorff, in: Jazz Hot, #327 (May 1976), p. 34 (C) [digi.copy]

Bill Smith: Heard and Seen. Solo Now – Albert Mangelsdorff, Gunter Hampel, Pierre Favre, Joachim Kühn, Morris Pollack Concert Hall, Montreal, in: Coda, #148 (Jun.1976), p. 28-29 (C) [digi.copy]

NN: Ack van Rooyen. Ist es aus Ihrer Sicht ratsam, als Jazzsolist seine Existenzgrundlage in einem Rundfunkorchester zu suchen?, in: Jazz Podium, 25/10 (Oct.1976), p. 15 (I) [digi.copy]

Steve Lake: Albert Mangelsdorff/Sato/Warren/Blairman – Spontaneous, in: Melody Maker, 4.Dec.1976, p. 28 (R)

Dietrich J. Noll: Aspekte der Klangflächenimprovisation. Albert Mangelsdorff, in: Dietrich J. Noll: Zur Improvisation im deutschen Free Jazz, Hamburg 1977 [book], p. 55-90 (A/T) [digi.copy]

Robert Urmann: Mangelsdorff + The Trio = “Mumps”, in: Blues Notes, 9/30 (1977), p. 43 (C) [digi.copy]

NN: Melody Maker International Critics’ Poll, in: Melody Maker, 15.Jan.1977, p. 28-29, 32 (top trombonist)

Joachim Ernst Berendt: Albert Mangelsdorff. Big Noise from Frankfurt, in: Down Beat, 44/3 (10.Feb.1977), p. 16, 41, 44 (I) [digi.copy]; response, by Al Trapani: Chords & Discords. Bone of Contention, in: Down Beat, 44/8 (21.Apr.1977), p. 8 (letter: Phil Wilson also uses multiphonics) [digi.copy]

Wolfgang Sandner: Jazzporträt. Albert Mangelsdorff, in: HiFi, Jul.1977, p. 813, 815-818 (F/A) [digi.copy]

Tom Everett: Albert Mangelsdorff. Interview, in: Cadence, 3/4-5 (Oct.1977), p. 10-11, 16 (I) [digi.copy]

Joachim Ernst Berendt: Wiederentdecken, was Jazz in Wirklichkeit ist. Gespräch mit Albert Mangelsdorff, in: Joachim Ernst Berendt: Ein Fenster aus Jazz, Frankfurt/Main 1980 [book; reprint, O: Frankfurt/Main 1978], p. 61-74 (I) [digi.copy]

Michael Henkels: Albert Mangelsdorff. Die wichtigsten umfragen nennen Albert Mangelsdorff seit Jahren den weltbesten Jazzposaunisten…, in: [unknown source], 1978 (F/I) [digi.copy]

NN: Mangelsdorff – Pastorius – Mouzon. Triologue, in: Swinging Newsletter, 8/35 (Feb.1978), p. 9 (short F) [digi.copy]

NN: The MPS Decade. Albert Mangelsdorff. Trombonist Extraordinaire, in: Jazz Journal, 31/5 (May 1978), p. MPS xiii-xiv (F) [digi.copy]

Michael Henkels: Halbe Sachen nie. Albert Mangelsdorff, “Wunderkind” der internationalen Musik-Szene, wurde 50, in: Musik Joker, 18.Sep.1978, p. 21 (short F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Peter Gropp: Mangelsdorff – Dauner – Gomez – Elvin Jones in Baden-Baden, in: Jazz Podium, 27/10 (Oct.1978), p. 18 (C) [digi.copy]

Robert Palmer: Jazz. Mangelsdorff, in: new York Times, 14.Nov.1978, p. C10 (C) [digi.copy]

Joachim Ernst Berendt: Der Höhenflug des Albert Mangelsdorff. Ein Porträt des Jazzposaunisten, in: Fono Forum, 5/1979, p. 26-32 (F) [digi.copy]

Joachim Ernst Berendt: Jazz in Germany ’79, in: Jazz Journal, 32/1 (Jan.1979), p. 9, 11, 13-14 (F) [digi.copy]

Bill Smith: Albert Mangelsdorff, Music Gallery, Toronto, in: Coda, #164/165 (Feb.1979), p. 57 (C) [digi.copy]

Karl Heinz Nass: Podium jam Session.A lbert was here. Gedanken zu Michael Nauras Marsch durch die Institutionen, in: Jazz Podium, 38/2 (Feb.1979), p. 3 (letter) [digi.copy]

Scott Albin: Albert Mangelsdorff. The Kitchen Center, New York City, in: Down Beat, 46/3 (8.Feb.1979), p. 41-42 (C) [digi.copy]

Jean Buzelin: Concerts. Mangelsdorff/Portal Group(s), in: Jazz Hot, #360 (Apr.1979), p. 36 (C)

Michael James: Albert Mangelsdorff – ” Jazz Tune I Hope” (MPS 15.528), in: Melody Maker, 5.May 1979, p. 39 (R) [digi.copy]

Bill Smith: Albert Mangelsdorff, in: Coda, #168 (Aug.1979), p. 4-10 (I) [digi.copy]

Yves Thébault: Jazz en direct. Ellingtonia, in: Jazz Magazine, # 288 (Aug.1980), p. 19-20 (C)

Graciela Rava: Autour du Globe, in: Jazz Magazine, # 289 (Sep.1980), p. 68-69, 104 (I/Globe Unity) [digi.copy]

Lee Jeske: Free Players from Many Lands Form Globe Unity Orchestra, in: Down Beat, 47/9 (Sep.1980), p. 28, 31-33 (F/I with Alexander von Schlippenbach, Alber Mangelsdorff, Enrico Rava) [digi.copy]

Bert Noglik: Albert Mangelsdorff. Thirty Years in Jazz, in: Jazz Forum, #69 (1981), p. 32-35 (I) [digi.copy]

Bert Noglik: Albert Mangelsdorff, in: Bert Noglik: Jazz-Werkstatt International, Berlin 1981 [book], p. 65-84 (I) [digi.copy]

Bruce Fowler: Pro Session. Winds. Vocal Multiphonics, in: Down Beat, 48/1 (Jan.1981), p. 59-61[digi.copy]

Didier Francfort: Jazz en direct. Albert Mangelsdorff, in: Jazz Magazine, #294 (Feb.1981), p. 14 (C) [digi.copy]

Philippe Carles: Pieges pour Albert, in: Jazz Magazine, # 298 (Jun.1981), p. 72-73 (I) [digi.copy]

Fred Bouchard: Albert Mangelsdorff – “Tension” (L+R LR 41.001); “Tromboneliness” (Sackville 2011); “Trilogue. Live at the Berlin Jazz Days” (Pausa 7055); “Hamburger Idylle” /Pausa 7091), in: Down Beat, 48/7 (Jul.1981), p. 44-45 (R: 4 1/2 stars; 5 stars; 2 1/2 stars; 3 1/2 stars) [digi.copy]

Lee Jeske: Northsea Jazz Festival, The Hague, Holland, in: Down Beat, 48/11 (Nov.1981), p. 55 (C) [digi.copy]

Hans-Jürgen Linke: Ein Interview mit Albert Mangelsdorff, in: Johannes Oehlmann (Hg.): Jazzaz. Texte zur Jazzmusik, Gießen 1982 [book], p. 108-134 (I) [digi.copy]

Danilo Lubej: Mangelsdorff/Dudas. Jazz – der Jugend nahegebracht, in: Jazz Podium, 31/2 (Feb.1982), p. 22 (C)[digi.copy]

Wolfgang Dichans: Milan Sladek/Albert Mangelsdorff. Masken und Improvisationen, in: Jazz Podium, 31/11 (Nov.1982), p. 28-29 (C) [digi.copy]

D. Matthews: Albert Mangelsdorff By Himself (North Sea Festival), in: Crescendo, 21/9 (1983), p. 6 (C)

Franz Reininger: Die deutsche Jazzszene. Der Kreis um Albert Mangelsdorff, Wien 1983 [book/Magisterarbeit] (F/I) [digi.copy]

Gerard Rouy: L’Europe des huit. Albert Mangelsdorff. Des voix en coulisse, in: Jazz Magazine, #315 (1983), p. 38-40 (I) [digi.copy]

Volker Kriegel: Albert Mangelsdorff. Posaune, in: Burghard König (Hg.): Jazzrock. Tendenzen einer modernen Musik, Reinbek 1983 [book], p. 164-172 (I) [digi.copy]

NN: Harlachinger Einkehr. Albert Mangelsdorff Solo, in: Jazz Zeitung, 8/1 (Jan.1983), p. 1 [digi.copy]

Thomas Fitterling: Albert Mangelsdorff Trio – Triple Entente, in: Jazz Podium, 31/5 (May 1983), p. 49 (R) [digi.copy]

Frank van Dixhoorn: Albert Mangelsdorff. ‘Soms hoor je me ritme-gitaar spelen op de trombone’, in: Jazz Freak, 12/2 (15.Nov.1984), p. 58-60 (I) [digi.copy]

Piet van Engelen: Subliem concert van Alberrt Mangelsdorff, in: Jazz Freak, 12/2 (15.Nov.1984), p. 54 (C) [digi.copy]

Armando Bausch: Albert Mangelsdorff – Der Jazz ist eine universale Musik, in: Armando Bausch: Jazz in Europa, Luxemburg 1985 [book], p. 44-50 (F/I) [digi.copy]

B. Olson: Händelserik expedition (Mangelsdorff Trio, Scharinska Villa i Umeå), in: Orkester Journalen, 53/5 (May 1985), p. 17 (C)

Gudrun Endress: Albert Mangelsdorff. Arbeit mit dem Deutsch-Französischen Jazz Ensemble., in: Jazz Podium, 34/9 (Sep.1985), p. 16-17 (I) [digi.copy]

Hans Ruland: Gebrüder Mangelsdorff, in: Jazz-Zeitung, 10/10 (Oct.1985), p. 19 (C)

Klaus Robert Bachmann: Albert Mangelsdorff in der Freiburger Jazzschule, in: Jazz Podium, 34/11 (Nov.1985), p. 20 (C) [digi.copy]

Dita von Szadkowski: Mehr dienen als herrschen – Traditionalisten im Jazz. “Albert”, in: Dita von Szadkowski: Grenzüberschreibungen. Jazz und sein musikalisches Umfeld der 80er Jahre, Frankfurt/Main 1986 [book: Fischer], p. 143-148 (F) [digi.copy]

Michael Rieth: Einmal Winter – Sommer und zurück! Erster Klasse natürlich. Ein Stück Wegs mit Albert Mangelsdorff, in: Jazz Container, 1986/87, p. 25-41

Ulfert Goemann: Albert Mangelsdorff – Hot Hut, in: Jazz Podium, 35/1 (Jan.1986), p. 46 (R) [digi.copy]

Wolfgang Dichans: Albert Mangelsdorff. Zuerst muß es swingen, in: Fachblatt Musik Magazin, Feb.1986, p. 80-81, 83, 85-86 (I) [vert.file: Albert MANGELSDORFF] [digi.copy]

Michael Frohne: Monolog für drei Stimmen. Albert Mangelsdorff, in: Jazz Podium, 35/3 (Mar.1986), p. 26-27 (C) [digi.copy]

Jörg Eipasch: Mangelsdorff – Surman – Phalanx, in: Jazz Podium, 35/5 (May 1986), p. 21 (C) [digi.copy]

Pete Gamble: Camden Jazz Week. Holland / Jones / Mangelsdorff / Surman, in: Jazz Journal, 39/5 (May 1986), p. 22 (C) [digi.copy]

Laszlo Molnar: Nicht oben, nicht unten. Albert Mangelsdorff und Wolfgang Dauner in der Filderhalle, in: Stuttgarter Zeitung, 24.Nov.1986 (C) [vert.file: Albert MANGELSDORFF] [digi.copy]

Ekkehard Jost: Bundesrepublik Deutschland. Albert Mangelsdorff, in: Ekkehard Jost: Europas Jazz 1960-80, Frankfurt/Main 1987 [book], p. 199-210 (F/A) [digi.copy]

Klaus Mümpfer: Emil und Albert Mangelsdorff. Zur simplen Basis des Blues gefunden, in: Jazz Podium, 36/7 (Jul.1987), p. 34 (C)

Dita von Szadkowski: Albert Mangelsdorff. Ein Portrait, in: Jazzthetik, 1/5 (Sep.1987), p. 10-13 (F; Vorabdruck) [digi.copy]

“atz”: Eine Posaune und sonst nichts, in: Die Welt, 28.Dec.1987, p. 6 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Hans Kumpf: Albert, der Posaunenweltmeister. 40 Jahre auf der Bühne, in: Jazz Podium, 36/12 (Dec.1987), p. 32 (F) [digi.copy]

Peter Watrous: Reviews / Music. One-Man Trombone Choir, in: New York Times, 26.May 1988 (C) [digi.copy]

“lind”: Der Botschafter. Vorzeigejazzer Albert Mangelsdorff sechzig, in: Stuttgarter Zeitung, 5.Sep.1988 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Michael Laages: A. Mangelsdorff wird 60. Der Mann mit den zwei Stimmen, in: Die Welt, 5.Sep.1988 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Wolfgang Sandner: Der Asket. Albert Mangelsdorff wird sechzig, in: Frankfurter Allgemeine Zeitung, 5.Sep.1988, p. 29 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Jean Quist: Albert Mangelsdorff speelt nog een paar jaar, in: Jazz Nu, 10/123 (Feb.1989), p. 174-175 (I) [digi.copy]

Klaus Robert Bachmann: Albert Mangelsdorff und Die Free Dig Big Band. Die Jazzer auf dem Tanztrip, in: Jazz Podium, 38/2 (Feb.1989), p. 37 (C)

Albert Mangelsdorff: Frankfurt am Main. Jazzmusik und grüne Soß, Freiburg 1990 [book] (“I”)

M.O.C. Döpfner: Dreistimmig auf einer Posaune. Albert Mangelsdorff, in: Wolfgang Sandner (ed.): Jazz in Frankfurt, Frankfurt/Main 1990 [book: Societäts-Verlag], p. 68-75 (F/I) [digi.copy]

Michael Naura: Der freischwebende Posaunist. Albert Mangelsdorff, in: Michael Naura: Jazz-Toccata. Ansichten und Attacken, Reinbek bei Hamburg 1991 [book: rororo], p. 157-159 (F)

Detlev Reinert: Auf neuen Abwegen. Der Jazzposaunist mit Mitgliedern der Klaus-Lage-Band auf Deutschland-Tournee, in: Frankfurter Allgemeine Zeitung, 14.Feb.1991, p. 33 (C) [vert.file: Albert MANGELSDORFF] [digi.copy]

“mt”: Der Jazzmusiker Albert Mangelsdorff erhält die Goethe-Plakette, in: Frankfurter Allgemeine Zeitung, 7.Mar.1991, p. 43 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Mike Hennessey: Albert Mangelsdorff. La rivoluzione a coulisse, in: Musica Jazz, 47/6 (Jun.1991), p. 16-20 (F) [digi.copy]

Detlev Gollasch: Heftige Spontan-Trance. Jazz zwischen Kalkül und Impulsivität im Palmengarten. Tenorsaxophonist Matthias Schubert, in: Frankfurter Allgemeine Zeitung, 4.Sep.1991 (C) [vert.file: Albert MANGELSDORFF] [digi.copy]

Bernd Ogan: Weber, Mangelsdorff. Konzert extremer Polaritäten, in: Jazz Podium, 41/3 (Mar.1992), p. 52-53 (C)

Detlev Gollasch: Der typische Kiekser. Albert Mangelsdorff & Members in der Alten Oper, in: Frankfurter Allgemeine Zeitung, 11.Mar.1992, p. 38 (C)

Rainer Köhl: Furioser Naturlaut. Watson/Lindberg/Mangelsdorff, in: Jazz Podium, 41/6 (Jun.1992), p. 42 (C)

Bruno Paulot: Albert Mangelsdorff. Gespräche, Waakirchen 1993 [book] (F/I mit Mangelsdorff und diversen Musikern/D)

“mak”: Langer Atem des Klangs. Albert Mangelsdorff, Eric Watson und John Lindberg beim Jazz im Palmengarten, in: Frankfurter Rundschau, 16.Aug.1993 (C) [vert.file: Albert MANGELSDORFF] [digi.copy]

Bert Noglik: Harte Arbeit im Stollen für die Glanzleistungen auf dem Hochseil. Die Botschaft des Jazz – Buchpräsentation und Geburtstagskonzert für und mit Albert Mangelsdorff im Amerikahaus, in: Frankfurter Rundschau, Sep.1993 (F/C) [vert.file: Albert MANGELSDORFF] [digi.copy]

Detlev Gollasch: Musikalisches Kapitel. Albert Mangelsdorff im Amerika-Haus, in: Frankfurter Allgemeine Zeitung, 18.Sep.1993, p. 48 (C) [vert.file: Albert MANGELSDORFF] [digi.copy]

Bert Noglik: Opposition im Medium der Klänge. Albert Mangelsdorff im Gespräch, in: Franz Ritter (ed.): Heinrich Himmler und die Liebe zum Swing. Erinnerungen und Dokumente, Leipzig 1994 [book], p. 143-154 (I) [digi.copy]

Michael Scheiner: Das Jazz-Portrait. Albert Mangelsdorff, in: Jazz-Zeitung, 19/5 (May 1994), p. 4-5 (F) [digi.copy]

Anja Krause: Mozart mit Jazz. Alois Kottmann und Albert Mangelsdorff im Hanauer Schloß, in: Frankfurter Allgemeine Zeitung, 11.Jun.1994, p. 50 (C)

Wolfgang Sandner: Gigantisches Posaunen-Palaver. Albert Mangelsdorff und die Gruppe “Slideride” beim Jazz im Palmengarten, in: Frankfurter Allgemeine Zeitung, 27.Aug.1994, p. 49 (C) [vert.file: Albert MANGELSDORFF]

Ulfert Goemann: Jazz und Popularmusik. Professorenstellen für Dr. Karl Hans Berger und Albert Mangelsdorff, in: Jazz Podium, 43/9 (Sep.1994), p. 42 (C)

G.R.K.: Berliner Bekenntnis, in: Frankfurter Allgemeine Zeitung, 21.Oct.1994, p. 43 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Albert Mangelsdorff: JazzFest 1995 – “Jazz Played in Germany”, in: Jazzfest Berlin ’95, Berlin 1995 [program], p. 5 (“I”)[digi.copy]

Lothar Jänichen: Albert Mangelsdorff-Wolfgang Dauner Quintett feat. Christof Lauer, in: Jazzfest Berlin ’95, Berlin 1995 [program], p. 12-13 (F) [digi.copy]

Libero Farné: Il vecchio e il nuovo sotto il tiro dei trombonisti, in: Musica Jazz, 51/4 (Apr.1995), p. 20-21 (C)

Paul-Hermann Gruner: Jazz-Dinner nach Maß. Mangelsdorff und Weber im Auerbacher Schloß, in: Darmstädter Echo, 26.Jun.1995 (C) [vert.file: Albert MANGELSDORFF]

Wolfgang Sandner: Die Sprungkraft des Einhorns. Spielt und spielt und spielt Posaune. Albert Mangelsdorff, das Wunder vom Main, in: Frankfurter Allgemeine Zeitung, 2.Sep.1995 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Heribert Ickerott: Albert Mangelsdorff, künstlerischer Leiter des JazzFestes Berlin. Auf dem JazFest Berlin waren schon immer zu wenige deutsche Musiker repräsentiert, in: Jazz Podium, 44/11 (Nov.1995), p. 8 (I) [digi.copy]

Paul Hermann Gruner: Tempel der Improvisation. Ethno-Jazz mit Mangelsdorff und Weber, in: Darmstädter Echo, 20.Nov.1995 (C) [vert.file: Albert MANGELSDORFF]

Peter Bölke: Albert Mangelsdorff. Solo auf geraden Wegen, in: Spiegel Special, 12 (Dec.1995), p. 132-135 (F) [digi.copy]

Wolfram Knauer: Emanzipation wovon? Zum Verhältnis des amerikanischen und des deutschen Jazz in den 50er und 60er Jahren, in: Wolfram Knauer (Hg.): Jazz in Deutschland, Hofheim 1996 [book], p. 141-157 (F) [digi.copy]

Christoph Ekowski: Albert Mangelsdorff denkt an Bosnien. Uraufführung in Hanau, in: Frankfurter Allgemeine Zeitung, 17.Jan.1996, p. 49 (C) [vert.file: Albert MANGELSDORFF]

Jürgen Schwab: Mangelsdorff und Dauner. Jazz im Palmengarten, in: Frankfurter Allgemeine Zeitung, 30.Jul.1996 (C) [vert.file: Albert MANGELSDORFF]

Kasia Kumpf: Eurojazz. Albert Mangelsdorff, in: Jazz Forum (Poland), #175 (1997), p. 47-49 (F/I) [digi.copy]

Patrick Hinely: Albert Mangelsdorff. Atmospheric Conditions Permitting, in: Coda, #271 (Jan/Feb.1997), p. 8-11 (F/I) [digi.copy]

Christian Ekowski: Keine Sünden wider den Geist der Moderne. Der Posaunist Albert Mangelsdorff beim Jazz im Frankfurter Palmengarten, in: Frankfurter Allgemeine Zeitung, 16.Aug.1997, p. 53 (C) [vert.file]

Mike Zwerin: Albert Mangelsdorff, a Strong Pair of Chops, in: International herald Tribune, 21.Nov.1997 (F) [digi.copy]

Albert Mangelsdorff: Liebe JazzFest-Besucherinnen und -Besucher, in: Jazzfest Berlin ’98, Berlin 1998 [program booklet], p. 5 (“I”)[digi.copy]

Deborah Colcutt: Blowing His Own Trumpet. World famous jazz trombonist Albert Mangelsdorff has always laid his hat and trombone in his home town of Frankfurt, in: Gateway Frankfurt, Winter 1998, p. 33-35 (F/I) [vert.file] [digi.copy]

Johannes Kaiser: Weltmeister auf der Posaune. Ein Porträt des Musikers und Komponisten Albert Mangelsdorff, Radio-Feature for Deutschlandradio Berlin [Internet transcript], Jan.1998 (F/I) [vert.file] [digi.copy]

NN: Mangelsdorff/Dauner Quintett, in: Jazzclub Magazin (Karlsruhe), 13/3 (Jun/Jul.1998), p. 15 (F: concert preview) [digi.copy]

Gudrun Endress: Albert Mangelsdorff. “Ob ich vielleicht der Beste war, hat für mich nie eine Rolle gespielt”, in: Jazz Podium, 47/9 (Sep.1998), p. 3-7 (I with Mangelsdorff, Dieter Ilg, Wolfgang Dauner, Wolfgang Haffner, Günter Lenz, Ralf Hübner, Joki Freund, Peter Brötzmann, Alex von Schlippenbach, Lee Konitz, Charlie Mariano) [digi.copy]

Peter Bastian: Albert Mangelsdorff wird siebzig, in: Jazzthetik, 12/9 (Sep.1998), p. 20-22 (F/I) [digi.copy]

Reiner Kobe: Albert Mangelsdorff. Siebzig Jahre alt, in: Freiburger Jazzhaus Journal, 12/9 (Sep.1998), p. 14 (F) [digi.copy]

Reiner Kobe: Albert Mangelsdorff siebzig Jahre, in: Jazz Zeitung, 23/9 (Sep.1998), p. 25 (F) [digi.copy]

Rolf Westermann: “Spott ist das Schlimmste, was passieren kann”. Frankfurts Oberbürgermeisterin Petra Roth legt Posaunist Albert Mangelsdorff ein Saxophon an den Mund, in: Darmstädter Echo, 16.Sep.1998, p. 4 (F) [vert.file] [digi.copy]

Volker Kriegel: Widerstandssignale aus dem Posaunenkanal. Bericht von einer Geburtstags-Gala zu Ehren des Jazzposaunisten Albert Mangelsdorff, in: Frankfurter Allgemeine Zeitung, 5.Sep.1998, p. 33 (F) [vert.file] [digi.copy]

Klaus Matthias Schmidt: Die deutsche Posaunenlegende. Weltstar Albert Mangelsdorff im Jazzkeller, in: Rheinische Post, 30.Nov.1998 (C) [digi.copy]

Ute Büchter-Römer: Legendäre Posaunenphantasien. Albert Mangelsdorff spielte zum 40. Geburtstag im vollbesetzten Jazzkeller zusammen mit dem “Percussion-Orchestra”, in: Westdeutsche Zeitung, 30.Nov.1998 (C: Krefeld) [digi.copy]

“gui.”:Vermittler großer Erlebnisse. Verdienstorden für Mangelsdorff und Rau, in: Frankfurter Allgemeine Zeitung, 17.Nov.1998, p. 54 (short F) [vert.file] [digi.copy]

Klaus Matthias Schmidt: Die deutsche Posaunenlegende. Weltstar Albert Mangelsdorff im Jazzkeller, in: Rheinische Post, 30.Nov.1998 (C); reprint, in: Günter Holthoff & Mojo Mendiola (eds.): 50 Jahre Jazzkeller Krefeld, Krefeld 2008 [book: Leporello Verlag], p. 66 (C)

Michael Pilz: “Chet Baker unterm Beat ist Piraterie.” Musik für die Spieler? Albert Mangelsdorff über das Prinzip Jazz und sein Berliner JazzFest, in: Die Welt (Internet), 3.Nov.1998 (I) [vert.file] [digi.copy]

Ulrich Möller-Arnsberg: “The Horn is a Lady”. Albert Mangelsdorff zum 70. Geburtstag, in: GEMA Nachrichten, #158 (Nov.1998), p. 170-173 (F/I with Wolfgang Dauner, Klaus Doldinger, Eberhard Weber, Manfred Schoof, Joe Viera) [digi.copy]

Fritz Boensel: Lohnschreiber, in: Fritz Boensel: So weit der Gugl hupft. Mutmaßungen über Mitmenschen, [no place] 1999 [book: Thiele & Schwarz], p. 12-13 (short F) [digi.copy]

NN: Albert Mangelsdorff. Lifelines, in: [press release with biographical data], Marburg 1999 [Concert Büro Claus Schreiner] (F) [vert.file] [digi.copy]

Mike Zwerin: Six Eurojazzers You Should Know (But Don’t Call Them That), in: Jazziz, 16/5 (May 1999), p. 46-48 (F/short I with Joachim Kühn, Daniel Humair, Enrico Rava, Albert Mangelsdorff, Richard Galliano, Michel Portal) [digi.copy]

Achim Heidenreich: Jazz im Palmengarten. Albert Mangelsdorff und das Karlheinz Miklin Trio, in: Frankfurter Allgemeine Zeitung, 8.Aug.1999 (C) [vert.file] [digi.copy]

Klaus Mümpfer: Solokonzertreihe der Jazz-Fabrik Rüsselsheim mit Mangelsdorff, Schlippenbach, Brötzmann, in: Jazz Podium, 48/11 (Nov.1999), p. 40 (C)

Albert Mangelsdorff: “Ein großartiges Publikum.” Deutschlands bedeutendster Jazzmusiker hat aus Esslingen nur gute Erfahrungen, in: Günther Graf & Udo Klinner & Alexander Maier (eds.): Musik aus Mauern. Chronik des Esslinger Jazzkellers, Esslingen 2000 [book: Jazzclub Esslingen], p. 106 (“I”)[digi.copy]

Mike Heffley: Northern Sun, Southern Moon. Identity, Improvisation, and Idiom in Freie Musik Produktion, Middletown/CT 2000 [PhD thesis: Wesleyan University], passim, especially p. 492-498 (F/I); p. 584-587 (F/I) [digi.copy] [digi.copy]

Mathias Bäumel: Old Friends. Mehr Schatten als Licht in der Dresdner Semperoper, in: Jazz Podium, 49/2 (Feb.2000), p. 44 (C)

Marc Peschke: Was die Vögel nervös macht. Albert Mangelsdorff und Freunde bei “Jazz im Palmengarten”, in: Frankfurter Allgemeine Zeitung, 8.Jul.2000 (C) [vert.file]

Reinhard Köchl: German Jazz Masters. Ludwigsburger Gipfelgespräche, in: Jazz Thing, #35 (Sep/Oct.2000), p. 72-74 (I with Manfred Schoof, Klaus Doldinger, Albert Mangelsdorff, Wolfgang Dauner, Eberhard Weber, Wolfgang Haffner) [digi.copy]

Wolfgang Sandner: Auf einen Zug. Von gebührendem Rang: “Die Albert Mangelsdorff Rolle” (WDR), in: Frankfurter Allgemeine Zeitung, 2.Sep.2000 (Film-R) [vert.file] [digi.copy]

Dirk Meissner: Alte Freunde müsst ihr sein. Sechs German Jazz Masters – sechs Stilistiken, in: Jazz Zeitung, 25/10 (Oct.2000), p. 8 (R)

Hans-Jürgen von Osterhausen: Die Albert Mangelsdorff-Rolle. Ein außergewöhnlicher Film, in: Jazz Podium, 49/11 (Nov.2000), p. 34 (Film-R)

“tja”: 1. Paul-Hindemith-Preis an Albert Mangelsdorff, in: Frankfurter Rundschau, Dec.2000 (short F) [vert.file] [digi.copy]

“tja”: Plattmacher, in: Frankfurter Rundschau, 12.Dec.2000 (short F/photo: protest against Hindemith prize for Mangelsdorff) [digi.copy]

Johannes Anders: Albert Mangelsdorff erhält ersten Hindemith-Preis, in: Jazz ‘n’ More, Feb/Mar.2001, p. 8 (N)

Martin Schuster: Mister Trombone. Albert Mangelsdorff, in: Concerto, Feb/Mar.2001, p. 22-24 (F/I) [digi.copy]

Wolfgang Messner: Transcription of Albert Mangelsdorff’s “Al-Lee”, in: Jazz Research News, #2 (Feb.2001), p. 77-79 (T) [digi.copy]

Tobias Böcker: Spiellaune. Jazz Masters im Birdland, in: Jazz Zeitung, 26/4 (Apr.2001), p. 6 (C)

Géza Gábor Simon: Immens gut. Attila Zoller. Sein Leben und seine Kunst. Bio-Diskographie, Budapest 2003 [book: Jazz Oktatási és kutatási alapítvány], passim (F)

Hans Dieter Grünefeld: Albert Mangelsdorff. Posaune als alter ego, in: Music Manual, fall 2003, p. 30 (F) [digi.copy]

Marc Sarrazy: Joachim Kühn. Une histoire du jazz moderne, Paris 2003 [book: Éditions Syllepse], passim (F)

Gérard Rouy: Cooperation. Vingt ans de Mangelsdorff, in: Jazz Magazine, #534 (Feb.2003), p. 6 (F) [digi.copy]

Jürgen Schwab: Jazz-Stadt Frankfurt. Die Mangelsdorff-Brüder und der synkopierte Viervierteltakt, in: Frankfurter Allgemeine Zeitung, 27.Jun.2003 (F/I) [vert.file: D/Frankfurt] [digi.copy]

Wolfgang Sandner: Freiheit für die Posaune. Albert Mangelsdorffs brillante “Music for Jazz Orchestra”, in: Frankfurter Allgemeine Zeitung, 9.Aug.2003, p. 35 (F/R) [vert.file] [digi.copy]

Berthold Klostermann: Hut ab! Hut ab vor Deutschlands Jazzmusiker Nr. 1! Am 5. September wird Albert Mangelsdorff 75 Jahre alt. Pünktlich zum Geburtstag erscheint ein neues Album, das den Erneuerer des Posaunenspiels im Jazz zum ersten Mal als Big-Band-Komponist und -Arrangeur präsentiert. Grund genug für Berthold Klostermann, ihn im Frankfurter Übungskeller zu besuchen, in: Fono Forum, Sep.2003, p. 98-100 (F/I) [digi.copy]

Carina Prange: Albert Mangelsdorff. Multiphonics zum 75. Geburtstag, in: Jazz Zeit, #40 (Sep.2003), p. 6 (F) [digi.copy]

Dieter Wackerbarth: Albert Mangelsdorff. Glück und Talent sowie Zufall und Zielstrebigkeit, in: Jazz Podium, 52/9 (Sep.2003), p. 8-10, 12-13 (F/I) [digi.copy]

Hans-Jürgen Linke: Mit sanfter Besessenheit. Nicht ohne seine Posaune: Der Jazzmusiker Albert Mangelsdorff feiert heute seinen 75. geburtstag, in: Frankfurter Rundschau, 5.Sep.2003 (F) [vert.file] [digi.copy]

Johannes Völz: Albert Mangelsdorff. Heimlich, still und laut, in: Jazz Thing, #50 (Sep/Oct.2003), p. 40-41 (F/I) [digi.copy]

Michael Rieth: Gelungener Feier-Abend. Albert Mangelsdorffs Geburtstagskonzert mit alten Freunden in der Alten Oper, in: Frankfurter Rundschau, 15.Sep.2003 (C) [vert.file] [digi.copy]

Peter Kleiß: Wildgänse. Peter Kleiß für Albert Mangelsdorff zum 75., [manuscript, Sep.2003] (poem) [vert.file] [digi.copy]

Stefan Arndt: Happy Birthday, Albert! Albert Mangelsdorff, in: Jazzthetik, 17/9 (Sep.2003), p. 16-21 (F/I) [digi.copy]

Tobias Böcker: Die Stimme der Posaune im deutschen Jazz. Albert Mangelsdorff wird heute 75 Jahre alt – Stilbildend auf seinem Instrument und für die Szene, in: Allgäuer Zeitung, 5.Sep.2003 (F) [vert.file] [digi.copy]

Tobias Schumacher: albert mangelsdorff. geburtstagsgeschenk: erstes werk für großes jazzorchester, in: Clarino.print, Sep.2003, p. 40 (F) [digi.copy]

Tom Fuchs: Ein Gespräch mit Albert Mangelsdorff, in: Thüringer Allgemeine, 4.Sep.2003 (I) [vert.file] [digi.copy]

Ulrich Olshausen: Generalvertretung des Jazz. Albert Mangelsdorff feiert den 75. in der Alten Oper – eine Demonstration lebendiger deutscher Jazzgeschichte, in: Frankfurter Allgemeine Zeitung, 14.Sep.2003 (C) [vert.file] [digi.copy]

Werner Theurich: Jazz mit Meisen und Menschen. Albert Mangelsdorff wird 75, in: Spiegel Online, 5.Sep.2003 (F) [vert.file] [digi.copy]

Andrey Henkin: Albert Mangelsdorff. A Legend at 75, in: All About Jazz, #18 (Oct.2003), p. 21 (F/I) [digi.copy]

Dietmar Hoscher & Wolfgang Gonaus: Jazz. Jazzstatements in Wort und Bild, Wien 2004 [book: Dr. Peter Müller Verlag], p. 96-97 (short I/photos)

Jürgen Schwab: Der Frankfurt Sound. Eine Stadt und ihre Jazzgeschichte(n), Frankfurt/Main 2004 [book: Societäts Verlag], passim (F)

Jürgen Schwab: Der Frankfurt Sound. Eine Stadt und ihre Jazzgeschichte(n), Frankfurt/Main 2004 [book: Societäts Verlag], p. 105-109, 153-154, 173, 232-233, 249, passim (F) [digi.copy]

Peter Niklas Wilson: Traumhochzeit oder Mesalliance? Alte Musik und Neuer Jazz, in: Jazzforschung / jazz research, #36 (2004), p. 107-121 (F/A: Albert Mangelsdorff, Michael Riessler, Michel Godard, Barry Guy, Joachim Kühn, Richie Beirach & Gregor Huebner / George Mraz, Uri Caine) [digi.copy]

Jürgen Jung: Albert Mangelsdorff, Musiker, im Gespräch, in: , 9.Jan.2004 (I) [digi.copy]

“ste”: Skulptur zur Erinnerung an Mike Gehrke, in: Hannoversche Allgemeine, 6.Sep.2004 (F) [vert.file] [digi.copy] [digi.copy]

Fritz Rau: 50 Jahre Backstage. Erinnerungen eines Konzertveranstalters, Heidelberg 2005 [book: Palmyra], passim (F)

Gerd Filtgen: Albert Mangelsdorff, in: Peter Niklas Wilson (ed.): Jazz Klassiker, Stuttgart 2005 [book: Reclam], p. 445-453 (F)

Helga Reuter-Kumpmann: Üben und improvisieren. Gespräch mit Albert Mangelsdorff, in: Gerhard Kilger (ed.): macht musik. Musik als Glück und Nutzen für das Leben, Köln 2005 [book: Wienand Verlag], p. 76-83 (F)

Kurt Dietrich: Jazz ‘Bones. The World of Jazz Trombone, Rottenburg 2005 [book: Advance Music], p. 532-536 (F) [digi.copy]

Mike Heffley: Northern Sun / Southern Moon. Europe’s Reinvention of Jazz, New Haven 2005 [book: Yale University Press], passim; especially p. 31-34 (F/I: chapter “Albert Mangelsdorff: Trombone Archaisms”) [digi.copy]

Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 2005 [book: Reclam], p. 137-139 (R: “Three Originals”, MPS); reprint, in: Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 4/2011 [book: Reclam], p. 159-161 (R)

NN: Ehrenmitgliedschaft für Albert Mangelsdorff, in: [press release: Internationale Posaunen-Vereinigung] 14.Jan.2000 (F) [vert.file] [digi.copy]

Hans-Jürgen Linke: Alberts bestes Trio. Eine Jazz-Wiederentdeckung, in: Frankfurter Rundschau, 21.Jun.2006 (R: “Triplicity”) [vert.file] [digi.copy]

Ulfert Goeman: Die Posaune des Jazz – Ein Filmportrait von Albert Mangelsdorff, in: Jazz Podium, 54/6 (Jun.2005), p. 8-9 (F) [digi.copy]

Ben Mattison: Jazz Trombonist Albert Mangelsdorff Dies at 76, in: Playbill News, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

Christian Broecking: Wir haben auf totales Risiko gespielt. Der Erfinder des deutschen Jazz nach dem Krieg. Zum Tod des Posaunisten Albert Mangelsdorff, in: Berliner Zeitung, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

Gregor Dotzauer: Der Evoluzzer. Liebe zur Mehrstimmigkeit. Zum Tod des Posaunisten und Jazz-Botschafters Albert Mangelsdorff, in: Der Tagesspiegel (Berlin), 26.Jul.2005 (F/O) [vert.file]

Hans-Jürgen Linke: Ein warmer, fester Ton. Nicht nur ein großer, sondern auch ein folgenreicher Musiker – Der Frankfurter Posaunist Albert Mangelsdorff ist im Alter von 76 Jahren gestorben, in: Frankfurter Rundschau, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

Harald Budewig: Zum Tode von Albert Mangelsdorff, in: Frankfurter Allgemeine Zeitung, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

Harald Budweg: Jazz. Zum Tode von Albert Mangelsdorff, in: Frankfurter Allgemeine Zeitung, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

John Fordham: Albert Mangelsdorff. German jazz trombonist noted for stunning solo improvisations, in: Guardian, 298.Jul.2005 (F/O) [vert.file] [digi.copy]

Josef Engels: Seine Multiphonics waren weltberühmt. Jazzposaunist Albert Mangelsdorff ist gestorben, in: Berliner Morgenpost, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

Michael Naura: Freies Schweben. Zum Tode des berühmten deutschen Jazzmusikers Albert Mangelsdorff, in: Die Zeit, 28.Jul.2005 (F/O) [vert.file] [digi.copy]

NN: Zum Tod von Albert Mangelsdorff. Programmänderungen im hr-Fernsehen und in hr2, in: [press release hr radio], 26.Jul.2005 (F) [digi.copy]

Odilo Clausnitzer: Zum Tode des Posaunisten Albert Mangelsdorff. Manfred Schoof im Gespräch mit Odilo Clausnitzer, in: WDR Jazzpoint Special, 30.Jul.2005 (F/O; I with Manfred Schoof) [digi.copy]

Raimund Dillmann: albert, in: [e-mail correspondence], 28.Jul.2005 (F/O) [vert.file] [digi.copy]

Rainer Hartmann: Der Pilot, der keine Grenzen kannte, in: Kölner Stadt-Anzeiger, 27.Jul.2005 (F/O) [vert.file] [digi.copy]

Steve Voce: Albert Mangelsdorff. Master of the unaccompanied jazz trombone, in: The Independent, 27.Jul.2005 (F/O) [vert.file] [digi.copy]

Tobias Rapp: Der Mann mit den vielen Stimmen, in: die tageszeitung, 27.Jul.2005, p. 5 (F/O) [vert.file] [digi.copy]

Wolfgang Sandner: Der Asket auf der Posaune. Auf der Höhe seiner Kunst hatte er niemanden mehr über sich. Zum Tode des Jazzmusikers Albert Mangelsdorff, in: Frankfurter Allgemeine Zeitung, 27.Jul.2005, p. 35 (F/O) [vert.file] [digi.copy]

Wolfgang Sandner: Europas Jazz trägt seinen Namen. Albert Mangelsdorff hat den Klang einer Epoche geprägt, durch die er in Frankfurt geformt wurde, in: Frankfurter Allgemeine Zeitung, 1.Aug.2005, p. 7 (F/O) [vert.file] [digi.copy]

“S.R.”: Ein Kapitel der Posaunengeschichte, in: Fono Forum, Sep.2005, p. 12 (F/O) [digi.copy]

“zer.”: Albert Mangelsdorff auf dem Hauptfriedhof beigesetzt, in: Frankfurter Allgemeine Zeitung, 2.Aug.2005, p. 40 (F) [vert.file] [digi.copy]

Gunter Hampel: When Angels Sing. Albert Mangelsdorff, in: [e-mail correspondence], 3.Aug.2005 (F/O) [vert.file] [digi.copy]

Hans-Jürgen Linke: Keine Epoche ist zu Ende. Zur Beerdigung von Albert Mangelsdorff in Frankfurt, in: Frankfurter Rundschau, 3.Aug.2005 (F/O) [vert.file] [digi.copy]

Niranjan Jhaveri: Albert Mangelsdorff – RIP, in: [personal e-mail correspondence], 1.Aug.2005 (F/O) [digi.copy]

Bert Noglik: Danke und Hut ab. In memoriam Albert Mangelsdorff, in: Jazz Zeitung, 30/9 (Sep.2005), p. 11 (F/O) [digi.copy]

Bruce Crowther: Obituaries. Albert Mangelsdorff, in: Jazz Journal, 58/9 (Sep.2005), p. 20 (F/O) [digi.copy]

Gerard Rouy: Albert Mangelsdorff. La coulisse reste sans voic. Agé de 76 ans, le tromboniste allemand est mort à Francfort, sa ville natale, le 25 juillet des suites d’une leucémie, in: Jazz Magazine, #562 (Sep.2005), p. 9 (F/O) [digi.copy]

Gunter Hampel & Wolfgang Dauner & Eberhard Weber & John Surman & Willem Breuker & John Lindberg & George Lewis & Barre Phillips & Fred van Hove & Pierre Favre: Albert Mangelsdorff, 1928-2005, in: All About Jazz (New York), #41 (Sep.2005), p. 12-13 (F/O) [vert.file] [digi.copy]

John Evers: As Time Goes By… Posaunenvogel. Zum Tod von Albert Mangelsdorff, in: Jazzzeit, #56 (Sep/Oct.2005), p. 90 (F/O) [digi.copy]

NN: Albert Mangelsdorff, in: Orkester Journalen, 73/9 (Sep.2005), p. 35 (F/O) [digi.copy]

NN: Farewell. Albert Mangelsdorff, in: Jazz ‘n’ More, Sep/Oct.2005, p. 8 (O) [digi.copy]

Reinhard Köchl: Albert Mangelsdorff. Einer fehlt, in: Jazzthetik, 19/9 (Sep.2005), p. 18, 20-21 (F/O) [digi.copy]

Ulrich Olshausen: Der tiefe Gesang der Posaune. Albert Mangelsdorff wurde 76, in: Jazz Podium, 54/9 (Sep.2005), p. 3-4 (F/O) [digi.copy]

Wolf Kampmann: In Memoriam Albert Mangelsdorff. Das Lied von der Erde, in: Jazz Thing, #60 (Sep/Oct.2005), p. 6 (F/O) [digi.copy]

Hans-Jürgen Schaal: Galerie der Großen (19). Albert Mangelsdorff, in: Clarino.print, 3/10 (Oct.2005), p. 18 (F) [digi.copy]

Martin Schuster: Albert Mangelsdorff (1928-2005), in: Concerto, Oct/Nov.2005, p. 37 (F/O) [digi.copy]

Michel Laplace: Larmes. Albert Mangelsdorff, in: Jazz Hot, #624 (Oct.2005), supplement, p. 7 (F/O) [digi.copy]

Peter Ortmann: Begegnungen. Peter Ortmann zum Tode von Albert Mangelsdorff, in: Musikforum, 3/4 (Oct/Dec.2005), p. 58 (F/O) [digi.copy]

Patrick Hinely: Albert Mangelsdorff, 1928-2005, in: Coda, #324 (Nov.2005), p. 8 (F/O) [digi.copy]

E. Dieter Fränzel & JAZZ AGe Wuppertal (eds.): sounds like whoopataal. Wuppertal in der Welt des Jazz, Essen 2006 [book: Klartext], passim (F)

Pannonica de Koenigswarter: Les Musiciens de jazz et leurs trois voeux, Paris 2006 [book: Buchet/Chastel; German translation as: “Die Jazzmusiker und ihre drei Wünsche”, Stuttgart 2007: Reclam; English translation (original language) as: “Three Wishes. An Intimate Look at Jazz Greats”, New York 2008: Abrams Image], p. 297, 299 (short I) [digi.copy]

Dieter Wackerbarth: Dichtung & Wahrheit über den “Nestor des deutschen Jazz”. Augenzwinkernde Hommage an Albert Mangelsdorff zum 1. Todestag, in: Jazz Podium, 55/7-8 (Jul/Aug.2006), p. 3-6 (F) [digi.copy]

Christian Hoesch: Hommage und Show. Gedenkabend für Albert Mangelsdorff bei den “Jazznights” der Alten Oper, in: Frankfurter Allgemeine Zeitung, 7.Sep.2006, p. 51 (C: tribute to Mangelsdorff) [vert.file] [digi.copy]

Gerd Döring: Vorher und nachher. Ein Abend für Albert Mangelsdorff in der Frankfurter Alten Oper, in: Frankfurter Rundschau, 7.Sep.2006 (C: tribute to Mangelsdorff) [vert.file] [digi.copy]

NN: Albert Mangelsdorff Quintett, “Folk Mond & Flower Dream”. The Lost Tapes. Fast eine Familienstory, in: [press release], 14.Sep.2007 (F) [vert.file] [digi.copy]

Claus Schreiner: Wiedergutmachung. Mit dem Posaunisten Albert Mangelsdorff starb 2005 eine herausragende internationale Jazz-Persönlichkeit. Zu Lebzeiten gab es viele seiner wichtigsten Aufnahmen nicht auf CD. Das ändert sich nun zum 80. Geburtstag, in: Jazz Echo, 11/2 (2008), p. 23 (F) [digi.copy]

Günter Holthoff & Mojo Mendiola (eds.): 50 Jahre Jazzkeller Krefeld, Krefeld 2008 [book: Leporello Verlag], p. 64-67 (F) [digi.copy]

Wolfgang Sandner: Gedenkkonzert für Albert Mangelsdorff. Jazz auf großer Flamme. Jubeltöne für den Posaunenmeister. Herausragende Jazzkoryphäen geben sich am 6. September im Großen Saal ein musikalisches Stelldichein. Ihr Einsatz dient der Erinnerung an einen berühmten Frankfurter, in: Frankfurter Allgemeine Zeitung, 31.Aug.2008 (F: concert preview) [digi.copy]

Christian Broecking: Markenzeichen: Soloposaune, in: Berliner Zeitung, 5.Sep.2008 (F) [vert.file] [digi.copy]

Hans-Jürgen Linke: Nicht schlecht. Eine Ehrung und ein kleines Gedenk-Jazzfestival zum 80. Geburtstag von Albert Mangelsdorff, in: Frankfurter Rundschau, 8.Sep.2008 (C: tribute concert with Albert Mangelsdorff Memorial Quintet; Joachim Kühn, Miroslav Vitous, Daniel Humair; Lee Konitz & Martial Solal; Emil Mangelsdorff & hr Big Band) [digi.copy]

Ulrich Olshausen: Vier Schritte zur Geisterbeschwörung. Eine musikalische Gedenkfeier für Albert Mangelsdorff in der Alten Oper Frankfurt, in: Frankfurter Allgemeine Zeitung, 8.Sep.2008 (C: tribute concert with Albert Mangelsdorff Memorial Quintet; Joachim Kühn, Miroslav Vitous, Daniel Humair; Lee Konitz & Martial Solal; Emil Mangelsdorff & hr Big Band) [digi.copy]

Volker Schmidt: Albert Mangelsdorff. Der größte Frankfurter nach Goethe. Vom Swing−Kid zum Blech−Pionier: Der Posaunist Albert Mangelsdorff zerrte den deutschen Jazz aus dem Nachkriegsmief in die frische Luft der 68er. Jetzt wäre er 80 geworden. Eine Erinnerung, in: Die Zeit, 4.Sep.2008 (F) [digi.copy]

Dieter Wackerbarth: Zum 80. Geburtstag von Albert Mangelsdorff. Mangelsdorff beyond – Ertrag und Perspektive für die Posaune im Jazz, in: Jazz Podium, 57/10 (Oct.2008), p. 3-4, 6, 8-9 (F) [digi.copy]

Dieter Wackerbarth: Zum 80. Geburtstag von Albert Mangelsdorff. Mangelsdorff beyond – Ertrag und Perspektive für die Posaune im Jazz, in: Jazz Podium, 57/11 (Nov.2008), p. 36-38 (F) [digi.copy]

Alfred Krondraf: Kein Mangel an Mangelsdorff. Erinnerungen en masse, in: Concerto, Dec/Jan.2008/2009, p. 46 (F/R)

Andrew Wright Hurley: The Return of Jazz. Joachim-Ernst Berendt and West German cultural change, New York 2009 [book: Berghahn Books], passim; especially p. 158-167 (F: chapter “The Goethe Institut’s Jazz Ambassadors Strike Up”)

Heinz Protzer: Attila Zoller. Sein Leben, seine Zeit, seine Musik, Erftstadt 2009 [book: privately published], passim (F)

Martina Taubenberger: “The Sound of Democracy – The Sound of Freedom”. Jazz-Rezeption in Deutschland (1945-1963), Mainz 2009 [PhD thesis: Johannes-Gutenberg-Universität], passim; especially p. 260-292 (I: chapter “Zeitzeugeninterview. Albert Mangelsdorff”)

NN: Darmstädter Forum für einen Virtuosen. Jazzinstitut ehrt Albert Mangelsdorff, in: Wiesbadener Kurier, 5.Jan.2009 (F) [digi.copy]

“clan”: Ding der Woche. Mangelsdorffs Ersatz-Posaune, in: Frankfurter Allgemeine Zeitung, 14.Feb.2009 (F) [digi.copy]

“zer.”: Nachlass mit Posaunen. Grundstock gelegt für das Mangelsdorff-Archiv, in: Frankfurter Allgemeine Zeitung, 12.Feb.2009 (F) [digi.copy]

Claudia Michels: Nachlass. Mangelsdorff-Jazz-Archiv eröffnet, in: Frankfurter Rundschau, 12.Feb.2009 (F) [digi.copy]

Jensen Zlotowicz: Jazzarchiv zieht den Kürzeren, in: Thürinigsche Landeszeitung, 13.Feb.2009 (F: about Albert Mangelsdorff Archiv in Frankfurt) [digi.copy]

NN: Presseinformation. Grundstock für Albert-Mangelsdorff-Archiv in Frankfurt gelegt. Nachlass der Jazz-Legende für die Stadt Frankfurt gesichert. Institut für Stadtgeschichte plant Archiv zur Frankfurter Jazzgeschichte, in: [press release of the Stadt Frankfurt], 11.Feb.2009 (F) [digi.copy]

Wolfgang Sandner: Metropole des Jazz. Mangelsdorff-Archiv gegründet, in: Frankfurter Allgemeine Zeitung, 12.Feb.2009 (F) [digi.copy]

Ulfert Goeman: In Frankfurt Grundstock gelegt für ein Albert-Mangelsdorff-Archiv, in: Jazz Podium, 58/4 (Apr.2009), p. 43 (F) [digi.copy]

Heinz Zietsch: Mangelsdorff zu Ehren. Jazzforum. Das elfte Darmstädter Festival steht unter dem Motto “Spannung” – Beginn am Freitag, in: Darmstädter Echo, 22.Sep.2009 (F: concert preview) [digi.copy]

Nick van Dijk: Woodshed. Solo. Albert Mangelsdorff’s Multiphonic Solo on ‘Morbidia’, in: Down Beat, 76/11 (Nov.2009), p. 76 (A/T) [digi.copy]

Wolfgang Schorlau: Das brennende Klavier. Der Musiker Wolfgang Dauner, Hamburg 2010 [book: Nautilus], passim, especially p. 125-127 (F: chapter “Das Albert Mangelsdorff-Wolfgang Dauner Duo”)

Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], passim (F) [digi.copy]

Wolfgang Sandner: Ein prototyp und Sonderfall. Albert Mangelsdorff, Jazzmusiker in Deutschland, in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 17-27 (F) [digi.copy]

Wolfram Knauer: Es sungen drei Engel. Zum Umgang von Jazzmusikern mit deutscher Musiktradition, in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 65-85 (F) [digi.copy]

Harald Justin: Jenseits des Skandals. Albert Mangelsdorff: Autobiographisches Erzählen im Kontext (und mögliche Paradigmenwechsel im deutschen Jazz), in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 217-243 (F) [digi.copy]

Michael Rieth: Goethe und der Blues, Kropotkin und die Krone, Albert und die Anarchie, in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 245-265 (F; partly a reprint of Rieth’s earlier essay in Jazzcontainer, Hofheim 1986) [digi.copy]

Michael Rüsenberg: “Ein musikalisches Zwiegespräch zwischen dem weltberühmten Posaunisten und dem unbekannten Wal”. Anmerkungen zu Albert Mangelsdorff, in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 293-301 (F) [digi.copy]

Tobias Böcker: Albert Mangelsdorff über Attila Zoller. “Er hat mit Haut und Haar für die Musik gelebt”, in: Jazz Podium, 59/3 (Mar.2010), p. 36-37 (I)

Uwe Wittstock: Der Posaunen-Goethe. Frankfurt war mal deutsche Jazz-Hauptstadt. Daran erinnert das Archiv des Musikers Albert Mangelsdorff, in: Welt Online, 23.Mar.2010 (F) [digi.copy]

Ralf Dombrowski: Buch-Tipp: Albert Mangelsdorff, in: , 2.Dec.2010 (B: “Albert Mangelsdorff. Tension / Spannung”, edited by Wolfram Knauer) [digi.copy]

Karlheinz Drechsel & Ulf Drechsel: Zwischen den Strömungen. Mein Leben mit dem Jazz, Rudolstadt 2011 [book: Greifenverlag], passim (F)

Ulfert Goeman: Wegbeieiter mit Posaune. Jazz – Das Darmstädter Institut publiziert bedeutende Beiträge zu Albert Mangelsdorff, in: Darmstädter Echo, 31.Jan.2011 (B: “Tension / Spannung”, edited by Wolfram Knauer) [digi.copy]

Ulfert Goeman: “Albert Mangelsdorff. Tension / Spannung. Darmstädter Beiträge zur Jazzforschung, Band 11”, edited by Wolfram Knauer, in: Jazz Podium, 60/2 (Feb.2011), p. 60 (B) [digi.copy]

Bert Noglik: Buchrezension: Darmstädter Beiträge zur Jazzforschung Band 11. Albert Mangelsdorff – Tension – Spannung, in: [SWR 2 NOW Jazz Magazin], 3.Mar.2011 (F: manuscript) [digi.copy]

NN: Der Jazz-Posaunist als Model. Fundstücke aus dem Mangelsdorff-Nachlass, in: , 24.Aug.2011 (F) [digi.copy]

Wolfgang Sandner: Es war nicht die Meise. Gesprächskonzert mit Jürgen Schwab und Christof Lauer, in: Frankfurter Allgemeine Zeitung, 25.Aug.2011 (C) [digi.copy]

Wolfram Knauer: “Three Angels”. Albert Mangelsdorff’s and Other Musicians’ Reworking of the German Folk Music Tradition, in: Current Research in Jazz, #4 (2012) [Dan Morgenstern Festschrift] <crj-online.org/v4/> (F) [digi.copy]

Lukas Gedziorowski: Vogeljazz am Teich. Ein bislang namenloser Enten- und Reiherweiher, an dem der Posaunist Albert Mangelsdorff oft Vögel beobachtete, soll jetzt nach dem legendären Frankfurter Musiker benannt werden, in: Frankfurter Rundschau, 14.Mar.2013 (F) [digi.copy

NN: Straßenbenennungen und Angaben zum amtlichen Straßenverzeichnis, in: Amtsblatt (Frankfurt), 24.Jul.2013 (F: planned re-naming of Frankfurt street in “Albert-Mangelsdorff-Allee”; never realized) [digi.copy]

NN: Albert Mangelsdorff Quintett – “Legends Live” (Jazzhaus 201727), in: [LP inpo], Jul.2013 (F) [digi.copy]

Evanthia Triantafillou: Einladung zur Einweihungsfeier des Albert-Mangelsdorff-Weihers, in: [letter], 17.Sep.2013 (F: small lake in Frankfurt park to be named after Albert Mangelsdorff) [digi.copy]

Ulrich Stock: Wiederentdeckt. Erste Weltmusik aus Deutschland. Das Albert Mangelsdorff Quintett holte Thailand nach Freiburg, in: Die Zeit, 12.Dec.2013 (R: “Live at Audimax Freiburg, June 22, 1964”, SWR/Arthaus Musik) [digi.copy]

Rainer Bratfisch: Jazz in Berlin, Berlin 2014 [book: Nicolai Verlag], passim (F)

Jazz Index: Charlie Parker

Beispiel für einen Jazz Index zu Charlie Parker

————————————————-

Jazz Index – created on 13. August 2014

The following bibliographical information is drawn from periodicals and books present in the archive of the Jazzinstitut Darmstadt. Our extensive periodical collection comprises more than 55,000 issues of some 1,050 jazz periodicals. Close to two-thirds of the collection has been indexed.

Following the more recent entries are abbreviations denoting the nature of the material in the respective articles. These symbols are:

[A] = analytical remarks

[B] = extensive book review

[BT] = blindfold test

[C] = concert review

[D] = discography

[F] = feature article

[I] = interview

[“I”] = article written by the respective musician himself

[N] = (very short) news item

[O] = obituary

[R] = extensive record review

[T] = transcription

The Jazz Index is a service of the…

Jazzinstitut Darmstadt, Bessunger Strasse 88d, D-64285 Darmstadt, Germany

phone ++49 (6151) 963740, fax ++49 (6151) 963744

This bibliography has been compiled and mailed by … Jazzinstitut Darmstadt,

e-mail: jazz@jazzinstitut.de, Internet: www.jazzinstitut.de

Parker, Charlie (as * real name: Charles Christopher Parker; b: 29.Aug.1920, Kansas City/KS; d: 12.Mar.1955, New York; Lexikon: Feather [1960]; Companion [1987]; New Grove [1988]; rororo [1988]; Reclam [1989]; Dictionnaire [1988,1995]; MusicHound [1999]; Rough Guide [1999]; vertical file: Charlie PARKER [1988,1998,2000,2003-2005])

***

LITERATURE:

NN: Flash!, in: Metronome, 62/6 (Jun.1945), p. 6 (N: Philadelphia concert with Don Byas, Buddy DeFranco, Dizzy Gillespie, Charlie Parker) [digi.copy]

NN: Flash!, in: Metronome, 62/6 (Jun.1945), p. 6 (N: New Jazz Foundation concert in New York with Billie Holiday or Coleman Hawkins, Erroll Garner Trio, Remo Palmieri, Don Byas, Charlie Parker, Buck Clayton, Slam Stewart, Joe Guy) [digi.copy]

The Two Deuces (= Barry Ulanov & Leonard Feather): Dizzy Gillespie – “Blue ‘n’ Boogie” / “Groovin’ High” (Guild 1001), in: Metronome, 62/6 (Jun.1945), p. 14 (R: calling Parker “The Diz of the alto”) [digi.copy]

Barry Ulanov & Leonard Feather: Tiny Grimes/Charlie Parker, in: Metronome, Oct.1945 (C); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 239-240 (R)

Barry Ulanov: Dizzy Dazzles for an Hour. Rest of Concert Drags, in: Metronome, Oct.1945 (C); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 181-183 (C)

Horst Lippmann: Letzte Neuheiten. Charlie Parker hat eigene Band, in: Die Jazz-Club News, #3/4 (Oct/Nov.1945), p. 22 (N) [digi.copy]

NN: 652nd Street Invades Toronto Studio, in: Down Beat, 12/24 (15.Dec.1945), p. 2 (N/photo)

NN: Parker Exciting L.A. With Be-Bop, in: The Capitol News from Hollywood, 4/4 (Apr.1946), p. 10 (short F: at Finale Club with Miles Davis, Joe Albany) [digi.copy]

NN: Sunset and Vine, in: The Capitol News from Hollywood, 4/4 (Apr.1946), p. 2 (news column: wants to stay in Hollywood permanently; just signed recording contract) [digi.copy]

Barry Ulanov & George T. Simon & Leonard Feather: Charlie Parker’s Re Boppers – “Now’s The Time”/”Billie’s Bounce”, in: Metronome, Mar.1946; Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 240-241 (R)

Barry Ulanov & George T. Simon & Leonard Feather: Charlie Parker’s Ri Bop Boys – “Ko Ko”, in: Metronome, May 1946; Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 241-242 (R: excerpt referring to Parker)

NN: Noteworthy People. New Maetsro – Charlie (Bird) Parker, in: Hollywood Note, 1/4 (Jun.1946), p. 24 (short F)

Michael Levin: Charlie Parker – “Ornithology” / “A Night in Tunesia” (Dial 1002), in: Down Beat, 15.Jul.1946 (R: 2 stars / 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 183 (R)

NN: Charlie Parker Shows Recovery, in: Down Beat, 23.Sep.1946 (N) [digi.copy] {Rutgers papers “Charlie Parker”, p. 51}

George T. Simon & Leonard Feather: Charlie Parker – “Be-Bop”/”Lover Man”, in: Metronome, Nov.1946 (R); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 242 (R)

NN: Benefit presented here for Charlie Parker, in: [unknown manuscript], 16.Dec.1946 (C) [digi.copy] {Rutgers papers “Charlie Parker”, p. 18}

NN: Parker Fund to Hospital, in: [unknown source], 1947 (F: benefit money turned over to West View Hospital) [digi.copy] {Rutgers papers “Charlie Parker”, p. 162}

NN: Benefit, in: [unknown source], Feb.1947 (short F: benefit for Charlie Parker at Club Royale in Los Angeles earning 500 dollar) [digi.copy] {Rutgers papers “Charlie Parker”, p. 17}

Ross Russell & Chan Richardson: [correspondence], in: NN: Pop, Including Bird – The Chan Parker Collection, London, 8.Sep.1954 [auction catalogue], p. 9 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 7}

Elliott Grennard: Sparrow’s Last Jump, in: Ralph J. Gleason: Jam Session. An Anthology of Jazz, London 1961 [book], p. 235-248 (short story; Reprint aus: Harper’s Magazine, May 1947) [digi.copy]

NN: Yardbird Parker Is Blue Monday’s Jam ‘Sesh’ Star, in: New York Amsterdam News, 3.May 1947, p. 23 (short F) [digi.copy]

NN: The Bird, in: Metronome, 63/6 (Jun.1947), p. 27 (short F/photo) [digi.copy]

Leonard Feather: Yardbird Flies Home. Back in New York, Charlie Parker reviews his life and his musical thinking, in: Metronome, 63/8 (Aug.1947), p. 14, 43-44 (F/I) [digi.copy]; Reprint, in: Jerry’s Rhythm Rag, 2 (spring 1993), p. 28-30 (F/I); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 61-65 (F/I)

NN: Charlie Parker – “Buzzy” / “Donna Lee” (Savoy 512), in: Metronome, 63/8 (Aug.1947), p. 32 (R) [digi.copy]

Joe Segal: Jazz Moods. Be-Bop Arrives As ‘Bird’ Comes to Chi, in: [unknown source, ca.Oct.1947 (F: upcoming engagement at Argyle Show Lounge) [digi.copy] {Rutgers papers “Charlie Parker”, p. 167}

Michael Levin: Dizzy, Bird, Ella Pack Carnegie. Despite Bad Acoustics, Gillespie Concert Offers Some Excellent Music, in: Down Beat, 14/22 (22.Oct.1947), p. 1, 3 (C); reprint, in: Ken Vail: Dizzy Gillespie. The Bebop Years 1937-1952, Cambridge 2000 [book: Vail Publishing], p. 51 (C)

Allan Morisson & Nicole Barclay: Charlie “Yardbird” Parker, in: Jazz News [France], #1 (Noel 1948), p. 6-7 (F)

André Hodeir: Charlie Parker, in: Jazz Hot, #special (Jan.1948), p. 8-10l, 13 (F/A); erratum, in: Jazz Hot, #19 (Jan.1948), p. 11

Charles Delaunay: Discographie de Charlie Parker, in: Jazz Hot, #special (Jan.1948), p. 8 (D)

Hubert Rostaing: Charlie Parker, in: Jazz Hot, #special (Jan.1948), p. 9 (F)

NN: Influence of the Year. Charlie Parker, in: Metronome, 64/1 (Jan.1948), p. 22 (F) [digi.copy]

Raymond Fol: Charlie Parker, in: Jazz Hot, #special (Jan.1948), p. 8 (F)

NN: Harris, Parker Get Beat Plaques, in: Down Beat, 15/8 (21.Apr.1948), p. 18 (N); Reprint, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 36 (N)

Tom Herrick: Charlie Parker – “The Parkers” (Savoy 509), in: Down Beat, 21.Apr.1948 (R: 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 183-184 (R)

NN: Bop vs. Boogie Show, in: Down Beat, 15/10 (19.May 1948), p. 3 (N)

Tom Herrick: Charlie Parker Quartet – “This Is Always” / “Dewey Square” (Dial 1019), in: Down Beat, 11.Aug.1948 (R: 2 stars / 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 184 (R)

Leonard Feather: A Bird’s-ear View of Music. Nobody gets the bird from bird as broadminded parker takes the blindfold test, in: Metronome, 64/8 (Aug.1948), p. 14, 21-22 (BT: Stan Kenton: “Monotony”/”Elegy for Alto”; Benny Goodman: “Nagasaki”; Sonny Stitt: “Seven-Up”; Jay McShann: “Sepian Stomp”; George Wettling: “Heebie Jeebies”; Stravinsky: “The Song of the Nightingale”; Hot Lips Page: “Lafayette”; Count Basie: “House Rent Boogie”; Charlie Barnet: “The Gal from Joe’s”; Dizzy Gillespie: “Stay On It”; Johnny Hodges: “Passion Flower”); Reprint, in: Down Beat, 32/5 (11.Mar.1965), p. 32 (BT); Reprint, in: Jazz Times, 25/5 (Jun.1995), p. 122, 120 (BT); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 65-69 (BT)

Martha Mee: Letters to the Editors. Ornithology, in: Metronome, 64/10 (Oct.1948), p. 26 (letter)

Eddie Ronan: Bird a Floperoo; Hawk Still Tops, in: Down Beat, 15/25 (15.Dec.1948), p. 7 (C) [digi.copy]

Tom Herrick: Charlie Parker – “Barbados” / “Parker’s Mood” (Savoy 936), in: Down Beat, 15.Dec.1948 (R: 2 stars / 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 184 (R)

Marke Paise: Fans Score; Bird Fails to Show Up, in: Down Beat, 15/26 (29.Dec.1948), p. 11 (N); Reprint, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 43 (N)

Charles Delaunay: [letter to Charlie Parker], in: NN: ‘Bird’. The Chan Parker Collection Auction, in: Crescendo & Jazz Music, 31/4 (Aug/Sep.1994), p. 10 (F: excerpts from letter inviting Charlie Parker to Paris) [digi.copy] {Rutgers papers “Charlie Parker”, p. 8}

George Hoefer: Parker and Phillips Beep New Type Bop With Bongo Beat, in: [unknown source], 1949 (R: Charlier Parker & Machito) [digi.copy] {Rutgers papers “Charlie Parker”, p. 166}

Gil Fuller: Be-Bop Instrumental Choruses for Alto Sax by Charlie Parker. 6 Original Choruses on Outstanding Be-Bop Themes, New York & London 1949 [sheet music: J.J. Robbins / Bosworth & Co.] (T: “Oop Bop Sh’Bam”, “Things to Come”; “That’s Earl, Brother”; Ray’s Idea”; “One Bass Hit”; “Good Dues Blues”)

Harold Davison: [letter to Charlie Parker], in: NN: ‘Bird’. The Chan Parker Collection Auction, in: Crescendo & Jazz Music, 31/4 (Aug/Sep.1994), p. 10 (F: excerpts from letter inviting Charlie Parker to Paris) [digi.copy] {Rutgers papers “Charlie Parker”, p. 8}

Horst Lippmann: Über die beste Combo der Welt (Charlie Parker Quintett), in: Jazz Home, 1/2 (1949), p. 14-18 (F) [digi.copy]

J. Blume et al: Discographie de Charlie Parker, in: Jazz Hot, 15/39 (1949), p. 30-32 (D)

Van Alexander: The Be-Bop Style, New York 1949 [sheet music: Criterion Music Corporation] (F/A/T: “Yardbird Suite”, “Moose the Mooche”, “Confirmation”)

Tom Herrick: Charlie Parker – “Embraceable You” / “Bongo Bop” (Dial 1024), in: Down Beat, 28.Jan.1949 (R: 3 stars / 2 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 185 (R)

George Simon: Metronome Poll. Charlie Parker, in: Metronome, 65/1 (Jan.1949), p. 18 (short F) [digi.copy]

NN: Charlie Parker All Stars – “Barbados” / “Parker’s Mood” (Savoy 936), in: Metronome, 65/1 (Jan.1949), p. 47 (R) [digi.copy]

“N.K.”: Charlie Parker Quartet” – “Bird’s Nest” / “Coal Blues” (Esquire 10-017), in: Jazz Journal, 2/2 (Feb.1949), p. 5 (R) [digi.copy]

Barry Ulanov & Barbara Hodgkins & Peter Dean: Charlie Parker – “Bongo Bop”/Embraceable You”, in: Metronome, Feb.1949 (R); in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 243 (R)

André Hodeir: Charlie “Yardbird” Parker, in: Jazz Hot, #33 (May 1949), p. 8-9 (F)

Boris Vian: Charlie Parker. Le Superman du Jazz, in: Jazz Hot, #33 (May 1949), p. 21 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 75-77 (F); Dutch translation, as: Charlie Parker, de superman van de jazz, in: Boris Vian: Over jazz. Teksten 1946-1958, Amsterdam 1984 [book: Van Gennep], p. 43-45 (F); German translation, in: Boris Vian: Rundherum um Mitternacht. Schriften, Glossen und Kritiken über Jazz, Wien 1989 [book], p. 77-79 (F)

NN: Do You Get It?, in: Time, 23.May 1949 (C: Paris concert) [digi.copy] {Rutgers papers “Charlie Parker”, p. 16}

S.F.: Charlie “Yardbird” Parker, in: Jazz News [France], #5 (May 1949), p. 6-7 (F)

NN: Charlie Parker’s New Stars – “Stupendous”; Howard McGhee Sextet – “High wind in Hollywood” (Parlophone R. 3142), in: Orkester Journalen, 17/6 (Jun.1949), p. 30-31 (R)

Rolf Dahlgren: Charlie Parker’s New Stars – “Stupendous”; The Howard McGhee Sextet – “High Wind in Hollywood (Parlophone R 3142), in: Estrad, 11/6 (Jun.1949), p. 15 (R)

Michael Levin: Charlie Parker – “Crazelogy Part I / Part II” (Dial 1034), in: Down Beat, 17.Jun.49 (R: 1 stars; 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 187 (R)

Boris Vian: Parker et les Cubains, in: Combat, 11.Jul.1949 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 353-354 (F)

Frank Ténot (aka “Le Raisin Moisi”): Fausses Notes. Charlie Parker et Max Roach m’ont dit…, in: Jazz Hot, #36 (Sep.1949), p. 11 (F: satire); reprint, in: Frank Ténot: Frankly Speaking. Chroniques de Jazz de 1944 à 2004, Paris 2004 [book: Editions du Layeur], p. 28-29 (F)

Michael Levin & John S. Wilson: Charlie Parker. No Bop Roots in Jazz: Parker, in: Down Beat, 9.Sep.1949, S. 1 (F/I); Reprint, as “Charlie Parker. The Chili Parlor Interview”, in: Down Beat, 32/6 (1965), p. 13-15 (F/I); Reprint, in: Ekkehard Jost & Annette Hauber & Klaus Wolbert (eds.): That’s Jazz. Der Sound des 20. Jahrhunderts, Darmstadt 1988 [book], p. 187-189 (F/I); Reprint, in: Down Beat, 57/12 (Dec.1990), p. 20 (F/I); Reprint, in: Down Beat, 61/2 (Feb.1994), p. 24, 26 (F/I); Reprint, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 67-68 (F/I); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 69-79 (F/I); reprint, in: Down Beat, 76/5 (May 2009), p. 44-46 (F/I) [digi.copy]; reprint, in: Frank Alkyer & Ed Enright (eds.): Down Beat. The Great Jazz Interviews. A 75th Anniversary Anthology, New York 2009 [book: Hal Leonard Books], p. 32-36 (F/I)

NN: Jazz at Massey Hall, in: Down Beat, 56/9 (Sep.1989), p. 52 (R; Reprint from: Down Beat, 1950s) [digi.copy]

Claes Dahlgren: Hermans stora band upplöst. Nytt från New York. Billy Eckstine – Charlie Parker – Herbie Fields – Birdland öppnar med Jazz Festival, in: Orkester Journalen, 18/1 (Jan.1950), p. 12-13, 17 (C)

NN: Charlie Parker All Stars – “Birds gets the worm” / James Moody and his Cool Cats – “Dexterious” (Metronome B 511), in: Orkester Journalen, 18/1 (Jan.1950), p. 23 (R)

NN: The All Stars. Charlie Parker, in: Metronome, 66/1 (Jan.1950), p. 16 (F) [digi.copy]

NN: Un chorus entre mille. Chorus de Charlie Parker sur “Ornithology”, in: Jazz Hot, #40 (Jan.1950), p. 33 (T)

NN: Charlie Parker Solo on ‘Groovin’ High’, in: Down Beat, 17/5 (10.Mar.1950), p. 12 (T); Reprint, in: Down Beat, 36/14 (10.Jul.1969), p. 40 (T)

Tom Cundall: Charlie Parker – “Donna Lee” / “Buzzy” (Savoy 928), in: Jazz Journal, 3/3 (Mar.1950), p. 7 (R) [digi.copy]

J.-L. Scali: Discographie de Charlie Parker. corrections/additions, in: Jazz Hot, #43 (Apr.1950), p. 30 (D)

NN: At Mosque. Tickets Ready For Bird, Slam, Shearing Date, in: Pittsburgh Courier, 8.Apr.1950, p. 20 (short F: concert preview) [digi.copy]

Ruth McClendon: Chords and Discords. Parker’s ‘Mood’, in: Down Beat, 17/8 (21.Apr.1950), p. 10 (letter: disappointing concert)

Barry Ulanov & Barbara Hodgkins & George T. Simon: Charlie Parker – “Klactoveedsedstene”/”Charlie’s Wig”, in: Metronome, May 1950 (R); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 244 (R)

Marshall Stearns & James Maher: Charlie Parker Interview [transcription], in: [website], radio interview, around May 1950 (I) [digi.copy]

Marshall Stearns: Charlie Parker Interview, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 74-77 (I from May 1950)

Victor Mitz: Advenimiento de Charlie Parker, in: Jazz Crisis (Spain), 1/9 (Jun/Jul.1950), p. 70, 74 (F)

Barry Ulanov & Barbara Hodgkins & George T. Simon: Charlie Parker and Strings, in: Metronome, Aug.1950 (R); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 245-246 (R)

Barry Ulanov: In Person. Charlie Parker, in: Metronome, 66/8 (Aug.1950), p. 19 (C); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 183-184 (C)

Charles Delaunay: [letter to Charlie Parker], in: NN: ‘Bird’. The Chan Parker Collection Auction, in: Crescendo & Jazz Music, 31/4 (Aug/Sep.1994), p. 10 (F: excerpts from letter inviting Charlie Parker to Paris) [digi.copy] {Rutgers papers “Charlie Parker”, p. 8}

Leonard Feather: Charlie Parker et son orchestre à cordes, in: Jazz Hot, #47 (Sep.1950), p. 17 (F)

Leonard Feather: Charlie Parker Interview, in: [website], radio interview, Voice of America, Mar/Apr.1951 (I) [digi.copy]

NN: Charlie Parker – “Drifting on a Reed” / “The Gypsy” (Dial 1043), in: Metronome, 67/4 (Apr.1951), p. 29 (R)

Marshall Stearns & John Maher: Interview – Charlie Parker, ca. May 1, 1951, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 91-109 (I)

NN: Charlie Parker – School, in: Metronome, 67/9 (Sep.1951), p. 11-12

NN: Charlie Parker’s Discography, in: Metronome, 67/9 (Sep.1951), p. 12

Lucien Malson: Charlie Parker, in: Lucien Malson: Que sais-je? Les maitres du jazz, Paris 1952 [book], p. 107-120 (F)

Mike Butcher: Matters for Moderns. … then I heard Bird – so ugly, so angular and so sharp, in: Melody Maker, 1952 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 161}

Lars Resberg: Charlie Parker Quintet – “This Is Always” / “Carving The Bird” (Metronome B 582), in: Estrad, 14/1 (Jan.1952), p. 14 (R)

NN: Charlie Parker – “Star Eyes” / “Au Privave” (Mercury 11087), in: Down Beat, 7.May 1952 (R: 2 stars / 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 189-190 (R)

Alun Morgan: Retrospection, in: Jazz Journal, 5/8 (Aug.1952), p. 6 (F/R: “Quasimodo”, “Dewey Square”)

Joachim Ernst Berendt: Das Jazzbuch. Entwicklung und Bedeutung der Jazzmusik, Frankfurt/Main 1953 [book: Fischer Bücherei], p. 67-71 (F)

M. Nevard: Is Parker Washed Up?, in: Melody Maker, 29/1058 (1953), p. 3

André Hodeir: Un chorus par disque. Le solo de Charlie Parker sur “Ornithology”, in: Jazz Hot, #73 (Jan.1953), p. 14 (A/T)

Nat Hentoff: Counterpoint [Bird with Strings a.o.], in: Down Beat, 20.Jan.1953 (F/I); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 79-81 (F/I); reprint, in: Down Beat, 76/7 (Jul.2009), p. 102 (F/I) [digi.copy]

Nat Hentoff: Counterpoint [Bird with Strings a.o.], in: Down Beat, 61/7 (Jul.1994), p. 38 (F/I; Reprint aus DB, 28.Jan.1953)

Nat Hentoff: Counterpoint, in: Down Beat, 20/2 (28.Jan.1953), p. 15 (F/I: on strings, Hindemith, Stravinsky, Bartok, Lennie Tristano, Dave Brubeck, Paul Desmond)

NN: I’m as happy as a bird with my King Super-20, in: Down Beat, 20/1 (14.Jan.1953), p. 18 (advertisement)

NN: “Charlie Parker” (Mercury MGC 513), in: Down Beat, 20/4 (25.Feb.1953), p. 13 (R) [digi.copy]

NN: Bird Turns Teacher, in: Down Beat, 20/4 (25.Feb.1953), p. 6 (N) [digi.copy] {Rutgers papers “Charlie Parker”, p. 50}

NN: Bird, Diz To Pace Toronto Jazz Fete, in: Down Beat, 20/5 (11.Mar.1953), p. 5 (N: Massey Hall Concert) [digi.copy]

NN: Charlie Parker – “I Can’t Get Started” / “Night and Day” (Mercury), in: Down Beat, 20/8 (22.Apr.1953), p. 21 (R)

William Hoffman: Chords and Discords. Where’s Bird?, in: Down Beat, 20/12 (17.Jun.1953), p. 8 (letter) [digi.copy]

Gordon Wells: Charlie Parker – The “Bird”, in: Jazz Journal, 6/6 (Jun.1953), p. 1 (F)

John McLellan: Charlie Parker Interview, in: [website], radio interview, WHDH Boston, 13.Jun.1953 (I) [digi.copy]

John McLellan: Charlie Parker Interview, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 130-132 (I from Jun.1953)

John McLellan: Interview – Charlie Parker, Boston, probably June 13, 1953, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 109-121 (I)

George T. Simon: Winding-Parker at Birdland, in: Metronome, 69/7 (Jul.1953), p. 18-19 (C); Reprint, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 133 (C); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 184 (C: excerpt referring to Parker)

NN: Want To Buy A Combo?, in: Down Beat, 20/14 (15.Jul.1953), p. 28 (very short F) [digi.copy]

Barry Ulanov: Charlie Parker – “In the Still of the Night”/”Old Folks”, in: Metronome, Sep.1953 (R); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 246 (R)

NN: “Jazz at Massey Hall” (Debut DLP-2, Debut DLP-3), in: Down Beat, 20/26 (30.Dec.1953), p. 14 (R) [digi.copy]

Billy Eckstine: Bird Blew In His Socks!, in: Melody Maker, 30/1091 (1954), p. 3-4

Billy Eckstine: Dizzy, Bird and the Birth of Bop, in: Melody Maker, 30/1094 (1954), p. 5

Leonard Feather & Robert Reisner: Bird, in: Eddie Condon & Richard Gehman (Hgg.): Eddie Condon’s Treasury of Jazz, New York 1956 [book], p. 228-241 (F; Reprint aus: Down Beat 1954; 1956)

NN: “Bird” Attempts Suicide on Eve of Tour, in: Melody Maker, 30/1096 (1954), p. 1, 16

NN: Charlie Parker Booked to Play in Britain, in: Melody Maker, 30/1094 (1954), p. 1, 8

Ted Hallock: Parker Talks to the MM, in: Melody Maker, 30/1059 (1954), p.3

John McLellan & Paul Desmond: Charlie Parker Interview, in: [website], radio interview, WHDH Boston, Jan.1954 (I) [digi.copy]

John McLellan: Charlie Parker Interview, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 144-146 (I from Jan.1954)

John McLellan: Interview – Charlie Parker, Paul Desmond, Boston, January 1954, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 121-131 (I)

Jack Tracy: Charlie Parker – “She Rote” / “K.C. Blues” (Clef 11101), in: Down Beat, 10.Feb.1954 (R: 5 stars / 2 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 193 (R)

Joachim Ernst Berendt: Charlie Parker Quintett – “Au privave” / “Star Eyes” (Austroton), in: Jazz Podium, 3/2 (Feb.1954), p. 18 (R) [digi.copy]

Edgar Jackson: “Jazz at Massey Hall” (Vogue), in: Melody Maker, #1073 (10.Apr.1954), p. 11 (R) [digi.copy]

Barry Ulanov: Bird on the Run, in: Metronome, 70/3 (Mar.1954), p. 34

Nat Hentoff: “Jazz at Massey Hall, Vol. 3” (Debut DLP-4), in: Down Beat, 72/1 (Jan.2005), p. 86 (R: 5 stars; reprint, from: Down Beat, 5.May 1954) [digi.copy]

Nat Hentoff: Charlie Parker – “Almost Like Being in Love” / “What Is This Thign Called Love?” (Clef), in: Down Beat, 21/10 (19.May 1954), p. 10, 12 (R)

K. Klaphek: Charlie Parker, in: Jazz Podium, 3/8 (Aug.1954), p. 5

NN: Charlie Parker Quintett – “Star Eyes” / “Au Privave” (Austroton 5192 V), in: Jazz-Echo, Aug.1954, p. 51 (R) [digi.copy]

NN: Den Großen Deutschen Jazz-Plattenpreis 1954 – Combos (modern) – erhielt Charlie Parker, in: Jazz-Echo, Aug.1954, p. 37 (N/photo) [digi.copy]

NN: Jazz-News, in: Jazz-Echo, Aug.1954, p. 48 (N: European tour planned with Sarah Vaughan, Illinois Jacquet) [digi.copy]

Dorothy Kilgannon: Fired ‘Bop King’ Tries to Kill Self, in: [New York Journal?], 4.Sep.1954 (short F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 1}

NN: Entertainment. Charlie Parker Tries Suicide After Being Fired, in: Jet, 6/19 (16.Sep.1954), p. 56 (short F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 61}

NN: Vaughan, Jacquet, Parker Will Entertain GIs in Europe, in: Pittsburgh Courier, 18.Sep.1954, p. 18 (F: play England, Germany) [digi.copy]

NN: Charlie Parker ne viendra pas en Europe, in: Jazz Hot, #92 (Oct.1954), p. 22 (N)

NN: Jazz-News, in: Jazz-Echo, Oct.1954, p. 48 (N: Charlie Parker, Sarah Vaughan, German tour dates) [digi.copy]

NN: Parker “vilar” efter skandal och självmordsförsök med jod, in: Estrad, 16/10 (Oct.1954), p. 1 (F)

NN: Selbstmordversuch Charlie Parkers, in: Jazz Podium, 3/10 (Oct.1954), p. 5

NN: Jazz-News, in: Jazz-Echo, Nov.1954, p. 46 (N: Parker’s European tour cancelled after suicide attempt) [digi.copy]

George Hoefer: Charlie “Yardbird” Parker, in: [manuscript], ca.1955 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 191-200}

George Hoefer: The Bird Blows the Blues, in: [manuscript], ca. 1955 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 159-160; also p. 172-173}

Gion Mili: Six, in: NN: Newport Jazz Festival 1955, Newport 1955 [program booklet: Jacques Willaumez Associates], p. 72-77 (short F/photo) [digi.copy]

Nat Shapiro & Nat Hentoff (eds.): Hear Me Talkin’ to Ya. The Story of Jazz by the Men Who Made It, New York 1955 [book: Rinehart & Company]; London 1955 [book: Peter Davies]; London 1958 [book: Peter Davies]; Harmondsworth 1962 [book: Penguin]; New York 1966 [book: Dover]; German translation as “Jazz erzählt. hear me talkin’ to ya”, München 1959 [book: Nymphenburger Verlagshandlung]; German translation as “Jazz erzählt. Von New Orleans bis West Coast”, München 1962 [book: dtv]; German translation as “Jazz erzählt. 50 Jahre Jazzgeschichte aus erster Hand”, Frankfurt/Main 1984 [book: JAS Publikationen], passim (short I)

NN: To Parker, in: NN: Newport Jazz Festival 1955, Newport 1955 [program booklet: Jacques Willaumez Associates], p. 28-29 (short F) [digi.copy]

Harvey Kahn: Death of Parker Rumours Began as Joke in Paris Club, in: Melody Maker, 29.Jan.1955, p. 20

Charles Gruenberg: Jazz World Mourns Loss of ‘Cool’ Charlie Parker, in: New York Post, 15.Mar.1955, p. 4, 38 (F/O) [digi.copy] {Rutgers papers “Charlie Parker”, p. 43-45}

Bob Sylvester: The Yardbird Dies, in: New York Daily News, 16.Mar.1955 (F/O) [digi.copy] {Rutgers papers “Charlie Parker”, p. 41}

Julie Macdonald: Dear Mr. Stearns…, in: [manuscript], 17.Mar.1955 (F: letter to Marshall Stearns about Charlie Parker’s death, possible benefit) [digi.copy] {Rutgers papers “Charlie Parker”, p. 163}

Leonard Feather: Sudden Death of Charlie Parker, in: Melody Maker, 19.Mar.1955, p. 1, 20

M. Nevard: Fallen Bird, in: Melody Maker, 19.Mar.1955, p. 3

NN: Charlie Parker, Jazz Master Dies. A Be-Bop Founder and Top Saxophonist Is Stricken in Suite of Baroness, in: New York Times, 15.Mar.1955 (F/O) [digi.copy]

Carroll Peery: Charlie Parker Memorial Concert Jams Carnegie Hall, in: Daily Worker (New York), 5.Apr.1955, p. 7 (C: memorial concert) [digi.copy] {Rutgers papers “Charlie Parker”, p. 42}

NN: Neger. Charlie ist tot, in: Der Spiegel, 13.Apr.1955, p. 46 (F/O) [digi.copy]

André Hodeir: Le Bird n’est plus, in: Jazz Hot, #98 (Apr.1955), p. 7-8 (F/O)

Bill Coss: Charlie Parker – “Cosmic Rays”/”Kim”, in: Metronome, Apr.1955 (R); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 247 (R)

Billie Wallington: Charlie Parker… un être humain, in: Jazz Magazine, #5 (Apr.1955), p. 20 (F); reprint, in: Les Années Jazz Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 24 (F)

Hubert Damisch: Charlie Parker. Fragile, mystérieux, insaisissable, in: Jazz Magazine, #5 (Apr.1955), p. 16 (F); reprint, in: Les Années Jazz Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 22 (F)

Jean Berdin: Bird of Paradise, in: Jazz Magazine, #5 (Apr.1955), p. 17, 20 (F); reprint, in: Les Années Jazz Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 23-24 (F)

Leonard Feather: Charlie Parker tel que je l’ai connu, in: Jazz Hot, #98 (Apr.1955), p. 8-10 (F/O)

Leonard Feather: Parker Finally Finds Peace, in: Down Beat, 20.Apr.1955 (F/O); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 81-83 (F/O); Reprint, in: Down Beat, 66/7 (Jul.1999), p. 34-35 (F/O)

NN: Charlie Parker (gestorben), in: Jazz Podium, 4/4 (Apr.1955), p. 4

NN: Farewell to Bird, in: Melody Maker, 2.Apr.1955, p. 9 (funeral)

NN: Jazz. Neger. Charlie ist tot, in: Der Spiegel, 9/16 (13.Apr.1955), p. 46 (F/O) [digi.copy]

NN: The Amen Corner. Farewell to the Bird, in: [unknown source], Apr.1955 (short F) [digi.copy]

Ted Raymond: The Strange Case of “Yardbird” Parker and Baroness Rothschild. The King of Bop Died Before his Time – in The Fifth Avenue Apartment of a Titled Heiress. This Complex of Wealth & Be-Bop Fascinates Because Be-Bop Makes for Curious Friendships, in: [unknown source], p. 22-23, 52 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 169-171}

Billie Wallington: Concert-souvenir. Charlie Parker au Carnegie Hall, in: Jazz Magazine, #6 (May 1955), p. 6 (C)

Billie Washington: Jazz Magazine a assisté aux funérailles de Charlie Parker, in: Jazz Magazine, #6 (May 1955), p. 22-23 (F); reprint, in: Les Années Jazz Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 26-27 (F)

Gene Ramey: My Memories of Bird Parker, in: Melody Maker, 28.May 1955, p. 5, 10 (F); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 135-139 (F)

George T. Simon: Simon Says…, in: Metronome, 71/5 (May 1955), p. 54

Joe Brown [Joachim Ernst Berendt]: Charlie Parker. Ein Leben zum Tode…, in: Jazz-Echo, May 1955, p. 39-41 (F/O) [digi.copy]

Lee Saner: Le concert de Carnegie Hall à la mémoire de Charlie Parker, in: Jazz Hot, #99 (May 1955), p. 29 (C)

Leonard Feather: Les obsèques de Charlie Parker, in: Jazz Hot, #99 (May 1955), p. 13 (F)

Leonard Feather: The Parker Memorial Concert (at Carnegie Hall), in: Melody Maker, 7.May 1955, p. 5 (C)

Marcel Zannini: Le dernier chorus du Bird, in: Jazz Hot, #99 (May 1955), p. 10 (F)

NN: Charlie Parker 1920-1955, in: Metronome, 71/5 (May 1955), p. 6

NN: Charlie Parker Records, in: Jazz Magazine, #6 (May 1955), p. 8 (N)

NN: Im Gedenken an Charlie Parker, in: Jazz Podium, 4/5 (May 1955), p. 4 (Spendenaufruf)

NN: Jazz-News. Deutschland, in: Jazz-Echo, May 1955, p. 42 (N: Deutsche Jazz Föderation collects money for Parker family) [digi.copy]

E. Wiedemann: Charlie Parker – Bird Discography, in: Melody Maker, 25.Jun.1955, p. 5

Gene Ramey: Memories of “Bird”… Hur Parker började, in: Estrad, 17/6 (Jun.1955), p. 5 (F)

NN: Jazz-News. Amerika, in: Jazz-Echo, Jun.1955, p. 44 (N: Carnegie Hall memorial concert) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Jun.1955, p. 43-44 (N: benefit collection for Parker family by Deutsche Jazz Föderation) [digi.copy]

Rolf Dötsch: Nachrichten aus Westdeutschland. Konzert des HC im Wintergarten – “In memoriam Charlie Parker”, in: Jazz Podium, 4/6 (Jun.1955), p. 22 (N) [digi.copy]

E. Jackson: Charlie Parker Memorial Album, in: Melody Maker, 9.Jul.1955, p. 7 (R)

Gene Ramey: Souvenirs de Bird, in: Jazz Magazine, #8 (Jul/Aug.1955), p. 20-21 (F); reprint, in: Jazz Magazine, #633 (Jan.2012), p. 40-41 (F) [digi.copy]

NN: “Charlie Parker All Stars/Sextet” (Jazztone J-702), in: Jazz-Echo, Jul.1955, p. 52 (R) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Jul.1955, p. 44 (N: “Charlie Parker Memorial”-Platten in USA) [digi.copy]

NN: Sad Case of Charlie Parker. Dead at 34, the ‘Bird’s tragic life, his early death symbolize the plight of many Negro musicians / At April benefit artists, musicians turned out to acknowledge ‘Bird’s genius / ‘Bird’s tragic life and untimely death are American Tragedy, in: Our World, Jul.1955, p. 9-10, 12 (F/O) [digi.copy] {Rutgers Papers “Charlie Parker”, p. 56-59}

Jörgen Grunnet Jepsen: Charlie Parker Diskografi, in: Orkester Journalen, 23/8 (Aug.1955), p. 34-35 (D)

NN: Jazz-News. Amerika, in: Jazz-Echo, Aug.1955, p. 43 (N: Chan Parker organizes memorial sessions in Lumberville, Pennsylvania) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Aug.1955, p. 42 (N: benefit collection by DJF results in 1.000 DM) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Oct.1955, p. 43 (N: Deutsche Jazz Föderation collects 10.698,26 Dollar for Parker’s family) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Dec.1955, p. 45 (N: biography by Bob Reisner) [digi.copy]

NN: Readers Name Charlie Parker Fourth Hall of Fame Member, in: Down Beat, 39/13 (20.Jul.1972), p. 25 (Reprint, from: Down Beat, 28.Dec.1955)

Alun Morgan & Raymond Horricks: Parker and Gillespie – The Dominating Figures of the Post-Minton Development, in: Alun Morgan & Raymond Horricks: Modern Jazz. A Survey of Developments since 1939, Westport/CT 1977 [book; Reprint, O: London 1956], p. 43-59 (F)

André Hodeir: Charlie Parker and the Bop Movement, in: André Hodeir: Jazz. Its Evolution and Essence, New York 1956 [book: Grove Press; also: London 1956: Secker & Warburg; New York 1961: Grove Press/Black Cat], p. 99-115 (A/T) [digi.cpy]; reprint, in: André Hodeir & Jean-Louis Pautrot: The André Hodeir Jazz Reader, Ann Arbor/MI 2006 [book: University of Michigan Press], p. 53-67 (A/T)

André Hodeir: Charlie Parker et le mouvement “Bop”, in: André Hodeir: Hommes et Problèmes du Jazz, Paris 1954 [book: Au Portulan, chez Flammarion], p. 124-143 (A/T)

André Hodeir: Le problème de l’improvisation. La mélodie dans le jazz, in: André Hodeir: Hommes et Problèmes du Jazz, Paris 1954 [book: Au Portulan, chez Flammarion], p. 171-192 (A/T: “Cool Blues”)

André Hodeir: The Problem of Improvisation. Melody in Jazz, in: André Hodeir: Jazz. Its Evolution and Essence, New York 1956 [book: Grove Press; also: London 1956: Secker & Warburg; New York 1961: Grove Press/Black Cat], p. 139-157 (A/T: “Cool Blues”) [digi.copy]

B. Harvey: Charlie Parker, in: Jazz Monthly, 2/7 (1956), p. 28, 31

Bill Coss: Charlie Parker 1920-1955, in: Metronome Yearbook 1956 (1956), p. 38-41, 76-79, 96 (F/O) [digi.copy]

Joachim Ernst Berendt: Charlie Parkers Leben zum Tode, in: Joachim Ernst Berendt: Variationen über Jazz, München 1956 [book], p. 60-72 (F)

Leonard Feather: A Bird’s – Ear View of Music, in: Metronome Yearbook 1956 (1956), p. 42-43

NN. Charlie Parker, in: Metronome Yearbook 1956 (1956), p. 80-84 (I with Teddy Charles, Kenny Clarke, J.J. Johnson, John LaPorta, Joe Maini, Charlie Mariano, Charles Mingus, Jack Montrose, Jimmy Raney, David Schildkraut, George Wallington) [digi.copy]

Orrin Keepnews: Charlie Parker, in: Orrin Keepnews: The View from Within. Jazz Writing 1948-1987, New York 1988 [book], p. 85-99 (F; Reprint aus: Nat Shapiro & Nat Hentoff (Hgg.): The Jazz Makers, New York 1956)

Tony Scott: Tony Scott on Charlie Parker, in: Metronome Yearbook 1956 (1956), p. 44-45

Whitney Balliett: The Measure of “Bird”. The unique Charlie Parker, a year after his death, in: [unknown source], ca. 1956, p. 33-34 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 104-105}

William S. Brown: The Last Time I Saw Yardbird, in: Don Friedman & Ken Joffe (eds.): Jazz New York. The First Annual New York Jazz Festival, New York 1956 [program booklet], p. 24-25 (F) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Jan.1956, p. 46 (N: story about saxophone used for record cover) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Mar.1956, p. 45 (N: Charlie Parker Memorial Fund) [digi.copy]

M. Nevard: Giants of Jazz. Charlie Parker, in: Melody Maker, 7.Apr.1956, p. 17

Mark Gardner: Bargain Bird, in: Jazz Journal, 20/6 (Jun.1956), p. 8-11 (F/D)

Horst Lippmann: “Das Quintett des Jahres 1953” (Brunswick), in: Jazz Podium, 5/7 (Jul.1956), p. 20 (R: Massey Hall Concert) [digi.copy]

Joe Brown: Charlie Parker / Dizzy Gillespie – “Das Quintett des Jahres” (Brunswick 10 050 EPB), in: Jazz-Echo, Jul.1956, p. 46-47 (R) [digi.copy]

M. Knueppel: Lover Man, in: Jazz Podium, 5/8 (Aug.1956), p. 10

Bill Coss: Charlie Parker – “All Star Sextet” (Roost), in: Jazz Today, 1/1 (Oct.1956), p. 40 (R)

Nat Hentoff: Armstrong aime Parker!, in: Jazz Hot, #115 (Nov.1956), p. 22 (short F/I)

M. Allen: Ornithology, in: Jazz Monthly, 3/6 (1957), p. 12 (poem)

Martin Williams: Collected Bird, in: Martin Williams: Jazz Changes, New York 1992 [book: Oxford University Press], p. 231-233 (R; Reprint von 1957)

Max Harrison: Aspects of an Alto, in: Jazz Monthly, 3/6 (1957), p. 5-6, 27

Max Harrison: Backlog 4. The Originators, in: Jazz Monthly, 3/7 (1957), p. 29, 31

Orrin Keepnews: Charlie Parker, in: Nat Shapiro & Nat Hentoff: The Jazz Makers. Essays on the Greats of Jazz, New York 1979 [book; Reprint, O: 1957], p. 202-217 (F)

T. Brown: The Truth About Charlie Parker, Told By His Friend, the Baroness de Koenigswarter-Rothschild, in: Melody Maker, 16.Feb.1957, p. 4-5

Barney Wilen: Charlie Parker à travers les disques, in: Jazz Hot, #119 (Mar.1957), p. 12-13 (F) [digi.copy]

Eddie Bernard: L’Albatros, in: Jazz Hot, #119 (Mar.1957), p. 10-11 (F) [digi.copy]

Jack Maher: “Jazz at Massey Hall”(Debut), in: Jazz Today, 2/4 (May 1957), p. 28 (R) [digi.copy]

Jack Maher: “The Charlie Parker Story” (Savoy), in: Jazz Today, 2/4 (May 1957), p. 31 (R) [digi.copy]

Whitney Balliett: The Measure of “Bird”, in: Jazz Journal, 10/5 (May 1957), p. 3-4 (F)

Joe Brown (= Joachim Ernst Berendt): “The Art of Charlie Parker (Vol. II)” (Jazztone J 1017), in: Jazz-Echo, Jun.1957, p. 46 (R) [digi.copy]

Ralph J. Gleason: The Rhythm Section. After Parker, Jazz Was Never the Same, in: San Francisco Chronicle, 9.Jun.1957 (F/R: Verve release of eight Parker LPs) [digi.copy] {Rutgers papers “Charlie Parker”, p. 60}

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jul.1957, p. 46 (N: book planned by Chan Parker) [digi.copy]

Raymond Horricks: Parker Revisited, in: Melody Maker, 20.Jul.1957, p. 15

NN: Yardbird Suite, in: Jazz Podium, 6/8 (Aug.1957), p. 7, 9

Jack Maher: Moments of Genius, in: Jazz Today, 2/9 (Oct.1957), p. 19-20 (R)

Leonard Feather: “J’ai enregistré Charlie Parker Junior”, in: Jazz Magazine, #31 (Oct.1957), p. 14 (N)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Oct.1957, p. 45 (N: 5-year-old Charles Baird Parker sings “Salt Peanuts” on tribute LP for Mode Records) [digi.copy]

NN: The Christmas issue…, in: [unknown source], 28.Nov.1957 (N: Adam Claton Powell couldn’t make Parker’s funeral; his assiatant Rev. Licorish garbled names and biographical data) [digi.copy] {Rutgers papers “Charlie Parker”, p. 55}

Arnold Shaw: Ballad of the Bird. The Legend of Charles Christopher Parker, in: Esquire, Dec.1957 (F) [digi.copy]

François Postif & Guy Kopelowicz: Les héritiers de Parker ont choisi le ténor, in: Jazz Magazine, #33 (Dec.1957), p. 25-30 (F on Parker, short features on Sonny Sitt, Sonny Rollins, John Coltrane, Hank Mobley, Yusef Lateef, J.R. Monterose, Clifford Jordan, John Gilmore, Bobby Jaspar, Barney Wilen, James Clay, Seldon Powell, Lucky Thompson, Curtis Porter, Frank Foster, Frnk Wess, Bill Perkins, Richie Kamuca)

Horst Lippmann: Charlie parker – “Early Bird” (Brunswick 10117 EPB), in: Jazz Podium, 6/12 (Dec.1957), p. 23 (R) [digi.copy]

Horst Lippmann: Charlie Parker & Dizzy Gillespie – “The Immortal Session, Vol. 1” (Sonet SCP-2808), in: Jazz Podium, 6/12 (Dec.1957), p. 22 (R) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Dec.1957, p. 44 (N: new biography by Bob Reisner and Richard Gehman) [digi.copy]

NN: Charlie Parker – “Early Bird” (Brunswick 10 117 EPB), in: Jazz-Echo, Dec.1957, p. 48, 84 (R) [digi.copy]

Alun Morgan: The Charlie Parker Story (on Savoy), in: Jazz Monthly, 3/11 (1958), p. 5-6, 32

Bill Coss: Behind the Jazz Masik. Charlie Parker. From Here to Eternity, in: Metronome Yearbook 1958 (1958), p. 43

Ralph J. Gleason: Charlie “Bird” Parker, in: Ralph J. Gleason: Celebrating the Duke…, New York 1975 [book], p. 87-95 (F; Reprint aus Hi-Fi Stereo Review, 1958; 1971)

Bob Cato: Designer’s Choice. A Statement, in: Infinity. American Sicuety of Magazine Photographers, Feb.1958, (short F/photo: Baird Parker blowing Bird’s saxophone) [digi.copy] {Rutgers papers “Charlie Parker”, p. 149-151}

Horst Lippmann: Dizzy Gillespie & Charlie Parker – “The Immortal Session Vol. 2” (Sonet); Charlie Parker All Stars – “Night in Tunesia” (Sonet), in: Jazz Podium, 7/2 (Feb.1958), p. 45 (R) [digi.copy]

George Hoefer: Charlie “Yardbird” Parker, in: [letter to Murray Fisher], 5.Mar.1958 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 62-67; also p. 174-179}

George Hoefer: The Hot Box, in: Down Beat, 25/7 (3.Apr.1958), p. 34 (F/R: “The Charlie Parker Story, Savoy MG-12079) [digi.copy]

François Postif & Guy Kopelewicz: Discographie de Charlie Parker, in: Jazz Hot, #132 (May 1958), p. 39-41 (D); part 2, in: Jazz Hot, #133 (Jun.1958), p. 40-42 (D); part 3, in: Jazz Hot, #134 (Jul/Aug.1958), p. 36-38 (D); part 4, in: Jazz Hot, #135 (Sep.1958), p. 38 (D)

“S.J.”: “Charlie Parker Bigband” (Columbua-Clef LP 33CX10004), in: Schlagzeug, 3/10 (Jun.1958), p. 21 (R) [digi.copy]

Steve Race: Immortal Charlie Parker, in: Melody Maker, 21.Jun.1958, p. 4 (R)

Steve Race: Parker, in: Melody Maker, 5.Jul.1958, p. 4

NN: Charlie Parker – “Bird on 52nd Street” (Jazz Workshop Inc JWS-501), in: Jazz-Echo, Nov.1958, p. 44 (R) [digi.copy]

NN: Charlie Parker All Star Sextet – “Air Conditioning” / “Bird Feathers” / “Quasimodo” / “Crazeology” (Sonet), in: Westjazz, 4/39 (Nov.1958), p. 7 (R) [digi.copy]

Johs Bergh: Charlie Parker Quintet – “Sewey Square” / “Embraceable You” / “Klacktoveedsedtene” / “Bongo Bop” (Sonet SXP 2826)

NN: Charlie Parker All Stars – “Night in Tunisia” / “Moose the Mooche” / “Yardbird Suite” / “Ornithology” (Sonet SXP 2815) [digi.copy]

Steve Race: Blue Bird, in: Melody Maker, 13.Dec.1958, p. 5 (R: Parker’s Mood)

E. Wiedemann: News and Views. Ornithologically Speaking, in: Jazz Review, 2/5 (1959), p. 42

H.W. Shih: Reconsiderations 3. Charlie Parker Memorial, in: Jazz Review, 2/1 (1959), p. 42-43 (R)

John S. Wilson: The Collector’s Jazz. Modern, New York 1959 [book: J.B. Lippincott], p. 220-225 (short F) [digi.copy]

Lucien Malson: Jazz d’aujourd’hui. Quatre ans après sa mort Charlie Parker demeure le plus vivant des moderns, in: Jazz Magazine, 5/49 (1959), p. 18ff.

Max Harrison: Charlie Parker, in: Nat Hentoff & Albert J. McCarthy (eds.): Jazz. New Perspectives on the History of Jazz by Twelve of the World’s Foremost Jazz Critics and Scholars, New York 1959 [book: Rinehart & Company]; reprint: New York 1961 [book: Grove Press]; reprint: London 1962 [book: The Jazz Book Club & Cassell]; reprint: New York 1975 [book: Da Capo], p. 275-286 (F)

Sadik Hakim: The Charlie Parker KoKo Date, in: Jazz Review, 2/2 (1959), p. 11

Siegfried Schmidt: Charlie Parker. Ein Porträt, Wetzlar 1959 [book: Pegasus Verlag] (F)

Max Harrison: Charlie Parker’s Savoy Recordings, in: Max Harrison: A Jazz Retrospect, London 1991 [book; Reprint, O: 1976], p. 15-22 (F; Reprint aus: Jazz Monthly, Jan.1959)

Sadik Hakim: The Charlie Parker KoKo Date, in: The Jazz Review, 2/2 (Feb.1959), p. 11 (F) [digi.copy]

Erik Wiedemann: News and Views. Ornithologically Speaking, in: The Jazz Review, 2/5 (Jun.1959), p. 42 (F/R: Parker reissues) [digi.copy]

Lucien Malson: Jazz d’aujourd’hui. Quatre ans après sa mort Charlie Parker demeure le plus vivant des modernes, in: Jazz Magazine, #49 (Jun.1959), p. 18-21, 42 (F)

NN: breaks, in: Schlagzeug, 4/8 (Aug.1959), p. 25 (N: Polish biography by Jozef Balcerak, Jan Sitkowski) [digi.copy]

NN: breaks, in: Schlagzeug, 4/9 (Sep.1959), p. 14 (N: article in “Confidential” about Parker’s love life) [digi.copy]

NN: Breaks, in: Schlagzeug, #26 (Oct.1959), p. 26 (N: Richard Gehman declines cooperation in Charlie Parker biography) [digi.copy]

H.-J. Dietzel: “Jazz-Bücherei, Charlie Parker”, by Siegfried Schmidt, in: Schlagzeug, #28 (Dec.1959), p. 18 (B) [digi.copy]

NN: Charlie Parker, in: Schlagzeug, #28 (Dec.1959), p. 22-24 (F) [digi.copy]

Bill Crow: Dizzy Gillespie and Charlie Parker – Diz ‘n’ Bird in Concert, in: Jazz Review, 3/2 (1960), p. 29-30 (R) [digi.copy]

Carlo Bohländer: Charlie Parker, in: Carlo Bohländer: Jazz. Geschichte und Rhythmus, Mainz 1960 [book: B. Schott’s Söhne], p. 49-50 (short F)

Charles Fox & Peter Gammond & Alun Morgan & Alexis Korner: Jazz on Record. A Critical Guide, London 1960 [book: Grey Arrow], p. 248-254 (F)

Leonard Feather: The Jazzman as Critic. The Blindfold Test. Reactions to Charlie Parker, in: Leonard Feather: The Encyclopedia of Jazz, New York 1960 [book: Bonanza Books], p. 480 (F/I with Charles Mingus, Sy Oliver, Bob Morse, Lennie Tristano)

Max Harrison: Charlie Parker, in: Sinclair Traill & The Hon. Gerald Lascelles (Hgg.): Just Jazz 4, London 1960 [book], p. 22-28 (F)

Max Harrison: Kings of Jazz. Charlie Parker, New York 1960 [book: A.S. Barnes and Company] (F)

Nat Hentoff: Charlie Parker, New York 1960 [booklet: BMI] [digi.copy] {Rutgers papers “Charlie Parker”, p. 180-188}

NN: Norman Granz Unloads Record C. For $2 1/2 Million As Parker Heirs Sue, in: New York Amsterdam News, 1960 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 40}

Bob Dawbarn: Four New Tracks from Bird (from a concert at the Amiralen Dance Hall, Malmö, Sweden), in: Melody Maker, 12.Mar.1960, p. 14 (R)

Dizzy Gillespie: Charlie Parker tel que je l’ai connu…, in: Jazz Hot, #152 (Mar.1960), p. 38-39 (F)

R.A. Perlongo: The Real Story Behind the Charlie Parker with Strings, in: Metronome, 77/8 (Aug.1960), p. 20-21 (Satire)

John McLellan: The Jazz Scene. Time To Give Bird The Bird, in: [unknown source, Boston newspaper?], 13.Se.1960 (F/short I with Ornette Coleman) [digi.copy] {Rutgers papers “Charlie Parker”, p. 71}

Gene Lees: Bird et Diz, in: Jazz Magazine, 7/73 (1961), p. 29-31

Hans-Jürgen Winkler: Charlie Parker, in: Hans-Jürgen Winkler: Jazz für Jedermann, München 1961 [book], p. 271-273 (F)

J.-R. Masson: Des inédits de Bird, in: Jazz Magazine, 7/71 (1961), p. 18

NN: The Bird’s Family To Get Record Money After 6 Years, in: [unknown source], 1961 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 158}

Siegfried Schmidt-Joos: Charlie Parker – Ich war immer in Panik [p. 44-48 (F)]; Charlie Parkers Erben [p. 263-268 (F)], in: Siegfried Schmidt-Joos: Jazz. Gesicht einer Musik, Gütersloh 1961 [book]

NN: You are invited to a press conference to discuss the estates of Charlie Parker and Billie Holiday, in: [invitation], 14.Feb.1961 (F: list of panelists, among them Doris Parker, Louis McKay, Marely Dufty, Aubrey Mayhew, Bernard Stillman, Florynce R. Kennedy) [digi.copy] {Rutgers papers “Charlie Parker”, p. 70, 95}

Philip Benjamin: Royalties Sought By Two Estates. Billie Holiday and Charlie Parker Foundations Would Use Funds From Disks, in: Time, 15.Feb.1961 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 78-79}

Lars Werner: Charlie Parker – “Historical Recordings Vol. 3” (Le Jazz Cool), in: Orkester Journalen, 29/2 (Feb.1961), p. 28 (R)

Philip Benjamin: Royalties Sought By Two Estates. Billie Holiday and Charlie Parker Foundations Would Use Funds From Disks, in: New York Times, 15.Feb.1961, p. 40 (F) [digi.copy]

Bob Dawbarn: These Bird Tracks Are Unrivalled, in: Melody Maker, 8.Apr.1961, p. 17 (R: Diz ‘n’ Bird in Concert)

NN: Two Estates Seek Royalties, in: Down Beat, 28/8 (13.Apr.1961), p. 14-15 (F: estates of Charlie Parker and Billie Holiday)

Edward Kosner: Charlie Parker – The Echoes Linger, in: new York Post, 16.Apr.1961 (F/I with Doris Parker: estate seeks royalties) [digi.copy] {Rutgers papers “Charlie Parker”, p. 85}

NN: Sidney Bechet en Charlie Parker, in: Rhythme. Nederlands enige Jazz-Periodiek, 12/139 (Apr.1961), p. 33 (photo)

Dizzy Gillespie & Gene Lees: The Years with Yard, in: Down Beat, 28/11 (25.May 1961), p. 21-23 (F); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 161-167 (F); reprint, in: Frank Alkyer & Ed Enright (eds.): Down Beat. The Great Jazz Interviews. A 75th Anniversary Anthology, New York 2009 [book: Hal Leonard Books], p. 82-84 (F)

Humphrey Lyttelton: Bird Was Anything But Cool, in: Melody Maker, 6.May 1961, p. 5

Ira Gitler: Charlie Parker – “Historical Recordings Vol.1” (LeJazz Cool), in: Down Beat, 28/11 (1961), p. 24, 26 (R)

NN: A Charlie Parker Record Company, in: Down Beat, 28/11 (25.May 1961), p. 11 (short F)

NN: Some Great Reed Solos. Charlie Parker – “Relaxin’ at Camarillo”; “Groovin’ High”, in: Down Beat, 28/11 (25.May 1961), p. 44 (T); Reprint, in: Down Beat, 36/14 (10.Jul.1969), p. 40-41 (T)

NN: Neue Parker-Platten, in: Jazz Podium, 10/6 (Jun.1961), p. 151 (N) [digi.copy]

NN: Pickles. Mer Parker, in: Orkester Journalen, 29/6 (Jun.1961), p. 5 (N: Charlie Parker Record Company founded)

NN: Aus dem Nachlaß, in: Bravo, 16.Jul.1961, p. 23 (N: release of unissued recordings by Charlie Parker planned by his widow) [digi.copy]

NN: Press Release, in: [press release], 18.Jul.1961 (F: estates of Charlie Parker and Billie Holiday) [digi.copy] {Rutgers papers “Charlie Parker”, p. 80-84}

John Williams: Subject: Charlie Parker. revealing things nobody ever knew about the bird, in: Swank, 8/3 (Jul.1961), p. 8-9, 58-60 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 96-99}

Ira Gitler: Charlie Parker – Bird Is Free, in: Down Beat, 28/20 (28.Sep.1961), p. 35-36 (R) [digi.copy]

Ira Gitler: Charlie Parker – “Bird Is Free” (Charlie Parker),l in: Down Beat, 28/20 (28.Sep.1961), p. 35-36 (R)

Edward Kosner: At Charlie Parker’s Grave. A Rest, in: New York Post, 4.Oct.1961 (F/I with Dizzy Gillespie at Charlie Parker’s grave in Kansas City) [digi.copy] {Rutgers papers “Charlie Parker”, p. 106}

Jack Cooke: The Blithe Spirit, in: Jazz Monthly, 7/9 (Nov.1961), p. 14-15 (F: Parkers Schüler)

NN: Blues for Bird in Kansas City, in: Down Beat, 28/23 (9.Nov.1961), p. 11 (short F/I with Dizzy Gillespie)

Ira Gitler: “A Handful of Modern Jazz. Charlie Parker, Dizzy Gillespie, Miles Davis” (Baronet); “The Early Bird” (Baronet), in: Down Beat, 28/25 (7.Dec.1961), p. 42, 44 (R: 3 1/2 stars; 4 stars) [digi.copy]

NN: Trials and Tribulations, in: Down Beat, 28/26 (21.Dec.1961), p. 13-14 (F: Charlie Parker Estate, Charlie Parker Record Co.) [digi.copy]

André Hodeir: Charlie Parker’s Solo on “Ornithology”, in: André Hodeir: Toward Jazz, New York 1962 [book: Grove Press; London 1965: The Jazz Book Club], p. 181-183 (A/T)

André Hodeir: The Bird Is Gone. A Tribute to Charlie Parker, in: André Hodeir: Toward Jazz, New York 1962 [book: Grove Press; London 1965: The Jazz Book Club], p. 15-18 (F); reprint, in: André Hodeir & Jean-Louis Pautrot: The André Hodeir Jazz Reader, Ann Arbor/MI 2006 [book: University of Michigan Press], p. 125-129 (F)

Don DeMichael: Repackaged (Charlie Parker Records), in: Down Beat, 29/24 (1962), p. 35-36

J.-L. Ginibre: Pages et plages pour Bird, in: Jazz Magazine, 8/84 (1962), p. 18

J.-R. Masson: Il y a sept ans, in: Jazz Magazine, 8/80 (1962), p. 20ff.

James Poling (ed.): Esquire’s World of Jazz, London 1962 [book: Arthur Baker], p. 90-105 (F: chapters “Segue to today” / “For Bird, an elegy”)

Leonard Feather: La légende de l’oiseau, in: Jazz Magazine, 8/85 (1962), p. 23-24

Martin Williams: Charlie Parker – The Dial Recordings, Volume 2, in: Martin Williams: Jazz in Its Time, New York 1989 [book], p. 201-206 (liner notes; Reprint von 1962)

Martin Williams: Concert Treasures, in: Martin Williams: Jazz Changes, New York 1992 [book: Oxford University Press], p. 252-255 (R: Massey Hall Concert; Reprint von 1962)

Martin Williams: Once There Was Bird – Charlie Parker, in: Martin Williams: Jazz Heritage, New York 1985 [book], p. 184-191 (F; Reprint: liner notes, 1962)

Max Harrison: Parker, Charlie, in: Stanley Dance (ed.): Jazz Era. The ‘Forties, London 1962 [book: The Jazz Book Club & MacGibbon & Kee], p. 196-198 (F)

Robert Reisner: Bird. The Legend of Charlie Parker, New York 1962 [book: Citadel Press] (F/I mit: Angelo Ascagni, Harold Baker, Ahmed Basheer, Walter Bishop Jr., Art Blakey, Rudi Blesh, August Blume, Teddy Blume, Vince Bottari, Pietro Carbone, Teddy Charles, Tutty Clarkin, Earl Coleman, Junior Collins, Al Cotton, Harvey Cropper, Ernest Daniels, Miles Davis, Kenny Dorham, Ralph Douglas, Tommy Douglas, Billy Eckstine, Art Farmer, Warren Fitzgerald, Lou Flanigin Jr., Jimmy Forrest, Dizzy Gillespie, Tony Graye, Elliot Grennard, Gigi Gryce, Sadik Hakim, Benny Harris, Earl Hines, Cliff Jetkins, Ted Joans, Budd Johnson, Buddy Jones, Duke Jordan, Sheila Jordan, Lawrence Keyes, Henry Kier, Baroness Pannonica de Koenigswarter, Dave Lambert, Jerry Lloyd, Julie MacDonald, Edward Mayfield Jr., Howard McGhee, Jackie McLean, Jay McShann, Charles Mingus, Orville Minor, Alan Morrison, Bob Newman, Anita O’Day, Addie Parker, Doris Parker, Oscar Pettiford, Tommy Potter, Gene Ramey, Jimmy Raney, Teddy Reig, Jerome Richardson, Max Roach, Ross Russell, George Salano, Frank Sanderford, Dave Schildkraut, Tony Scott, Noble Sissle, Buster Smith, Sonny Stitt, Idress Sulieman, Symphony Sid Torin, Lennie Tristano, Ray Turner, Barry Ulanov, Edgar Varese, Ted Wald, Bob Wallace, George Wallington)

John S. Wilson: A History of Jazz. Part V. Boppers & Moldy Figs. While the traditionalists dug New Orleans sounds, Bird and Diz fronted a revolution aimed at the future, in: Show Business Illustrated, Apr.1962, p. 53-55, 79 (F) [digi.copy] {Rutgers papers “Charlie Parher”, p. 100-103}

Max Jones: Chasing the Bird – In Print, in: Melody Maker, 7.Jul.1962, p. 11

Ralph Ellison: On Bird, Bird-Watching, and Jazz, in: Ralph Ellison: Living with Music. Ralph Ellison’s Jazz Writings, New York 2001 [book: Modern Library], p. 65-76 (F; reprint from: Saturday Review, 28.Jul.1962)

Alun Morgan: Bird & the Lover Man Session, in: Jazz Monthly, 8/6 (Aug.1962), p. 3-6 (F)

Victor Schonfield: Rare Bird, in: JazzJournal, 15/9 (Sep.1962), p. 19, 22 (F), p. 1

Alun Morgan: Le commencement de la fin, in: Jazz Magazine, 9/93 (1963), p. 32-35

Bill Coss: Charlie Parker, in: Dom Cerulli & Burt Korall & Mort Nasatir (Hg.): The Jazz Word, London 1963 [book], p. 90-94 (F)

Jack Kerouac: Charlie Parker, in: Dom Cerulli & Burt Korall & Mort Nasatir (eds.): The Jazz Word, London 1963 [book], p. 76-78 (poem) [digi.copy]

Pete Welding: Charlie Parker Memorial Concert, Sutherland Lounge, Chicago, in: Down Beat, 30/12 (1963), p. 36 (C)

Eric T. Vogel: The Legend of Charlie Parker – Bird, von Robert Reisner, in: Jazz Podium, 12/2 (Feb.1963), p. 44 (B)

Leonard Katz. New Battle On Over Charley Parker Estate, in: New York Post, 5.Apr.1963 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 107}

NN: Parker Records Sued for Alleged Past-Due Royalties, in: [unknown source], 9.May 1963 (short F) [digi.copy]

Martin Williams: Charlie Parker Made Easy, in: Martin Williams: Jazz Masters in Transition, 1957-1969, New York 1970 [book], p. 106-107 (R: Lou Donaldson, Cannonball Adderley; reprint aus: Saturday Review, 11.May 1963)

Walther Hein: Bird und Dizz, in: Jazz Podium, 12/6 (Jun.1963), p. 128-129

Claes Dahlgren: Minnesfond för Parker. Amerikanska nyheter, in: Orkester Journalen, 31/7-8 (Jul/Aug.1963), p. 8 (short F: Charlie Parker Award)

Philip Larkin: On the Wing. “Bird. The Legend of Charlie Parker”, by Robert H. Reisner, in: Richard Palmer & John White (eds.): Reference Back. Philip Larkin’s Uncollected Jazz Writings 1940-84, Hull 1999 [book: University of Hull Press], p. 59-60 (B; reprint, from: Guardian, 6.Sep.1963)

Benny Green: Charlie Parker, in: Benny Green: The Reluctant Art. The Growth of Jazz, London 1964 [book: The Jazz Book Club & MacGibbon & Kee], p. 159-191 (F)

M. Delorme & P. Koechlin: Les paroles du Bird, in: Jazz Hot, 30/200 (1964), p. 24-30

Ralph Gervin: Charlie Parker (“Bird”), in: John Henrik Clarke (Hg.): Harlem. A Community in Transition, New York 1970 [book; Reprint, O: 1964], p. 76 (poem)

Ross Russell: Charlie Parker and Dizzy Gillespie, in: Martin Williams (Hg.): Jazz Panorama. From the Pages of Jazz Review, New York 2/1967 [book, O: New York 11964], p. 180-186 (F/R)

Wilfrid Mellers: From art back to jazz. Modern jazz and the composing improviser. Thelonious Monk and Charlie Parker, Ornette Coleman and John Coltrane, in: Wilfrid Mellers: Music in a New Found Land. Themes and Developments in the History of American Music, London 1964 [book], p. 331-350 (F/A)

Peter S. Friedman: Chords and Discords. New Bird Is Old Bird, in: Down Beat, 31/3 (30.Jan.1964), p. 4, 6 (letter)

Ira Gitler: Old Wine, New Bottles. Charlie Parker – “Bird on 52nd Street” (Fantasy); “Bird at St. Nick’s” (Fantay), in: Down Beat, 31/10 (23.Apr.1964), p. 31-32 (R) [digi.copy]

Don DeMichael & Pete Welding: Jazz Basics. Charlie Parker – “Jazz at Massey Hall” (Fantasy); “Bird Symbols” (Charlie Parker); “The Genius of Charlie Parker, Vol. 2” (Savoy), in: Down Beat, 31/9 (9.Apr.1964), p. 24-5, 40 (R)

M. Gardner: The Bird Speaks, in: Jazz Journal, 17/5 (May 1964), p. 25-27 (I/D) [digi.copy]

NN: A Discography of the “Live” Recordings of Charlie Parker, in: Jazz Journal, 17/5 (May 1964), p. 29 (D); part 3, in: Jazz Journal, 17/7 (Jul.1964), p. 25 (D)

Walther Hein: Re-Boppers-Session vom 26.11.1945/Bird Sessions 1947/1951, in: Jazz Podium, 13/7 (Jul.1964), p. 160-162 (R)

Michel Delorme: Les paroles du Bird. Interview par Mark Gardner, in: Jazz Hot, #200 (Jul/Aug.1964), p. 24-26 (I)

Homer Brown: Chords & Discords. Worry About Bird Film, in: Down Beat, 31/31 (3.Dec.1964), p. 6-7 (letter)

Max Jones: Bird – Unquestionably the Greatest Ever, in: Melody Maker, 19.Dec.1964, p. 19 (R: Historical Masterpieces, Vol.1-3/Memorial Album Vol.6)

D. Lemery: Les enfants du Bird, in: Jazz Magazine, #116 (1965), p. 16-27

Don Heckman: Bird in Flight. Parker the Improviser, in: Down Beat, 32/6 (1965), p. 22-24

Down Beat, 32/6 (1965), passim (Charlie Parker memorial issue)

Leonard Feather: Blindfold Test. Charlie Parker, in: Down Beat, 32/6 (1965), p. 32 (BT)

M.T. Cohen: With Care and Love, in: Down Beat, 32/6 (1965), p. 19-20

Martin Williams: The Listener’s Legacy, in: Down Beat, 32/6 (1965), p. 20-21, 35

NN: Parker’s Mood, in: Down Beat, 32/6 (1965), p. 25

Siegfried Schmidt-Joos: Bird. The Genius of Charlie Parker, in: Jazz, 4/6 (1965), p. 8-9

Whitney Balliett: Bird, in: Whitney Balliett: Such Sweet Thunder. 49 Pieces on Jazz, Indianapolis 1966 [book: Bobbs-Merrill], p. 249-251 (C: Tribute to Parker; reprint from 1965); Reprint, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin’s Press], p. 238-239 (C)

Bob Dawbarn: Bird Flies High in Sweden, in: Melody Maker, 20.Feb.1965, p. 15 (R: In Sweden)

John S. Wilson: Charlie Parker, Saxophonist, Recalled in ‘Legends’ at Café, in: New York Times, 17.Feb.1965, p. 39 (C: tribute play at Café au Go Go) [digi.copy]

Joe Segal: Bird in Chicago, in: Down Beat, 32/6 (25.Mar.1965), p. 18-19 (F); response, by Guy Warren, in: Down Beat, 32/13 (17.Jun.1965), p. 10 (letter)

Leonard Feather: Charlie Parker 1920-1955. A Fist at the World, in: Down Beat, 32/6 (11.Mar.1965), p. 15-18 (F); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 83-88 (F)

Bob Dawbarn: The Pick of Parker, in: Melody Maker, 3.Apr.1965, p. 10 (R)

Don DeMichael: “The World of Charlie Parker” (Roost), in: Down Beat, 32/11 (20.May 1965), p. 28-29 (R)

Harvey Pekar: “Charlie Parker 10th Memorial Concert” (Limelight), in: Down Beat, 32/16 (29.Jul.1965), p. 32 (R); response, by D.C. Washington, in: Down Beat, 32/19 (9.Sep.1965), p. 10 (letter)

J.A.: Parker. Tenth Memorial Concert in Chicago, in: Melody Maker, 11.Sep.1965, p. 6

Alun Morgan: Charlie Parker – “Bird Is Free” (Egmont AJS-5); “Bird Symbols” (Verve VLP 9105 / Egmont AJS-3), in: Jazz Monthly, 11/10 (Dec.1965), p. 11 (R) [digi.copy]

NN: Potpourri: Opera dedicated to Charlie Parker scheduled to be premiered, in: Down Beat, 32/27 (30.Dec.1965), p. 16 (N)

André Francis: Jazz, Bourges 1958 [book: Solfèges / Éditions du Seuil]; reprint: Bourges 1966 [book: Solfèges / Éditions du Seuil], p. 106-111 (F)

Ira Gitler: Charlie Parker and the Alto and Baritone Saxophonists, in: Ira Gitler: Jazz Masters of the Forties, New York 1966 [book: Macmillan]; reprint, New York 1974 [book: Collier Books], p. 15-57 (F); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 23-58 (F); updated reprint, in: Ira Gitler: The Masters of Bebop. A Listener’s Guide, New York 2001 [book: Da Capo], p. 15-57 (F)

Martin Williams: Eight Recorded Solos. Embraceable You / Ornithology, by Charlie Parker, in: Martin Williams: Where’s the Melody? A Listener’s Introduction to Jazz, New York 1966 [book], p. 44-47 (F)

Martin Williams: Now’s the Time / Billie’s Bounce, by th Charlie Parker Quintet, in: Martin Williams: Where’s the Melody? A Listener’s Introduction to Jazz, New York 1966 [book], p. 52-54 (F)

NN: Potpourri. Charlie Parker Memorial Concert, in: Down Beat, 33/6 (24.Mar.1966), p. 16 (C)

Herb Levinson & George P. Godwin & Charles Preston & George Fox & James McCormick III & Baird Parker: Chords & Discords. Bird Issue Huzzahs… And One Disappointment, in: Down Beat, 32/9 (22.Apr.1965), p. 8, 10 (letters); response, by J.C. Farquhar, John Periam (“More on the Bird Issue”), in: Down Beat, 32/10 (6.May 1965), p. 8 (letters)

NN: Seven Steps in Jazz, in: Melody Maker, 7.May 1966, p. 8 (Kurzbiographie)

Richard Chesmore: Caught in the Act. An Opera for the Bird – “Without Memorial Banners”, Atkins Auditorium, Kansas City, Mo., in: Down Beat, 33/9 (5.May 1966), p. 13 (C)

Bob Dawbarn: New Bird Plus Old Greats, in: Melody Maker, 18.Jun.1966, p. 12 (R: Ornithology)

Bob Dawbarn: Great Jazz Solos. Parker’s Mood, by Charlie Parker, in: Melody Maker, 9.Jul.1966, p. 6

B. Houston: More Parker, But Watch the Duplication, in: Melody Maker, 15.Oct.1966, p. 14 (R: Charlie Parker, Vol.1/2 / The World of Charlie Parker)

Bill Quinn: Caught in the Act. Charlie Parker Memorial Concert, Either/Or Club, Chicago, in: Down Beat, 33/21 (20.Oct.1966), p. 22-23 (C)

Charlie Parker: Sketch-Orks, New York 1967 [sheet music] (T: lead sheets of “Au Privave”; “Back Home Blues”; “Ballade”; “The Bird”; “Bloomdido”; “Blues for Alice”; “Cardboard”; “Celebrity/Celerity”; “Chi Chi”; “Confirmation”; “Cosmic Rays”; “Dewey Square”; “Diverse”; “K.C. Blues”; “Kim”; “Laird Baird”; “Leap Frog”; “Mohawk”; “Moose the Mooche”; “My Little Suede Shoes”; “An Oscar for Treadwell”; “Ornithology”; “Passport”; “Relaxin’ with Lee”; “Scrapple from the Apple”; “Segment”; “She Rote”; “Si Si”; “Visa”; “Yardbird Suite”)

B. Houston: A Bird Collection – And All for Fifty Bop, in: Melody Maker, 1.Jul.1967, p. 11 (R: Charlie Parker, Vol.1-4)

André Hodeir: Ceci n’est pas le jazz, in: Jazz Hot, 34/243 (1968), p. 6-7

Barry Witherden: Charlie Parker – Ballads and Birdland, in: Jazz Studies (British Institute of Jazz Studies), 2/2 (1968), p. 30-31 (R)

Denes Agay: The Joy of Jazz. Easy to Medium Grade Piano Solos, London 1968 [sheet music], p. 44-45 (piano solo arrangement of “Anthropology”)

Tony Williams: Charlie Parker. A discography, [no place] 1968 [book: Discographical Forum] (D)

Ira Gitler: “Tribute to Charlie Parker” (RCA Victor 3783), in: Down Beat, 35/13 (27.Jun.1968), p. 31 (R: 4 stars) [digi.copy]

Tony Williams: Charlie Parker. A Discography, in: Discographical Forum, #8 (Sep.1968), p. Parker/1-Parker/5 (D); part 2, in: Discographical Forum, #9 (Nov.1968), p. Parker/6-Parker/11 (D); part 3, in: Discographical Forum, #10 (Jan.1969), p.Parker/12-Parker/17 (D)

B. Houston: Second Opinion. Charlie Parker, in: Melody Maker, 26.Oct.1968, p. 10

Ross Russell: Yardbird in Lotus Land. Les souvenirs de Ross Russell sur Charlie Parker, in: Jazz Hot, 35/255 (1969), p. 22-25; part 2: At Billy Berg, in: Jazz Hot, 36/257 (1970), p. 15-17; part 3: Moose the Mooche, in: Jazz Hot, #258 (1970), p. 18-20; part 4: Rumeurs dans la nuit, in: Jazz Hot, 36/259 (1970), p. 26-28; part 5: Ornithology, in: Jazz Hot, #260 (1970), p. 26-28; part 6: Hollywod, in: Jazz Hot, 36/262 (1970), p. 16ff.; part 7: Lover Man, in: Jazz Hot, 36/264 (1970), p. 24-25

Siegfried Schmidt-Joos: Grenzen zwischen den Zeiten. Improvisationen über den Tod Charlie Parkers nach einem Thema von Archibald McLeish, in: Jazz Podium, 18/3 (Mar.1969), p. 82-83 (F) [digi.copy]

Tony Williams: Charlie Parker Discography, part 4, in: Discographical Forum, #11 (Mar.1969), p. 18-23 (D); part 5, in: Discographical Forum, #12 (May 1969), p. 24-29 (D)

Barry McRae: Jazz Basics. Charlie Parker, in: Jazz Journal, 22/4 (Apr.1969), p. 17 (F)

Jim Burns: Bird in California, in: Jazz Journal, 22/7 (Jul.1969), p. 10-12 (F) [digi.copy]

Barry Tepperman: Budget Bird, in: Coda, 9/8 (1970), p. 10-11

Barry Witherden: Charlie Parker – “10th Memorial Concert” (Mercury SMWL 21040), in: Pieces of Jazz, 1970, p. 82-83 (R)

C. Paris: Charlie Parker in Time, in: Jazz Hot, 36/261 (1970), p. 16-19

Martin Williams: Charlie Parker. The Burden of Innovation, in: Barney Rossett (ed.): The Evergreen Review. A Ten-Year Anthology, Secaucus/NJ 1968 [book: Castle Books], p. 317.321 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 73-77}; reprint, in: Martin Williams: The Jazz Tradition, New York 2/1983 [book; New York 1/1970], p. 135-153 (F); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 10-23 (F); Reprint, in: Steven C. Tracy (ed.): Write Me a Few of Your Lines. A Blues Reader, Amherst/MA 1999 [book: University of Massachusetts Press], p. 509-513 (F)

NN: Charlie Parker Memorial Concerts (in Chicago), in: Jazz & Pop, 9/9 (1970), p. 12

Pete Moon: Bird Still Lives, in: Pieces of Jazz, 1970¸p. 87-88 (F)

Pete Moon: Charlie Parker All Stars – “Bird on 52nd Street” (America 30 AM 6061), in: Pieces of Jazz, 1970, p. 15 (R); response, by Derrick Stewart-Baxter: Comment, in: Pieces of Jazz, 1970, p. 38a (letter)

Owen Peterson: The Massey Hall Concert, in: Jazz Journal, 23/3 (Mar.1970), p. 8-10 (F) [digi.copy]

Martin Williams: Music Workshop. A Charlie Parker Masterpiece, in: Down Beat, 37/7 (2.Apr.1970), p. 34-35 (A/T: “Embraceable You”)

Barry Tepperman: Budget Bird, in: Coda, 9/8 (Jul/Aug.1970), p. 10-11 (F)

Mark Gardner: Chords & Discords. Bird Lore, in: Down Beat, 37/13 (9.Jul.1970), p. 8 (letter: “Klact-oveesedstene”)

Martin Williams: Legendarne nagranie. Charlie Parkera, in: Jazz. Rythm i piosenka, #167/168 (Jul/Aug.1970), p. 22 (F/T)

David Amram: Bird in Washington, in: Jazz Journal, 23/8 (Aug.1970), p. 4-5 (F)

Mark Gardner: Charlie Parker, in: Jazz Journal, 23/8 (Aug.1970), p. 2-3 (F)

NN: Bird Month in Chicago Honors Jazz Immortal, in: Down Beat, 37/17 (3.Sep.1970), p. 7 (short F)

Peter Keepnews: Chords & Discords. On Bird, in: Down Beat, 37/17 (3.Sep.1970), p. 6 (letter)

Burt Korall: The Pop and Jazz Scene. Salute to Bird, in: International Musician, 69/4 (Oct.1970), p. 6 (C)

NN: Charlie Parker Memorial (à Kansas City), in: Jazz Magazine, #186 (1971), p. 15

Ross Russell: The Last Apprentice [p. 179-186 (F)]; Charlie Parker [p. 196-205 (F)], in: Ross Russell: Jazz Style in Kansas City and the Southwest, Berkeley 1971 [book: University of California Press]

NN: Bird Lives. K.C. Plans Art Center, Memorial, in: Down Beat, 38/2 (21.Jan.1971), p. 11 (F)

Alfred Rosenberg: Jazzstruktur-Analysen, in: Jazz Podium, 20/2 (Feb.1971), p. 72-73 (A/T; Donna Lee); part 2, in: Jazz Podium, 20/3 (Mar.1971), p. 104-105 (A/T: Donna Lee); part 3, in: Jazz Podium, 20/4 (Apr.1971), p. 144-146 (A/T: Donna Lee); part 4, in: Jazz Podium, 20/5 (May 1971), p. 178-180 (A/T: Donna Lee); part 5, in: Jazz Podium, 20/7 (Jul.1971), p. 251-253 (A/T: Donna Lee); part 6, in: Jazz Podium, 20/9 (Sep.1971), p. 322-323 (A/T: Donna Lee); part 7, in: Jazz Podium, 20/10 (Oct.1971), p. 358-359 (A/T: Donna Lee); part 8, in: Jazz Podium, 20/11 (Nov.1971), p. 398-399 (A/T: Donna Lee); part 9, in: Jazz Podium, 20/12 (Dec.1971), p. 440-441 (A/T: Donna Lee)

NN: Charlie Parker Jahr in Kansas City, in: Jazz Podium, 20/2 (Feb.1971), p. 48 (N)

Burt Korall: “Bird”, in: International Musician, 69/9 (Mar.1971), p. 9 (N: plans for monument in Kansas City)

R. Williams: Essential Parker, in: Melody Maker, 17.Jul.1971, p. 28 (R: Charlie Parker, Vol.2, on Xtra)

Owen Peterson: Early Bird, in: Jazz Journal, 24/4 (Apr.1971), p. 34-36 (F/R)

Lucien Malson: Charlie Parker, in: Lucien Malson: Que sais-je? Les maitres du jazz, Paris 1972 [book], p. 74-87 (F)

Jim Burns: The Charlie Parker Ko Ko Date, in: Jazz & Blues, 1/9 (Jan.1972), p. 10 (F)

Alfred Rosenberg: Jazzstruktur-Analysen, part 10, in: Jazz Podium, 21/2 (Feb.1972), p. 51-52 (A/T: Donna Lee); part 11, in: Jazz Podium, 21/3 (Mar.1972), p. 80-81 (A/T: Donna Lee); part 12, in: Jazz Podium, 21/6 (Jun.1972), p. 200-201 (A/T: Donna Lee); part 13, in: Jazz Podium, 21/7 (Jul.1972), p. 240-242 (A/T: Donna Lee); part 14: Harmonik, in: Jazz Podium, 21/8 (Aug.1972), p. 37, 36 (A)

NN: Charlie Parker auf Dial, in: Jazz Podium, 21/5 (May 1972), p. 150-151 (F/R)

Paul Warren: Charlie Parker. Holding up all sorrow for heaven to see, in: The Village Voice, 6.Jul.1972 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 109-110}

Benny Green: Virtuosi. Bird 1966 / Bird 1968, in: Benny Green: Drums in My Ears, London 1973 [book], p. 128-131 (R)

Hildred Roach: Charlie (Bird) Parker, in: Hildred Roach: Black American Music. Past and Present, Boston 1973 [book], p. 89-90 (F)

Max Harrison: Ross Russel’s “Bird Lives”, in: Jazz & Blues, 3/4 (1973), p. 4-5

Ross Russell: Bird Lives! The High Life and Hard Times of Charlie ‘Yardbird’ Parker, New York 1973 [book: Charterhouse; London 1973: Quartet; London 1980] (F)

Ted Joans: Bird Lives!, in: Jazz Magazine, #216 (1973), p. 44-45 (B)

NN: Potpourri. Charlie Parker tribute at Boston’s Jordan Hall, produced by Jaki Byard, in: Down Beat, 40/4 (1.Mar.1973), p. 12 (N)

Gary Giddins: “The Charlie Parker/Dizzy Gillespie Years” (Roulette); “The Best of Dizzy Gillespie, Charlie Parker, John Coltrane” (Roulette), in: Down Beat, 40/9 (10.May 1973), p. 25-26, 29-30 (R)

NN: Potpourri, in: Down Beat, 40/12 (21.Jun.1973), p. 12 (N: tribute to Charlie Parker)

Philip Larkin: Birdlife. “Bird Lives!”, by Ross Russell, in: Richard Palmer & John White (eds.): Reference Back. Philip Larkin’s Uncollected Jazz Writings 1940-84, Hull 1999 [book: University of Hull Press], p. 95-96 (B; reprint, from: Guardian, 28.Jun.1973)

Ross Russell: Parker, The Man Who Changed Music, in: Melody Maker, 16.Jun.1973, p. 30-31 (Vorabdruck)

Steve Voce: It Don’t Mean a Thing. Bird and Bits, in: Jazz Journal, 26/8 (Aug.1973), p. 18-19 (F) [digi.copy]

NN: Potpourri, in: Down Beat, 40/15 (13.Sep.1973), p. 45 (N: Parker marathon, WKCR-FM, New York)

B. Palmer: Charlie Parker. Post-Flight, in: Rolling Stone, #164 (1974), p. 22

Dan Morgenstern: Charlie Parker, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 352-358 (F; originally published as liner notes for “First Recordings!”, Onyx, 1974)

J. Isaacs: The Comprehensive Charlie Parker – Live Performances Vol.1/2, in: Rolling Stone, #156 (1974), p. 64-65 (R)

Leonard Feather: Bop and Bird, in: Leonard Feather: From Satchmo to Miles, London 1974 [book: Quartet; originally published in New York, 1972: Stein and Day], p. 129-145 (F)

Piet Koster & Dick M. Bakker: Charlie Parker Vol. One: 1940-1947; Volume Two: 1948-1950; Volume Three: 1951-1954; Volume Four: 1940-1955, Alphen aan de Rijn/NL 1974-1976 [book: Micrography] (D)

Thomas Owens: Charlie Parker. Techniques of Improvisation, Los Angeles 1974 [PhD thesis: University of California] (F/A/T: “Anthropology”; “Au Privave”; “Barbados”; “Bebop”; “Bernie’s Tune”; “Big Foot”; “Billie’s Bounce”; “The Bird”; “Bird Gets the Worm”; “Bluebird”; “The Bluest Blues”; “Blues for Norman”; “Body and Soul”; “Carvin’ the Bird”; “Chasin’ the Bird”; “Cherokee”; “Cheryl”; “Chi Chi”; “The Closer”; “Constellation”; “Cool Blues”; “Dark Shadows”; “Dewey Square”; “Dexterity”; “Diverse”; “Dizzy Atmosphere”; “Dizzy Boogie”; “Donna Lee”; “Don’t Blame Me”; “Embraceable You”; “Fifty-Second Street Theme”; “4-F Blues”; “Funky Blues”; “G.I. Blues”; “Groovin’ High”; “Home Cooking”; “Honeysuckle Rose”; “Hootie Blues”; “Hot House”; “The Hymn”; “I Can’t Get Started”; “I Got Rhythm”; “I Love Paris”; “Indiana”; “I’ve Found a New Baby”, “Jump the Blues”; “Kim”; “Koko”; “Lady Be Good”; “Laird Baird”; “Little Willie Leaps”; “Lover Come Back to Me”; “Mango Mangue”; “Meandering”; “Mohawk”; “Moose the Mooche”; “Moten Swing”; “My Heart Belongs to Daddy”; “My Little Suede Shoes”; “Night in Tunesia”; “Now’s the Time”; “Okiedoke”; “The Opener”; “Ornithology”; “An Oscar for Treadwell”; “Out of Nowhere”; “Parker’s Mood”; “Perhaps”; “Quasimodo”; “”Red Cross”; “Relaxin’ at Camarillo”; “Relaxin’ with Lee”; “Round About Midnight”; “Salt Peanuts”; “Scrapple from the Apple”; “Segment”; “Sepian Bounce”; “Sippin’ at Bells”; “Slim Slam Blues”; “The Squirrel”; “Street Beat”; “Swingmatism”; “That’s the Blues”; “Thriving From a Riff”; “Tico Tico”; “Tiny’s Tempo”; “Twentieth-Century Blues”; “Warming Up a Riff”; “Wee (Allen’s Alley)”; “What Is This Thing Called Love”) [digi.copy]

Bill Esposito: Homage to Bird. Buddy Tate, Budd Johnson and Seldon Powell talk about the genius of Charlie Parker, in: Jazz Journal, 27/3 (Mar.1974), p. 4-5 (F)

Neil Tesser: Charlie Parker – “First Recordings” (Onyx 221), in: Down Beat, 41/13 (18.Jul.1974), p. 32 (R: 35 stars) [digi.copy]

C. Welch: Parker Genius, in: Melody Maker, 6.Jul.1974, p. 59 (R: Charlie Parker on Dial)

Max Jones: Flight of the Bird, in: Melody Maker, 19.Oct.1974, p. 52 (B: Robert Reisner)

Burt Korall: Jazz View. Charlie Parker Still Has a Lot of Sax Appeal, in: New York Times, 24.Nov.1974 (F: on Charlie Parker, and recent Supersax albums) [digi.copy] {Rutgers papers “Charlie Parker”, p. 111}

Burnett James: “Bird. The Legend of Charlie Parker”, by Robert Reisner, in: Jazz Journal, 27/11 (Nov.1974), p. 25 (B) [digi.copy]

Lawrence O. Koch: Ornithology. A Study of Charlie Parker’s Music. Part 1, in: Journal of Jazz Studies, 2/1 (Dec.1974), p. 61-87 (A)

Patrick Sullivan: Charlie Parker on Dial.Spotlite Set, in: Jazz Forum, #32 (Dec.1974), p. 61, 63-64 (F/R)

Graham Collier: Charlie Parker, in: Graham Collier: Jazz. A Student’s and Teacher’s Guide, London 1975 [book: Cambridge University Press], p. 40-48 (F)

Henryk Cholinski: Charlie Parker on LP, in: Jazz Forum, #35 (1975), p. 49-54 (F/D); part 2: Studio Recordings, in: Jazz Forum, #36 (1975), p. 49-53 (F/D); part 3: Live Recordings, in: Jazz Forum, #37 (1975), p. 56-61 (F/D)

Hugues Panassié: Une déclaration de Charlie Parker, in: Hugues Panassié: Monsieur Jazz, Paris 1975 [book: Stock], p. 353-362 (F)

J. Patrick: Charlie Parker and harmonic sources of Bebop composition. Thoughts on the repertory of new jazz in the 1940s, in: Journal of Jazz Studies, 2/2 (1975), p. 3-23 (A)

Studs Terkel: Charlie Parker. Yardbird!, in: Studs Terkel: Giants of Jazz, New York 1975 [Thomas Y. Crowell], p. 163-172 (F); German translation as “Giganten des Jazz”, Frankfurt am Main 2005 [book: Zweitausendeins], p. 179-188 (F)

W.L. Fowler: Music Workshop. Bird Motives, in: Down Beat, 42/16 (1975), p. 43 (Ornithology)

Harry Miedema: Music Workshop. “Now’s the Time”, in: Down Beat, 42/4 (27.Feb.1975), p. 35 (T)

Chris Sheridan: Chasin’ the Bird, in: Jazz Journal, 28/3 (Mar.1975), p. 6, 8-10 (F) [digi.copy]

Mark Gardner: Bird. Twenty years after, in: Jazz Journal, 28/3 (Mar.1975), p. 4-5 (F) [digi.copy]

Mark Gardner: Bird. Twenty Years After, in: Jazz Journal, 28/3 (Mar.1975), p. 4-6, -10 (F)

James Patrick: Charlie Parker and Harmonic Sources of Bebop Composition. Thoughts on the Repertory of New Jazz in the 1940s, in: Journal of Jazz Studies, 2/2 (Jun.1975), p. 3-23 (F)

Lawrence O. Koch: A Numerical Listing of Charlie Parker’s Recordings, in: Journal of Jazz Studies, 2/2 (Jun.1975), p. 86-95 (D)

Lawrence O. Koch: Ornithology. A Study of Charlie Parker’s Music, part 2, in: Journal of Jazz Studies, 2/2 (Jun.1975), p. 61-85 (A/T: “Embraceable You”)

Lawrence O. Koch: Ornithology. A Study of Charlie Parker’s Music, part one, errata, in: Journal of Jazz Studies, 2/2 (Jun.1975), p. 115-119 (T: corrections)

J.H. Alexander: McLean to Play in Parker Tribute, in: new York Post, 22.Aug.1975 (F/I with Jackie McLean) [digi.copy] {Rutgers papers “Charlie Parker”, p. 116}

John S. Wilson: Sound of Charlie Parker Still Echoes in Jazz World. Musical Identity Was Sudden Discovery to Bird, in: New York Times, 22.Aug.1975, p. 33, 44 (F/I with Jackie McLean, Red Rodney, Roy Haynes, Tommy Potter, Al Haig) [digi.copy] {Rutgers papers “Charlie Parker”, p. 113-114}

Patricia O’Haire: A mute salute, in: new York Daily News, 28.Aug.1975 (F: tribute to Charlie Parker at Avery Fisher Hall cancelled) [digi.copy] {Rutgers papers “Charlie Parker”, p. 115}

NN: Parker Tribute. Fiasco at Fisher, in: [unknown source], Aug.1975 (F: tribute to Charlie Parker at Avery Fisher Hall cancelled) [digi.copy] {Rutgers papers “Charlie Parker”, p. 168}

John Litweiler: “Charlie Parker on Dial, Vol.1-6” (Spotlite), in: Down Beat, 42/17 (23.Oct.1975), p. 30-34 (R); response, by Lorne Schoenberg, in: Down Beat, 42/20 (4.Dec.1975), p. 8 (letter)

John Litweiler: Old Wine, New Bottles, in: Down Beat, 42/17 (23.Oct.1975), p. 30, 32-34 (R: “Charlie Parker on Dial”)

William L. Fowler: Bird Motives, in: Down Beat, 42/16 (9.Oct.1975), p. 43 (T: “Ornithology”)

Carl Strommen: Insight. Bird’s Oboe Player Remembers the Man, in: Jazz (Magazine) [USA], 1/1 (Summer 1976), p. 30-31 (F/I with Martin Sperber) [digi.copy]

Gary Giddins: The Charlie Parker Reissue Parade, in: Gary Giddins: Riding On a Blue Note. Jazz & American Pop, New York 1981 [book]; reprint, New York 2000 [book: Da Capo Press], p. 111-119 (F/R; Reprint aus: Village Voice, 1976-1978)

Nat Hentoff: The Great Speckled Bird, in: Nat Hentoff: Jazz Is, New York 1976 [book: Ridge Press/Random House; reprint: 1984], p. 169-195 (F)

Tom Stites: Memorial for Bird, in: Jazz (Magazine) [USA], 1/1 (Summer 1976), p. 15 (F) [digi.copy]

Mark Gardner: “Charlie Parker Discograph. Volume 2, 1948-1950”, by Piet Koster & Dick M. Bakker, in: Coda, #144 (Jan/Feb.1976), p. 37 (B) [digi.copy]

Tom Owens: Parker at the Trade Winds – Bootleg Jazz, in: Jazz Journal, 29/1 (Jan.1976), p. 7 (F/R) [digi.copy]

David Behrens: Where ‘The Bird’ Still Soars. “Charlie Parker was a musical genius who helped to bring about the music you listen to today … [It was revolutionary…”, in: Newsday, 9.Dec.1976 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 117-118}

Dan Morgenstern: One Night at Birdland, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 483-491 (F; originally published as liner notes for “One Night at Birdland”, Columbia, 1977)

Sy Johnson: Bird Lives, in: Jazz (Magazine) [USA], 1/4 (Summer 1977), p. 31 (F) [digi.copy]

Alun Morgan: How Garner tried to provide a nest egg for Bird, in: Jazz Journal, 30/7 (Jul.1977), p. 34 (F)

André Hodeir: Le Bird n’est plus, in: Philippe Adler (Hg.): Les grandes signature, Paris 1987 [book], p. 59-60 (F; Reprint aus: Jazz Hot, Apr.1955)

Carl Strommen: Woodshed. “Embraceable You”, take 1/2, in: Jazz (Magazine) [USA], 2/3 (Spring 1978), p. 84-85, 87 (A/T)

James Lincoln Collier: Charlie Parker. An Erratic Bird in Flight, in: James Lincoln Collier: The Making of Jazz. A Comprehensive History, London 1978 [book], p. 362-376 (F)

Jamey Aebersold & Michael H. Goldsen (eds.): Charlie Parker Omnibook. Transcribed Exactly from His Recorded Solos, Lynbrook NY, 1978 [sheet music: Goldfeder], passim (T for Eb instruments / C clef instruments: “Ah-Leu-Cha”; “Another Hairdo”; “Anthropology”; “Au Privavce”; “Back Home Blues”; “Ballade”; “Barbados”; “Billie’s Bounce”; “The Bird”; “Bird Gets the Worm”; “Bloomdido”; “Blue Bird”; “Blues (fast)”; “Blues for Alice”; “Buzzy”; “Card Board”; “Celerity”; “Chasing the Bird”; “Cheryl”; “Chi Chi”; “Confirmation”; “Constellation”; “Cosmic Rays”; “Dewey Square”; “Diverse”; “Donna Lee”; “K.C. Blues”; “Kim”; “Klaun Stance”; “Ko Ko”; “Laird Baird”; “Leap Frog”; “Marmaduke”; “Merry-Go-Round”; “Mohawk”; “Moose the Mooche”; “My Little Suede Shoes”; “Now’s the Time”; “Ornithology”; “An Oscar for Treadwell”; “Parker’s Mood”; “Passport”; “Perhaps”; “Red Cross”; “Relaxing with Lee”; “Scrapple from the Apple”; “Segment”; “Shaw ‘Nuff”; “She Rote”; “Si Si”; “Steeplechase”; “Thriving from a Riff”; “Visa”; Warming Up a Riff”; “Yardbird Suite”)

Jerry Coker: Charlie Parker, in: Jerry Coker: Listening to Jazz, Englewood Cliffs/NJ 1978 [book], p. 104-114 (F/A: “Don’t Blame Me”)

John McDonough: Charlie Parker – One Night at Birdland/Bird with Strings, in: Down Beat, 45/4 (1978), p. 27-28 (R)

Kirk L. Bjornsgaard & Russ SHor: The Spirit of Bird Still Flying, in: IAJRC Journal, 11/1 (Winter 1978), p. 12-13 (F)

Philippe Baudoin: Compositions de C. Parker, in: Le Jazzophone, #1 (1978), p. 21-22 (F)

Michael Zwerin: Bird Dies, in: Black Music and Jazz Review, 1/5 (Aug.1978), p. 9 (F)

Günther Buhles: Charlie Parker – “Summit Meeting at the Birdland” (CBS 82 291); “Bird with Strings. Live at the Apollo, Carnegie Hall & Birdland” (CBS 82 292), in: Jazz Podium, 27/10 (Oct.1978), p. 35-36 (R) [digi.copy]

Rüdiger Böttger: Charlie Parker – “The Very Best of Bird” (Warner Bros. WB 3198), in: Jazz Podium, 27/10 (Oct.1978), p. 34-35 (R) [digi.copy]

Björn Fremer: Charlie Parker in Sweden. The Beautiful Dream That Came True, in: Jazz Journal, 31/11 (Nov.1978), p. 33 (F)

Bernard Cash: Bird of Paradise, in: Chris Goddard: Jazz Away from Home, New York 1979 [book: Paddington Press], p. 103-104 (T)

Dizzy Gillespie & Al Fraser: Bird and Diz, in: Dizzy Gillespie & Al Fraser: To Be or Not to Bop. Memoires, New York 1979 [book], p. 391-404 (F)

H.A. Reed: The Black Bar in the Making of a Jazz Musician. Bird, Mingus, and Stan Hope, in: Journal of Jazz Studies, 5/2 (1979), p. 76-90

Kitty Grime: Hearing Bird, in: Kitty Grime: Jazz at Ronnie Scott’s, London 1979 [book], p. 31-39 (I mit diversen Musikern)

Tom Piazza: Bird’s Rainbow, in: Jazz Magazine (USA), 3/2 (Spring 1979), p. 30-35 (F)

Mike Healy: UB Jazz Scholar Explores Genius of Charlie Parker, in: Buffalo Courier-Explorer, 2.Apr.1979 (F/I with James Patrick) [digi.copy] {Rutgers papers “Charlie Parker”, p. 120}

Daniel Soutif: Parker chez Dial, in: Jazz Magazine, #273 (Mar.1979), p. 36-39 (F/R)

Al Haig & Duke Jordan: High Voltage. Ornithology. Charlie Parker, in: Black Music & Jazz Review, 2/2 (May 1979), p. 13 (F)

Bart Becker: Jay McShann Interview, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 139-142 (F; Reprint, from: Cadence, Sep/Oct.1979)

Harry Meidema: Bloomdido – Charlie Parker Plays the Blues, in: Down Beat Music ’80 (1980), p. 51-52 (T) [digi.copy]

Harry Meidema: Charlie Parker’s Embraceable You Solo, in: Down Beat Music ’80 (1980), p. 51 (T) [digi.copy]

Al Levitt: Parkeriana. Chasing the Bird, in: Jazz Magazine, #284 (Mar.1980), p. 26-29 (F)

Jacques Réda: La coupure de Charlie Parker, in: Jazz Magazine, #284 (Mar.1980), p. 25 (F); Reprint, in: Jacques Réda: La coupure de Charlie Parker, in: Jacques Réda: L’improviste. Une lecture du jazz, Paris 1980 [book], p. 85-89 (F); Reprint, in: Jacques Réda: L’improviste. Une lecture du jazz, Paris 1990 [book: Folio Essais], p. 130-134 (F)

Marshall Stearns: Het Charlie Parker Interview, in: Jazz Nu, 2/6-7 (Mar/Apr.1980), p. 266-268 (I)

Pierre Rigaud: Parkeriana. Romance à clés, in: Jazz Magazine, #284 (Mar.1980), p. 2-24 (F)

Ross Russell: Parkeriana. Ouverture chez Billy Berg, in: Jazz Magazine, #284 (Mar.1980), p. 18-21, 58, 60, 62 (F; extract from “Bird Lives!”)

Chan Parker: Now’s the Time, in: Jazz Hot, #373 (May 1980), p. 31-41 (F) [digi.copy]

Piet Koster: Charlie Parker. The Complete Savoy Studio Sessions, in: Micrography, #53 (Jul.1980), p. 13-14 (D) [digi.copy]

David Knight: The Night Charlie Parker Died, in: Down Beat, 47/8 (Aug.1980), p. 22-25 (F) [digi.copy]

Leonard Feather & Conrad Silvert: Jazz World Remembers Bird, in: Down Beat, 47/8 (Aug.1980), p. 26-28, 60-61 (F/I with Max Roach, Art Blakey, Sonny Rollins, Jimmy Heath, Leonard Feather, J.J. Johnson, Johnny Griffin, Jackie mcLean, Norman Granz, Charles Owens, Med Flory, Benny Carter) [digi.copy]

Arrigo Polillo: Charlie Parker, in: Arrigo Polillo: Jazz. Geschichte und Persönlichkeiten, München 1981 [book: Herbig], p. 482-502 (F); reprint, in: Arrigo Polillo (ed. Hans-Jürgen Schaal): Jazz. Die neue Enzyklopädie, München 2003 [book: Herbig], p. 520-540 (F)

Denis Levaillant: Le Jeu, in: Denis Levaillant: L’improvisation musicale. Essai sur la puissance du jeu, Paris 1981 [book], p. 132-133 (A/T: Parker’s Mood)

Joachim Ernst Berendt: Charlie Parkers und Dizzy Gillespie, in: Joachim Ernst Berendt: Das große Jazzbuch. Von New Orleans bis Jazz Rock, Frankfurt/Main 1981 [book], p. 100-112 (F)

Lee Bash: The Historical and Pedagogical Implications of Motivic Formulas as Supplied by the Charlie Parker Recordings of “Cherokee”, in: Jazz Research Papers, 1 (1981), p. 1-9 (A/T)

NN: Charlie Parker on Dial, in: Tzaz, 13 (1981), p. 84-87 (F – auf griechisch)

Paul O.W. Tanner & Maurice Gerow: Five Out of Many. Charlie Parker (1921-1955), in: Paul O.W. Tanner & Maurice Gerow: A Study of Jazz, 4/1981 [book, 1/1963], p. 161-164 (F)

Whitney Balliett: New Bird, in: Whitney Balliett: Goodbye and Other Messages. A Journal of Jazz 1981-1990, New York 1991 [book], p. 18-22 (Film-R: To Bird with Love; Reprint von 1981); reprint, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin’s Press], p. 593-597 (F)

Chris Goddard: Jazz Oral History Project. Buster Smith, January 13, 1981, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 142-151 (F)

Chan Parker: Dear Mrs. Sneed…, in: [letter to Judy Sneed], 19.Jul.1981 (letter: about Parker’s home on 151 Aveue B, NYC) [digi.copy]

Lee Jeske: To Bird with Love, by Chan Parker and Francis Paudras, in: Down Beat, 48/9 (Sep.1981), p. 65 (B) [digi.copy]

Chan Parker: To Bird with Love…, in: Coda, #181 (Dec.1981), p. 4-7 (F)

Gene DiNovi: Bebop Forever, in: Coda, #181 (Dec.1981), p. 20-21 (F)

Sadik Hakim: My Experiences with Bird and Prez, in: Coda, #181 (Dec.1981), p. 16-19 (F)

Ted Joans: Bird and the Beats, in: Coda, #181 (Dec.1981), p. 14-15 (F)

Alfons Michael Dauer: Day lydisch-chromatische Tonsystem von George Russell und seine Anwendung, in: Jazzforschung/jazz research, #14 (1982), p. 106-107 (A/T: “Lady Be Good”)

André Francis: Jazz (nouvelle édition), Malesherbes 1982 [book: Microcosme / Seuil], p. 116-122 (F)

Ian Carr: Bird Land, in: Ian Carr: Miles Davis. A Biography, New York 1982 [book], p. 12-30 (F)

Ira Gitler: Jazz Oral History Project. Howard McGhee (1982), in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 151-161 (F)

Mike Zwerin: Remembering Bird, in: Michael Zwerin: Broken Up and Dances, Paris 41982 [book], p. 53-55 (F)

Jack Sohmer: Charlie Parker – One Night in Washington / Jazz Perennial. The Genius Vol.7, in: Down Beat, 49/8 (Aug.1982), p. 31-32 (R)

John Clare: Charlie Parker: Two Perspectives. The Artist (1), in: Jazz (Australien), 2/11 (Sep/Oct.1982), p. 8-10 (F)

Niels Nielsen: Charlie Parker: Two Perspectives. The recordings (2), in: Jazz (Australien), 2/11 (Sep/Oct.1982), p. 11-13 (F/R)

Brian Priestley: Mingus. A Critical Biography, New York 1983 [book: Da Capo Press], passim (F) [digi.copy]

G. Arnaud & J. Reese: Charlie Parker fait danser le P.C., in: Jazz Hot, 49/398 (1983), p. 31

Hanns-Werner Heister: How High the Moon/Ornithology, in: Hanns-Werner Heister: Jazz, Kassel 1983 [book], p. 79-85 (A/T)

Joe Chambers: Ornithology, 1947-8, in: Joe Chambers: Milestones 1. The Music and Times of Miles Davis to 1960, New York 1983 [book], p. 58-89 (F)

Michael S. McLaughlin: African Music, Rhythm, and Jazz, in: Jazz Research Papers, 3 (1983), p. 74-91 (A/T)

Vittorio Castelli & Luca Cerchiari: Jazz su disco, Milano 1983 [book: Oscar Mondadori], p. 275-280 (R: “The Complete Savoy Studio Sessions”, Savoy; “On Dial Vol. 1”, Spotlite; “On Dial Vol. 4”, Spotlite; “On Dial Vol. 5”, Spotlite; “The Verve Years”, Verve)

N. Nielsen: Charlie Parker in Retrospect, in: Jazz Journal, 36/5 (May 1983), p. 16-18

Sadik Hakim: Dinosaure du Bop, in: Jazz Hot, #405 (Nov.1983), p. 48 (F)

Brian Priestley: Charlie Parker, Tunbridge Wells 1984 [book]

Brian Priestley: Parker – ‘Embraceable You’, in: The Wire, #7 (Summer 1984), p. 26-27 (F/R: Parker on Dial Vol. 4)

Michael James: Another Reading. The Parker Dials, in: The Wire, #7 (Summer 1984), p. 28-30 (F/R)

Xavier Prévost: L’oiseau retrospectif, in: Jazz Magazine, #329 (1984), p. 62-63 (R: Bird on Verve, Vol.1-8)

A. Leonardi: Charlie Parker. Mito di una generazione, in: Musica Jazz, 40/2 (Feb.1984), p. 43

Chan Parker: Dear Judy…, in: [letter to Judy Sneed (Rhode)], 19.Mar.1984 (letter: about the Parker home on 151 Avenue B, NYC) [digi.copy]

Renze de Vries: Bird Lives – zes jazzvogels, in: Jazz Nu, 6/66 (Apr.1984), p. 242-245 (F)

NN: Bird and Diz, in: Jazz Podijm, 33/10 (Oct.1984), p. 15-18 (B: To be or Not to Bop von Dizzy Gillspie)

Günther Buhles: Charlie Parker, von Brian Priestley, in: Jazz Podium, 33/11 (Nov.1984), p. 58 (B)

A. Vulbeau & A. Legido: Si Parker s’etait présenté…, in: Jazz Magazine, #337 (1985), p. 24-27

Benny Waters: Lester Young and Other Musicians I Admire, in: Benny Waters: The Key to a Jazzy Life, Toulouse 1985 [book], p. 77-79 (F)

Charles Delaunay: Delaunay’s Dilemma. De la peinture au jazz, Macon/F 1985 [book], p. 173-175 (F)

Gérard Moreau: Signé Jazz, Bordeaux 1985 [book: Editions du Ponant], p. 114-115 (very short F/drawing of the artist)

I. Böcker: Charlie Parker – Loverman, in: Musikern, 1/1985, p. 18-19

John Norris: Ornithology. The Continuing World of Charlie Parker, in: Coda, #202 (1985), p. 1

Max Harrison: Charlie Parker, by Brian Priestley, in: Jazz Forum, #92 (1985), p. 57-59 (B)

NN: Bird Lives!, in: Jazz Forum, #94 (1985), p. 56-57 (R) [digi.copy]

Brian Davis: Bird on Verve, in: The Wire, #13 (Mar.1985), p. 33-35 (F/R)

Brian Priestley: Charlie Parker (1920-1955). The Brilliance of Bird, in: The Wire, #13 (Mar.1985), p. 25-27 (F)

Charles Fox: Early Bird. Charles Fox surveys Parker’s background and hears from Jay McShann about the days when Parker toured with his big band, in: The Wire, #13 (Mar.1985), p. 27-28 (F/I with Jay McShann)

Greg Murphy: Bird – Studio Versus Live. Greg Murphy indulges in a session of fascinating and, ultimately, enlightening listening…, in: The Wire, #13 (Mar.1985), p. 31-32 (F)

Jeff Tempo: Up Against the Wall. Jeff Tempo opens a text book and finds that, in jazz, things are never quite as “black and white” as they seem, in: The Wire, #13 (Mar.1985), p. 29-30 (F: photo forgery)

Joe Kienemann: Das Jazz-Portrait – Charlie Parker, in: Jazz Zeitung, 10/3 (Mar.1985), p. 2-4 (F) [digi.copy]

Keith Shadwick: Under the Influence. Keith Shadwick looks at the startling effect Bird’s music had immediately on his contemporaries but asks who was to carry the legacy forward?, in: The Wire, #13 (Mar.1985), p. 35-37 (F)

Stan Britt: Bird Rappin’. Musicians talk about Charlie Parker, in: The Wire, #13 (Mar.1985), p. 39-41, 43 (F/I with Red Holloway, Sonny Stitt, Horace Silver, Eddie Cleanhead Vinson, Mary Lou Williams, Ruby Braff, Jimmy Witherspoon, Johnny Griffin, Art Pepper, Arnett Cobb, George Coleman, Harry Edison, Slim Gaillard, Hampton Hawes, Lee Konitz, B.B. King, Dexter Gordon, Joe Zawinul, Ernie Wilkins, Tony Scott, Peter King, Red Rodney, Jackie McLean, Thad Jones, Sonny Rollins, Jay McShann)

B. Räftegård: Parkers mästarballader, in: Orkester Journalen, 53/4 (Apr.1985), p. 15-17

Marcello Piras: Charlie Parker, in: Musica Jazz, 41/4 (Apr.1985), p. 35-50

O. Snismarck: “Bird” i stan, in: Orkester Journalen, 53/4 (Apr.1985), p. 19

R. Dahlgren: Charlie Parker i Sverige, in: Orkester Journalen, 53/4 (Apr.1985), p. 18, 20-22

John Norris: Ornithology. Publisher John Norris investigates the continuing world of Charlie Parker, in: Coda, #202 (Jun/Jul.1985), p. 18-19 (F)

Yusef Lateef: The Genius of Charlie Parker, in: Down Beat, 52/8 (Aug.1985), p. 56 (F)

Günther Buhles: Ross Russell . Bird lebt!, in: Jazz Podium, 34/11 (Nov.1985), p. 52 (B)

Al van Starrex: Charlie Parker, by Brian Priestley, in: Coda, #207 (1986), p. 18 (B)

Henry Martin: Charlie Parker/Dizzy Gillespie – “Koko” [p. 67-69 (A)]; Charlie Parker [p. 125-127 (A)]; Charlie Parker – “Shaw ‘Nuff'” [p. 242-243 (A/T), in: Henry Martin: Enjoying Jazz, New York 1986 [book]

J. Cooke: Charlie Parker – Birth of the Bebop, in: The Wire, #29 (1986), p. 37-38 (R)

Juergen Abi Schmitt: Von Strömen wird die Rede sein, vom Fliessen, von Wüsten innen und außen. Essay über Charlie Parker und Edgar Varèse, in: Ingrid Karl (Hg.): Jazz op. 3. Die heimliche Liebe des Jazz zur europäischen Moderne, Wien 1986 [book], p. 17-35 (F)

N. Coleman: Charlie Parker – The Complete Savoy Sessions, Vol.2, in: The Wire, #24 (1986), p. 45 (R)

Richard Cook: Charlie Parker – At Storyville, in: The Wire, #25 (1986), p. 50-51 (R)

Robert Gordon: Diz and Bird in Lotusland, in: Robert Gordon: Jazz West Coast. The Los Angeles Jazz Scene of the 1950s, London 1986 [book], p. 5-22 (F)

Scott Yanow: Charlie Parker – The Complete Roost Performances, in: Coda, #206 (1986), p. 33 (R)

Scott Yanow: Charlie Parker – The Cole Porter Songbook, in: Coda, #206 (1986), p. 34 (R)

, in: Nathan W. Pearson, Jr.: Goin’ to Kansas City, Urbana 1987 [book: University of Illinois Press], passim (F)

Amiri Baraka: A Tribute to Bird, in: LeRoi Jones & Amina Baraka: The Music. Reflections on Jazz and Blues, New York 1987 [book], p. 277-278 (F)

Gary Giddins: Bird Lives!, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 3-9 (F/I with Jay McShann, Dizzy Gillespie, Red Rodney, Buddy De Franco, Joe Newman, Thad Jones; Reprint, from: Gary Giddins: Celebrating Bird [1987])

Gary Giddins: Celebrating Bird. The Triumph of Charlie Parker, New York 1987 [book: Beech Tree Books], passim (F) [digi.copy]

Paul Smith & Morris Feldman (eds.): Charlie Parker for Piano, Book One, New York 1987 [sheet music] (T: piano solo arrangements of “Yardbird Suite”; “Confirmation”; “Au Privave”; “Chi Chi”; “Kim”; “Moose the Mooche”; “My Little Suede Shoes”; “Ornithology”; “Visa”; “Segment”; “An Oscar for Treadwell”; “Back Home Blues”; “Card Board”; “Blues for Alice”; “The Bird”)

Javier Coma: Charlie Parker. La esclavitud del libertador, in: Quartica Jazz, #17 (Mar.1987), p. 26-27 (F)

J.C: Diaz: Pentagrama. Maestros del Be Bop. Charlie Parker, in: Quartica Jazz, #18 (Apr.1987), p. 54-56 (A)

Michael Bourne: Ad lib. Celebrating Bird, in: Down Beat, 54/4 (Apr.1987), p. 63 (F)

Michael Bourne: Celebrating Bird, by Gary Giddins, in: Down Beat, 54/4 (Apr.1987), p. 63 (B)

Martin Isherwood: Bird Film Bio, in: Down Beat, 54/12 (Dec.1987), p. 12 (Film-R)

Graham Lock: Forces in Motion. Anthony Braxton and the Meta-Reality of Creative Music, London 1988 [book], p. 64-67 (F)

Iron Werther: Charlie Parker, in: Iron Werther: Bebop. Die Geschichte einer musikalischen Revolution und ihrer Interpreten, Frankfurt/Main 1988 [book], p. 78-99 (F)

Lawrence O. Koch: Ornithology. A Study of Charlie Parker’s Music, in: Lawrence O. Koch: Yardbird Suite. A Compendium of the Music and Life of Charlie Parker, Bowling Green 1988 [book: The Popular Press], p. 289-232 (A/T); Reprint, in: Lawrence O. Koch: Yardbird Suite. A Compendium of the Music and Life of Charlie Parker, revised edition, Boston 1999 [book: Northeastern University Press], p. 311-342 (A/T); review, by Andy Hamilton, in: Jazz Review, #5 (Feb.2000), p. 43 (B)

Lawrence O. Koch: Yardbird Suite. A Compendium of the Music and Life of Charlie Parker, Bowling Green 1988 [book: The Popular Press] (F/A/D)

NN: Doin’ Bird. The Clint Eastwood Interview, in: Straight No Chaser, #2 (1988), p. 22-24 (I mit Eastwood)

NN: Play Ornithology for Me… Charlie Parker, in: The Jazz Rag, #7 (1988), p. 3 (Film-R)

Paul Smith (ed.): Charlie Parker for Piano, Book Two, New York 1988 [sheet music] (T: piano solo arrangements of “Au Privave”; “Bloomdido”; “Blues (Fast)”; “Celebrity/Celerity”; “Cosmic Rays”; “Dewey Square”; “K.C. Blues”; “Laird Baird”; “Leap Frog”; “Mohawk”; “Passport”; “Relaxing with Lee”; “Scrapple from the Apple”; “She Rote”; “Si Si”)

Peter Niklas Wilson & Ulfert Goeman: Charlie Parker. Sein Leben, seine Musik, seine Schallplatten, Schaftlach 1988 [book: Oreos] (F/A/D)

Coen de Jonge: Charlie Parker op tenor. Nog net niet op ellepijp en spaakbeen, in: Jazz Nu, #114 (Apr.1988), p. 274-275 (F/R)

Christer Nilsson: Chan nöjd med Eastwood, in: Orkester Journalen, 56/5 (May 1988), p. 17 (F/I with Chan Parker)

Leonard Feather: In un film capolavoro. Parker vive!, in: Musica Jazz, 44/7 (Jul.1988), p. 7 (Film-R)

Jaap Lüdeke: Rolprent over Charlie Parker. Het regent veel in film Bird, in: Jazz Nu, #118 (Sep.1988), p. 432-433 (Film-R)

Scott Yanow: Bird – The Movie, in: Down Beat, 55/9 (Sep.1988), p. 24-26 (Film-R)

Didier Deutsch: Cinemusic – “Bird”, in: Jazziz, 5/6 (Oct/Nov.1988), p. 61, 76 (Film-R)

Gary Giddins: Birdman of Hollywood, in: Gary Giddins: Faces in the Crowd. Musicians, Writers, Actors, and Filmmakers, New York 2/1996 [book: Da Capo; O: New York 1992: Oxford University Press], p. 39-51 (F/Film-R; Reprint, from: Esquire, Oct.1988)

Günter Buhles: Ein Universum musikalischer Schönheit. Zur Stilentwicklung und Konzeption von Charlie Parker, in: Jazz Podium, 37/10 (Oct.1988), p. 3-4, 6-7 (F/A) [digi.copy]

Claudio Sessa & Giuseppe Piacentino & Giacomo Battistella: Bird com’era, in: Musica Jazz, 44/11 (Nov.1988), p. 35-46 (F/D)

Francis Davis: Bird on Film. Charlie Parker gets lost in a fan’s new movie, in: Atlantic Monthly, Nov.1988 (F/Film-R) [vert.file] [digi.copy]

Francis Davis: Birdland, Mon Amour, in: Francis Davis: Jazz and Its Discontents. A Francis Davis Reader, New York 2004 [book: Da Capo Press], p. 272-278 (Film-R: “Bird”; originally published in Nov.1988)

Giuseppe Piacentino & Pino Candini & Marzio Castagnedi: Bird. Un cult-movie che fa discutere, in: Musica Jazz, 44/11 (Nov.1988), p. 12-18 (Film-R)

Günter Buhles: Zur Stilentwicklung und Konzeption von Charlie Parker, in: Jazz Podium, 37/11 (Nov.1988), p. 16-18, 20, 22 (F/A) [digi.copy]

Horst Kruse: 2 Filme über Charlie Parker (Clint Eastwood, Marc Huraux), in: Jazzthetik, 2/11 (Nov.1988), p. 24-25 (Film-R) [digi.copy]

Peter Watrous: The Man Who Defined Modern Jazz. Charlie Parker’s music remains the primer for musicians who are serious about their art, in: New York Times, 13.Nov.1988, p. 26, 28 (F) [digi.copy] {also in: Rutgers papers “Charlie Parker”, p. 135-137}

Chan Parker: Rare Bird. Charlie Parker’s great love relives her years with a tumultuous jazz giant, in: People Magazine, 1.Dec.1988, p. 79-80, 82 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 132-134}

Günter Buhles: Charlie Parker. Der Prototyp des Bebopkünstlers, in: Jazz Podium, 37/12 (Dec.1988), p. 8, 10, 12, 15-16 (F) [digi.copy]

Helmut Weihsmann: Bird. Kurzkritik über den Charlie Parker Film von Clint Eastwood, in: Jazz Podium, 37/12 (Dec.1988), p. 17 (Film-R) [digi.copy]

Richard B. Woodward: The Year of the Bird. Charlie Parker paid his dues, as jazz players say. Now he gets his due, with a big film and a burst of CDs honorin one of the world’s great musicians, in: World Monitor, Dec.1988, p. 78-81 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 121-124}

Laurent Cugny: Las Vegas Tango. Une vie de Gil Evans, Paris 1989 [book: P.O.L./Collection Birdland], passim (F)

Mark Miller: Cool Blues. Charlie Parker in Canada 1953, London/Ontario 1989 [book: Nightwood Editions] (F)

Norman Saks & Leonard Bukowski & Robert M. Bregman: The Charlie Parker Discography, Toronto 1989 [book: B.B.S.] (D)

Paul Smith: Charlie Parker for Piano, Book Three, Lynbrook/NY 1989 [sheet music] (T: piano solo arrangements by Paul Smith of “Ah-Leu-Cha”; “Anthropology”; “Barbados”; “Billie’s Bounce”; “Cheryl”; “Constellation”; “Donna Lee”; “Ko Ko”; “Marmaduke”; “Now’s the Time”; “Perhaps”; “Red Cross”; “Shawnuff”; “Steeplechase”; “Thriving From a Riff”)

Philippe Koechlin & Filips & Artur & Patrice Narès & Alain Leroi: Oncle Ornicar presente Jazz Cartoon, Paris 1989 [book: Art Moderne], p. 50-51 (cartoon)

Raymond Federman: Erinnerung an Charlie Parker oder Wie wird man es wieder los, in: Lettre International, 3/6 (1989), p. 46-48 (F) [digi.copy]

Stan Britt: On the Street Where You Bop (with Bird, Miles, Bud, et al), in: Stan Britt: Dexter Gordon. A Musical Biography, New York 1989 [book], p. 63-69 (F)

Tony Scott: La mia vita nel mondo deineri, in: Blu Jazz, 1/3 (1989), p. 15-34 (F)

Val Wilmer: Bird Lies? Vi brakte I forrige utgave en fyldig omtale av filmen Bird I utlandet raser nå debatten im filmen. Nazznytt har derfor valgt å presentere den følgende artikkelen av Val Wilmer for å rette søkelyset på en side av filmen som i liten grad har vaert omtalt her til lands…, in: Jazz Nytt, 1/1989, p. 6-7 (F)

Whitney Balliett: Bird, in: Whitney Balliett: Barney, Bradley, and Max. 16 Portraits in Jazz, New York 1989 [book], p. 181-189 (F); Reprint, in: Whitney Balliett: American Musicians II. Seventy-One Portraits in Jazz, New York 1997 [book: Oxford University Press], p. 276-282 (F)

Günter Buhles: Über das musikalische Umfeld von Charlie Parker, IV, in: Jazz Podium, 38/1 (Jan.1989), p. 3-4, 6, 8, 10-11 (F) [digi.copy]

Sandy Carter: Slippin’ & Slidin’. Bird. Chasing the Legend, in: Zeta Magazine, Jan.1989, p. 61-64 (F/Film-R: “Bird”) [digi.copy] {Rutgers papers “Charlie Parker”, p. 138-141}

Buddy Collette & Elaine Cohen: Bird, from Someone to Watch Over Jazz, in: Coda, #224 (Feb/Mar.1989), p. 6-8 (F)

Kevin Whitehead: Messy Life, Perfect Art, in: Down Beat, 56/2 (Feb.1989), p. 6 (Film-R)

Scott Yanow: Retrospectives. Charlie Parker, in: Jazziz, 6/2 (Feb/Mar.1989), p. 37, 63 (F/R)

Stanley Crouch: Bird Land. Charlie Parker, Clint Eastwood, and America, in: The New Republic, 27.Feb.1989, p. 25-31 (F/Film-R) [digi.copy] {Rutgers papers “Charlie Parker”, p. 142-148}; reprint, in: in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 251-262 (F/Film-R)

Dave Helland: Parker Postage, in: Down Beat, 56/3 (Mar.1989), p. 3 (F: Parker-Briefmarke)

Kevin Whitehead: Ornithology. The Complete Savoy Studio Sessions / The Complete Charlie Parker on Verve / The Savoy Years. The Complete Royal Roost Performances / The Bird You Never Heard / Bebop and Bird Vol.1/2, in: Down Beat, 56/3 (Mar.1989), p. 37-39 (F/R) [digi.copy]

Paul Smith: Charlie Parker’s Solo on Dewey Square. A Piano Arrangement, in: Down beat, 56/4 (Apr.1989), p. 56-57 (T)

Helmut Weihsmann: Jazz im Film. Bird Now. Geschichten vom Bird. Bemerkungen zur Semidokumentation, in: Jazz Podium, 38/5 (May 1989), p. 27 (Film-R)

Aad Lohman: Camarillo over Charlie Parker. ‘Een vrijwel ondoordringbare persoonlijkheid’, in: Jazz Nu, 11/127 (Jun.1989), p. 333-336 (F/B/R)

John Fordham: Chan, in: John Fordham: Shooting from the Hip. Changing Tunes in Jazz, London 1996 [book: Kyle Cathie Limited], p. 203-206 (F; Reprint, from: The Guardian, Jul.1989)

Harry Gibson: The Bird Is on the Wing, in: Village Voice, 29.Aug.1989, p. 6, 13-14 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 153-155}

Bernard Maury: Transcription – “What Is This Thing Called Love”, in: Jazz Hot, # 468 (Nov.1989), p. 58 (T)

Becca Pulliam: The Benedetti Tapes Parker Solos, in: Down Beat, 57/12 (Dec.1990), p. 60 (R)

Carl Woideck: Charlie Parker. Student of Jazz, in: Jazz Research Papers, 10 (1990), p. 181-183 (A/T)

Giampiero Cane: Il metodo progressivo di Charlie Parker, in: Blu Jazz, 2/8 (1990), p. 27-33 (F/A/T)

John Webb: A Study of the Stylistic Innovations of Five Major Saxophonists, in: Jazz Research Papers, 10 (1990), p. 171-183 (F)

NN: Charlie Parker. Due foto inedite, in: Blu Jazz, 2/10 (1990), p. 33-36 (F)

Wolfram Knauer: Komposition in der Jazzgeschichte. Charlie Parker und das Verständnis von Improvisation als Spontankomposition, in: Wolfram Knauer: Zwischen Bebop und Free Jazz. Komposition und Improvisation des Modern Jazz Quartet, Mainz 1990 [book, 2 vols.], p. 73-76 (F)

Albrekt von Konow: aöanserad Parker-box. “Celebrating the Bird. The Triumph of Charlie Parker”, by Gary Giddins, in: Orkester Journalen, 58/2 (Feb.1990), p. 2 (B)

Ric Gentry: Solo Flight. Restoring the Alto Saxophone for the Music to Charlie Parker’s “Bird” Soundtrack, in: Saxophone Journal, 14/6 (May/Jun.1990), p. 38-41 (F/I mit Lennie Niehaus)

Paul Smith: Charlie Parker – “My Little Suede Shoes”, in: The Piano Stylist & Jazz Workshop, Jun/Jul.1990, p. 23-25 (T)

Stephanie Stein: Parker Tribute Benefits Drug Rehab Program, in: Down Beat, 57/6 (Jun.1990), p. 12 (C: tribute to Parker)

Mark Gardner: Chasin’ Charlie. Mark Gardner catches the earliest Bird and marvels at the enduring appeal of his genius, in: Jazz Journal, 43/11 (Nov.1990), p. 14-15 (F)

Bob Davis: Golden Bird. The Rediscovery of Charlie Parker’s 1st Recordings 50 Years After the First Took Flight, in: Down Beat, 57/12 (Dec.1990), p. 16-20, 60 (F/I); responses, by Buddy DeFranco, Clancey Burchfield, in: Down Beat, 58/3 (Mar.1991), p. 8 (letters)

Bernard Cash: Trumbauer, Parker, and Young, in: Lewis Porter (Hg.): A Lester Young Reader, Washington 1991 [book], p. 264-276 (A)

Mark Gardner: Bop and Related Styles. Charlie Parker – “The Charlie Parker Story” (Savoy MG 12079); “Charlie Parkeron Dial, vol. 1” (Spotlite 101), in: Barry Kernfeld (ed.): The Blackwell Guide to Recorded Jazz, Cambridge/MA 1991 [book: Basil Blackwell], p. 245-253 (R)

Michael Bourne: Memories of Charlie Parker, in: Hennessy Jazz Notes, Spring 1991, p. 3 (I mit Roy Haynes, Red Rodney)

Roy Porter: There and Back, Oxford 1991 [book], passim

Jean-Pol Schroeder: Digital Bird. Charles Christopher Parker à l’heure du CD, in: Jazz in Time, #20/21 (Feb/Mar.1991), p. 30-32 (F/R)

Ira Gitler: Aperto lo scrigno dei tesori di Parker, in: Musica Jazz, 47/3 (Mar.1991), p. 12-15 (F/R: Dean Benedetti Recordings)

Kevin Whitehead: Dean’s List. The Complete Dean Benedetti Recordings of Charlie Parker, in: Down Beat, 58/3 (Mar.1991), p. 46 (R)

Lars Westin: Parker I koncentrat. “The Compete Benedetti Recordings” (Mosaic MD7-121), in: Orkester Journalen, 59/3 (Mar.1991), p. 34-36 (R)

Paul Desmond: “Blygsamhet leder ingenstans.” Charlie Parker intervjuad av Paul Desmond, in: Orkester Journalen, 59/4 (Apr.1991), p. 18-19, 34 (I)

Jack Sohmer: Charlie Parker – “The Complete ‘Birth’ of the Bop” (Stash), in: Down Beat, 58/8 (Aug.1991), p. 44-45 (R)

Coen de Jonge: Benedetti ving Bird in zijn natuurlijke staat. De erfenis van een doorgeslagen Parker-adept, in: Jazz Nu, #153 (Sep.1991), p. 528-530 (F)

Trevor Tolley: In the Land of Oo-Bla-Dee. The Dean benedetti Recordings of Charlie Parker, in: Coda, #240 (Nov/Dec.1991), p. 38-40 (R)

Jean-Pol Schroeder: La légende de l’oiseau. Le Chainon Manquant, in: Jazz in Time, #29 (Dec.1991), p. 26-27 (F/D)

Bill Crow: Bird, in: Bill Crow: From Birdland to Broadway. Scenes from a Jazzy Life, New York 1992 [book], p. 129-133 (F)

David H. Rosenthal: Hard Bop. Jazz & Black Music 1955-1965, New York 1992 [book], passim (F)

Philippe Baudoin: I grandi standard del jazz, in: Blu Jazz, 4/26 (1992), p. 62-63 (F/T: My Little Suede Shoes)

Scott Sandvik: Polyharmony, Polymeter and Motivic Development in Charlie Parker’s “Klactoveseeds-Tene” (Take 1) Solo, in: Jazzforschung/jazz research, #24 (1992), p. 83-98 (A/T)

Ted Gioia: The Bird in the Basket, in: Ted Gioia: West Coast Jazz. Modern Jazz in California, 1945-1960, New York 1992 [book], p. 16-29 (F)

Tom Reed: Charlie Parker, in: Tom Reed: The Black Music History of Los Angeles. Its Roots, Los Angeles 1992 [book], p. 203-204 (F)

Whitney Balliett: Bird Lives, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin’s Press], p. 772-775 (F; reprint, from 1992)

Max Salazar: Afro-Cubop History, in: Latin beat, 2/2 (Mar.1992), p. 20-25 (F)

Tony Dagradi: Linear Compositional Styles of Charlie Parker, in: Saxophone Journal, 16/6 (May/Jun.1992), p. 46-47 (F/A)

Frank Tirro: The Bird – Charlie Parker [p. 293-296 (F)]; More About Bird [p. 309-315 (A/T: Klacktoveedsedstene / Parker’s Mood)]; Dizzy Gillespie – Groovin’ High [Anhang, p. 24-28 (A/T)]; Charlie Parker – Confirmation [Anhang, p. 33-35 (A/T)]; Embraceable You / Little Benny / Parker’s Mood [Anhang, p. 72-77 (T)], in: Frank Tirro: Jazz History, New York ²1993 [book]

Lewis Porter & Michael Ullman: Charlie Parker [p. 218-233 (F/A/T: Hootie Blues / The Jumpin’ Blues / Koko / Parker’s Blues / Rocker No.2)]; Embraceable You [p. 457-458 (A/T)], in: Lewis Porter & Michael Ullman: Jazz. From Its Origins to the Present, Englewood Cliffs/NJ 1993 [book]

Mark Gridley: Charlie Parker, in: Mark C. Gridley: Jazz Styles. History and Analysis, Englewood Cliffs 51993 [book], p. 143-144, 155-157 (F/A: Shaw Nuff)

Paul De Barros: Jackson Street After Hours. The Roots of Jazz in Seattle, Seattle 1993 [book: Sasquatch Books], passim (F)

Robert Earl Price: Yardbird’s Vamp, in: African American Review, 27/1 (Spring 1993), p. 79-91 (play about Charlie Parker) [digi.copy]

Robert M. Bregman & Leonard Bukowski & Norman Saks: The Charlie Parker Discography, Redwood/NY 1993 [book: Cadence Jazz Books] (D)

José Maria García Martinez: El verdadero amor de Charles Christopher Parker. Charlie Parker/Omar Jayyam. La relación entre un saxofonista de jazz y un mistico del siglo XII, in: Cuadernos de Jazz, #14 (Jan/Feb.1993), p. 27-38 (F)

NN: Charlie Parker, in: Jazz Nu, #169 (Feb.1993), p. 48 (Foto)

Claudio Gabis: Blues for Alice. Analisis musical del tema de Parker, in: Cuadernos de Jazz, #15 (Mar/Apr.1993), p. 77-78 (A/T)

Giampiero Cane: Doctor Dizzy & Mr. Bird, in: Blu Jazz, #30 (Mar.1993), p. 28-31 (F)

NN: Gillespie-Parker Discography, in: Blu Jazz, #30 (Mar.1993), p. 32-35 (D)

Gianfranco Salvatore: Video. Charlie Parker – The Bird, in: Blu Jazz, 5/33 (Jun.1993), p. 62-63 (Film-R)

Judy Sneed: Dear Dan…, in: [letter to supporters, here to Dan Morgenstern], 21.Jul.1993 (F: letter requesting support to place Parker’s former home on Avenue B on the National Register of Historic Places) [digi.copy] {Rutgers papers “Charlie Parker”, p. 126}

David Bradbury: Charlie Parker on Dial. The Complete Sessions, in: Jazz on CD, 1/4 (Aug.1993), p. 12-16 (F/R)

Jeffrey Beaumoel: Charlie Parker Residence Nominated for National Register of Historic Places, in: [press notice], ca. 1994 (F) [digi.copy]

John Fordham: Jazz. Geschichte / Instrumente / Musiker / Aufnahmen, München 1994 [book: Christian Verlag], p. 110-111 (F)

Paul F. Berliner: Thinking in Jazz. The Infinite Art of Improvisation, Chicago 1994 [book: University of Chicago Press], passim (F)

Ebbe Traberg: Un nido escandinavo para Charlie Parker, in: Cuadernos de Jazz, #21 (Mar/Apr.1994), p. 40-41 (F)

Nat Hentoff: Looking Bird in the Face. Nat Hentoff recalls the tragic dichotomy of Charles Parker Jr. and a man they called “Bird”, in: Icon Thoughtstyle Magazine, Apr.1994, p. 118, 122 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 130-131}

Hank O’Neal: The Discovery. Hank O’Neal tells the story behind finding hundreds of unknown photographs of a 1952 Charlie Parker, in: Jazz on CD, 1/7 (Jul.1994), p. 27-31 (F)

NN: ‘Bird’. The Chan Parker Collection Auction, in: Crescendo & Jazz Music, 31/4 (Aug/Sep.1994), p. 10-11 (F)

Dave Gelly: What Charlie didn’t blow. Charlie Parker even pawned his saxes, but, says Dave Gelly, he still left his widow plenty to auction, in: The Guardian, 4.Sep.1994 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 128}

Andrew Simons: Charlie Parker – A Bird’s Eye View of the Private Genius, in: NN: Pop, Including Bird – The Chan Parker Collection, London, 8.Sep.1954 [auction catalogue] (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 2-3}

NN: Pop, Including Bird – The Chan Parker Collection, London, 8.Sep.1954 [auction catalogue] (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 2-16}

Leonard Weinreich: Bidding for Bird. Great Charlie Parker Auction in London, in: Jazz on CD, 1/10 (Nov.1994), p. 31-33 (F)

Nina J. Hodgson: The Christie’s Auction of Bird’s Memorabilia, in: (California) Jazz Now, 4/8 (Dec/Jan.1994/95), p. 9 (F)

NN: Bird Auchtion Exceeds Expectations, in: Jazz Times, Dec.1994 (short F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 129}

Esther Bubley: Charlie Parker, Levallois/France 1995 [book: Filipacchi] (F/photos)

François & Yves Billard: Histoires du Saxophone: Castelnau-le-Lez/France 1995 [book: Climats], p. 165-176 (F)

Herman Leonard: Jazz Memories, Levallois-Perret/France 1995 [book: filipacchi], p. 144-149 (photos)

Nat Hentoff: The Onliest Bird, in: Nat Hentoff: Listen to the Stories. Nat Hentoff on Jazz and Country Music, New York 1995 [book: Harper Collins Publishers], p. 75-78 (F)

Thomas Owens: The Parker Style, in: Thomas Owens: Bebop. The Music and the Players, New York 1995 [book], p. 28-45 (F/A) [digi.copy]

Ira Gitler: “Bird”, il suo genio sorprendeva ogni giorno, in: Musica Jazz, 51/3 (Mar.1995), p. 44-49 (F)

Stefano Zenni: Charlie Parker. 40 anni dopo, in: Musica Jazz, 51/3 (Mar.1995), p. 35-43 (F)

Ton Ouwehand: Grooves. 1995 is het jaar van Charlie ‘Bird’ Parker, in: Jazz Nu, #192 (Mar.1995), p. 6 (F)

Bernhard Jäger: Charlie “Bird” Parker. Vor 40 Jahren starb der große Jazzsaxophonist und Hauptvertreter des Bebop, in: Concerto, Apr/May 1995, p. 19 (F) [digi.copy]

Big Mama: Bluebird, Bluebird, in: Jazzology, #8 (Jun.1995), p. 46 (F)

Carles Montblanc: Espero NO decir NADA sobre Charlie Parker, in: Jazzology, #8 (Jun.1995), p. 47-48 (F)

Ebbe Traberg: El concierto de Massey Hall, in: Jazzology, #8 (Jun.1995), p. 40-41 (F)

Francesc J. Peleato & Tonet Rufié & Josep Ramon Jové: Les migracions discogràfiques de Bird, in: Jazzology, #8 (Jun.1995), p. 37-39 (F)

Javier Domínguez: A Charlie Parker “El Pájaro” y también a Julio Cortázar, su amigo y el mío, in: Jazzology, #8 (Jun.1995), p. 49 (poem)

José Miguel Sanchez Carros: El heredero de Charlie Parker, in: Jazzology, #8 (Jun.1995), p. 44 (F)

Kandido Huarte: Un mito, más allá del jazz y de la música, in: Jazzology, #8 (Jun.1995), p. 42 (F)

Max Sunyer: Negre amb saxo, in: Jazzology, #8 (Jun.1995), p. 45 (F)

Rexach: Pocas nubes en el cielo de California, in: Jazzology, #8 (Jun.1995), p. 43 (F)

Alain Presencer: The Massey Hall Concert, in: Jazz at Ronnie Scott’s, #94 (Jul/Aug.1995), p. 10-11 (F); review, by Jim Godbolt (ed.): Ronnie Scott’s Jazz Farrago. Compilation of Features from Jazz at Ronnie Scott’s Magazine, London 2008 [book: Hampstead Press], p. 48-49 (F)

Ira Gitler: Reflections of Bird. On the 75th anniversary of his birth Charlie Parker’s legacy burns strong, in: Down Beat, 62/8 (Aug.1995), p. 16-20 (F/I mit Jimmy Heath, Percy Heath, Jackie McLean, Phil Woods, Max Roach, Michael Weiss, Peter Delano, Jesse Davis)

Remo Palmier: Charlie Parker’s Sax Solo on ‘Parker’s Mood’, in: Down Beat, 62/8 (Aug.1995), p. 62-63 (A/T) [digi.copy]

Bill Milkowski: 25 Who Mattered. Charlie Parker, in: Jazz Times, 25/7 (Sep.1995), p. 54 (F)

Giuseppe Barazzetta: Promemoria per Charlie Parker, in: Ritmo, #695 (Sep.1995), p. 26-27 (F)

Günter Buhles: Charlie Parker 1920-1955, oder: Wie wahr ist der Slogan “Bird lives!” 40 Jahre nach seinem Tod?, in: Jazz Podium, 44/9 (Sep.1995), p. 3-4 (F)

Vicente Ménsua: Kok. Cumple anos, in: Cuadernos de Jazz, #31 (Nov/Dec.1995), p. 38-42 (F)

Marc-Édouard Nabe: Les mille et une métamorphoses de Charlie Parker, in: Jazzman, #9 (Dec.1995), p. 20-21 (F)

Mark Koster: Nederlandse jazzmusici blikken terug op Bird. Een Rembrandt, groter dan Mozart, een Jezus-figuur, in: Jazz Nu, #200 (Dec.1995), p. 26-29 (F/I mit Ben Herman, Piet Noordijk, Pierre Courbois, Mischa Mengelberg, Candy Dulfer)

Martin Schrouten: Requiem voor Charlie Parker. Wat je hoort als je hem hoort, in: Jazz Nu, #200 (Dec.1995), p. 22-25 (F)

Carl Woideck: Charlie Parker. His Music and Life, Ann Arbor 1996 [book] (F/I/A/T: several excerpts, complete transcriptions of “Honey & Body”; “Oh! Lady Be Good”; “Parker’s Mood”; “Just Friends”); p. 63-103, p. 152-159, p. 228-241 [digi.copy]; review, by Al Van Starrex, in: Coda, #283 (Jan/Feb.1999), p. 33-34 (B); review, by Andy Hamilton, in: The Wire, #182 (Apr.1999), p. 90-91 (B)

Chip Deffaa: Charlie Parker, in: Chip Deffaa: Jazz Veterans. A Portrait Gallery, Fort Bragg/CA 1996 [book: Cypress House], p. 138-139 (F)

Chip Deffaa: Doris Parker, in: Chip Deffaa: Jazz Veterans. A Portrait Gallery, Fort Bragg/CA 1996 [book: Cypress House], p. 140-141 (F/I)

Dave Oliphant: The Jay McShann Orchestra, 1938-1942, in: Dave Oliphant: Texan Jazz, Austin 1996 [book], p. 123-131 (F)

David Perry: Charlie Parker, in: David Perry: Jazz Greats, London 1996 [book: Phaidon], p. 145-168 (F)

Duncan Schiedt: Twelve Lives in Jazz, Parma 1996 [book], p. 164-75 (F/photos)

Francis Davis: Bebop and Nothingness, in: Francis Davis: Bebop and Nothingness. Jazz and Pop at the End of the Century, New York 1996 [book], p. 27-35 (F; Reprint, from Apr.1990); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 174-178 (F)

Guy Reynard & Yves Sportis: Birdography. Charlie Parker en compacts, in: Jazz Hot, #special (1996), p. 38-41 (D: CD’s)

Henry Martin: Charlie Parker and Thematic Improvisation, Lanham/MD 1996 [book: Scarecrow Press] (A/T: “Red Cross”; “Shaw ‘Nuff”; “Thriving On a Riff”; “Crazeology”; “Wee”; “Lester Leaps In”; “Embraceable You”; “Just Friends”; “Cherokee”; “Koko”; “Star Eyes”, “Cool Blues”; “Au Privave”; “Blues for Alice”; “Bongo Bop”; “Now’s the Time”; “Cheryl”; “Parker’s Mood”)

Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book] (F/I/letters; chronological listing)

Kent J. Engelhardt: Young Charlie Parker and Side-Slipping. The Efferge Ware Connection, in: Jazz Research Papers, 16 (1996), p. 177-188 (A/T: excerpts from “Honeysuckle Rose”; “I’m Forever Blowing Bubbles”; “St. Louis Mood”)

Scott Reeves: From Pops to Miles. The Evolution of the Jazz Vocabulary, in: Jazz Research Papers, 16 (1996), p. 113-122 (F/T: alto saxophone transcription of “Shaw ‘Nuff”)

Stefaan Debevere: Melodisch denken in jazz, in: Tijdschrift voor Muziektheorie, 1/3 (1996), p. 181-189 (A/T: Charlie Parker: “Donna Lee”; Chet Baker: “Line for Lyons”, “Look for the Silver Lining”; Sarah Vaughan: “All of Me”) [xerox]

Juan Pascual Gay: Contrapunto y fuga, in: Jazzology, #9 (Jan.1996), p. 34 (F: Jacks Pollock & Charlie Parker)

Michael Holbek: Charlie Parker. “Yardbird” ville være blevet 75 ar den 29. august 1995, in: Jazz Special, #26 (Feb/Mar.1996), p. 26 (F)

Sadik Hakim: Reflections of an Era. My Experiences with Bird and Prez, in: Jazz Journal, 49/8 (Aug.1996), p. 16-18, 35 (F)

Ssirus W. Pakzad & Christian Stolberg: Könner an der Kanne, in: WOM Journal, Aug.1996, p. 44 (short F)

Zoë Anglesey: Jazz on Campus. Brooklyn Conservatory Celebrates the Brighter Side of Charlie Parker, in: Down Beat, 63/11 (Nov.1996), p. 74 (F)

Catherine Bowman: “Charlie Parker Memorial Birthday Celebration, Tompkins Square Park”, in: Brilliant Corners, 2/1 (Winter 1997), p. 8-9 (poem)

Eric Nisenson: Blue. The Murder of Jazz, New York 1997 [book: St. Martin’s Press], passim (F)

John Gennari: Pulp Addiction. Charting the Bird. Obsession in Ross Russell’s “The Sound”, in: Brilliant Corners, 2/1 (Winter 1997), p. 38-51 (F)

Leslie Gourse: Straight, No Chaser. The Life and Genius of Thelonious Monk, New York 1997 [book: Schirmer Books], passim (F)

Mark S. Haywood: Order and Chaos in Bird and Trane, in: Annual Review of Jazz Studies, #9 (1997/1998), p. 133-143 (A)

Paul Zimmer: “But Bird”, in: Brilliant Corners, 1/2 (Summer 1997), p. 70-71 (poem)

Philippe Adler & Pierre de Chocqueuse: Passeport pour le jazz. Les grands CD du jazz moderne 1944-1997, Paris 1997 [book: Balland], p. 308-313 (F/R: “The Savoy Recordings”; “The Dial Masters”; “Bird and Diz”)

Preston Love: A Thousand Honey Creeks Later. My Life in Music from Basie to Motown – and Beyond, Hanover/NH 1997 [book: Wesleyan University Press], passim (F)

Sandy Evans & Christopher Williams: French Flowers Blooming. The Music for “Testimony”, in: Brilliant Corners, 2/1 (Winter 1997), p. 80-85 (F: musical about Charlie Parker)

Sascha Feinstein: Jazz Poetry from the 1920s to the Present, Westport/CT 1997 [book: Praeger], p. 89-114 (F: chapter “Chasin’ the Bird. Charlie Parker and the Enraptured Poets of the Fifties”)

William Claxton: A Note on the Cover Art. Detail from the Image “Charlie Parker and Fans, Pasadena, 1952”, in: Brilliant Corners, 2/1 (Winter 1997), p. 4-7 (F)

Rudie Kagie: Immortal sessons. De schoonheid van Parkers dieptepunten, in: Jazz Nu, #216 (May 1997), p. 40-41 (F)

Alain Tercinet: Parker’s Mood, Marseille 1998 [book: Éditions Parenthèses] (F/D)

Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books] (F); review, in: Jazz Notes, 10/3 (1999), p. 17-19 (B)

Carl Woideck: Charlie Parker Chronology, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 263-268 (F)

Carl Woideck: Charlie Parker’s Apprenticeship Recordings 1940-1943, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 188-205 (F)

Don Glanden: Bebop and Blues from Bird to Barron, in: Jazz Improv, 1/4 (1998), p. 119-121 (A/T: “Billie’s Bounce”)

Edward M. Komara: The Dial Recordings of Charlie Parker. A Discography, Westport/CT 1998 [book: Greenwood Press] (D)

Gary Giddins: Visions of Jazz. The First Century, New York 1998 [book: Oxford University Press], p. 261-283 (F: chapter Charlie Parker. Flying Home”; T: “Jumpin’ the Blues”; “Koko”; “A Night in Tunesia”; “Lady Be Good”; “Embraceable You”; “Parker’s Mood”)

Harry A. Reed: Yardbird Suite 1. Charlie “Yardbird” Parker (1920-1955) and the Convergence of Kansas City and New York City Nightclubs in the Birth of Bebop, in: Western Journal of Black Studies, 22/1 (Spring 1998), p. 1-10 (F) [digi.copy]

Jack Kerouac: Three Chorusses from ‘Mexico City Blues’, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 171-173 (poem)

Juha Henriksson: Chasing the Bird. Functional Harmony in Charlie Parker’s Bebop Themes, Helsinki 1998 [book: Suomen Musiikkitieteellinen Seura] (A: “Ah-Leu-Cha”; “Another Hairdo”; “Anthropology”; “Au Privave”; “Back Home Blues”; “Barbados”; “Billie’s Bounce”; “Bloomdido”; “Blue Bird”; “Blues”; “Blues for Alice”; “Buzzy”; “Cardboard”; “Chasing the Bird”; “Cheryl”; “Chi Chi”; “Confirmation”; “Dewey Square”; “K.C. Blues”; “Laird Baird”; “Marmaduke”; “Mohawk”; “My Little Suede Shoes”; “Now’s The Time”; “Ornithology”; “An Oscar for Treadwell”; “Passport”; “Perhaps”; “Red Cross”; “Scrapple from the Apple”; “Segment”; “Shaw Nuff”; “Si Si”; “Steeplechase”; “Visa”; “Yardbird Suite”)

Kent Engelhardt: The Influence of Young Charlie Parker on John Jackson, in: Jazz Research Proceedings Yearbook, #18 (1998), p. 27-35 (F)

Max Harrison: A Rare Bird, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 204-225 (F)

NN: “Anthropology”, in: Jazz Improv, 1/4 (1998), p. 215-216, 218 (A)

NN: Charlie Parker – “Confirmation”, in: Jazz Improv, 1/4 (1998), p. 143-147 (A/T)

NN: Charlie Parker – “Ornithology”, in: Jazz Improv, 1/4 (1998), p. 148-153 (A/T)

Phil Schaap: The Verve Sessions, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 225-238 (F)

Philippe Baudoin: Charlie Parker, compositeur, in: Alain Tercinet: Parker’s Mood, Marseille 1998 [book: Éditions Parenthèses], p. 123-128 (F: listing of Parker compositions with identification of formal bass)

William J. Moody: “Bird Lives!”, in: Brilliant Corners, 2/2 (Summer 1998), p. 25-34 (excerpt from poem/short story)

Ken Burns: Chan Parker, interview transcript for “Jazz. A Film by Ken Burns”, May 1998 (F) [vert.file] [digi.copy]

“PIP”: Il “Camarillo” sta chiudendo (e un ricordo di Charlie Parker svanisce), in: Ritmo, #726 (Jun.1998), p. 25 (F)

Lee Hill Kavanaugh: Charlie Parker’s Grave May Relocate, in: Down Beat, 65/7 (Jul.1998), p. 15 (F)

Michael J. Renner: Prelude. A New Nest for Bird’s Bones, in: Jazziz, 15/8 (Aug.1998), p. 14 (F: Parker’s grave to be moved)

Colin Moynihan: Will Bird’s House Fly As a City Landmark?, in: New York Times, 20.Dec.1998 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 127}

Alain Gerber: Charlie Parker. “Au moment de sa mort, il y a eu un formidable coup de tonnerre” (Baronne Pannonica de Koenigswarter), in: Alain Gerber: Fiesta in Blue. Textes de Jazz, Tome 2, Paris 1999 [book: Editions Alive], p. 98-102 (F)

Alain Gerber: Charlie Parker. Louis et Charlie, in: Alain Gerber: Fiesta in Blue. Textes de Jazz, Tome 2, Paris 1999 [book: Editions Alive], p. 103-113 (F)

Alyn Shipton: Groovin’ High. The Life of Dizzy Gillespie, New York 1999 [book: Oxford University Press], passim (F)

Chan Parker: My Life in E-Flat, Columbia/SC 1999 [book: University of South Carolina Press], passim (F)

Edward Komara: The Dial Recordings of Charlie Parker, in: Dave Oliphant (ed.): The Bebop Revolution in Words and Music, Austin/TX 1994 [book: Harry Ransom Humanity Research Center], p. 78-103 (F)

Gary Giddins: Charlie “Bird” Parker, in: Charles Graham & Dan Morgenstern (eds.): The Great Jazz Day, Emeryville/CA 1999 [book: Woodford Press], p. 107-110 (F)

Gary Giddins: Charlie Parker. An Overview, in: Dave Oliphant (ed.): The Bebop Revolution in Words and Music, Austin/TX 1994 [book: Harry Ransom Humanity Research Center], p. 52-77 (A/T: “Koko”; “Lady Be Good”; “Embraceable You”; “Paker’s Mood”)

J. Bernlef: In gesprek met Charlie Parker, in: J. Bernlef: Haalt de jazz de eenentwintigste eeuw?, Amsterdam 1999 [book: Querido], p. 7-12 (F: fictional interview)

Keith Shadwick: Charlie Parker. Bird Lives!, in: Jon Newey (ed.): Tower Jazz Guide 2000/01, London 1999 [book: Tower Records], p. 40 (F)

Kenny Mathieson: Giant Steps. Bebop and the Creators of Modern Jazz 1945-65, Edinburgh 1999 [book: Payback Press], p. 40-75 (F)

Konrad Heidkamp: Elvis, Bird und Tipp-Kick, in: Konrad Heidkamp: It’s All Over Now. Musik einer Generation – 40 Jahre Rock und Jazz, Berlin 1999 [book: Alexander Fest Verlag; 2nd edition: Reinbek bei Hamburg 2007: ro-ro-ro], p. 28-44 (F)

Kwatei Jones-Quartey: “Parker’s Mood” Revisited, in: Annual Review of Jazz Studies, #10 (1999), p. 221-235 (A) [digi.copy]

Lawrence O. Koch: Yardbird Suite. A Compendium of the Music and Life of Charlie Parker, revised edition, Boston 1999 [book: Northeastern University Press] (F/A/D)

Leonard Brown: Jazz Masters. Charlie Parker, in: Leonard Brown & Claude Page (eds.): Kansas City and All That Jazz, Kansas City 1999 [book: Andrews McMeel Publishing], p. 12-13 (F)

Martin Gray: Parker at His Peak, in: Lenox Avenue, #5 (1999), p. 113 (poem)

Paul Bley & David Lee: Stopping Time. Paul Bley and the Transformation of Jazz, Canada 1999 [book: Véhicule Press], passim (F)

Rick Helzer: Charlie Parker’s Solo on “Shaw ‘Nuff”, in: Jazz Improv, 2/2 (1999), p. 213-214 (A/T)

Ross Russell: Symposium Keynote Address, in: Dave Oliphant (ed.): The Bebop Revolution in Words and Music, Austin/TX 1994 [book: Harry Ransom Humanity Research Center] (F)

Russ Chase: “The Dial Recordings of Charlie Parker. A Discography”, by Edward M. Komara, in: IAJRC Journal, 32/1 (Winter 1999), p. 107 (B)

Thomas Owens: Bird’s Children and Grandchildren. The Spread of Charlie Parker’s Musical Language, in: Jazzforschung/jazz research, #31 (1999), p. 75-88 (A/T: “Kim”; “Scrapple from the Apple”; “Donna Lee”; “Billie’s Bounce”; “I Got Rhythm”)

Leslie Sabina: Woodshedding. Charlie Parker’s “Don’t Blame Me”, in: Jazz UK, #25 (Jan/Feb.1999), p. 14-15 (A/T)

NN: Jazz musician’s grave to stay, in: [unknown source] (Associated Press), Feb.1999 (short F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 125}

Jason Koransky: Riffs. Bird Memorial to Be Unveiled Without Bones, in: Down Beat, 66/4 (Apr.1999), p. 16 (F)

Thomas Conrad: Charlie Parker – “The Complete Live Performances on Savoy” (Savoy), in: Down Beat, 66/4 (Apr.1999), p. 66 (R)

Michael J. Renner: Prelufe. Bird Remains, in: Jazziz, 16/6 (Jun.1999), p. 16 (F: plans to move Parker’s remains)

Bret Primack: We All Learn from Bird. Charlie Parker & Jazz Education, in: Jazz Educators Journal, 32/1 (Jul.1999), p. 36-38, 40-42 (F)

Leonard Brown: Charlie Parker Memorial Unveiled at Kansas City’s 18th & Vine District, in: Jazz Educators Journal, 32/1 (Jul.1999), p. 45 (F)

Leonard Brown: The Charlie Parker Symposium. Reflections on a Tribute to a Master, in: Jazz Educators Journal, 32/1 (Jul.1999), p. 44-47 (F/C: tribute to Parker in Kansas City)

John F. Szwed: “My Life in E-Flat”, by Chan Parker, in: Jazziz, 16/8 (Aug.1999), p. 30-31 (B)

Ed Hazell: Prelude. Bird Caught, But Uncaged, in: Jazziz, 16/9 (Sep.1999), p. 14 (Film-R)

Ira Gitler: Live. Remembering Bird with Strings, Symphony Space, in: Jazz Times, 29/8 (Oct.1999), p. 55 (C: tribute to Charlie Parker)

Mark Gardner: “My Life in E-Flat”, by Chan Parker, in: Jazz Journal, 52/10 (Oct.1999), p. 14-15 (B)

Brian Priestley: Charlie Parker, in: Dave Gelly (ed.): Masters of Jazz Saxophone. The Story of the Players and Their Music, London 2000 [book: Balafon Books], p. 46-53 (F)

Geoffrey C. Ward & Ken Burns: Jazz. A History of America’s Music, New York 2000 [book: Alfred A. Knopf; German translation as: “Jazz. Eine Musik und ihre Geschichte”, München 2001 (Econ)], p. 305-311 (F: chapter “Reach”); p. 323 (F: chapter “Now’s the Time”); p. 334-337 (F: chapter “So Tough”); p. 354-358 (F: chapter “Drastic Stuff”); p. 381-386 (F: chapter “My Name Is Bird”)

Henri Robberechts: Parker’s Mood, in: Record Memory Club Magazine, #50 (2000), p. 31-45 (F)

James Patrick: Charlie Parker, in: Bill Kirchner (ed.): The Oxford Companion to Jazz, New York 2000 [book: Oxford University Press], p. 316-331 (F/A)

Kent John Engelhardt: Musical and Cultural Factors in the Musical Development of Young Charlie Parker as Demonstrated Through Transcription and Analysis of the Improvised Solos of Young Charlie Parker with the Jay McShann Orchestra, Pittsburgh/PA 2000 [PhD thesis: University of Pittsburgh] (F/A/T: Charlie Parker’s solos on: “I Found a New Baby”; “Body and Soul”; “Moten Swing”; “Coquette”; “Oh, Lady Be Good”; “Honeysuckle Rose”; “Swingmatism”; “Hootie Blues”; “Lonely Boy Blues”; “The Jumpin’ Blues”; “Sepian Bounce”; “I Got Rhythm”; “St. Louis Mood”; “I’m Forever Blowing Bubbles”) [digi.copy]

Mark C. Gridley: Jazz Styles. History and Analysis, Upper Saddle River/NJ 7/2000 [book: Prentice Hall], p. 151-152, 163-165 (F/A: “Shaw Nuff”)

Michael Herbert: New Directions in Jazz Composition As Evidenced in the Works of Three Composers. Kenny Wheeler, Don Grolnick, and Russell Ferrante, Pittsburgh/PA 2000 [MA thesis: Duquesne University], p. 11-13 (F/A/T: “Ko-Ko”); p. 20-22 (A: “Blues for Alice”) [digi.copy]

Robert Dean Hodson: Interaction and Improvisation. Group Interplay in Jazz Performance, Madison/WI 2000 [PhD thesis: University of Wisconsin], p. 39-52 (A: “Now’s The Time”; chapter “Musical Roles and Behaviors”); p. 53-62 (A: “Now’s the Time”; “Musical Relationships within the Rhythm Section”); p. 65-97 (A: “Now’s the Time”; chapter “Harmony and Interaction”); p. 115-128 (A: “Now’s the Time”; chapter “Form and Interaction”) [digi.copy]

Rolf Ljungquist: Some Notes on Charlie Parker and Sweden, in: IAJRC Journal, 33/2 (Spring 2000), p. 26-29 (F)

William Karlen: Anthologie du Jazz Classique. La synthèse d’un demisiècle de swing, Sierre/Switzerland 2000 [book: Editions à la Carte], p. 157-161 (F)

Brian Dale: Bird Gets the Bootleg, in: Jazz Journal, 53/1 (Jan.2000), p. 17-18 (F)

David Firestone: Bird Lives. Parker’s Still in the Groove, in: New York Times (Internet), 10.May 2000 (F) [vert.file]

Hans-Jürgen Schaal: Charlie Parker. Der Erfinder des modernen Jazz, in: Fono Forum, Aug.2000, p. 85-87 (F)

Ira Gitler: Charlie Parker – “New Bird” (Swan), in: Jazz Times, 30/6 (Aug.2000), p. 101-102 (R)

Hans-Jürgen Schaal: Krebskanon-Blues. Aus dem aktuellen Nachleben von Charlie Parker und J.S. Bach, in: Jazz Thing, #35 (Sep/Oct.2000), p. 20 (parody)

Werner Stiefele: Charlie Parker. Freier Vogel, in: Scala, Sep/Oct.2000, p. 86-89 (F) [digi.copy]

Belinda Thom: BoB. An Improvisational Music Companion, Pittsburgh/PA 2001 [PhD thesis: Carnegie Mellon University], p. 162-175, 223-236, 253-255, 260-264, 265-271 (F/A/T: computer simulation of a Charlie Parker solo) [digi.copy]

Frank Marshall Davis: Charlie Parker, in: Brilliant Corners, 6/1 (Winter 2001), p. 27-28 (poem)

Hans-Jürgen Schaal (ed.): Jazz-Standards. Das Lexikon, Kassel 2001 [book: Bärenreiter], p. 38-39 (F: “Anthropology”); p. 44-45 (F: “Au Privave”); p. 61.-62 (F: “Billie’s Bounce”); p. 99-100 (F: “Confirmation”); p. 360-361 (F: “Now’s the Time”); p. 377-378 (F: “Ornithology”); p. 388-390 (F: “Parker’s Mood”); p. 555-556 (F: “Yardbird Suite”)

Henry Martin & Keith Waters: Jazz. The First 100 Years, Belmont/CA 2001 [book: Wadsworth/Schirmer], p. 183-184 (A: “Salt Peanuts”); p. 189-190 (A: “Bloomdido”)

Horace A. Porter: Jazz Country. Ralph Ellison in America, Iowa City 2001 [book: University of Iowa Press], p. 42-48 (F: chapter “Mocking Entertainers. Ellison on Louis Armstrong and Charlie Parker”)

Ilse Storb: Jazz und Neue Musik im Unterricht, Münster 2001 [book: LIT Verlag], p. 91-96 (F/A: “Ornithology”)

Jacques Aboucaya & Jean-Pierre Peyrebelle: Du Be-Bop au Free Jazz. Formes et techniques d’improvisation chez C. Parker, M. Davis et O. Coleman, Toulouse 2001 [book: Presses Universitaires du Mirail] (F/A)

Lars Bjorn & Jim Gallert: Before Motown. A History of Jazz in Detroit, 1920-1960, Ann Arbor 2001 [book: University of Michigan Press], passim (F)

Nicholas Gebhardt: Charlie Parker. The Virtuosity of Speed, in: Nicholas Gebhardt: Going for Jazz. Musical Practices and American Ideology, Chicago 2001 [book: University of Chicago Press], p. 77-122 (F)

Robert Bregman: “Thou Was Not Born for Death, Immortal Bird”, in: IAJRC Journal, 34/3 (Summer 2001), p. 35 (F)

Jean-Louis Chautemps: Triptyque pour Charlie Parker, in: Les Cahiers du Jazz, #1 (Jan.2001), p. 261-264 (F)

Martin Westin & Lars Westin: Sista natten met gängen. Charlie Parker i Sverige (2). De sista timmarna i Stockholm blev internsiva och händelserika, in: Orkester Journalen, 69/1 (Jan.2001), p. 24-26 (F)

Ted Panken: Bountiful Bird, in: Down Beat, 68/1 (Jan.2001), p. 42 (R: “The Complete Savoy and Dial Studio Recordings”)

Richard Cook: Reclaiming the Jazz Age. Charlie Parker, “KoKo” (1945), in: Jazz Review (GB), #21 (Jun.2001), p. 23 (short F)

Doug Ramsey: Charlie Parker – “The Washington Concerts” (Blue Note), in: Jazz Times, 31/6 (Aug.2001), p. 134-135 (R)

Mark Stefani: Bird “Magic”. Sax on Guitar: Parker’s “Outside” Tricks, in: Just Jazz Guitar, #29 (Nov.2001), p. 54-57 (F/A)

Alun Morgan: Lost in Meditation. Bird Jottings, in: Jazz Journal, 54/12 (Dec.2001), p. 7 (F: short discographical remarks)

David Amram: Offbeat. Collaborating with Jack Kerouac, New York 2002 [book: Thunder’s Mouth Press], passim (F)

David Ritz: Faith in Time. The Life of Jimmy Scott, Cambridge/MA 2002 [book: Da Capo Press], passim (F)

Fabrice Zammarchi & Sylvie Mas: A Life in the Golden Age of Jazz. A Biography of Buddy DeFranco, Seattle/WA 2002 [book: Parkside Publications], p. 47-48, p. 123-129, passim (F)

Frederick J. Spencer: Jazz and Death. Medical Profiles of Jazz Greats, Jackson/MS 2002 [book: University of Mississippi Press], p. 133-141 (F: drug abuse, cause of death)

Geoffrey Haydon: Quintet of the Year, London 2002 [book: Aurum Press] (F); review by Brian Priestley, in: Jazzwise, #57 (Sep.2002), p. 63 (B); review by Bob Weir, in: Jazz Journal, 55/10 (Oct.2002), p. 18 (B); review by Raymond Horricks, in: Crescendo & Jazz Music, 39/5 (Oct/Nov.2002), p. 27-28 (B); review by Ron Simpson, in: The Jazz Rag, #74 (Winter 2002), p. 11 (B); review by James Hale, in: The Jazz Report, 16/1 (Winter 2003), p. 33 (B); review by Vic Hall, in: IAJRC Journal, 36/2 (Spring 2003), p. 52 (B); review, by Greg Buium, in: Coda, #309 (May/Jun.2003), p. 10 (B); review by Brian Priestley & Peter Vacher, in: Jazz UK, #54 (Nov/Dec.2003), p. 21 (B); review by Steve Futterman, in: Jazz Times, 34/10 (Dec.2004), p. 121-122 (B)

Gregory Djanikian: Listening to Charlie Parker in Northern Vermont, in: Brilliant Corners, 6/2 (Summer 2002), p. 30-32 (poem)

Herbert Hellhund: Parker Revisited, in: Jazzforschung / jazz research, #34 (2002), p. 149-163 (F/A/T: “Now’s the Time”; “Ah Leu Cha”; “Koko”)

James Gavin: Deep in a Dream. The Long Night of Chet Baker, New York 2002 [book: Alfred A. Knopf], passim (F)

John Szwed: So What. The Life of Miles Davis, New York 2002 [book: Simon & Schuster], passim (F)

Lewis MacAdams: Birth of the Cool. Beat, Bebop & The American Avant-Garde, London 2002 [book: Scribner’s], passim (F)

Noal Cohen & Michael Fitzgerald: Rat Race Blues. The Musical Life of Gigi Gryce, Berkeley/CA 2002 [book: Berkeley Hills Books], passim (F)

Oscar Peterson: A Jazz Odyssey. The Life of Oscar Peterson, London/New York 2002 [book: Continuum; German translation, as: “Meine Jazz-Odyssee”, Höfen/A 2003, book: hannibal], passim, especially p. 207-208, 212-213 (F)

Paolo Vitolo: Guida al jazz. Gli autori e le musiche dal bebop alla creative music, Milano 2002 [book: Bruno Mondadori], p. 181-186 (F)

Peter J. Martin: Spontaneity and organisation, in: Mervyn Cooke & David Horn (eds.): The Cambridge Companion to Jazz, Cambridge 2002 [book: Cambridge University Press], p. 133-152 (F)

Steve Larson: Musical Forces, Melodic Expectation, and Jazz Melody, in: Music Perception, 19/3 (Spring 2002), p. 351-385 (F/A/T: “Confirmation”) [digi.copy]

Gianmichele Taormina: Charlie Parker. La grande luce di un mito, in: Jazzit, 4/9 (Mar/Apr.2002), p. 78-81 (F)

Olivier Kociubinska: Charlie Parker – “The Complete Dial and Savoy Recordings”, in: Jazz Notes, #68 (May 2002), p. 38-40 (F/R)

Bob Weir: Charlie Parker Discography, in: Names & Numbers, #23 (Oct.2002), p. 32 (B: “Bird Lore – A Revised Charlie Parker”)

Bob Weir: “Bird Lore. A Revised Charlie Parker Discography”, by Piet Koster, in: Jazz Journal, 55/11 (Nov.2002), p. 18 (B)

Ettore Ulivelli: Il Testimone. Rivisitazione due, in: Ritmo, #774/775 (Nov/Dec.2002), p. 40-41 (F/I; excerpts from Parker interview in Down Beat, 9.Sep.1949)

Egbert de Bloeme: “Bird Lore. A Revised Charlie Parker Discography”, compiled by Piet Koster, in: NJA Bulletin, #46 (Dec.2002), p. 41 (B)

Ben Sidran: A Life in the Music, New York 2003 [book: Taylor Trade Publishing], passim (F)

Dempsey J. Travis: Norman Granz. The White Moses of Black Jazz, Chicago/IL 2003 [book: Urban Research Press], p. 244-259 (F)

Eddie S. Meadows: Bebop to Cool. Context, Ideology, and Musical Identity, Westport/CT 2003 [book: Praeger], passim, esp. p. 173-218 (F/A: chapter “The Musical Language of Charlie Parker”)

Finn Slumstrup: Gyldendals bog om jazz, Copenhagen 2003 [book: Gyldendal], p. 268-269 (F: short biography)

George Wein & Nate Chinen: Myself Among Others. A Life in Music, New York 2003 [book: Da Capo], passim (F)

Leonardo Acosta: Cubano Be, Cubano Bop. One Hundred Years of Jazz in Cuba, Washington/DC 2003 [book: Smithsonian Press], passim (F)

Martin Westin: Charlie Parker i Sverige, in: Steinar Kristiansen (ed.): Nordisk Jazzforskning. Rapport fra den sjette konferansen i Oslo, 9. – 10. August 2002, Oslo 2003 [book: Norsk Jazzarkiv], p. 37-45 (F)

Philip Martin James Ford: American Popular Music in the Cold War. The Hip Aesthetic and the Countercultural Idea, Minneapolis 2003 [PhD thesis: The University of Minnesota], p. 281-289 (F/A: chapter “Gip Irony Revisited. Perspective of Perspectives”) [digi.copy]

Sonya Ruth Lawson: The Origins and Development of the Use of Violins, Violas, and Cellos in Jazz in the United States of America, Eugene/OR 2003 [PhD thesis: University of Oregon], p. 106-112 (F/A: Charlie Parker with Strings) [digi.copy]

Sonya Ruth Lawson: The Origins and Development of the Use of Violins, Violas, and Cellos in Jazz in the United States of America, Eugene/OR 2003 [PhD thesis: University of Oregon; published through UMI], p. 106-120 (F: Charlie parker and strings)

Sundar Viswanathan: An Analysis of the Jazz Improvisation and Composition in Selected Works from the Blue Note Records Period of Tenor Saxophonist Joe Henderson from 1963-1966, New York 2003 [PhD thesis: New York University], p. 70-80 (F: chapter “Important Contributions to Jazz Music. Charlie Parker”)

Terry Gibbs & Cary Ginell: Good Vibes. A Life in Jazz, Lanham/MD 2003 [book: Scarecrow Press], passim (F)

William Walker Pace: Jazz Saxophone and Trumpet Improvisations Transcribed and Annotated for Double Bass, Coral Gables/FL 2003 [PhD thesis: University of Miami], p. 14-22, 92-93 (F/A/T: “Relaxin’ at Camarillo”) [digi.copy]

Several authors: More Bird Lore (part 2), in: Names & Numbers, #24 (Jan.2003), p. 26-28 (D); part 3, in: Names & Numbers, #25 (Apr.2003), p. 29-30 (D) [digi.copy]; part 4, in: Names & Numbers, #26 (Jul.2003), p. 39-40 (D) [digi.copy]; part 5, in: Names & Numbers, #28 (Jan.2004), p. 44-45 (D) [digi.copy]

Nat Hentoff: Music. ‘Bird’ Rules the Roost On Live Recordings, in: The Wall Street Journal, 13.Mar.2003 (F) [digi.copy]

Mark Miller: Jazz at Massey Hall, in: Coda, #309 (May/Jun.2003), p. 6-9 (F)

NN: Canada Marks ‘Greatest’ Jazz Concert 50 Years Later, in: New York Times, 12.May 2003 (F) [vert.file] [digi.copy]

Greg Buium: Massey Hall, 50 Years Later, in: Down Beat, 70/6 (Jun.2003), p. 28 (F/I with Max Roach) [digi.copy]

Patrick Pommier: Une histoire de sax. Si le jazz est souvent un roman, il peut arriver qu’un de ses héros soit un instrument…, in: Jazz Magazine, #541 (Oct.2003), p. 24-25 (F)

Andrew Lindemann Malone: Thriving on a Remix. ‘Bird Up’ reimages Charlie Parker, in: Jazz Times, 33/10 (Dec.2003), p. 36, 38 (F)

Chuck Denison: The Great American Songbook. The Stories Behind The Standards, Bendon/OR 2004 [book: Rober D. Reed Publishers], p. 28-30 (F: “Ornithology”)

Duncan Schiedt: Jazz in Black & White. The Photographs of Duncan Schiedt, Bloomington/IN 2004 [book: Indiana University Press], p. 74-75 (F/photo)

Herbert Hellhund: Logik der Linie – Strukturkomponenten der Improvisation im modernen Jazz, in: Jazzforschung / jazz research, #36 (2004), p. 61-72 (F/A/T: excerpts from: Jim Hall: “Echo”; Charlie Parker: “Now’s the Time”; Clifford Brown: “Confirmation”; John Coltrane: “Giant Steps”; Chet Baker: “Down”)

NN: Biography. Charlie Parker, in: Jazz dünyasi, #1 (fall 2004), p. 24-26 (F)

Norman Weinstein: A Sentence Based on a Riff of Charlie Parker’s, in: Brilliant Corners, 9/1 (Winter 2004), p. 38 (poem)

Martin Westin: Charlie Parker in Sweden 1950, in: [jazz research list], Feb.2004 (F) [vert.file] [digi.copy]

Les Sabina: Woodshedding. ‘Hootie Blues’. Improvised Solo by Charlie Parker, in: Jazz UK, #56 (Mar/Apr.2004), p. 38 (A/T)

Gerard J. Hoogeveen & Joop van der Leij & Chris Sellers: More Bird Lore, part 6, in: Names & Numbers, #29 (Apr.2004), p. 27-29 (D)

Kathy Dyson: Early Musical Development of Lester Young, Joe Pass, Charlie Parker and Bill Evans. How they learned to improvise, [manuscript, Leeds Jazz Conference, 2.Apr.2004] (F) [vert.file] [digi.copy] (“Improvisation”)

Scott Yanow: Beyond the (bebop) revolution. Even as he neared his end, Charlie Parker was still searching, in: Jazziz, 21/4 (Apr.2004), p. 47 (F)

Thomas Phleps: Transcription. “Yardbird Suite” – as played by The Charlie Parker Septet, in: Jazz Research News, #11 (Apr.2004), p. 552-556 (T)

Thomas Phleps: Transcription. “Red Cross” – as played by the Tiny Grimes Quintette, in: Jazz Research News, #13 (Jun.2004), p. 670-673 (R)

Ted Panken: Wayne Shorter on Charlie Parker, in: Down Beat, 71/7 (Jul.2004), p. 16-17 (F) [digi.copy]

Gerard J. Hoogeveen & Joop van der Leij: More Bird Lore (Part 7), in: Names & Numbers, #31 (Oct.2004), p. 27-30 (D); part 8, in: Names & Numbers, #32 (Jan.2005), p. 34 (D)

John Corbett: “Charlie Parker acetates” (no label, early 1950s), in: Down Beat, 71/11 (Nov.2004), p. 18 (F/R)

Bert Vuijsje: Bebop Business. Onbegrijpelijk stil rond Bird. Waarom stond – bijna – niemand stil bij de vijftigste sterfdag van Charlie Parker? Bert Vuijsje stelt de vraag aan de Nederlandse media én aan zichzelf, in: Jazz Nu, 28/3 (summer 2005), p. 97 (F)

Bill Crow: Jazz Anecdotes. Second Time Around, New York 2005 [book: Oxford University Press], p. 331-342 (F: collection of anecdotes)

Brian Priestley: Chasin’ the Bird. The Life and Legacy of Charlie Parker, London 2005 [book: equinox] (F/A/D); review, by Mark Gardner, in: Jazz Journal, 58/12 (Dec.2005), p. 16 (B); review, by Greg Murphy, in: The Jazz Rag, #89 (Winter 2005), p. 29 (B); review, by Keith Shadwick, in: Jazzwise, #93 (Dec/Jan.2005/2006), p. 66 (B)

Donald L. Maggin: Dizzy. The Life and Times of John Birks Gillespie, New York 2005 [book: Harper Collins], passim (F)

Doug Ramsey: Take Five. The public and private lives of Paul Desmond, Seattle 2005 [book: Parkside Publications], passim (F)

Frank Driggs & Chuck Haddix: Kansas City Jazz. From Ragtime to Bebop – A History, New York 2005 [book: Oxford University Press], passim (F)

Gabriele Comeglio: Gunslinging Bird. If Charlie Parker was a Gunslinger, There’d Be a Lot of Dead Copycats, in: Musica Oggi, #24 (2005/2006), p. 93-107 (F/A: )

Gianni M. Gualberto: “Bird with Strings”. Casualità o intenzionalità?, in: Musica Oggi, #24 (2005/2006), p. 108-120 (F/A/T)

Henry Martin: Charlie Parker as Composer, in: Musica Oggi, #24 (2005/2006), p. 28-43 (F/A)

Jean-Pierre Jackson: Charlie Parker, Arles 2005 [book: Actes Sud] (F)

Joachim-Ernst Berendt (& Günther Huesmann): Das Jazzbuch. Von New Orleans bis ins 21. Jahrhundert, Frankfurt am Main 2005 [book: S. Fischer], p. 136-149 (F)

Lewis Porter: Charlie Parker on Film and Television, in: Musica Oggi, #24 (2005/2006), p. 121-136 (F)

Marcus A. Woelfle: Charlie Parker, in: Peter Niklas Wilson (ed.): Jazz Klassiker, Stuttgart 2005 [book: Reclam], p. 289-302 (F)

Maurizio Franco: parker e gli altri. Il mito Parkeiano e la realità del bebop, in: Musica Oggi, #24 (2005/2006), p. 17-27 (F)

Michael Segell: The Devil’s Horn. The Story of the Saxophone, from Noisy Novelty to King of Cool, New York 2005 [book: Farrar, Straus and Giroux], passim (F)

Paul Thomas Musser: Me, Myself and Mingus, Urbana/IL 2005 [PhD thesis: University of Illinois], p. 13-19 (F: chapter “Ellington and Parker. Two Vital Sources”) [digi.copy]

Peter Ind: Jazz Visions. Lennie Tristano and his Legacy, London 2005 [book: equinox], passim (F)

Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 2005 [book: Reclam], p. 169-170 (R: “Jazz at Massey Hall”, Original Jazz Classics); reprint, in: Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 4/2011 [book: Reclam], p. 195-197 (R)

Richard Cook: It’s About That Time. Miles Davis On and Off Record, London 2005 [book: Atlantic Books], passim (F)

Scott DeVeaux: Multiphrenia. A New Approach to Charlie Parker, in: Musica Oggi, #24 (2005/2006), p. 5-16 (F/A/T: “Out of Nowhere”)

Vincent Périer & Pierre Fargeton: Techniques. De l’un Charlie à l’autre. ‘Thriving from a riff’, in: Les cahiers du jazz, #2 (2005), p. 171-182 (A)

Vincenzo Caporaletti: Evoluzione du un volo. Il “Famous Alto Break” nelle 24 incisioni Parkeriane di “Nighg in Tunesia”, in: Musica Oggi, #24 (2005/2006), p. 44-64 (F/A)

Wolfram Knauer: “Parker’s Mood”. Genesis of a Blues Improvisation, in: Musica Oggi, #24 (2005/2006), p. 65-92 (A/T)

Brian Priestley & Alyn Shipton: The Sound. Fifty years ago on 12 March Charlie Parker died. His music has changed the directon and sound of jazz and remains as influential today as it was revolutionary in his lifetime…, in: Jazzwise, #84 (Mar.2005), p. 24-31 (F/short I with Jay McShann, Charlie Watts, Clark Terry, Percy Heath, Hank Crawford, Dave Green, Peter King)

Carlos Sampayo: La creación del caos, in: Cuadernos de Jazz, #87 (Mar/Apr.2005), p. 18-21 (F)

Chris Parker: Charlie Parker, 1920-1955, in: Jazz at Ronnie Scott’s, #153 (Mar/Apr.2005), p. 19 (F)

Christian Gauffre: Charlie Parker Story, in: Jazz Magazine, #557 (Mar.2005), p. 4-6, 9-10, 14-15, 17, 20-23, 25-26, 31-33 (F)

David Romero: El mejor quinteto de la historia. The Massey Hall Concert, in: Cuadernos de Jazz, #87 (Mar/Apr.2005), p. 30-33 (F)

Félix W. Sportis: Charlie Parker. L’oiseau de feu, in: Jazz Hot, #618 (Mar.2005), p. 31-38 (F)

Fernando Ortiz de Urbina: Nows the Time. Génesis de un tiempo, in: Cuadernos de Jazz, #87 (Mar/Apr.2005), p. 14-17 (F)

Fernando Ortiz de Urbina: Testimonios. En recuerdo de Bird, in: Cuadernos de Jazz, #87 (Mar/Apr.2005), p. 22-29 (F/I with George Avakian, Billy Bauer, Ozzie Cadena, Jimmy Heath, Ira Gitler, André Hodeir, Bill Crow, Hal McKusick, Nat Hentoff)

Franck Bergerot: Birdology. Discographie. Précis d’ornithologie, in: Jazzman, #111 (Mar.2005), p. 24-27 (F)

Jean-Louis Chautemps: Parker Moods, in: Jazz Magazine, #557 (Mar.2005), p. 7, 11-12, 18-19, 24, 28 (F/short I with Steve Coleman, Rosario Giuliani, Rob Brown, Daniel Huck, Michel Portal, Guillaume Orti, Maceo Parker, Sonny Rollins, Oliver Lake)

Jennifer Odell: Jazz fans still flock to Charlie Parker 50 years later, in Houston Chronicle, 9.Mar.2005 (F/short I with Charles McPherson, Von Freeman, Christian McBride, Kurt Elling) [vert.file] [digi.copy]

Marc-Edouard Nabe: Birdology. L’Oiseau de Dieu, in: Jazzman, #111 (Mar.2005), p. 14-15 (F)

Miguel Garrido Munoz:Auge y caída de un mito americano. Tocata y fuga en la noche, in: Cuadernos de Jazz, #87 (Mar/Apr.2005), p. 34-37 (F)

Mike Zwerin: Listening to Bird, still flying, in: International Herald Tribune, 9.Mar.2005 (F) [digi.copy]

Richard Cook & Brian Morton: The Bird We Heard. Charlie Parker died 50 years ago this month, but his sound and surviving music remain an essential part of what we call modern jazz. Richard Cook and Brian Morton look back at some of Bird’s best flights, and offer a pick of Parker from his sprawling discography, in: Jazz Review, #66 (Mar.2005), p. 22-24 (F)

Thierry Péremarti & Vincent Bessières: Birdology. “Je me souviens de Charlie Parker…”, in: Jazzman, #111 (Mar.2005), p. 16-19 (F/short I with Ray Barretto, Billy Bauer, Paul Bley, Terry Gibbs, Barry Harris, Percy Heath, Dick Hyman, Hank Jones, Lee Konitz, Mundell Lowe, Hal McKusick, Frank Morgan, Lennie Niehaus, Jack Nimitz, Jimmy Scott)

Vincent Bessières & Pierrick Pedron: Birdology. Le bec et la plume, in: Jazzman, #111 (Mar.2005), p. 20-23 (F)

Björn Englund: Parker in Sweden – Another Gap Filled, in: Names & Numbers, #33 (Apr.2005), p. 27 (short F: drummer at Helsingborg session is Eric Saxell)

Franck Médioni: Souvenirs de l’oiseau. Charlie Parker, in: Jazz Notes, #83 (May 2005), p. 28-29 (F/short I with Jean-Luc Guionnet, Donald Harrison, Steve Lehman, Philippe Lemoine, Anthony Ortega, Pierrick Pédron, Steve Potts, Jef Sicard, Sonny Simmons, John Tchicai, Sébastien Texier, Claude Tissendier, André Villéger)

John Evers: As Time Goes By. Bird Lives, in: Jazzzeit, #54 (May/Jun.2005), p. 90 (F)

John Janowiak: Stars Allign. 25 Great Moments in Jazz Festival History. Charlie Parker et al., Bird Slays French, Paris Jazz Festival, 1949, in: Down Beat, 72/5 (May 2005), p. 96 (F) [digi.copy]

Dan Ouellette: The Question Is … Why does Bird still fly?, in: Down Beat, 72/6 (Jun.2005), p. 21 (F/short I with Claire Daly, Roy Hargrove, Hank Jones, John Pizzarelli) [digi.copy]

Flemmijn Larsen: Parker’s Mood – om relationen mellem stor kunst oh psykisk ustabilitet, in: Jazz Special, #83 (Jun/Jul.2005), p. 32-36 (F)

Ed Enright: Charlie Parker – “Liveology” (RE 545 450663), in: Down Beat, 72/7 (Jul.2005), p. 66 (R: 3 1/2 stars) [digi.copy]

Fred Kaplan: Bird Lives! The Birth of Bebop, Captured on Disc, in: New York Times, 31.Jul.2005 (F: new recordings discovered of Town Hall concert, 1945) [vert.file] [digi.copy]

Les Sabina: Woodshedding. Charlie Parker on ‘Half Nelson’. Charlie Parker didn’t play tenor saxophone often, but he demonstrated a fascinatingly different, more laid-back persona with the heavier horn. Les Sabina investigates a classic Bird solo on Miles Davis’ ‘Half Nelson’, in: Jazz UK, #64 (Jul/Aug.2005), p. 28 (A/T) [digi.copy]

Llew Walker: The Wyandotte Parkers, in: [manuscript] < www.birdlives.co.uk>, Sep.2005 (F: short article commissioned by Historical Journal of Wyandotte County about Charlie’s early years in Wyandotte County, Kansas) [digi.copy]

Benjamin Moussay: Charlie Parker. 22 écoutes de “Now’s the Time”, in: Jazzman, #117 (Oct.2005), p. 80-81 (F/A/T)

Chris Kelsey: Dizzy Gillespie & Charlie Parker – “Town Hall, New York City, June 22, 1945” (Uptown), in: Jazz Times, 35/9 (Nov.2005), p. 115-116 (R); reprint, with further comments, in: Jazz Times, 36/1 (Feb.2006), p. 55 (R) [digi.copy]; responses, by Whitney Balliett & Chris Kelse: Letters. Whitney Strikes, in: Jazz Times, 36/3 (Apr.2006), p. 17 (letters)

John McDonough (& Jim Macnie & John Corbett & Paul de Barros): Dizzy Gillespie & Charlie Parker – “Town Hall, New York City, June 22, 1945” (Uptown 2751), in: Down Beat, 72/11 (Nov.2005), p. 58-59 (R: 5 stars; 5 stars; 4 stars; 5 stars) [digi.copy]

Larry Blumenfeld: Auditions. Seeds of change, unearthed, in: Jazziz, 22/12 (Dec.2005), p. 50 (R: “Dizzy Gillespie / Charlie Parker, Town Hall, New York City, June 22, 1045”, Uptown)

Martin Westin: Parker långa väg till Sverige. Länge var Charlie Parker och bebop något bara för de mest hänhivna och nyfikna i vårt land. Först 1950 fanns Charlie Parkers skivor att få i Sverige i någon större omfattning, och med sitt turnébesök etablerade han sig verkligen som den stora stjärnan inom jazzen, in: Orkester Journalen, 73/12 (Dec.2005), p. 20-25 (F)

Chad Jenkins: Charlie Parker. Koko, in: Columbia Jazz Resources , 2006 (F/A) [digi.copy]

David Yaffe: Fascinating Rhythm. Reading Jazz in American Writing, Princeton 2006 [book: Princeton University Press], passim (F)

Jens Kjeldsen: Charlie Parker – The Bird, Århus 2006 [book: Husets Forlag] (F/A)

John Gennari: Blowin’ Hot and Cool. Jazz and Its Critics, Chicago 2006 [book: University of Chicago Press], p. 299-338 (F: chapter “Race-ing the Bird. Ross Russell’s Obsessive Pursuit of Charlie Parker”)

John Gennari: Blowin’ Hot and Cool. Jazz and Its Critics, Chicago 2006 [book: University of Chicago Press], passim (F)

Kim Parker (& Phil Woods, Pat Dorian, Jesse Green): From an ESU Jazz Masters Seminar. Kim Parker, in: The Note, 15/2 (summer 2006), p. 6-13 (F)

Marc Danval: Toots Thielemans, Bruxelles 2006 [book: Éditions Racine], p. 103-110 (F: chapter “La complicité avec Charlie Parker et le depart aux USA”)

Michael Fitzgerald: “Chasin’ the Bird. The Life and Legacy of Charlie Parker”, by Brian Priestley, in: ARSC Journal, 37/2 (Fall 2006), p. 240-242 (B)

NN: Charlie Parker. Embraceable You, in: Columbia Jazz Resources , 2006 (F/A) [digi.copy]

Philippe Baudoin: La valse des vilains copieurs. ‘My Little Suede Shoes’ est-il de la plume de Charlie Parker, in: Les cahiers du jazz, #3 (2006), p. 88-95 (F/A) [digi.copy]

Stanley Crouch: Considering Genius. Writings on Jazz, New York 2006 [book: Basic Civitas Books], p. 66-76 (F: chapter “Bird Land. Charlie Parker, Clint Eastwood, and America”)

Brian Priestley: Chasin’ the Bird. American critic Gary Giddins has called Brian Priestley’s “Chasin’ the Bird” ‘an indispensable gem’ – mixing Charlie Parker biography with musical and discographical scrutiny. This is an extract from the chapter ‘Celebrity’, in: Jazz UK, #67 (Jan/Feb.2006), p. 12-13 (F: book excerpt) [digi.copy]

Tommy Ludwig: Hörsturz (1). Charlie Parker – “Star Eyes” (1951), in: Jazzthetik, 20/3 (Mar.2006), p. 98 (F) [digi.copy]

Fernando Ortiz de Urbina: Brian Priestley atrapa al pájaro, in: Cuadernos de Jazz, #94 (May/Jun.2006), p. 16-17 (B: “Chasin’ The Bird”, by Brian Priestley)

Hugh Gregory: Charlie Parker’s Story Revisited, in: Down Beat, 73/5 (May 2006), p. 74 (B: “Chasin’ the Bird. The Life and Legacy of Charlie Parker”, by Brian Priestley)

Kirk Silsbee: Bronzeville Gypsy. How Charlie Parker Lit Up Little Tokyo, in Los Angeles Downtown News, (22.May 2006), p. 1, 7, 8 (F) [digi.copy] {manuscript, sent by Kirk Silsbee. 15.Dec.2010}

Pieter Boersma: Jazzstraat (4). Rotterdam, Charlie Parkersingel, in: NJA Jazz Bulletin, #60 (Jul.2006), p. 15 (F)

Roxana Hadadi: In Bird’s Name. Benefit concert battles substance abuse and helps young mothers and childrens, in: Jazz Times, 36/7 (Sep.2006), p. 28 (F/short I with Jimmy Heath, Clark Terry, Shannon Gibbons) [digi.copy]

Han Enderman: Charlie Parker on 78. Part 1: Savoy, in: Names & Numbers, #39 (Oct.2006), p. 2-9 (D)

Andy Hamilton: Lee Konitz. Conversations on the Improviser’s Art, Ann Arbor 2007 [book: University of Michigan Press], p. 21-25 (F)

Eunmi Shim: Lennie Tristano. His Life in Music, Ann Arbor 2007 [book: University of Michigan Press], passim (F)

Jan Bruér: Guldår & Krisår. Svensk Jazz under 1950- och 60-talen, Stockholm 2007 [book: Svensk Visarkiv], passim (F)

Michael S. Harper: Bird Lives. Charles Parker in St. Louis, in: Brilliant Corners, 12/1 (Winter 2007), p. 46-47 (poem)

Morris B. Golbrook: When bad things happen to great musicians. The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen, in: Jazz Research Journal, 1/1 (2007), p. 99-128 (F: “Lady Sings the Blues”; “‘Round Midnight”; “Bird”)

Vincenzo Caporeletti: Esperienze di analisi del jazz. Armstrong, Parker, Cesàri, Monk, Mingus, Intra, Soft Machine, Lucca 2007 [book: Libreria Musicale Italiana], p. 35-56 (A: chapter “Miniature audiotattili. I break di Charlie parker nelle 24 incisioni di ‘Night in Tunisia'”)

Geoffrey Wheeler: Savoy’s Early Birds. The First Recordings by Charlie Parker on the New Jersey Label, in: IAJRC Journal, 40/1 (Feb.2007), p. 32-45 (F)

Ole Mogensen: Parkers Plastik! – hvem siger der ikke er penge i jazz?, in: Jazz Special, #94 (Feb/Mar.2007), p. 52-53 (F)

Martin Westin: Parker i funrummet. “Charlie Parker. The Bird”, by Jens Kjeldsen, in: Orkester Journalen, 75/3 (Mar.2007), p. 29 (B)

Han Enderman: Charlie Parker on 78. Part 2: Guild (1945), in: Names & Numbers, #41 (Apr.2007), p. 20-23 (D)

Tommy Ludwig: Hörsturz (12). Charlie Parker Jam Session. “Funky Blues” (1952), in: Jazzthetik, 21/4 (Apr.2007), p. 102 (F)

Nate Chinen: Music. Charlie Parker, Uptown and Down, in: New York Times, 24.Aug.2007 (F) [digi.copy]

Steve Penn: KC needs to do more to honor Parker, in: The Kansas City Star, 22.Aug.2007 (F) [digi.copy]

Tony Kofi: Turning Point. Bird watching. Tony Kofi on the album that changed his life Charlie Parker’s ‘Complete Dial Sessions’, in: Jazzwise, #111 (Aug.2007), p. 34 (F) [digi.copy]

William H. Smith: K.C.’s Pendergast and Parker, in: The Wall Street Journal, 14.Aug.2007 (F) [digi.copy]

Geoffrey A. Wheeler: Gaillard-Gillespie-Parker Bel-Tone Date, in: Names & Numbers, #43 (Oct.2007), p. 15-17 (F)

Han Enderman: Charlie Parker on 78. Part 3: Decca, in: Names & Numbers, #43 (Oct.2007), p. 29-30 (D)

Jørgen Siegumfeldt: I mindste musikalske detalje. Jens Kjeldens Charlie Parker-vaerk stiller store krav til laeseren – men trods mange irritationsmomenter er den fuld af fascinerende analyser, in: Jazz Special, #99 (Oct/Nov.2007), p. 62-65 (F)

Kirk Silsbee: Yardbird in Lotusland: A new recording captures Charlie Parker’s wild idyll at Altadena’s Zorthian Ranch in 1952, in Arroyo Monthly, (Nov.2007), p. 20-22 (F) [digi.copy] {manuscript, sent by Kirk Silsbee. 15.Dec.2010}

Marc Rice: “Yardbird Suite. A Compendium of the Music and Life of Charlie Parker”, by Lawrence O. Koch, in: Journal of the Society for American Music, 1/4 (Nov.2007), p. 526-528 (B) [digi.copy]

Alexander Kraus: “Home Cooking I” / “Groovin’ High”, in: [unpublished manuscript], Dec.2007 (T) [vert.file]

Alain Gerber: Vive critique des troubadours – éloge résolu de Thelonious, Chet et Charlie sur le bord du cratère, in: Les Cahiers du Jazz, #5 (2008), p. 74-79 (poem)

Barry Fox: Bird, the film, in: Jim Godbolt (ed.): Ronnie Scott’s Jazz Farrago. Compilation of Features from Jazz at Ronnie Scott’s Magazine, London 2008 [book: Hampstead Press], p. 182-183 (Film-R)

Chris Searle: Forward Groove. Jazz and the Real World from Louis Armstrong to Gilad Atzmon, London 2008 [book: Northway Publications], p. 88-90 (F: chapter “NowJaap van de Klomp: Jazz Lives. Till We Shall Meet and Never Part, Utrecht 2008 [book: A.W. Bruna Uitgebers], p. 58-59 (F: biography and photo of tombstones) [digi.copy]

Sascha Feinstein: Rearview Mirror, in: The Note, #46 (Summer 2008), p. 20-25 (F: autobiographical essay with Parker references) [digi.copy]

Wolfram Knauer: Parker’s Mood. Genese einer Bluesimprovisation, in: Ole Kongsted & Niels Krabbe & Michael Kube & Morten Michelsen (eds.): A due. Musical Essays in Honour of John D. Bergsagel & Heinrich W. Schwab, Copenhagen 2008 [book: The Royal Library], p. 322-345 (F/A) [digi.copy]

Wynton Marsalis & Geoffrey C. Ward: Moving to Higher Ground. How Jazz Can Change Your Life, New York 2008 [book: Random House; German translation as: “Jazz, mein Leben. Von der Kraft der Improvisation”, München 2010: Siedler Verlag], p. 147-149 (F: chapter “Lessons from the Masters. Charlie Parker”)

David Remnick: Bird-Watcher. Thinking about Charlie Parker, every day, in: The New Yorker, 19.May 2008, p. 58-67 (F/I with Phil Schaap) [digi.copy]

Brian Glasser: Turning Point. Scrapple from the apple. Saxophonist Chris Biscoe on the album that changed his life, Charlie Parker’s “Bird on 52nd Street”, in: Jazzwise, #122 (Aug.2008), p. 30 (F)

John McDonough: Charlie Parker & Arne Domnerus – “In Sweden. November 22, 1950” (Oktav 1164), in: Down Beat, 75/10 (Oct.2008), p. 80 (R: 2 1/2 stars) [digi.copy]

Brian Glasser: Turning Point. Chasing the bird. Gilad Atzmon on the album that changed his life, ‘Charlie Parker with Strings’, in: Jazzwise, #125 (Nov.2008), p. 40 (F)

Brian Priestley: Charlie Parker and Popular Music, in: Annual Review of Jazz Studies, #14 (2009), p. 83-99 (F/A)

Gary Giddins & Scott DeVeaux: Jazz, New York 2009 [book: W.W. Norton], p. 301-318 (F/A: chapter “Charlie Parker. ‘Ko Ko’ / ‘Embraceable You’ / ‘Now’s the Time'”)

Hans Offringa (& Jack McCray): Whisky & Jazz, Charleston/SC 2009 [book: Evening Post Publishing Company], p. 86-89 (F: short biographical essay)

John Gennari: Blaxploitation Bird. Ross Russell’s Pulp Addiction, in: Graham Lock & David Murray (eds.): Thriving On A Riff. Jazz & Blues Influences in African American Literature and Film, New York 2009 [book: Oxford University Press], p. 163-183 (F)

Leif Bo Petersen & Theo Rehak: The Music and Life of Theodore “Fats” Navarro. Infatuation, Lanham/MD 2009 [book: Scarecrow Press], passim (F)

Mark Laver: “The Greatest Jazz Concert Ever”. Critical Discourse, European Aesthetics, and the Legitimization of Jazz, in: Critical Studies in Improvisation, 5/1 (2009) (F) [digi.copy]

Peter Bölke & Rolf Enoch: Roads of Jazz, Hamburg 2009 [book: Edel Books], p. 72-83 (F: chapter “Charlie Parker”)

Robin D.G. Kelley: Thelonious Monk. The Life and Times of an American Original, New York 2009 [book: Free Press], passim (F)

Ted Panken: Charlie Parker – “Washington, D.C., May 23, 1948” (Uptown 27.55), in: Down Beat, 76/2 (Feb.2009), p. 80 (R: 4 stars) [digi.copy]

John Fordham: 50 great moments in jazz: Charlie Parker. One of the most influential improvisational soloists in jazz, and a pioneer of bebop, Parker was able to move away from a tune’s ‘home’ key and back without losing the thread, in: The Guardian, 20.Jul.2009 (F) [digi.copy]

Ethan Iverson: Lester Young Centennial. 2) Oh, Lady!, in: , 27.Aug.2009 (A/T: “Lady be Good” as recorded by Coleman Hawkins, Lester Young, Charlie Parker, Lee Konitz, Herschel Evans, Chu Berry) [digi.copy] {filed under Lester YOUNG}

John Fordham: 50 great moments in jazz: Charlie Parker’s first recordings. Writtten hastily during rehearsals, these songs contain some of the most memorable melodies in 20th-century music, in: The Guardian, 13.Aug.2009 (F) [digi.copy]

John Fordham: 50 great moments in jazz: Charlie Parker teams up with Ross Russell. Parker’s deal with the record shop-owner was a defining moment for the saxophonist, as it led him to create some of the most memorable jazz improvisation of all time, in: The Guardian, 24.Sep.2009 (F) [digi.copy]

Barry Witherden: The Yardbird and the jazz child. Barry Witherden examines the special relationship between Sheila Jordan and Charlie Parker, in: Jazz Journal, 62/8 (Oct.2009), p. 6-8 (F) [digi.copy]

John Fordham: 50 great moments in jazz: The Quintet – Jazz At Massey Hall. Charlie Parker’s final collaboration, featuring bebop’s biggest stars, is one of the greatest recorded live shows in jazz, in: The Guardian, 23.Oct.2009 (F) [digi.copy]

Hans-Joachim Heßler: Der zornige Baron. Das Prinzip Diskontinuität im Leben und konzept-kompositorischen Schaffen des Charles Mingus jr., Duisburg 2010 [book: United Directions of Music], p. 246-272 (F: chapter “Charlie Parker. 1946, 1952-53 und 1955”)

Jimmy Heath & Joseph McLaren: I Walked With Giants. The Autobiography of Jimmy Heath, Philadelphia 2010 [book: Temple University Press], passim (F)

Juan C. Zagalaz: Innovaciones melódico armónicas en la improvisación jazzistica. Un recorrido a través de Body and Soul (1935-1945), Jaén/Spain 2010 [PhD thesis: Universidad de Jaén], p. 191-194 (A); p. 207-210 (A); p. 243-250 (A); p. 258-260 (A); p. 342-343 (T: “Body and Soul”); p. 351-353 (T: “Body and Soul”); p. 367-370 (T: “Body and Soul”) [digi.copy]

Ralf Dombrowski: Portrait Saxofon. Kultur, Praxis, Repertoire, Interpreten, Kassel 2010 [book: Bärenreiter], p. 32-35 (FTom Nolan: Three Chords for Beauty’s Sake. The Life of Artie Shaw, New York 2010 [book: W.W. Norton]; reprint as, Tom Nolan: Artie Shaw. King of the Clarinet. His Life and Times, New York 2011 [book: W.W. Norton], passim (F)

Marcus A. Woelfle: Aber die Kunst kennt Grenze. Zum 90. Geburtstag des Bebop-Genies Charlie Parker,in: Jazz Zeitung, 35/3 (Jun/Aug.2010), p. 22-23 (F)

Alun Morgan: Lost in Meditation. Bird at Carnegie, in: Jazz Journal, 63/7 (Jul.2010), p. 20 (F)

Marc Myers: Ira Gitler on Parker’s Mood, in: , 7.Jul.2010 (F/I with Ira Gitler about song titles by Charlie Parker and the story behind them: “Another Hair-Do”; “Barbados”; “Billie’s Bounce”; “Bloomdido”; “Cheryl”; “Constellation”; “Dewey Square”; “Donna Lee”; “Half Nelson”; “Kim”; “Klactovedsteen”; “Klaunstance”; “Laird Baird”; “Marmaduke”; “Quasimodo”; “Sippin’ at Bells”)

Marc Myers: Charlie Parker and McKusick’s Suit, in: , 31.Aug.2010 (F/I with Hal McKusick about how Charlie Parker ended up wearing his suit while performing at Billy Berg’s in 1946) [digi.copy]

Marc Myers: Phil Schaap. Charlie Parker, in: , 23-26.Aug.2010 (F/I with Phil Schaap) [digi.copy]

Berthold Klostermann: Der Pyrotechniker. Der Altsaxophonist Charlie Parker, genannt “Bird”, war die erste Ikone des modernen Jazz. Sein Leben und seine Musik boten Stoff für Filme und Romane. Anlässlich seines 90. Geburtstags erinnert Berthold Klostermann an den charismatischen Innovator, in: Fono Forum, Oct.2010, p. 50-52 (F) [digi.copy]

Corey Kilgannon: Where a Bird Played Sax, Now Others Find Refuge, in: New York Times, 23.Nov.2010 (F: Charlie Parker’s old New York East Village row house) [digi.copy]

René de Hilster: Stijlbepalende albums, deel 6. Charlie Parker. The Dial & Savoy Sessions, in: Jazz Nu, 33/6 (Winter 2010), p. 122-125 (F)

Allen Forte: The Development of Diminutions in American Jazz, in: Journal of Jazz Studies, 7/1 (2011) , p. 7-27 (F/A: Lester Young: “Blues ‘n’ Bells” / “These Foolish Things”; Modern Jazz Quartet: “Bluesology”; Charlie Parker: “Blues” / “I’m In the Mood for Love”) [digi.copy]

Jacques Réda: Autobiographie du Jazz, Paris 2011 [book: Climats], p. 197-204 (F)

Jim Austin: A Day with a Jazz Musician, in: Brilliant Corners, 16/1 (Winter 2011), p. 42-59 (short story)

Karl Lippegaus: John Coltrane. A Love Supreme, Hamburg 2011 [book: edel:vita], p. 25-28 (F: chapter “Bird”) [digi.copy]

Tad Hershorn: Norman Granz. The Man Who Used Jazz for Justice, Berkeley 2011 [book: University of California Press], passim (F)

Ted Gioia: The History of Jazz, New York 2011 [book: Oxford University Press], p. 185-200 (F: mentioned in chapter “The Birth of Bebop”); p. 200-216 (F: mentioned in chapter “The Mainstreaming of Bebop”)

Jody Espina: Jazz School. Woodshed. Paraphrasing the Greats, in: Down Beat, 78/1 (Jan.2011), p. 64-65 (A: Charlie Parker’s “Biellie’s Bounce”) [digi.copy]

Stig Linderoth: The Quintet at Massey Hall, in: Orkester Journalen, 79/1 (Feb/Mar.2011), p. 22-25 (F)

Daniel M. Gold: Theater Review. ‘Cool Blues’. A Jazzman Encounters His Life and Death, in: New York Times, 30.Mar.2011 (C: drama “Cool Blues” at the New Federal Theater) [digi.copy]

Ira Gitler: Bird With Strings, Ute Lemper, in: Jazz Inside, Apr.2011, p. 4 (C: Jazz at Lincoln Center tribute concert)

Wolfram Knauer: “The Complete Charlie Parker. Vol. 2: Now’s the Time 1945-1946” (Frémeaux & Associés FA 1332), in: Jazz Podium, 60/6 (Jun.2011), p. 79 (R) [digi.copy]

Larry Blumenfeld: Birdwatching in Manhattan. Charlie Parker’s Musical Descendants Gather in the City for His 91st Birthday, in: Wall Street Journal, 26.Aug.2011 (F/I with Toots Thielemans, Archie Shepp, Tia Fuller, James Carter) [digi.copy]

Michael Weston: Chords & Discords. Bird Flew with Soupy, in: Down Beat, 78/11 (Nov.2011), p. 10 (letter) [digi.copy]

William A. Pryor: Charlie Parker at Camarillo, in: IAJRC Journal, 44/4 (Dec.2011), p. 9-10 (F)

Classy Koehler: Jazz History. Short Takes, in: The Jassman, 6/1 (2012), p. 6-7 (short F) [digi.copy]

Derek Ansell: Sugar Free Saxophone. The Life and Music of Jackie McLean, London 2012 [book: Northway Publications], passim (F)

John Howland: Jazz with Strings. Between Jazz and the Great American Songbook, in: David Ake & Charles Hiroshi Garrett & Daniel Goldmark (eds.): Jazz / Not Jazz. The Music and Its Boundaries, Berkeley 2012 [book: University of California Press], p. 111-147 (F/A: Paul Whiteman: “Clap Yo’ Hands”; Artie Shaw: “Blues In the Night”; Frank Sinatra: “I’m Walking Behind You”; George Handy: “Bloos”; Stan Kenton & Pete Rugolo: “Lonesome Road”; Charlie Parker & Jimmy Carroll: “Just Friends”)

Maurizio Franco: Oltre il Mito. Scritti sul linguaggio del Jazz, Lucca 2012 [book: Libreria Musicale Italiana], p. 55-67 (F: chapter “Il mito Parker e la realtà del bebop”)

Paul Combs: Dameronia. The Life and Music of Tadd Dameron, Ann Arbor 2012 [book: University of Michigan Press], passim (F)

Peter Pullman: Wail The Life of Bud Powell, New York 2012 [book: Bop Changes], passim (F)

Stefano Zenno: Storia del Jazz. Una prospettiva globale, Viterbo 2012 [book: Stampa Alternativa], p. 289-294 (F: chapter “Maestri del bebop. Charlie Parker”)

Stephen Cottrell: The Saxophone, New Haven 2012 [book: Yale University Press], p. 206-212 (F/T: “Donna Lee”, excerpt)

Timme Rosenkrantz: Harlem Jazz Adventures. A European Jazz Baron’s Memoir, 1936-1969 (edited by Fradley Garner), Lanham/MD 2012 [book: Scarecrow Press], passim (F)

Enzo Capua: Qui New York. Avenue B, là dove ha abitato Bird, in: Musica Jazz, 68/8 (Aug.2012), p. 49 (F)

Jan Evensmo: The Altosax & Tenorsax of Charles Parker, “Charlie”, “Bird”, Oslo 18.Nov.2012 [booklet: Jan Evensmo] [digi.copy]

Steve Coleman: Charlie Parker – “Ko-Ko” (1948 live version), in: Viva La Musica, #334 (Oct.2012), p. 1 (A/T) [digi.copy]

Hans-Jürgen Schaal: Augenblicke für die Ewigkeit. Große Bläsersoli im Jazz. 4. Der Blues: Parker’s Mood (1948), in: Clarino.print, Jun.2013, p. 42, 44 (F)

Hans-Jürgen Schaal: Trainingslager. Wie Bläser üben (17). Die pulverisierte Rille, in: Clarino.print, Jun.2013, p. 17 (F: how Charlie Parker practiced)

Harvey Dickson: Charlie Parker, My Sister and Me, in: new York Times [The 6th Floor], 16.Jul.2013 (F) [digi.copy]

Joe Klopus: Racism still swirls around jazz legend Charlie Parker, in: The Kansas City Star, 31.Jul.2013 (F) [digi.copy]

NN: “Bird. The Life and Music of Charlie Parker”, by Chuck Haddix, in: IAJRC Journal, 46/3 (Sep.2013), p. 25 (B)

Dwight Garner: When Bird Was a Fledgling. “Kansas City Lightning. The Rise and Time of Charlie Parker”, by Stanley Crouch, in: New York Times, 10.Oct.2013 (B) [digi.copy]

Dan Morgenstern: ‘Kansas City Lightning’ by Stanley Crouch. ‘Bird’ by Chuck Haddix. ‘Celebratin’ Bird’ by Gary Giddins. Fast, slow or blue, Charlie Parker redefined the jazz vocabulary in his short life, in: Wall Street Journal, 18.Oct.2013 (B) [digi.copy]

Bill Beuttler: “Kansas City Lightning. The Rose and Times of Charlie Parker”, by Stanley Crouch, in: Jazz Times, 43/8 (Oct.2013), p. 69 (B)

Chris Waddington: Stanley Crouch brings a sharp tongue, smarts and a new Charlie Parker bio to New Orleans, in: new Orleans Times-Picayune, 6.Nov.2013 (B: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch) [digi.copy]

Brian Priestley: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch; “Bird. The Life and Music of Charlie Parker”, by Chuck Haddix, in: Jazzwise, #180 (Nov.2013), p. 52 (B) [digi.copy]

Ralf Frodermann: Der Ton der blauen Stunde. Charlie Parker im Streicherbeet, in: Jazz Podium, 62/11 (Nov.2013), p. 32 (F) [digi.copy]

David Hajdu: Bebop. “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch; “Bird. The Life and Music of Charlie Parker”, by Chuck Haddix, in: New York Times, 6.Dec.2013 (B) [digi.copy]

Bob Porter: Bird, Cab & Idris Muhammad, in: IAJRC Journal, 46/4 (Dec.2013), p. 31 (B: “Bird. The Life and Legend of Charlie Parker”, by Chuck Haddix)

Robert Bregman: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch, in: IAJRC Journal, 46/4 (Dec.2013), p. 41-42 (B)

Kevin Whitehead: Warum Jazz? 111 gute Gründe, Stuttgart 2014 [book: Reclam], p. 82-86 (F: chapter “Warum klang der Bebop, als er zuerst aufkam, so radikal? Stellte er einen Bruch mit älteren Stilen dar? Warum ist Charlie Parker so wichtig?”)

Wolfram Knauer: Charlie Parker, Stuttgart 2014 [book: Reclam], passim (F) [digi.copy]

Shaun Mullen: An Appreciation. Charlie ‘Bird’ Parker, in: The Moderate Voice, 27.Jan.2014 (F) [digi.copy]

Allan Kozinn: Be-Bopera. ‘Charlie Parker’s Yardbird’ Coming From Opera Philadelphia, in: New York Times, 30.Jan.2014 (F: The Opera Philadelphia has commissioned the saxophonist and composer Daniel Schnyder to compose a chamber opera about Charlie Parker, called “Charlie Parker’s Yardbird”. The opera with a libretto by Bridgette A. Wimberly will have its world premiere in June 2015) [digi.copy]

Stefan Künzli: Das Genie zwischen Innovation und Absturz. Jazz. Eine deutschsprachige Biografie von Charlie Parker zum 75 Geburtstag des Bebop und des modernen Jazz, in: Aargauer Zeitung, 15.Mar.2014 (B: “Charlie Parker”, by Wolfram Knauer) [digi.copy]

Bill Milkowski. Bird Takes Wing. A conversation with Stanley Crouch, in: Jazziz, 31/3 (Mar.2014), p. 60-64 (F) [digi.copy]

Ted Panken – Swing to Bop. “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch, in: Down Beat, 81/3 (Mar.2014), p. 73 (B) [digi.copy]

Bert Noglik: Wir setzen fort mit einer Buchempfehlung, in: MDR Figaro, 4.Apr.2014 (B: “Charlie Parker”, by Wolfram Knauer) [radio manuscript] [digi.copy]

Thomas Wolff: Der Sound aus Zimmer 305. Biografie. Wolfram Knauer kniet sich in die Sessions des Saxofonisten Charlie Parker hinein, in: Darmstädter Echo, 14.Apr.2014, p. 15 (B) [digi.copy]

Reiner Kobe: “Charlie Parker”, von Wolfram Knauer, in: Jazz Podium, 67/4 (Apr.2014), p. 61 (B) [digi.copy]

Robert Bregman: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch, in: Jazz Journal, 67/4 (Apr.2014), p. 14-15 (B)

Hans-Jürgen Linke: Charlie Parker Biographie / Jazz. Eine Blaupause für Mythen. Wolfram schreibt eine sorgfältige Biographie des großen Charlie Parker und zugleich ein vorbildliches Buch über die Geschichte des Jazz, in: Frankfurter Rundschau, 3.May 2014 (B) [digi.copy]

Wolfgang Sandner: Bebop durch alle Tonarten. Exzessives Leben und espressive Kunst. Wolfram Knauers vorzügliche Biographie des Jazzmusikers Charlie Parker, in: Frankfurter Allgemeine Zeitung, 13.May 2014 (B) [digi.copy]

Leif Wigh: Böcker. En gudabenådad vecka som skakade Sverige. “Charlie Parker i Sverige” by Martin Westin, in: Orkester Journalen, 82/2 (May/Jun.2014), p. 45 (B)

Reiner Kobe: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch; “Bird. The Life and Music of Charlie Parker”, by Chuck Haddix, in: Jazz Podium, 67/5 (May 2014), p. 65 (B) [digi.copy]

Brian Priestley: “Celebrating Bird. The Triumph of Charlie Parker”, by Gary Giddins, in: Jazzwise, #186 (Jun.2014), p. 52 (B)

Hans-Jürgen Linke: Birds Blindflug. Wolfram Knauers vorbildliches Buch zu Charlie Parker, in: Jazz Zeitung, 39/3 (Jun/Aug.2014), p. 17 (B)

Chris Walker: Everybody Got Naked With Charlie “Bird” Parker at the Wildes Party in L.A. History, in: L.A. Weekly, 8.Jul.2014 (F: Chris Walker reflects about a party the legendary Charlie Parker took part in on 15 July 1952 at Zorthian Ranch, an artists commune in northern Los Angeles which ended in a jam session at which first a single woman performed a striptease while Charlie Parker played “Embraceable You”, which was followed by most of the guests, including many of the musicians getting naked. A recording of the session survived the years and had been issued as a low-quality bootleg some years ago. Walker also describes how the tape recording survived and eventually was found and rescued by a “Bird Detective”, a Charlie Parker fanatic named John Burton.) [digi.copy]

Hans-Jürgen Linke: Wolfram Knauer. Blaupause für Mythen. “Charlie Parker”, sonst nichts. Kein Untertitel, keine näheren Angaben zu Absichten oder einschränkenden Fragestellungen. Wolfram Knauers Buch zu Charlie Parker kommt bescheiden daher, aber es ist vor allem eines: präzise, in: Jazzthetik, 28/7-8 (Jul/Aug.2014), p. 50 (B) [digi.copy]

Philip Clark: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch; “Bird. The Life and Music of Charlie Parker”, by Chuck Haddix; “Testimony. A Tribute to Charlie Parker”, by Yusef Komunyakaa, in: The Wire, #365 (Jul.2014), p. 73 (B) [digi.copy]

Jazz Index: Duke Ellington

Beispiel für einen Jazz Index zu Duke Ellington

————————————————-

Jazz Index – created on 13. August 2014

The following bibliographical information is drawn from periodicals and books present in the archive of the Jazzinstitut Darmstadt. Our extensive periodical collection comprises more than 55,000 issues of some 1,050 jazz periodicals. Close to two-thirds of the collection has been indexed.

Following the more recent entries are abbreviations denoting the nature of the material in the respective articles. These symbols are:

[A] = analytical remarks
[B] = extensive book review
[BT] = blindfold test
[C] = concert review
[D] = discography
[F] = feature article
[I] = interview
[“I”] = article written by the respective musician himself
[N] = (very short) news item
[O] = obituary
[R] = extensive record review
[T] = transcription

The Jazz Index is a service of the…

Jazzinstitut Darmstadt, Bessunger Strasse 88d, D-64285 Darmstadt, Germany
phone ++49 (6151) 963740, fax ++49 (6151) 963744

This bibliography has been compiled and mailed by … Jazzinstitut Darmstadt,
e-mail: jazz@jazzinstitut.de, Internet: www.jazzinstitut.de

Ellington, Duke (p * b: 29.Apr.1899, Washington/DC; d: 24.May 1974, New York; Lexikon: Feather [1958]; Feather [1960]; People [1984]; Companion [1987]; New Grove [1988]: Duke ELLINGTON”, “WASHINGTONIANS”; rororo [1988]; Reclam [1989]; Who’s Who [1989]; Dictionnaire [1988,1995]; MusicHound [1999]; Rough Guide [1999]; Yanow [2000]; vertical file: Duke ELLINGTON [1992-2006])

***

NN: The Genius of the Jazz Giants, Los Angeles o.J. [sheet music] (T: piano solo arrangement by Earl Hines of “Do Nothin’ Till You Hear From Me” [p. 80-81]; “Don’t Get Around Much Anymore” [p. 82-83])

Abel Green: The Washingtonians. First New York Reviews, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 21-22 (C; Reprint, from: Clipper, 23.Nov.1923)

NN: Reviews from the Kentucky Club, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 22-24 (C; Reprint, from: Variety, 1.Apr.1925; Billboard, 5.Dec.1925)

Kay O’Hare: Piping Hot Show Served in New Cotton Club Revue, in: Steven Lasker: A Cotton Club Miscellany, [no place] 2002 [book: privately published], p. 4-5 (C; reprint, from The Morning Telegraph, 6.Dec.1927)

R.D. Darrell: Criticism in the Phonograh Monthly Review, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 33-40 (R; Reprint, from: Phonograph Monthly Review, 1927-1931)

Dave Peyton: The Washingtonians “Set New England Dance Crazy”, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 24-28 (F; Reprint, from: Chicago Defender, 27.Aug.1927)

Abel Green: First Cotton Club Review, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 31-32 (C; Reprint, from: Variety, 7.Dec.1927)

NN: 5,000 Try to Hear “Battle of Jazz” at the Savoy Ballroom, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 16 (C; reprint, from 1928)

Abbé Niles: Ballads, Songs and Snatches. Jazz, 1928. An Index Expurgatorius, in: The Bookman. A Review of Books and Life, 68/5 (Jan.1929), 570-572 (F) [digi.copy]; excerpted reprint, as “Ballads, Songs and Snatches. On Ellington”, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 40-41 (F) [digi.copy]

Jacques Fray: Duke Ellington, in: Documents, #6 (1930), p. 370-371 (F); Reprint, in: Denis-Constant Martin & Olivier Roueff: La France du Jazz. Musique, modernité et identité dans la première moitié du XXe siècle, Marseille 2002 [book: Editions Parenthèses], p. 292-293 (F)

NN: “Black and Tan” a Vivid Musical. Talking Drama Brings Duke Ellington and Band to Screen, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 29 (short F; reprint, from 1930)

NN: Country’s Greatest Jazz Band to Appear for Lone Engagement. Sell Hall Secures Contract Appearance of Famous Cotton Club Orchestra at Pythian Temple, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 37 (F; reprint, from 1930)

NN: Duke Ellington Composes Cotton Club Score, in: Steven Lasker: A Cotton Club Miscellany, [no place] 2002 [book: privately published], p. 18 (C; reprint, from Chicago Defender, 22.Mar.1930)

NN: Duke Ellington and His Orchestra, in: Bulletin du HCF, #449 (Jul.1996), p. 25 (advertisment; Reprint, from: Variety, 2.Apr.1930)

NN: At the Alhambra, in: New York Age, 29.May 1929 (short C) [digi.copy]

NN: Duke Ellington to Make National Tour, in: Steven Lasker: A Cotton Club Miscellany, [no place] 2002 [book: privately published], p. 18-19 (F; reprint, from Chicago Defender, 28.Jun.1930)

NN: Duke’s Music for Amos ‘n’ Andy, in: Allon Schoener (ed.): Harlem on My Mind. Cultural Capitol of Black America 1900-1978, New York 1979 [book], p. 130-131 (F; Reprint, from: Amsterdam News, 9.Jul.1930)

John Skinner: Seeing What You Hear. Slapstick and Crude Sentiment Dominate Throughout Poorly Woven Plot of Amos ‘n’ Andy Talkie, ‘Check and Double Check’, in: The Brooklyn Daily Eagle, 5.Nov.1930 (Film-R) [digi.copy]

Florence Zunser: ‘Opera Must Die,’ Says Galli-Curci! Long Live the Blues, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 44-45 (F/I; Reprint, from: New York Evening Graphic Magazine, 27.Dec.1930)

Janet Mabie: Ellington’s ‘Mood Indigo’. Harlem’s ‘Duke’ Seeks to Express His Race, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 41-43 (F/I); Reprint, from: Christian Science Monitor, 13.Dec.1930)

NN: Harlem Asking Itself, Why is Duke Leaving the Cotton Club? Say Duke was underrated; Lots of gossip. Harlem’s Tongues Buzzing with Reports of Fancied Gaiety, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 45 (F; reprint, from 1931)

Duke Ellington: The Duke Steps Out, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 46-50 (“I”/A; Reprint, from: Rhythm, Mar.1931)

Archie Bell: Ellington Orchestra and Singer Make Hit / Duke Ellington’s Orchestra Draws Big Crowds, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 50-54 (C; Reprint, from: Cleveland News, 6.Jul.1931 + 8. Jul.1931)

Chester Nerges: Introducing Duke Ellington and His Cotton Club Orchestra, in: Steven Lasker: A Cotton Club Miscellany, [no place] 2002 [book: privately published], p. 19-27 (F; reprint, from Chicago Defender, 25.Jul.1931, 1.Aug.1931, 8.Aug.1931, 15.Aug.1931, 22.Aug.1931)

NN: Plasters $2,000 Fine on Duke Ellington, in: The Afro-American, 5.Sep.1931, p. 9 (F: fined by AFM) [digi.copy]

Floyd G. Snelson: Story of Duke Ellington’s Rise to Kingship of Jazz Reads Like Fiction…, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 54-56 (F; Reprint, from: Pittsburgh Courier, 19.Dec.1931)

NN: Duke Ellington, Orpheum, Los Angeles, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 57 (C; reprint, from 1932)

NN: Duke Ellington, Orpheum, San Francisco, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 56 (C; reprint, from 1932)

NN: Duke Ellington, Palace, Chicago, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 62 (C; reprint, from 1932)

NN: Duke Ellington, Paramount, N.Y., in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 58 (C; reprint, from 1932)

Robert Goffin: Aux frontières du jazz, Paris 1932 [book: Éditions du Sagittaire], p. 181-183 (F: chapter “Les grands Jazz nègres. Duke Ellington and his band”) [digi.copy]; p. 212-217 (F: chapter “Les individualités du Hot. ‘Duke’ Ellington”) [digi.copy]

R.D. Darrell: Black Beauty, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 61-65 (F/A/R; Reprint, from: disques, Jun.1932)

W.H.: Kunst. Duke Ellington, in: Hans E. Wijnberg & Guido van Rijn (Hgg.): Jazz op het Kennemer, Overveen 1995 [book], p. 22-23 (F; Reprint, from: De Lyceumkrant, 10/2 (Oct.1932), p. 15-16)

Harold Flakser: Duke Ellington and the Talking Record. A verbatim transcript of: 539 “Souvenir of Duke Ellington’s First Visit to England 1933”, in: DEMS Bulletin, Oct/Dec.1979, p. 1 (I: P. Mathison Brooks interviews Duke Ellington) [digi.copy]

NN: Duke Ellington, Mr. Levy, Percy Mathison Brooks, in: [photo], London, 1933 (photo) [digi.copy]

NN: Duke Ellington, Palladium, London, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 82 (C; reprint, from: Variety, 1933)

Wilder Hobson: Duke Ellington, in: Ralph de Toledano (ed.): Frontiers of Jazz, New York 1947 [book: Oliver Durrell]; reprint: London 1966 [book: The Jazz Book Club & Frederick Ungar Publishing Co.], p. 137-147 (F; Reprint, from: Fortune, Aug.1933); reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 93-98 (F)

NN: Ellington Has New Song Hit, in: The Afro-American, 22.Apr.1933 (short F: “Sophisticated Lady”) [digi.copy]

NN: Duke Ellington’s Band Arrives June 8th. “Melody Maker” Concert for Musicians, June 18th, in: Jerry’s Rhythm Rag, #4 (Fall 1993), p. 22-23 (F; Reprint, from Melody Maker, May 1933); reprint, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 79 (F)

Spike Hughes: The Duke – In Person, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 69-72 (C; Reprint, from: Melody Maker, May 1933); excrepted reprint, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 75 (F)

NN: Radio Reports. (On the Air in London), in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 78-79 (C; Reprint, from: Melody Maker, 24.Jun.1933)

NN: The Duke at the Palladium, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 75-78 (C; Reprint, from: Melody Maker, 17.Jun.1933); excerpted reprint, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 83 (C)

Spike Hughes: Meet the Duke!, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 72-75 (F; Reprint, from: Daily Herald, 13.Jun.1933)

Mathison Brooks: Duke Ellington Talks, in: [radio interview], 14.Jul.1933 (I) [mp3 sound file]

NN: Duke Ellington Defends His Music, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 80-81 (I; Reprint, from: Sunday Post, Jul.1933)

Duke Ellington: My Hunt for Song Titles, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 87-89 (“I”; Reprint, from: Rhythm, Aug.1933) [digi.copy]

NN: Ellington in Westchester, in: New York Amsterdam News, 23.Aug.1933, p. 7 (short F) [digi.copy]

H.A. Overstreet: Touching Tomorrow’s Frontiers is Duke Ellington’s Music. The “Secret” of the Ellington Orchestra, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 98-102 (F; Reprint, from: Metronome, Oct.1933)

NN: Duke Is Victor Artist, in: Pittsburgh Courier, 28.Oct.1933, p. A6 (short F) [digi.copy]

NN: Kunst/Muziek. Nieuwe Muziek. Duke Ellington and his famous orchestra te Scheveningen, in: Hans E. Wijnberg & Guido van Rijn (Hgg.): Jazz op het Kennemer, Overveen 1995 [book], p. 34-35 (F/C; Reprint, from: De Lyceumkrant, 11/1 (Oct.1933), p. 10-11)

Constant Lambert: The Spirit of Jazz, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 110-111 (F; Reprint, from: Constant Lambert: Music HO! A Study of Music in Decline, London 1934)

NN: Duke Ellington, Capitol, N.Y., in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 100 (C; reprint, from 1934)

NN: Duke Ellington, Paramount, L.A., in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 96 (C; reprint, from 1934)

NN: Ellington Unit, Palace, Akron, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 91 (C; reprint, from 1934)

Warren W. Scholl: Duke Ellington. A Unique Personality, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 102-105 (F; Reprint, from: Music Lovers’ Guide, 2/6 [Feb.1934])

Jacques Laparra: Duke Ellington, in: Music. Le Magazine du Jazz (Belgium), 10/102-103 (Mar/Apr.1934), p. 5 (C: Ellington in Paris)

NN: Duke Ellington’s Rehearsals a Bedlam of Discord, in: Afro-American, 19.May 1934, p. 9 (F) [digi.copy]

NN: Ellington Band Tours Northwest, in: Afro-American, 19.May 1934, p. 9 (short F) [digi.copy]

Roger Pryor Dodge: Harpsichords and Jazz Trumpets, in: Hound & Horn, Jul-Sep.1934 (F/A/T: “Black and Tan Fantasy”); Reprint (excerpts), as: Black and Tan Fantasy, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 105-110 (A/T); Reprint (complete), in: Roger Pryor Dodge: Hot Jazz and Jazz Dance, Collected Writings, 1929-1964, New York 1995 [book: Oxford University Press], p. 12-26 (F/A/T)

Duke Ellington: L’album “Hot”. 20 grands succès de Duke Ellington, Paris 1935 [book/sheet music: Éditions Salabert] (T: “Black and Tan Fantasy”; “Mood Indigo”; “New Orleans Low Down”; “Wall Street Wail”; “Zonky Blues”; “The Lazy Duke”; “Washington Wabble”; “Flaming Youth”; “Hop Head”; “Sweet Mamma”; “Misty Mornin'”; “Blues I Love to Sing”; “Goin’ to Town”; “Sweet Chariot”; “Sloppy Joe”; “Awful Sad”; “Black Cat Blues”; “What a Life!”; “Memphis Wail”; “Blues of the Vagabond”)

Duke Ellington: Supplement à l’Album “Hot”. Ce nouvel album comprend 10 nouveaux succès “hot” de Duke Ellington, Paris ca. 1935 [book/sheet music: Éditions Salabert] (T: “Sophisticated Lady”; “Rub-a-Tub-Lues”; “Birmingham breakdown”; “Mississippi Moan”; “Dicty Glide”; “Blue Bubbles”; “Jubilee Stomp”; “Harlem Flat Blues”; “Ducky Wucky”; “Immigration Blues”)

NN: Duke Ellington Once Outdrew Paul Whiteman, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 108 (short F; reprint, from 1935)

Gama Gilbert: “Hot Damn,” Says Ellington When Ranked with Bach. Ellington’s Response to Lambert, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 112-114 (F/I; Reprint, from: Philadelphia Record, 17.May 1935)

Russell J. Cowans: Composer’s Mother Dies. Remains of Mrs. Ellington Are Shipped to D.C. Mother of Band Leader Dies Saturday in Detroit Hospital. 8-Week Treatment by Specialist Fails. Family at Bedside When Condition Is Critical, in: The Afro-American, 1.Jun.1935, p. 22 (F) [digi.copy]

NN: Don’t Spend it All Today! The Duke and His Boys Will be Here Monday!, in: Atlanta Daily World, 20.Jul.1935, p. 3 (F) [digi.copy]

NN: Here July 22. Duke Ellington, in: Atlanta Daily World, 15.Jul.1935, p. 3 (short F) [digi.copy]

John Hammond: The Tragedy of Duke Ellington, The “Black Prince of Jazz”, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 25 (F; Reprint, from: Down Beat, Nov.1935); Reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 118-120 (F)

Edward Morrow: Duke Ellington on Gershwin’s Porgy, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 114-117 (F/I; Reprint, from: New Theatre, Dec.1935)

NN: Duke Ellington Plays Texas. Harlem Boys Bound for Fair Los Angeles, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 126 (C; reprint, from 1936)

NN: Duke Ellington, Paramount, L.A., in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 127 (C; reprint, from 1936)

NN: Duke Ellington, State, N.Y., in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 123 (C; reprint, from 1936)

R.D. Darrell:Duke Ellington, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 127-128 (F; Reprint, from: The Gramophone Shop Encyclopedia of Recorded Music, New York 1936)

NN: Duke Ellington – Reminiscing in Tempo / Solitude, in: Rhythm, Feb.1936, p. 40-41 (R)

“Smallwood”: Ask Smallwood – Wish you’d run short accounts of five of Ellington’s outfit – Whetzel, Jenkins, Williams and Guy. From what year does Duke’s “Black and tan Fantasy” date?, in: The Afro-American, 4.Apr.1936 (F: biographical sketches of Arthur Whetsol, Freddie Jenkins, Cootie Williams, Sonny Greer, Freddy Guy) [digi.copy]

Enzo Archetti: In defense of Duke Ellington and His ‘Reminiscing in Tempo’, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 121-125 (F; Reprint, from: American Music Lover, 1 [Apr.1936])

B. ten Hove: The Iron Duke, in: Rhythm, May 1936, p. 39 (F)

Richard Mack: Duke Ellington. In Person, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 117-118 (C; Reprint, from: Orchestra World, May 1936)

Carl Cons: A Black Genius in a White Man’s World. Much Nonsense Has Been Written About the Duke. A Frank Interview Revealing Many Unheretofore Known Facts About Edward Kennedy Ellington, in: Down beat, Jul.1936 (F/I; reprint, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 29-31 (F/I); reprint, in: Frank Alkyer & Ed Enright (eds.): Down Beat. The Great Jazz Interviews. A 75th Anniversary Anthology, New York 2009 [book: Hal Leonard Books], p. 4-5 (F/I)

Helen Oakley: Duke Ellington at the Apollo, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 125-127 (C; Reprint, from: Metronome, Oct.1936)

Franklyn Frank: Believes Musicians Are Derelict By Not Protecting Their Own Interests, in: Philadelphia Tribune, 3.Dec.1936, p. 10 (F: critical questions about their way of handling business to Fletcher Henderson, Louis Armstrong, Count Basie, Eddie Durham, Duke Ellington) [digi.copy]

NN: Duke Ellington, Cotton Club, N.Y., in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 132 (C; reprint, from 1937)

NN: Duke Ellington, Orpheum, Mpls., in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 140 (C; reprint, from 1937)

NN: Duke Ellington, State, N.Y., in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 138 (C; reprint, from 1937)

John Hammond: Duke Ellington and his Orchestra – Jazz Lips / Harlemania / Showboat Shuffle / Solitude, in: Rhythm, Feb.1937, p. 11, 13-14 (R)

George T. Simon: Duke Ellington, in: George T. Simon: Simon Says. The Sights and Sounds of the Swing Era, 1935-1955, New York 1971 [book], p. 402-403 (F: Besetzung; Reprint, from: Metronome, Apr.1937)

NN: The Duke Ellingtons – Cotton Clubbers en Masse, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 451-453 (F; Reprint, from: Metronome, Apr.1937)

Gordon Wright: Duke Ellington – “I’ve Got to Be A Rug Cutter” / “New East St. Louis Toodle-oo; “Caravan” / “Stompy Jones” / “Lazy Man#s Shuffle” / “Rexatious” (Master 101; Variety 515, 517), in: Metronome, 53/5 (May 1937), p. 29 (R) [digi.copy]

George T. Simon: Duke Ellington (A), in: George T. Simon: Simon Says. The Sights and Sounds of the Swing Era, 1935-1955, New York 1971 [book], p. 83-87 (F/C; Reprint, from: Metronome, Jun.1937)

Leslie Lieber: Paris Listened to Duke with “Stone-Pusses” – The Wild Acclaim. “Louis Is A Louis Is A Louis” By Stein Might Make Jazz As Popular Here, in: Down Beat, 4/8 (Aug.1937), p. 7, 12 (F)

Paul Eduard Miller: Disc-Cussin’. Duke Ellington – “Azure” / “Alabamy Home” / “Caravan” (Master), in: Down Beat, 4/8 (Aug.1937), p. 16 (R)

Paul K. Damai: The Air Angle, in: Down Beat, 4/8 (Aug.1937), p. 14 (N: radio show)

NN: Ellington Dance Music Pleases Coliseum Crowd, in: The Evening Independent (St. Petersburg, Florida), 24.Nov.1937 (C) [digi.copy]

NN: Ellington Refutes Cry That Swing Started Sex Crimes. Stravinsky’s “Le Sacre du Printemps” More Exciting Emotionally Than Jazz, in: Down Beat, 39/13 (20.Jul.1972), p. 24 (F/I; Reprint, from Down Beat, Dec.1937); in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 128-129 (F/I)

NN: Duke Ellington, Cotton Club, N.Y., in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 149 (C; reprint, from 1938)

NN: Duke Ellington, Stanley, Pittsburgh, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 146 (C; reprint, from 1938)

Paul Eduard Miller: Is Begro Composer Booged In Own Field? Best Recods & Original Tunes In ’37 Produced By White Musicians, in: Down Beat, 5/1 (Jan.1938), p. 18 (F) [digi.copy]

Aaron Copland: Scored and Records. Duke Ellington, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 130 (F; Reprint, from: Modern Music, Jan-Feb.1938)

NN: The Duke & Calloway Switch Places At Cotton Club, in: Down Beat, 5/2 (Feb.1938), p. 27 (short F) [digi.copy]

Paul Eduard Miller: Duke Ellington – “Dusk in the Desert” / “Chatter Box” (Brunswick), in: Down Beat, 5/2 (Feb.1938), p. 16 (R) [digi.copy]

John Barker: Ebonettes, in: Down Beat, 5/3 (Mar.1938), p. 18 (F: reports about a meeting with Duke Ellington in which Ellington told him about his current activities)

Paul Eduard Miller: Duke Ellington – “Black and Tan Fantasy” / “Steppin’ Into Swing Society” (Brunswick); “Black Butterfly” / “Harmony in Harlem” (Brunswick), in: Down Beat, 5/3 (Mar.1938), p. 16 (R)

NN: Ellington Replaces Whetsol in Band, in: Down Beat, 5/4 (Apr.1938), p. 2 (short F) [digi.copy]

Jacques Simon: L’Anniversaire de Duke Ellington, in: Music. Le Magazine du Jazz (Belgium), 14/152-153 (Jun.1938), p. 85 (F/D: Ellington recordings from 1937)

NN: Swing with Dorsey and Ellington, in: Metronome, 54/6 (Jun.1938), p. 13 (photos)

Duke Ellington: From Where I Lie#, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 131 (I; Reprint, from: The Negro Actor, 15.Jul.1938)

Isadora Smith: Duke Ellington Rated ‘Joe Louis of Music’. Man who created a new jazz is real world champion of the musical horizon today, in: Pittsburgh Courier, 16.Jul.1938, p. 20 (F) [digi.copy]

Marshall Stearns: Duke and Lionel Top Band Discs; Nan Wynn and Louie Take Solo Honors. Lawrence Brown Shows Old-Time Solo Style Again on Ellington’s ‘Rose of the Rio Grande’, in: Tempo, 6/3 (Sep.1938), p. 7 (R)

Duke Ellington: Music Is ‘Tops’ to You and Me… and Swing Is a Part of It, in: Tops, 1938, p. 14-18 (“I”); Reprint, as “Duke Ellington Explains Swing”, in: Robert Walser (ed.): Keeping Time. Readings in Jazz History, New York 1999 [book: Oxford University Press], p. 106-110 (“I”)

NN: Duke Set For First American Concert, in: Pittsburgh Courier, 31.Dec.1938, p. 16 (short F: concert preview for concert at City College) [digi.copy]

NN: Duke’s New Year $$, in: Down Beat, 5/12 (Dec.1938), p. 14 (N)

NN: Ellington Draws 2,200 in New Orleans; Other Band Grosses, in: Down Beat, 5/12 (Dec.1938), p. 27 (N)

NN: His Conducting Unorthodox, in: Down Beat, 5/12 (Dec.1938), p. 44 (N/photo)

NN: The Duke Swings. Record Crowd of 12,000 Hear His Band at N.A.A.C.P. Dance, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 161 (C; reprint, from 1939)

Duke Ellington: Duke Says Swing Is Stagnant / Situation Between the Critics and Musicians Is Laughable – Ellington / Duke Concludes Criticism of the Critics, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 132-140 (“I”; Reprint, from: Down Beat, Feb.1939, Apr.1939, May 1939); response, by Duke Ellington, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 167 (letter; reprint, drom Down Beat, 1939)

Hugues Panassié: Panassie Decries Plight of Critics!! French Jazz Authority Speaks His Mind to Dissipate the Many Misunderstandings Now Existing, in: Down Beat, 6/3 (Mar.1939), p. 3, 9 (F about the task of the jazz critic, the difficulties to “improve” jazz, Duke Ellington as good example, the differences between Louis Armstrong and Roy Eldrigde) [digi.copy]

NN: Duke’s Concert in April, in: Down Beat, 6/3 (Mar.1939), p. 1 (N: Carnegie Hall Concert, 12 April 1939; premiere of concerto for Johnny Hodges) [digi.copy]

“H.E.P.”: Ellington to Europe, in: Down Beat, 6/4 (Apr.1939), p. 3 (N) [digi.copy]

Duke Ellington: ‘Situation Between the Critics and Musicians is Laughable’ – Ellington. The Duke Tells What’s Wrong With Present Methods of Criticism; Cites John Hammond And Others; Points Way to Better Methods, in: Down Beat, 6/4 (Apr.1939), p. 4, 9, 33 (“I”: about critics, John Hammond) [digi.copy]

NN: Duke Ellington & His Orchestra – “I was made to love you” / “Keep a song in your soul” (H.M.V. B 8653), in: Estrad, 1/4 (Apr.1939), p. 31 (R)

NN: Duke Ellington, in: Estrad, 1/4 (Apr.1939), p. 4 (F: European tour)

“Barrelhouse Dan”: Duke Ellington – “Subtle Lament” / “Pussy Willow” (Brunswick), in: Down Beat, 6/5 (May 1939), p. 20 (R) [digi.copy]

Duke Ellington: Chords and Discords. Ellington Corrects a Statement Re Hammond, in: Down Beat, 6/5 (May 1939), p. 10 (letter) [digi.copy]

Duke Ellington: Duke Concludes Criticism of The Critics / Should Hammond Criticize?, in: Down Beat, 6/5 (May 1939), p. 14 (“I”) [digi.copy]

NN: Ellington and Mills In Split, in: Down Beat, 6/5 (May 1939), p. 1 (short F) [digi.copy]

NN: Off the Stand Jive, in: Down Beat, 6/5 (May 1939), p. 3 (N: will hire Jean Eldridge after European tour) [digi.copy]

Onal L. Spencer: French J-Bugs In Wild Welcome For Ellington, in: Down Beat, 6/5 (May 1939), p. 9 (N: arrival in Paris, Norwegian tour) [digi.copy]

NN: Just Truck Me Home, Pops, in: Down Beat, 6/6 (Jun.1939), p. 1 (N/photo: returns from European tour)

Onah Spencer: Ellington Lands in New York; Savoy Is Big Draw at Gair, in: Down Beat, 6/6 (Jun.1939), p. 7 (short F)

Jack Towers: Duke Ellington at Neptune Ballroom, Sioux Falls, South Dakota, in: [letter / photo], 13.Jul.1994 (F/photo from 1939 concert) [digi.copy]

Duke Ellington: ‘Wait for the Breaks,’ Says Ellington to Songwriters, in: Down Beat, 6/9 (Sep.1939), p. 5 (“I”) [digi.copy]; reprint, in: Down Beat, 76/7 (Jul.2009), p. 74 (“I”) [digi.copy]

George T. Simon: Duke and Warnow’s Lucky Strike Band – They’re Toasted. ‘Conversation Music’ Like Plusg Swing; Mark, the Salesman, in: Metronome, 55/9 (Sep.1939), p. 22 (F) [digi.copy]

Gordon Wright: Duke Leads Wax-Works; Jazz More Musical. “Way Low”, “Dance of the Goon” (Vo.4941); “Hometown Blues”, “Night Song” (Vo.4958), in: Metronome, 55/9 (Sep.1939), p. 18 (R) [digi.copy]

NN: Duke Cracks Ofay Spot, in: Down Beat, 6/12 (1.Nov.1939), p. 5 (N)

Ted Toll: Ellington Lauded as All Time Greatest, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 186 (F; reprint, from 1940)

NN: D.C.’s First Swing Concert, in: Metronome, 61/6 (Jun.1940), p. 46 (N: Duke Ellington at Howard Theatre) [digi.copy]

Almena Davis: Ellington Opus Gets Once-Over, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 199 (C: “Jump for Joy”; reprint, from 1941)

NN: Joe Turner Star of Duke’s Revuew! Added After Premiere, Blues Singer Hits, Along with Rex, Hidges, Other Ellingtonians, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 202 (C: “Jump for Joy”; reprint, from 1941)

Almena Davis: Duke Ellington Fascinates Interviewer as He Takes ‘Downbeat’ Writer to Task, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 143-146 (F/I; Reprint, from: California Eagle, 9.Jan.1941)

Duke Ellington: Speech of the Week. We, Too, Sing ‘America’, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 146-148 (“I”; Reprint, from: California Eagle, 13.Feb.1941)

NN: Duke Touring Coast, in: Down Beat, 8/6 (15.Mar.1941), p. 12 (N)

Dave Dexter Jr.: Duke Ellington & Jimmy Blanton – “Body and Soul” / “Mr. J.B. Blues” (Victor 27406), in: Down Beat, 1.Jun.1946 (R); reprint, in: Down Beat, 72/1 (Jan.2005), p. 81 (R) [digi.copy]

Alemena Davis: Duke’s ‘Symphonic’ A Classic Jazz, in: The Pittsburgh Courier, 9.Jun.1941, p. 20 (C) [digi.copy]

John Pittman: The Duke Will Stay on Top! – On Jump for Joy, Opera, and Dissonance as a “Way of Life”, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 148-151 (F/I; Reprint, from: unknown, San Francisco, Aug/Sep.1941)

Kenneth Rogers: Musical Horoscopes. Duke Ellington, in: Down Beat, 8/16 (15.Aug.1941), p. 18 (F)

NN: Duke Relegated to Pit Band in New Revue, in: Down Beat, 8/15 (1.Aug.1941), p. 13 (F: “Jump for Joy”)

NN: Duke’s Revue Shifts to High, But Pit Slows, in: Down Beat, 8/16 (15.Aug.1941), p. 7 (short F: “Jump for Joy”)

NN: ‘The Bli Blip’, in: Down Beat, 8/16 (15.Aug.1941), p. 17 (N/photo: “Jump for Joy”)

NN: Another Duke Album Coming, in: Down Beat, 8/19 (1.Oct.1941), p. 15 (F)

NN: Ellington Will Open Trocadero, in: Down Beat, 8/21 (1.Nov.1941), p. 13 (N)

NN: Let’s Buy a Band, in: Music and Rhythm, 2/13 (Dec.1941), p. 34 (short F)

André Coeuroy: Le rôle d’Ellington, in: André Coeuroy: Histoire générale du Jazz. Strette – Hot – Swing, Paris 1942 [book], p. 109-112 (F)

Bud McCaffrey Jr.: Hot Wax. An Ellington Criticism, in: Jazz Quarterly, Fall 1942, p. 29-30 (R: Cotton Tail; Never No Lament; Conga Brava; Ko-Ko; Bojangles; a Portrait of Bert Williams)

Buddy Howard: Ellington Celebrates 20th Year in Music, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 212 (C; reprint, from 1942)

NN & Bary Ulanov: Duke Ellington, Hotel Sherman, Chicago, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 218 (C; reprint, from 1942)

NN: Ellington Refuses to Play Own Tune, in: Down Beat, 9/4 (15.Feb.1942), p. 8 (N: “I’ve Got It Bad and That Ain’t Good”) [digi.copy]

NN: Duke Waxes Three More Originals, in: Down Beat, 9/6 (15.Mar.1942), p. 15 (N) [digi.copy]

NN: Pot Wants an “Au Reet” Zoot Suit, in: Down Beat, 9/6 (15.Mar.1942), p. 12 (N/photo: comedy team Pot, Pan and Skillet, touring with Ellington) [digi.copy]

NN: Too Much Music, in: Down Beat, 9/6 (15.Mar.1942), p. 24 (N/photo) [digi.copy]

Charles Abbott: Philly Jazz Combo Set for Debut?, in: Down Beat, 9/8 (15.Apr.1942), p. 19 (short C)

NN: What, Joe Louis With Powder Puff?, in: Down Beat, 9/8 (15.Apr.1942), p. 1 (N/photo)

NN: Duke Denies Show Plans, in: Down Beat, 9/9 (1.May 1942), p. 21 (N: denies plans for Paul Robeson musical)

Harry Lim: Critic Misses Both Cootie and Barney, in: Down Beat, 9/17 (1.Sep.1942), p. 15 (F) [digi.copy]

NN: Girl Trio Takes Anderson Spot, in: Down Beat, 9/17 (1.Sep.1942), p. 2 (N: Betty Roche, Phyllis Smiley, Joya Sherrill replace Ivie Anderson) [digi.copy]

“new”: Duke Tells ‘Em A Thing or Two. Ellington Taks a Few Raps at ‘Self-Styled Critics’, in: Down Beat, 9/18 (15.Sep.1942), p. 2 (I)

“dix”: Profiling the Players. Duke Ellington and His Orchestra, in: Down Beat, 9/20 (15.Oct.1942), p. 19 (F/short biographies of his musicians)

Lexa Egon May: Chords and Discords. Incomparable Duke, in: Down Beat, 9/20 (15.Oct.1942), p. 10 (letter)

NN: Ellington Scheduled to Open Hollywood Canteen, in: Down Beat, 9/20 (15.Oct.1942), p. 6 (short F)

Jake Trussell Jr.: The Duke’s Music, in: Jazz Quarterly, Spring 1943, p. 31-32 (F)

NN: Duke Ellington, Hurricane, New York, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 239 (C; reprint, from 1943)

NN: From Kentucky Club to Carnegie Hall. Duke Ellington celebrates 20 years of jazz at the mecca of all musicians, in: Click Magazine, 1943 (F/photos) [digi.copy]

R.P.: Duke Ellington at Carnegie Hall, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 230 (C; reprint, from 1943)

Helen M. Oakley: Ellington to Offer ‘Tone Parallel’. Black Brown and Beige Are Three Movements of New Concert Piece, in: Down Beat, 10/2 (15.Jan.1943), p. 13 (F) [digi.copy]; Reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 155-158 (F)

Howard Taubman: The ‘Duke’ Invades Carnegie Hall, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 158-160 (F; Reprint, from: New York Times Magazine, 17.Jan.1943)

NN: Ellington to Play Boston Concert, in: Down Beat, 10/1 (1.Jan.1943), p. 15 (N) [digi.copy]

NN: Ellington Wins Swing Poll. Tommy Dorsey Best in Sweet, Dorsey Wins Too. Duke Takes Crown Held By Goodman for Four Years Out of Five, in: Down Beat, 10/1 (1.Jan.1943), p. 1, 13 (N) [digi.copy]

NN: Heterogeneous Crop of Platter-Brains, in: Down Beat, 10/2 (15.Jan.1943), p. 4 (N/photo: Leonard Feather, Harry Lim, Mike Levin, Duke Ellington, Billy Strayhorn) [digi.copy]

NN: May Broadcast Duke’s Concert, in: Down Beat, 10/2 (15.Jan.1943), p. 1 (N) [digi.copy]

NN: More of Ellington Discographies Soon, in: Down Beat, 10/1 (1.Jan.1943), p. 9 (N) [digi.copy]

NN: Program for the First Carnegie Hall Concert, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 160-165 (F; Reprint of the original program notes from 23.Jan.1943)

Paul Bowles: Duke Ellington in Recital for Russian War Relief, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 165-166 (C; Reprint, from: New York Herald Tribune, 25.Jan.1943)

Roger Pryor Dodge: Duke Ellington, in: Roger Pryor Dodge: Hot Jazz and Jazz Dance, Collected Writings, 1929-1964, New York 1995 [book], p. 106-108 (F/T: Yellow Dog; Reprint, from: Jazz Magazine, Jan.1943)

John Hammond: Is the Duke Deserting Jazz?, in: The Jazz Record, #1 (15.Feb.1943), p. 4-5 (F); Reprint, in: Jazz (USA), 1/8 (May 1943), p. 15 (F) [digi.copy]; Reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 171-173 (F)

Mike Levin: Duke Fuses Classical and Jazz! Stuff Is There, Says Mix, Needing Development to Attain New Art Form, in: Down Beat, 61/7 (Jul.1994), p. 24 (C: Black, Brown & Beige; Reprint, from: Down Beat, 15.Feb.1943); Reprint, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 55-56 (C); Reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 166-170 (C)

Jake Trussell Jr.: Ellington Hits the Top, and the Bottom, in: Jazz (USA), 1/8 (May 1943), p. 16, 20 (F) [digi.copy]

Leonard G. Feather: Heil Hammond!, in: Jazz (USA), 1/8 (May 1943), p. 14, 20 (F) [digi.copy]; reprint: as “Leonard Feather Rebuts Hammond”, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book: Oxford University Press], p. 173-175 (F)

Billy Rowe: Duke Ellington Scores On Fitch Bandwagon. NBC ‘Commercial’ Drops Barriers; Airs Famed Band, in: Pittsburgh Courier, 5.Jun.1943, p. 21 (F) [digi.copy]

NN: Duke Ellington celebrates 20 years of jazz at the mecca of all musicians, in: Click Magazine, 6/6 (Jun.1943), p. 40-41 (F/photos) [digi.copy]

Bob Thiele: The Case of Jazz Music, in: Jazz (USA), 1/9 (Jul.1943), p. 19-20 (F); reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 175-178 (F)

Charles Edward Smith: On the Record. “A Duke Ellington Panorama” (Victor), in: Jazz (USA), 1/9 (Jul.1943), p. 18 (R)

NN: Duke, Cab, Golden Gate Quartet Make Recordings, in: Pittsburgh Courier, 24.Jul.1943, p. 20 (short F: recordings to be sent to the Russian Army) [digi.copy]

NN: Personelskifte i Duke Ellingtons Orkester, in: Jazz Reports, 3/4 (Sep.1943), p. 14 (F/N)

NN: Skippy Williams with Ellington, in: Down Beat, 10/17 (1.Sep.1943), p. 1 (N) [digi.copy]

Winthrop Sargeant: Is Jazz Music? / Duke Ellington: Defense of Jazz, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 207-208 (F; Reprint, from: American Mercury, 57/238 [Oct.1943]; American Mercury, 57/241 [Jan.1944])

NN: Ellington Band for Stevens in Chicago Soon. Hepsters Crowd with N.Y. Capitol to Jump with Duke, in: Down Beat, 10/21 (1.Nov.1943), p. 1 (F/C) [digi.copy]

Jim Weaver: Jazz and Ellingtonia, in: Jazz (USA), 1/10 (Dec.1943), p. 13, 17 (F)

Roger Pryor Dodge: On the Record. “Ellingtonia Vol. 1” (Brunswick), in: Jazz (USA), 1/10 (Dec.1943), p. 11-12 (R); reprint, in: Roger Pryor Dodge: Hot Jazz and Jazz Dance, Collected Writings, 1929-1964, New York 1995 [book], p. 305-306 (R)

“mix”: Duke Ellington (Reviewed at the Hurricane, New York), in: Down Beat, 1944 (C); reprint, in: DEMS Bulletin, Mar/May 1980, p. 7 (C) [digi.copy]

David Ewen: Duke Ellington. “East Side, West Side…”, in: David Ewen: Men of Popular Music, Chicago 1944 [book: Ziff-Davis Publishing Company], p. 83-96 (F)

NN: A Real Popular Demand Holds Duke Ellington Over in Loop, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 258 (C; reprint, from 1944)

NN: Ellington Concert at Carnegie Hall. ‘Perfume Suite’ One of Main Works on Long Program, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 263 (C; reprint, from 1944)

Robert Goffin: Satchmo and the Duke, in: Robert Goffin: Jazz. From the Congo to the Metropolitan, Garden City/NY 1944 [book: Doubleday, Doran & Co.; reprint: New York 1975: DaCapo], p. 167-179 (F) [digi.copy]

M.H. Orodenker: Duke Ellington – “Do Nothing Till You Head From Me” / “Chlo-e” (Decca 20-1547), in: The Billboard, 56/1 (1.Jan.1944), p. 62 (R) [digi.copy]

Barry Ulanov: Ellington’s Carnegie Hall Concert a Glorified Stage Show, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 210-212 (C; Reprint, from: Metronome, Jan.1944); reprint, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 247 (R)

Colin McPhee: The Torrid Zone, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 213 (C; Reprint, from: Modern Music, 21/2 [Jan/Feb.1944])

Mike Levin: Duke Ellington (Reviewed at Carnegie Hall, New York), in: Down Beat, 11/1 (1.Jan.1944), p. 4 (C) [digi.copy]

NN: That New World Will Be A-Comin’, in: Down Beat, 11/1 (1.Jan.1944), p. 10 (F) [digi.copy]

John Lucas: Duke Ellington – “Main Stem”, “Johnny Come Lately” (Victor), in: Down Beat, 11/4 (15.Feb.1944), p. 8 (R) [digi.copy]

Bob Copland: Chords and Discords. Woody and Duke, in: Down Beat, 11/6 (15.Mar.1944), p. 10 (letter) [digi.copy]

NN: Joins Duke, in: Down Beat, 11/6 (15.Mar.1944), p. 14 (N/photo: singer Wini Johnson joins Ellington band) [digi.copy]

NN: Duke Ellington’s Ork Scores In Return To Hurricane Club, in: Pittsburgh Courier, 8.Apr.1944, p. 13 (F) [digi.copy]

NN: Ellingtonites Placed in 1-A, in: Down Beat, 11/8 (15.Apr.1944), p. 1 (short F) [digi.copy]

NN: Al Sears Joins Ellington Saxes, in: Down Beat, 11/10 (15.May 1944), p. 16 (short F) [digi.copy]

NN: Ellington On the Cover, in: Down Beat, 11/9 (1.May 1944), p. 1, cover (N/cover) [digi.copy]

John Lucas: Duke Ellington – “Someone”, “My Little Brown Book” (Victor), in: Down Beat, 11/12 (15.Jun.1944), p. 8-9 (R) [digi.copy]

NN: Tax Takes Duke from NYC Nitery, in: Down Beat, 11/11 (1.Jun.1944), p. 1 (N) [digi.copy]

Richard O. Boyer: The Hot Bach, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 20-60 (F/I; Reprint, from: The New Yorker, 24.Jun.1944, 1.Jul.1944, 8.Jul.1944); Reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 214-245 (F/I); Reprint, in: Veronica Byrd & James Ty Cumbie & Tiffany A. Ellis & Rob Gibson (eds.): Jump for Joy. Jazz at Lincoln Center celebrates The Ellington Centennial, 1899-1999, New York 1999 [book: Jazz at Lincoln Center], p. 120-132 (F)

Duke Ellington: by… Duke Ellington, in: The Needle, Jul.1944, p. 10-11 (“I”: about Winthrop Sargeants “Is Jazz music?”)

George T. Simon: On Joining Duke Ellington. “It’s Like Nothing Else!”, in: George T. Simon: Simon Says. The Sights and Sounds of the Swing Era, 1935-1955, New York 1971 [book], p. 458-459 (F; Reprint, from: Metronome, Jul.1944)

NN: Idol Gossip, in: Down Beat, 11/13 (1.Jul.1944), p. 4 (N: Ellington band will not break up) [digi.copy]

NN: Duke Injured in Faulty Elevator, in: Down Beat, 11/15 (1.Aug.1944), p. 1 (short F) [digi.copy]

Duke Ellington: Certainly It’s Music, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 246-248 (“I”; Reprint, from: Listen, 4/12 [Oct.1944])

Duke Ellington: Swing Is My Beat, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 248-250 (“I”; Reprint, from: New Advance, Oct.1944)

NN: Concert Series Set For Duke, in: Pittsburgh Courier, 21.Oct.1944, p. 13 (short F) [digi.copy]

Barry Ulanov & Leonard Feather: Duke Ellington – “I Don’t Mind” / “What Am I Here For?” (Victor 20-1598), in: Metronome, 62/11 (Nov.1944), p. 16 (R) [digi.copy]

NN: Flash!, in: Metronome, 62/11 (Nov.1944), p. 8 (N: concert dates) [digi.copy]

NN: Three Chicks for Duke, in: Metronome, 62/11 (Nov.1944), p. 9 (N: Rosita Davis, Joya Sherrill, Marie Ellington) [digi.copy]

Phil Featheringill: Chicago Telescope, in: Metronome, 62/11 (Nov.1944), p. 11 (N: benefit concert for Children’s Health and Aid Society in Chicago) [digi.copy]

Sharon A. Pease: Technical Skill And Invention Boost Ellington, in: Down Beat, 11/21 (1.Nov.1944), p. 12 (F/A/T: “Frankie and Johnnie”) [digi.copy]

Sharon A. Pease: Technical Skill and Invention oost Ellington, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 250-252 (F/T: Frankie and Johnny; Reprint, from: Down Beat, 1.Nov.1944)

John Lucas: Best Tunes of All. ‘Black and Tan Fantasie”, in: Down Beat, 11/24 (15.Dec.1944), p. 8 (F) [digi.copy]

John Lucas: Diggin’ the Discs. Duke Ellington – “I Don’t Mind”, “What Am I Here For” (Victor), in: Down Beat, 11/24 (15.Dec.1944), p. 8 (R) [digi.copy]

NN: Duke, ‘The New Jazz’ Spot Month’s Hot, in: Metronome, 62/12 (Dec.1944), p. 9 (F: Carnegie Hall Concert, Dec. 19) [digi.copy]

NN: Ellington Concert at Carnegie Hall, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 213-214 (C; Reprint, from: New York Times, 20.Dec.1944)

NN: He Got It Band, in: Down Beat, 11/23 (1.Dec.1944), p. 1 (N: convicted killed listens to Ellington before execution) [digi.copy]

Barry Ulanov: Duke Ellington, 400 Club, N.Y., in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 270 (C; reprint, from: Metronome, 1945)

Edmond Bernhard & Jacques Vergnies: Duke Ellington et son orchestre, in: Edmond Bernhard & Jacques Vergnies: Apologie du Jazz, Bruxelles 1945 [book], p. 160-163 (F)

Harry Hess: The Diligent Duke of Ellington, part 2, in: Jazz Studies (British Institute of Jazz Studies), 2/1 (1968), p. 3-4 (F; originally written in 1945/1946); part 3, in: Jazz Studies (British Institute of Jazz Studies), 2/2 (1968), p. 23-25 (F; originally written in 1945/1946)

NN: A Date with Duke, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 278 (C; reprint, from 1945)

NN: Duke-Jordan Billing Feud in Happy Ending, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 280 (F; reprint, from 1945)

NN: Edward Kennedy (Duke) Ellington. A Short Biography, in: British Forces Network, #8 (1950), p. ** (excerpt from “Esquire Jazz Book 1945”)

Robert Goffin: De Fletcher Henderson à Duke Ellington, in: Robert Goffin: Histoire du Jazz, Montréal 1945 [book], p. 233-254 (F)

Yannick Bruynoghe: Duke Ellington and his Famous Orchestra, in: Jazz (Belgium), #8 (1945), p. 7-8 (F)

“The Two Deuces”: Duke Ellington – “I’m Beginning to See the Light” / “Didn’t You Know I Care” (Victor 20-1618), in: Metronome, 62/1 (Jan.1945), p. 22 (R) [digi.copy]

Barry Ulanov: Ellington Concert Way Up and Down, in: Metronome, 62/1 (Jan.1945), p. 8 (C: Carnegie Hall, 19.Dec.1944; photo) [digi.copy]

Barry Ulanov: Stage Show Reviews. Duke Ellington. Lowdown for Uptown. Apollo, New York, in: Metronome, 62/1 (Jan.1945), p. 30-31 (C) [digi.copy]

Frank Stacy: Duke’s Concert and Mag’s Bash Delight, in: Down Beat, 12/2 (15.Jan.1945), p. 1, 12 (C) [digi.copy]

John Lucas: Duke Ellington – “Don’t You Know I Care”, “I’m Beginning To See the Light” (Victor), in: Down Beat, 12/2 (15.Jan.1945), p. 8 (R) [digi.copy]

NN: Duke’s Concert Rates Sell-Out, in: Down Beat, 12/2 (15.Jan.1945), p. 3 (C) [digi.copy]

NN: Sad-Eyed, in: Metronome, 62/1 (Jan.1945), p. 10 (N/photo: Taft Jordan, Duke Ellington, Ray Nance) [digi.copy]

NN: Why, Sho’!, in: Down Beat, 12/2 (15.Jan.1945), p. 1 (N: anecdote) [digi.copy]

Ed Heartz: Duke Ellington Concert (Symphony Hall, Boston – Dec.13, 1944), in: ***, p. 7 (C)

Frank Stacy: BG, Duke & Bailey Lost, Moans Blesh, in: Down Beat, 12/4 (15.Feb.1945), p. 3 (F) [digi.copy]

NN: Down Beat Plans Ellington Concert, in: Down Beat, 12/4 (15.Feb.1945), p. 1 (F) [digi.copy]

NN: Bing and Duke Discuss It, in: Down Beat, 12/5 (1.Mar.1945), p. 1 (short F/photo) [digi.copy]

NN: Bing and Duke Discuss It, in: Down Beat, 1.Mar.1945, p. 1 (N: Down Beat award)

NN: Duke Ellington On The Cover, in: Down Beat, 12/6 (15.Mar.1945), p. 1, cover (N/cover) [digi.copy]

NN: Ellington Concert Sell-Out In Chicago, in: Down Beat, 12/6 (15.Mar.1945), p. 1 (F: concert preview with program listing) [digi.copy]

NN: Duke Into 400 Club, in: Down Beat, 12/7 (1.Apr.1945), p. 2 (N) [digi.copy]

NN: Duke’s Second Coast Concert Smash Sell-Out, in: Down Beat, 12/7 (1.Apr.1945), p. 1 (C) [digi.copy]

Barry Ulanov: The Duke, in: Metronome, 62/5 (May 1945), p. 12 (C/photos) [digi.copy]

Barry Ulanov: the duke, in: Metronome, 62/5 (May 1945), p. 12 (C/photos) [digi.copy]

NN: Early to Rise!, in: Down Beat, 12/10 (15.May 1945), p. 9 (N: anecdote) [digi.copy]

“Don”: Duke Ellington & Tommy Dorsey – “The Minor Goes Muggin'”, “Tonight I Shall Sleep” (Victor), in: Down Beat, 12/12 (15.Jun.1945), p. 8 (R) [digi.copy]

John Skelton: Chicago Telescope, in: Metronome, 62/6 (Jun.1945), p. 8 (N: in Detroit, Chicago) [digi.copy]

NN: Duke Ellington’s Hep Chicks, in: Down Beat, 12/12 (15.Jun.1945), p. 2 (N/photo) [digi.copy]

NN: Marathon!, in: Down Beat, 12/12 (15.Jun.1945), p. 5 (N: Ellington could do 62 hour-long airshows featuring only his own compositions) [digi.copy]

The Two Deuces (= Barry Ulanov & Leonard Feather): Duke Ellington – “Kissing Bug” / “Mood to Be Wooed” (Victor 20-1670), in: Metronome, 62/6 (Jun.1945), p. 14 (R) [digi.copy]

The Two Deuces (= Barry Ulanov & Leonard Feather): Double header, in: Metronome, 62/6 (Jun.1945), p. 15 (N/photo: Duke Ellington, Billy Strayhorn, Tommy Dorsey) [digi.copy]

Bob Downs: Chords and Discords. Black, Brown and Beige, in: Down Beat, 12/13 (1.Jul.1945), p. 10 (letter) [digi.copy]

NN: Duke Ellington Cancels Appearance at Lake, in: The Zanesville Signal (Zanesville, Ohio), 7.Aug.1945, p. 11 (N: heart attack suffered at Washington, D.C.) [digi.copy]

NN: Duke’s Doc Orders No 1-Nighters, 16G Kissed Good-bye, in: Billboard, 57/34 (25.Aug.1945), p. 19 (N) [digi.copy]

NN: Duke Moves To Zanzibar, in: Pittsburgh Courier, 18.Aug.1945, p. 21 (short F) [digi.copy]

Claude Laurence & Hubert Rostaing: En parlant d’arrangements…, in: Jazz Hot, 11/1 (Oct.1945), p. 19-20 (A: “The Mooche”, “Black and Tan Fantasy”)

Claude Laurence: En parlant d’arrangements, in: Jazz Hot, 11/2 (Nov.1945), p. 18-19 (A); part 2, in: Jazz Hot, 11/3 (Dec.1945), p. 29-31 (A)

Joost van Praag: L’orchestre de Duke Ellington en Hollande, in: Jazz Hot, 11/2 (Nov.1945), p. 11 (F/C)

Horst Lippmann: Letzte Neuheiten. Herman und Ellington tauschen Stars für Schallplattenaufnahmen aus, in: Die Jazz-Club News, #5/6 (Dec/Jan.1945/46), p. 13 (N)

Horst Lippmann: The Duke Is On the Air, in: Die Jazz-Club News, #5/6 (Dec/Jan.1945/46), p. 12 (F)

NN: A Duke’s Touch, in: Down Beat, 12/24 (15.Dec.1945), p. 2 (N/photo)

NN: Duke’s Carnegie Hall Concert May Be Aired, in: Down Beat, 12/23 (1.Dec.1945), p. 10 (N) [digi.copy]

NN: Lena Natural for ‘Beggars’, in: Down Beat, 12/24 (15.Dec.1945), p. 3 (N)

NN: Why Duke Ellington Avoided Music Schools, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 252-255 (F/I; Reprint, from: PM, 9.Dec.1945)

“gg”: Nový Duke Ellington, in: Gramofon, 2 (1946), p. 2 (short F)

Barry Ulanov: Duke Ellington, New York 1975 [book; Reprint, O: London 1946: Musicians Press]; review, by Frank Stacy, in: The Capitol News from Hollywood, 4/3 (Mar.1946), p. 6 (B) [digi.copy]

Barry Ulanov: Duke Ellington, New York 1975 [book; Reprint, O: London 1946: Musicians Press], p. 239-246 (F: chapter “Jump for Joy”) [digi.copy]; p. 247-261 (F: chapter “Black, Brown and Beige”) [digi.copy]

Charles Emge: Duke Rings Bell Both Ways with Coast Bash, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 300 (C; reprint, from Down Beat, 1946)

Hugues Panassié: Duke Ellington at the Salle Pleyel, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 81-87 (F/C/I mit Cootie Williams, Barney Bigard; Reprint, from: Hugues Panassié: Douze Années de Jazz, 1927-1938, Paris 1946)

Jean de Trazegnies: Duke Ellington. Harlem Aristocrat of Jazz, Bruxelles 1946 [book]

NN: Duke Ellington, Carnegie Hall, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 307 (C; reprint, from 1946)

NN: Duke’s ‘Beggar’s Opera’ Ready for Rehersals; to Select Cast, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 304 (N; reprint, from 1946)

NN: Ellington Concert Lures 11,000 Fans to Watergate, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 296-297 (C; reprint, from 1946)

NN: Ellington’s Band in Annual Concert. ‘Joint Is Jumping’ at Carnegie Hall as the Duke Offers His Formal and Informal Works, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 287 (C; reprint, from 1946)

NN: Beat Sponsors Twin Concerts with Ellington, in: Down Beat, 13/2 (14.Jan.1946), p. 1, 21 (F)

NN: Duke and Billy On the Cover, in: Down Beat, 13/2 (14.Jan.1946), p. 1, cover (N/cover)

NN: Duke Repeats at Carnegie Hall, in: Down Beat, 13/1 (1.Jan.1946), p. 1 (N)

NN: Ellington Week Honors Duke, in: Down Beat, 13/2 (14.Jan.1946), p. 12 (N)

NN: Ellington Writes of Race Problems in Vivid Music, in: Ebony, Jan.1946, p. 14-15 (F/I) [digi.copy]

NN: Swing Tomes to Hit Stands Soon, in: Down Beat, 13/2 (14.Jan.1946), p. 16 (N: book about Ellington)

NN: TD, Duke Both Re-sign at Victor, in: Down Beat, 13/2 (14.Jan.1946), p. 8 (short F)

“Don”: Duke Ellington – “The Wonder of You” / “I’m Just a Lucky So-And-So” (Victor), in: Down Beat, 13/4 (11.Feb.1946), p. 19 (R) [digi.copy]

Don C. Haynes: Duke Draws Sell-Out Crowd Whi Sit On Hands, in: Down Beat, 13/4 (11.Feb.1946), p. 1, 12-13 (F/C: concert at Civic Opera House, Chicago) [digi.copy]

Donald C. Biggar: The Direction of Ellington, in: Jazz Orchestras, #1 (Feb.1946), p. 18-19 (F) [digi.copy]

NN: Camera Catches Ellington Concert Celebs, in: Down Beat, 13/4 (11.Feb.1946), p. 1 (short F/photos) [digi.copy]

NN: Duke Bids for Lena, in: The Capitol News from Hollywood, 4/2 (Feb.1946), p. 1 (N: “The Beggar’s Opera”) [digi.copy]

NN: Duke Writing Jazz Opera, in: Down Beat, 13/4 (11.Feb.1946), p. 18 (short F: “Beggar’s Opera”) [digi.copy]

Vernon M. Thornes: Duke Ellington & His Orchestra, in: Jazz Orchestras, #1 (Feb.1946), p. 12-14 (F) [digi.copy]

NN: Duke Ellington Set for Capitol Transcriptions, in: The Capitol News from Hollywood, 4/5 (May 1946), p. 1 (short F)

Robert Goffin: Zwölf “Records” und “Exile”, in: Die Jazz Club News, #9 (May 1946), p. 13 (short I: favorite records; Reprint, from: Esquire, Sep.1943)

Bill Gottlieb: I’m Not Slipping – Duke Ellington. My Current Ork Just as Good and Perhaps More Flexible, He Says, in: Down Beat, 13/13 (17.Jun.1946), p. 4, 14 (F/I)

Paul Eduard Miller: Is the Duke Declining? ‘Loss of Stars Killing His Band!’ – Part One of An Illuminating View, in: Hollywood Note, 1/4 (Jun.1946), p. 13 (F)

Dave Dexter Jr.: Duke Not Declining… Dex. He’s Only Trying Another Approach, in: Hollywood Note, 1/5 (Jul.1946), p. 8 (F)

NN: Date with the Duke, in: Jazz Club News, #11/12 (Jul/Aug.1946), p. 12-13 (short F)

NN: Esquire Profiles Duke Ellington, in: Pittsburgh Courier, 20.Jul.1946, p. 22 (short F) [digi.copy]

Armand Leclercq: Black, Brown and Beige, ou l’histoire musicale de la race noire, in: Jazz Hot, 12/9 (Sep/Oct.1946), p. 9 (F)

David Waxman: An Ellington Classic – “Jack the Bear” and “Morning Glory”, in: Jazz Notes, #67 (Sep.1946), p. 4-6 (F/R)

Günter Boas: Die Jazzbiographie. Duke Ellington, in: Jazz Club News, #13/14 (Sep/Oct.1946), p. 10-12 (F) [digi.copy]

NN: Duke & Woody for Puppetoons, in: Down Beat, 13/21 (7.Oct.1946), p. 7 (N)

NN: Django Music, in: Time, 18.Nov.1946 (F: Django Reinhardt & Duke Ellington) [vert.file: Django REINHARDT]

NN: Duke to Salute Cootie via Wire, in: Afro-American, 9.Nov.1946, p. 8 (short F) [digi.copy]

NN: Jazz by Django, in: Newsweek, 18.Nov.1946 (F: Django Reinhardt & Duke Ellington) [vert.file: Django REINHARDT]

Leonard Feather: Duke Ellington, in: Metronome, 62/12 (Dec.1946), p. 23 (F)

Charles Delaunay: George Gershwin ou Duke Ellington, in: Jazz Hot, 13/15 (1947), p. 8-9 (F)

Les Zimmerman: Duke Ellington and his Famous Orchestra, New York ca. 1947 [program booklet: Ellison B. Greenstone] (F) [digi.copy]

Michael Levin: Ellington Pleases Concert Crowd, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 325 (C; reprint, from 1947)

NN: Duke’s Frisco Concert to a Sedate House, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 319 (C; reprint, from 1947)

NN: Liberia Honors Duke Ellington, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 325 (N; reprint, from 1947)

Sharon Pease: Down Beat’s Styles of Famous 88’ers. The Style Secrets of 30 Famous Pianists Revealed in Authentic Examples, New York 1947 [sheet music: Leeds Music Corporation], p. 48-49 (F/T: “Frankie and Johnny”)

NN: Duke to Hold Court at Apollo, in: Pittsburgh Courier, 15.Feb.1947, p. 14 (short F) [digi.copy]

Duke Ellington: Farewell to Jazz Fakers, in: Veronica Byrd & James Ty Cumbie & Tiffany A. Ellis & Rob Gibson (eds.): Jump for Joy. Jazz at Lincoln Center celebrates The Ellington Centennial, 1899-1999, New York 1999 [book: Jazz at Lincoln Center], p. 12-14 (“I”; excertped reprint, from: Interpretations in Jazz. A Conference with Duke Ellington, in: The Etude, Mar.1947)

Gunnar Asklund: Interpretations in Jazz. A Conference with Duke Ellington, in: The Etude, 65/3 (Mar.1947), p. 134, 172 (F/I); Reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 255-258 (F/I)

NN: Duke Ellington Party, in: New York Amsterdam News, 1.Mar.1947, p. 23 (N/photo: Duke Ellington, Al Sears & wife, Mercer Ellington & wife, Buddy Bowser, Lawson Bowman, Henry Armstrong, Bea Ellington, Chris Columbus) [digi.copy]

Roger E. Bell & Dave Dallwitz: New Hot Record Reviews. Duke Ellington and his Orchestra – Black, Brown and Beige (parts 1-4), in: Jazz Notes, #72 (Mar.1947), p. 8-9 (R)

Alfredo Papo: “Black, Brown and Beige”. Historia musical de la raza negra, in: Ritmo y Melodia (Spain), 4/20 (May 1947), p. 2-3 (F)

Hans Blüthner: Swing Band, in: Melodie, 2/5 (May 1947), p. 10-11 (F) [digi.copy] {photos clipped}

NN: Duke Ellington – “Ouverture to a Jam Session” / “Beautiful Indians” / “Flippant Flurry” / “Golden Feather” / “Jam-a-Ditty” / “Trumpet No End” / “It Shouldn’t Happen to a Dream” (Musicraft Album S-6, 484), in: Metronome, 63/5 (May 1947), p. 28-29 (R) [digi.copy]

NN: Duque Ellington en Europa?, in: Ritmo y Melodia (Spain), 4/21 (Jun.1947), p. 7 (N)

NN: DeParis, Jordan Leave the Duke, in: Down Beat, 14/16 (30.Jul.1947), p. 2 (N)

NN: Point and Counterpoint. The Duke Delivers, in: Metronome, 63/7 (Jul.1947), p. 6-7 (short F/I: Ellington talks against jazz traditionalists)

Leonard Feather: Duke Ellington says he never makes uncomplimentary remarks. Reluctantly, but unmistakably, the giant among bandleaders speaks his mind about jazz as he submits to the blindfold test, in: Metronome, 63/8 (Aug.1947), p. 22-23 (BT: Boyd Raeburn: “Salvatore Sally”; Stan Kenton: “Artistry in Percussion”; Mary Lou Williams: “Waltz Boogie”; Charlie Barnet: “Shady Lady”; Dizzy Gillespie: “Ray’s Idea”; Tony Scott: “All Too Soon”; JatP: “Lester Leaps In”; Kid Ory: “The World’s Jazz Crazy”; Babs Gonzalez: “Lop-Pow”; Dizzy Gillespie: “All the Things You Are”; Mercer Ellington: “Ditty a la Dizzy”; Frankie Laine: “I Can’t Believe That You’re In Love With Me”) [digi.copy]

Leonard Feather: The Duke Speaks, in: Jazz Times, 25/6 (Aug.1995), p. 138, 136-137 (BT: Boyd Raeburn: “Dalvatore Sally”; Stan Kenton: “Artistry in Percussion”; Mary Lou Williams: “Waltz Boogie”; Charlie Barnet: “Shady Lady”; Dizzy Gillespie: “Ray’s Idea” / “All the Things You Are”; Tony Scott: “All Too Soon”; JatP: “Lester Leaps In”; Kid Ory: “The World’s Jazz Crazy”; Three Bips and a Bop: “Low-Pow”; Mercer Ellington: “Ditty à la Dizzy”; Frankie Laine: “I Can’t Believe That You’re in Love with Me”)

NN: Ellington Special (Columbia C-127), in: Metronome, 63/8 (Aug.1947), p. 30-31 (R) [digi.copy]

Ralph J. Gleason: Duke’s Frisco Concert To A Sedate House, in: Down Beat, 14/17 (13.Aug.1947), p. 3 (C)

NN: Duke Is Doctor, in: Down Beat, 14/22 (22.Oct.1947), p. 4 (N)

NN: Herman Sits In On Duke’s Recording Session, in: Down Beat, 14/22 (22.Oct.1947), p. 3 (N/photo)

NN: WMCA Signs Duke Ellington for Disc Jockey Series. Composer-Leader Becomes Big Town’s First Major Sepia Platter Sponner, in: Pittsburgh Courier, 22.Nov.1947, p. 17 (F) [digi.copy]

Charles Delaunay: Discographie de Duke Ellington, in: Jazz Hot, 13/18 (Dec.1947), p. 10-11 (D)

NN: Point and Counterpoint. Talk of the Turntables, in: Metronome, 63/12 (Dec.1947), p. 9 (short F: signed to do a transcribed disc jockey show for New York’s WMCA)

NN: Duke Ellington to Open “Duke Ellington’s” Dance Emporium, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 339 (C; reprint, from 1948)

NN: Ellington Presents 2 New Compositions, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 341 (C; reprint, from 1948)

Stuart S. Allen: A Weary Duke Errs by Not Rehearsing with Ork, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 333 (short C; reprint, from 1948)

Ted Hallock: Duke’s Chicago Date Lacks Flair, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 327 (C; reprint, from 1948)

André Hodeir: Les derniers disques d’Ellington, in: Jazz Hot, #19 (Jan.1948), p. 10-11 (F/R)

Jack Egan: Duke’s Bow Real Gone, in: Down Beat, 15/2 (28.Jan.1948), p. 2 (N about Ellington radio show)

Michael Levin: Ellington Pleases Concert Crowd, in: Down Beat, 15/1 (14.Jan.1948), p. 3 (F/C: Carnegie Hall Concert, Dec.1947)

Ted Hallock: Duke’s Chicago Date Lacks Flair, in: Down Beat, 15/2 (28.Jan.1948), p. 6 (F/C)

NN: Duke’s Regal Week Set, in: Down Beat, 15/3 (11.Feb.1948), p. 4 (N) [digi.copy]

Marshall Stearns & Patricia A. Samson: Critic Rapped; Crowds Pleased, in: Down Beat, 15/4 (25.Feb.1948), p. 16-17 (F/C: Carnegie Hall; concert in Cedar Falls, Iowa); reprint, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 328 (F/C)

Jack O’Brian: Jack O’Brian on Broadway, in: Zanesville Signal (Zanesville, Ohio), 13.Mar.1948, p. 3 (F/I: about being a disc jockey on the side) [digi.copy]

Eugene T. McCarty: Letters to the Editors. Jazz Tyro is Perplexed, in: Metronome, 64/3 (Mar.1948), p. 10 (letter/C at Masonic Auditorium, Detroit)

Hans Blüthner: Duke Ellington and his Orchestra – “Hot and Bothered”; Duke Ellington Solo – “Swampy River” (Odeon 31 746), in: Melodie, 3/3 (Mar.1948), p. 14 (R) [digi.copy]

NN: Instantané. Duke Ellington, in: Jazz Hot, #21 (Mar.1948), p. 11 (short F)

NN: Duke Ellington Band, Show Play Paramount, in: New York Amsterdam News, 24.Apr.1948, p. 23 (F) [digi.copy]

NN: Duke Undergoes Cyst Operation, in: Down Beat, 15/8 (21.Apr.1948), p. 1 (N)

NN: Ellington, Basie, Jacquet, Plus Sarah Vaughan, At Carnegie, in: New York Amsterdam News, 3.Apr.1948, p. 24 (F) [digi.copy]

Jack Egan: Capsule Comments, in: Down Beat, 15/10 (19.May 1948), p. 12 (C + Ella Fitzgerald)

NN: Duke Ellington and Orchestra Back in Swing. Piano Genius Heads Big Paramount Bill, Features Fitzgerald, in: Pittsburgh Courier, 1.May 1948, p. 15 (F) [digi.copy]

NN: Point and Counterpoint. Personalities, in: Metronome, 64/6 (Jun.1948), p. 7 (N: will collaborate with producer Perry Walker on Broadway musical “based upon the conflict between present day American Indians and their elders”)

Thomas E. Lodge: Ellington’s D.C. Bash Postponed, in: Down Beat, 15/12 (16.Jun.1948), p. 2 (F) [digi.copy]

Boris Vian: Le Jazz, in: Combat, 11./12.Jul.1948 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 290-291 (F)

Boris Vian: Le plus grand, in: Combat, 18./19.Jul.1948 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 291-293 (F)

Boris Vian: Les concerts Ellington, in: Combat, 25./26.Jul.1948 (C); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 294-295 (C); German translation, as: Die Ellington-Konzerte, in: Boris Vian: Stolz und Vorurteile. Schriften, Glossen und Kritiken über Jazz, Wien 1990 [book: Hannibal], p. 84-85 (F)

Boris Vian: Ruee d’admirateurs à la Gare du Nord pour accueillir Duke Ellington, in: Combat, 20.Jul.1948 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 293-294 (F); German translation, as: Eine Heerschar Bewunderer am Gare du Nord zum Empfang von Duke Ellington, in: Boris Vian: Stolz und Vorurteile. Schriften, Glossen und Kritiken über Jazz, Wien 1990 [book: Hannibal], p. 83-84 (F)

NN: Duke’s Fall Tour Being Arranged, in: Down Beat, 15/15 (28.Jul.1948), p. 1 (N)

Stuart S. Allen: London Largo. A Weary Duke Errs By Not Rehearsing with Ork, in: Down Beat, 15/15 (28.Jul.1948), p. 2 (F/C)

Ernest Borneman: The Duke in Paris, Part I. Diary – 68 Hours Without Sleep, in: Down Beat, 15/17 (25.Aug.1948), p. 6-7 (F/I) [digi.copy]

Alec Wilder: A Look at the Duke, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 258-261 (F; Reprint, from: Saturday Review, 28.Aug.1948)

André Hodeir: Le Duke sur la pente de la facilité? Duke Ellington Plays the Blues, in: Jazz Hot, #25 (Aug/Sep.1948), p. 5-7 (F/A/T: excerpts from “Royal Garden Blues”; “Beale Street Blues”; “Transblucency”; “Memphis Blues”)

Michelle Vian: Duke Ellington à Paris. Les Concerts / Quelques minutes avec Duke, in: Jazz Hot, #25 (Aug/Sep.1948), p. 16-17 (C/I)

NN: Looking Backward. Notes on Ellington, in: The Jazzfinder, 1/9 (Sep.1948), p. 16 (F)

Charles Delaunay: Quand Ellington joue le blues…, in: Jazz Hot, #26 (Oct.1948), p. 7 (F)

NN: Duke Ellington – “Don’t Be So Mean to Baby” / “It’s Mad, Mad, Mad” (Columbia 38295), in: Metronome, 64/10 (Oct.1948), p. 44 (R)

Jack Egan: Webster in Royal Return to Duke, in: Down Beat, 15/24 (1.Dec.1948), p. 1 (F/C)

Thomas E. Lodge Jr.: D.C. Opens New Ellington Nitery, in: Down Beat, 15/26 (29.Dec.1948), p. 17 (F: Clubs called “Ellington” in Washington, D.C.)

NN: Duke Ellington Adds Melodic Nail to Bop’s Coffin in Bop City Debut, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 352 (C; reprint, from 1949)

NN: Duke Ellington – “Sultry Serenade” / “Do Nothing ‘Till You Hear From Me” (Columbia 38363), in: Metronome, 65/1 (Jan.1949), p. 44 (R) [digi.copy]

Boris Vian: Duke Ellington Vampire ou Catalyseur?, in: Combat, 4.Feb.1949 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 319-320 (F); Dutch translation, as: Duke Ellington. Vampier of katalysator?, in: Boris Vian: Over jazz. Teksten 1946-1958, Amsterdam 1984 [book: Van Gennep], p. 37-38 (F); German translation, as: Duke Ellington. Vampir oder Katalysator, in: Boris Vian: Stolz und Vorurteile. Schriften, Glossen und Kritiken über Jazz, Wien 1990 [book: Hannibal], p. 94-95 (F)

NN: Ellington Club, in: Ritmo y Melodia (Spain), 5/33 (Feb.1949), p. 7 (N)

NN: The Duke Still Packs ‘Em In, in: Pittsburgh Courier, 12.Feb.1949, p. 20 (short F) [digi.copy]

Kurt Mohr: Miley, Metcalf, Whetsol, Jenkins. The four trumpet soloists on the early Ellingtons, in: Playback, 2/3 (#15, Mar.1949), p. 17 (F)

NN: Cuatro músicos de Ellington y el be-bop, in: Ritmo y Melodia (Spain), 5/34 (Nov.1947), p. 1 (F)

Peter Tanner: Duke Ellington – “Stomp, Look and Listen” / “Air Conditioned Jungle” (Columbia DB 2504), in: Jazz Journal, 2/4 (Apr.1949), p. 8 (R) [digi.copy]

“fr”: Der “Duke” spielte für mich…, in: Melodie, 4/5 (May 1949), p. 11 (F) [digi.copy]

H. Meunier Harris: An Ellington Investigation, in: Jazz Notes, #93 (May 1949), p. 12-15 (F/D)

NN: Hot-Jazz, in: Melodie, 4/5 (May 1949), p. 13 (N: 6th concert at Carnegie Hall) [digi.copy]

NN: Jazz-Profile 3. Der “Duke” ist 50 Jahre alt, in: Melodie, 4/5 (May 1949), p. 2, 10 (F) [digi.copy]

NN: Duke Ellington and his Rhythm / Orchestra – “Frankie and Johnnie” / “Memphis blues” (HMV B. 9690), in: Orkester Journalen, 17/6 (Jun.1949), p. 28 (R)

Rolf Dahlgren: Duke Ellington and his orchestra – “Memphis Blues”; “Frankie and Johnnie” (HMV B 9690), in: Estrad, 11/6 (Jun.1949), p. 15 (R)

NN: Lightly and Politely. 56. Record Review by the Three Sluices. Duke Ellington – “Rockabye River” / “Snafu” (H.M.V. B9785), in: Jazz Journal, 2/8 (Aug.1949), p. 7 (R) [digi.copy]

Peter Tanner: Duke Ellington – “Rockabye River” / “Beale Street Blues” (H.M.V. B9785), in: Jazz Journal, 2/8 (Aug.1949), p. 10 (R) [digi.copy]

Wolf Gerbry: Duke Ellington, in: Jazz Home, 1/5 (Aug.1949), p. 14-15 (F) [digi.copy]

Peter Tanner: Duke Ellington – “Transblucency” / “St. Louos Blues” (H.M.V. B9794), in: Jazz Journal, 2/9 (Sep.1949), p. 10 (R) [digi.copy]

Roy Voysey: Things Ain’t What They Used to Be. Random Recollections of Ellingtonia, in: Jazz Notes, #96 (Sep.1949), p. 3-4 (F)

NN: Lightly and Politely, in: Jazz Journal, 2/10 (Oct.1949), p. 7 (F: Down Beat interview on records killing jazz; playing for dancing) [digi.copy]

Rolf Dahlgren: Duke Ellington and his orch. – “Rockabye River” / “Beale Street Blues” (HMV B 9785), in: Estrad, 11/10 (Oct.1949), p. 15 (R)

NN: Duke Ellington – “Women” / “Change My Ways” (Columbia 38576), in: Metronome, 65/11 (Nov.1949), p. 46 (R)

Sinclair Traill: Duke Ellington and his Orchestra – “Hy’a Sue” / “Progressive Gavotte” (Columbia D.B. 2566), in: Jazz Journal, 2/11 (Nov.1949), p. 9 (R) [digi.copy]

Claes Dahlgren: U.S.A.-intervju i fickformat. Duke Ellington, in: Orkester Journalen, 17/12 (Dec.1949), p. 21 (F/I)

Sinclair Traill: Duke Ellington & His Orchestra – “On A Turquoise Cloud” / “Golden Cress” (Columbia DB 2591), in: Jazz Journal, 2/12 (Dec.1949), p. 6 (R) [digi.copy]

Jack Sohmer: Duke Ellington – Newport Jazz Festival Suite / Jeep’s Blues / Diminuendo and Crescendo in Blue, in: Down Beat, 56/9 (Sep.1989), p. 56 (R; Reprint, from Down Beat, 1950s)

Hugues Panassié: Duke Ellington, in: British Forces Network, #8 (1950) (excerpt from “The Real Jazz”)

J. Martin: Ein großes Erlebnis – eine große Enttäuschung, in: British Forces Network, #8 (1950)

J. Martin: The men Around the Duke, in: British Forces Network, #8 (1950)

J. Martin: Unser “Date with the Duke”, in: British Forces Network, #8 (1950)

K. Weirup: Impressionen in Seria, in: British Forces Network, #8 (1950)

L. Perowne: Duke Ellington, in: British Forces Network, #8 (1950)

NN: Discography “Duke Ellington and his Orchestra”, in: British Forces Network, #8 (1950)

NN: Duke Ellington en Europe. Les musiciens de son orchestre, in: Jazz Hot, 16/43 (1950), p. 13-15

NN: Duke Ellington in Hamburg, 1950, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 489-490 (photos/program leaflet) [digi.copy]

Noel Arnaud & Jacques Bureau & Michel Philippot & Max Bucaille: Duke Ellington, Paris 1950 [vert.file]

Raymond Fol: Duke Ellington, pianiste, in: Jazz Hot, 16/43 (1950), p. 17ff.

“Collector”: Skivor in bör ha. Duke Ellington and his Famous Orchestra – “Harlem Air Shaft” / “Sepia Panorama” (Victor 26731; HMV B9135; HMV Sw JK 2115), in: Orkester Journalen, 18/1 (Jan.1950), p. 26 (R)

Guy Montassut & Jean Gruyer: Connaissance du Grand Orchestre. IV: Portrait de Duke Ellington, in: Jazz Hot, #40 (Jan.1950), p. 8-9 (F); part 2: Duke Ellington, l’arrangeur, in: Jazz Hot, #41 (Feb.1950), p. 7-9 (F); part 3: Duke Ellington. Panorama de l’oeuvre 1940 1950, in: Jazz Hot, #43 (Apr.1950), p. 10-12, 20 (F); part 4: Retour sur les concerts Ellington, in: Jazz Hot, #45 (Jun.1950), p. 18, 20 (F)

Sinclair Traill: Duke Ellington and his Orchestra – “Warm Valley” / “Suddenly It Jumped” (HMV B9847), in: Jazz Journal, 3/1 (Jan.1950), p. 11 (R) [digi.copy]

Alber S. Otto: The Duke – ath the half century mark, in: Jazz Journal, 3/2 (Feb.1950), p. 12 (F) [digi.copy]

NN: Yearly Ducal Ceremony Set for Feb. 5 in Chicago. ‘Beat’ Will Again Sponsor Ellington Chicago Concert, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 355 (F; reprint, from: Down Beat, 10.Feb.1950)

Boris Vian: In Sachen Orchester Duke Ellington [p. 156-160 (F; O: Jazz News, Mar.1950)]; Duke Ellington in Paris [p. 161-163 (F; O: Jazz News, Apr.1950)], in: Boris Vian: Rundherum um Mitternacht. Schriften, Glossen und Kritiken über Jazz, Wien 1989 [book]

Boris Vian: Les grandes figures. A propos de l’orchestre Ellington, in: Jazz News [France], #9 (Mar.1950), p. 4-5 (F); Reprint, in: Boris Vian: Autres écrits sur le jazz. Tome 2, Paris 1982 [book: Christian Bourgois Éditeur], p. 50-53 (F)

George Hoefer: Ellington’s Annual Chicago Concert ‘A Gala Evening’, in: Down Beat, 17/5 (10.Mar.1950), p. 7 (F/C); reprint, in: Ken Vail: Duke’s Diary. Part One: The Life of Duke Ellington 1927-1950, Cambridge 1999 [book: Vail Publishing], p. 356 (C)

Peter Tanner: Duke Ellington – “Sultry Serenade” / “Lady of the Lavender Mist” (Columbia DB 2623), in: Jazz Journal, 3/3 (Mar.1950), p. 6 (R) [digi.copy]

Tom Cundall: Duke Ellington’s Washingtonians – “Li’l Farina” / “Animal Crackers” (Tempo R 17), in: Jazz Journal, 3/3 (Mar.1950), p. 6 (R) [digi.copy]

Boris Vian: Duke Ellington a Paris, in: Jazz News [France], #10 (Apr.1950), p. 7 (F); Reprint, in: Boris Vian: Autres écrits sur le jazz. Tome 2, Paris 1982 [book: Christian Bourgois Éditeur], p. 56-58 (F)

Boris Vian: Duke Ellington au Palais de Chaillot, in: Combat, 13.Apr.1950 (C); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 356-357 (C)

Boris Vian: Ellington-Variations, in: Combat, 25.Apr.1950 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 357-358 (F)

Boris Vian: L’Orchestre Ellington une formidable machine, in: Combat, 7.Apr.1950 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 355-356 (F)

Charles Delaunay: Duke Ellington, in: Jazz Hot, #43 (Apr.1950), p. 7 (F)

Claude Bolling: Mise en garde, in: Jazz Hot, #43 (Apr.1950), p. 17 (F)

J.H.: Le Duke parmi nous, in: Jazz Hot, #43 (Apr.1950), p. 5 (F)

Jean-Jacques Gaspard: Du “Creole Love Call” à Kay Davis, in: Jazz Hot, #43 (Apr.1950), p. 16 (F)

NN: Discographie de Duke Ellington et son Orchestre, in: Jazz Hot, #43 (Apr.1950), p. 8-9, 18 (D)

NN: Duke Ellington en Europe. Les musiciens de son Orchestra, in: Jazz Hot, #43 (Apr.1950), p. 13-16 (F)

NN: L’histoire de l’orchestre Duke Ellington (1923-1950), in: Jazz Hot, #43 (Apr.1950), p. 8-9 (F)

Olaf Syman: Jazz News. Nun auch der “Duke” für Deutschland verloren, in: Anglo-German Swing Club News Sheet, #6 (Apr.1950) (short F); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 152 (short F) [digi.copy]

Raymond Fol: Duke Ellington, pianiste, in: Jazz Hot, #43 (Apr.1950), p. 17 (F)

Joachim Ernst Berendt: Ellington. Schwarze Musik, in: Der Spiegel, 4/19 (11.May 1950), p. 40 (F) [digi.copy]

“S.T.”: Animalisch und hochtechnisch. Duke Ellington in der Musikhalle, in: Hamburger Abendblatt, 30.May 1950 (C); reprint, in: Swinging Hamburg Journal, 12/1, #44 (2013), p. 36 (C)

André Hodeir: L’Orchestre d’Ellington à Paris. Les délices de capoue, in: Jazz Hot, #44 (May 1950), p. 22-23 (F/C)

Carlos Radzitzky: Ellington au Casino d’Albert Plage, in: Jazz Hot [Hot Club Magazine (Belgium)], #44 (May 1950), p. 35-36 (F/C)

Charles Delaunay: L’Orchestre Ellington à Paris, in: Jazz Hot, #44 (May 1950), p. 21 (C)

Frank Ténot (aka “Le Raisin Moisi”): Fausses Notes. La Grande OEuvre du Duke, in: Jazz Hot, #44 (May 1950), p. 4 (F); reprint, in: Frank Ténot: Frankly Speaking. Chroniques de Jazz de 1944 à 2004, Paris 2004 [book: Editions du Layeur], p. 38 (F)

Jean de Trazegnies: Le Duke joué pour ses amis, in: Jazz Hot [Hot Club Magazine (Belgium)], #44 (May 1950), p. 36 (C)

Jean-Jacques Gaspard: Ellington à Paris. Les solistes, in: Jazz Hot, #44 (May 1950), p. 24 (F/C)

NN: Letzte Nachrichten, in: Anglo-German Swing Club News Sheet, #7 (May 1950) (short F: 2 concerts planned in Germany); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 176 (short F) [digi.copy]

NN: Pfeife in Paris, in: Anglo-German Swing Club news Sheet, #7 (May 1950) (C); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 169 (C) [digi.copy]

“Le spectateur”: Duke Ellington à Lausanne, in: Jazz Hot [Jazz-Revue (Switzerland)], #45 (Jun.1950), p. 39-40 (C)

Børge J.C. Møller & Erik Wiedemann: Hvem er hvem i Ellington orkester, in: Jazz Information (Denmark), 1/5 (Jun/Jul.1950), p. 9-14 (F)

Claude Abadie: Réflexions sur le passage de Duke Ellington, in: Jazz News [France], #11 (Jun.1950), p. 6 (C)

Duke Ellington: The Duke’s Address to All Club Members, in: Anglo-German Swing Club News Sheet, #8 (Jun.1950); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 181 (short “I”) [digi.copy]

Erik Wiedemann: Historien om Duke Ellington og hans orkester, in: Jazz Information (Denmark), 1/5 (Jun/Jul.1950), p. 4-8 (F)

Günther Knud Weirup: Impressionen in Sepia, in: Anglo-German Swing Club News Sheet, #8 (Jun.1950) (C: Hamburg, Musikhalle); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 192-194 (C: Hamburg, Musikhalle) [digi.copy]

J. Vermont: Duek Ellington. Les bienfaits de la critique, in: Jazz News [France], #11 (Jun.1950), p. 4.5 (C)

Jack Martin: Ein grosses Erlebnis – eine grosse Enttäuschung, in: Anglo-German Swing Club News Sheet, #8 (Jun.1950) (C: Hamburg, Musikhalle); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 190-192 (C: Hamburg, Musikhalle) [digi.copy]

Jack Martin: grundsätzliches, in: Anglo-German Swing Club News Sheet, #8 (Jun.1950) (F); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 187-189 (F) [digi.copy]

Jack Martin: Publikümliches, in: Anglo-German Swing Club News Sheet, #8 (Jun.1950) (F: Hamburg concert); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 196 (F: Hamburg concert) [digi.copy]

Jack Martin: Splitter, in: Anglo-German Swing Club News Sheet, #8 (Jun.1950) (F/short I with Johnny Hodges, Ernie Royal, Ray Nance, Billy Strayhorn, Al Kilian, Jimmy Hamilton, Don Byas, Sonny Greer, Lawrence Brown, Kay Davis)

Leslie Perowne: Duke Ellington, in: Anglo-German Swing Club News Sheet, #8 (Jun.1950) (F); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 182 (F) [digi.copy]

NN: Discographie. Duke Ellington and his Orchestra, in: Anglo-German Swing Club News Sheet, #8 (Jun.1950) (D); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag] (D) [digi.copy]

Arthur Goepfert: Ellington and Goodman visit Switzerland, in: DEMS Bulletin, Apr/Jul.2008 (C; reprint from Jazz Journal, Jul.1950) [digi.copy]

Jean de Trazegnies: Un peu de justice pour les Maitres, S.V.P.! En marge des concerts Ellington, in: Jazz Hot [Hot Club Magazine (Belgium)], #46 (Jul/Aug.1950), p. 30 (F)

NN: Personalien. Duke Ellington, in: Der Spiegel, 13.Sep.1950, p. 31 (N: pthinks about suing American Communist party because they claim he signed the Stockholm Appeal against nuclear weapons) [digi.copy]

NN: Duke in Theaters. Al Hibbler Back, in: Down Beat, 17/19 (22.Sep.1950), p. 1 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 6 (N)

Gérard Pochonet: “Duke” à la Salle Wagram, in: Jazz Hot, #47 (Sep.1950), p. 28 (C)

Duke Ellington: Duke Ellington Selects. The Best in Jazz, in: Coronet Magazine, 1951 (“I” about jazz, Benny Goodman, Louis Armstrong, Coleman Hwakins, Tommy Dorsey, Bing Crosby, Sarah Vaughan, Django Reinhardt, Oscar Pettiford) [digi.copy]

Leonard Feather: Duke’s Programme was Spectacular (Report from New York), in: Rhythm Club Hamburg, #2 (1951), p. **

Leonard Feather: Duke Readies New Works for Met Opera House Bow, in: Down Beat, 18/2 (26.Jan.1951), p. 1 (F/I); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 10 (F/I)

NN: ‘Beat’ Again to Sponsor Duke’s Chicago CVoncert, in: Down Beat, ca. Jan.1951 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 12 (F)

Leonard Feather: Duke’s Programm was spectacular!. An extract from the special report Leonard Feather sent from New York, in: British Forces Network Rhythm Club News, Feb.1951 (C); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 382-383 (C) [digi.copy]

Michael Levin: Duke’s Concert ‘Best in Years’, in: Down Beat, 18/4 (23.Feb.1951), p. 1-2 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 11 (C)

NN: New Drummer Joins Ellington, in: Down Beat, 18/4 (23.Feb.1951), p. 6 (N: Bill Clark); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 12 (N)

NN: New Musicians Mean a New Sound in My Band: Ellington, in: Down Beat, ca. Feb.1951 (F/I); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 14 (F/I)

NN: Proceeds from L’Affaire Duke Go to NAACP, in: Down Beat, 18/4 (23.Feb.1951), p. 1 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 12 (short F)

Leonard Feather: Duke Ellington au Metropolitan Opera, in: Jazz Hot, #53 (Mar.1951), p. 20-21 (F/C)

NN: Duke Ellington Selects: The Best in Jazz, in: Coronet Magazine, Mar.1951, p. 121-124 (F/I: Ellington about Louis Armstrong, Benny Goodman, Coleman Hawkins, Tommy Dorsey, Bing Crosby, Ella Fitzgerald, Sarah Vaughan, Lena Horne, Django Reinhardt, Oscar Pettiford, Gene Krupa, Art Tatum, Lionel Hampton, Red Norvo) [digi.copy]

NN: Duke Hires Tizol, Lou Bellson, Smith, in: Down Beat, ca. Mar.1951 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 14 (F)

Barry Ulanov: Concert of the Year. Duke Ellington, in: Metronome, 67/4 (Apr.1951), p. 17, 22 (C: at Metropolitan Opera House; photo with Lena Horne)

Claes Dahlgren: Nytt från New York. Duke har besvärligt, in: Orkester Journalen, 19/4 (Apr.1951), p. 12-13 (short F)

NN: Duke Ellington – “Build That Railroad” / “Love You Madly” (Columbia 39110), in: Metronome, 67/4 (Apr.1951), p. 26 (R)

NN: Jazz-Nachrichten. Hodges, Brown und Greer verließen Ellington, in: Jazz Tempo, 1/1 (Apr.1951), p. 12 (N) [digi.copy]

NN: The Ellingtonians – “Stormy Weather” / “Cherry” (Mercer 1956), in: Metronome, 67/4 (Apr.1951), p. 26 (R)

Jack Tracy: Ellington Crew ‘Powerful, Thrilling’, in: Down beat, ca. Mar.1951 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 15 (C)

NN: Duke Plays Birdland, in: Down Beat, ca. May 1951 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 16 (N)

NN: Duke Subs for BG as Longhair Deejay, in: Down Beat, ca. May 1951 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 18 (N)

NN: Jazz-Nachrichten. Ellington “sehr lebhaft und mitreißend”, in: Jazz Tempo, 1/2 (May 1951), p. 15 (N) [digi.copy]

NN: Point and Counterpoint. When Johnny Left the Duke, in: Metronome, 67/5 (May 1951), p. 5

NN: Duke to Do Huge Benefit, in: Down Beat, ca. Jun.1951 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 18 (short F)

“Cefi”: Utmärkt Ellington-film, in: Orkester Journalen, 19/6 (Jun.1951), p. 7 (short F: “Narkotikaligan”)

Barbara Hodgkins: New Men to Continue to Inspire Ellington Band, in: Down Beat, ca. Jun.1951 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 19 (C)

NN: Duke Ellington and his Famous Orchestra – “Tell ya what I’m gonna do” / “Royal garden blues” (HMV J.O. 242), in: Orkester Journalen, 19/6 (Jun.1951), p. 22 (R)

NN: Duke’s Birdland Success Brings Fast return Date, in: Down Beat, ca. Jun.1951, (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 20 (short F)

NN: Ellington Draws 9,000 to Concert, in: Down Beat, ca. Jun.1951 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 19 (C)

NN: Maynard Turns Down Offer from Ellington, in: Down Beat, ca. Jun.1951 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 20 (N)

NN: NBC Symphony, Ellington Band To Play Concert, in: Down Beat, ca. Jun.1951 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 19 (short F)

Ted Warner: Hört I Chicago. Dukes band bättre än någonsin, in: Orkester Journalen, 19/6 (Jun.1951), p. 12 (short F)

Joachim Ernst Berendt: Ellington. Tee für zwei, in: Der Spiegel, 5/35 (1951), p. 27-28 (F: writes music for Arturo Toscanini) [digi.copy]

Claes Dahlgren: Nytt från New York, in: Orkester Journalen, 19/8 (Aug.1951), p. 10 (C)

Heinz Friedrich: Jazz in der Metropolitan-Oper, in: VierViertel, 5/8 (Aug.1951), p. 31-33 (C: Ellington-Orchester)

Jack Tracy: Chicago Band Briefs. Duke to End Dearth of Big Jazz Orks in Chicago, in: Down Beat, ca. Aug.1951 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 22 (short F)

Jack Tracy: Duke Ellington # “Fancy Dan”, “The Hawk Talks” (Columbia), in: Down Beat, ca. Aug.1951 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 22 (R)

NN: Duke 1951, in: Metronome, 67/8 (Aug.1951), p. 11-13, 22

NN: Duke Ellington and his Famous Orchestra – “Caravan” / “Solitude” (HMV X 7718); “It don’t mean a thing” / “Sophistcated lady” (HMV X 7717), in: Orkester Journalen, 19/8 (Aug.1951), p. 18 (R)

NN: Duke to Play 1st Philly Nitery, in: Down Beat, ca. Aug.1951 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 24 (N)

NN: Ellington Settles Booking Hassels, in: Down Beat, ca. Aug.1951 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 22 (short F)

NN: Ellington, Sarah, Nat Packaged for Tour, in: Down Beat, ca. Aug.1951 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 24 (F)

NN: Ellington. Tee für zwei, in: Der Spiegel, 29.Aug.1951 (F) [vert.file]

Ulf Linde: Jump for Joy, in: Orkester Journalen, 19/8 (Aug.1951), p. 9 (F)

Bill Coss: Duke Ellington, Lewisohn Stadium/Birdland, in: Metronome, 67/9 (Sep.1951), p. 19-20 (C)

Leonard Feather: Nat, Sarah, Duke Troupe Hits NYC, in: Down Beat, ca. Sep.1951 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 25 (C)

NN: Duke Files Complaint Vs. French Disc Bootleggers, in: Down Beat, ca. Sep.1951 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 24 (F)

NN: Joanne Norris With Ellington, in: Los Angeles Sentinel, 27.Sep.1951, p. B3 (N) [digi.copy]

George Hoefer: Duke Ellington – “Mood Indigo”, “Sophisticated Lady”; “The Tatooed Bride”; “Solitude” (Columbia), in: Down Beat, ca. Oct.1951 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 27 (R)

NN: Duke Ellington and his Famous Orchestra – “Prelude to a kiss” / “Black and tan fantasy” (HMV J.O. 243); “Mood Indigo” / “It don’t mean a thing” (HMV J.O. 264); “Solitude” / “Black beauty” (HMV J.O. 249), in: Orkester Journalen, 19/10 (Oct.1951), p. 28-29 (R)

NN: Hibbler Leaves Duke Ellington, in: Down Beat, ca. Oct.1951 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 27 (short F)

Olof G. Nilsson: The Duke of Sugar Hill, in: Orkester Journalen, 19/11 (Nov.1951), p. 8 (F)

Barry Ulanov: Duke Ellington, in: Barry Ulanov: The History of Jazz in America, New York 1952 [book: The Viking Press], p. 209-221 (F) [digi.copy]

Lucien Malson: Duke Ellington, in: Lucien Malson: Que sais-je? Les maitres du jazz, Paris 1952 [book], p. 92 (F)

Ralph J. Gleason: A Ducal Calendar 1952-1974, in: Ralph J. Gleason: Celebrating the Duke…, New York 1975 [book], p. 169-262 (F; Reprint, from: San Francisco Chronicle, 1952-1974)

Rex Harris: Jazz, Harmondsworth, Essex 1952 [book: Penguin Books], p. 154-164 (F: chapter “The Indluence of European Orthodoxy in Arrangement”)

NN: ‘Best Since Ivie’ Says Duke of New Singer, in: Down Beat, ca. Jan.1952 (short F/I about Debbie Andrews); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 31 (short F/I)

NN: Cat Anderson Hurt; Ellington Adds Trumpets, in: Down Beat, 19/1 (11.Jan.1952), p. 1 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 29 (N)

Stanley Dance: Lightly and Politely. Notebook of a Nonconformist, in: Jazz Journal, 5/1 (Jan.1952), p. 8-9 (F)

NN: Bandleader Duke Ellington, Manager of Globetrotters Jailed In San Antonio, in: Lubbock Texas Evening Journal, 14.Feb.1952 (F: arrested in an investigation on after-hours drinking) [digi.copy]

Pierre Gazères: Sur quelques disques de Duke Ellington., in: Jazz Hot, #63 (Feb.1952), p. 16, 20 (F)

Ralph J. Gleason: Duke’s Band ‘Magnificent’ in San Francisco Concert, in: Down Beat, ca. Feb.1952 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 32 (C)

NN: Booking Mixup Snafus Ellington dates in Frisco, in: Down Beat, ca. Mar.1952 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 33 (F)

NN: Ellington, Kenton ‘Cutting Contest’, in: Down Beat, ca. Mar.1952 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 33 (F)

Ted Hallock: Things Ain’t What They Used to Be with Ellington’s Band, in: Down Beat, ca. Mar.1952 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 35 (F); response, by Charles Mingus Jr. & Duke Ellington, in: Down Beat, ca. May 1952 (letter); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 38 (F/letter)

NN: Duke Ellington – “VIP’s Boogie”, “Jam With Sam” (Columbia), in: Down Beat, 19/8 (18.Apr.1952), p. 14-15 (R) [digi.copy]

The Coronets – “Moonlight fiesta” / “Caravan” (Jazz Selection 4004); Duke Ellington and his Famous Orchestra – “Portrait of the Lion” / “Something to live for” (Parlophone D.P. 288), in: Orkester Journalen, 20/4 (Apr.1952), p. 26-27 (R)

NN: Duke Ellington – “Bensonality”; “Blues at Sundown” (Columbia), in: Down Beat, ca. May 1952 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 39 (R)

NN: Duke Ellington – “Balcony Serenade”, “Dancers in Love”, “Strange Feeling”, “Coloratura”, in: Down Beat, ca. Jun.1952 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 40 (R)

NN: Duke, Singers Cut for Col., in: Down Beat, ca. Jun.1952 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 40 (N)

NN: Duke’s ‘Perfume Suite’ Set For RCA Release, in: Down Beat, 19/11 (4.Jun.1952), p. 12 (N)

NN: Rocking Chair Not for Duke, Despite 25 Restless Years, in: Down Beat, ca. Jul.1952 (F/I); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 41 (F/I)

George Simon: The New Duke Ellington. He now has a great jumping band and he also has some new and colourful germs, in: Metronome, 68/9 (Sep.1952), p. 10-11, 33 (F/I)

George T. Simon: The New Duke Ellington. He now has a jumping band and he also has some new and colorful germs, in: George T. Simon: Simon Says. The Sights and Sounds of the Swing Era, 1935-1955, New York 1971 [book], p. 35-36 (F/I; Reprint, from: Metronome, Sep.1952)

Billy Strayhorn: The Ellington Effect, in: Down Beat, 19/22 (5.Nov.1952), p. 4 (F)

Billy Strayhorn: The Ellington Effect, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 269-270 (F; Reprint, from: Down Beat, 5.Nov.1952)

Duke Ellington: Duke Tells Of 10 Top Thrills In 25 Years. Ellington Recalls European Tour, Carnegie, Met Concerts and Other Career Highlights, in: Down Beat, 19/22 (5.Nov.1952), p. 1, 7, 18 (“I”); reprint, in: Frank Alkyer & Ed Enright (eds.): Down Beat. The Great Jazz Interviews. A 75th Anniversary Anthology, New York 2009 [book: Hal Leonard Books], p. 44-46 (“I”)

George Hoefer: A Duke Discography, in: Down Beat, 19/22 (5.Nov.1952), p. 17 (D)

George Hoefer: The Hot Box. The Odd Adventures Of Ellington Disc Collectors, in: Down Beat, 19/22 (5.Nov.1952), p. 18 (F)

Hal Webman: Editorial. ‘Beat’ Congratulates A Genius – Edward Kennedy Ellington, in: Down Beat, 19/22 (5.Nov.1952), p. 1, 8 (F)

Hal Webman: Stars, Sidemen & Scribes Salute Duke And His Discs, in: Down Beat, 19/22 (5.Nov.1952), p. 2-6, 13, 15-16 (F/short I with Woody Herman, Billy Eckstine, Stan Kenton, Ted Heath, Jackie Gleason, James B. Conkling, Milton Berle, Lionel Hampton, Arthur Fiedler, Norman Granz, Sammy Kaye, Mitch Miller, Hal McIntyre, Les Brown, Peggy Lee, Percy Faith, Deems Taylor, Rob Darrell, Ralph Flanagan, Lena Horne, Lennie Tristano, Russ Morgan, John Hammond, Frank Sinatra, Erroll Garner, Ralph Burns, Pee Wee Russell, Irvin Mills, Johnnie Ray, Charles Emge, Hal Webman, Gordon Jenkins, Buddy Morrow, Lizzie Miles, Leonard Feather, Mike Nevard, George Hoefer, Joe Delaney, Henry F. Whiston, Jack Tracy, Andre Kostelanetz, Dave Garroway, Cole Porter)

Irving Mills: I Split With Duke When Music Began Sidetracking, in: Down Beat, 19/22 (5.Nov.1952), p. 6 (F); reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 273-276 (F)

Leonard Feather: Duke Ellington, Birdland, in: Down Beat, ca. Nov.1952 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 47 (C)

Leonard Feather: Music World Salutes The Duke. The Full Ellington Story Up To His Silver Jubilee, in: Down Beat, 19/22 (5.Nov.1952), p. 1, 15, 19 (F)

Nat Hentoff: Counterpoint. Lost In Meditation, in: Down Beat, 19/22 (5.Nov.1952), p. 8, 17 (F)

Ned E. Williams: Reminiscing In Tempo – Ned On Early Ellingtonia, in: Down Beat, 19/22 (5.Nov.1952), p. 14 (F)

Ned Williams: Early Ellingtonia, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 271-273 (F; Reprint, from: Down Beat, 5.Nov.1952)

NN: 10 Top Thrills in 25 Years, in: Down Beat, 5.Nov.1952 (“I”); Reprint, in: Ellington on Career Highlights, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 265-268 (I); Reprint, in: Down Beat, 66/7 (Jul.1999), p. 80-81 (“I”)

NN: Duke Carnegie Concert Set, in: Down Beat, 19/22 (5.Nov.1952), p. 1 (short F: Nov.14, 1952)

NN: Duke Ellington – “Smada” / “Come On Home” (Okeh), in: Down Beat, 19/22 (5.Nov.1952), p. 11 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 45 (R)

NN: Lists of Favorites, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 268-269 (F; Reprint, from: Down Beat, 5.Nov.1952)

NN: The Duke’s Men, Past and Present, in: Down Beat, 19/22 (5.Nov.1952), p. 9 (short F/photos)

Ralph J. Gleason: Swingin’ The Golden Gate. Duke Exites, Mystifies Without Any Pretention, in: Down Beat, 19/22 (5.Nov.1952), p. 18 (C)

Rob Darrell: Premature Ellington Fan Pays a Mature Tribute, in: Down Beat, 19/22 (5.Nov.1952), p. 4 (F)

Stanley Dance: Lightly and Politely. Ellington Silver Jubilee, in: Jazz Journal, 5/11 (Nov.1952), p. 3 (F)

Ed Sullivan: Chords and Discords. TV Host-Columnist Sullivan Corrects An ‘Inaccurate Crack’, in: Down Beat, 19/24 (3.Dec.1952), p. 13 (letter) [digi.copy]

Elliot Horne & Don Swenson & James K. Bernstein & Leslie W. Harris: Chords And Discords. Duke’s Down Beat, in: Down Beat, 19/25 (17.Dec.1952), p. 15 (letters)

Les Mallows: The Ellington Gap of 1937-1939, in: Jazz Journal, 5/12 (Dec.1952), p. 16-17 (F); part 2, in: Jazz Journal, 6/1 (Jan.1953), p. 15 (F) [digi.copy]

NN: “Duke Ellington” (Victor), in: Down Beat, 19/24 (3.Dec.1952), p. 15 (R) [digi.copy]

NN: Chi Celebrates Duke’s Jubilee, in: Down Beat, ca. Dec.1952 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 49 (short F)

NN: Duke Ellinton – Erratum, in: Down Beat, 19/26 (31.Dec.1952), p. 11 (N: correction of review of Ellington’s “Warm Valley” / “Dusk”)

NN: Music Scene In Focus. Ellington Jubilee Tribute, in: Down Beat, 19/25 (17.Dec.1952), p. 11 (short F/photos: Duke Ellington, Dave Brubeck, Buddy DeFranco, Perry Watkins, Tamara Hayes, Juanita Hall, Art Ford)

NN: The Eras, in: Down Beat, 19/24 (3.Dec.1952), p. 16 (short F/I) [digi.copy]

Barry Ulanov: Duke 25 Years Later, in: Metronome Yearbook 1953 (1953), p. 54-57

C. Wilford: A Festival for Duke (at Pasadena’s Civic Auditorium), in: Melody Maker, 29/1022 (1953), p. 3 (C)

E. Jackson: Duke Ellington and his Famous Orchestra, in: Melody Maker, 29/1045 (1953), p. 12 (R)

G. Legrand: Puissances du Duke, in: Jazz Hot, 19/82 (1953), p. 8-11

Gérard Legrand: Duke Ellington, ou Le temps n’a pas de prise, in: Gérard Legrand: Puissances du Jazz, Paris 1953 [book], p. 119-151 (F)

Joachim Ernst Berendt: Das Jazzbuch. Entwicklung und Bedeutung der Jazzmusik, Frankfurt/Main 1953 [book: Fischer Bücherei], p. 46-54 (F)

NN: “Duke Ellington Festival”, in: Der Drummer, 2/1953, p. 6 (N: festival in Pasadena/CA) [digi.copy]

NN: Duke Disappoints, in: Melody Maker, 29/1052 (1953), p. 5

NN: Duke ist da, in: Stern, 6/10 (1953), p. 4 (photo essay)

NN: Duke’s Switch to Capitol, in: Melody Maker, 29/1024 (1953), p. 6-7

NN: Subject: Edward Kennedy (Duke) Ellington, in: , 1953-1971 (F: FBI file on Duke Ellington) [digi.copy]

Ralph J. Gleason & Murray Kempton: Two Views of Duke Ellington, in: Eddie Condon & Richard Gehman (Hgg.): Eddie Condon’s Treasury of Jazz, New York 1956 [book], p. 245-249 (F; Reprint, from: San Francisco Chronicle, 1953; New York Post, 1954)

Bill Coss: Duke Ellington & Co, Carnegie Hall/NY, in: Metronome, 69/1 (Jan.1953), p. 19, 32 (C)

Leonard Feather: Feather’s Nest, in: Down Beat, 20/1 (14.Jan.1953), p. 18 (F: Duke Ellington, Stan Kenton, Woody Herman)

NN: Chi Celebrates Duke’s Jubilee, in: Down Beat, 20/1 (14.Jan.1953), p. 1 (short F)

NN: Duke Ellington – “Perdido” / “Take the ‘A’ Train” (Columbia), in: Down Beat, 20/2 (28.Jan.1953), p. 14 (R)

NN: Duke Ellington – “Perdido”, “Take the ‘A’ Train” (Columbia), in: Down Beat, ca. Jan.1953 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 50 (R)

NN: Duke Ellington – “Rock Skippin’ at the Blue Note”, “The Vulture Song” (Columbia), in: Down Beat, ca. Mar.1953 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 53 (R)

NN: Music Scene In Focus. Chicago Honored Duke Ellington, in: Down Beat, 20/3 (11.Feb.1953), p. 7 (N/photo: Duke Ellington, Willie Mabon)

Don Freeman: ‘Only One Bellson,’ Sighs Wistful Duke, in: Down Beat, ca. Mar.1953 (F/I); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 54 (F/I)

NN: Bellson Quits Duke Ellinton, in: Down Beat, 20/5 (11.Mar.1953), p. 1 (short F: Bellson to go to England with Pearl Bailey; Cat Anderson joins; Tony Scott to replace Paul Gonsalves or Hilton Jefferson; Charles Mingus to replace Wendell Marshall during Marshall’s wedding vacation) [digi.copy]

NN: Duke Ellington – “Rock Skippin’ at the Blue Note” / “The Vulture Song” (Columbia), in: Down Beat, 20/6 (25.Mar.1953), p. 14 (R)

NN: Duke Ellington Finds Bellson Replacement, in: Down Beat, 20/6 (25.Mar.1953), p. 6 (N: Dave Black)

NN: Ex-Ellington Stars Will Rejoin Duke In Coast Concerts, in: Down Beat, 20/6 (25.Mar.1953), p. 1 (N: Gene Norman, Herb Jeffries, Barney Bigard, Herman McCoy Swing Choir)

NN: Ex-Ellington Stars Will Rejoin Duke in Coast Concerts, in: Down Beat, ca. Mar.1953 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 54 (N)

NN: Urbanity, in: Down Beat, 20/5 (11.Mar.1953), p. 2 (N: hip m.c. announcement) [digi.copy]

Bill Coss: Duke Ellington at the Bandbox, in: Metronome, 69/4 (Apr.1953), p. 18, 31 (C)

NN: Duke Ellington – “Ellington Uptown” (Columbia), in: Down Beat, ca. Apr.1953 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 56 (R)

NN: Duke Ellington – “Ellington Uptown” (Columbia), in: Down Beat, 20/7 (8.Apr.1953), p. 14 (R)

NN: Duke Switches Record Labels, in: Down Beat, ca. Apr.1953 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 56 (short F)

NN: Mulligan in Duke Show, in: Down Beat, 20/7 (8.Apr.1953), p. 3 (N)

NN: Want To Buy A Band?, in: Down Beat, 20/8 (22.Apr.1953), p. 28 (short F: band directory, short description)

Ralph J. Gleason: ‘It’s Tough to Compete With Yourself’. Duke, in: Down Beat, ca. Apr.1953 (F/I); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 57 (F/I)

NN: Duke Ellington – “Satin Doll” / “Without A Song” (Capitol), in: Down Beat, 20/10 (20.May 1953), p. 14 (R)

NN: Duke Ellington – “Satin Doll”, “Without A Song” (Capitol), in: Down Beat, ca. May 1953 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 58 (R)

NN: Duke Switches Record Labels, in: Down Beat, 20/9 (6.May 1953), p. 1 (short F/I: from Columbia to Capitol)

NN: Music Scene In Focus. Hand-To-Ear Boogie, in: Down Beat, 20/11 (3.Jun.1953), p. 7 (N/photo: with Billy Strayhorn, at record session for Capitol) [digi.copy]

Don Freeman: ‘Only One Bellson,’ Sighs Wistful Duke, in: Down Beat, 20/12 (17.Jun.1953), p. 20 (F/I) [digi.copy]

Alun Morgan: Retrospection. Voclist’s Session, in: Jazz Journal, 6/6 (Jun.1953), p. 5 (F/R: Vogue LP)

NN: Beste Band des Duke seit dem Jahre 1942, in: Jazz Podium, 2/6 (Jun.1953), p. 6

Leonard Feather: Ellington and Basie Tangle in Oldtime Cuttin’ Contest, in: Down Beat, ca. Jul.1953 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 60 (C)

NN: Duke, Count In Battle Royal, in: Down Beat, 20/14 (15.Jul.1953), p. 6 (N: Duke Ellington, Count Basie) [digi.copy]

NN: Duke, Count in Battle Royal, in: Down Beat, ca. Jul.1953 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 59 (N)

NN: Duke, Kenton Mull Tour, in: Down Beat, ca. Jul.1953 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 60 (N)

Ralph J. Gleason: ‘It’s Tough To Compete With Yourself’: Duke, in: Down Beat, 20/14 (15.Jul.1953), p. 15 (F/I) [digi.copy]

Leonard Feather: Ellington And Basie Tangle In Oldtime Cuttin’ Contest, in: Down Beat, 20/16 (12.Aug.1953), p. 2 (F/I)

NN: “Duke Ellington” (Allegro 3082), in: Down Beat, 20/16 (12.Aug.1953), p. 12 (R)

NN: Confusing, in: Down Beat, 20/17 (26.Aug.1953), p. 1 (N: in radio blindfold test, failes to recognize his own recording)

NN: Duke, Kenton Mull Tour, in: Down Beat, 20/16 (12.Aug.1953), p. 1 (N)

Duke Ellington: Critics are wonderful… They’re just one satin doll after another, in: Down Beat, 20/19 (23.Sep.1953), p. 18 (large advertisement by Ellington)

George T. Simon: Duke Ellington, in: Metronome, 69/9 (Sep.1953), p. 19

NN: Corn For Duke?, in: Down Beat, 20/18 (9.Sep.1953), p. 8 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 63 (N)

NN: Duke Ellington – “Liberian Suite” (Philips B 07611), in: Jazz Podium, 2/8 (Sep.1953), p. 16-17 (R) [digi.copy]

NN: Duke Ellington und sein Orchester – “Blue Harlem” / “Slippery Horn” (Franz. Odeon 279.798), in: Jazz Podium, 2/8 (Sep.1953), p. 17 (R: record advertisement) [digi.copy]

NN: Kenton Calls Off Joint Tour With Ellington Band. Withdrawal Baffles Duke, Joe Glaser, in: Down Beat, ca. Sep.1953 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 63 (F)

NN: Victor To Release ’52 Duke Bash, in: Down Beat, 20/18 (9.Sep.1953), p. 15 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 63 (N)

Andrew Salmieri: Duke Ellington – “Bluejean Beguine” / “Warm Valley” (Capitol 2546), in: Theme, 1/3 (Oct.1953), p. 15 (R) [digi.copy]

Leonard Feather: Kenton Calls Off Joint Tour With Ellington Band. Withdrawal Baffles Duke, Joe Glaser, in: Down Beat, 20/20 (7.Oct.1953), p. 1 (F/I)

NN: “Duke Ellington” (Capitol H 440), in: Down Beat, 20/20 (7.Oct.1953), p. 12 (R)

NN: Big Program. Duke’s Plan to Assist newcomers Takes Shape, in: Pittsburgh Courier, 3.Oct.1953, p. 17 (F: Artists Society of America) [digi.copy]

NN: Duke Ellington – “Premiered By Ellington” (Capitol), in: Down Beat, ca. Oct.1953 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 64 (R)

Gérard Legrand: Puissances du Duke, in: Jazz Hot, #82 (Nov.1953), p. 8-11 (F)

NN: Kenton Explains Renege: ‘Tour Bad For Duke, Me’, in: Down Beat, 20/22 (4.Nov.1953), p. 1 (F/I with Stan Kenton)

Alun Morgan: The Duke Up to Date, in: Jazz Journal, 6/12 (Dec.1953), p. 21-22 (F)

Heinz Friedrich: Duke Ellington, in: Jazz Revue, 4/12 (Dec.1953), p. 168-169 (F)

NN: First Rate Musicianship Now The Jazz Norm, Says Duke, in: Down Beat, 20/24 (2.Dec.1953), p. 16 (F/I)

Benny H. Aasland: The Wax Works of Duke Ellington. An up-to-date discography, Stockholm 1954 [book: Benny H. Aasland], passim (D)

E. Jackson: Duke Ellington – “Rockin’ in Rhythm”, in: Melody Maker, 30/1103 (1954), p. 11 (R)

E. Jackson: Duke Ellington – “Skin Deep”, in: Melody Maker, 30/1073 (1954), p. 11 (R)

Joachim Ernst Berendt: Herzog im Jazzland. Duke Ellington, in: Die Schallplatte, 1/1954, p. 6-7

NN: Duke Writing Musical History of Negro (Black, Brown & Beige), in: Melody Maker, 30/1087 (1954), p. 6

Ralph J. Gleason: Duke Ellington au Down Beat Club de San Francisco, in: Jazz Hot, 20/90 (1954), p. 11 (C)

Raymond Horricks: Duke Ellington Plays “Harlem – Controversial – Monologue”, in: Jazz Journal, 7/1 (Jan.1954), p. 1-2 (F)

NN: Duke Ellington – “Ellington Uptown”, in: Jazz Podium, 3/2 (Feb.1954), p. 18 (R) [digi.copy]

Rolf Dötsch: Duke Ellington and his Cotton Club Orchestra – “Cotton Club Stomp” / “Black Beauty” (His Masters Voice”), in: Jazz Podium, 3/2 (Feb.1954), p. 16 (R) [digi.copy]

Stanley Dance: Lightly and Politely. Marvellous Things Happen, in: Jazz Journal, 7/2 (Feb.1954), p. 5 (F)

Heinz Werner Wunderlich: 120 Minuten Jazz. Neue Langspielplatten bei Brunswick, Philips und Teldec, in: Darmstädter Echo, 22.Apr.1954 (R: “Ellington Uptown”, Philips B 07 008 L) [digi.copy]

Edgar Jackson: Duke Ellington – “Skin Deep” (Philips), in: Melody Maker, #1073 (10.Apr.1954), p. 11 (R) [digi.copy]

NN: Duke Ellington – “Ultra Deluxe”; “Blue Moon” (Capitol), in: Down Beat, ca. Apr.1954 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 69 (R)

NN: Duke writing new folk opera, in: Melody Maker, #1075 (24.Apr.1954), p. 6 (N: based upon music from ‘Black, Brown & Beige’, “Perfume Suite’, ‘Liberian Suite’ and others) [digi.copy]

Sinclair Traill: “The Great Ellington Soloists, Volume I” (HMV DLP 1025), in: Melody Maker, 30/1974 (17.Apr.1954), p. 8 (R) [digi.copy]

Sinclair Traill: “The Great Ellington Soloists, Volume I”, in: Melody Maker, #1074 (17.Apr.1954), p. 8 (R)

Sinclair Traill: Duke Ellington and his Famous Orchestra – “Smorgasbord and Schnapps” / “Solid Old Man” (Parlophone); “Flamingo” / “Jump for Joy” (HMV), in: Melody Maker, #1075 (24.Apr.1954), p. 8 (R) [digi.copy]

Ralph J. Gleason: Caught in the Act. Duke Ellington Ork, Downbeat, San Francisco, in: Down Beat, 21/10 (19.May 1954), p. 4 (C)

Stanley Dance: Lightly and Politely. Great Ellington Soloists, in: Jazz Journal, 7/5 (May 1954), p. 5, 7 (R)

Duke Ellington: Duke Says Swing Is Stagnant!, in: Down Beat, 61/2 (Feb.1994), p. 18-20 (“I”; Reprint, from: Down Beat, 7.Jul.1954)

NN: Duke Ellington Writing Musical History of Negro, in: Down Beat, 21/15 (28.Jul.1954), p. 1 (F/I); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 70 (F/I)

Ralph J. Gleason: Duke Ellington au Down-Beat Club de San-Francisco, in: Jazz Hot, #90 (Jul/Aug.1954), p. 11 (C)

Rolf Dötsch: “Premiered by Duke Ellington” (Capitol), in: Jazz Podium, 3/7 (Jul.1954), p. 19-20 (R) [digi.copy]

Sinclair Traill: Duke Ellington – “In a Sentimental Mood” / “I Let a Song Go Out of My Heart” (HMV JO 268), in: Melody Maker, 30/1086 (10.Jul.1954), p. 8 (R)

NN: Jazz-News, in: Jazz-Echo, Aug.1954, p. 48 (N: European tour planned) [digi.copy]

Stanley Dance: Lightly and Politely. Ellington, in: Jazz Journal, 7/8 (Aug.1954), p. 7 (F/R)

NN: Auslandsnachrichten, in: Jazz Podium, 3/9 (Sep.1954), p. 4 (N: writes musical history of the American Negro) [digi.copy]

NN: Duke Draws Record 1,100 to Downbeat, in: Down Beat, ca. Sep.1954 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 72 (N)

NN: Duke Ellington – “Skin Deep”; “Sultry Serenade”; “Sophisticated Lady”; “Perdido”; “Caravan”; “Harlem Suite”; “The Hawk Talks”; “Ellington Medley”; “Jam With Sam” (Victor), in: Down Beat, ca. Sep.1954 (R); in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 73 (R)

Nat Hentoff: Duke-Getz-Mulligan-Brubeck Package Heard at Carnegie, in: Down Beat, ca. Oct.1954 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 74 (R)

NN: Duke Ellington und sein Orchester – “Tiger Rag” / “Creole Rhapsody” (Coral 94 006 EPC), in: Jazz-Echo, Oct.1954, p. 50 (R) [digi.copy]

NN: Ellington, Oakley on ‘WOJ’ Dates, in: Melody Maker, 30/1101 (23.Oct.1954), p. 9 (N)

NN: Duke Ellington – “Ellington Plays Ellington” (Columbia), in: Down Beat, ca. Nov.1954 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 76 (R)

NN: Duke Ellington and his Orchestra – “11 Jahre Duke Ellington (1928-1939) (Odeon OS 1048), in: Jazz-Echo, Nov.1954, p. 50 (R) [digi.copy]

NN: “Great Ellington Soloists” (His Master’s Voice DLP 1025), in: Jazz-Echo, Dec.1954, p. 48 (R) [digi.copy]

NN: Dieses Foto von Duke Ellington…, in: Jazz-Echo, Dec.1954, p. 37 (N/photo: with certificate of Echo jazz poll) [digi.copy]

A. James Valentine: Duke Ellington – “Dance to the Duke” (Capitol T-637), in: Theme, 3/1 (1955), p. 26 (R) [digi.copy]

B. Wallington: Le Duke (costumes, chaussures, cravates), in: Jazz Magazine, 1/3 (1955), p. 21

Bruce Dexter: “Duke Ellington” (X LVA-3037), in: Theme, 2/4 (1955), p. 11 (R) [digi.copy]

Duke Ellington: Foreword, in: Leonard Feather: The Encyclopedia of Jazz, New York 1955 [book: Horizon Press], p. 10-14 (“I”)

Duke Ellington: The Future of Jazz, in: NN: Newport Jazz Festival 1955, Newport 1955 [program booklet: Jacques Willaumez Associates], p. 30-33 (“I”) [digi.copy]

Gion Mili: Six, in: NN: Newport Jazz Festival 1955, Newport 1955 [program booklet: Jacques Willaumez Associates], p. 72-77 (short F/photo) [digi.copy]

Nat Shapiro & Nat Hentoff (eds.): Hear Me Talkin’ to Ya. The Story of Jazz by the Men Who Made It, New York 1955 [book: Rinehart & Company]; London 1955 [book: Peter Davies]; London 1958 [book: Peter Davies]; Harmondsworth 1962 [book: Penguin]; New York 1966 [book: Dover]; German translation as “Jazz erzählt. hear me talkin’ to ya”, München 1959 [book: Nymphenburger Verlagshandlung]; German translation as “Jazz erzählt. Von New Orleans bis West Coast”, München 1962 [book: dtv]; German translation as “Jazz erzählt. 50 Jahre Jazzgeschichte aus erster Hand”, Frankfurt/Main 1984 [book: JAS Publikationen], passim (short I)

NN: Breaks. Duke Ellington, in: Der Drummer, 10/1955, p. 6 (N: plans European tour) [digi.copy]

Ousmane Socé: An African View of Ellington, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 289-290 (F; Reprint, from: Ousmane Socé: Mirages de Paris, Paris 1955)

Vic Bellerby: Reflections on Duke Ellington. Part 1: Duke Ellington and Mechanical Transport, in: Jazz Monthly, 1/10 (1955), p. 28-30; part 3: Bizarre Brass and the Occult, in: Jazz Monthly, 1/12 (1956), p. 9-11, 31; part 4: The Delicate Impressionist, in: Jazz Monthly, 2/2 (1956), p. 28-30

Duke Ellington and Orch. – “Mood Ellington” (Philips B 07 606 R), in: Jazz-Echo, Jan.1955, p. 50 (R) [digi.copy]

Joe Brown [Joachim Ernst Berendt]: “Duke Ellington 55” (Telefunken Capitol EAP 1/2/3/4 – 521), in: Jazz-Echo, Jan.1955, p. 51 (R) [digi.copy]

Leonard Feather: Ellington Fifty-Five. It’s Just Not Duke – Says Len. But Why Limit Me?, Asks Duke, in: Melody Maker, 1.Jan.1955, p. 2-3

NN: Jazz-News, in: Jazz-Echo, Jan.1955, p. 54 (N: European tour spring 1955) [digi.copy]

Stanley Dance: Lightly and Politely. Twenty-Three Years at the Top, in: Jazz Journal, 8/1 (Jan.1955), p. 5 (F/R) Jazz Journal, 8/1 (Jan.1955)

Billie Wallington: Le Duke. 125 costumes, 50 paires de chaussures, 1.000 cravates, in: Jazz Magazine, #3 (Feb.1955), p. 21 (F)

Ken Hulsizer: The Early Ellington Orchestra, in: Jazz Journal, 8/2 (Feb.1955), p. 2-4 (F) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Feb.1955, p. 45 (N: does not want to visit Europe, although manager Joe Glaser says everything is booked; Dave Black seriously ill; Wendell Marshall back on bass) [digi.copy]

Stanley Dance: Lightly and Politely. Ellington Footnote, in: Jazz Journal, 8/2 (Feb.1955), p. 12-13 (R: HMV EP 738060) [digi.copy]

Boris Vian: Duke Ellington, in: Arts, 16.Mar.1955 (R); Reprint, in: Boris Vian: Autres écrits sur le jazz. Tome 2, Paris 1982 [book: Christian Bourgois Éditeur], p. 149 (R)

Gerry Mulligan: …writes on the greatness of Duke Ellington, in: Melody Maker, 19.Mar.1955, p. 5

Joe Brown [Joachim Ernst Berendt]: Duke Ellington and his Famous Orchestra – “Ellington Highlights 1940” (Electrola DLP 1034), in: Jazz-Echo, Mar.1955, p. 46 (R) [digi.copy]

NN: Ellington Discographie erschienen (Aasland), in: Jazz Podium, 4/3 (Mar.1955), p. 3 (B)

NN: Jazz-News. Europa, in: Jazz-Echo, Mar.1955, p. 42 (N: European tour shifted to fall) [digi.copy]

Leonard Feather: The Night Creature at Carnegie, in: Melody Maker, 2.Apr.1955, p. 3 (C)

Bill Coss: In Person. Duke Ellington, Carnegie Hall, in: Metronome, 71/5 (May 1955), p. 41-42 (C)

NN: Jazz-News. Amerika, in: Jazz-Echo, May 1955, p. 43 (N: Carnegie Hall concert with NBC Orchestra) [digi.copy]

Stanley Dance: Lightly and Politely. Duke Discographical, in: Jazz Journal, 8/5 (May 1955), p. 4-5 (short F) [digi.copy]

Leonard Feather: Elliongton i jätteshow, in: Estrad, 17/6 (Jun.1955), p. 9 (N: at Aquashow)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jun.1955, p. 45 (N: Carnegie Hall concert with Symphony of the Air) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Jun.1955, p. 44 (N: plans opera with William Saroyan) [digi.copy]

NN: News, in: Jazz Podium, 4/6 (Jun.1955), p. 4 (N: plans jazz opera with William Saroyan) [digi.copy]

Stanley Dance: Lightly and Politely. Duke, in: Jazz Journal, 8/6 (Jun.1955), p. 27-28 (F/R) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jul.1955, p. 45 (N: plays in Elliott Murphy’s “Aquashow”) [digi.copy]

NN: Ellington & l’orchestre N.B.C. au Carnegie Hall, in: Jazz Magazine, #8 (Jul/Aug.1955), p. 25 (photo)

NN: Jazz-News. Deutschland, in: Jazz-Echo, Aug.1955, p. 42 (N: European tour planned) [digi.copy]

NN: News, in: Jazz Podium, 4/9 (Sep.1955), p. 4 (N: personnel at Aquashow) [digi.copy]

Walter C. Allen: Discomania. 10. Silvertone, in: Jazz Journal, 8/9 (Sep.1955), p. 7 (short F) [digi.copy]

D. Preston: Giants of Jazz (1). Duke Ellington, in: Melody Maker, 1.Oct.1955, p. 3, 5

Leonard Feather: Duke Unloads the Deadwood, in: Melody Maker, 22.Oct.1955, p. 6

Leonard Feather: Hollywood/New York. Duke Ellington – Jazz Opera: Man with Four Sides, in: Melody Maker, 8.Oct.1955, p. 6

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Oct.1955, p. 43 (N: writes musical revue “The Man with four sides”) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Oct.1955, p. 44 (N: Johnny Hodges returns to Ellington orchestra; Sam Woodyard joins, Willie Cook, Paul Gonsalves return; no plans for European tour) [digi.copy]

NN: Duke Ellington and his Orchestra – “Mood Ellington” (Philips B 07 606 R), in: Jazz-Echo, Oct.1955, p. 50 (R) [digi.copy]

Walter C. Allen: Discomania. 25: Duke Ellington, in: Jazz Journal, 8/10 (Oct.1955), p. 10 (F/D) [digi.copy]

Joe Brown [Joachim Ernst Berendt]: Das Jazzbuch. Das Werk Duke Ellingtons auf Schallplatten, in: Jazz-Echo, Nov.1955, p. 47 (B: “The Wax Works of Duke Ellington”, by Benny H. Aasland) [digi.copy]

Leonard Feather: Duke Ellington découvre un nouveau talent, in: Jazz Magazine, #11 (Nov.1955), p. 10 (N: Francis Thorne) [digi.copy]

Leonard Feather: Le journal New-Yorkais. Duke Ellington à l’Apollo, in: Jazz Magazine, #11 (Nov.1955), p. 12 (C)

Vic Bellerby: The Duke Stands By, in: Jazz Monthly, 1/9 (Nov.1955), p. 26-27 (F)

NN: Jazz-News. Amerika, in: Jazz-Echo, Dec.1955, p. 45 (N: looks for theatre to produce revue “Man with four sides”) [digi.copy]

NN: Platte des Monats. “Duke Ellington and his Orchestra” (Coral 96 015 LPC), in: Jazz-Echo, Dec.1955, p. 48 (R) [digi.copy]

Alun Morgan & Raymond Horricks: The Orchestra. Duke Ellington, in: Alun Morgan & Raymond Horricks: Modern Jazz. A Survey of Developments since 1939, Westport/CT 1977 [book; Reprint, O: London 1956], p. 178-190 (F)

André Hodeir: A Masterpiece. Concerto for Cootie, in: André Hodeir: Jazz. Its Evolution and Essence, New York 1956 [book: Grove Press; also: London 1956: Secker & Warburg; New York 1961: Grove Press/Black Cat], p. 77-98 (A/T) [digi.copy]; reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 276-288 (A/T); reprint, in: Robert Walser (ed.): Keeping Time. Readings in Jazz History, New York 1999 [book: Oxford University Press], p. 199-212 (A/T); reprint, in: André Hodeir & Jean-Louis Pautrot: The André Hodeir Jazz Reader, Ann Arbor/MI 2006 [book: University of Michigan Press], p. 35-52 (A/T)

André Hodeir: Un chef-d’oeuvre. “Concerto for Cootie”, in: André Hodeir: Hommes et Problèmes du Jazz, Paris 1954 [book: Au Portulan, chez Flammarion], p. 100-123 (A/T)

George Avakian: Ellington at Newport, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 290-292 (liner notes; Reprint, from: Columbia CL 934 [1956]); Reprint, in: Tom Piazza: Setting the Tempo. Fifty Years of Great Jazz Liner Notes, New York 1996 [book], p. 80-85 (F: liner notes)

Leonard Feather: La dernière heure a marqué le triomphe d’un revenant. Duke Ellington, in: Jazz Magazine, 2/20 (1956), p. 14-15

NN: Breaks. Duke Ellington, in: Der Drummer, 12/1956, p. 5 (N: Ramstein concert planned) [digi.copy]

Vic Bellerby: Duke Ellington and the Harlem Suite, in: Jazz Monthly, 2/5 (1956), p. 8-10, 31

Leonard Feather: Leonard Feather berichtet aus den USA, in: Jazz-Echo, Jan.1956, p. 47 (N: plays at Café Society) [digi.copy]

Nat Hentoff: Duke Ellington, Café Society, New York, in: Down Beat, ca. Jan.1956 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 86 (C)

NN: Duke Ellington. Viendra-t-il en Europe?, in: Jazz Magazine, #13 (Jan.1956), p. 6 (N)

NN: Duke Seeks Mahalia for ‘Beige’ Tour, in: Down Beat, ca. Jan.1956 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 87 (N)

George Clarke: Around Boston. Duke Ellington Plans Writing a Musical Show, in: Boston Daily Record, 30.Mar.1956 (F) [digi.copy]

NN: Duke Doesn’t Waste Time, in: Down Beat, ca. Mar.1956 (N: new albums recorded); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 88 (N: new albums recorded)

NN: Music Fraternity Honors Ellington, in: Down Beat, ca. Mar.1956 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 88 (N)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Apr.1956, p. 43 (N: Bethlehem record contract; produces record with Rosemary Clooney) [digi.copy]

NN: Duke Ellington – “Ellington Showcase” (Capitol), in: Down Beat, ca. Apr.1956 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 89 (R)

NN: Duke zieht gen Bethlehem und Mahalia?, in: Jazz Podium, 5/4 (Apr.1956), p. 8 (N) [digi.copy]

Bill Willard: Duke Ellington, Hazel Scott; Flamingo, Las Vegas, in: Down Beat, ca. May 1956 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 91 (C)

Félix Manskleid: Le Duke Rides Again! Le nouvel orchestre d’Ellington au Café Society, in: Jazz Hot, #110 (May 1956), p. 17 (C)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, May 1956, p. 43 (N: records for Bethlehem) [digi.copy]

NN: Duke Ellington – “Historically Speaking – The Duke” (Bethlehem), in: Down Beat, ca. May 1956 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 91 (R)

NN: Jazz-News. Amerika, in: Jazz-Echo, May 1956, p. 42 (N: most underrated American orchestra) [digi.copy]

NN: News, in: Jazz Podium, 5/5 (May 1956), p. 4 (N: records for Bethlehem records) [digi.copy]

NN: Swee’pea… Is Still Amazed at Freedom Allowed in Writing for Ellington Orchestra, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 90-91 (F/I; Reprint, from: Down Beat, 30.May 1956)

Ed Mulford: Duke Ellington, Doylestown, Pa., in: Metronome, 72/6 (Jun.1956), p. 12 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 90 (C)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jun.1956, p. 45 (N: insists he has no contract with any record company) [digi.copy]

Rolf Dötsch: Duke Ellington and his Orchestra – “The Duke” (Coral 96015 LPC), in: Jazz Podium, 5/6 (Jun.1956), p. 17-18 (R: 5 stars) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jul.1956, p. 52 (N: records with Rosemary Clooney) [digi.copy]

NN: Duke à l’Olympia, in: Jazz Magazine, #19 (Jul/Aug.1956), p. 7 (N)

Rolf Dötsch: Duke Ellington’s Washingtonians – “The Duke 1926” (London), in: Jazz Podium, 5/7 (Jul.1956), p. 17 (R) [digi.copy]

Leonard Feather: The Duke at Newport, in: Jerry’s Rhythm Rag, #3 (Summer 1993), p. 9-10 (C; Reprint, from: Down Beat, 8.Aug.1956)

NN: Auch Ellington kommt wieder, in: Westjazz, 2/14 (Aug.1956), p. 3 (N) [digi.copy]

NN: Mood Indigo & Beyond. Jazzman Duke Ellington, in: Time, 20.Aug.1956, p. 42-47, cover (F/I) [digi.copy]

Daniel Filipacchi: “Duke Ellington”, in: Jazz Magazine, #20 (Sep.1956), p. 25 (R) [digi.copy]

Leonard Feather: Bulletin de santé du jazz à Newport. La dernière heure a marqué le triomphe d’un revenant: Duke Ellington, in: Jazz Magazine, #20 (Sep.1956), p. 12-15 (C) [digi.copy]

NN: Jazz-News. Europa, in: Jazz-Echo, Sep.1956, p. 49 (N: European tour plans) [digi.copy]

E. Shepard: Das Wunder Ellington, in: Jazz Podium, 14/10 (Oct.1965), p. 247-249

Vic Bellerby: Ellington ’56 / Historically Speaking / The Duke, in: Melody Maker, 13.Oct.1956, p. 6 (R)

NN: “Duke Ellington’s Washingtonians” (London / Jazz Archiv Serie AL 3551), in: Jazz-Echo, Nov.1956, p. 49 (R) [digi.copy]

“Jack”: In Person. Duke Ellington a Huge Disappointment, in: Metronome, 72/12 (Dec.1956), p. 8, 10 (C)

Bill Coss: “Duke Ellington and the Buck Clayton All-Stars at Newport” (Columbia), in: Jazz Today, 1/5 (Dec.1956), p. 35 (R)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Dec.1956, p. 46 (N: “A Drum Is a Woman”) [digi.copy]

Nat Hentoff: The Duke (Hall of Fame/Down Beat Poll), in: Down Beat, 23/26 (26.Dec.1956), p. 12, 25 (F/I) [digi.copy]

B. James: The Impressionism of Duke Ellington, in: Jazz Monthly, 3/8 (1957), p. 5-7

Duke Ellington: The Race for Space, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 293-296 (“I”; Reprint of an unpublished manuscript [ca. 1957])

Eric Townley: Reflections on Hearing “A Drum Is a Woman”, in: Jazz Monthly, 3/7 (1957), p. 30-31

Leonard Feather: Duke Ellington rencontre William Shakespeare, in: Jazz Magazine, 3/28 (1957), p. 12-13

Leonard Feather: Duke Ellington, in: Nat Shapiro & Nat Hentoff: The Jazz Makers. Essays on the Greats of Jazz, New York 1979 [book; Reprint, O: 1957], p. 187-201 (F)

Studs Terkel: Duke Ellington. Sounds of Life, in: Studs Terkel: Giants of Jazz, New York 1957 [book: Thomas Y. Crowell], p. 81-100 (F); reprint: London 1966 [book: Jazz Book Club], p. 81-100 (F); reprint: New York 1975 [Thomas Y. Crowell], p. 73-90 (F); German translation as “Giganten des Jazz”, Frankfurt am Main 2005 [book: Zweitausendeins], p. 85-104 (F)

Bill Coss: Duke Ellington – “At Newport” (Columbia), in: Jazz Today, 2/1 (Jan.1957), p. 37, 39 (R) [digi.copy]

J. Lee Anderson: Duke Ellington – “Duke Ellington” (Bethlehem LP BCP-60), in: Theme, 4/1 (Jan.1957), p. 10 (R) [digi.copy]

Jack: In Person. Duke Ellington in Washington, in: Metronome, 74/1 (Jan.1957), p. 31, 36 (C)

Nat Hentoff: The Duke. (This is the second of a two-part interview with Duke Ellington, in which he discusses his career, bands, and viewpoints on jazz), in: Down Beat, 24/1 (9.Jan.1957), p. 20 (F/I) [digi.copy]

NN: Duke Ellington & his Orchestra – “The Duke and his Men” (RCA EPC 1092-1), in: Westjazz, 3/29 (Jan.1958), p. 7 (R) [digi.copy]

NN: Wer kommt nach Europa?, in: Jazz Podium, 6/1 (Jan.1957), p. 3 (N: European tour plans)

Leonard Feather: Jazz-News, in: Jazz-Echo, Feb.1957, p. 51 (N: autobiography soon finished; co-author Carter Hartman; finishes music to broadway play “The Crystal Tree”) [digi.copy]

Bill Coss: From My Point of View, in: Jazz Today, 2/3 (Apr.1957), p. 50 (C)

Joe Brown (= Joachim Ernst Berendt): Duke Ellington and his Orchestra – “Historically Speaking” (London LTZ-N 15 029), in: Jazz-Echo, Apr.1957, p. 45 R) [digi.copy]

NN: Duke Ellington Here in the Autumn – Dankworth for States, in: Melody Maker, 13.Apr.1957, p. 1, 20

NN: Duke Ellington. Again the Composer, in: Jazz Today, 2/3 (Apr.1957), p. 17 (F)

NN: Musicmakers. Duke Ellington, in: Jazz Today, 2/3 (Apr.1957), p. 6 (N: Ellington ill)

P. Brand: On the Beat. Ellington’s “Such Sweet Thunder” at New York’s Town Hall), in: Melody Maker, 20.Apr.1957, p. 9 (C)

Stanley Dance: Ellington at Newport, in: Melody Maker, 13.Apr.1957, p. 17 (R)

J. Schmidt: Sie wollen doch nicht etwa zu Ellington…!?, in: Jazz Podium, 6/5 (May 1957), p. 10

Joe Brown (= Joachim Ernst Berendt): “Duke Ellington presents Ivie Anderson” (RCA ELA-707), in: Jazz-Echo, May 1957, p. 44-45 (R) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, May 1957, p. 48 (N: exchange Duke Ellington / Johnny Dankworth planned) [digi.copy]

Leonard Feather: The Duke Orchestrates the Bard, in: Melody Maker, 18.May 1957, p. 9

NN: Comment on ‘A Drum is a Woman’, in: [unknown source], ca. May 1957; reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 106 (R)

NN: Duke’s ‘A Drum Is a Woman’ To Be Seen on U.S. Steel Hour, in: [unknown source], ca. May 1957 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 105 (short F)

Barry Ulanov: Two Thumps on a Drum. Thumbs Down, in: Down Beat, 24/13 (27.Jun.1957), p. 18 (F)

Bill Coss: Mineo and Duke, in: Jazz Today, 2/5 (Jun.1957), p. 30 (TV review “A Drum Is a Woman”)

Jack Maher: In Person. Music for Moderns, in: Jazz Today, 2/5 (Jun.1957), p. 33 (C)

Jack: Duke Ellington the Composer, in: Metronome, 74/6 (Jun.1957), p. 13-14

Leonard Feather: Duke Ellington rencontre William Shakespeare, in: Jazz Magazine, #28 (Jun.1957), p. 12-13 (F) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jun.1957, p. 49 (N: “A Drum Is a Woman” successful; records “Such Sweet Thunder) [digi.copy]

Leonard Feather: Two Thumbs on “A Drum”. Thumbs Up, in: Down Beat, 24/13 (27.Jun.1957), p. 18 (F)

Nat Hentoff: Ellington et Shakespeare, in: Jazz Hot, #122 (Jun.1957), p. 20 (N) [digi.copy]

Nat Hentoff: Ellington ne viendra pas, in: Jazz Hot, #122 (Jun.1957), p. 20 (N) [digi.copy]

NN: Jazz-News, in: Jazz-Echo, Jun.1957, p. 47 (N: cancels European tour plans) [digi.copy]

NN: Musicmakers. The Duke, in: Jazz Today, 2/5 (Jun.1957), p. 6 (N)

Don Gold: Ravinia Festival, in: Down Beat, ca. Jul.1957 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 110 (C)

Joe Brown (= Joachim Ernst Berendt): “Duke Ellington at Newport” (Philips B 08 182 L), in: Jazz-Echo, Jul.1957, p. 40-41 (R) [digi.copy]

Joe Brown (= Joachim Ernst Berendt): “Duke Ellington and the Buck Clayton All Stars at Newport” (Philips B 07 208 L), in: Jazz-Echo, Jul.1957, p. 43 (R) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jul.1957, p. 46 (N: Harold Baker rejoins Ellington; Clark Terry leaves the band for a while, being replaced by Willie Cook) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jul.1957, p. 46 (N: “A Drum Is A Woman” recorded for TV interpretation) [digi.copy]

NN: Harold Baker revient chez Duke Ellington, in: Jazz Magazine, #29 (Jul/Aug.1957), p. 11 (short F)

NN: Jazz-News, in: Jazz-Echo, Jul.1957, p. 44 (N: European premiere of “Such Sweet Thunder” broadcast by Südwestfunk) [digi.copy]

Sinclair Traill: Duke Ellington and his Orchestra – “Blue Light” (Philips BBR 8086), in: Melody Maker, 7.Jul.1957, p. 13 (R) [digi.copy]

Harold Flakser: Duke Ellington and the Talking Record, in: Record Research, 3/2, #14 (Aug/Sep.1957), p. 9 (F/I: interview recording by Ellington upon his first visit to England in 1933) [digi.copy]

Stanley Dance: A Drum Is a Woman, in: Melody Maker, 7.Sep.1957, p. 17 (R)

Leonard Feather: Duke Ellington – “Such Sweet Thunder” (Columbia CL 1033), in: Down Beat, 24/21 (17.Oct.1957), p. 25 (R: 5 stars) [digi.copy]

NN: Epoch Due on Record, in: Down Beat, 24/21 (17.Oct.1957), p. 9 (short F: “Black, Brown and Beige”) [digi.copy]

NN: Duke rajeunit sa B.B.B., in: Jazz Magazine, #31 (Oct.1957), p. 11 (N)

NN: Jimmy Blanton / Duke Ellington – “Pitter Panther Patter” / “Mr. J.B. Blues” / “Sophisticated Blues” / “Body and Soul” (RCA EPA-619), in: Jazz-Echo, Oct.1957, p. 47 (R) [digi.copy]

“dixi”: Ellington und die Angst des Jonas, in: Jazz Podium, 6/11 (Nov.1957), p. 16 (Film-R: “Jonas”) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Nov.1957, p. 44 (N: plans new version of “Black, Brown and Beige”) [digi.copy]

NN: Duke Ellington and his Orchestra – “Duke Ellington Seattle Concert” (RCA LJM-1002-C), in: Jazz-Echo, Nov.1957, p. 47 (R) [digi.copy]

NN: Duke Ellington’s TV Appearance Arouses New Wave of Interest, in: [unknown source], ca. Nov.1957 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 115 (F)

Rolf Dötsch: Duke Ellington and His Famous Orchestra – “Take The A Train” / “The Sidewalks of New York” (RCA 447-0132), in: Jazz Podium, 6/11 (Nov.1957), p. 22 (R) [digi.copy]

Rolf Dötsch: Duke Ellington and his Orchestra – “Seattle Concert” (RCA LJM-1002-C), in: Jazz Podium, 6/11 (Nov.1957)¸p. 23 (R) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Dec.1957, p. 44 (N: records standards) [digi.copy]

NN: … news …, in: Jazz Podium, 6/12 (Dec.1957), p. 4 (N: concert with Woody Herman and Duke Ellington Orchestra before an audience of only 300) [digi.copy]

NN: Ellington Blue Note Ace, in: [unknown source], Dec.1957 (N); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 116 (N)

Charles Delaunay & Claude Bolling: Ellington déplace toujours la grande foule, in: Jazz Hot, 24/138 (1958), p. 18-20

Demètre Ioakimidis: Les drummers d’Ellington, in: Jazz Hot, #130 (1958), p. 14ff.

Joachim Ernst Berendt: Duke Ellington, in: NN: Duke Ellington and his Famous Orchestra, Offenbach 1958 [program booklet: Horst Lippmann], p. 9-12 (F in German, French, English)

Leonard Feather: Duke, in: Jazz Magazine, 4/42 (1958), p. 12-23

Leonard Feather: The Jazzman as Critic. The Best of the Blindfold Test, 1951-1958. Reactions to Duke Ellington, in: Leonard Feather: The New Yearbook of Jazz, New York 1958 [book: Horizon Press], p. 66-68 (F/I with Sonny Rollins, Morton Gould, Woody Herman, Miles Davis, Leonard Bernstein, Jo Jones, Pete Rugolo, Bill Russo)

NN: Duke Ellington and his Famous Orchestra, Offenbach 1958 [program booklet: Horst Lippmann]

Rex Harris & Brian Rust: Recorded Jazz. A Critical Guide, Harmondsworth 1958 [book: Pelican Books], p. 64-68 (short F/R)

Whitney Balliett: Epitaph. “Such Sweet Thunder”, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin’s Press], p. 43-44 (R; reprint from 1958)

I. Fuelle: Ellington-Inspiration aus Westafrika, in: Jazz Podium, 7/1 (Jan.1958), p. 14

NN: Presseschau, in: NJCB Report (New Jazz-Circle Berlin), 3/1 (Jan.1958), p. 11 (N: 30th anniversary) [digi.copy]

“sr”: Duke Ellington, in: Berlin-Jazz, Feb/Mar.1958, p. 6-7 (F) [digi.copy]

NN: Ellington Ork for Britain?, in: Melody Maker, 15.Feb.1958, p. 1

Siegfried Schmidt: Podium Jam Session. Die Angst bei Ellington und Jonas (siehe Filmkritik “Ellington und die Angst des Jonas”), in: Jazz Podium, 7/2 (Feb.1958), p. 41 (letter) [digi.copy]

NN: [Duke Ellington, “Mine Boy”], in: The Knickerbocker News (Albany), 25.Mar.1958 (N: completed score for Broadway show “Mine Boy”) [digi.copy]

Demètre Ioakimidis: Les drummers d’Ellington, in: Jazz Hot, #130 (Mar.1958), p. 14-15, 39-40 (F)

NN: Presseschau, in: NJCB Report (New Jazz-Circle Berlin), 3/3 (Mar.1958), p. 5 (N: plans European tour) [digi.copy]

NN: Music News. Poetess and the Duke, in: Down Beat, 25/7 (3.Apr.1958), p. 11 (F: Fran Kelley, Duke Ellington) [digi.copy]

NN: Jazz-News. Europa, in: Jazz-Echo, Apr.1958, p. 46 (N: Norman Granz plans Ellington tour in the fall) [digi.copy]

NN: Mahalia chante avec Ellington, in: Jazz Magazine, #36 (Apr.1958), p. 12 (N)

NN: breaks, in: Schlagzeug, 3/9 (May 1958), p. 4 (N: 33 anniversary as musician) [digi.copy]

NN: Duke Ellington To Participate as Guest, in: [unknown source], ca. Mar.1958 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 119 (short F)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jun.1958, p. 45 (N: records “Black, Brown and Beige” with Mahalia Jackson) [digi.copy]

NN: Duke Ellington and his Orchestra – “The Duke in London” (Decca DX 1982), in: Westjazz, 3/34 (Jun.1958), p. 7 (R) [digi.copy]

NN: Duke Ellington & His Orchestra – “Magenta Haze” / “Overture to a Jam Session, Part I & II” / “Jam-A-Ditty” (Opera 4409), in: Westjazz, 3/35 (Jul.1958), p. 7 (R) [digi.copy]

NN: Duke im Oktober?, in: Schlagzeug, 3/11 (Jul.1958), p. 21 (N) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Jul.1958, p. 44 (N: plans for German tour) [digi.copy]

“S.H.”: Duke Ellington – “Ellington at Newport” (Philips LP B 07182 L); “Seattle Concert” (RCA-LP LJM-1002-C), in: Schlagzeug, 3/12 (Aug.1958), p. 25 (R) [digi.copy]

NN: Breaks, in: Schlagzeug, 3/12 (Aug.1958), p. 4 (N: new musical: “Saturday Laughter”) [digi.copy]

NN: Breaks, in: Schlagzeug, 3/12 (Aug.1958), p. 5 (N: “Black, Brown and Beige” with Mahalia Jackson) [digi.copy]

NN: Duke Ellington – “The Duke and his Men” (RCA EPC-1092-1; RCA EPC-1092-2), in: Jazz-Echo, Aug.1958, p. 84 (R: 2 stars) [digi.copy]

NN: Jazz-News. Europa, in: Jazz-Echo, Aug.1958, p. 48 (N: European tour) [digi.copy]

NN: Duke Ellington – “The Duke in London” (Decca DX 1982), in: Jazz-Echo, Sep.1958, p. 48 (R) [digi.copy]

NN: Duke Ellington & His Orchestra – “Such Sweet Thunder” (Philips B 07278 L), in: Westjazz, 4/37 (Sep.1958), p. 7 (R) [digi.copy]

NN: For Ellington-fans Only, in: Jazz Society. Organ for Norsk Jazzforbund, 2/9 (Sep.1958), p. 10 (short F: Duke Ellington Jazz Society founded by Benny H. Aasland)

NN: Frankly – This Is the Greatest!, Writes Duke Ellington, in: Melody Maker, 27.Sep.1958, p. 1, 16

NN: news…, in: Jazz Podium, 7/9 (Sep.1958), p. 180 (N: premiers “Princess Blue”) [digi.copy]

Philip Larkin: Such Sweet Thunder. “Duke Ellington. Jis Life and Music”, edited by Peter Gammond, in: Richard Palmer & John White (eds.): Reference Back. Philip Larkin’s Uncollected Jazz Writings 1940-84, Hull 1999 [book: University of Hull Press], p. 34-35 (B; reprint, from: Guardian, 30.Sep.1958) [digi.copy]

Teddy Leyh: Shakespeare, Ellington und Jazz. Gedanken zu zwei neuen Werken Duke Ellingtons, in: Jazz Podium, 7/9 (Sep.1958), p. 184-185 (F: “Such Sweet Thunder”, “A Drum is a Woman”) [digi.copy]

Humphrey Lyttelton: About Ellington, in: Melody Maker, 25.Oct.1958, p. 10

Humphrey Lyttelton: If They Criticize Duke I May Get Violent, in: Melody Maker, 11.Oct.1958, p. 10

Leonard Feather: Ellington – Meet the Band!, in: Melody Maker, 4.Oct.1958, p. 2-3

M. Burman: Harry Carney Talks – All I Want Is to Stay with Duke, in: Melody Maker, 11.Oct.1958, p. 2

Max Jones: A Knockout, Of Course, But…, in: Melody Maker, 11.Oct.1958, p. 3 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 127 (C)

Max Jones: This World of Jazz. The Duke – 25 Years After, in: Melody Maker, 4.Oct.1958, p. 11

NN: aktuelles. Ellington gewinnt US-Poll / Der Duke in Deutschland, in: Schlagzeug, 3/14 (Oct.1958), p. 4-5 (short F) [digi.copy]

NN: Biografie. Edward Kennedy Ellington, genannt “The Duke”, in: Jazzpress, 1/3 (27.Oct.1958), p. 4-5 (F)

NN: breaks, in: Schlagzeug, 3/14 (Oct.1958), p. 5 (N: “Princess Blue”) [digi.copy]

NN: Der Duke zum letzten Mal, in: Jazzpress, 1/2 (20.Oct.1958), p. 2 (N)

NN: Duke Ellington and his Orchestra – “A Drum Is A Woman” (Philips BBL-7179), in: Jazz-Echo, Oct.1958, p. 44 R) [digi.copy]

NN: Duke Ellington in Europa, in: Jazz Podium, 7/10 (Oct.1958), p. 203 (short F) [digi.copy]

NN: Ellington mit Starbesetzung, in: Jazzpress, 1/3 (27.Oct.1958), p. 1 (N)

NN: Ellington to Meet the Queen, in: Melody Maker, 18.Oct.1958, p. 1

NN: Jazz-News. Amerika, in: Jazz-Echo, Oct.1958, p. 53 (N: dedicates “Princess Blue” to Princess Margaret) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Oct.1958, p. 52 (N: Germany tour planned by Horst Lippmann) [digi.copy]

Vic Bellerby: I Was Disappointed (Ellington Tour), in: Melody Maker, 11.Oct.1958, p. 2

“Joe Brown” [= Joachim Ernst Berendt]: Platte des Monats. Duke Ellingtons Shakespeare Suite. “Such Sweet Thunder” (Philips B 07278 L), in: Jazz-Echo, Nov.1958, p. 47 (R) [digi.copy]

Franz-Josef Hamm (ed.): Diary of Jazz, Limburg 1950s [scrap book, 1954-1959] (ticket stubb: 12.Nov.1958, Frankfurt) [digi.copy] [under “D/LIMBURG”]

Humphrey Lyttelton: Concerts Were Full of Surprises, in: Melody Maker, 1.Nov.1958, p. 11

Leonard Feather: Duke. Edward Kennedy Ellington, in: Jazz Magazine, #42 (Nov.1958), p. 12-23 (F/I)

Max Jones: Impact Could Have Been Stronger, in: Melody Maker, 1.Nov.1958, p. 11

NN: Der Duke in Nürnberg, in: Jazzforum. Mitteilungsblatt der bayerischen Jazz-Clubs, 7/2 (Nov.1958), p. 1 (short F: concert preview)

NN: Der Fürst des Jazz – und eine fürstliche Presse, in: Jazzpress, 1/5 (10.Nov.1958), p. 4 (C: reviews from the British press)

NN: Duke à Chaillot, in: Jazz Magazine, #42 (Nov.1958), p. 8 (N)

NN: Duke Ellington. “Ich spiele Orchester!, in: Schlagzeug, 3/15 (Nov.1958), p. 6, 13 (F) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Nov.1958, p. 42 (N: German tour dates for November) [digi.copy]

NN: Von Duke zu Duke, in: Jazzpress, 1/4 (3.Nov.1958), p. 3 (short F) [digi.copy]

Vic Bellerby: Jazz Fans “Bewildered”, in: Melody Maker, 1.Nov.1958, p. 11

Charles Delaunay: Ellington déplace toujours la grande foule, in: Jazz Hot, #138 (Dec.1958), p. 18-19 (C)

Claude Bolling: Une analyse des concerts Ellington, in: Jazz Hot, #138 (Dec.1958), p. 18-20 (F)

Kåre Bjørset: Duke kom, så og vant. Ellingtons konsert en overveldende opplevelse. Orkesteret bedre enn noensinne, in: Jazz Society. Organ for Norsk Jazzforbund, 2/12 (Dec.1958), p. 16-18 (C)

L. Page: Ellington ist eine Reise wert, in: Jazz Podium, 7/12 (Dec.1958), p. 262

NN: Ellington à Paris. Quatre concerts en crescendo, in: Jazz Magazine, #43 (Dec.1958), p. 13 (N)

NN: Furchtlos, in: Schlagzeug, 3/16 (Dec.1958), p. 4 (N/photo: Ellington flies from Hamburg to Berlin) [digi.copy]

NN: Personalien, in: Schlagzeug, 3/16 (Dec.1958), p. 29 (N: command performance before Queen Elizabeth) [digi.copy]

Alan Clare, Ken Moule & Johnny Dankworth: Three Musicians Look at Ellington, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 61-64 (F) [digi.copy]

Alun Morgan: Duke Ellington on Records. The Nineteen-Fifties, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 104-117 (F)

Burnett James: Ellington’s Place as a Composer, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 141-155 (F) [digi.copy]

Charles Fox: Duke Ellington in the Nineteen-thirties, in: Martin Williams (ed.): The Art of Jazz. Ragtime to Bebop, New York 1980 [book; Reprint, O: New York 1959], p. 123-138 (F)

Charles Fox: Duke Ellington on Records. The Nineteen-Thirties, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 80-93 (F)

Daniel Halperin: Everything Has to Prove Something, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 173-191 (F)

Duke Ellington: A Royal View of Jazz, in: Jazz. A Quarterly of American Music, #2 (spring 1959), p. 83-87 (“I”)

Duke Ellington: Foreword, in: Sinclair Traill & The Hon Gerald Lascelles (eds.): Just Jazz 3, London 1959 [book: Landsborough Publications], p. 5-6 (“I”)

G.E. Lambert: Kings of Jazz – Duke Ellington, New York 1959 [book: A.S. Barnes; reprint: 1970], passim (F) [digi.copy]

Gerald Lascelles: Duke Ellington as Pianist, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 118-121 (F)

Gunther Schuller: The Ellington Style. Its Origins and Early Development, in: Nat Hentoff & Albert J. McCarthy (eds.): Jazz. New Perspectives on the History of Jazz by Twelve of the World’s Foremost Jazz Critics and Scholars, New York 1959 [book: Rinehart & Company]; reprint: New York 1961 [book: Grove Press]; reprint: London 1962 [book: The Jazz Book Club & Cassell]; reprint: New York 1975 [book: Da Capo], p. 221-274 (F/A/T)

Hugues Panassié: Die Geschichte des echten Jazz, Gütersloh [no year] [book: Signum; translation of “Histoire du vraí Jazz, Paris 1959], p. 80-93 (F: chapter “Duke Ellington”)

J. Tronchot: Ellington. La bonne exécution tient lieu de création, in: Jazz Hot, 25/148 (1959), p. 31

Jeff Aldam: The Ellington Sidemen, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 192-214 (F)

John S. Wilson: The Duke Rolls On, in: Down Beat Music ’59 (1959), p. 94-96

Mimi Clar: Duke Ellington – The Cosmic Scene, in: Jazz Review, 2/1 (1959), p. 35 (R)

NN: Music News. A Medal for Duke, in: Down Beat, 26/21 (1959), p. 9

NN: Music News. Honors for Duke, in: Down Beat, 26/16 (1959), p. 10

Peter Gammond: A Drum Is a Woman, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 132-137 (F)

Peter Gammond: Duke Ellington on Records. The Nineteen-Twenties, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 67-80 (F)

Quincy Jones: Duke Ellington at Newport 1958, in: Jazz Review, 2/4 (May 1959), p. 30 (R); Reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 311-313 (R)

Raymond Horricks: Duke Ellington on Records. The Nineteen-Forties, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 93-103 (F)

Raymond Horricks: The Orchestral Suites, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 122-131 (F)

Robert D. Crowley: Black, Brown and Beige after 16 Years. An Album Review, in: Jazz. A Quarterly of American Music, #2 (spring 1959), p. 98-104 (F/R); Reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 179-185 (F/R)

Stanley Dance: Duke Ellington. Impressions – Firsthand and Secondhand, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 15-21 (F)

Vic Bellerby: Duke Ellington, in: Martin Williams (ed.): The Art of Jazz. Ragtime to Bebop, New York 1980 [book; Reprint, O: New York 1959], p. 139-159 (F)

Vic Bellerby: Duke Ellington. Analysis of a Genius, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 156-169 (F)

Vic Bellerby: Such Sweet Thunder, in: Peter Gammond (ed.): Duke Ellington. His Life and Music, London 1959 [book], p. 138-140 (F) [digi.copy]

Kåre Bjørset: Strålende Ellington-serie på Philips. “The Duke Ellington Story Nr. 1 / 2 / 3” (Philips B 07363 / 07364 / 07365), in: Jazz Magasinet. Organ for Norsk Jazzforbund, 3/1 (Jan.1959), p. 13-14 (R)

Mimi Clar: Duke Ellington – “The Cosmic Scene” (Columbia CL-1198), in: The Jazz Review, 2/1 (Jan.1959), p. 35-36 (R) [digi.copy]

NN: Ellington sur scène. 14 phénomènes et un grand chef, in: Jazz Magazine, #44 (Jan.1959), p. 12 (short F)

Raymond Mouly: Ella et Duke et Duke et Mahalia, in: Jazz Magazine, #44 (Jan.1959), p. 16-17 (F) [digi.copy]

S. Race: Great Records of Our Time. Ellington’s Best, in: Melody Maker, 10.Jan.1959, p. 5

NN: Quo Vadis, Duke Ellington?, in: Jazz Magasinet. Organ for Norsk Jazzforbund, 3/2-3 (Feb/Mar.1959), p. 14-15 (F)

Alfred Baresel: Wenn der Duke lächelt, in: Jazzpress, 2/8 (2.Mar.1959), p. 6 (F)

Charles Melville: Interview with Duke Ekllington, in: DEMS Bulletin, 23/1 (Apr/Jun.2001), p. 25-26 (I; reprint, from Jazz Journal, Mar.1959) [digi.copy]

Johnny Dankworth & Humphrey Lyttelton: Interview with Duke Ellington, in: DEMS Bulletin, 23/1 (Apr/Jun.2001), p. 27 (I; reprint, from Jazz Journal, Mar.1959) [digi.copy]

Leif Anderson: Reflexer. 94.Cotton Club Stomp, in: Orkester Journalen, 27/3 (Mar.1959), p. 20 (short F)

Mimi Clar: The Style of Duke Ellington, in: The Jazz Review, 2/3 (Mar.1959), p. 6-10 (F/A) [digi.copy]

NN: Music News. Duke to Write Movie Score (Anatomy of a Murder), in: Down Beat, 26/8 (16.Apr.1959), p. 13-14 (short F) [digi.copy]

Alfred Baresel: Wenn der Duke lächelt, in: Schlagzeug, #20 (Apr.1959), p. 9 (F: about stage manners of jazz musicians) [digi.copy]

Duke Ellington: Der Blues, in: Schlagzeug, #20 (Apr.1959), p. 35 (lyric: German translation of “The Blues”, from “Black, Brown and Beige”) [digi.copy]

George Avakian: 27 Chorusse – Diminuendo und Crescendo in Blue, in: Jazzpress, 2/14 (13.Apr.1959), p. 6 (F; Reprint, from: liner notes)

Max Jones: Ellington Stands the Test of Time, in: Melody Maker, 4.Apr.1959, p. 9 (R: At the Cotton Club)

Mimi Clar: The Style of Duke Ellington, in: Jazz Review, 2/3 (Apr.1959), p. 6-10 (A/T) [digi.copy]; Reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 303-311 (A/T); Reprint, as: Le style de Duke Ellington, in: Les Cahiers du Jazz, #9 (1963), p. 38-48 (A/T)

NN: 27 Chorusse. Diminuendo und Crescendo in Blue, in: Schlagzeug, #20 (Apr.1959), p. 20-21 (F/photo) [digi.copy]

NN: Duke Ellington filmt, in: Jazzpress, 2/15 (27.Apr.1959), p. 1 (N: “Anatomy of a Murder”) [digi.copy]

Siegfried Schmidt: Duke Ellington and his Orchestra – “Ellington at Newport” (Philips B 07 182 L), in: Schlagzeug, #20 (Apr.1959), supplement, p. 3 (R) [digi.copy]

Werner Th. Lauterbach: Sam Session, in: Schlagzeug, #20 (Apr.1959), p. 31 (letter: Ellington concert in Nürnberg) [digi.copy]

Horst H. Lange: Duke Ellington – “Sophisticated Lady” (Columbia EP C 41 053), in: Schlagzeug, #21 (May 1959), supplement, p. 4 (R)

Leonard Feather: Ellington Band Takes a Break, in: Melody Maker, 16.May 1959, p. 2

NN: Duke Set for Jazz Concert, in: Pittsburgh Courier, 30.May 1959, p. 21 (N: in Neptune/NJ) [digi.copy]

NN: Ellington-Suite für die Königin, in: Jazzpress, 2/17 (11.May 1959), p. 2 (N)

Quincy Jones: Duke Ellington – “Newport 1958” (Columbia CL 1245), in: The Jazz Review, 2/4 (May 1959), p. 30 (R) [digi.copy]

NN: Duke Ellington Left Jerseyites in Groovy Mood, in: [unknown source], ca. Jul.1959 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 145 (C)

Ed Mulford: Duke’s Film Score (Anatomy of a Murder), in: Metronome, 76/8 (Aug.1959), p. 33-34 (F) [digi.copy]

George Hoefer & Gene Lees: Newport. The Biggest Ever! The High Points: Duke Ellington’s astounding swing / Lambert-Hendricks-Ross with Count Basie / Hawkins and Eldridge / The Maynard Ferguson band / Thelonious Monk’s stomping quartet / The American debut of the Johnny Dankworth band, in: Down Beat, 26/16 (6.Aug.1959), p. 12-17 (C)

NN: breaks, in: Schlagzeug, 4/8 (Aug.1959), p. 25 (N: at Berliner Festwochen) [digi.copy]

NN: Music News. Duke’s Other Breakthrough, in: Down Beat, 26/17 (20.Aug.1959), p. 18-19 (F)

NN: Music News. Honors for Duke, in: Down Beat, 26/16 (6.Aug.1959), p. 10 (F)

H. Kahn: Duke in Paris (with four new men), in: Melody Maker, 26.Sep.1959, p. 12

John Tynan: Take Five, in: Down Beat, 26/19 (17.Sep.1959), p. 44 (Film-R: “Anatomy of a Murder”; “The Beat Generation”)

Max Jones: Echoes From the Forties. Duke at his Peak, in: Melody Maker, 26.Sep.1959, p. 15 (R: At His Very Best)

NN: “Back to Back. Duke Ellington and Johnny Hodges Play the Blues” (Verve), in: Down Beat, ca. Sep.1959 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 150 (R)

NN: A Medal for Duke, in: [unknown source], ca. Sep.1959 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 148 (short F)

NN: Berliner Festwochen 1959. Sonntag, 4. Oktober: Duke Ellington and his Orchestra, in: Berliner Jazz-Programm, Sep/Oct.1959, p. 5 (F: concert preview) [digi.copy]

NN: Duke Ellington – “Ellington Jazz Party” (Columbia), in: Down Beat, 26/18 (3.Sep.1959), p. 23-24 (R)

NN: everett mit ellington, in: Schlagzeug, 4/9 (Sep.1959), p. 5 (N: vocalist James Everett wins a performance with the Ellington Orchestra) [digi.copy]

NN: festival für den duke, in: Schlagzeug, 4/9 (Sep.1959), p. 5 (N: Ellington Festival in Taminent-in-the-Poconos) [digi.copy]

NN: strictly ad lib, in: Down Beat, 26/19 (17.Sep.1959), p. 46 (N: at Kutsher’s Country Club, Monticello, NY)

NN: “Back to Back – Duke Ellington and Johnny Hodges Play the Blues” (Verve MG V-8317), in: Down Beat, 26/22 (29.Oct.1959), p. 29 (R: 4 stars) [digi.copy]

Bob Evans: Chords and Discords. The Score on Ellington, in: Down Beat, 26/21 (15.Oct.1959), p. 6-7 (letter)

NN: Anatomy of a Murder, in: ) 1959/10°Heinz Lukas: Heinz Lukas geht durch die Lande, in: Schlagzeug, #26 (Oct.1959), p. 31 (N:, p. 35 (N/photos) [digi.copy]

NN: music news. East. A Medal for Duke, in: Down Beat, 26/21 (15.Oct.1959), p. 9 (short F/I)

NN: Orden für den Duke, in: Schlagzeug, #26 (Oct.1959), p. 4 (short F: Spingarn Medal) [digi.copy]

NN: Termine Duke Ellington, in: Schlagzeug, #26 (Oct.1959), p. 8 (German tour dates) [digi.copy]

Dieter Zimmerle: Die Profile des Jazz. Faszinierende Stimme: Die Ellington-Band, in: Jazz Podium, 8/11 (Nov.1959), p. 252ff.

Jean Tronchot: Ellington. La bonne exécution tient lieu de cvréation, in: Jazz Hot, #148 (Nov.1959), p. 31 (F)

K. Berenbrok: Meinungen, Urteile, Kritiken, in: Schlagzeug, #27 (Nov.1959), p. 14 (letter: Ellington had first been in Germany in 1950, not 1953) [digi.copy]

Max Harrison: Duke Ellington – “Anatomy of a Murder” (Columbia CL 1360), in: The Jazz Review, 2/10 (Nov.1959), p. 35-36 (R) [digi.copy]

Max Harrison: Ellington’s Music for Anatomy of a Murder, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 313-315 (R; Reprint, from: The Jazz Review, 2/10 [Nov.1959])

NN: Breaks, in: Schlagzeug, #27 (Nov.1959), p. 28 (N: 3 presentations in Berlin: “Anatomy of a Murder”, ballet after “Such Sweet Thunder”, Ellington concert) [digi.copy]

NN: Ellington ausgezeichnet (Spignarn.Medaille), in: Jazz Podium, 8/11 (Nov.1959), p. 251

George Hoefer: The Hot Box, in: Down Beat, 26/25 (10.Dec.1959), p. 63 (F: Duke Ellington Jazz Society meeting in new York with John Sanders) [digi.copy]

NN: Large Ellington Shuffle, in: [unknown source], ca. Dec.1959 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 153 (C)

André Francis: Jazz, New York 1960 [book: Grove Press], p. 59-73 (F)

Barry Ulanov: The Ellington Programme, in: Ken Williamson (ed.): This Is Jazz, London 1960 [book: Newnes], p. 131-132, 141-145 (F); Reprint, in: Robert G. O’Meally (ed.): The Jazz Cadence of American Culture, New York 1998 [book: Columbia University Press], p. 166-171 (F)

Carlo Bohländer: Duke Ellington, in: Carlo Bohländer: Jazz. Geschichte und Rhythmus, Mainz 1960 [book: B. Schott’s Söhne], p. 40-42 (F)

Charles Fox & Peter Gammond & Alun Morgan & Alexis Korner: Jazz on Record. A Critical Guide, London 1960 [book: Grey Arrow], p. 111-121 (F)

Dan Morgenstern: Duke Ellington/Johnny Hodges – Side By Side, in: Jazz Review, 3/6 (1960), p. 24-25 (R)

Don DeMichael: Duke Ellington, Court Theater, University of Chicago, Chicago, in: Down Beat, Down Beat, 27/21 (13.Oct.1960), p. 10-13 (C)

Don Heckman: Duke Ellington – Bal Masque, in: Jazz Review, 3/7 (1960), p. 18-19 (R)

Duke Ellington: The Encyclopedia of Jazz, in: Leonard Feather: The Encyclopedia of Jazz, New York 1960 [book: Bonanza Books], p. 13-15 (“I”)

Gunther Schuller: Early Duke, part 1, in: Jazz Review, 2/12 (Dec.1959, p. 6-15 (F/A) [digi.copy]; part 2, in: Jazz Review, 3/1 (Jan.1960), p. 18-22 (F/A) [digi.copy]; part 3, in: Jazz Review, 3/2 (Feb.1960), p. 18-25 (F/A) [digi.copy]

Irving Townsend: When Duke Records, in: Sinclair Traill & The Hon. Gerald Lascelles (Hgg.): Just Jazz 4, London 1960 [book], p. 16-21 (F); reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 319-324 (F)

Leonard Feather: The Duke Ellington Story (as Hollywood Might Do It), in: Down Beat, 27/6 (1960), p. 20-23

Leonard Feather: The Jazzman as Critic. The Blindfold Test. Reactions to Duke Ellington, in: Leonard Feather: The Encyclopedia of Jazz, New York 1960 [book: Bonanza Books], p. 474-475 (F/I with Tony Scott, Sonny Rollins, Leonard Bernstein, Miles Davis)

Max Harrison: Duke Ellington/Johnny Hodges – Back to Back, in: Jazz Review, 3/3 (1960), p. 24-25 (R)

NN: Not Enough Room at the Top for Duke, Mort, in: Down Beat, 27/18 (1.Sep.1960), p. 14-15

Robert Reisner: Duke Ellington, in: Robert Reisner: The Jazz Titans, Garden City/NY 1960 [book: Doubleday & Company], p. 43-46 (F)

Sidney Bechet: Bessie and Duke, in: Sidney Bechet: Treat It Gentle, London 1960 [book], p. 134-148 (F)

Max Jones: Duke Presents an Imposing Array of Talent, in: Melody Maker, 16.Jan.1960, p. 14 (R: Back to Back)

NN: Breaks, in: Schlagzeug, #29 (Jan.1960), p. 17 (N: served by trombonist Claude Jones on ocean liner on his way to European tour) [digi.copy]

NN: More Ellington Shuffle, in: Down Beat, 27/2 (21.Jan.1960), p. 12 (short F)

NN: Vom Duke und vom Count, in: Jazz Podium, 9/1 (Jan.1960), p. 3 (short F)

NN: Von Duke zu Quincy, in: Schlagzeug, #29 (Jan.1960), p. 6 (N: Clark Terry, Quentin Jackson leave Ellington, join Quincy Jones) [digi.copy]

Dan Morgenstern: Three Giants, in: Jazz Journal, 13/2 (Feb.1960), p. 13, 15 (C)

H. Rywelski: Ellington über Ellington, in: Schlagzeug, #30 (Feb.1960), p. 13 (I) [digi.copy]

NN: Alles über den Duke, in: Schlagzeug, #30 (Feb.1960), p. 6 (N: book by Peter Gammond) [digi.copy]

NN: Breaks, in: Schlagzeug, #30 (Feb.1960), p. 18 (N: Ellington declines Australia tour because of his flight fright) [digi.copy]

NN: News. AFN-Neujahrskonzert mit Duke Ellington aus Chicago, in: Jazz Podium, 9/2 (Feb.1960), p. 28 (N)

Don DeMichael: Duke Ellington – “Festival Session” (Columbia), in: Down Beat, 27/6 (17.Mar.1960), p. 34, 36 (R)

Leonard Feather: The Duke Ellington Story, as Hollywood might do it, in: Down Beat, 27/6 (17.Mar.1960), p. 20-23 (F: parody) [digi.copy]; responses, by Barbara Hoaglund, Tom Harris, Orlando Thompson, in: Down Beat, 27/8 (14.Apr.1960), p. 6 (letters)

M. Possekel: Podium Jam Session. Lustloser Ellington, in: Jazz Podium, 9/3 (Mar.1960), p. 60 (letter)

NN: Ellington and Other Masters, in: Down Beat, 27/6 (17.Mar.1960), p. 13 (C)

John S. Wilson: Duke Ellington & Johnny Hodges – “Side By Side” (Verve), in: Down Beat, ca. Apr.1960 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 157 (R)

John S. Wilson: Duke Ellington / Johnny Hodges – “On the Sunny Side of the Street” (Verve), in: Down Beat, 27/9 (28.Apr.1960), p. 38 (R)

Max Jones: Duke Looks Back, in: Melody Maker, 2.Apr.1960, p. 14 (R: Historically Speaking – The Duke)

NN: news…, in: Jazz Podium, 9/4 (Apr.1960), p. 76 (N: new rhythm section) [digi.copy]

NN: Diets of the Stars. Wealthy or poor, famous or unknown, everybody is trying hard to lose weight, in: Ebony, May 1960, p. 106-108, 110 (short F/photos: Harry Belafonte, Edna Mae Robinson, Josephine Baker, Marian Anderson, Duke Ellington, Mahalia Jackson, Dinah Washington) [digi.copy]

NN: News, in: Jazzer, #3 (May 1960), p. 15 (N: new rhythm section with Frankie Dunlop, Aaron Bell) [digi.copy]

John Tynan: Duke Ellington Los Angeles Jazz Festival, in: Down Beat, ca. Jun.1960 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 159 (R)

Alfredo Luciano Catalani: “The Duke Ellington Story Vol. II/Vol.III” (Philips); “Duke Ellington At His Very Best” (RCA Italiana), in: Jazz di ieri e di oggi, 2/7 (Jul/Aug.1960), p. 54-56 (R)

Barbara Gardner: Duke Ellington – “Blues in Orbit”, in: Down Beat, 27/15 (21.Jul.1960), p. 44 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 162 (R)

I.L. Jacobs: Ellington Natter, in: Coda, 3/3 (Jul.1960), p. 14-15 (short F/C)

Vic Bellerby: Duke in Orbit, in: Melody Maker, 16.Jul.1960, p. 11 (R: Blues in Orbit)

Don DeMichael: Duke Ellington, Court Theater, University of Chicago, Chicago, in: Down Beat, ca. Aug.1960 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 163 (C)

Bill Mathieu: “I’m Beginning to See the Light”, arranged by Bill Matthieu, in: Down Beat, 27/20 (29.Sep.1960), p. 56, 58, 60, 62, 64, 66 (T)

Ira Gitler: Duke Ellington, Detroit Jazz Festival, in: Down Beat, ca. Sep.1960 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 164 (C)

NN: Duke’s Back (in New York), in: Melody Maker, 10.Sep.1960, p. 9

John Tynan: Duke Ellington, Monterey Jazz Festival, in: Down Beat, ca. Oct.1960 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 165-166 (C)

Bob Anderson: Chords and Discords. Duke’s Score’s Ducky, in: Down Beat, 27/24 (24.Oct.1960), p. 8 (letter) [digi.copy]

Vic Bellerby: Ellington Plays Tchaikowsky, in: Melody Maker, 26.Nov.1960, p. 14 (R: Nutcracker Suite)

Michel-Claude Jalard: Trois apotres du discontinu, in: Jazz Magazine, #65 (Dec.1960), p. 42-47, 63 (F: Duke Ellington, Thelonious Monk, Cecil Taylor); reprint, in: Les Années Jazz Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 104-110 (F)

NN: news…, in: Jazz Podium, 9/12 (Dec.1960), p. 259 (N: records for film “Paris Blues”) [digi.copy]

NN: Tchaikowsky Would Have Approved, in: Melody Maker, 10.Dec.1960, p. 13 (R: Nutcracker Suite)

T. White: Review in Context. Duke Ellington – The Slumbering Giant, in: Metronome, 77/12 (Dec.1960), p. 42-43

Burnett James: The Impressionism of Duke Ellington [p. 163-174 (F)]; Such Sweet Thunder [p. 175-205 (F)], in: Burnett James: Essays on Jazz, London 1961 [book: The Jazz Book Club & Sidgwick and Jackson]; reprint: New York 1990 [book: Da Capo]

Demètre Ioakimidis: Un pianiste nommé Ellington, in: Jazz Hot, 163 (Mar.1961), p. 12-15, 46 (F); part 2, in: Jazz Hot, #164 (Apr.1961), p. 18-19, 42 (F); part 3, in: Jazz Hot, #165 (May 1961), p. 22-25, 27 (F); part 4, in: Jazz Hot, #166 (Jun.1961), p. 20-25 (F)

G.E. Lambert: Kings of Jazz. Duke Ellington, South Brunswick 1961 [book]

Hans-Jürgen Winkler: Duke Ellington, in: Hans-Jürgen Winkler: Jazz für Jedermann, München 1961 [book], p. 236-239 (F)

J.-R. Masson: Ellington au T.N.P., in: Jazz Magazine, 7/67 (1961), p. 15 (C)

J.-R. Masson: Satchmo et Duke face à face, in: Jazz Magazine, 7/71 (1961), p. 15

John Lane (ed.): George Shearing. Interpretations for Piano No. 7, New York 1961 [sheet music], p. 22-23 (T: piano solo arrangement by George Shearing of “All Too Soon”)

Murray Feldman (ed.): Art Tatum Improvisations, No. 2, London 1961 [sheet music] (T: piano solo arrangement of Art Tatum’s versions of “Don’t Get Around Much Anymore” [p. 6-7]; “I Got It Band (And That Ain’t Good)” [p. 16-17])

R. Greene: Duke Ellington. Eine Bildchronik, Zürich 1961 [book]

Several authors: Quincy Hamp Duke, in: Jazz Magazine, 7/70 (1961), p. 22ff.

Siegfried Schmidt-Joos: Duke – mit kleinen Unterschieden, in: Siegfried Schmidt-Joos: Jazz. Gesicht einer Musik, Gütersloh 1961 [book], p. 235-240, 257 (F)

Whitney Balliett: The Duke at Play, in: Whitney Balliett: The Sound of Jazz. 46 Pieces on Jazz, London 1961 [book], p. 45-48 (C: “A Drum is a Woman”); Reprint, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New YOrk 2000 [book: St.Martin’s Press], p. 16-18 (C) [digi.copy]

Max Jones: It was a challenge, says Duke, in: Melody Maker, 14.Jan.1961, p. 5 (F: Paris Blues)

Max Jones: With Duke and Louis in Paris, in: Melody Maker, 7.Jan.1961, p. 2-3, 17

Anders R. Öhman: Duke Ellington and his orchestra – “The Nutcracker Suite” (Philips), in: Orkester Journalen, 29/2 (Feb.1961), p. 22, 24 (R: 4 stars)

NN: Dope Charge Hold 4 Members In Ellington Band, in: Washington Post, 10.Feb.1961, p. B13 (F: Willie Cook, Andrew Wilcox, Ray Nance, Paul Gonsalves, William Black) [digi.copy]

NN: Duke’s Mad, Mad Paris Visit, in: Down Beat, 28/4 (16.Feb.1961), p. 12 (F)

NN: Pre-Dawn Drugs Raid on Ellington Men, in: Melody Maker, 18.Feb.1961, p. 8

Anders R. Öhman: Duke Ellington and his Orchestra – “Ellingtonia. Vol. 1. The Twenties” (Philips) [4 stars]; “Ellingtonia. Vol. 2. The Thirties” (Philips) [4 stars]; “Ellingtonia. Vol. 3. The Forties” (Philips) [3 stars]; “Ellingtonia. Vol. 4. The Fifties” (Philips) [4 stars]; “Ellingtonia. Vol. 5. New Recordings of Great Standards” (Philips) [3 stars], in: Orkester Journalen, 29/3 (Mar.1961), p. 25 (R)

NN: Ellington mußte Kaution stellen, in: Jazz Podium, 10/3 (Mar.1961), p. 68

NN: Four Ellingtonians Arrested in Vegas, in: Down Beat, 28/6 (16.Mar.1961), p. 11 (short F: Ray Nance, Willie Cook, Andre Ford, Paul Gonsalves) [digi.copy]

Harry Nicolausson: Givande kväll med Dukes giganter, in: Orkester Journalen, 29/4 (Apr.1961), p. 9 (C)

Humphrey Lyttelton: Duke – The Greatest Poet in Jazz, in: Melody Maker, 8.Apr.1961, p. 5, 8

NN: Duke Ellington – “Festival Session” (Philips B 07564 L), in: Rhythme. Nederlands enige Jazz-Periodiek, 12/139 (Apr.1961), p. 23 (R)

NN: Und jetzt Grieg. Ellingtons neueste Ambitionen, in: Jazz Podium, 10/4 (Apr.1961), p. 96 (short F) [digi.copy]

Stanley Dance: The Beautiful Americans, in: Jazz Journal, ca. Apr.1961 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 172 (F)

Gene Lees: Duke Ellington – “The Nutcracker Suite” (Columbia); “Peer Gynt Suites No.1 and 2, Suite Thursday” (Columbia), in: Down Beat, 28/10 (11.May 1961), p. 28-30 (R)

NN: Pickles. Sällsynt samarbete, in: Orkester Journalen, 29/5 (May 1961), p. 5 (N: records with Louis Armstrong)

Stanley Dance: More Paris Blues, in: Jazz Journal, ca. May 1961 (F/I); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 174 (F/I)

Vic Bellerby: Here Is All the Poetry of Duke’s Piano, in: Melody Maker, 6.May 1961, p. 13 (R: “Piano in the Background”)

NN: Duke Ellington – “The Nutcracker Suite” (Philips B 47048 L), in: Rhythme. Nederlands enige Jazz-Periodiek, 12/141 (Jun.1961), p. 29 (R)

NN: Pickles. På skiva, in: Orkester Journalen, 29/6 (Jun.1961), p. 5 (N: new records)

Anders R. Öhman: “Duke Ellington and his Orchestra” (Coral 97015 LPCM), in: Orkester Journalen, 29/7-8 (Jul/Aug.1961), p. 24-25 (R: 5 stars)

Anders R. Öhman: “Maxwell Davis Conductiong Compositions of Duke Ellington and Others” (Crown CLP 5153), in: Orkester Journalen, 29/7-8 (Jul/Aug.1961), p. 24 (R: 3 stars)

Don DeMichael: Duke Ellington, Indiana Jazz Festival, in: Down Beat, ca. Jul.1961 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 177 (C)

John S. Wilson: Duke Ellington – “Piano in the Background” (Columbia), in: Down Beat, 28/15 (20.Jul.1961), p. 41-42 (R)

NN: Pickles. Färdigskrivet, in: Orkester Journalen, 29/7-8 (Jul/Aug.1961), p. 5 (N: musical “Man with Four Sides”)

Stanley Dance: Festival. Preparation and Aftermath. The Story of “Suite Thursday”, in: Metronome, 78/7 (Jul.1961), p. 22-23

Steve Voce: It Don’t Mean a Thing. If It Ain’t Got That Swing, in: Jazz Journal, 18/4 (Apr.1965), p. 25-26 (C)

Charles McCabe: Duke Ellington to the Court of St. James?, in: New York Times, 27.Sep.1961 (F); reprint, in: New York Times, 10.Jul.2011 (F) [digi.copy]

NN: Duke Objects to Jazz as a Term, in: Down Beat, 28/22 (26.Oct.1961), p. 13 (short F)

Teddy Leyh: Kritisches Mosaik. Ellingtonia I, in: Jazz Podium, 10/10 (Oct.1961), p. 242-243, 245

John Tynan: Paris Blues, in: Down Beat, 28/24 (23.Nov.1961), p. 16 (F/I)

Vic Bellerby: Duke epitomises the jazz of the ‘twenties, in: Melody Maker, 36/1462 (23.Dec.1961), p. 6 (F/R: “Jungle Jamboree”, Parlophone PMC1164) [digi.copy]

Burt Korall: Ellington in Concert (New York), in: Melody Maker, 9.Dec.1961, p. 13 (C)

Dieter Zimmerle: Duke Ellington. Eine Bildchronik, hg. von Robert Greene, in: Jazz Podium, 10/12 (Dec.1961), p. 298 (B)

Don DeMichael: “Louis Armstrong & Duke Ellington” (Roulette), in: Down Beat, 28/26 (21.Dec.1961), p. 32, 37 (R: 4 1/2 stars) [digi.copy]

Stanley Dance: Harry Carney, in: Metronome, 78/12 (Dec.1961), p. 15-18 (I)

André Hodeir: Why Did Ellington “Remake” His Masterpiece, in: André Hodeir: Toward Jazz, New York 1962 [book: Grove Press; London 1965: The Jazz Book Club], p. 24-32 (F: “Ko-Ko”)

André Hodeir: Why Did Ellington ‘Remake’ His Masterpiece?, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 297-302 (F; Reprint, from: André Hodeir: Toward Jazz, New York 1962)

Bill Coss: Duke Ellington, Museum of Modern Art, New York, in: Down Beat, 29/5 (1962), p. 4 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 188 (C)

Bob Smith: Hot Air. Interview with Duke Ellington, 1962 (I) [sound file]; information about the show, by Mickael Juk, in: , 29.Nov.2012 (F) [digi.copy]

Florence Johnson: Duke Ellington Welcomes Back ‘Old Timers’, in: Jazz Notes/Indianapolis, 7/5 (1962), p. 10 (short F)

James Poling (ed.): Esquire’s World of Jazz, London 1962 [book: Arthur Baker], p. 84-89 (F: chapter “The diligent Duke”)

James Poling (ed.): Esquire’s World of Jazz, London 1962 [book: Arthur Baker], p. 193-207 (F: chapter “The Future of Jazz”; short I with Thelonious Monk, Duke Ellington, Gerry Mulligan, Sonny Rollins, Dave Brubeck, John Lewis)

NN: Ellington Sues and Is Sued in Return, in: Down Beat, 29/24 (1962), p. 12 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 194 (short F)

NN: Ellington TV Show Ready to Roll, in: Down Beat, 29/7 (1962), p. 13-14

NN: Work Begins on TV Ellington Story, in: Down Beat, 29/3 (1962), p. 11 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 192 (short F)

Stanley Dance: Ellington, Duke, in: Stanley Dance (ed.): Jazz Era. The ‘Forties, London 1962 [book: The Jazz Book Club & MacGibbon & Kee], p. 96-102 (F)

Stanley Dance: It’s Really a Twisting World. An Interview, in: Jazz, 1/1 (1962), p. 8-9 (I)

Stanley Dance: Three Ellington Firsts, in: Jazz, 1/2 (1962), p. 14

Whitney Balliett: Masterly Milquetoast, in: Whitney Balliett: Dinosaurs in the Morning. 41 Pieces on Jazz, London 1965 [book], p. 198-200 (C; reprint from 1962); Reprint, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin’s Press], p. 160-162 (C)

Michel Laverdure: Louis Armstrong et Duke Ellington, in: Jazz Magazine, #78 (Jan.1962), p. 33 (R)

Philippe Koechlin: Louis Armstrong & Duke Ellington – “Together fot the First Time” (Roulette), in: Jazz Hot, #172 (Jan.1962), p. 39, 41 (R) [digi.copy]

Rolf Dötsch: Duke Ellington – “Kings of Swing” (Brunswick), in: Jazz Podium, 11/2 (Feb.1962), p. 52-53 (R) [digi.copy]

Rolf Dötsch: Duke Ellington Trio – “The Duke Plays Ellington” (Capitol), in: Jazz Podium, 10/2 (Feb.1961), p. 58 (R) [digi.copy]

Stanley Dance: Lightly and Politely. Ellington Premiere, in: Jazz Journal, 15/2 (Feb.1962), p. 8-9 (F/C: piano recital)

Duke Ellington: Where Is Jazz Going?, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 324-326 (“I”; Reprint, from: Music Journal, Mar.1962)

Max Jones: Duke and Basie Combine, in: Melody Maker, 17.Mar.1962, p. 6 (R: “Battle Royal”)

NN: Credit Where Due On ‘Paris Blues’, in: Down Beat, 29/11 (24.May 1962), p. 13 (shot F/I with Murry McEachern)

John S. Wilson: Duke Ellington & Count Basie – “First Time” (Columbia), in: Down Beat, ca. May 1962 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 193 (R)

Duke Ellington & Stanley Dance: The Art Is In the Cooking, in: Down Beat, 7.Jun.1962 (I); Reprint, in: Down Beat, 56/9 (Sep.1989), p. 60 (I); Reprint, in: Down Beat, 66/4 (Apr.1999), p. 28-29 (I); reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 332-338 (“I”)

Leonard Feather: Duke Ellington – “All American” (Columbia), in: Down Beat, ca. Jun.1962 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 196 (R)

Norman Perkins: Jazz Festival a triumph only for Duke Ellington, in: [unknown source], ca. Jun.1962 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 195 (C)

Pete Welding: Long Day’s Journey. On the Road with the Duke Ellington Orchestra, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 326-332 (F/I; Reprint, from: Down Beat, 7.Jun.1962)

Stanley Dance: Lightly and Politely. More Ellingtonia, in: Jazz Journal, 15/6 (Jun.1962), p. 22-23 (F)

NN: Ellington und Basie schlugen die “Battle Royal”, in: Jazz Podium, 11/9 (Sep.1962), p. 202-203 (F/R) [digi.copy]

NN: Up to My Ears in All of It – Says Duke, in: Melody Maker, 15.Sep.1962, p. 20-21

NN: Duke Ellington on the Air in Vancouver, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 338-341 (I; Original: radio interview, 30.Oct.1962)

Stanley Dance: It’s Really a Twisting World, by Duke Ellington in an interview with Stanley Dance, in: Jazz [USA], 1/1 (Oct.1962), p. 8-9 (I) [digi.copy]

Stanley Dance: Lightly & Politely. Such Stuff As Dreams Are Made On, in: Jazz Journal, 15/10 (Oct.1962), p. 22-24 (F)

NN: Jazz. Duke Ellington, in: Showbusiness, 2/8 (5.Nov.1962), p. 7 (N: plans European tour in January 1963) [digi.copy]

John Tynan: New Blood from Some Old Hands, in: Down Beat, ca. Nov.1962 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 205-206 (C)

Frank Dutton: The Goodyear Jazz Film. A Review, in: Matrix, #44 (Dec.1962), p. 3-4 (Film-R)

NN: Ellington Joins Sinatra Label, in: Melody Maker, 8.Dec.1962, p. 3

Dan Morgenstern: The Ellington Era, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 108-112 (F; reprint, from: Listen. A Music Monthly, 1963)

George Hoefer: Ellington Memories, in: Jazz, 2/3 (1963), p. 11

Jean Wagner: L’aristocrate aux prises avec la foule, in: Jazz Magazine, 9/91 (1963), p. 23-25

Leonard Feather: The Duke Ellington Story, as Hollywood might do it, in: Leonard Feather & Jack Tracy: Laughter from the Hip. The Lighter Side of Jazz, New York 1963 [book: Horizon Press]; reprint: New York 1979 [book: Da Capo], p. 45-53 (F: ficticious screenplay)

Martin Williams: The Ellington Era, in: Martin Williams: Jazz Changes, New York 1992 [book: Oxford University Press], p. 264-272 (R; Reprint from 1963/1966)

Mercer Ellington: Reminiscing in Tempo, in: Dom Cerulli & Burt Korall & Mort Nasatir (ed.): The Jazz Word, London 1963 [book], p. 54-66 (F)

Several authors: Vive le Duke!, in: Jazz Hot, 28/185 (1963), p. 6-10

Whitney Balliett: Fortieth / Cootie / Praise, in: Whitney Balliett: Such Sweet Thunder. 49 Pieces on Jazz, Indianapolis 1966 [book: Bobbs-Merrill], p. 98-118 (F/I with Cootie Williams; reprint from 1963); Reprint, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin’s Press], p. 204-213 (F)

Demètre Ioakimidis: Ellington’s Drummers, in: Jazz Journal, 16/1 (Jan.1963), p. 4-5

Duke Ellington: Thoughts on Composing, in: Jazz Journal, 16/1 (Jan.1963), p. 3 (I)

Harvey Pekar: The Duke Ellington Small Bands, in: Jazz Journal, 16/1 (Jan.1963), p. 6-7 (F)

John Tynan: Caught in the Act. New Blood from Some Old Hands, in: Down Beat, 30/1 (3.Jan.1963), p. 13, 34 (C)

Laurie Henshaw: Ellingtonia ’63. Relaxing at the Dorchester, in: Melody Maker, 19.Jan.1963, p. 10-11

Laurie Henshaw: Rehearsing with Duke, in: Melody Maker, 26.Jan.1963, p. i, iv

Les Tomkins: Duke Ellington, in: Crescendo, ca. Jan.1963 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 209 (C)

Max Jones: The “Old Boys” Still Call the Tune, in: Melody Maker, 19.Jan.1963, p. 11

NN: A Historical Calendar of Duke Ellington’s Career, in: Jazz Journal, 16/1 (Jan.1963), p. 9-13

NN: Duke Signs with Reprise, Will Also Supervise Sessions, in: Down Beat, 30/1 (3.Jan.1963), p. 11 (short F)

NN: Duke’s Here! Hour-Long TV Show by Ellington, in: Melody Maker, 12.Jan.1963, p. 1

NN: Ellington wurde Programmdirektor (Reprise), in: Jazz Podium, 12/1 (Jan.1963), p. 3

Several authors: Music in the Making by the Ellington Men, in: Melody Maker, 26.Jan.1963, p. ii-iii

Sinclair Traill: Back Again, in: Jazz Journal, 16/1 (Jan.1963), p. 1-2 (F)

Vic Bellerby: The Greatest Concert Ever!, in: Melody Maker, 19.Jan.1963, p. 10

NN: Jazz. Duke Ellington, in: Showbusiness, 3/2 (25.Feb.1963), p. 9 (N: “Piano in the Background” receives French record prize) [digi.copy]

Humphrey Lyttelton: Tin Pan Alley Can Do It’s Worst! Humphrey Lyttelton Sums Up the Duke Ellington Tour, in: Melody Maker, 2.Feb.1963, p. 11

Denis Preston: He’s the Greatest Man in Jazz. In what he describes as an ‘inadequate appreciation’ of Duke Ellington, Denis Preston – for many years one of the foremost authorities on Ducal music – writes a tribute to a distinguished jazz guest, in: The Jazz Scene, 2/3 (Mar.1963), p. 2-7 (F)

Dieter Zimmerle: Der “One and Only” Duke, in: Jazz Podium, 12/3 (Mar.1963), p. 56-57

Don DeMichael: Duke Ellington, Detroit Symphony, Ford Auditorium, Detroit, Mich., in: Down Beat, ca. Mar.1963 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 216 (C)

Eddie Lambert: Duke Ellington – 1963, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 342-346 (F; Reprint, from: Jazz Journal, 16/3 [Mar.1963])

François Postif: Le Duke parle, in: Jazz Hot, #185 (Mar.1963), p. 14-18 (I); Reprint, in: François Postif: Jazz Me Blues. Interviews et portraits de musiciens de jazz et de blues, Paris 1998 [book: Outre Mesure], p. 175-183 (I)

Jacques Réda: Duke Ellington, in: Jazz Magazine, #646 (Feb.2013), p. 51-53 (F; reprint, from Jazz Magazine, #92, Mar.1963) [digi.copy]

Jeremy French: Jeremy French has some controversial things to say about the last Duke Ellington tour of Britain, analyses in detail the musicians and he orchestra of Ellington 1963, in: The Jazz Scene, 2/3 (Mar.1963), p. 7-11 (F)

Philippe Koechlin & Aris Destombes & Jean Tronchot: Vive le Duke!, in: Jazz Hot, #185 (Mar.1963), p. 6-10 (F)

Sinclair Traill: Editorial, in: Jazz Journal, 16/3 (Mar.1963), p. 1-4 (F/C)

Steve Voce: A Cold from “Little Eddie”, in: Jazz Journal, 16/3 (Mar.1963), p. 12-13 (F: gossip from the Ellington tour)

Max Jones: Thirty-Six Years of Ellington, in: Melody Maker, 6.Apr.1963, p. 10 (R: “The Duke in Harlem”)

NN: Duke l’infatigable, in: Jazz Hot, #186 (Apr.1963), p. 17 (N)

NN: Dukes Terminkalender, in: Jazz Podium, 12/4 (Apr.1963), p. 76

NN: news…, in: Jazz Podium, 12/5 (May 1963), p. 107 (N: with Detroit Symphony Orchestra) [digi.copy]

NN: Nachrichten in Kürze. Duke Ellington, in: Showbusiness, 3/4 (25.Jul.1963), p. 4 (N: honorary doctorate from Howard University; concerts in Sweden; plans state department tour) [digi.copy]

Ira Gitler: Caught In the Act. Duke Ellington Jazz Society, Town Hall, New York City, in: Down Beat, 30/23 (15.Aug.1963), p. 32 (C)

NN: Ellington Puts Together Show for Emancipation Celebration, in: Down Beat, 30/23 (15.Aug.1963), p. 11 (F)

NN: Major Ellington Opuses Slated for LP Release, in: Down Beat, 30/24 (29.Aug.1963), p. 9 (short F: “Night Creature”)

Don DeMichael: Caught In the Act. My People, Arie Crown Theatre, Chicago, in: Down Beat, 30/26 (26.Sep.1963), p. 41 (C)

Horst Lippmann: Pianorama. Duke Ellington – “Money Jungle” (United Artists); “Midnight in Paris” (CBS), in: Jazz Podium, 12/10 (Oct.1963), p. 216-217, 220 (R) [digi.copy]

Max Jones: Ellington Trio (Ellington-Mingus-Roach), in: Melody Maker, 19.Oct.1963, p. 10 (R)

NN: Ellingtonians Storm Madras, in: Indian Express, ca. Oct.1963 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 227 (C)

A.J. Bishop: Duke’s Creole Rhapsody, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 347-349 (F; Reprint, from: Jazz Monthly, Nov.1963)

John S. Wilson: Louis Armstrong & Duke Ellington – “The Great Reunion” (Roulette), in: Down Beat, 30/29 (7.Nov.1963), p. 28 (R)

Dan Morgenstern: The Ellington Era, in: Listen. A Music Monthly, 1 (Dec.1963) (F); reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 350-354 (F); reprint, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 108-112 (F)

NN: Ellington, on Asian Tour, ‘Tears Down the Clouds’, in: Down Beat, 30/32 (19.Dec.1963), p. 15 (F)

Dan Morgenstern: Ellington. 1927-40, in: Jazz, 1964 (F); reprint, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 113-116 (F)

M.-C. Ramonet: Duke!, in: Jazz Hot, 30/205 (1964), p. 10

NN: Duke Ellington’s “My People”, in: Jazz, 3/1 (1964), p. 21

NN: Jazzmen of the Year. Duke Ellington, in: Down Beat Music ’64 (1964), p. 12

NN: The Duke. Edward Kennedy Ellington Orchestra. Norman Granz presents The Duke, Offenbach 1964 [program booklet: Horst Lippmann] (F)

P. Lattes: Ellington 64, in: Jazz Hot, 30/198 (1964), p. 18-21

Sidney Finkelstein: Jazz. A People’s Music, New York 1948 [book: Citadel Press]; reprint: London 1964 [book: The Jazz Book Club & The Citadel Press], p. 191-242 (F: chapter “The Experimental Laboratory and The New Jazz…”)

Wilfrid Mellers: Jazz polyphony and jazz harmony. Duke Ellington as composer, in: Wilfrid Mellers: Music in a New Found Land. Themes and Developments in the History of American Music, London 1964 [book], p. 316-330 (F/A)

Willie The Lion Smith & George Hoefer: Music on My Mind. The Memoirs of an American Pianist, New York 1964 [book], passim (F)

A.J. Bishop: Reminiscing in Tempo – A Landmark in Jazz Composition, in: Jazz Journal, 17/1 (Jan.1964), p. 5-6 (A); Reprint, in: in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 355-358 (A)

Eddie Lambert: The Ellington Era, Vol.1, in: Jazz Journal, 17/1 (Jan.1964), p. 36-37 (F/A)

G.E. Lambert: The Duke Steps Out, in: Jazz Journal, 17/1 (Jan.1964), p. 2-4, 40 (F)

John S. Wilson: Duke Ellington – “Piano in the Foreground” (Columbia), in: Down Beat, 31/2 (16.Jan.1964), p. 26-27 (R)

Max Harrison: Reflections on Some of Duke Ellington’s Longer Works, in: Jazz Monthly, Jan.1964, p. 12-17 (F) [digi.copy]; Reprint, in: Max Harrison: A Jazz Retrospect, London 1991 [book; Reprint, O: 1976], p. 121-128 (F); Reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 387-394 (F; Revised Reprint)

Pete Welding: Old Wine, New Bottles, in: Down Beat, 31/1 (2.Jan.1964), p. 29-30 (R: “The Ellington Era”, Columbia)

Roger Craik: Duke in Dacca, in: Jazz Journal, 17/1 (Jan.1964), p. 12-13 (F/I)

Stanley Dance: Duke Ellington’s My People, in: Jazz Journal, 17/1 (Jan.1964), p. 19, 22 (C)

Bob Houston: The Night Tubby Blew With Duke…, in: Melody Maker, ca. Feb.1964 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 233 (F)

Brian Bate: With Duke on Tour. A Report, in: Down Beat, 31/6 (27.Feb.1964), p. 14-15 (F/I: Middle East Tour)

Lucien Malson & Christian Bellest: Etude. Gravures célèbres, in: Jazz Magazine, #103 (Feb.1964), p. 30-32 (A: “Double Check Stomp”; “Mood Indigo”; “Echoes of the Jungle”)

Don DeMichael & Pete Welding: Jazz Basics. “The Ellington Era, Vol. 1” (Columbia); “Duke Ellington at His Very Best” (RCA Victor), in: Down Beat, 31/7 (12.Mar.1964), p. 22 (R)

John S. Wilson: Duke Ellington – “My People” (Contact), in: Down Beat, 31/7 (12.Mar.1964), p. 28 (R)

Leonard Feather: “The Symphonic Ellington” (Reprise), in: Down Beat, 31/7 (12.Mar.1964), p. 25-26 (R); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 237 (R)

NN: Ellington et ses juges. Le Duke vient d’être condamné par la “Fondation Grieg”, in: Jazz Magazine, #104 (Mar.1964), p. 16 (N)

G.E. Lambert: Ellingtonia ’64, in: Jazz Journal, 17/4 (Apr.1964), p. 2-4 (F/C)

Max Jones: Symphonic Ellington, in: Melody Maker, 4.Apr.1964 (R)

Max Jones: The Great Reunion, in: Melody Maker, 18.Apr.1964, p. 10 (R: Armstrong/Ellington – “The Great Reunion”)

NN: Robert Herridge Films an Hour of Ellington for TV, in: [unknown source], ca. Apr.1964 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 242 (short F)

Don DeMichael: Caught in the Act. Duke Ellington, Civic Opera House, Chicago, in: Down Beat, 31/12 (21.May 1964), p. 30 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 241 (C)

Eddie Mourrichon: Le Duke, Jodges et Carney étaient célèbres quand Gilbert Rovère vint au monde, in: Jazz Hot, #198 (May 1964), p. 20-21 (I with Rovère)

Huge Downs: Duke Ellington TV Interview, NBC Studios, New York, 26.May 1964 (I); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 244-245 (I)

Petr Brabec: Duke Ellington. “Hrajete na piano?” “Nikoliv, na orchestr!”, in: Melodie [CSSR], 2/5 (May 1964), p. 72-73 (F)

Pierre Lattes: Ellington 64. Nous vous aimons à la folie, Monsieur Duke Ellington, in: Jazz Hot, #198 (May 1964), p. 18-21 (F/C)

NN: Duke Thrills Coast Audience, in: [unknown source], ca. Jun.1964 (short F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 246 (short F)

NN: Robert Herridge Films an Hour of Ellington for TV, in: Down Beat, 31/13 (4.Jun.1964), p. 9 (N)

Dan Morgenstern: Caught in the Act. Duke Ellington, Wellman Auditorium, Columbia University, New York City, in: Down Beat, 31/21 (16.Jul.1964), p. 42-43 (C)

Duke Ellington: Reminiscing in Tempo, in: Down Beat, 31/20 (2.Jul.1964), p. 8-9 (“I”); Reprint, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 358-361 (“I”)

Martin Williams: Videotaping with Duke, in: Down Beat, 31/24 (27.Aug.1964), p. 20-23 (F); Reprint, in: Martin Williams: Jazz Masters in Transition, 1957-1969, New York 1970 [book], p. 165-173 (F); Reprint, in: Martin Williams: Jazz Heritage, New York 1985 [book], p. 111-122 (F); response, by: Robert Herridge: Chords & Discords. Kudos from Herridge, in: Down Beat, 31/27 (8.Oct.1964), p. 6 (letter) [digi.copy]

Leonard Feather: [Charlie Barnet Party in Palm Springs], in: Down Beat, ca. Sep.1964 (F/C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 252 (F/C)

Don DeMichael: Duke Ellington – “Daybreak Express” (RCA Victor 506); “Hits of the ’60s / This Time by Ellington” (Reprise 6122), in: Down Beat, 31/27 (8.Oct.1964), p. 23, 26 (R: 4 1/2 stars; 4 stars) [digi.copy]

Dan Morgenstern: Duke Ellington & Billy Strayhorn – “Great Times!” (Riverside 475), in: Down Beat, 31/28 (22.Oct.1964), p. 25-26 (R: 3 1/2 stars) [digi.copy]

NN: Präsident Johnson würdigt Dukes Verdienste, in: Jazz Podium, 13/10 (Oct.1964), p. 235

NN: The Duke plays Wurlitzer, in: Ebony, Nov.1964, p. 112 (commercial ad for Wurlitzer) [digi.copy]

John S. Wilson: “Duke Ellington Plays with the Original Score from Walt Disney’s ‘Mary Poppins'” (Reprise 6141), in: Down Beat, 31/32 (17.Dec.1964), p. 29 (R: 3 1/2 stars) [digi.copy]

NN: Swimming Pool Named for Duke Ellington in California, in: Down Beat, 31/32 (17.Dec.1964), p. 10 (short F) [digi.copy]; reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 253 (short F)

Frank Tenot: Concert. Une societé en plein essor (29 et 30 janvier à Paris), in: Jazz Magazine, #116 (1965), p. 49-50 (C)

Leonard Feather: Back to Duke. Drummer Louie Belleson Returns to the Ellington Fold, in: Down Beat, 32/21 (1965), p. 15-17

NN: A New Umbrella for Duke and Ella, in: Down Beat, 32/25 (1965), p. 10-11

Stanislav Titzl: Duke Ellington. Jeho nástrojem je orchestr, in: Lubomír Doruzka & Jaromír Horec & Josef Kotek (eds.): Tanecní hudba a jazz 1964/65, Prague 1965 [book: Státní hudební vydavatelství], p. 120-129 (F)

Whitney Balliett: The How-Long Blues, in: Whitney Balliett: Dinosaurs in the Morning. 41 Pieces on Jazz, London 1965 [book], p. 185-187 (C)

Max Jones: Duke – Whose Hand on the Tiller?, in: Melody Maker, 23.Jan.1965, p. 10 (R: “Mary Poppins”)

NN: College Gives Ellington Honorary Doctor’s Degree, in: Down Beat, 32/1 (14.Jan.1965), p. 9-10 (N: honorary doctor of humanities from Milton College, Wisconsin)

Bob Dawbarn: A Medal for Courage (at London’s Royal Festival Hall), in: Melody Maker, 20.Feb.1965, p. 6 (C)

Mike Hennessey: Paris Report. Duke – In Dangers of Becoming a Jazz Museum?, in: Melody Maker, 6.Feb.1965, p. 10-11

Steve Voce: If It Ain’t Got That Swing, in: Jazz Journal, ca. Feb.1965 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 261 (C)

Vic Bellerby: Duke ’65. Out Go the Drum Solo, Medley, and On Comes Jazz, in: Melody Maker, 20.Feb.1965, p. 6

Dieter Zimmerle: Ellingtonia, in: Jazz Podium, 14/3 (Mar.1965), p. 69

Joachim Ernst Berendt: Mingus und der Schatten Duke Ellingtons, in: Jazz Podium, 14/3 (Mar.1965), p. 60-62

Michel-Claude Ramonet: Duke!, in: Jazz Hot, #207 (Mar.1965), p. 10 (C)

Rex Stewart: The Days with Duke, in: Down Beat, 32/9 (22.Apr.1965), p. 20-22 (F); Reprint, in: Down Beat, 32/8 (22.Apr.1965), p. 80-89 (F); Reprint, in: Rex Stewart: Jazz Masters of the Thirties, New York 1972 [book: Macmillan], p. 80-89 (F); response, by Bobby Woodfork, in: Down Beat, 32/12 (3.Jun.1965), p. 6 (letter); responses, by Hans J. Mauerer, John M. Dengler, in: Down Beat, 32/15 (15.Jul.1965), p. 8 (letters)

Dave Bittan: Caught in the Act. Ellington/Basie/Blakey, Academy of Music, Philadelphia, in: Down Beat, 32/11 (20.May 1965), p. 32 (C)

Max Jones: Duke’s Men Out on Their Own, in: Melody Maker, 8.May 1965, p. 14 (R: Great Ellingtonians Vol. 1/2)

NN: strictly ad lib. Potpourri, in: Down Beat, 32/10 (6.May 1965), p. 11 (N: Leonard Feather urges President Lyndon B. Johnson to consider Duke Ellington for a Presidential Medal of Freedom)

John S. Wilson: Music. Jazz at Lewisohn. Dave Brubeck Quartet and the Ellington Orchestra Attract Large Audience, in: New York Times, 29.Jun.1965, p. 27 (C) [digi.copy]

NN: Duke and the Pulitzer Prize, in: Down Beat, 32/13 (17.Jun.1965), p. 12 (short F/I); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 266 (short F/I)

NN: Potpourri. Duke Ellington, Dave Brubeck and Ella Fitzgerald together in New York, in: Down Beat, 32/12 (3.Jun.1965), p. 9 (N)

Stanley Dance & Helen Dance: Pittsburgh Is a Whale?, in: Jazz Journal, ca. Jun.1965 (F/C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 267 (F/C)

NN: Potpourri. Duke Ellington at Stamford, Conn., in: Down Beat, 32/18 (26.Aug.1965), p. 16 (N)

R. Grevatt: Caught in the Act. Ellington Goes Down a Bomb on Symphony Dates, in: Melody Maker, 21.Aug.1965, p. 27 (C)

Walther Hein: Das moderne Jazz-Antiquariat. 22. Folge: Duke Ellington und Billy Strayhorn (anno 1950), in: Jazz Podium, 14/8 (Aug.1965), p. 206-207

Dan Morgenstern: Caught in the Act. Duke Ellington/New York Philharmonic Orchestra, Philharmonic Hall, New York City, in: Down Beat, 32/19 (9.Sep.1965), p. 38 (C)

Dan Morgenstern: Duke Ellington – “Jumpin’ Punkins” (RCA Victor), in: Down Beat, 32/20 (23.Sep.1965), p. 35-36 (R)

Duke Ellington: Program Note for “A Concert of Sacred Music”, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 371-372 (“I”; Reprint, from: Programm, Grace Cathedral, San Francisco, 16.Sep.1965)

E. Shepard: Der Weg zum Duke, in: Jazz Podium, 14/9 (Sep.1965), p. 224-226

Nat Hentoff: This Cat Needs No Pulitzer Price, in: Mark Tucker (ed.): The Duke Ellington Reader, New York 1993 [book], p. 362-368 (F/I; Reprint, from: New York Times Magazine, 12.Sep.1965)

NN: Duke Ellington Honored by City of New York, in: Down Beat, 32/19 (9.Sep.1965), p. 11 (F); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 270 (F)

N.O. Stalgia: The Ellington-Lunceford Orchestra, in: Jazz Register, 1/4 (Oct-Dec.1965), p. 16-17 (F)

NN: S.F.’s Grace Cathedral Site of Unique Ellington Concert, in: Down Beat, 32/21 (7.Oct.1965), p. 13 (F/I)

Richard B. Hadlock – “Will Big Bands Ever Come Back?” (Reprise), in: Down Beat, 32/21 (7.Oct.1965), p. 31-32 (R)

Don DeMichael: Caught in the Act. Duke Scores with Sacred Music in Grace Cathedral, in: Down Beat, 32/23 (4.Nov.1965), p. 13, 34 (C); reprint, in: Ken Vail: Duke’s Diary. Part Two: The Life of Duke Ellington, 1950-1974, Lanham/MD 2002 [book: Scarecrow Press], p. 271 (C); reprint, in: Down Beat, 72/1 (Jan.2005), p. 20-21 (C) [digi.copy]

NN: Documentary to Symphony – Duke’s World of Challenge, in: Down Beat, 32/23 (4.Nov.1965), p. 9-10 (short F)

NN: Duke Ellington, Lena Hor

Jazz Index: Louis Armstrong

Beispiel für einen Jazz Index zu Louis Armstrong

————————————————-

Jazz Index – created on 13. August 2014

The following bibliographical information is drawn from periodicals and books present in the archive of the Jazzinstitut Darmstadt. Our extensive periodical collection comprises more than 55,000 issues of some 1,050 jazz periodicals. Close to two-thirds of the collection has been indexed.

Following the more recent entries are abbreviations denoting the nature of the material in the respective articles. These symbols are:

[A] = analytical remarks
[B] = extensive book review
[BT] = blindfold test
[C] = concert review
[D] = discography
[F] = feature article
[I] = interview
[“I”] = article written by the respective musician himself
[N] = (very short) news item
[O] = obituary
[R] = extensive record review
[T] = transcription

The Jazz Index is a service of the…

Jazzinstitut Darmstadt, Bessunger Strasse 88d, D-64285 Darmstadt, Germany
phone ++49 (6151) 963740, fax ++49 (6151) 963744

This bibliography has been compiled and mailed by … Jazzinstitut Darmstadt,
e-mail: jazz@jazzinstitut.de, Internet: www.jazzinstitut.de

Armstrong, Louis (tp * real name: Louis Daniel Armstrong; b: 4.Aug.1901, New Orleans/LA [most often given as 4.Jul.1900, New Orleans, but this is incorrect according to birth certificate]; d: 6.Jul.1971, New York; Lexikon: Feather [1955,1958,1960,1966,1976,1999]; New Orleans Jazz [1984]; Companion [1987]; New Grove [1988,2001]; rororo [1988]; Who’s Who [1989]; Reclam [1989]; Dictionnaire [1988,1995]; MusicHound [1999]; Rough Guide [1999,2000]; Yanow [2000]; vertical file: Louis ARMSTRONG [incl. manuscript + band arrangement “Swing That Music”;…,1995-1997,1999-2003,2005])

***

Joachim Ernst Berendt: Louis Armstrong und der Jazz, Mannheim o.J. [Sonderdruck]

Judith Lynn Porter: Louis Armstrong, in: NN (ed.): Louis’ Songbook. The Armstrong Treasury, New York o.J. [sheet music], p. 2, 5 (F)

Langston Hughes: The First Book of Jazz, New York [no date: Franklin Watts, Inc.], p. 32-36 (F: chapter “Louis Armstrong”)

NN (ed.): Louis’ Songbook. The Armstrong Treasury, New York o.J. [sheet music] (T: vocal/piano arrangements of “Ballad of Davy Crockett”; “The Bare Necessities”; “Before the Parade Passes By”; “Bibbidi-Bobbidi-Boo”; “Bill Bailes, Won’t You Please Come Home”; “Blues for Yesterday”; “Blues in the South”; “Chim Chim Cher-ee”; “Dallas Blues”; “Doctor Jazz”; “Easy Rider”; “Hello, Dolly”; “Hey, Look Me Over”; “Jackass Blues”; “Jimtown Blues”; “Livery Stable Blues”; “The Lonesome Road”; “A Lot of Livin’ to Do”; “Mame”; “Milenberg Joys”; “Muskrat Ramble”; “Do You Know What It Means to Miss New Orleans”; “Put On a Happy Face”; “Put On Your Sunday Clothes”; “Sidewalk Blues”; “Sugar Foot Stomp”; “That Old Black Magic”; “Tin Roof Blues”; “When the Saints Go Marching In”; “Willie the Weeper”; “Wolverine Blues”)

NN: few Juveniles Arrested, in: new Orleans Times-Democrat, 2.Jan.1913 (N: arrested for discharging a revolver at Rampard and Perdido Street. “Being an old offener he was sent to the negro Waif’s Home”) [digi.copy]

NN: Registration Cart [draft card], 12.Sep.1917 (F: registration card filled out by Louis Armstrong) [digi.copy]

NN: Recording Artist, in: The Pittsburgh Courier, 16.Mar.1929, p. B5 (N/photo) [digi.copy]

NN: At Harlem Theaters. At the Lafayette, in: New York Amsterdam News, 26.Jun.1929, p. 12 (C; plus advertisement with picture for Okeh Records, “Basin Street Blues”) [digi.copy]

NN: Louis Armstrong, in: New York Amsterdam News, 26.Jun.1929, p. 13 (N: picture; also: concert advertisement) [digi.copy]

NN: Louis Armstrong Next Big Attraction Here. King of Cornetists, a Columbia Record Star, To Make First Appearance in Pittsburgh At Pythian Temple May 5 and 6, in: The Pittsburgh Courier, 26.Apr.1930, p.3 (F) [digi.copy]

NN: Louis Armstrong, World’s Best Cornetist, Here Monday, Tuesday. Capacity Crowds Expected At Pythian Temple To Welcome Famed New York Celebrity and Record Star Upon First Appeacance In This City, in: The Pittsburgh Courier, 3.May 1930, p. 8 (F, photo) [digi.copy]

Chappy Gardner: Louis Armstrong Arrested in Big Dope Scandal. Coronetist [sic] Held In Big Dope Catch, in: The Pittsburgh Courier, 6.Dec.1930, p. 1 (F) [digi.copy]

Chappy Gardner: Louis Armstrong Arrested in Big Dope Scandal. Coronetist [sic] Held in Big Dope Catch, in: Pittsburgh Courier, 6.Dec.1930, p. 1 (F) [digi.copy]

NN: Louis Armstrong Is Still ‘King’ Of All Trumpeters, in: The Pittsburgh Courier, 14.Feb.1931, p. A8 (N) [digi.copy]

NN: “Two Kings” Meet in Sunny California, in: The Pittsburgh Courier, 28.Feb.1931, p. 2 (N/photo: Louis Armstrong at Frank Sebastian’s Cotton Club, Culver City, California) [digi.copy]

NN: Sentence Trumpet King, in: The Pittsburgh Courier, 21.Mar.1931, p. 1 (short F: sentenced to six months in prison for possession of marihuana) [digi.copy]

NN: Louis Armstrong Out. Sentence Cut Short, in: The Pittsburgh Courier, 28.Mar.1931, p. 1 (F) [digi.copy]

NN: Weil, Laureate of Former City Regime, Jailed. Accused by Musician of Extortion Plot, in: Chicago Sunday Tribune, 19.Apr.1931, p. 3 (F) [digi.copy]

NN: Louie Armstrong Had No Place To Toot Horn; Crowds Followed Him. Thousands of New Orleans Dance Lovers Disappointed As Famous Orchestra Leader Gets All Dressed Up, But No Place to Play, in: Pittsburgh Courier, 19.Sep.1931, p. A8 (F) [digi.copy]

George D. Tyler: louis Armstrong Learned to Blow Trumpet in Municipal Home for Boys, in: Afro-American, 26.Dec.1931, p. 9 (F) [digi.copy]

NN: Armstrong’s Tift, Rumor Is Afloat, in: Pittsburgh Courier, 26.Dec.1931, p. 3 (F: Louis + Lil Armstrong seeking legal separation) [digi.copy]

Robert Goffin: Aux frontières du jazz, Paris 1932 [book: Éditions du Sagittaire], p. 177-179 (F: chapter “Les grands Jazz nègres. Louis Armstrong”) [digi.copy]; p. 197-199 (F: chapter “Les individualités du Hot. Louis Armstrong”) [digi.copy]

NN: Armstrong, In Suit, Says He’s Not Unique, in: Afro-American, 16.Jan.1932, p. 16 (F) [digi.copy]

NN: Armstrong-Connie Court Fight Ends. Musician Comes to Terms With Former Manager and Cabaret Owners, in: New York Amsterdam News, 20.Jan.1932, p. 2 (F) [digi.copy]

NN: Lawyer for Armstrong, Cornet King, Calls Him Ordinary. Result of Suit Hinges on His Ability as a Jazz Artist, in: Atlanta World, 17.Jan.1932, p. 2 (F) [digi.copy]

NN: Trumpeter Fights Ban. Louis Armstrong’s Talent Not Unique, Managers Contend. Witness Rates Cab Calloway, Duke Ellington, Fletcher Henderson and Others Above Cornetist in U.S. Court Suit Here, in: New York Amsterdam News, 13.Jan.1932, p. 1, 10 (F) [digi.copy]

NN: “Black Rascal” Sold 100,000 Records. “Time” Magazine Calls Louis Armstrong “Bullet-headed, Satchel-mouth”, in: Afro-American, 18.Jun.1932, p. 16 (F) [digi.copy]

Dan S. Ingman: England’s Welcome to Louis Armstrong, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 50-55 (F; reprint, from: The Melody Maker, Aug.1932)

NN: Louis Armstrong, Special, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 48-50 (short F; reprint from Rhythm, Oct.1932)

NN: Critic Calls Louis Armstrong Modern Angel Gabriel. Rumors of Trumpeter’s Death “Greatly Exaggerated,” as He is Very Much Alive and Going Strong, in: Afro-American, 15.Apr.1933, p. 9 (F) [digi.copy]

R.D. Darrell: “L’Espiègle” Noir (Black Eulenspiegel), in: Music. Magazine International du Jazz (Belgium), 9/91 (Apr.1933), p. 93-94 (F; in French and English)

H. De La Tour: Our Performers Abroad, in: New York Amsterdam News, 23.Aug.1933, p. 7 (F: Louis Armstrong, Paul Robeson in London) [digi.copy]

NN: Unpaid Policy “Hit” Causes man’s Death. Porto Rican Slain by Player of Numbers Game After Failure to Pay Debt, in: New York Amsterdam News, 20.Sep.1933, p. 16 (F: murder happened while Louis Armstrong’s “I’ll Be Glad When You’re Dead” was playing on the radio) [digi.copy]

NN: Louie to Stay in Europe, in: Pittsburgh Courier, 28.Oct.1933, p. A6 (F: Armstrong to continue European tour, though his manager returned to the USA) [digi.copy]

Trumpet King Says Goodbye Forever to U.S., in: Afro-American, 11.Nov.1933, p. 19 (F) [digi.copy]

A. Sorkine: Le Jazz en Hollande. Armstrong et Ellington, in: Music. Le Magazine du Jazz (Belgium), 10/101 (Feb.1934), p. 2, 4 (C)

NN: Armstrong Is Being Panned. Louis Got Temperamental and Withdrew From the Concert With Hawkins, in: New York Amsterdam News, 28.Apr.1934, p. 6 (F: problems with planned joined concert by Louis Armstrong and Coleman Hawkins) [digi.copy]

Bob Williams: The Hawkins-Armstrong Feud, in: Afro-American, 19.May 1934, p. 9 (F: problems with planned joined concert by Louis Armstrong and Coleman Hawkins because Armstrong has second place in billing) [digi.copy]

NN: Armstrong Plays His Swan Song In England. Louis in Final Week and Will Leave for the United States, in: New York Amsterdam News, 14.Jul.1934, p. 6 (F) [digi.copy]

Several authors: la Presse et les Concerts de Louis Armstrong, in: Music. Le Magazine du Jazz (Belgium), 12/114 (Mar.1935), p. 11-14 (F/C: concerts in Belgium and Paris)

NN: No Improvement in Lip of Star Trumpeter. ‘Melody Maker’ Brings In Sad News of Louis. Armstrong Must Not Use Trumpet for Quite a While, Says London Paper, in: New York Amsterdam News, 13.Apr.1935, p. 10 (F) [digi.copy]

NN: Louis Armstrong. ‘My Chops Was Beat – But I’m Dyin’ to Swing Again’, in: Down Beat, Jun.1935 (F/I); reprint, in: Down Beat, 61/2 (Feb.1994), p. 20, 22 (F/I); reprint, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 22 (F/I); reprint, in: Frank Alkyer & Ed Enright (eds.): Down Beat. The Great Jazz Interviews. A 75th Anniversary Anthology, New York 2009 [book: Hal Leonard Books], p. 3 (F/I)

Ishmael Northcross: Louis Armstrong Would “Toot” the Classics. Them Cats Are Ready Says Louis, in: Atlanta Daily World, 5.Jul.1935, p. 2 (F/I) [digi.copy]

Ishmael Northcross: Louie Armstring Changes Style of Trumpet Playing. Shelves “Gut-Bucket” Style for New Symphonic Jazz. Has New Group of Musicians. Six Weeks of Rehearsing Ends When Tour Starts, in: Afro-American, 6.Jul.1935, p. 8 (F/I) [digi.copy]

Ishmael Northcross: Armstrong Eyes Symphonic Jazz as Real Hope of Music. Prince of Trumpet Plans New Innovation in Symphonic Jazz – Says His Boys Can Really “Swing”, in: Pittsburgh Courier, 13.Jul.1935, p. 16 (F/I) [digi.copy]

NN: Louis Armstrong’s Ex-Manager Takes Receipts at Dance. Johnny Collins, White, Claims Money Due on Sale of Contract. Says Hoe Glazer Should Pay $5,000. $260 Cllected from Baltimore Engagement, in: Afro-American, 13.Jul.1935, p. 8 (F) [digi.copy]

NN: Louis Has Made Most Recordings, in: Atlanta Daily World, 15.Jul.1935, p. 3 (F) [digi.copy]

NN: “I’ll Send ‘Em Away Sizzling,” Says Louie, in: Atlanta Daily World, 19.Jul.1935, p. 5 (F/I) [digi.copy]

NN: Lil Armstrong May Appear With Husband, in: Atlanta Daily World, 20.Jul.1935, p. 3 (F: but Lil is identified as “a singer of unusual ability”) [digi.copy]

NN: Trumpeter to Entertain Thousands at Apollo. Armstrong Making His First Appearance. Trumpeter in His Initial Showing at the Apollo Since His Return, in: New York Amsterdam News, 10.Aug.1935, p. 5 (F) [digi.copy]

John Hammond: Louis Armstrong – Sweethearts on Parade / Savoy Blues, in: Rhythm, Dec.1935, p. 19 (R)

Louis Armstrong: Satchmo. Mi vida en Nueva Orleans, in: Cuadernos de Jazz, #63 (Mar/Apr.2001), p. 40-43 (“I”; Spanish excerpt from “My Life in New Orleans”, 1936)

Louis Armstrong: What Is Swing?, in: Robert Walser (ed.): Keeping Time. Readings in Jazz History, New York 1999 [book: Oxford University Press], p. 73-76 (F; excerpted reprint, from: Louis Armstrong, Swing That Music, New York 1936)

NN: Louis Armstrong and his Orchestra – I’m In the Mood for Love / You Are My Lucky Star / Wrap Your Troubles in Dreams / A Monday Date, in: Rhythm, Feb.1936, p. 39-40 (R)

NN: Louis Armstrong Goes to Boston for New “High;” Gets $8,000 Per. King of Trumpet Players to Open Metropolitan Theater In Hub City At Record Figure, in: Pittsburgh Courier, 14.Mar.1936, p. A7 (F) [digi.copy]

NN: Louie Armstrong to Undergo Operation, in: Pittsburgh Courier, 28.Mar.1936, p. A6 (short F: tonsillectomy) [digi.copy]

NN: Louis Armstrong, Who Once Made 260 Consecutive “High C’s” and Finished on “Top F,” Is Daddy of Swing Music. Courier Correspondent Reveals Some Intimate “Inside Dope” On Famous Band Leader Who Is Breaking All Records Wherever He Appears, in: Pittsburgh Courier, 28.Mar.1936, p. A6 (F) [digi.copy]

NN: Louis Armstrong Offers To Donate His Services To Aid In Relief Of Flood Victims. Joe Glaser, His Manager, Announces Humane Action of America’s Foremost Attraction – MayBe Used in Big Cities, in: Pittsburgh Courier, 4.Apr.1936, p. A7 (F) [digi.copy]

John Hammond: Louis Armstrong – I’m Shootin’ High / I’ve Got My Fingers Crossed, in: Rhythm, Apr.1936, p. 30 (R)

John Hammond: Louis Armstrong and his Orchestra – Wild Man Blues / Melancholy, in: Rhythm, Apr.1936, p. 29 (R)

NN: Armstrong Establishes Local Dance Record. Capacity Crowd of 2,200 at Temple. King of Trumpet Players Brings Entire “Gang” to Town For Big Night – Heard Over Radio, in: Pittsburgh Courier, 2.May 1936, p. 16 (F) [digi.copy]

Porter Roberts: Praise and Criticisim. Debunking Mr. Joe Glaser (Louis Armstrong’s Manager), in: Pittsburgh Courier, 2.May 1936, p. 16 (F: critizing Glaser using white musicians to back Armstrong) [digi.copy]

John Hammond: Louis Armstrong and his Hot Seven – Alligator Crawl / Potato Head Blues, in: Rhythm, May 1936, p. 41 (R)

John Hammond: Louis Armstrong and his Orchestra – Old Man Mose / Music Goes Round and Around, in: Rhythm, May 1936, p. 42 (R)

NN: Sobol Calls Louie Armstrong ‘King of Swing’. Noted Columnist, Walter Winchell, Rave About Louie, in: Pittsburgh Courier, 6.Jun.1936, p. A7 (F) [digi.copy]

Porter Roberts: Praise and Criticism. Headlining – Louis Armstrong, in: Pittsburgh Courier, 13.Jun.1936, p. A9 (F: Armstrong earning too less for his fame) [digi.copy]

Hugues Panassié: Louis Armstrong – “Got a Bran’ New Suit” / “On Treasure Island” / “Thanks a Million” / Solitude” (Brunswick), in: Jazz Hot, 2/9 (Jun.1936), p. 20 (R) [digi.copy]

Hugues Panassié: Louis Armstrong – “Melancholy Blues” / “Wild Man Blues” / “Alligator Crawl” / “Potato Head Blues” (Parlophone), in: Jazz Hot, 2/9 (Jun.1936), p. 21-22 (R) [digi.copy]

John Hammond: Louis Armstrong and his White Band – I’m Putting All My Eggs / Yes, Yes, My, My, in: Rhythm, Jun.1936, p. 21 (R) [digi.copy]

Hugues Panassié: Louis Armstrong – “Old Man Mose” / “The Music Goes ‘Round and Around” (Brunswick), in: Jazz Hot, 2/10 (Jul.1936), p. 18-19 (R) [digi.copy]

Madeleine Gautier: Louis Armstrong – “You Are My Lucky Star” (Brunswick), in: Jazz Hot, 2/10 (Jul.1936), p. 7 (R) [digi.copy]

NN: Ashton Stevens, Noted Critic, Declares Louis Armstrong Is Definition of ‘Swing’. Says He Will Write About Him As Long As Satchmo’s Trumpet Playing Remains On Gold Standard – Praises Revue, in: Pittsburgh Courier, 1.Aug.1936, p. 16 (F) [digi.copy]

NN: Oh! Hum! Louis Breaks Two More Attendance Records in Missouri; Hollywood Bound, in: Pittsburgh Courier, 1.Aug.1936, p. 16 (short F) [digi.copy]

Ted Watson: Satchmo Armstrong Now Making Hollywood Movie, in: Afro-American, 15.Aug.1936, p. 10 (F: “Pennies from Heaven”) [digi.copy]

Bernice Patton: Louis “Scats to Town” in New Picture. “King of Trumpet” Toots His ‘Swing’ On Golden Horn, in: Pittsburgh Courier, 29.Aug.1936, p. 17 (F) [digi.copy]

B. ten Hove: Satch’mo. Louis Armstrong, in: Rhythm, Sep.1936, p. 37 (poem)

George T. Simon: What’s What Amongst Who’s Who, in: Rhythm, Sep.1936, p. 21 (kurzes F)

Al Moses: Armstrong Is Called Answer To Theater Owner’s Prayer. Visit to Harlem Is Great Box Office Triumph, Despite Lack of Boasting, in: Pittsburgh Courier, 3.Oct.1936, p. A6 (F) [digi.copy]

NN: Books Published Today, in: New York Times, 4.Nov.1936, p. 43 (N: “Swing That Music”) [digi.copy]

NN: Armstrong Coming At Crest of Popularity. Loendi Secures Largest Hall In City for Dec. 11. “King of Trumpet Stars” and Late Screen Star Will Play at Motor Square Garden Just About Time “Pennies From Heaven” Is Shown Here, in: Pittsburgh Courier, 28.Nov.1936, p. 19 (F) [digi.copy]

Franklyn Frank: Believes Musicians Are Derelict By Not Protecting Their Own Interests, in: Philadelphia Tribune, 3.Dec.1936, p. 10 (F: critical questions about their way of handling business to Fletcher Henderson, Louis Armstrong, Count Basie, Eddie Durham, Duke Ellington) [digi.copy]

Roi Ottley: “Jazz” Acquires Flashy Clothes as “Swing” In Fascinating and Colorful Saga of Satch. Louis Armstrong Pens First Book on Swing in Standard Volume, in: New York Amsterdam News, 12.Dec.1936, p. 13 (F/B) [digi.copy]

John Hammond: Louis Armstrong and his Hot Five – Two Deuces / Fireworks, in: Rhythm, Feb.1937, p. 11 (R)

Frank S. Nugent: The Screen. “Artists and Models”, Which Opened Yesterday at the Paramount, Is One of the Season’s Best Musicals, in: New York Times, 5.Aug.1937, p. 19 (Film-R)

NN: “Satchelmo” Is 37; Choo Berry Joins Cab, in: Down Beat, 4/8 (Aug.1937), p. 1 (N)

NN: Orchestra Personnels. Louis Armstrong & Orch., in: Down Beat, 4/8 (Aug.1937), p. 17 (personnel listing)

NN: Satchmo’ Returns To His First Love, in: Down Beat, 5/1 (Jan.1938), p. 3 (N: concert plans in Chicago) [digi.copy]

NN: Armstrong at Loew’s State, in: New York Times, 25.Mar.1938, p. 14 (N) [digi.copy]

NN: “Satchelmouth “Symbol Of Best Negro Music”. Has Been Idol Of Swing Music Disciples For Many Years, in: Down Beat, 5/3 (Mar.1938), p. 4 (F: biography, current band, biographies of band members)

NN: Armstrong in L.A. for Spot in Warner Film, in: Tempo, 6/3 (Sep.1938), p. 5 (N)

Hugues Panassié: Panassie Decries Plight of Critics!! French Jazz Authority Speaks His Mind to Dissipate the Many Misunderstandings Now Existing, in: Down Beat, 6/3 (Mar.1939), p. 3, 9 (F about the task of the jazz critic, the difficulties to “improve” jazz, Duke Ellington as good example, the differences between Louis Armstrong and Roy Eldrigde) [digi.copy]

Mickey Cherep: Armstrong Is Best Trumpeter – Prima, in: Down Beat, 6/3 (Mar.1939), p. 7 (short F) [digi.copy]

NN: Louis Armstrong & His Orchestra – “I can’t give you anything but love” / “Ain’t misbehavin'” (Decca F 6954); “I’ve got a pocketful of dreams” / “I’ve got a heart full of rhythm” (Decca F 6915), in: Estrad, 1/4 (Apr.1939), p. 32 (R)

“Barrelhouse Dan”: Louis Armstrong – “When the Saints Go Marching In” / “As Long As You Live” (Decca), in: Down Beat, 6/5 (May 1939), p. 20 (R) [digi.copy]

NN: Together Again, in: Down Beat, 6/6 (Jun.1939), p. 26 (N/photo: Louis Armstrong, Tiny Parham)

Park Breck: This Isn’t Bunk; Bunk Taught Louis, in: Down Beat, 6/6 (Jun.1939), p. 4 (F/I with Bunk Johnson, Louis Armstrong)

Park Breck: This Isn’t Bunk; Bunk Taught Louis, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 39-40 (F/I; Reprint aus DB, Jun.1939)

Paul Eduard Miller: Complete Louis Armstrong Discography, in: Down Beat, 6/6 (Jun.1939), p. 19, 22 (D); part 4, in: Down Beat, 6/9 (Sep.1939), p. 16 (D) [digi.copy]

NN: Louis Armstrong Takes Band to the Cotton Club, in: Jazz Information, 1/6 (17.Oct.1939), p. 1 (N)

NN: Swingin’ That Dream, in: New York Times, 26.Nov.1939, p. X3 (C: “Shakespeare’s “A Midsummer Night’s Dream” with Benny Goodman, Louis Armstrong, Maxine Sullivan) [digi.copy]

Charles Edward Smith: New Orleans Jazz (Decca A-425), in: Tom Piazza: Setting the Tempo. Fifty Years of Great Jazz Liner Notes, New York 1996 [book], p. 25-50 (F; Reprint of liner notes from 1940)

W. Stock: Louis Armstrong – The World’s Greatest Trumpet Player / Singin’ ‘n’ Playin’, in: Jazz Podium, 35/1 (Jan.1940), p. 40 (R)

NN: Armstrong Makes Small-Band Date, in: Jazz Information, 1/32 (10.May 1940), p. 1 (short F)

NN: Louis Armstrong. Spirit of Satchmo. “Harlem Stomp” / “You’ve Got Me Voo-Doo’d”, in: Metronome, 61/6 (Jun.1940), p. 20 (R) [digi.copy]

NN: A Rare Picture of the “Hot Five”, in: Down Beat, 7/15 (1.Aug.1940), p. 11115 (N/photo)

NN: Allen, Holmes Leave Louis, in: Jazz Information, 2/5 (20.Sep.1940), p. 3 (N)

George M. Avakian: The Unissued Armstrongs, in: Jerry’s Rhythm Rag, 2 (spring 1993), p. 24-25 (F: Original in “Jazz Information”, Dec.1940)

Charles Delaunay: Louis Armstrong – “Red Cap” / “Alexander’s Ragtime Band” (Brunswick), in: NN (ed.): Festival de Jazz Français, Paris 1941 [program booklet: Hot Club de France], p. 13 (R) [digi.copy]

Charlie Emge: Orson Welles Jazz Movie Will Star Louis Armstrong, in: Down Beat, 8/16 (15.Aug.1941), p. 7 (F)

Louis Armstrong: 60-Year-old ‘Bunk’ Johnson, Louis’ Tutor, Sits in the Band, in: Down Beat, 8/16 (15.Aug.1941), p. 11 (“I”)

NN: My Boy, Bunny Berigan, in: Down Beat, 39/13 (20.Jul.1972), p. 24 (short F/I; Reprint, from: Down Beat, 1.Sep.1941)

NN: Berigan “Can’t Do No Wrong,” Says Armstrong, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 49 (F/I; Reprint aus DB, Sep.1941)

NN: Illustrious Duo…, in: Down Beat, 8/19 (1.Oct.1941), p. 19 (N/photo)

NN: Lil Armstrong Snubbed by Hollywood! Louie’s Picture Will Have Hazel Scott in Big Role, in: Down Beat, 8/19 (1.Oct.1941), p. 4 (F)

André Coeuroy: Le point de vue d’Armstrong / Louis Armstrong, in: André Coeuroy: Histoire générale du Jazz. Strette – Hot – Swing, Paris 1942 [book], p. 36-37, 124-128 (F)

NN: Louis, in: Jazz Quarterly, Summer 1942, p. 4 (poem)

NN: Long for F.D.R., But Satchmo’ Gets a Roosevelt, Too, in: Down Beat, 9/4 (15.Feb.1942), p. 23 (short F) [digi.copy]

NN: Louie, Wife Out of Tune, in: Down Beat, 9/4 (15.Feb.1942), p. 1 (short F: planned divorce from Alfa Armstrong) [digi.copy]

NN: Satchmo Eyes Casa Manana, in: Down Beat, 9/6 (15.Mar.1942), p. 1 (short F) [digi.copy]

NN: Welles Jazz Film May Be Shelved. Louie May Never Be Immortalized in Great Movie, in: Down Beat, 9/9 (1.May 1942), p. 12 (short F)

NN: Four New Decca Sides for Satchmo, in: Down Beat, 9/10 (15.May 1942), p. 15 (N)

NN: Bunny and Harry, Says Pops, in: Down Beat, 9/11 (1.Jun.1942), p. 7 (N/photo)

NN: Louis Armstrong – “Coquette” / “Among My Souvenirs” (Decca Blue), in: Down Beat, 9/14 (15.Jul.1942), p. 20 (R) [digi.copy]

NN: Louie Armstrong Gets Important Film Role. To Play Feature Role in “Cabin”, in: The Pittsburgh Courier, 1.Aug.1942, p. 21 (F) [digi.copy]

NN: Louie’s “Battle of Music” Turns Into a Battle Royal, in: The Pittsburgh Courier, 1.Aug.1942, p. 42 (C: disturbances at concert with Louis Armstrong and Charlie Barnet) [digi.copy]

NN: Crow Running Ballrooms, in: Down Beat, 9/17 (1.Sep.1942), p. 11 (N: George Crow, former Armstrong road manager, now manager of ballrooms in Sioux City, Iowa) [digi.copy]

NN: Louie Rehearses for Cabin Role, in: Down Beat, 9/18 (15.Sep.1942), p. 7 (short F)

NN: Louie Armstrong Not Rewed – Yet, in: Down Beat, 9/20 (15.Oct.1942), p. 4 (N)

NN: Louie Loses Five, Has to Scramble, in: Down Beat, 10/21 (1.Nov.1943), p. 1 (N) [digi.copy]

Roger Pryor Dodge: Louis Armstrong, in: Jazz (USA), 1/10 (Dec.1943), p. 5-6 (F/T: “Wild Man Blues”); reprint, in: Roger Pryor Dodge: Hot Jazz and Jazz Dance, Collected Writings, 1929-1964, New York 1995 [book], p. 123-125 (F/T)

William C. Love: Louis Armstrong’s Discography, in: Jazz (USA), 1/10 (Dec.1943), p. 18-21 (D)

David Ewen: Louis Armstrong. “Chicago, Chicago, That’s Where I Belong…”, in: David Ewen: Men of Popular Music, Chicago 1944 [book: Ziff-Davis Publishing Company], p. 49-62 (F)

Robert Goffin: Louis Armstrong, in: Robert Goffin: Jazz. From the Congo to the Metropolitan, Garden City/NY 1944 [book: Doubleday, Doran & Co.; reprint: New York 1975: DaCapo], p. 114-129 (F) [digi.copy]

Robert Goffin: Satchmo and the Duke, in: Robert Goffin: Jazz. From the Congo to the Metropolitan, Garden City/NY 1944 [book: Doubleday, Doran & Co.; reprint: New York 1975: DaCapo], p. 167-179 (F) [digi.copy]

NN: Jordan, Armstrong Play Competish; Jordan Clicks, in: The Billboard, 56/1 (1.Jan.1944), p. 13 (N) [digi.copy]

Art Hodes: Wingie, Louie and Me. Continuing a Series on the Jobs and Experiences of Musicians. Chicago, Louis and Earl in 1928, in: The Jazz Record, #16 (Jan.1944), p. 6-7 (F)

NN: Armstron Uses New Men in Pic, in: Down Beat, 11/12 (15.Jun.1944), p. 16 (N) [digi.copy]

NN: Federal Agency Takes Ork’s Bus, in: Down Beat, 11/18 (15.Sep.1944), p. 6 (F: bus incident during tour) [digi.copy]

Bob Coe: Chords and Discords. More of Satchmo’, in: Down Beat, 11/20 (15.Oct.1944), p. 10 (letter) [digi.copy]

George T. Simon: Simon Says…, in: Metronome, 62/12 (Dec.1944), p. 34 (F: Harry James adores Louis Armstrong) [digi.copy]

Edmond Bernhard & Jacques Vergnies: Louis Armstrong, ou Le Jazz fait homme, in: Edmond Bernhard & Jacques Vergnies: Apologie du Jazz, Bruxelles 1945 [book], p. 119-123 (F)

Robert Goffin: Louis Armstrong, in: Robert Goffin: Histoire du Jazz, Montréal 1945 [book], p. 139-162 (F)

George T. Simon: Louis Armstrong, in: George T. Simon: Simon Says. The Sights and Sounds of the Swing Era, 1935-1955, New York 1971 [book], p. 461-462 (F; Reprint aus: Metronome, Jan.1945)

George T. Simon: Simon Says…, in: Metronome, 62/1 (Jan.1945), p. 38 (F: Muggsy Spanier, Bobby Hackett, Billy Butterfield, others find Armstrong the greatest) [digi.copy]

NN: Another N.O. Jazz Concert, in: Down Beat, 12/1 (1.Jan.1945), p. 1 (short F: concert with Louis Armstrong, Sidney Bechet, others) [digi.copy]

Carlos de Radzitzky: Louis “Satchmo” Armstrong, in: Jazz (Belgium), #1 (1.Mar.1945), p. 4-5 (F)

John Lucas: Louis Armstrong – “Hot Jazz No. 1” (Victor), in: Down Beat, 12/7 (1.Apr.1945), p. 8 (R) [digi.copy]

John Lucas: Louis Armstrong -“I Wonder”, “Jodie Man” (Decca), in: Down Beat, 12/7 (1.Apr.1945), p. 9 (R) [digi.copy]

NN: Louis Armstrong – “Louis Armstrong” (Victor Album HJ-1), in: Metronome, 62/5 (May 1945), p. 20 (R) [digi.copy]

The Two Deuces (= Barry Ulanov & Leonard Feather): Louis Armstrong – “Louis Armstrong” (Victor HJ-1), in: Metronome, 62/5 (May 1945), p. 20 (R) [digi.copy]

Leonard Feather & Louis Armstrong: Louis on jazz and swing, in: Metronome, 62/6 (Jun.1945), p. 26-27 (F/I: letter by Louis Armstrong to Leonard Feather) [digi.copy]

Leonard Feather: Louis Armstrong. Accentuate the Fortissoimo. Apollo, New York, in: Metronome, 62/6 (Jun.1945), p. 24 (C: with new band led by Joe Garland) [digi.copy]

NN: Louis, in: Metronome, 62/6 (Jun.1945), p. 5 (N) [digi.copy]

Rudi Blesh: Louis Armstrong and Metronome. “I Used to Follow Bunk All Over Town,” Says Louis, Disproving Metronome Attack on Old Time Jazz, in: The Jazz Record, #34 (Jul.1945), p. 4-5, 12 (F/I)

Roger Pryor Dodge: Louis Armstrong, Brunswick-Album No. B-1016, in: Pryor Dodge: Hot Jazz and Jazz Dance, Collected Writings, 1929-1964, New York 1995 [book], p. 312-314 (R; Reprint aus: The Record Changer, Sep.1945)

Günter Boas: Die Jazzbiographie. Louis Armstrong, in: Die Jazz-Club News, #3/4 (Oct/Nov.1945), p. 11 (F)

Hugues Panassié: Louis Armstrong at the Salle Pleyel, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 60-73 (F; reprint, from: “Douze Années de Jazz”, 1946)

Mezz Mezzrow & Bernard Wolfe: Really the Blues, New York 1946 [book: Random House], passim (F)

William Russell: Louis Armstrong, in: Frederic Ramsey, Jr. & Charles Edward Smith (Hgg.): Jazzmen, London 1958 [book; Reprint, O: New York 1946], p. 119-142 (F)

Pierre Petitot: Louis Armstrong à Detroit, in: Jazz Hot, 11/5 (Mar.1946), p. 8 (C)

NN: Armstrong Unit Hits the Road, in: Pittsburgh Courier, 25.May 1946 (short F) [digi.copy]

NN: Louis Armstrong’s Crew Set for Rankin Arena. Satchmo’s Gang Primed for Big Date on Aug. 23, in: Pittsburgh Courier, 17.Aug.1946, p. 23 (F) [digi.copy]

Bernard Laurence: Le dernier concert de Louis Armstrong, in: Jazz Hot, 13/15 (1947), p. 5-6 (C)

Charles Delaunay: Louis Armstrong 1947, in: Jazz Hot, 13/14 (1947), p. 4-6 (F/I)

Hugues Panassié: Louis Armstrong. L’homme, le style, l’oeuvre, Paris 1947 [book] (F/D)

Robert Goffin: Louis Armstrong. Le Roi du Jazz, Paris 1947 [book]

NN: Satchmo Opens $200,000 D.C. Music Hall Seating 3,000, in: Afro-American, 18.Jan.1947, p. 8 (short F) [digi.copy]

Michael Levin: Louis Is Superb in Carnegie Hall Concert, in: Jerry’s Rhythm Rag, #4 (Fall 1993), p. 37-38 (C; Reprint aus Down Beat, 26.Feb.1947)

Kaiser Marshall: When Armstrong Came to New York, in: The Jazz Record, #52 (Feb.1947), p. 12-15 (F); Reprint, in: Art Hodes & Chadwick Hansen (Hgg.): Selections from the Gutter. Portraits from the Jazz Record, Berkeley 1977 [book], p. 83-85 (F)

Billie Rowe: Louis Armstrong Gets Second Big Flicker Fling. Lionel Hampton Also Sought for Role in Danny Kaye Starrer, in: Pittsburgh Courier, 14.Jun.1947 (F) [digi.copy]

NN: Louis Armstrong – “You Don’t Learn That In School” / “I Believe” / “It Takes Time” / “I Wonder, I Wonder, I Wonder” (Victor 20-2228/40), in: Metronome, 63/6 (Jun.1947), p. 25 (R) [digi.copy]

NN: “Ole Satchmo” At Apollo, in: New York Amsterdam News, 5.Jul.1947, p. 17 (N/photo) [digi.copy]

Louis Armstrong: Brief aus Hollywood, in: Hot Club News (Frankfurt), #23/24 (Jul/Aug.1947), p. 7-8 (“I”) [digi.copy]

Louis Armstrong: Louis Armstrong über Be-Bop!, in: Hot Club News (Frankfurt), #23/24 (Jul/Aug.1947), p. 8 (“I”: positive remarks on bebop) [digi.copy]

George Hoefer: New Louis Discovery On Okeh, in: Down Beat, 14/17 (13.Aug.1947), p. 9 (short F: Armstrong with Clarence Williams)

NN: Armstrong Set For Berg Spot, in: Down Beat, 14/17 (13.Aug.1947), p. 1 (N)

NN: Louis Armstrong – “St. Louis Blues” / “Tiger Rag” / “Song of the Vipers” / “Will You Won’t You Be My Babe”; “Sunny Side of the Street” (Vox Album 300), in: Metronome, 63/8 (Aug.1947), p. 29 (R) [digi.copy]

Luis Araquw: Cara a cara con Louis Armstrong, in: Ritmo y Melodia (Spain), 4/23 (Sep.1947), p. 8 (F)

NN: Louis Armstrong’s Chicago Date Really Calls Out Law, in: Pittsburgh Courier, 4.Oct.1947, p. 17 (F: due to big success) [digi.copy]

NN: Louis Armstrong and His Concert Group, in: Down Beat, 14/22 (22.Oct.1947), p. 7 (large advertisement with press clippings)

Roy W. Stephens: Writer Raps Armstrong for Criticism of Trend, in: Lewis Porter: Jazz. A Century of Change. Readings and New Essays, New York 1997 [book: Schirmer], p. 182-184 (F; Reprint, from: Philadelphia Afro-American, 15.Nov.1947)

John Lucas: King Louis. His Silver Jubilee, in: The Record Changer, Dec.1947, p. 11 (F)

NN: Louis Armstrong and Big Sid Catlett…, in: Metronome, 63/12 (Dec.1947), p. 48 (N/photo)

GUP: Louis Armstrong, in: Hot Club Journal, 1/9 (1948)

Orrin Keepnews: A Louis Armstrong Review, in: Orrin Keepnews: The View from Within. Jazz Writing 1948-1987, New York 1988 [book], p. 101-103 (C; Reprint aus: Record Changer, 1948)

Franck Bauer: Le concert de Louis Armstrong, in: Jazz Hot, #special (Jan.1948), p. 4-5 (F/C)

Robert Sylvester & Frank Conniff & Bernie Woods: Armstrong Jazzmen at Carnegie Hall, in: Metronome, 64/1 (Jan.1948), p. 5 (C; reprint from New York dailies)

NN: Lionel, Armstrong Hot in N.Y. Theatres, in: Pittsburgh Courier, 7.Feb.1948, p. 14 (short F) [digi.copy]

NN: Louis’ French Date Definite, in: Down Beat, 15/3 (11.Feb.1948), p. 1 (N) [digi.copy]

Boris Vian: Armstrong bleibt der Meister, in: Boris Vian: Stolz und Vorurteile. Schriften, Glossen und Kritiken über Jazz, Wien 1990 [book], p. 40-41 (F; O: Combat, 24.Feb.1948)]

Boris Vian: Le Festival de Jazz de Nice. Louis Armstrong, in: Jazz Hot, #20 (Feb.1948), p. 15 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 51-52 (F)

Michel Emer: Louis Armstrong. Tel que je l’ai retrouvé…, in: Jazz Hot, #20 (Feb.1948), p. 6-7 (F)

Boris Vian: Louis Armstrong à Pleyel a triomphe “comme prevu”, in: Combat, 3.Mar.1948 (C); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 252-253 (C)

NN: Der Pokal dem Trompeter. Delirium in Nizza, in: Der Spiegel, 6.Mar.1948 (C) [digi.copy]

Ernest Borneman: Louis Plays in Paris; Fluffs Threat on Life, in: Down Beat, 15/6 (24.Mar.1948), p. 17 (F/C)

André Hodeir: Louis Armstrong à Paris, in: Jazz Hot, #21 (Mar.1948), p. 4 (F/C)

George Simon: Bebop’s the Easy Out, Claims Louis. They can give it, but they can’t take it, insists Armstrong, who threatens to hitch up his mule if things don’t get better soon, in: Metronome, 64/3 (Mar.1948), p. 14-15 (F/I)

George T. Simon: Bebop’s the Easy Way Out, Claims Louis, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 141-144 (F/I; reprint, from: Metronome, Mar.1948)

George T. Simon: Louis Armstrong, in: George T. Simon: Simon Says. The Sights and Sounds of the Swing Era, 1935-1955, New York 1971 [book], p. 29-31 (F/I; Reprint aus: Metronome, Mar.1948)

Hans Blüthner: Louis Armstrong and his Orchestra – “I Got Rhythm” / “Them There Eyes” (Odeon 31 747); “When You’re Smiling” / “Body and Soul” (Odeon 31 749), in: Melodie, 3/3 (Mar.1948), p. 14 (R) [digi.copy]

Henry Vadas: Retour au Hot Five, in: Jazz Hot, #21 (Mar.1948), p. 15 (F)

Ernest Borneman: “Bop Will Kill Business Unless It Kills Itself First” – Louis Armstrong, in: Down Beat, 7.Apr.1948, p. 2-3 (I with Louis Armstrong, Barney Bigard, Mezz Mezzrow); Reprint, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 64-66 (I); Reprint, in: Robert Walser (ed.): Keeping Time. Readings in Jazz History, New York 1999 [book: Oxford University Press], p. 153-155 (I); reprint, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 144-151 (I); reprint, in: Down Beat, 76/7 (Jul.2009), p. 100-101 (I) [digi.copy]

Boris Vian: Quand Armstrong depasse les moyens moyens, in: Combat, 8.Apr.1948 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 263-264 (F)

NN: Louis Inked for Leadoff Pop Concert, in: Down Beat, 15/8 (21.Apr.1948), p. 18 (N)

NN: N.O. Date for Louis, in: Down Beat, 15/8 (21.Apr.1948), p. 4 (N)

NN: Clicks in Mardi Gras Town. Armstrong Hot as Good Gumbo in N.O., in: Pittsburgh Courier, 1.May 1948, p. 15 (F) [digi.copy]

NN: NJF Sponsors Louis Concert, in: Down Beat, 15/9 (5.May.1948), p. 2 (N)

Boris Vian: Revue de Presse. A propos de Louis Armstrong, in: Jazz Hot, #23 (May 1948), p. 10-11 (F)

“gup”: Louis Armstrong, in: Hot Club Journal (Germany), 1/9 (Jun.1948), p. 19-20 (F) [xerox] [digi.copy]

NN: Louis’ Ciro’s Click Nets Click Date, in: Down Beat, 15/17 (25.Aug.1948), p. 2 (N) [digi.copy]

Mackie Paise: Armstrong Date Set in Vancouver, in: Down Beat, 15/23 (17.Nov.1948), p. 18 (N)

Ruth Gillis: Louis, College In Detroit Aid Race Harmony, in: Down Beat, 15/24 (1.Dec.1948), p. 9 (F/C)

Jack Egan: Television News. Louis Unit Shows Why ‘Live’ Music Is Sought, in: Down Beat, 15/25 (15.Dec.1948), p. 7 (F) [digi.copy]

George Hoefer: The Hot Box. King Louis Elected King of Zulus for Mardi Gras, in: Down Beat, 15/26 (29.Dec.1948), p. 11 (F)

NN: The Louie Cylinders, in: The Jazzfinder, 1/12 (Dec.1948), p. 5-6 (F)

André Hodeir: Huit faces de Louis Armstrong Hot Five, in: Jazz Hot, #special (Jan.1949), p. 16-17, 32 (F)

NN: Louis Armstrong – “Please Stop Playin’ Those Blues” / “Lovely Weather We’re Having” (Victor 20-2648), in: Metronome, 65/1 (Jan.1949), p. 43 (R) [digi.copy]

NN: Louis the First, in: Time, 23.Feb.1949, p. 30-33 (F/I) [digi.copy]

NN: Armstrong Reigns as King of the Zulus Back Home, in: Playback, 2/3 (#15, Mar.1949), p. 3-4 (F)

Leonard Feathwer: J’ai vu Satchmo en Roi des Zoulous. Le Mardi gras de Louis Armstrong, in: Jazz Hot, #32 (Apr.1949) (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 187-194 (F)

Peter Tanner: Louis Armstrong – “Please Stop Playing These Blues” / “Before Long” (HMV 89743); “Cash for Your Trash” / “I Never Knew” (Brunswick 04044), in: Jazz Journal, 2/4 (Apr.1949), p. 8 (R) [digi.copy]

Leonard Feather: En Mardi Grasparad in New Orleans. Leonard Feather har upplevt tre hektiska dagar I New Orleans med Louis Armstrong som King of the Zulus, in: Estrad, 11/5 (May 1949), p. 10-11 (F)

NN: Rey de los Zulúes, in: Ritmo y Melodia (Spain), 5/35 (May 1949), p. 1 (short F)

Pierre Artis: Recuerdo de Armstrong, in: Ritmo y Melodia (Spain), 5/35 (May 1949), p. 3 (F)

Al Sandstrom: Än leva gamla gudar. Glimtar från Los Angeles, in: Orkester Journalen, 17/6 (Jun.1949), p. 18-19 (news column: Louis Armstrong, Wingy Manone, Red Nichols, Kid Ory, Gene Krupa)

NN: Louis Armstrong and his Orchestra / Hot Six – “Joseph and his Brothers” / “I want a little girl” (HMV B. 9645), in: Orkester Journalen, 17/6 (Jun.1949), p. 28 (R)

Peter Tanner: Louis Armstrong – “Savoy Blues” / “Me and Brother Bill” (Decca F 7177), in: Jazz Journal, 2/6 (Jun.1949), p. 7 (R) [digi.copy]

Rolf Dahlgren: Louis Armstrong and his Hot Six / Orchestra – “I want a little girl” / “Joseph and his Brudders” (HMV B 9645), in: Estrad, 11/6 (Jun.1949), p. 15 (R)

Blicher-Hansen: Armstrong – “alt er i orden”, in: Estrad, 11/8 (Aug.1949), p. 1 (C: Copenhagen concert)

Leonard Feather: Blindfold Test. Louis Armstrong, in: Metronome, Sep/Oct.1949 (BT: Roy Eldridge: “Fiesta in Brass”; Bunk Johnson: “Franklin Street Blues”; Woody Herman: Keeper of the Flame”; Art Hodes: “Way Down Yonder in New Orleans”; Benny Goodman: “Sometimes I’m Happy”; Guy Lombardo: “Always”); Reprint, in: Jazz Times, 30/8 (Oct.2000), p. 46-47 (BT)

“-wil”: Louis, Ahearing on Same Bill Enrich Bop City Till, in: Down Beat, 16/19 (7.Oct.1949), p. 2 (F/C)

NN: Louis the First, in: BFN Anglo-German Swing Club, 20.Oct.1949, p. 1-7 (F; reprint from Time); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 43-48 (F) [digi.copy]

Leonard Feather: Lombardo Grooves Louis!… Bop Is Bunk!, in: Jazz Times, 25/4 (May 1995), p. 138 (BT; Reprint from: Metronome, Oct.1949: Roy Eldridge: “Fiesta in Brass”; Bunk Johnson: “Franklin Street Blues”; Woody Herman: Keeper of the Flame”; Art Hodes: “Way Down Yonder in New Orleans”; Benny Goodman: “Sometimes I’m Happy”; Guy Lombardo: “Always”)

NN: Armstrong et Béchet en France, in: Jazz Hot, #37 (Oct.1949), p. 5 (short F)

NN: Armstrong med drömsextetten i Sverige. Aftonbladet och Estrad arrangera. Alla tiders största jazzevenemang. Europapremiär i Stockholm 3 okt., in: Estrad, 11/10 (Oct.1949), p. 1 (F)

NN: Discographie d’Louis Armstrong, in: Jazz Hot, #37 (Oct.1949), p. 30 (D)

NN: Louis Armstrong en Suisse, in: Jazz Hot [Jazz-Revue (Switzerland)], #37 (Oct.1949), p. 41 (N)

NN: Jazz. Weißes Tuch auf schwarzer Stirn. Wenn King Louis bläst, in: Der Spiegel, 3/46 (10.Nov.1949), p. 34-35 (F) [digi.copy]

“N.H.” & Rolf Dahlgren & Sven Janthe & Percy Kull & Rhythm rascal & Charles Norman & CeHå & Elevinsohn: Armstrongs konserter – en folkfest utan like, in: Estrad, 11/11 (Nov.1949), p. 5-9 (C/photos)

André Hodeir: Popularité de Louis Armstrong, in: Jazz Hot, #38 (Nov.1949), p. 5 (F)

Carlos de Radzituky: Louis Armstrong en Belgique, in: Jazz Hot [Hot Club Magazine (Belgium)], #38 (Nov.1949), p. 37, 39 (F/C)

Gérard Pochonet: Louis Armstrong et Coleman Hawkins en France, in: Jazz Hot, #38 (Nov.1949), p. 20-21 (F/C)

Louis Emery: Earl Hines avec Louis Armstrong à Lausanne, in: Jazz Hot [Jazz-Revue (Switzerland)], #38 (Nov.1949), p. 41-42 (C)

Rolf Dahlgren: Louis Armstrong and his orchestra – “Coquette” / “Among my souvenirs” (Decca BM 4002), in: Estrad, 11/11 (Nov.1949), p. 17 (R)

Felix Steinmann: Louis Armstrong auf Europa-Tournee, in: Jazz (Germany), #1 (Dec.1949), p. 26 (C) [digi.copy]

Sinclair Traill: Louis Armstrong & His All Stars – “Endie” / “Jack Armstrong Blues” (HMV B9819), in: Jazz Journal, 2/12 (Dec.1949), p. 9 (R) [digi.copy]

NN: Louis Armstrong. Ein Leben für den Jazz, in: [label info: Odeon Schallplatten], ca. 1950s (F/D) [digi.copy]

J. Martin: Many Happy Returns, in: British Forces Network, #9 (1950)

Pierre Gazères: Les dialogues du jubilé Armstrong, in: Jazz Hot, #41 (Feb.1950), p. 26-27 (R)

Carlos de Radzitzky: Louis Armstrong in Europe. Satchmo’s Belgian Diary, in: Jazz Journal, 3/1 (Jan.1950), p. 6 (short F/photos) [digi.copy]

Peter Tanner: Louis Armstrong – “That Lucky Old Sun” / “Blueberry Hill” (Brunswick 04372); “Maybe It’s Because” / “I’ll Keep the Lovelight Burning” (Brunswick 04380), in: Jazz Journal, 3/1 (Jan.1950), p. 9 (R) [digi.copy]

Sinclair Traill: Louis Armstrong’s Hot Five – “Cornet Chop Suey” / “Muskrat Ramble” (Columbia DB), in: Jazz Journal, 3/2 (Feb.1950), p. 9 (R) [digi.copy]

NN: Apuntes para un retrato de Louis Armstrong, in: Jazz Crisis (Spain), 1/6 (Mar.1950), p. 42, 46 (F)

NN: Knight Brings King Louis Tribute, in: Down Beat, 17/8 (21.Apr.1950), p. 2 (N/photo)

NN: Louis Armstrong and his Hot Seven – “Hotter Than That”; “That’s When I’ll Come Back to You” (Odeon), in: Anglo-German Swing Club News, #6 (Apr.1950) (R); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 151 (R) [digi.copy]

Sinclair Traill: Louis Armstrong – “I’ll Get Mine Bye” / “Hey Lawdy Mama” (Brunswick 04296); “Yes Suh” / “Do You Call That a Buddy” (Brunswick 04297); “Long, Long Ago” / “Is the Gloaming” (Brunswick 04397), in: Jazz Journal, 3/4 (Apr.1950), p. 6 (R) [digi.copy]

Olaf Syman & Jack Martin: Louis Armstrong’s Dixieland Seven – “Where the Blues Were Born in New Orleans”; “Mahogany Hall Stomp” (HMV), in: Anglo-German Swing Club News Sheet, #7 (May 1950) (R); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 174 (R) [digi.copy]

Félix Manskleid: Portrait d’un demi-siècle. Satchmo fête son cinquantenaire, in: Jazz Hot, #45 (Jun.1950), p. 22 (F)

Louis Armstrong: Ulceratedly Yours, Louis Armstrong, in: Down Beat, 14.Jul.1950 (“I”); reprint, in: Down Beat, 61/7 (Jul.1994), p. 27 (“I”); reprint, in: Down Beat, 67/7 (Jul.2000), p. 36-37 (“I”); reprint, in: Frank Alkyer & Ed Enright (eds.): Down Beat. The Great Jazz Interviews. A 75th Anniversary Anthology, New York 2009 [book: Hal Leonard Books], p. 39-31 (“I”)

Alan P. Merriam & Robert J. Benford: Louis Armstrong. Bibliography, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 33-35 (Bibliography)

Albert J. McCarthy: Louis Armstrong. Discography, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 37-42 (D)

Bill Grauer: Louis Today, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 27 (F)

Bucklin Moon: Louis Armstrong. The Horn Behind the Blues, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 14 (F)

Charles Edward Smith: The Making of a King, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 19-21, 45-46 (F)

Fletcher Henderson: Louis Armstrong. He Made the Band Swing, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 15-16 (F/I)

George Avakian: Louis Armstrong – “I Mean the Jeebies”, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 22 (F)

George T. Simon: L (50th birthday), in: Metronome, 66/7 (Jul.1950), p. 15

Jack Martin: Many Happy Returns, in: Anglo-German Swing Club News Sheet, #9 (Jul.1950) (F); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 212 (F) [digi.copy]

Kay C. Thompson: Louis and the Waif’s Home. His Early Training Came “Back’o Jones”, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 8, 43 (F)

Lester Koenig: The Hot Five Sessions, by Kid Ory, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 17, 45 (F)

Louis Armstrong: Bunk Didn’t Teach Me, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 30 (“I”)

Louis Armstrong: Care of the Lip, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 20 (“I”)

Louis Armstrong: Joe Oliver Is Still King, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 10-11 (“I”)

Lucille Armstrong: Louis’ Favorite Dish. The Recipe for Red Beans and Rice, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 18 (F)

NN: From Louis’ Photo Album, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 28-29 (photo-F)

NN: Louis On the Spot. An Interview, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 23-24, 44 (I)

Orrin Keepnews: Louis Armstrontg. The Big Band Period, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 25-26 (F)

Peter Drew: Louis Armstrong. The Professional Viewpoint, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 31, 46-47 (F)

Rudi Blesh: On the Riverboats, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 9, 43-44 (F)

George T. Simon: Louis Armstrong, in: Metronome, 66/8 (Aug.1950), p. 18-19

“mix”: Louis Armstrong – “La Vie en Rose”, “C’est Si Bon”, in: Down Beat, 17/19 (22.Sep.1950), p. 14 (R)

Pierre Belzeaux: Satchmo a fêté ses 50 ans, in: Jazz Hot, #47 (Sep.1950), p. 19 (F)

Barry Ulanov: History of Jazz. Part 4: Louis Armstrong, in: Metronome, 66/11 (Nov.1950), p. 14-15

Tallulah Bankhead: An Appreciation of Louis Armstrong, in: Flair, Nov.1950 (F); reprint, in: NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet], p. 16-17 (F) [digi.copy]

NN: Louis Armstrong’s 50 Dixieland Jazz Classics for the Cornet, New York 1951 [book/sheet music: Melrose Music Corp.] (T: “Black Bottom Stomp”; “Bucktown Blues”; “Cafe Capers”; “The Chant”; “Chattanooga Stomp”; “Chicago Breakdown”; “Chimes Blues”; “Copenhagen”; “Dallas Stomp”; “Dead Man Blues”; “Dixieland Blues”; “Doctor Jazz”; “Eassy Rider”; “Frog-i-more Rag”; “Grace and Beauty”; “Grandpa’s Spell”; “High Society”; “Hot Notes”; “Jackass Blues”; “Jimtown Blues”; “Kansas City Stomp”; “King Porter Stomp”; “Livery Stable Blues”; “London Blues”; “Maple Leaf Rag”; “Milenburg Joys”; “Mr. Jelly Lord”; “Mobile Blues”; “New Orleans Stomp”; “Panama Blues”; “The Pearls”; “San Sue Strut”; “She’s Crying For Me”; “Sidewalk Blues”; “Slippery Elm”; “Snag It”; “Sobbin’ Blues”; “Spanish Shawl”; “Steamboat Stomp”; “Stomp Your Stuff”; “Sugar Babe”; “Sugar Foot Stomp”; “Tampeekoe”; “Tin Roof Blues”; “Tia Juana”; “29th & Dearborn”; “Wa Wa Wa”; “Weary Blues”; “Wolverine Blues”)

NN: Louis Armstrong & Louis Jordan – “Life Is So Peculiar” / “You Rascal You” (Decca 27212), in: Metronome, 67/1 (Jan.1951), p. 25 (R) [digi.copy]

NN: Louis Armstrong Packs ‘Em in at Local Nightclub, in: Los Angeles Sentinel, 12.Apr.1951, p. B3 (short F) [digi.copy]

Rudolf Ebel: Louis Armstrong – “Knee Drops” / Carroll Dickerson – “Savoyagers Stomp” (Odeon O-31807), in: Jazz Tempo, 1/1 (Apr.1951), p. 12 (R) [digi.copy]

NN: Jazz-Nachrichten. Armstrong am 9.8. in Nürnberg?, in: Jazz Tempo, 1/2 (May 1951), p. 16 (N) [digi.copy]

NN: Jazz-Nachrichten. Film mit Armstrong, in: Jazz Tempo, 1/2 (May 1951), p. 16 (N: “The Strip”) [digi.copy]

Bill Grauer: Letter to Louis, in: The Record Changer, 10/6 (Jun.1951), p. 5 (F)

Carlos de Radzitzky: Deux concerts de Louis Armstrong en Long-Playing, in: Jazz Hot [Hot Club Magazine (Belgium)], #56 (Jun.1951), p. 31, 33 (C)

NN: Gordon Jenkins. Armstrong’s Alter Ego, in: Metronome, 68/6 (Jun.1951), p. 16

NN: Louis Armstrong, in: VierViertel, 5/7 (Jul.1951), p. 30 (N: angekündigtes Deutschland-Gastspiel)

Claes Dahlgren: Nytt från New York, in: Orkester Journalen, 19/8 (Aug.1951), p. 10 (N)

NN: Louis 1925-1947, in: Metronome, 67/8 (Aug.1951), p. 18-19, 33

NN: Louis Armstrong and his Orchestra – “I velieve” / “You don’t learn that in school” (HMV SG 285); “Linger in my arms a little longer, baby” / “Blues for yesterday” (HMV X 7716), in: Orkester Journalen, 19/8 (Aug.1951), p. 17 (R)

Ted Warner: Hört i Chicago, in: Orkester Journalen, 19/8 (Aug.1951), p. 14-15 (C)

NN: Personalien. Louis Armstrong, in: Der Spiegel. 17.Oct.1951, p. 24 (short F: Armstrong gets his lip balm through Hans Blüthner and Kurt Widmann) [digi.copy]

Claes Dahlgren: Nytt från New York. Armstrong filmar flitigt, in: Orkester Journalen, 19/10 (Oct.1951), p. 10 (short F)

Joachim Ernst Berendt: Armstrong. Baby, jetzt kommt die Krone. Geliebte kleine Jazztrompete. Jazz-King Louis Armstrong, in: Der Spiegel, 5/48 (28.11.1951), p. 24-27, cover (F) [digi.copy]

Claes Dahlgren: Nytt från New York. Okänd trombonist med Armstrong, in: Orkester Journalen, 19/11 (Nov.1951), p. 11 (short F)

NN: Louis Armstrong Plays New Years Show at Oasis, in: Los Angeles Sentinel, 27.Dec.1951, p. B7 (short F) [digi.copy]

NN: Wie sie wurden, was sie sind. Louis Armstrong, in: Hör Zu!, #49 (Dec.1951) (F); reprint, in: Swinging Hamburg Journal, 10/39 (2011), p. 22 (F) [digi.copy]

Sinclair Traill: Requiem for the All Stars, in: Jazz Journal, 4/12 (Dec.1951), p. 1-2 (F)

Art Buchwald: Paris – and People. ‘Satchmo’ Abroad, in: New York Herald Tribune, 1952 (F/I); reprint, in: NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet], p. 19 (F/I) [digi.copy]

Barry Ulanov: Louis, in: Barry Ulanov: The History of Jazz in America, New York 1952 [book: The Viking Press], p. 87-97 (F) [digi.copy]

E.J.: Maturafeier mit Louis Armstrong, in: Podium, 4/55 (1952), p. 5

Erwin Kester: Trompete – Ausdruck schöpferischer Lebenskraft. Louis Armstrong musizierte im Frankfurter Althoffbau, in: Frankfurter Rundschau, 1952 (C) [digi.copy]

H. Redl: Louis Armstrong and his All-Stars, in: Podium, 4/53 (1952), p. 7

J. Vermont: Les concerts. La tournée Louis Armstrong, in: Jazz Hot, 18/72 (1952), p. 13-15

Joachim Ernst Berendt: Armstrong-Tournee. Künstlerisch sehr wertvoll, in: Melody Maker, 6/45 (1952), p. 25

Lil Armstrong: Comment j’ai connu Louis, in: Jazz Hot, 18/71 (1952), p. 10-11

Lil Armstrong: Lil Armstrong revit l’age d’or de Chicago, in: Jazz Hot, 18/72 (1952), p. 10ff.

Lucien Malson: Louis Armstrong, in: Lucien Malson: Que sais-je? Les maitres du jazz, Paris 1952 [book], p. 36-52 (F)

NN: Louis Armstrong kommt. New Orleans war enttäuscht, in: Podium, 4/56-57 (1952), p. 5

Rex Harris: Jazz, Harmondsworth, Essex 1952 [book: Penguin Books], p. 112-139 (F: chapter “The Great Individualists”)

NN: ‘Satchmo’ Hits With Top Tune In Career, in: Los Angeles Sentinel, 24.Jan.1952, p. B2 (short F) [digi.copy]

NN: Louis, Rhythmaires Join in Song, in: Down Beat, 19/3 (8.Feb.1952), p. 9 (N/photo)

Don Freeman: We’ll Get Along Without Hines’ Ego, Says Armstrong, in: Down Beat, 19/4 (22.Feb.1952), p. 3 (F/I)

J. Lee Anderson: Evolution of Jazz, in: Down Beat, 19/4 (22.Feb.1952), p. 18 (F: cartoon)

Ralph J. Gleason: Swingin’ at the Golden Gate. Going Back to Hawaii Every Year, Says Satch, in: Down Beat, 19/8 (18.Apr.1952), p. 5 (F/I) [digi.copy]

Claes Dahlgren: Nytt från New York. Armstrong på världsturné, in: Orkester Journalen, 20/4 (Apr.1952), p. 11 (short F)

John Lucas: Bix or Louis, in: The Record Changer, 11/4 (Apr.1952), p. 3, 10 (F)

NN: Louis Armstrong and his Hot Five – “Gut bucket blues” / “Yes I’m in the barrel” (Columbia D.B. 2978); Louis Armstrong and Gordon Jenkins – “That lucky old sun” / “Blueberry hill” (Decca BM 04372), in: Orkester Journalen, 20/4 (Apr.1952), p. 26 (R)

NN: Louis Armstrong – “You’re just in love” / “That’s what the man said” (Decca BM 31007), in: Orkester Journalen, 20/5 (May 1952), p. 22-23 (R)

NN: Personalien. Louis Armstrong, in: Der Spiegel, 9.Jul.1952, p. 24 (short F: British tour canceled because Armstrong supposedly doesn’t fill the halls) [digi.copy]

NN: Louis Armstrong and Ella Fitzgerald – “The frim fram sauce” / “A kiss to build a dream on” (Decca BM 31040), in: Orkester Journalen, 20/7 (Jul.1952), p. 19 (R)

NN: Louis Armstrong, in: VierViertel, 6/7 (Jul.1952), p. 30 (F/Konzertankündigung)

NN: The Mills Brothers with Louis Armstrong – “Cherry” / “Marie” (Decca BM 03065), in: Orkester Journalen, 20/8 (Aug.1952), p. 22 (R)

NN: Louis Armstrong en Europe, in: Jazz Hot, #69 (Sep.1952), p. 19 (N)

NN: Louis Armstrong kommt. Ein Wunschtraum der Jazzfreunde geht in Erfüllung, in: Das internationale Podium, #56/57 (Sep.1952), p. 5 (F) [digi.copy]

NN: New Orleans war enttäuscht, in: Das internationale Podium, #56/57 (Sep.1952), p. 5 (C) [digi.copy]

“L.O.”: Der König der Trompeter kommt. Louis Armstrong zum erstenmal in Deutschland, in: Die Neue Zeitung, 3.Oct.1952 (F); reprint, in: Swinging Hamburg Journal, 4/12 (2005), p. 25 (F) [digi.copy]

NN: Armstrong and Jenkins, in: Down Beat, 19/20 (8.Oct.1952), p. 1 (N/photo: Louis Armstrong, Gordon Jenkins)

Günter Schab: Louis mit der Trompete. Armstrong begann seine Deutschland-Tournee, in: Die Neue Zeitung, 13.Oct.1952 (C); reprint, in: Swinging Hamburg Journal, 4/12 (2005), p. 26 (C) [digi.copy]

“H.Ko.” Das Fest der Fans. Anmerkungen zum Gastspiel Louis Armstrongs, in: Die Neue Zeitung, 14.Oct.1952 (C); reprint, in: Swinging Hamburg Journal, 4/12 (2005), p. 27 (C) [digi.copy]

Jostein Nyhamar: Trolldom i trompeten. Jubel for Armstrong, in: Aktuell (Norway), 18.Oct.1952, p. 14-15, cover (C) [digi.copy]

John Hammond: Louis Travels Light, BG Needs Baggage, in: Down Beat, 19/21 (22.Oct.1952), p. 3, 19 (F)

NN: Armstrong On European Tour, in: Down Beat, 19/21 (22.Oct.1952), p. 1 (short F)

NN: Cover Subjects, in: Down Beat, 19/21 (22.Oct.1952),p.1, cover (N/cover)

NN: Louis Armstrong & Velma Middleton – “Baby It’s Cold Outside” / “That’s My Desire” (Decca), in: Down Beat, 19/21 (22.Oct.1952), p.11 (R)

Franz Heinrich: Armstrong in Deutschland, in: Jazz Revue, 3/10 (Oct.1952), p. 3 (C)

NN: Louis Armstrong ohne Illusion, in: vierViertel, 6/10 (Oct.1952), p. 4 (C) [digi.copy]

NN: Satchmo ist endlich da! Termine der Armstrong-Konzerte festgelegt, in: Podium, Oct.1952 (short F/concert dates in Germany) [digi.copy]

NN: Armstrong-Tournee. Künstlerisch sehr wertvoll, in: Der Spiegel, 5.Nov.1952 (C); reprint, in: Swinging Hamburg Journal, 4/12 (2005), p. 28 (C) [digi.copy]

NN: Jazz. Armstrong-Tournee. Künstlerisch sehr wertvoll, in: Der Spiegel, 5.Nov.1952, p. 25 (F/C: in Germany) [digi.copy]

NN: Louis Armstrong – “I Laughed At Love” / “Takes Two to Tango” (Decca), in: Down Beat, 19/22 (5.Nov.1952), p. 10 (R)

NN: Wild Crowds, Broken Records Greet Armstrong Abroad Again, in: Down Beat, 19/23 (19.Nov.1952), p. 1 (F: Armstrong in Stockholm, Copenhagen, France)

“h.w.”: Louis Armstrong – ein Erlebnis! Erste Podium-Reise ein voller Erfolg, in: Podium, Nov.1952 (C: Munich, Germany) [digi.copy]

“S.B.”: Trotz allem: Bravo Satchmo! Armstrongs Spiel überstrahlte alle Mängel dieses Gastspiels, in: Podium, Nov.1952 (C) [digi.copy]

Carlos de Radzitzky: Louis Armstrong à Bruxelles, in: Jazz Hot [Hot Club Magazine (Belgium)], #71 (Nov.1952), p. 35 (C)

Louis Armstrong: Extraits de “Ma Nouvelle Orleans”, in: Jazz Hot, #71 (Nov.1952), p. 12-14 (excerpt from Armstrong’s book)

NN: In Person. Louis Armstrong, Paramount Theatre, New York, in: Metronome, 68/11 (Nov.1952), p. 11 (C)

NN: Louis Armstrong’s Deutschland-Tournee, in: Die Gonmdel, Nov.1952 (short C) [digi.copy]

NN: Louis Armstrong & Gordon Jenkins – “White Christmas” / “Winter Wonderland” (Decca), in: Down Beat, 19/24 (3.Dec.1952), p. 10 (R) [digi.copy]

NN: Louis To Africa. Nixes ‘Cabin Role, in: Down Beat, 19/24 (3.Dec.1952), p. 2 (short F) [digi.copy]

NN: Cover Story. ‘Beat’ Readers Elect Louis To Hall of Fame, in: Down Beat, 19/26 (31.Dec.1952), p. 1, cover (F)

Jackie Vermonz: La Tournée Louis Armstrong, in: Jazz Hot, #72 (Dec.1952), p. 13-15 (F/C)

L.M.: Louis Armstrong à Lausanne, in: Jazz Hot [Jazz-Revue (Switzerland)], #72 (Dec.1952), p. 38 (C)

NN: Louis Armstrong in München beinahe ausgepfiffen, in: Podium, Dec.1952 (C) [digi.copy]

Jan Slawe: Louis Armstrong. Zehn monographische Studien, Basel 1953 [book] (F/A)

Joachim Ernst Berendt: Das Jazzbuch. Entwicklung und Bedeutung der Jazzmusik, Frankfurt/Main 1953 [book: Fischer Bücherei], p. 35-40 (F)

km: Neues über die Armstrong/Les Hite-Platten (1930-31), in: Jazz Bulletin, 2/4 (1953)

“nat”: Satchmo Storms Boston; Gets Plaque, Scroll, Etc., in: Down Beat, 20/2 (28.Jan.1953), p. 3 (F)

NN: Music Scene In Focus. Down By The Station, in: Down Beat, 20/2 (28.Jan.1953), p. 11 (N/photos: in Boston, with Muggsy Spanier, George Wein)

NN: Pro und contra Armstrong, in: vierViertel, 7/1 (Jan.1953), p. 48-51 (F/C)

Leonard Feather: Feather’s Nest, in: Down Beat, 20/3 (11.Feb.1953), p. 21 (F)

NN: Louis Armstrong & Gordon Jenkins – “Listen to the Mocking Bird” / “Chloe” (Decca), in: Down Beat, 20/3 (11.Feb.1953), p. 12 (R)

“nat”: Hawaii Was Great, But So Is Satchmo, Says Trummy Young, in: Down Beat, 20/4 (25.Feb.1953), p. 13 (F/I with Trummy Young) [digi.copy]

NN: Goodman Lining Up Ork For Tour With Armstrong, in: Down Beat, 20/4 (25.Feb.1953), p. 1 (F) [digi.copy]

Jeff Lowenthal & Lee Castle: Chords and Discords. Tops On Pops, in: Down Beat, 20/6 (25.Mar.1953), p. 8 (letters)

“f”: Louis Armstrong and his Hot Five – “Cornet Shop Suey” / “Muscrat Ramble” (Columbia), in: Jazz Podium, 2/2 (Mar.1953), p. 18 (R) [digi.copy]

Clym: La vie de Louis Armstrong, part 3, in: Jazz Hot, #75 (Mar.1953), p. 9 (cartoon); part 4, in: Jazz Hot, #76 (Apr.1953), p. 19 (cartoon); part 5, in: Jazz Hot, #77 (May 1953), p. 19 (cartoon)

NN: Armstrong-Konzert im Paramount, in: Jazz Podium, 2/2 (Mar.1953), p. 5 (C) [digi.copy]

NN: BG, Satch Into Bowl June 15, in: Down Beat, 20/9 (6.May 1953), p. 2 (N)

Leonard Feather: BG-Louis Tour Is Citd As Bitterest Jazz Hassel Ever, in: Down Beat, 20/11 (3.Jun.1953), p. 1 (F) [digi.copy]

NN: Louis Armstrong. Zum 53. Geburtstag am 4. Juli, in: Jazz Podium, 2/6 (Jun.1953), p. 5

Stanley Dance: Lightly and Politely. Veteran Magician, in: Jazz Journal, 6/6 (Jun.1953), p. 17-18 (F/R)

NN: New Music TVer To Bow With Satch, in: Down Beat, 20/14 (15.Jul.1953), p. 1 (N) [digi.copy]

Hans de Wild: JR Blindtest Nr. 10. Louis Armstrong, in: Jazz Revue, 4/7 (Jul.1953), p. 99-100 (F/BT: Bix Beiderbecke: “Since My Best Gal Turned Me Down”; Miles Davis: “Godchild”; Dutch Swing College Band: “1919 Rag” / “Boogie Trap”; Bessie Smith: “St. Louis Blues”)

NN: Two Birthdays, in: Down Beat, 20/16 (12.Aug.1953), p. 18 (N/photo: Louis Armstrong, Chet Roble)

Andrew E. Salmieri: Louis Armstrong, in: Jazz Hot, #80 (Sep.1953), p. 10 (I)

Bucklin Moon: Louis and the blues, in: The Record Changer, Sep.1953, p. 9 (F)

NN: Louis Armstrong and his Hot Five – “Fireworks” / “Two Deuces” (Odeon 28550), in: Jazz Podium, 2/8 (Sep.1953), p. 16 (R) [digi.copy]

NN: Louis Armstrong and is Hot Seven – “Alligator Blues” / “Potato Head Blues” (Engl. Parlophone B 2183); “Weary Blues” / “Wilie the Weeper” (Franz. odeon 277.006), in: Jazz Podium, 2/8 (Sep.1953), p. 17 (R: record advertisement) [digi.copy]

Walter Hein: Louis Armstrong. Mein Leben, mein new Orleans, in: Jazz Podium, 2/10 (Oct.1953), p. 15 (B)

NN: ‘Zat You, Santa Claus?’, in: Down Beat, 20/26 (30.Dec.1953), p. 1 (N/photo: as Santa Claus) [digi.copy]

C. Brown: That’s Our Louis – in 6 Japanese Words!, in: Melody Maker, 30/1061 (1954), p. 3

Louis Armstrong: Satchmo. My Life in New Orleans, New York 1954 [book: Prentice-Hall]; reprint, New York 1955 [book: Signet / New American Library]; reprint, London 1957 [book: The Jazz Book Club & Peter Davies Limited]; German translation as “Mein Leben, mein New Orleans”, Hamburg 1953 [Rowohlt]; reprint, Reinbek bei Hamburg 1962 [book: ro ro ro]; German translation as “Mein Leben in New Orleans”, (East-)Berlin 1967 [book: henschelverlag]; Italian translation as “Satchmo. L’autobiografia di Armstrong a New Orleans negli anni gloriosi del jazz, Milano 1956 [book: Garzanti]; reprint, Milano 1970 [book: Garzanti]; Czech translation as “Satchmo”, Praha 1968 [book: Mladá Fronta]; Polish translation as “Moje zycie w Nowym Orleanie”, Krakow 1974 [book: Polskie Wydawnictwo Muzyczne] (“I”)

NN: Publishers Get Armstrong Disc Banned. “In Bad Taste”, in: Melody Maker, 30/1099 (1954), p. 16

R. Berton: The Innocence of Louis, in: Melody Maker, 30/1106 (1954), p. 3-4 (B)

Sinclair Traill: Louis Armstrong and his Orchestra – Swing, You Cats, in: Melody Maker, 30/1090 (1954), p. 8

Leonard Feather: New York Diary, in: Melody Maker, #1072 (3.Apr.1954), p. 2 (C: Basin Street, New York) [digi.copy]

NN: MU vetoes Armstrong as soloist, in: Melody Maker, 30/1974 (17.Apr.1954), p. 6 (N: British concerts vetoed) [digi.copy]

NN: MU vetoes Armstrong as soloist, in: Melody Maker, #1074 (17.Apr.1954), p. 6 (short F: musicians union vetoes Armstrong concerts in Britain)

NN: Armstrong Book Due in October, in: Down Beat, 21/15 (28.Jul.1954), p. 8 (N)

ifü: “Satchmo” läßt grüßen, in: vierViertel, 8/7 [Jazz Revue, 5/7] (Jul.1954), p. xi (I)

Rolf Dötsch: Louis Armstrong All Stars – “On the Sunny Side of the Street / New Orleans Function” (Brunswick), in: Jazz Podium, 3/7 (Jul.1954), p. 19 (R) [digi.copy]

Leonard Feather: Blindfold Test. Louis Amstrong, in: Down Beat, 67/7 (Jul.2000), p. 90 (BT; Reprint from Down Beat, 11.Aug.1954 & 25.Aug.1954: Shorty Rogers: “Morpo”; Chet Baker: “Imagination”; Roy Eldridge: “Rockin’ Chair”; Clifford Brown: “Cherokee”; Maynard Ferguosn: “Take the A Train”; Charlie Parker: “She Rote”); German translation, as “Der Test”, in: Du, #712 (Dec.2000), p. 31 (BT)

Lyn Murray: Wednesday, Sept. 15, 1954, in: Musician. A Hollywood Journal (F: private memories of Louis Armstrong), reprinted in: Terry Teachout: A very rare memory of Louis Armstrong, in: , 24.Mar.2014 (F) [digi.copy]

Olaf Hudtwalcker: Louis Armstrong Hot Five – “Come Back Sweet Papa / Georgia Grind” (Odeon), in: Jazz Podium, 3/9 (Sep.1954), p. 21 (R) [digi.copy]

Wilfred Lowe: The Jazz Jester?, in: Jazz Journal, 7/9 (Sep.1954), p. 7 (F)

NN: “Louis Armstrong plays the Blues” (London Jazz Archiv / Teldec AL 3501), in: Jazz-Echo, Nov.1954, p. 50 (R) [digi.copy]

John Lucas: Satchmo and Pops, in: Jazz Journal, 7/12 (Dec.1954), p. 7-9 (F: Louis Armstrong, Sidney Bechet); response, by B.D. McRae, in: Jazz Journal, 8/2 (Feb.1955), p. 28 (letter) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Dec.1954, p. 46 (N: returned from Australia tour; autobiography published) [digi.copy]

NN: Louis Armstrong – “Jazzin’ with Armstrong” Columbia 33 S 1007); Louis Armstrong All Stars – “New Orleans Function” / “On the Sunny Side of the Street” (Brunswick 10 007 EPS), in: Jazz-Echo, Dec.1954, p. 48 (R) [digi.copy]

D. Mauclaire et al: Bonjoiur Monsieur Armstrong, in: Jazz Magazine, 2/12 (1955), p. 19ff.

Leonard Feather: Les trois vies de Louis Armstrong, in: Jazz Magazine, 1/11 (1955), p. 19-22

Leonard Feather: Qui y a-t-il dans la formation de Louis Armstrong, in: Jazz Magazine, 1/11 (1955), p. 23

Nat Shapiro & Nat Hentoff (eds.): Hear Me Talkin’ to Ya. The Story of Jazz by the Men Who Made It, New York 1955 [book: Rinehart & Company]; London 1955 [book: Peter Davies]; London 1958 [book: Peter Davies]; Harmondsworth 1962 [book: Penguin]; New York 1966 [book: Dover]; German translation as “Jazz erzählt. hear me talkin’ to ya”, München 1959 [book: Nymphenburger Verlagshandlung]; German translation as “Jazz erzählt. Von New Orleans bis West Coast”, München 1962 [book: dtv]; German translation as “Jazz erzählt. 50 Jahre Jazzgeschichte aus erster Hand”, Frankfurt/Main 1984 [book: JAS Publikationen], passim (short I)

NN: Une tournée dans le sud des Etats-Unis avec Louis Armstrong et son orchestre, in: Jazz Magazine, 1/4 (1955), p. 27 (photos)

Orrin Keepnews & Bill Grauer Jr.: Dippermouth, in: Orrin Keepnews & Bill Grauer Jr.: A Pictorial History of Jazz. People [1984] and Places from New Orleans to the Sixties, New York 2/1966 [book; 1/1955], p. 47-57 (Fotos)

Orrin Keepnews: Satchmo, in: Orrin Keepnews: The View from Within. Jazz Writing 1948-1987, New York 1988 [book], p. 22-24 (B; Reprint aus: Record Changer, 1955)

Wolfgang Böhm: Louis Armstrong, in: Der Drummer, 11/1955, p. 3-4 (C: Frankfurt/Germany) [digi.copy]

Sinclair Traill: Louis Armstrong and His Hot Five/Hot Seven All Stars, in: Melody Maker, 8.Jan.1955, p. 6 (R)

Stanley Dance: Lightly and Politely. Authenticity and Artistry, in: Jazz Journal, 8/1 (Jan.1955), p. 4 (F/R) [digi.copy]

NN: Die Trauer-Kapelle bläst hot, in: Der Spiegel, 167.Mar.1955 (F/photos) [digi.copy]

NN: Louis Armstrong and Earl Hines – “Louis Armstrong Favourites” (Philips B 07 019), in: Jazz-Echo, Mar.1955, p. 45 (R) [digi.copy]

NN: Une tournée dans le sud des États-Unis avec Louis Armstrong et son orchestre, in: Jazz Magazine, #4 (Mar.1955), p. 26-27 (photo-F)

NN: Jazz-News. Europa, in: Jazz-Echo, Apr.1955, p. 45 (N: booked for Scandinavian tour) [digi.copy]

NN: Louis Armstrong – “Phase to Phase – Face to Fce” (Philips B 07 246 L), in: Jazz-Echo, May 1955, p. 51 (R) [digi.copy]

Leonard Feather: Jättealbum om Louis, in: Estrad, 17/6 (Jun.1955), p. 9 (N)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jun.1955, p. 45 (N: Decca plans record project documenting Armstrongs complete career) [digi.copy]

NN: Louis Armstrong All Stars – “Satchmo in Pasadena” (Brunswick 86 034 LPB), in: Jazz-Echo, Jun.1955, p. 48 (R) [digi.copy]

NN: Stomping at the Savoy och Louis Armstrong. Estrad-evenemang i höst, in: Estrad, 17/6 (Jun.1955), p. 1 (short F)

Olaf Hudtwalcker: “Louis Armstrong and his Hot Seven” (Columbia), in: Jazz Podium, 4/6 (Jun.1955), p. 24 (R) [digi.copy]

Stanley Dance: Lightly and Politely. Pops, in: Jazz Journal, 8/6 (Jun.1955), p. 26-27 (F/R) [digi.copy]

NN: Louis Armstrong and the All Stars – “Basin Street Blues”; Lionel Hampton and his Orchestra – “Air Mail Special” (Brunswick 10 009 EPB), in: Jazz-Echo, Jul.1955, p. 51 (R) [digi.copy]

Joe Brown [Joachim Ernst Berendt]: Platte des Monats. “Louis Armstrong Plays “W.C. Handy” (Philips B 07 038), in: Jazz-Echo, Aug.1955, p. 48 (R) [digi.copy]

NN: “Louis Armstrong in Boston” (Brunswick 86 007 LPB), in: Jazz-Echo, Aug.1955, p. 51 (R) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Aug.1955, p. 42 (N: European tour from September 16th) [digi.copy]

“Celi”: Armstrong på svenska, in: Orkester Journalen, 23/9 (Sep.1955), p. 15 (F)

NN: Armstrong kommer 1 oktober. Fyra konserter i Stockholm, in: Orkester Journalen, 23/9 (Sep.1955), p. 4 (short F)

NN: News, in: Jazz Podium, 4/9 (Sep.1955), p. 4 (N: band battle with Sauter-Finegan orchestra) [digi.copy]

M. Nevard: Report from Scandinavia. Tickets for Louis? Not a Chance!, in: Melody Maker, 15.Oct.1955, p. 3-5, 8

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Oct.1955, p. 43 (N: film duet planned with coloratura soprano Lily Pons) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Oct.1955, p. 41 (N: European tour) [digi.copy]

P. Leslie: Giants of Jazz. He’s a Giant All the Same – Louis Armstrong, in: Melody Maker, 5.Nov.1955, p. 7

P. Leslie: What Happened to Louis?, in: Melody Maker, 5.Nov.1955, p. 3, 6, 8

André Clergeat & Charles Delaunay & Guy Lognon & Kurt Mohr: La Tribute de Jazz-Hot. Louis Armstrong en Europe, in: Jazz Hot, #104 (Nov.1955), p. 11-13 (F)

Leonard Feather: Les trois vies de Louis Armstrong, in: Jazz Magazine, #11 (Nov.1955), p. 19-22 (F/I)

Leonard Feather: Qui y a-t-il dans la formation de Louis Armstrong?, in: Jazz Magazine, #11 (Nov.1955), p. 23 (F)

Sidney Bechet & Albert Nicholas & Teddy Wilson: … parlent de Louis Armstrong, in: Jazz Hot, #104 (Nov.1955), p. 14-15 (F)

J. Hutton: 15 Minutes with Louis, in: Melody Maker, 3.Dec.1955, p. 3

NN: Armstrong & Brubeck May Unite for Europe, in: Melody Maker, 17.Dec.1955, p. 14

NN: Louis & Wagner at the Milan Opera House, in: Melody Maker, 24.Dec.1955, p. 3, 9

Dominique Mauclaire: Bonjour Monsieur Armstrong. Louis à Paris, in: Jazz Magazine, #12 (Dec.1955), p. 19-22 (photo-F)

Klaus Berenbrok: Flashes d’Allemagne. Que s’est-il passé à Hambourg, in: Jazz Magazine, #12 (Dec.1955), p. 15 (F: broken chairs at Armstrong concert in Hamburg)

Nat Hentoff: Louis au Kremlin?, in: Jazz Hot, #105 (Dec.1955), p. 33 (N)

NN: Zum Armstrong-Skandal in Hamburg. Anmerkung der Redaktion: Unmittelbar nach den Vorgängen in Hamburg erhielten wir folgenden Kommentar, in: Jazz-Echo, Dec.1955, p. 41 (F: about riots during Hamburg concert) [digi.copy]

Albert J. McCarthy: Editorial (Armstrong concert at the Hollywood Bowl), in: Jazz Monthly, 2/6 (1956), p. 1 (C)

André Hodeir: A Great Classical Figure Among the Oldtimers (Concerning Eight Recordings of the Hot Five), in: André Hodeir: Jazz. Its Evolution and Essence, New York 1956 [book: Grove Press; also: London 1956: Secker & Warburg; New York 1961: Grove Press/Black Cat], p. 49-62 (F/A) [digi.copy]; reprint, in: André Hodeir & Jean-Louis Pautrot: The André Hodeir Jazz Reader, Ann Arbor/MI 2006 [book: University of Michigan Press], p. 21-33 (F/A)

André Hodeir: Le problème du l’improvisation. La pensée musicale, in: André Hodeir: Hommes et Problèmes du Jazz, Paris 1954 [book: Au Portulan, chez Flammarion], p. 193-219 (A/T: “Jepers Creepers”, “I Can’t Give You Anything But Love”)

André Hodeir: The Problem of Improvisation. Musical Thought, in: André Hodeir: Jazz. Its Evolution and Essence, New York 1956 [book: Grove Press; also: London 1956: Secker & Warburg; New York 1961: Grove Press/Black Cat], p. 158-181 (A/T: “Jepers Creepers”, “I Can’t Give You Anything But Love”) [digi.copy]; reprint, in: André Hodeir & Jean-Louis Pautrot: The André Hodeir Jazz Reader, Ann Arbor/MI 2006 [book: University of Michigan Press], p. 105-124 (A/T)

André Hodeir: Un grand classique chez les anciens, in: André Hodeir: Hommes et Problèmes du Jazz, Paris 1954 [book: Au Portulan, chez Flammarion], p. 66-82 (F/A)

Diverse Autoren: Louis Armstrong vous parle, in: Jazz Magazine, 2/13 (1956), p. 15-21

Eddy Gilmore: Trumpet-Blowing Ambassador, in: [unknown source], ca. 1956/1957 (F/I); reprint, in: NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet], p. 14 (F/I) [digi.copy]

Eric P. Townley: Louis Armstrong in England, in: Jazz Monthly, 2/4 (1956), p. 10-12

Frank Doherty: Melbourne. “Mr. Satchmo” sang it hot, in: [unknown source], 1956 C); reprint, in: NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet], p. 13 (C) [digi.copy]

Leonard Feather: A Carnegie Hall, Woody Herman et Louis Armstrong, in: Jazz Magazine, #17 (1956), p. 12 (C)

Max Harrison: Forgotten Sessions by Unforgotten Men, in: Jazz Monthly, 2/10 (1956), p. 28, 31

NN: Aus der Volksmusik entstand der Jazz. Begegnung mit Louis Armstrong, in: [unknown source, East Germany], p. 7, 12 (F) [vert.file]

NN: Satchmo joue avec Grace (“High Society”), in: Jazz Magazine, #17 (1956), p. 14-15

Stephen Longstreet: The Reverend Satchelmouth, in: Stephen Longstreet: The Real Jazz Old and New, Westport/CT 1969 [book; Reprint; O: Baton Rouge 1956], p. 155-161 (F)

William L. Grossman & Jack W. Farrell: The Apostasy of Louis Armstrong, in: William L. Grossman & Jack W. Farrell: The Heart of Jazz, New York 1956 [book: New York University Press], p. 95-103 (F)

NN: Satchmo, back from tour overseas, on radio Sunday, in: Afro-American, 14.Jan.1956, p. 7 (F: mention of Hamburg riot) [digi.copy]

Charles Delaunay & André Hodeir & Kurt Mohr & Gérard Pochonet & Michel de Villers: La tribune de Jazz-Hot. Sur la scène dans la salle… ou de Lionel Hampton à Louis Armstrong, in: Jazz Hot, #106 (Jan.1956), p. 12-14, 50 (F)

Daniel Filipacchi: Louis Armstrong vous parle, in: Jazz Magazine, #13 (Jan.1956), p. 15-21 (I on Ruby Braff, Art Tatum, Guy Lombardo; BT: Roy Eldridge: “Feeling a Draft”; Claude Luter: “Chatanooga Stomp”; Count Basie & Joe Williams: “The Come Back”; Euke Ellington: “Flying Home”; Mac Kac: “Basin Street Blues”; Clifford Brown: “Now’s the Time”); reprint, in: Les Années Jazz Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 33-39 (I)

Frotz Pohl: Louis in Germany, in: Jazz Music, 7/1 (Jan/Feb.1956), p. 32-34 (C: Hamburg) [digi.copy]

Kurt Mohr: Rectifications à la discographie de Louis Armstrong, in: Jazz Hot, #106 (Jan.1956), p. 7 (D)

NN: Enthusiastische Begeisterung für Louis Armstrong in Wien, in: Jazz Podium, 5/1 (Jan.1956), p. 18

NN: Satchmo spielt Boppenproof, in: Jazz Podium, 5/1 (Jan.1956), p. 5

Walter de Block: Armstrong Plays in Brussels, in: Jazz Music, 7/1 (Jan/Feb.1956), p. 12 (C) [digi.copy]

NN: Louis May Lead U.S. Jazzmen to Russia, in: Melody Maker, 4.Feb.1956, p. 1

NN: Kurt Weill. Hau rein, Satchmo, in: Der Spiegel, 29.Feb.1956, p. 46-48 (F/R: “Mack the Knife”; “Lotte Lenya singt Kurt Weill”) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Feb.1956, p. 45 (N: will play in “High Society” movie) [digi.copy]

NN: Armstrong in Münster und Coesfeld, in: Route (Jazz Club Coesfeld), #1 (Feb.1956), p. 11 (short F: concert in Münster; record evening in Coesfeld) [digi.copy]

NN: Les grands “petits orchestres”. Louis Armstrong and his Hot Five, in: Jazz Magazine, #14 (Feb.1956), p. 24 (short F) [digi.copy]

NN: Satchmo fera peut être danser Rainier et Grace Kelly mais pas Boulganine, in: Jazz Magazine, #15 (Mar.1956), p. 8 (N)

Max Jones: Jazz Discs – Louis at the Crescendo, in: Melody Maker, 14.Apr.1956, p. 15

NN: Satch-Randall Exchange Deal Puzzle, in: Melody Maker, 28.Apr.1956, p. 1, 20

Joe Brown: “Louis Amstrong and his All Stars” (Brunswick 86 034 LPB), in: Jazz-Echo, Apr.1956, p. 50 (R) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Apr.1956, p. 43 (N: hopes to be invited to Grace Kelly’s wedding; Carnegie Hall concert with Woody Herman) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Apr.1956, p. 44 (N: “High Society” music issued on record) [digi.copy]

Nat Hentoff: Armstrong à l’hôpital, in: Jazz Hot, #109 (Apr.1956), p. 22 (N)

NN: Louis Armstrong – “Satchmo Sings” (Brunswick 10 030 EPB), in: Jazz-Echo, Apr.1956, p. 44-45 (R) [digi.copy]

Olaf Hudtwalcker: Louis Armstrong – “Chicago Jazz Classics” (Coral 94028 EPC); “At the Crescendo” (Brunswick 86041 LPB), in: Jazz Podium, 5/4 (Apr.1956), p. 20 (R) [digi.copy]

Mezz Mezzrow: Mezz on Satch. Louis Armstrong and His All Stars Play Fats, in: Melody Maker, 5.May 1956, p. 6 (R); part 2, in: Melody Maker, 12.May 1956, p. 17

NN: Armstrong’s Jazz ‘Sends’ a Princess, in: [unknown source], 9.May 1956 (C); reprint, in: NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet], p. 13 (C) [digi.copy]

NN: High Note in London. ‘Satch’ Fractures Royal Protocol, Plays a Special for ‘Fan’ Princess Meg, in: [unknown source], 10.May 1956; reprint, in: NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet], p. 12 (C) [digi.copy]

NN: Louis at the Empress Hall, in: Melody Maker, 12.May 1956, p. 3, 6

NN: Yes – Louis Is Really Here!, The All-Stars Open at Empress Hall, in: Melody Maker, 12.May 1956, p. 1, 16

NN: 100,000 in Africa Cheer ‘Satchmo’. Gold Coast Makes a Holiday of Concert – Gillespie Is Back After Jazz Tour, in: [unknown source], 23.May 1956 (F); reprint, in: NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet], p. 12 (F) [digi.copy]

NN: ‘Pops,’ Brubeck Will Appear In Stadium Concert, in: New York Amsterdam News, 26.May 1956, p. 15 (short F) [digi.copy]

Hughues Panassié & Madeleine Gautier: Louis Armstrong Off Stage, in: Jazz Journal, 9/5 (May 1956), p. 1, 3 (F)

Leonard Feather: A Carnegie Hall, Woody Herman et Louis Armstrong ont reconquis le public américain, in: Jazz Magazine, #17 (May 1956), p. 12 (C)

Nat Hentoff: Nouvelles d’Amérique. Armstrong en Australie, in: Jazz Hot, #110 (May 1956), p. 20 (N) [digi.copy]

NN: Louis Armstrong on Stage. Welcome Louis, in: Jazz Journal, 9/5 (May 1956), p. 10-11 (Foto-F)

NN: Armstrong Tour Film to Get U.S. Release, in: Melody Maker, 9.Jun.1956, p. 1

Eric T. Vogel: Die Sensation aus dem “Pit”, in: Jazz Podium, 5/6 (Jun.1956), p. 8 (N: picture in Life Magazine) [digi.copy]

Jack Hutton: 140.000 Londoniens ont applaudi Satchmo, in: Jazz Magazine, #18 (Jun.1956), p. 7 (C)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jun.1956, p. 45 (N: performs with both Bing Crosby and Gary Crosby) [digi.copy]

Lucien Malson: Les síllons de l’histoire. “Tight Like This”, par Louis Armstrong Hot Five, in: Jazz Hot, #111 (Jun.1956), p. 18, 31 (A/T)

NN: Ces images sont les photos-souvenir de Louis Armstrong, in: Jazz Magazine, #18 (Jun.1956), p. 16-19 (photo-F); reprint, in: Les Années Jazz Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 46-49 (photo-F)

NN: Louis Armstrong – “Chicago Jazz Classics” (Coral 94 028 EPC); “At the Crescendo” (Brunswick 86 041 EPB), in: Jazz-Echo, Jun.1956, p. 48 (R) [digi.copy]

NN: Satchmo in London, in: Jazz Podium, 5/6 (Jun.1956), p. 3 (N) [digi.copy]

NN: Satchmo in London, in: Jazz Podium, 5/6 (Jun.1956), p. 3

John S. Wilson: Music. Jazz Is Tested at Stadium. Armstrong and Brubeck Draw Sellout Crowd. Bernstein Is Conductor in ‘St. Louis Blues’, in: New York Times, 16.Jul.1956, p. 17 (C) [digi.copy]

Frank Hurlock: More Comments on The Louis Armstrong Show, in: Jazz Music, 7/4 (Jul/Aug.1956), p. 37-38 (C)

Nat Hentoff: Armstrong en Afrique, in: Jazz Hot, #112 (Jul/Aug.1956), p. 18 (N)

NN: Jazz-News. Amerika, in: Jazz-Echo, Jul.1956, p. 51 (N: film biography planned) [digi.copy]

NN: Jazz-News. Europa, in: Jazz-Echo, Jul.1956, p. 50 (N: British musicians’ union does not allow Armstrong to record in England) [digi.copy]

NN: Satchmo kehrt “heim – nach Afrika. 100.000 bejubeln Louis Armstrong, in: Jazz Podium, 5/7 (Jul.1956), p. 3 (F) [digi.copy]

Steve Lane: Louis Armstrong at London’s ‘Empress Hall’, in: Jazz Music, 7/4 (Jul/Aug.1956), p. 20-21 (C)

NN: London’s Symphony Offers to Armstrong, in: Melody Maker, 18.Aug.1956, p. 1, 16

NN: Jazz-News. Amerika, in: Jazz-Echo, Aug.1956, p. 50 (N: film documentary about Armstrong’s Africa tour) [digi.copy]

R. Lovette: Louis Armstrong. Is He an Immature Jazz Fan?, in: Metronome, 72/8 (Aug.1956), p. 10-11

Max Jones & Sinclair Traill: An Attack on the All Stars, in: Melody Maker, 1.Sep.1956, p. 6

Kid Ory: Je me souviens de Buddy Bolden, King Oliver et de ce camin en culotte courte qui ne s’appelait pas encore Satchmo, in: Jazz Magazine, #20 (Sep.1956), p. 16-17 (F)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Sep.1956, p. 51 (N: Dale Jones returns on bass; Basin Street engagement; hires Joe Castro) [digi.copy]

Nat Hentoff: Armstrong et Jim Crow, in: Jazz Hot, #113 (Sep.1956), p. 26 (short F)

NN: Flashes. Louis Armstrong, in: Jazz Magazine, #20 (Sep.1956), p. 9 (N: TV show “Producer’s Showcase”) [digi.copy]

NN: Kurz notiert…, in: Jazz Podium, 5/9 (Sep.1956), p. 10 (N: plans tour of Gold Coast) [digi.copy]

NN: Kurz notiert…, in: Jazz Podium, 5/9 (Sep.1956), p. 10 (N: uinvited to play with London Philharmonic) [digi.copy]

NN: Satchmo schlägt ein. Einnahme-Rekord beim Ravinia Musik Festival, in: Jazz Podium, 5/9 (Sep.1956), p. 11 (F) [digi.copy]

Olaf Hudtwalcker: Louis Armstrong – “Chicago Jazz Classics Volume 2” (Coral), in: Jazz Podium, 5/9 (Sep.1956), p. 20 (R) [digi.copy]

Max Jones: Louis, in: Melody Maker, 20.Oct.1956, p. 6 (after the tour)

“W.B.”: Louis Armstrong and his All Stars – “Satch Plays Fats” (Philips B 07 085 L), in: Jazz-Echo, Oct.1956, p. 46 (R) [digi.copy]

Max Jones: Louis Is Too Big to Get Hurt – Says Hampton, in: Melody Maker, 3.Nov.1956, p. 6

NN: Satchmo Wants to Thaw Soviet Cats. Louis Armstrong, the hot trumpet player,s aid today that he is thinking of going to Russia to preach the gospel of American jazz, in: [unknown source], 6.Nov.1956 (F/I); reprint, in: NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet], p. 13 (F/I) [digi.copy]

NN: Satchmo Returning for Hungary Relief, in: Melody Maker, 24.Nov.1956, p. 1, 16

Nat Hentoff: Armstrong aime Parker!, in: Jazz Hot, #115 (Nov.1956), p. 22 (short F/I)

NN: Satchmo Will Make Reds ‘Dig’ the Blues, in: [unknown source, Nov.1956 (F/I); reprint, in: NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet], p. 12 (F/I) [digi.copy]

J. Glaser: Satchmo Says, in: Melody Maker, 15.Dec.1956, p. 12

NN: Storm at Armstring Relief Fund Concert, in: Melody Maker, 22.Dec.1956, p. 1, 8

Bill Coss: “Louis Armstrong and Eddie Condon at Newport” (Columbia), in: Jazz Today, 1/5 (Dec.1956), p. 35 (R)

Jack Maher: Ella Fitzgerald & Louis Armstrong – “Ella and Louis” (Verve), in: Jazz Today, 1/5 (Dec.1956), p. 34, 36 (R)

Joe Brown: Louis Armstrong – “Rain, Rain” / “I never saw a better day” (RCA Victor / Teldec 47-6630); “Chicago Jazz Classics Nr. 2” (Cral 94 049 EPC), in: Jazz-Echo, Dec.1956, p. 49 (R) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Dec.1956, p. 46 (N: performs with Elvis Presley) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Dec.1956, p. 46 (N: plans to tour Russia) [digi.copy]

Albert J. McCarthy: Editorial, in: Jazz Monthly, 3/9 (1957), p. 1

Elliot Paul: King Satchmo, Third in Line – His Book, in: Elliot Paul: That Crazy Music. The Story of North American Jazz, London 1957 [book], p. 180-207 (F)

George Avakian: Louis Armstrong, in: Nat Shapiro & Nat Hentoff: The Jazz Makers. Essays on the Greats of Jazz, New York 1979 [book; Reprint, O: 1957], p. 49-58 (F)

NN: Armstrong et Chevalier chantent en duo, in: Jazz Magazine, 3/23 (1957), p. 12

NN: Attentat contre Satchmo, in: Jazz Magazine, 3/26 (1957), p. 11

NN: Louis Armstrong on Music and Politics, in: Robert Walser (ed.): Keeping Time. Readings in Jazz History, New York 1999 [book: Oxford University Press], p. 246-249 (F/I; Reprint from different sources, 1957-1965)

Studs Terkel: Louis Armstrong, Ambassador of Jazz, in: Studs Terkel: Giants of Jazz, New York 1957 [book: Thomas Y. Crowell], p. 20-35 (F); reprint: London 1966 [book: Jazz Book Club], p. 20-35 (F); reprint: New York 1975 [Thomas Y. Crowell], p. 17-30 (F); German translation as “Giganten des Jazz”, Frankfurt am Main 2005 [book: Zweitausendeins], p. 26-41 (F)

NN: The Press and Louis, in: Melody Maker, 5.Jan.1957, p. 6

NN: United Artists Picks Up Film Of Armstrong’s Life, in: Down Beat, 24/2 (23.Jan.1957), p. 10 (short F)

NN: Après Ella et Louis: Armstrong et Chevalier chantent en duo, in: Jazz Magazine, #23 (Jan.1957), p. 12 (N)

NN: Jazz-News, in: Jazz-Echo, Jan.1957, p. 47 (N: flys to London to perform at a benefit concert for Hungary) [digi.copy]

NN: Satchmo spielte für die Ungarn-Hilfe in London, in: Jazz Podium, 6/1 (Jan.1957), p. 5 (short F) [digi.copy]

Olaf Hudtwalcker: Louis Armstrong and his All Stars – “I’m Crazy ‘Bout My Baby” / “Keepin’ Out of Mischief Now” (Philips 321 936 BF); “Old Satchmo” (Brunswick 86045 LPB), in: Jazz Podium, 6/1 (Jan.1957), p. 20-21 (R: 5 stars; 5 stars) [digi.copy]

Dom Cerulli: Film Review. Satch’s Saga, in: Down Beat, 24/4 (20.Feb.1957), p. 19 (Film-R)

Humphrey Lyttelton: Louis Is Not Finished. This Album Proves It (Autobiography on Brunswick), in: Melody Maker, 22.Feb.1957, p. 2

Leonard Feather: Jazz-News, in: Jazz-Echo, Feb.1957, p. 51 (N: film “The Saga of Satchmo”) [digi.copy]

Nat Hentoff: Armstrong au cinéma, in: Jazz Hot, #118 (Feb.1957), p. 22 (N)

NN: Jazz-News, in: Jazz-Echo, Feb.1957, p. 50 (N: records with Maurice Chevalier) [digi.copy]

Jack Hutton: Armstrong à Londres. 50.000 Francs la place!, in: Jazz Magazine, #25 (Mar.1957), p. 12 (C)

Joe Brown (= Joachim Ernst Berendt): “Louis Armstrong Sings the Blues” (RCA / Tedec LJM-1005-C), in: Jazz-Echo, Mar.1957, p. 43 (R) [digi.copy]

Nat Hentoff: Mieux que High Society / Armstrong reprend ses succes, in: Jazz Hot, #119 (Mar.1957), p. 18 (N) [digi.copy]

NN: Le Jazz en images. Satchmo dans “New Orleans”, in: Jazz Magazine, #25 (Mar.1957), p. 23 (short F)

NN: Louis Armstrong – “All Stars” (Brunswick 10 058 EPB); “Giants of Jazz” (Brunswick 10 068 EPB); “Satchmo Sings Spirituals” (Brunswick 10 074 EPB), in: Jazz-Echo, Mar.1957, p. 4 (R) [digi.copy]

Olaf Hudtwalcker: “Satchmo Sings Spirituals” (Brunswick), in: Jazz Podium, 6/3 (Mar.1957), p. 21 (R) [digi.copy]

Olaf Hudtwalcker: Louis Armstrong & Sidney Bechet – “Giants of Jazz” (Brunswick), in: Jazz Podium, 6/3 (Mar.1957), p. 20 (R) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Apr.1957, p. 49 (N: birthday concert planned in Lewison Stadium, New York) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Apr.1957, p. 49 (N: film biography; Burt Lancaster to play Joe Glaser) [digi.copy]

NN: Attentat contre Satcmo, in: Jazz Magazine, #26 (Apr.1957), p. 11 (N)

B. Simon: Dizzy Attacks Louis: “Too Much Uncle Tom”, in: Melody Maker, 18.May 1957, p. 5

André Clergeat: “Louis Armstrong & Sidney Bechet” (CID), in: Jazz Hot, #121 (May 1957), p. 31 (R) [digi.copy]

Joe Brown (= Joachim Ernst Berendt): Louis Armstrong und seine All Stats – “Ambassador Satch” (Philips B 07 138 L), in: Jazz-Echo, May 1957, p. 44 (R) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, May 1957, p. 48 (N: wants to record with Elvis Presley) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, May 1957, p. 49 (N: “The Louis Armstrong Story” arranged by Sy Oliver) [digi.copy]

NN: Richter hörten Jazz von Armstrong. Es geht um die Frage: Sind die “heißen Rhythmen” künstlerisch wertvoll?, in: Westjazz, 2/21 (May 1957), p. 2 (F) [digi.copy]

Pierre Cressant: Louis Armstrong & Gary Crosby – “Easy Street / Lazy Bones” (CID), in: Jazz Hot, #121 (May 1957), p. 30 (R) [digi.copy]

C.R. Booth: Louis Armstrong and the Modernists, in: Metronome, 74/6 (Jun.1957), p. 15

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jun.1957, p. 49 (N: records “The Louis Armstrong Story”) [digi.copy]

Hot-Geyer (Kurt Michaelis): : Vor 25 Jahren. Satchmo’s Debüt in Europa. Erinnerungen an Armstrong anläßlich seines Geburtstages am 4.Juli, in: Jazz Podium, 6/7 (Jul.1957), p. 9-10 (F) [xerox in vert.file]

NN: Louis Re-Signs Bassist Jones, in: Melody Maker, 7.Jul.1957, p. 16 (short F) [digi.copy]

Joe Brown (= Joachim Ernst Berendt): “Louis Armstrong and the Mills Brothers” (Brunswick 10 093 EPB); “Louis Armstrong and His All Stars” (Philips 321 936 PF), in: Jazz-Echo, Jul.1957, p. 42 (R) [digi.copy]

NN: Jazz-News, in: Jazz-Echo, Jul.1957, p. 45 (N: rumors about plans by Louis Armstrong to move to Ghana) [digi.copy]

NN: Louis Armstrong Is Off to Russia, in: Melody Maker, 10.Aug.1957, p. 4

“Joe Brown” [= Joachim Ernst Berendt]: Louis Armstrong und Eddie Condon – “Louis Armstrong and Eddie Condon at Newport” (Philips B 07206 L), in: Jazz-Echo, Aug.1957, p. 46 (R) [digi.copy]

“gat”: Pali. “Louis Armstrong Satchmo”. Ein amerikanischer Film (United Artists), in: Darmstädter Echo, 25.Sep.1957 (Film-R) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Sep.1957, p. 44 (N: plays in Jamaica in front ot 100,000 people) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Sep.1957, p. 43 (N: “Satchmo” released in Germany) [digi.copy]

NN: Louis Armstrong und seine All Stars – “All of Me” / “Blueberry Hill” (Philips 322 015 BF), in: Jazz-Echo, Sep.1957, p. 47 (R) [digi.copy]

NN: News, in: Jazz Podium, 6/9 (Sep.1957), p. 4 (N: plans new record with Nat Pierce; concert at Lewison Stadium, New York) [digi.copy]

Rolf Dötsch: “Ella and Louis” (HMV CLP 1098), in: Jazz Podium, 6/9 (Sep.1957), p. 18 (R) [digi.copy]

Chris Nelms: Louis Doesn’t Swing, in: Melody Maker, 12.Oct.1957, p. 17; response: NN: Louis Still Tops. Readers disagree with Chris Nelms, in: Melody Maker, 19.Oct.1957, p. 17

Max Jones & Sinclair Traill: “They’re Crucifying Pops”, in: Melody Maker, 12.Oct.1957, p. 5

John Tynan: Filmland Up Beat. “Satchmo The Great”, in: Down Beat, 24/21 (17.Oct.1957), p. 19 (Film-R) [digi.copy]

Paul Grosney: Chords and Discords. In Defense…, in: Down Beat, 24/21 (17.Oct.1957), p. 4 (letter) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Oct.1957, p. 46 (N: announces regular column for a number of newspapers) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Oct.1957, p. 46 (N: regular TV performances in USA) [digi.copy]

NN: Eisenhower vu par Armstrong, in: Jazz Hot, #125 (Oct.1957), p. 28 (N)

NN: Jazz-News. Europa, in: Jazz-Echo, Oct.1957, p. 44 (N: Russian tour planned for next April, financed by State Department) [digi.copy]

NN: Satchmo en colère, in: Jazz Magazine, #31 (Oct.1957), p. 11 (short F)

K.H. Ditlevsen: Louis Armstrong – “Louis Armstrong And His Hot Five” (Philips 429 275 BE), in: Musikrevue, 4/9 (Nov.1957), p. 307 (R: 5 stars)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Nov.1957, p. 44 (N: cancels state department tours to Eastern Europe due to Little Rock incidents) [digi.copy]

Rolf Dötsch: “Louis Armstrong and the Mills Brothers” (Brunswick 10093 EPB), in: Jazz Podium, 6/11 (Nov.1957), p. 23 (R) [digi.copy]

NN: Armstrong. Tanz mit der Baßgeige, in: Der Spiegel, 11.Dec.1957 (F: Armstrong concert organizers have to pay German Vergnügungssteuer) [digi.copy]

Howard Lucraft: Editor in a New Satchmo Film, in: Melody Maker, 21.Dec.1957, p. 8-9 (F/I) [digi.copy]

Leonard Feather: Louis Armstrong. At the Copacabana, in: Melody Maker, 21.Dec.1957, p. 2 (N) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Dec.1957, p. 44-45 (short F: discussion about Louis Armstrong’s protest against Little Rock events; Sammy Davis critizes Armstrong; NAACP suppors Armstrong) [digi.copy]

NN: … news …, in: Jazz Podium, 6/12 (Dec.1957), p. 4 (N: in Buenos Aires) [digi.copy]

NN: Armstrong en Amérique du Sud, in: Jazz Hot, #127 (Dec.1957), p. 27 (N) [digi.copy]

NN: Haydn-Späße contra Louis Armstrong. Velma-Middleton-Spagat kostet Vergnügungssteuern, in: Westjazz, 3/28 (Dec.1957), p. 5 (F) [digi.copy]

Rolf Dötsch: Louis Armstrong – “Do You Know What It Means” / “Ain’t Misbehavin'”) (RCA 447-0068), in: Jazz Podium, 6/12 (Dec.1957), p. 21 (R) [digi.copy]

NN: Satchmo Guest On Tallulah’s Ace Air Show, in: Pittsburgh Courier, 23.Dec.1950, p. 18 (short F) [digi.copy]

Alfons Michael Dauer: Louis Armstrong – “Willie the Weeper”, in: Alfons Michael Dauer: Der Jazz. Seine Ursprünge und seine Entwicklung, Kassel 1958 [book: Erich Röth Verlag], p. 172, 270-273 (A/T)

Lawrence Gushee: Recordings (Armstrong 1923 with King Oliver), in: Jazz Review, 1/1 (1958), p. 36-37 (R)

Leonard Feather: The Jazzman as Critic. The Best of the Blindfold Test, 1951-1958. Reactions to Louis Armstrong, in: Leonard Feather: The New Yearbook of Jazz, New York 1958 [book: Horizon Press], p. 62-63 (F/I with Kai Winding, J.J. Johnson, Joe Newman, Dave Garroway, Terry Gibbs, Leonard Bernstein, Miles Davis)

Martin Williams: Recordings (“Collector’s Items. Musical Autobiography”), in: Jazz Review, 1/2 (1958), p. 30-32 (R)

NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet] (F; including autographs by Louis Armstrong, Danny Barcelona) [digi.copy]

Ralph J. Gleason: Perspectives, in: Down Beat, 25/3 (1958), p. 33

Raymond Mouly: Armstroing se penche sur son passé, in: Jazz Magazine, 4/34 (1958), p. 18-19

Rex Harris & Brian Rust: Recorded Jazz. A Critical Guide, Harmondsworth 1958 [book: Pelican Books], p. 12-21 (F/R); p. 180-181 (short F/R: Red Onion Jazz Babies)

Stephen Longstreet: Jazz, Stockholm 1958 [book: Wennerbergs Förlag], p. 155-161 (F: chapter “Högvördige Satchelmouth”)

Burt Korall: Satchmo Sets His Seal on Moscow Deal, in: Melody Maker, 4.Jan.1958, p. 2

Raymond Mouly: Armstrong se penche sur son passé, in: Jazz Magazine, #34 (Jan.1958), p. 18-19 (F)

A. Rocha Melo: Chords and Discords. Waiting…, in: Down Beat, 25/3 (6.Feb.1958), p. 6 (letter: Louis Armstrong concert in Rio de Janeiro, Brasil) [digi.copy]

Ralph J. Gleason: Perspectives, in: Down Beat, 25/3 (6.Feb.1958), p. 33 (F: Armstrongs political remarks about President Eisenhower) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Feb.1958, p. 49 (N: Dizzy Gillespie plans to record wth Louis Armstrong) [digi.copy]

NN: News…, in: Jazz Podium, 7/2 (Feb.1958), p. 34 (N: celebrated in South America, plans Moscow concert) [digi.copy]

Olaf Hudtwalcker: “Louis Armstrong and his Hot Five” (Philips), in: Jazz Podium, 7/2 (Feb.1958), p. 43 (R) [digi.copy]

George E. Pitts: Around the Theatrical World. Another Look at the Satchmo Incident, in: Pittsburgh Courier, 1.Mar.1958, p. 18 (F: report on Ralph Gleason’s rebuttal to Jim Bishop who berated Armstrong’s remarks about President Eisenhower) [digi.copy]

NN: Jazz-News. Europa, in: Jazz-Echo, Mar.1958, p. 49 (N: South American tour) [digi.copy]

NN: Louis Armstrong – “Satchmo. A Musical Autobiography of Louis Armstrong” (Brunswick LPBM 87 010/13), in: Jazz-Echo, Mar.1958, p. 45 (R) [digi.copy]

NN: Presseschau, in: NJCB Report (New Jazz-Circle Berlin), 3/3 (Mar.1958), p. 5 (N: new bass player: Mort Herbert) [digi.copy]

T. Brown: Satchmo the Great, in: Melody Maker, 12.Apr.1958, p. 10-11 (Film-R)

NN: breaks, in: Schlagzeug, 3/8 (Apr.1958), p. 4 (N: Mort Herbert replaces Arvell Shaw; plans to go on tour to Russia despite Little Rock scandal) [digi.copy]

Fanny Sauer: antimodern. hier irrt satchmo, in: Jazzforum. Mitteilungsblatt der nordbayerischen Jazz-Clubs, 2/6 (May 1958), p. 6 (Film-R: “Satchmo”) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, May 1958, p. 48 (N: confronts NAACP by not showing up as guest-of-honor at one of their events) [digi.copy]

NN: Louis Armstrong – “Satch and his Trumpet” (Brunswick 10 112 EPB; Brunswick 12 123); “Town Hall Concert” (RCA EPAT 9); “Papa Dip” (Philips 429 235 BE), in: Jazz-Echo, May 1958, p. 43 (R) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jun.1958, p. 45 (N: records “The Good Book”) [digi.copy]

Michel de Villers & Kurt Mohr: Le pour et le contre. Ella and Louis Again, in: Jazz Hot, #133 (Jun.1958), p. 21, 26 (R)

Günter Boas: Ist Ken Colyer wirklich besser als Louis Armstrong? – fragt Günter Boas. Englands Jazzkritik am Scheideweg, in: Westjazz, 3/35 (Jul.1958), p. 3 (F) [digi.copy]

NN: breaks, in: Schlagzeug, 3/11 (Jul.1958), p. 5 (N: nine month tour) [digi.copy]

NN: Jazz-News. Europa, in: Jazz-Echo, Jul.1958, p. 46 (N: plays in biopic “Five Pennies) [digi.copy]

NN: Breaks, in: Schlagzeug, 3/12 (Aug.1958), p. 5 (N: Armstrong’s record discoverer Tommy Rockwell died) [digi.copy]

NN: Louis Armstrong – “Satchmo The Great” (Philips B 08 289 L), in: Jazz-Echo, Aug.1958, p. 46 (R: 3 stars) [digi.copy]

S. Race: Louis – The Immortal, in: Melody Maker, 27.Sep.1958, p. 5 (R: “Melancholy Blues”)

NN: news…, in: Jazz Podium, 7/9 (Sep.1958), p. 180 (N: plans European tour next spring) [digi.copy]

Rolf Dötsch: Louis Armstrong – “May 18, 1936” (Brunswick), in: Jazz Podium, 7/9 (Sep.1958), p. 198 (R) [digi.copy]

NN: Im Film: The Saga of Satchmo, in: Jazzpress, 1/1 (13.Oct.1958), p. 6 (F)

NN: Louis Armstrong in his den, editing tape, in: New York Amsterdam News, 25.Oct.1958, p. 6 (advertisement for AR-2 tape) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Oct.1958, p. 52 (N: film “Louis Armstrong Story” planned) [digi.copy]

Larry Gushee: “Louis Armstrong 1923 with King Oliver’s Creole Jazz Band” (Riverside RLP 12-122), in: The Jazz Review, 1/1 (Nov.1958), p. 36-37 (R) [digi.copy]

NN: Breaks, in: Schlagzeug, 3/15 (Nov.1958), p. 5 (N: plans tour through West and East Germany) [digi.copy]

NN: My musical autobiography. Satchmo. Vertontes Leben, in: Schlagzeug, 3/16 (Dec.1958), p. 8 (F/R) [digi.copy]

Siegfried Schmidt: Louis Armstrong – “Swing Low Sweet Satchmo” (Brunswick 87 017 LPBM), in: Schlagzeug, 3/16 (Dec.1958), p. 32 (R) [digi.copy]

A. Destombes: Les rédacteurs de Jazz Hot ne sont toujours pas d’accord à propos du “Show” Louis Armstrong, in: Jazz Hot, 25/145 (1959), p. 34-35

B. Green: His Name… A Household Word?, in: Jazz Review, 2/2 (1959), p. 18-19

Franck Ténot: Satchmo en grosse forme, in: Jazz Magazine, 5/50 (1959), p. 30-31

Hugues Panassié: Die Geschichte des echten Jazz, Gütersloh [no year] [book: Signum; translation of “Histoire du vraí Jazz, Paris 1959], p. 50-64 (F: chapter “Louis Armstrong”); p. 147-157 (F: chapter “Die New-Orleans-Renaissance”)

Leonard Feather: Satchmo le grand. L’homme aux 3 visages, in: Jazz Magazine, 5/52 (1959), p. 26f.

M. Edey: Reconsiderations. Young Louis Armstrong, in: Jazz Review, 2/7 (1959), p. 28-29 (R)

NN: Louis Armstrong, guéri, a regagné les Etats-Unis, in: Jazz Magazine, #51 (1959), p. 13

R. Guerin: Le style d’Armstrong, in: Les Cahiers du Jazz, #1 (1959), p. 37-53

NN: Louis Armstrong reist mit Fernsehstab, in: Jazzpress, 2/1 (12.Jan.1959), p. 3 (N)

NN: Armstrong – Minus the “Circus”, in: Melody Maker, 17.Jan.1959, p. 1, 16

NN: …Schauspieler Louis Armstrong, in: Jazzpress, 2/2 (19.Jan.1959), p. 2 (N)

NN: Vertontes Leben: Louis Armstrong, in: Jazzpress, 2/2 (19.Jan.1959), p. 4 (F)

Max Jones: The World of Jazz. Forever Armstrong, in: Melody Maker, 24.Jan.1959, p. 11

“Totto” & “Trofast”: Fritt Forum. Armstrong – en forgylt gallionsfigur / Ingen heder til Louis, in: Jazz Magasinet. Organ for Norsk Jazzforbund, 3/1 (Jan.1959), p. 19 (letters)

NN: Armstrong hit. Gir 4 konserter i Nordstrandhallen, in: Jazz Magasinet. Organ for Norsk Jazzforbund, 3/1 (Jan.1959), p. 7 (C)

Franz-Josef Hamm (ed.): Diary of Jazz, Limburg 1950s [scrap book, 1954-1959] (ticket stubb, 16.Feb.1959, Frankfurt) [digi.copy] [under “D/LIMBURG”]

NN: It’s Louis – He’s Back (from Berlin to London), in: Melody Maker, 28.Feb.1959, p. 3

Benny Green: His Name … a Household Word?, in: The Jazz Review, 2/2 (Feb.1959), p. 18-19 (F) [digi.copy]

Jens S. Are & Anders Anderson & Bjørn Apeland: Fritt Forum. Armstrong igjen, in: Jazz Magasinet. Organ for Norsk Jazzforbund, 3/2-3 (Feb/Mar.1959), p. 15 (letter)

Johs Bergh: Avskjed med Armstrong, in: Jazz Magasinet. Organ for Norsk Jazzforbund, 3/2-3 (Feb/Mar.1959), p. 8 (F)

NN: Breaks, in: Schlagzeug, #18 (Feb.1959), p. 30 (N: in film “Nacht des Viertelmondes”; TV documentation about world tour) [digi.copy]

NN: Satchmo in Europe, in: Jazz Podium, 8/2 (Feb.1959), p. 31

NN: Louis Armstrong bringt Flugplan durcheinander, in: Jazzpress, 2/8 (2.Mar.1959), p. 2 (short F)

Max Jones & Bob Dawbarn & T. Brown & Humphrey Lyttelton: Four Views of the Louis Armstrong Band – Now Touring Britain: Masterly Louis/Rhythm Trouble/Spirit Lacking/Louis Is as Good as Ever, in: Melody Maker, 7.Mar.1959, p. 3

NN: Armstrong to Go to Russia?, in: Melody Maker, 7.Mar.1959, p. 1

NN: Ein Blitzlicht von Louis Armstrongs Europatournee – “…die ganze Welt weiß, dass Du ein gutes Herz hast!”, in: Jazzpress, 2/9 (9.Mar.1959), p. 6 (F)

NN: Louis Armstrong brachte Maria Rökk ein Ständchen, in: Jazzpress, 2/9 (9.Mar.1959), p. 2 (short F)

NN: Louis Armstrong bricht Besucherzahlen-Rekord, in: Jazzpress, 2/9 (9.Mar.1959), p. 4 (short F)

NN: 45.000 DM Filmgage für Jazzkönig Louis Armstrong, in: Jazzpress, 2/11 (23.Mar.1959), p. 2 (N)

Aris Destombes: Pile et Face. Satchmo et Dizzy, in: Jazz Hot, #141 (Mar.1959), p. 30-31 (F)

NN: Armstrong en Europe, in: Jazz Magazine, #46 (Mar.1959), p. 11 (N)

NN: Louis Armstrong and his Hot Five – “West End Blues” (Odeon GEOW 1130), in: Westjazz, 4/41 (Mar.1959), p. 7 (R) [digi.copy]

NN: Randbemerkungen zum Armstrong-Besuch, in: Jazz Podium, 8/3 (Mar.1959), p. 61

NN: Jugoslawen trugen Satchmo auf den Händen, in: Jazzpress, 2/13 (6.Apr.1959), p. 2 (F)

NN: Skandal in Zürich, in: Jazzpress, 2/13 (6.Apr.1959), p. 2 (F)

Bernd Thiele: Satcho fängt einen Floh. Mit der Kamera beobachtet, in: Schlagzeug, #20 (Apr.1959), p. 22-23 (photos) [digi.copy]

NN: Armstrong plant “European All Stars”, in: Westjazz, 4/42 (Apr.1959), p. 1 (N/photo: Louis Armstrong, Günter Boas) [digi.copy]

NN: Breaks, in: Schlagzeug, #20 (Apr.1959), p. 24 (N: Berlin concert bans noise instruments and wrong clothes in the audience) [digi.copy]

NN: Count Basie und Satchmo, in: Schlagzeug, #20 (Apr.1959), p. 5 (N: German tour) [digi.copy]

NN: Louis Arsmtrong doch nach Moskau, in: Jazzpress, 2/18 (29.May 1959), p. 2 (N)

Attilio Rota & Luigi Catalano: Armstrong a Milano e a Torino, in: Jazz di ieri e di oggi, 1/4 (May 1959), p. 28-33 (F/C)

NN: Louis Armstrong, in: The Jazz Review, 2/4 (May 1959), p. 41 (advertisement/short I/photo: about his tape recorders) [digi.copy]

NN: Personalien, in: Schlagzeug, #21 (May 1959), p. 21 (N: sings in movie “The Five Pennies”) [digi.copy]

NN: Satchmo jouera à Paris, in: Jazz Magazine, #48 (May 1959), p. 11 (N)

NN: Sing Satchmos Schwingungen messbar?, in: Schlagzeug, #21 (May 1959), p. 4 (N/photo: nobel prize laureate Nils Bohr with Armstrong) [digi.copy]

NN: Louis Armstrong in Geneva, in: Los Angeles Sentinel, 4.Jun.1959, p. C4 (short F) [digi.copy]

NN: Music News. How to Do the Impossible, in: Down Beat, 59/13 (25.Jun.1959), p. 14 (N/C)

NN: Breaks, in: Schlagzeug, #22 (Jun.1959), p. 14 (N: sings in Marika Rökk film; offered 84.000 DM to sing in a Danish film) [digi.copy]

NN: Louis Armstrong à l’Olympia, in: Jazz Magazine, #49 (Jun.1959), p. 11 (N)

NN: Satchmo in Jugoslawien, in: Schlagzeug, #22 (Jun.1959), p. 7 (short F) [digi.copy]

NN: Ella Fitzgerald & Louis Armstrong – “Porgy and Bess” (Verve MG V-4011/12), in: Down Beat, 72/1 (Jan.2005), p. 77 (R: 5 stars; reprint, from: Down Beat, 23.Jul.1959) [digi.copy]

Franck Ténot: Satchmo en grosse forme, in: Jazz Magazine, #50 (Jul.1959), p. 30-31 (C)

Jean Tronchot & Aris Destombes: Les rédacteurs de Jazz-Hot ne sont toujours pas d’accord. A propos du “Show” Louis Armstrong, in: Jazz Hot, #145 (Jul/Aug.1959), p. 34-35 (F)

NN: Happy Birthday Louis, in: The Second Line, 9/7-8 (Jul/Aug.1959), p. 5 (F)

NN: Jeff Names Playground for ‘Satchmo’, in: The Second Line, 9/7-8 (Jul/Aug.1959), p. 2 (F)

P. Kunst: His 2nd Hot Five and His Savoy Ballroom Five, in: Jazz Podium, 8/7 (Jul.1959), p. 170; part 2, in: Jazz Podium, 8/8 (Aug.1959), p. 188

NN: Music News. Swingin’ Satch, in: Down Beat, 26/16 (6.Aug.1959), p. 10 (C: back after illness)

Humphrey Lyttelton: Where Are Today’s Giants of Jazz?, in: Melody Maker, 15.Aug.1959, p. 11 (Armstrong’s illness)

Leonard Feather: The Three Armstrongs, in: Melody Maker, 22.Aug.1959, p. 2-4 (after Armstrong’s illness)

NN: 10000 feierten Satchmo, in: Schlagzeug, 4/8 (Aug.1959), p. 4 (short F: New York birthday concert) [digi.copy]

NN: breaks, in: Schlagzeug, 4/8 (Aug.1959), p. 25 (N: reiossue of Hot Five records on Odeon) [digi.copy]

NN: Louis Armstrong, guéri, a regagne les État-Unis, in: Jazz Magazine, #51 (Aug/Sep.1959), p. 13 (F)

NN: Satchmo hat sich wieder erholt, in: Jazz Podium, 8/8 (Aug.1959), p. 179

John Tynan: Take Five, in: Down Beat, 26/19 (17.Sep.1959), p. 44 (Film-R: “Anatomy of a Murder”; “The Beat Generation”)

NN: strictly ad lib, in: Down Beat, 26/19 (17.Sep.1959), p. 46 (N: TV show)

Jean Tronchot & Aris Destombes: hanswurst oder prophet, in: Schlagzeug, 4/9 (Sep.1959), p. 12-13 (F) [digi.copy]

NN: Satchmo for West End Musical, in: Melody Maker, 10.Oct.1959, p. 1

Leonard Feather: Satchmo le grand. L’homme aux 3 visages, in: Jazz Magazine, #52 (Oct.1959), p. 26-29, 47 (F/I)

NN: Breaks, in: Schlagzeug, #26 (Oct.1959), p. 26 (N: most favorite musician in the USA; lives close to Dizzy Gillespie) [digi.copy]

NN: music news. Armstrong-Brubeck Alliance, in: Down Beat, 26/24 (26.Nov.1959), p. 11 (F: “World, Take a Holiday”)

NN: Beirut Bans Armstrong. U.S. Musician’s Israeli Visit Bars Him From Lebanon, in: New York Times, 18.Nov.1959 (short F) [digi.copy]

NN: Satchmo – Star eines Musicals, in: Schlagzeug, #27 (Nov.1959), p. 4 (short F: “World, Take a Holiday”) [digi.copy]

MM: Blues Singer Excites The Great Armstrong, in: Los Angeles Sentinel, 10.Dec.1959, p. C3 (F) [digi.copy]

Max Jones: Louis Blasts Jim Crow, in: Melody Maker, 12.Dec.1959, p. 11

Martin Williams: Louis Armstrong – “Collector’s Items” (Decca DL 18329); “My Musical Autobiography” (Decca DXM-155), in: Jazz Review, 1/2 (Dec.1958), p. 30-32 (R) [digi.copy]

NN: “Satchmo Plays Satchmo”, in: Schlagzeug, #28 (Dec.1959), p. 6 (N: film “The Five Pennies”) [digi.copy]

NN: Armstrong möchte für Nikita blasen, in: Schlagzeug, #28 (Dec.1959), p. 6 (N: wants to play in Sowiet Union) [digi.copy]

NN: Sayings of Satchmo. His wit may go down in history, in: Ebony, Dec.1959, p. 85-88 (F/I about politics, jazz, bebop, women) [digi.copy]

Raymond Mouly: Louis Armstrong/Ella Fitzgerald – Porgy & Bess, in: Jazz Magazine, #54 (Dec.1959), p. 50 (R)

Albert McCarthy: Louis Armstrong, London 1960 [book; Deutsche Übersetzung, Stuttgart 1960] (F)

André Francis: Jazz, New York 1960 [book: Grove Press], p. 45-57 (F)

Charles Fox & Peter Gammond & Alun Morgan & Alexis Korner: Jazz on Record. A Critical Guide, London 1960 [book: Grey Arrow], p. 12-21 (F)

Leonard Feather: The Anatomy of Jazz, in: Leonard Feather: The Encyclopedia of Jazz, New York 1960 [book: Bonanza Books], p. 70 (T: “Muggles”, trumpet solo)

Leonard Feather: The Jazzman as Critic. The Blindfold Test. Reactions to Louis Armstrong, in: Leonard Feather: The Encyclopedia of Jazz, New York 1960 [book: Bonanza Books], p. 476-477 (F/I with Dave Garroway, Leonard Bernstein, Miles Davis)

Louis Armstrong. Scanning the History of Jazz, in: Jazz Review, 3/6 (1960), p. 6-9

Mezz Mezzrow: Koncert s Louisem Armstrongem, in: Milos Bergl & Lubomír Doruzka et al (eds.): Tanecní hudba a jazz 1960, Prague 1960 [book: Státní nakladatelství krásné literatury, hudby a umení], p. 110-113 (F; excerpt from Mezzrow’s “Really the Blues”)

NN: Armstrong et Belafonte sur les écrans Francais, in: Jazz Magazine, 6/56 (1960), p. 17

NN: Soliloqui by Satch, in: Down Beat, 27/4 (1960), p. 14

Ralph O’Brien: Louis Armstrong. Eine Bildchronik, Zürich 1960 [book] (F)

NN: Louis and New Orleans, in: Down Beat, 27/1 (7.Jan.1960), p. 15-16 (F: Armstrong does not play in New Orleans for racial reasons)

NN: Breaks, in: Schlagzeug, #29 (Jan.1960), p. 17 (N: records evergreens with Bing Crosby and Bill May) [digi.copy]

NN: Libanon. Keine Einreise für Satchmo, in: Schlagzeug, #29 (Jan.1960), p. 5 (short F) [digi.copy]

NN: Louis Armstrong and His Hot Seven – “Hot Seven Blues Session” (Odeon O-41109), in: Schlagzeug, #29 (Jan.1960), p. 31 (R) [digi.copy]

NN: Louis Armstrong, in: Jazz Podium, 9/1 (Jan.1960), cover (cover photo)

NN: New Orleans – Hochburg der Rassentrennung, in: Jazz Podium, 9/1 (Jan.1960), p. 3 (F: Armstrong All Stars can’t play New Orleans due to race reasons)

John A. Tynan: “Oscar Peterson Meets Oscar Peterson” (Verve), in: Down Beat, 27/3 (4.Feb.1960), p. 28-29 (R)

NN: Sololiquy by Satch, in: Down Beat, 27/4 (18.Feb.1960), p. 14 (short F)

“Jolly Joker”: “Louis Armstrong” (RCA EPA-5000), in: Schlagzeug, #30 (Feb.1960), p. 30 (R) [digi.copy]

Dan Morgenstern: Three Giants, in: Jazz Journal, 13/2 (Feb.1960), p. 15-16 (C)

NN: Armstrong All Stars ohne Satchmo, in: Schlagzeug, #30 (Feb.1960), p. 6 (N: record with Teddy Buckner) [digi.copy]

NN: Armstrong et Belafonte sur les écrans français, in: Jazz Magazine, #56 (Feb.1960), p. 17 (N)

NN: Breaks, in: Schlagzeug, #30 (Feb.1960), p. 18 (N: advertises for razors) [digi.copy]

NN: News. Louis Armstrong, in: Jazz Podium, 9/2 (Feb.1960), p. 28 (N: Mexican tour)

NN: “My beer is Rheingold…” says Louis Armstrong, in: Ebony, Apr.1960, p. 13 (commercial ad for Rheingold beer)

NN: News, in: Jazzer, #2 (Apr.1960), p. 18 (N: film “A Girl, a Man, a Trumpet”) [digi.copy]

Don DeMichael: Louis Armstrong – “I’ve Got the World on a String” (Verve), in: Down Beat, 27/11 (26.May 1960), p. 36 (R)

Max Jones: At 60, Louis Is Still Swinging, in: Melody Maker, 9.Jul.1960, p. 9

Dieter Zimmerle: Lebendiger Jazz – heute wie einst. Zum 60. Geburtstag Louis Armstrongs am 4. Juli 1960, in: Jazz Podium, 9/7 (Jul.1960), p. 149-150 (F) [digi.copy]

NN: Five Fans for Louis, in: Down Beat, 27/21 (13.Oct.1960), 16 (short F)

Max Jones: Louis Looks In, in: Melody Maker, 15.Oct.1960, p. 10-11

Max Jones: Louis Proves He Is Still King, in: Melody Maker, 5.Nov.1960, p. 10 (R: “Satchmo Plays King Oliver”)

John S. Wilson: Louis Armstrong – “Satchmo Plays King Oliver” (Audiofidelity), in: Down Beat, 27/23 (10.Nov.1960), p. 33-34 (R)

Gilbert Millstein: Africa Harks to Satch’s Horn, in: New York Times, 20.Nov.1960, p. 24, 64 (F/I) [digi.copy]

NN: Armstrong’s Akwaaba in Ghana, in: Down Beat, 27/24 (24.Nov.1960), p. 12 (F)

Alfon Michael Dauer: Louis Armstrong. Gedanken über eine große Musikerpersönlichkeit, in: Jazz Podium, 9/11 (Nov.1960), p. 245-247

Dieter Zimmerle: Louis Armstrong. Eine Bildchronik von R. O’Brien, in: Jazz Podium, 9/11 (Nov.1960), p. 250 (B)

NN: Louis Armstrong ambassadeur U.S. en Afrique, in: Jazz Magazine, #64 (Nov.1960), p. 15-16 (F)

Bill Coss & Herb Snitzer: On the Road with Louis Armstrong, in: Metronome, 77/12 (Dec.1960), p. 13-17

NN: 24 heures de détente à Léopoldville. Le dernier miracle de Satchmo, in: Jazz Magazine, #65 (Dec.1960), p. 32-35 (Photo-F)

NN: news…, in: Jazz Podium, 9/12 (Dec.1960), p. 259 (N: gets no visa for South Africa) [digi.copy]

A. Destombes: Toujours Louis…, in: Jazz Hot, 26/162 (1961), p. 32-33

Hans-Jürgen Winkler: Louis Armstrong, in: Hans-Jürgen Winkler: Jazz für Jedermann, München 1961 [book], p. 218-226 (F)

J.-R. Masson: Satchmo et Duke face à face, in: Jazz Magazine, 7/71 (1961), p. 15

Louis Armstrong: Jazz Is a Language, in: Lewis Porter: Jazz. A Century of Change. Readings and New Essays, New York 1997 [book: Schirmer], p. 185-187 (“I”; Reprint, from: Music Journal, 1961)

Nat Hentoff: Studio Time. “Place It Where You Want, Dolling!”, in: Nat Hentoff: The Jazz Life, New York 1978 [book; Reprint, O: New York 1961], p. 117-128 (F)

Whitney Balliett: The Three Louis, in: Whitney Balliett: The Sound of Jazz. 46 Pieces on Jazz, London 1961 [book], p. 90-93 (R: Musical Autobiography); reprint, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin’s Press], p. 34-36 (F) [digi.copy]

Max Jones: With Duke and Louis in Paris, in: Melody Maker, 7.Jan.1961, p. 2-3, 17

Aris Destombes: Toujours Louis…, in: Jazz Hot, #162 (Feb.1961), p. 32 (F)

Lennart Stenbeck: Satchmo. Jazzens ambassador en välkommen gäst, in: Orkester Journalen, 29/2 (Feb.1961), p. 10-11 (F)

Barbara Gardner: Bing Crosby & Louis Armstrong – “Bing & Satchmo” (MGM), in: Down Beat, 28/6 (16.Mar.1961), p. 30 (R)

Humphrey Lyttelton: Louis Changed the Face of Jazz, in: Melody Maker, 18.Mar.1961, p. 5

H. Geyer: Raubbau an Satchmo. Gedanken zum Armstrong-Gastspiel, in: Jazz Podium, 10/3 (Mar.1961), p. 73-74

Lennart Stenbeck: “Louis Armstrong and his Hot Five” (Philips), in: Orkester Journalen, 29/3 (Mar.1961), p. 22 (R: 5 stars)

Lennart Stenbeck: “Pioneers of jazz Vol. 1. Louis Armstrong 1925” (Coral), in: Orkester Journalen, 29/3 (Mar.1961), p. 22 (R: 3 stars)

Lennart Stenbeck: Tre jazzkonserter. Armstrong har gnistan kvar, in: Orkester Journalen, 29/3 (Mar.1961), p. 8 (C)

Marty Gershen: Satschmo to toot for troops in Berlin, in: Stars and Stripes, 10.Apr.1961 (F/I) [digi.copy]

Lennard Stenbeck: “Pioneers of Jazz Vol. 2. Louis Armstrong 1927” (Coral), in: Orkester Journalen, 29/4 (Apr.1961), p. 20 (R: 4 stars)

NN: Louis Armstrong – “Ambassador Satch” (Philips 429 737 BE), in: Rhythme. Nederlands enige Jazz-Periodiek, 12/139 (Apr.1961), p. 24 (R)

NN: Russians Want Satchmo for 30-city Autumn Tour, in: Melody Maker, 20.May 1961, p. 1

Hans Chr. Nörregaard: Und ich hörte sie sagen…, in: Jazz Podium, 10/5 (May 1961), p. 130-131 (short I: about blues, King Oliver, modern jazz, Africa, Nick LaRocca) [digi.copy]

Louis Armstrong (& David Dachs): Daddy, How the Country Has Changed! Satchmo notes vast improvement of U.S. Negro musicians’ lot during his career, in: Ebony, May 1961, p. 81-82, 84-86, 88, 90 (“I”/photos) [digi.copy]

NN: news …, in: Jazz Podium, 10/5 (May 1961), p. 140 (N: plans to engage singer replacing the diseased Velma Middleton) [digi.copy]

NN: news …, in: Jazz Podium, 10/5 (May 1961), p. 140 (N: plans for Polish concert) [digi.copy]

NN: Pickles. Sällsynt samarbete, in: Orkester Journalen, 29/5 (May 1961), p. 5 (N: records with Duke Ellington)

Olaf Hudtwalcker: Louis Armstrong – “Plays the blues” (Brunswick 10194); “The Hot Seven” (Brunswick 10193); “The Hot Five” (Brunswick 10192); “Vol. 2” (RCA 130226); “Vol. 3” (RCA 130227); “At the Crescendo I” (Brunswick 87023); “At the Crescendo II” (Brunswick 87024), in: Jazz Podium, 10/5 (May 1961), p. 141 (R) [digi.copy]

Don DeMichael: Louis Armstrong – “A Rare Batch of Satch” (RCA Victor), in: Down Beat, 28/12 (8.Jun.1961), p. 37-38 (R)

Max Jones: Louis Scales New Heights, in: Melody Maker, 17.Jun.1961, p. 7

“hdw”: “Louis Armstrong”, by Ralph O’Brien; “Damals in New Orleans”, by James Graves, in: Rhythme. Nederlands enige Jazz-Periodiek, 12/141 (Jun.1961), p. 25 (B)

Aris Destombes: Sur 13 microsillons de Louis Armstrong, in: Jazz Hot, #166 (Jun.1961), p. 28-29 (R)

Dan Morgenstern: Rotating with Satchmo & Mingus, in: Metronome, 78/6 (Jun.1961), p. 19-21

NN: Satchmo für Rußland, in: Jazz Podium, 10/6 (Jun.1961), p. 151 (short F) [digi.copy]

NN: Louis Armstrong, in: Bravo, 16.Jul.1961, cover (cover photo)

NN: Ella Fitzgerald / Louis Armstrong – “Ella and Louis” (Brunswick 87038 LPBM), in: Rhythme. Nederlands enige Jazz-Periodiek, 12/142 (Jul.1961), p. 26 (R)

NN: Pickles. Nyrekrytering, in: Orkester Journalen, 29/7-8 (Jul/Aug.1961), p. 5 (N)

NN: Louis Armstrong – “Early Satch” (Philips 429 739 BE), in: Rhythme. Nederlands enige Jazz-Periodiek, 12/143 (Aug.1961), p. 19 (R)

NN: Portretgalerij. Louis Armstrong, in: Rhythme. Nederlands enige Jazz-Periodiek, 12/144 (Sep.1961), p. 15 (short F/photo)

Vic Bellerby: The Auburn Glow of Big-Band Armstrong, in: Melody Maker, 4.Nov.1961, p. 6 (R: “Louis Armstrong Jazz Classics”)

Max Jones: The Armstrong Story Reaches 1928, in: Melody Maker, 9.Dec.1961, p. 8 (R: “His Greatest Years Vol.3”)

NN: Louis Armstrong Sued. Las Vegas Hotel and Minsky Seek $11,500,000 Damages, in: New York Times, 12.Dec.1961, p. 54 (F) [digi.copy]

Don DeMichael: “Louis Armstrong & Duke Ellington” (Roulette), in: Down Beat, 28/26 (21.Dec.1961), p. 32, 37 (R: 4 1/2 stars) [digi.copy]

Leonard Feather: Britain’s Irv Manning is a Louis All-Star, in: Melody Maker, 36/1462 (23.Dec.1961), p. 7 (F/I with Irving Manning) [digi.copy]

Diverse Autoren: Round About Satch, in: Jazz Hot, 28/177 (1962), p. 10, 13

Hans-Jürgen Winkler: Louis Armstrong. Ein Porträt, Wetzlar 1962 [book] (F)

Hugues Panassié: Armstrong, Louis, in: Stanley Dance (ed.): Jazz Era. The ‘Forties, London 1962 [book: The Jazz Book Club & MacGibbon & Kee], p. 50-52 (F)

James Poling (ed.): Esquire’s World of Jazz, London 1962 [book: Arthur Baker], p. 70-77 (F: chapter “The three faces of Satchmo”)

Leonard Feather: Armstrong/Brubeck/McRae/LHR – The Real Ambassadors, in: Down beat, 29/27 (1962), p. 35-36 (R)

Leonard Feather: The Real Louis Armstrong, in: Down Beat, 29/5 (1962), p. 20-23

M.P.: Concerts. Une attraction royale, in: Jazz Magazine, 8/83 (1962), p. 25-26

NN: King’s Scepter is Enshrined, nin: Second Line, 13/5-6 (1962), p. 1-5

NN: Louis and Others Sued for 11 1/2 Million Dollars, in: Down Beat, 29/2 (1962), p. 15

Richard B. Hadlock: Louis Armstrong, Farimont Hotel, San Francisco, in: Down Beat, 29/7 (1962), p. 40

Timme Rosenkrantz: Reflections on Louis Armstrong, in: Down Beat, 29/20 (1962), p. 50

Michel Laverdure: “Louis Armstrong et Duke Ellington” (Roulette), in: Jazz Magazine, #78 (Jan.1962), p. 33 (R) [digi.copy]

Michel Laverdure: Louis Armstrong – “V.S.O.P.” Vol. 1-5 (Odéon), in: Jazz Magazine, #78 (Jan.1962), p. 35 (R) [digi.copy]

NN: “Satchmo” kommt in neuer Besetzung nach Europa, in: Show-Business, 2/1 (Jan.1962), p. 4 (N)

NN: Millionen-Schadenersatzklage gegen Satchmo, in: Jazz Podium, 11/1 (Jan.1962), p. 18

Philippe Koechlin: Louis Armstrong – “V.S.O.P. Vol. 6” (Odeon); “Satchmo Plays King Oliver” (Audio Fidelity); Louis Armstrong & Duke Ellington – “Together fot the First Time” (Roulette), in: Jazz Hot, #172 (Jan.1962), p. 39, 41 (R) [digi.copy]

NN: Millionen-Prozeß gegen Louis Armstrong, in: Show-Business, 2/2 (Feb.1962), p. 4 (N: law suit by Las Vegas hotel against Louis Armstrong and Joe Glaser)

NN: news…, in: Jazz Podium, 11/2 (Feb.1962), p. 32 (N: possible European tour) [digi.copy]

NN: Satch Says: Dig You Later. A Message for MM Readers, in: Melody Maker, 7.Apr.1962, p. 1

Leonard Feather: There’s a Lot in Me the Public Hasn’t Heard! But I’d Like a Year Off to Catch Up, Tells L. Armstrong, in: Melody Maker, 28.Apr.1962, p. 8-9

NN: Who’s Who in the Satch All-Stars. A Quick Look at Louis’s Sidemen, in: Melody Maker, 28.Apr.1962, p. 8

Bob Dawbarn: Louis on Short Ration, in: Melody Maker, 5.May 1962, p. 10

NN: I’ll Retire Soon, Says Satchmo, in: Melody Maker, 5.May 1962, p. 5

NN: Jazz Museum Gets Original Satchmo Horn, in: Down Beat, 29/11 (24.May 1962), p. 14 (short F: New Orleans Jazz Museum)

Ernst Herhaus: Die Story vom “King of Jazz” Louis Armstrong, in: Showbusiness, 2/4 (25.May 1962), p. 8-10 (F) [digi.copy]

Dan Morgenstern: Pops in Perspective, in: Jazz Journal, 15/5 (May 1962), p. 4-8 (F)

Martin Williams: A Note on Louis Armstrong and Jazz Rhythm, in: Jazz Journal, 15/5 (May 1962), p. 9-10 (F)

Sinclair Traill: Armstrong… V.S.O.P., in: Jazz Journal, 15/5 (May 1962), p. 3 (F/R)

Sinclair Traill: Louis Armstrong, in: Jazz Journal, 15/5 (May 1962), p. 1 (C)

Jean Tronchot & Philippe Koechlin & Aris Destombes: Round About Satch, in: Jazz Hot, #177 (Jun.1962), p. 10, 13 (C)

Timme Rosenkrantz: Reflections, Reflections, Reflections on Louis Armstrong, in: Down Beat, 29/20 (19.Jul.1962), p. 50 (F/I)

Oscar Klein: Horn und Herz. The Louis Armstrong Story. Ein Hollywood Treatment über das Leben des großen Jazztrompeters, in: Jazz Podium, 11/8 (Aug.1962), p. 189-191

Sinclair Traill: In My Opinion. Lucille Armstrong, in: Jazz Journal, 15/8 (Aug.1962), p. 7-8 (BT)

H. Grut: Legendary Louis Marches On (Copenhagen, Tivoli), in: Melody Maker, 15.Sep.1962, p. 2 (C)

Charles Graham: The Sound of Jazz. Listening with Louis, in: Jazz [USA], 1/1 (Oct.1962), p. 22 (F: Louis Armstrong’s stereo equipment) [digi.copy]

“m”: Aus dem Musikleben, in: Showbusiness, 2/8 (5.Nov.1962), p. 2 (N: earns 300.000 DM at Copenhagen’s Tivoli) [digi.copy]

Lil Armstrong: I Remember Pops, in: Dom Cerulli, Burt Korall & Mort Nasatir (Hg.): The Jazz Word, London 1963 [book], p. 47-50 (F)

David A. Himmelstein: Pops. An Appreciation, in: Coda, 5/6 (Jan.1963), p. 2-3 (F)

NN: Jazz. Louis Armstrong, in: Showbusiness, 3/2 (25.Feb.1963), p. 9 (N: will not retire yet) [digi.copy]

John S. Wilson: Louis Armstrong & Duke Ellington – “The Great Reunion” (Roulette), in: Down Beat, 30/29 (7.Nov.1963), p. 28 (R)

NN: Pops Eying Africa Again, in: Pittsburgh Courier, 9.Nov.1963, p. 17 (short F) [digi.copy]

Mait Edey: Young Louis Armstrong, in: Martin Williams (Hg.): Jazz Panorama. From the Pages of Jazz Review, New York 2/1967 [book, O: New York 1/1964], p. 105-110 (F/R)

Martin Williams: Louis Armstrong, in: Martin Williams (Hg.): Jazz Panorama. From the Pages of Jazz Review, New York 2/1967 [book, O: New York 1/1964], p. 111-115 (F)

Martin Williams: Louis Armstrong. Style Beyond Style, in: Jazz, 3/1 (1964), p. 12, 22ff.

Sidney Finkelstein: Jazz. A People’s Music, New York 1948 [book: Citadel Press]; reprint: London 1964 [book: The Jazz Book Club & The Citadel Press], p. 148-190 (F: chapter “The Pop Tune, The Hot Solo & The Large Band”)

Wilfrid Mellers: From heterophony to polyphony. From polyphony to the antiphony of the big band. Improvisation and composition in the work of Louis Armstrong, Jelly Roll Morton and Count Basie, in: Wilfrid Mellers: Music in a New Found Land. Themes and Developments in the History of American Music, London 1964 [book], p. 299-315 (F/A)

Don DeMichael & Pete Welding: “Armstrong and his Hot Five” (Columbia); “Armstrong and Earl Hines” (Columbia), in: Down Beat, 31/4 (13.Feb.1964), p. 27 (R)

NN: Louis Armstrong in Hospital, in: New York Times, 13.Mar.1964, p. 41 (N) [digi.copy]

NN: Louis Latesrt – Out of Hospital, in: Melody Maker, 21.Mar.1964, p. 1

NN: Le fros rouge. Big Chief Russell Moore remplace Trummy Young dans le sextette de Louis Armstrong, in: Jazz Magazine, #104 (Mar.1964), p. 15 (N)

Max Jones: The Great Reunion, in: Melody Maker, 18.Apr.1964, p. 10 (R: Armstrong/Ellington)

NN: Satch Suffers Inflamed Veins, No Heart Attack, As Rumored, in: Down Beat, 31/10 (23.Apr.1964), p. 13 (N)

John S. Wilson: Louis Armstrong – “Satchmo, 1928-1930” (Decca), in: Down Beat, 31/11 (7.May 1964), p. 32-33 (R)

NN: Hello Dolly! The Hit No One Wanted, in: Melody Maker, 23.May 1964, p. 3

Don DeMichael: Louis Armstrong – “Hello, Dolly!” (Kapp), in: p. 23 (R)

Max Jones: How to Be a Pop Success – And Still Be Louis, in: Melody Maker, 11.Jul.1964, p. 12 (R: “Hello Dolly”)

NN: Armstrong’s Birthplace Center of Confusion, in: Down Beat, 31/21 (16.Jul.1964), p. 12 (short F)

NN: Deadline Passes; Armstrong Birthplace Torn Down, in: Down Beat, 31/22 (30.Jul.1964), p. 10 (short F)

NN: Neues auf dem Schallplattenmarkt. Louis Armstrong, in: Musikwelt (formerly Showbusiness), 4/1 (Jul/Sep.1964), p. 14 (short F: hit with “Hello Dolly”) [digi.copy]

John S. Wilson: Louis Armstrong – “Hot Five and Seven, Vol.1/2” (Odeon 83261); “Greatest Years” (Odeon 83316); “Born for Jazz” (Odeon 83262), in: Down Beat, 31/25 (10.Sep.1964), p. 31-32 (R: 5 stars; 5 stars; 4 stars) [digi.copy]

NN: Louis Birthplace Is Burned Down – A Shack in New Orleans, in: Melody Maker, 26.Sep.1964, p. 2

Martin Williams. Les lumiers du couchant. Premier au hit parade à soixante-quatre ans!, in: Jazz Hot, #202 (Oct.1964), p. 30-33, 43 (F)

John S. Wilson: Louis Armstrong – “Satchmo, 1930-34” (Decca 4331, 74331); “The Best of Louis Armstrong” (Verve^8595, 6-8595), in: Down Beat, 31/29 (5.Nov.1964), p. 26-27 (R: 4 1/2 stars; 3 stars) [digi.copy]

Max Jones: Another Chance of Some Fine Louis, in: Melody Maker, 7.Nov.1964, p. 15 (R: “Symphony Hall, Vol.1/2″/”At Pasadena”)

Leonard Feather: Retire? I’ve Too Many Bookings – Louis, in: Melody Maker, 28.Nov.1964, p. 8

Charles L. Sanders: Louis Armstrong – The Reluctant Millionaire, in: Ebony, Nov.1964, p. 136-138, 140, 142-144, 146 (F/I) [digi.copy]; response, by James McCannon: Letters to the Editor. Satchmo versus Stravinsky, in: Ebony, Dec.1964¸p. 18 (letter) [digi.copy]

NN: Armstron’g Agent Awaits Word on Ban, in: New York Times, 8.Dec.1964, p. 90 (F: performance ban at University of Alabama) [digi.copy]

Leonard Feather: Armstrong derriere le rideau, in: Jazz Magazine, #118 (1965), p. 15

Michel Boujut: Chronologie de la vie et de l’oeuvre de Louis Armstrong, in: Les Cahiers du Jazz, #12 (1965), p. 69-96

P. Cressant: Louis au Palais, in: Jazz Magazine, #120 (1965), p. 15-16

P. Koechlin: Louis le Grand, in: Jazz Hot, 31/211 (1965), p. 20-23

Richard Hadlock: Louis Armstrong from 1924 to 1931, in: Richard Hadlock: Jazz Masters of the Twenties, New York 1965 [book: Macmillan; reprint: New York 1974, Collier Books], p. 13-49 (F) [digi.copy]

Robert Johnson: Scrapbook Sesion with Satchmo (from an article in a Memphis newspaper), in: Jazz Notes, spring 1965, p. 15 (F)

NN: Alabama Students Demand Louis, in: Melody Maker, 2.Jan.1965, p. 11

Don DeMichael: Louis Armstrong – “In the ’30s/In the ’40s” (RCA Victor); “The Best of Louis Armstrong” (Audio Fidelity), in: Down Beat, 32/2 (28.Jan.1965), p. 22-23 (R)

NN: Things Popping for Pops, in: Down Beat, 32/3 (11.Feb.1965), p. 12 (F)

“Lo.”: Einiges über Berlin-Gast Louis Armstrong, in: [unknown source, East Germany], Mar.1965 (F) [digi.copy]

“The Fevered Five”: A Visit with Satchmo, in: The Second Line, 16/3-4 (Mar/Apr.1965), p. 35-37 (F)

NN: A Visit with Satchmo, in: The Second Line, 16/3-4 (Mar/Apr.1965), p. 35-37 (F)

NN: Louis Armstrong and His All Stars in Memphis, in: The Second Line, 16/3-4 (Mar/Apr.1965), p. 34, 37 (C)

NN: Louis Armstrong and His All Stars in Memphis, in: The Second Line, 16/3-4 (Mar/Apr.1965), p. 35, 37 (C)

Richard Meryman: An Authentic American Genius. An Interview with Louis Armstrong, in: Life Magazine, 15.Apr.1966, p. 91, 93-102, 104-108, 110, 112-114, 116 (I) [digi copy] {p. 105-106 missing}; reprint, as: Richard Meryman: The Life and Thoughts of Louis Armstrong – A Self-Portrait, New York 1971 [book] (I); review, by Sinclair Traill, in: Jazz Journal, 25/7 (Jul.1972), p. 38 (B)

NN: Armstrong Speak Out on Racial Injustice, in: Down Beat, 32/9 (22.Apr.1965), p. 14-15 (F)

NN: ‘What Iron Curtain?’ Asks Ambassador Armstrong, in: Down Beat, 32/11 (20.May 1965), p. 10 (short F/I)

NN: Sen. Javits Asks That Armstrong Receive Medal of Freedom, in: Down Beat, 32/12 (3.Jun.1965), p. 8 (N)

NN: Sen. Javits Asks That Armstrong Receive Medal of Freedom, in: Down Beat, 32/12 (3.Jun.1965), p. 8 (short F)

Bob Dawbarn & Max Jones: Hello, Louis!, in: Melody Maker, 5.Jun.1965, p. 6

Max Jones: Louis Magic in Up and Down Company, in: Melody Maker, 19.Jun.1965, p. 10 (R: “In the 30s, In the 40s”)

Dan Morgenstern: Yesterday, Today, and Tomorrow. An Interview with Louis Armstrong, in: Down Beat, 32/15 (15.Jul.1965), p. 15-18 (F/I); reprint, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 54-63 (F/I)

Leonard Feather: Life with Feather. Remembering “Pops” – Salute to Satch, in: Down Beat, 32/15 (15.Jul.1965), p. 19-22 (F)

Leonard Feather: Life with Feather. Remembering ‘Pops’, in: Down Beat, 32/15 (15.Jul.1965), p. 19-22 (F)

Rex Stewart: Boy Meets King (Louis Armstrong), in: Down Beat, 32/15 (15.Jul.1965), p. 23-27 (F); Reprint, in: Rex Stewart: Jazz Masters of the Thirties, New York 1972 [book: Macmillan], p. 39-50 (F)

NN: USSR, Germany, Hungary, and Hollywood Focus on Armstrong, in: Down Beat, 32/16 (29.Jul.1965), p. 8 (short F)

Clay Watson: 50 Golden Years, in: The Second Line, 16/7-8 (Jul/Aug.1965), p. 88-91, 98 (F)

Dave Doubble: Satch in Concert, in: Crescendo, 3/12 (Jul.1965), p. 23-24 (C)

Dave Doubble: Satch in Concert. Louis Armstrong at the Odeon, Hammersmith, in: Crescendo, 3/12 (Jul.1965), p. 23-24 (C)

G.E. Lambert: Jazz in Britain. Louis Armstrong, in: Jazz Journal, 18/7 (Jul.1965), p. 6 (C)

Harry E. Godwin: Getting to Know Satch, in: The Second Line, 16/7-8 (Jul/Aug.1965), p. 101-102 (F)

Les Tomkins: After films, TV appearances, world fame and thirty years of adulation. Playing with King Oliver was still the real high-spot. Louis Armstrong talks exclusively to Crescendo, in: Crescendo, 3/12 (Jul.1965), p. 20-23 (F/I)

Les Tomkins: Louis Armstrong talks exclusively to Crescendo. Playing with King Oliver was still the real high-point, in: Crescendo, 3/12 (Jul.1965), p. 20-21, 23 (I)

NN: Limericks for Louie (on His 65th Birthday), in: The Second Line, 16/7-8 (Jul/Aug.1965), p. 97 (poems)

NN: Louis Armstrong 1915-1965, in: The Second Line, 16/7-8 (Jul/Aug.1965), p. 99-100 (F/photos)

NN: On the Cover. Armstrong Medallion, in: The Second Line, 16/7-8 (Jul/Aug.1965), p. cover, 88 (short F/photo)

Philippe Koechlin: Louis le grand, in: Jazz Hot, #211 (Jul/Aug.1965), p. 20-23 (C)

NN: Potpourri. Louis Armstrong in New Orleans, in: Down Beat, 32/20 (23.Sep.1965), p. 18 (N)

Barry J. Hildebrand: Pete, Satch, Earl in Bowl. New Orleans Night in Hollywood, in: The Second Line, 16/9-10 (Sep/Oct.1965), p. 128-129 (C)

Helen Arlt: Satch Eager for Visit Home. Time snatched during Las Vegas appearance to reminisce, plan New Orleans concert, in: The Second Line, 16/9-10 (Sep/Oct.1965), p. 115-117 (F)

Dan Morgenstern: Louis Armstrong – “I Love Jazz” (Decca), in: Down Beat, 32/21 (7.Oct.1965), p. 30 (R)

NN: Potpourri: Tribute to Armstrong at Hollywood Bowl, in: Down Beat, 32/21 (7.Oct.1965), p. 14 (N)

Max Jones: Pre-Clture Jazz on the Grand Scale, in: Melody Maker, 16.Oct.1965, p. 11 (R: “Yeah”/”Plays W.C. Handy”)

J. Atterton: Louis. 50th Anniversary Concert in new Orleans, in: Melody Maker, 30.Oct.1965, p. 6

J. Atterton: Armstrong. Bringing It All Back Home, in: Melody Maker, 20.Nov.1965, p. 7

NN: AGVA and NYC to Honor Louis Armstrong, in: Down Beat, 32/25 (2.Dec.1965), p. 10 (F)

NN: New Orleans Hails Conquering Hero Pops, in: Down Beat, 32/26 (16.Dec.1965), p. 10 (C) [digi.copy]

André Francis: Jazz, Bourges 1958 [book: Solfèges / Éditions du Seuil]; reprint: Bourges 1966 [book: Solfèges / Éditions du Seuil], p. 40-47 (F)

Martin Williams: Eight Recorded Solos. I Can’t Give You Anything But Love, by Louis Armstrong, in: Martin Williams: Where’s the Melody? A Listener’s Introduction to Jazz, New York 1966 [book], p. 33-36 (F)

Whitney Balliett: Hide and Seek, in: Whitney Balliett: Such Sweet Thunder. 49 Pieces on Jazz, Indianapolis 1966 [book: Bobbs-Merrill], p. 293-297 (F)

NN: Potpourri. Louis Armstrong won’t retire, in: Down Beat, 33/1 (13.Jan.1966), p. 13 (N)

NN: Tribute to Louis Fails to Swing, in: Down Beat, 33/1 (13.Jan.1966), p. 10-11 (C)

NN: Potpourri. Louis Armstrong awarded Mary McLeod Bethune Medallion, in: Down Beat, 33/3 (10.Feb.1966), p. 14 (N) [digi.copy]

NN: Sweet-and-Tart Stream, in: Down Beat, 33/5 (10.Mar.1966), p. 8 (N)

Leonard Feather: Louis. Swinging Again with the King of Corn, in: Melody Maker, 23.Apr.1966, p. 6

J. Hutton: Great Jazz Solos. Louis Armstrong – “Savoy Blues”, in: Melody Maker, 4.Jun.1966, p. 8

Dan Morgenstern: Louis Armstrong – “Louis” (Mercury), in: Down Beat, 33/17 (25.Aug.1966), p. 24 (R)

Don DeMichael: Ella Fitzgerald & Louis Armstrong – “Porgy and Bess” (Verve), in: Down Beat, 33/19 (22.Sep.1966), p. 41-42 (R)

Dan Morgenstern: Louis Armstrong – “Satchmo at Symphony Hall” (Decca), in: Down Beat, 33/25 (15.Dec.1966), p. 33-34 (R)

Art Napoleon: Mr. Strong, in: Jazz Journal, 19/12 (Dec.1966), p. 14-16 (F)

Martin Williams: Little Louie, in: Martin Williams: Jazz Masters of New Orleans, New York 1967 [book: Macmillan]; reprint: New York 1979 [book: DaCapo], p. 162-177 (F)

Peter Clayton & Peter Gammond: West End Blues, in: Peter Clayton & Peter Gammond: Fourteen Miles on a Clear Night, London 1967 [book: The Jazz Book Club & Peter Owen], p. 123-124 (R)

Michel Laverdure: Armstrong End Blues, in: Jazz Magazine, #443 (Dec.1994), p. 26-27 (F; Reprint aus: Jazz Magazine, Sep.1967)

Bob Smith: Hot Air. Interview with Louis Armstrong, 1968 (I) [sound file]; information about the show, by Mickael Juk, in: , 25.Oct.2012 (F) [digi.copy]

Gunther Schuller: Louis Armstrong. The First Great Soloist, in: Gunther Schuller: Early Jazz. Its Roots and Musical Development, New York 1968 [book], p. 89-133 (F/A/T)

Michel Dorigné: Louis Armstrong. Le style fait homme, in: Michel Dorigné: Jazz 1. Les origins du jazz, le style nouvelle orléans et ses prolongements, Paris 1968 [book], p. 93-101 (F)

NN: Louis Armstrong, in: Melody Maker, 13.Jan.1968, p. 6 (N: on Bing Crosby Show) [digi.copy]

NN: Potpourri. Louis Armstrong tapes in Hollywood, in: Down Beat, 35/4 (22.Feb.1968), p. 13 (N)

Alberico Sala: Satchmo 55, in: Musica Jazz, 24/2 (Feb.1968), p. 23 (poem)

Fred Romary: Struttin’ with Some Louie, in: Storyville, #15 (Feb/Mar.1968), p. 4-8 (F)

P. Adler: Viva Louis!, in: Melody Maker, 2.Mar.1968, p. 20 (I)

A. Walsh: Personal Hotline from Miami Beach. Tell Them Satchmo Is Feeling Great, Looking Pretty and Blowin’ Great, in: Melody Maker, 13.Apr.1968, p. 5

Barry McRae: Jazz Basics. Louis Armstrong, in: Jazz Journal, 21/5 (May 1968), p. 11 (F)

NN: Louis Armstrong, in: Down Beat, 35/12 (13.Jun.1968), p. 14 (N/photo with Pearl Bailey, Louie Bellson, Chris Calloway, Jewell Brown) [digi.copy]

J. Hutton: Satchmo. Still the Great Entertainer, in: Melody Maker, 22.Jun.1968, p. 10

Max Jones: Report from Batley. Wonderful World of Louis Armstrong, in: Melody Maker, 29.Jun.1968, p. 13; part 2: Satch Says Thanks for the Thrill, in: Melody Maker, 13.Jul.1968, p. 9

NN: Final Bar. Beatrice Celina Armstrong, in: Down Beat, 35/14 (11.Jul.1968), p. 13 (O: Armstrong’s sister) [digi.copy]

Albert McCarthy: In Person. Louis Armstrong in London, in: Jazz Monthly, #162 (Aug.1968), p. 18 (C)

NN: Armstrong in Hospital, in: New York Times, 18.Sep.1968, p. 56 (N) [digi.copy]

Steve Voce: It Don’t Mean a Thing. Hello Skinny, in: Jazz Journal, 21/9 (Sep.1968), p. 14 (C)

NN: Armstrong’s British Visit Is Cancelled – Still in Hospital, in: Melody Maker, 19.Oct.1968, p. 1

NN: Dieting and Hard Work Bad Mixture for Satch, in: Down Beat, 35/22 (31.Oct.1968), p. 10 (short F: hospitalization) [digi.copy]

Bob Kumm: Louis Armstrong. Reflections on King Oliver and he Cotton Club, in: Storyville, #19 (Oct/Nov.1968), p. 9-11 (F)

Martin Williams: Henderson, Armstrong, and Noone, in: Martin Williams: Jazz Masters in Transition, 1957-1969, New York 1970 [book], p. 251-253 (R; Reprint aus: Saturday Review, 16.Nov.1968)

V. Schonfield: Second Opinion. Louis Armstrong, in: Melody Maker, 30.Nov.1968, p. 10

Dan Morgenstern: V.S.O.P., in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 75-82 (F: originally published as liner notes for “V.S.O.P.”, Columbia, 1969)

Hugues Panassié: Louis Armstrong, Paris 1969 [book]

Ralph G. Gleason: Like a Rolling Stone. (Joe Glaser, Louis Armstrong’s manager, died), in: Jazz & Pop, 8/9 (1969), p. 12

NN: Potpourri. Louis Armstrong released from hospital, in: Down Beat, 36/1 (9.Jan.1969), p. 13 (N)

Karl-Heinz Wintzer: Louis Armstrong with Luis Russell and his orchestra – “Satchmo Style” (Parlophone PMC 7045), in: Jazz Podium, 18/1 (Jan.1969), p. 28 (R: 5 stars) [digi.copy]

NN: Jazz News, in: Jazz Podium, 18/1 (Jan.1969), p. 9 (N: has to gain weight to work again) [digi.copy]

Don DeMichael: Louis Armstrong – “V.S.O.P. Vol. 1” (Epic Encore), in: Down Beat, 36/4 (20.Feb.1969), p. 20 (R)

Max Jones: Jazz News, in: Melody Maker, 22.Mar.1969, p. 4 (N: health, film documentary)

Wolfgang Dohl: Louis Armstrong – “Very Special Old Phonogrephy” (Epic EE 22019); “Greatest Hits” (CBS S 63 049), in: Jazz Podium, 18/3 (Mar.1969), p. 96 (R: 5 stars; 4 stars) [digi.copy]

NN: Potpourri. Louis Armstrong suffers relapse of kidney ailment, in: Down Beat, 36/8 (17.Apr.1969), p. 15 (N)

Louis Armstrong: “Beau Koo Jack”, in: Down Beat, 36/12 (12.Jun.1969), p. 36 (T)

Clay Sherman: Clay Sherman’s Jazz Scene. The 4th is Louie’s Bortday, Too, in: The Stars and Stripes, 1.Jul.1969, p. 19 (F; quotes from Teddy Wilson, Martin Williams, the Massachusetts Senate) [digi.copy]

Martha Glaser: Chords & Discords. The Real Thing, in: Down Beat, 36/14 (10.Jul.1969), p. 10, 12 (letter: films “Billie Holiday Story”, “Louis Armstrong Story”)

A. Walsh: Satchmo ’69, in: Melody Maker, 27.Sep.1969, p. 16-17; part 2: All That Fame Was Forced Upon Me, in: Melody Maker, 4.Oct.1969, p. 11; part 3: “Never Get Too Big for Your Britches”, in: Melody Maker, 11.Oct.1969, p. 11

Floyd Levin: A Statue for the living Louis Armstrong, in: Coda, 9/3-4 (Sep/Dec.1969), p. 62 (F)

Leonard Feather: A Fund to Honour Louis, in: Melody Maker, 13.Dec.1969, p. 14

Boris Vian: Louis Armstrong… Une sante!, in: Jazz Hot, #263 (Summer 1970) (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 107-109 (F)

Franck Ténot: Satchmo et Django, in: Jazz Magazine, #175 (1970), p. 15 (B: “Louis Armstrong” de Hugues Panassié)

Gene Ferrett: Louis Armstrong and the Big Bands, in: Gene Fernett: Swing Out. Great Negro Dance Bands, Midland/MI 1970 [book: Pendell]; reprint: New York 1993 [book], p. 61-64 (F)

I. Dove: Armstrong enregistre pour Flying Dutchman, in: Jazz Magazine, #180 (1970), p. 16-17

I. Dove: Louis Armstrong. Give Peace a Cance, in: Jazz & Pop, 9/9 (1970), p. 26-27

J. & J. Andersen: Festival One. Louis, in: Coda, 9/9 (1970), p. 7

J.M.: Louis 70 ans, in: Jazz Magazine, #179 (1970), p. 18-19

L.V. Mialy: Hello Louis, in: Jazz Hot, 36/264 (1970), p. 13

Leonard Feather: Louis scuffle encore (Las Vegas), in: Jazz Magazine, #183 (1970), p. 9

Martin Williams: Louis Armstrong. Style Beyond Style, in: Martin Williams: The Jazz Tradition, New York 2/1983 [book; New York 1/1970], p. 52-64 (F)

Max Jones & John Chilton & Leonard Feather: Salute to Satchmo, London 1970 [book: Melody Maker] (F/I/D)

R. Meryman: Satchmo se penche sur son passé, in: Jazz Magazine, #180 (1970), p. 18-23, 54-57

NN: Satchmo Statue Fund. Raising Drive Is On, in: Down Beat, 37/1 (8.Jan.1970), p. 7 (short F); response, by Valerie Wilmer, in: Down Beat, 37/11 (28.May 1970), p. 10 (letter); response, by Charles Suhor, in: Down Beat, 37/14 (23.Jul.1970), p. 10 (letter)

Doug Ramsey: Louis Armstrong – “And His Friends” (Flying Dutchman), in: Down Beat, 37/26 (24.Dec.1970), p. 22 (R)

John McDonough: Louis Armstrong – “The Definitive Album” (Audio Fidelity), in: Down Beat, 37/26 (24.Dec.1970), p. 22, 26 (R)

Stanley Dance: Lightly & Politely. Satchmo, in: Jazz Journal, 23/3 (Mar.1970), p. 18 (B: “Louis Armstrong”, by Hughues Panassié)

Burt Korall: The Pop and Jazz Scene. Salute to Satch, in: International Musician, 68/11 (May 1970), p. 22 (short F)

NN: Louis Cuts Birthday LP, in: Melody Maker, 13.Jun.1970, p. 6

John R.T. Davis & Laurie Wright: The Other Take, in: Storyville, #29 (Jun/Jul.1970), p. 171-174 (F: div. frühe Aufnahmen Armstrongs)

NN: Newport Jazz Festival mit Satchmo, in: Jazz Podium, 19/6 (Jun.1970), p. 194 (N)

Theo Zwicky: Louis – and Some West Coast Friends, in: Storyville, #29 (Jun/Jul.1970), p. 176-184 (F)

Henry Pleasants: Armstrong the Singer, in: Melody Maker, 4.Jul.1970, p. 24

Hugues Panassié: The Supreme Relaxer, in: Melody Maker, 4.Jul.1970, p. 24

John Chilton: Born in Jane Alley, 1900. A Brief History of Louis, in: Melody Maker, 4.Jul.1970, p. 26

Leonard Feather: Louis’ Legacy to the New Men, in: Melody Maker, 4.Jul.1970, p. 24

Leonard Feather: Report from Los Angeles. Louis’ Birthday Party, in: Melody Maker, 18.Jul.1970, p. 29

Max Jones: The Louis Story in Pictures, in: Melody Maker, 4.Jul.1970, p. 27

Miles Kingston: Can Louis’ Music Have Any Relevance for the Young Today?, in: Melody Maker, 4.Jul.1970, p. 26

NN: Back in the Studios Again – with Friends, in: Melody Maker, 4.Jul.1970, p. 25

NN: Salute to Satchmo. Special to Mark Louis’ 70th Birthday, in: Melody Maker, 4.Jul.1970, p. 23ff.

Bob Wilber: Louis Plays the Blues. Three Solos transcribed and annotated, in: Down Beat, 37/13 (9.Jul.1970), p. 36-38 (A/T: “Terrible Blues”; “S.O.L. Blues”; “Mahogany Hall Stomp”)

Dan Morgenstern: Roses for Satchmo, in: Down Beat, 37/13 (9.Jul.1970), p. 14-19 (F/I with Duke Ellington, Barney Bigard, Benny Carter, Ray Brown, Dizzy Gillespie, Clark Terry, Stan Kenton, Cannonball Adderley, Quincy Jones, Teddy Buckner, Gerald Wilson, Jimmy Smith, Shelly Manne, Art Hodes, George Brunis, Cootie Williams, Harry Carney, Cat Anderson, Joe Benjamin, Earl Hines, Thad Jones, Charles McPherson, Sun Ra, Zutty Singleton, Mary Lou Williams, Jo Jones, Oliver Nelson, Tony Bennett, Kenny Burrell, Bob Wilber, George Wein, Ornette Coleman, Cal Massey, Clifford Jarvis, Clifford Thornton, Freddie Guy, Marty Grosz, Franz Jackson, Gene Ammons, Lil Armstrong, Chris Clifton, Bingie Madison, Bernard Flood, Charlie Holmes, Herb Hall, Eddie Condon, Punch Miller, Benny Morton, Gus Johnson, Jake Hanna, T-Bone Walker, Bill Evans, Billy Butterfield, Ernie Royal, Roy Eldridge, Bobby Hackett, Vic Dickenson, Ralph Sutton, Bud Freeman, Zoot Sims, Al Cohn, Budd Johnson, Max Kaminsky, Buck Clayton, Joe Newman, Lou McGarity, Bob Haggart, Ray Nance, Wild Bill Davison, Tiny Grimes, Jack Lesberg, Tyree Glenn, Erroll Garner, Lennie Tristano, Lee Konitz, Paul Desmond, Jaki Byard, Kenny Dorham, Lucille Armstrong, Gene Krupa, Philly Joe Jones, Miles Davis, Harry Glantz, Roswell Rudd, Archie Shepp, Jimmy McPartland); responses, by George Russin, Richard J. Hutchinson, in: Down Beat, 37/17 (3.Sep.1970), p. 6 (letters)

Leonard Feather: Satchmo Remembered, in: Down Beat, 37/13 (9.Jul.1970), p. 21 (F/letter by Armstrong)

Martin Williams: For Louis Armstrong at 70, in: Down Beat, 37/13 (9.Jul.1970), p. 22-23 (F)

NN: Satchmo News: Salute, Record Date, New Book, in: Down Beat, 37/13 (9.Jul.1970), p. 11 (F)

NN: Satchmo’s Down Beat Scrapbook, in: Down Beat, 37/13 (9.Jul.1970), p. 20, 30 (F)

Earl Hines: Mein Freund Louis. Earl Hines aus der Zeit seiner Zusammenarbeit mit Satchmo, in: Jazz Podium, 19/7 (Jul.1970), p. 230-232 (F)

Frank Bostwick: “Hello Louis!”, in: The Second Line, 23 (Jul/Aug.1970), p. 346-348, 373 (F/C)

Ian Dove: Heard and Seen. Louis Armstrong, A Flying Dutchman Recording Session with Friends, in: Coda, 9/8 (Jul/Aug.1970), p. 44-46 (C)

NN: Happy Birthday Louis!, in: IAJRC Journal, 3/3 (Jul.1970), p. 18 (F)

Harvey Siders: Los Angeles Love-In for Louis, in: Down Beat, 37/16 (20.Aug.1970), p. 21, 33 (F/I)

NN: Louis Blows Again, in: Melody Maker, 22.Aug.1970, p. 3

Burt Korall: The Pop and Jazz Scene. Satchmo at 70, in: International Musician, 69/2 (Aug.1970), p. 13 (short F)

Ian Dove: Give a Big Peace for Pops, in: Jazz Podium, 19/8 (Aug.1970), p. 268-269 (F) [digi.copy]

Leonard Feather: Louis Plays Again (in las Vegas), in: Melody Maker, 19.Sep.1970, p. 13

Jay Andersen & Jo Andersen: Festival One. Louis, in: Coda, 9/9 (Sep/Oct.1970), p. 7 (C)

NN: It’s 70 for Satch, in: Ebony, Sep.1970, p. 80-82 (F/photos) [digi.copy]

Floyd Levin: Chords & Discords. Satchmo Lives, in: Down Beat, 37/19 (1.Oct.1970), p. 8 (letter)

NN: Potpourri. Louis Armstrong and Pearl Bailey in Las Vegas, in: Down Beat, 37/20 (15.Oct.1970), p. 8-9 (N)

NN: Louis Armstrong records Country & Western Hits, in: Down Beat, 37/21 (29.Oct.1970), p. 11 (N/photo)

Frank Bostwick: Hello Louis!, in: Jazz Journal, 23/10 (Oct.1970), p. 14-15 (C)

Max Jones: Armstrong The Unstoppable (Hits Britain), in: Melody Maker, 7.Nov.1970, p. 19

Burt Korall: Satch in Vegas, in: International Musician, 69/5 (Nov.1970), p. 6 (N)

John F. Szwed: “Louis Armstrong and his Friends” (Amsterdam AMS-12009), in: Jazz & Pop, 9/11 (Nov.1970), p. 46, 48 (R) [digi.copy]

NN: Potpourri. Newport Jazz Festival Salute to Louis Armstrong, in: Down Beat, 27/25 (10.Dec.1970), p. 12 (N)

Alain Gerber: Salute to Satchmo, in: Jazz Magazine, #185 (1971), p. 17 (4 TV films in European TV)

Bob Morris: Sleepy Time Up North, in: The Second Line, 23 (Summer 1971), p. 5-6 (F/O)

Diverse Artikel und Nachrufe aus verschiedenen Zeitungen und Zeitschriften, in: Dixie Flyer, 1971, passim

Diverse Autoren: Stele pour Satchmo, in: Jazz Magazine, #191 (1971), p. 32-33

Floyd Levin: Move Over, Gabriel, in: The Second Line, 23 (Summer 1971), p. 17-19 (F/O)

George Kay: Goodbye, Louis. We Will Never Forget You, in: The Second Line, 23 (Summer 1971), p. 10-11 (F/O)

George Kay: The Finding of Peter Davis. Satchmo – My Life in New Orleans, in: The Second Line, #22 (Spring 1971), p. 39-41 (F)

George W. Kay: The “Little Satchmos” of Milne Boys Home, in: The Second Line, 23 (Summer 1971), p. 14 (short F)

Helen Arlt: Memories of You. Old Satchmo, in: The Second Line, 23 (Summer 1971), p. 13 (F/O)

J.R. Masson: Portrait d’un grand homme, in: Jazz Magazine, #191 (1971), p. 24-31

Jim Matthews (Hg.): Satchmo. King of Jazz… Ambassador of Good Will, Hollywood 1971 [book]

Leonard Feather: Memorial for Satchmo (MacArthur Park, Los Angeles), in: Jazz Magazine, #194 (1971), p. 44-45

Max Jones & John Chilton: Louis. The Louis Armstrong Story 1900-1971, London 1971 [book: Studio Vista], passim (F) [digi.copy]

Michel Laverdure: Louis Armstrong 1900-1971, in: Jazz Magazine, #191 (1971), p. 12-23

Michel Laverdure: Round About Satchmo, in: Jazz Magazine, #191 (1971), p. 38-41

NN (ed.): Songs Sung by Louis Armstrong, London 1971 [sheet music] (T: vocal/piano arrangements of “Beale Street Blues”; “Chantez les bas”; “I Double Dare You”; “Let’s Fall in Love”; “St. Louis Blues”; “Sweethearts on Parade”; “Takes Two to Tango”; “Thanks a Million”; “That’s My Desire”; “You’re Driving Me Crazy”)

NN: Louis Armstrong (FBI-File), in: [FBI file] (F: FBI material covering the period from 1936 to 1971) [digi.copy]

NN: Louis Armstrong 1900-1971, in: Coda, 10/2 (1971), p. 41 (F/O)

NN: Louis Armstrong Lies in State, in: The Second Line, 23 (Summer 1971), p. 4 (N/O)

NN: Louis Armstrong Statue Fund Progress Report, in: The Second Line, 23 (Summer 1971), p. 15 (short F)

NN: Louis Blues, in: Jazz Magazine, #191 (1971), p. 42-45 (F: funeral)

NN: Satchmo à Hollywood, in: Jazz Magazine, #191 (1971), p. 34-37

NN: The King Returns to New Orleans, in: The Second Line, 23 (Summer 1971), p. 12 (short F: listing of concerts in New Orleans)

NN: The Louis Armstrong Memorial Service, in: The Second Line, 23 (Summer 1971), p. 7-9 (program schedule/photos)

Pops Foster: Traveling with Armstrong – and After, in: Pops Foster & Tom Stoddard: The Autobiography of Pops Foster, New Orleans Jazzman, Berkeley 1971/1973 [book: University of California Press; reprint: San Francisco 2005: Backbeat Books], p. 158-173, passim (F) [digi.copy]

Ralph G. Gleason: God Bless Louis Armstrong, in: Rolling Stone, #88 (1971), p. 27-33

Rudi Blesh: Little Louis, in: Rudi Blesh: Combo: USA. Eight Lives in Jazz, Philadelphia 1971 [book], p. 7-32 (F)

Stefan Zondek: “Salute to Satchmo”, in: Jazz. Rythm i piosenka, #173 (Jan.1971), p. 8 (F)

NN: Potpourri. Louis Armstrong in Las Vegas and London, in: Down Beat, 38/3 (4.Feb.1971), p. 8 (N)

Salute to Satch in Las Vegas, in: Down Beat, 38/6 (18.Mar.1971), p. 13 (N/photo)

J. Atterton: The Louis Legend, in: Melody Maker, 27.Mar.1971, p. 6

NN: Satchmo Doing Fine (in new York Hospital), in: Melody Maker, 27.Mar.1971, p. 1

NN: Potpourri, in: Down Beat, 38/8 (15.Apr.1971), p. 12 (N: personnel at Waldorf Astoria) [digi.copy]

NN: Potpourri. Louis Armstrong released from hospital, in: Down Beat, 38/11 (27.May 1971), p. 11 (N) [digi.copy]

NN: A Toast to Louis at 71, in: Melody Maker, 26.Jun.1971, p. 14

Manfred Haedler: um Ableben des großen amerikanischen Trompeters und Sängers Louis Armstrong, in: [unknown source, East Germany], 6.Jul.1971 (F/P) [vert.file]

Manfred Haedler: Zum Ableben des großen amerikanischen Trompeters und Sängers Louis Armstrong, in: [unknown source, German newspaper], 6.Jul.1971 (F/O) [digi.copy]

Albin Krebs: Louis Armstrong, Jazz Trumpeter and Singer, Dies, in: New York Times, 7.Jul.1971, p. 1, 41 (F/O) [digi.copy]

NN (dpa/ap): Der schwarze König des Jazz ist tot. Die Satchmo-Story. Vom Laufburschen zum weltberühmten Musiker – Auch mit Schlagern Erfolg, in: Darmstädter Echo, 7.Jul.1971 (F/O) [digi.copy]

John Chilton: A Brief History of Louis, in: Melody Maker, 10.Jul.1971, p. 49

Max Jones: The First Genius of Jazz, in: Melody Maker, 10.Jul.1971, p. 49

NN: Satchmo Is Dead, in: Melody Maker, 10.Jul.1971, p. 1 (F/O)

NN: Louis Armstrong, in: Der Spiegel, 12.Jul.1971, p. 111 (F/O) [digi.copy]

Diverse Autoren: He leaves a bloody great void… and no-one’s going to fill it, in: Melody Maker, 17.Jul.1971, p. 24-25

Humphrey Lyttelton: The Man Who Made Jazz into Art…, in: Melody Maker, 17.Jul.1971, p. 24

John Chilton: Armstrong on Record, in: Melody Maker, 17.Jul.1971, p. 26

Leonard Feather: He Influenced Everybody…, in: Melody Maker, 17.Jul.1971, p. 25

Max Jones: The Louis Legend, in: Melody Maker, 17.Jul.1971, p. 23, 41

Albert McCarthy: Louis Armstrong 1900-1971, in: Jazz & Blues, 1/4 (Jul/Aug.1971), p. [Mittelteil] (F/O)

Ann Smith: Just a Boy from New Orleans, in: The Jazz Blast, Jul.1971, p. 3 (O; new lyrics to “When the Saints”)

Art Gum: Louis Armstrong, in: The Jazz Blast, Jul.1971, p. 2-3 (F/O/I with Marian McPartland, Jimmy McPartland on Armstrong)

Bud Black: Move Over, Gabriel, in: The Jazz Blast, Jul.1971, p. 2 (O)

Don Locke: Miscellany. Don Locke on Louis’ small groups, intellect in art and other fragments, in: Jazz & Blues, 1/4 (Jul/Aug.1971), p. 19 (F)

NN: Louis Armstrong, 1900-1971, in: Coda, 10/2 (Jul/Aug.1971), p. 41 (F/O)

NN: Louis Armstrong, in: The Jazz Blast, Jul.1971, p. 1 (O)

Leonard Feather: Stars in the Park – for Louis, in: Melody Maker, 28.Aug.1971, p. 26 (C: tribute concert) [digi.copy]

Burnett James: Louis Armstrong. The Lucky Guy, in: Jazz Journal, 24/8 (Aug.1971), p. 2-3 (F/O)

Eric Townley: Remembering Louis. A Personal Tribute, in: Jazz Journal, 24/8 (Aug.1971), p. 29 (F/O)

John S. Wilson: Louis Armstrong, 1900-1971, in: International Musician, 70/2 (Aug.1971), p. 7, 18 (F/O)

NN: Louis Armstrong, in: Jazz Podium, 20/8 (Aug.1971), p. 274-275 (F/O)

Steve Voce: It Don’t Mean a Thing. End of the Monarchy, in: Jazz Journal, 24/8 (Aug.1971), p. 4-6 (F/O)

Brent Orenstein & Bob Melton & Jerome Albano: Chords and Discords. For Louis, in: Down Beat, 38/16 (16.Sep.1971), p. 10 (letters)

Charles Suber: The First Chorus, in: Down Beat, 38/16 (16.Sep.1971), p. 5 (F/O)

Dan Morgenstern & Paul Lentz & Roy Eldridge & Duke Ellington & Mike Bourne: Louis Armstrong, 1900-1971, in: Down Beat, 38/16 (16.Sep.1971), p. 12-14 (F/O) [digi.copy]

Dan Morgenstern: “Louis Armstrong, July 4 1900 – July 6 1971” (RCA), in: Down Beat, 38/16 (16.Sep.1971), p. 23 (R)

David Baker: Music Workshop. Two Classic Louis Armstrong Solos Transcribed and Annotated, in: Down Beat, 38/16 (16.Sep.1971), p. 44-45 (A/T: trumpet solo on “West End Blues”; “Struttin’ with Some Barbeque”) [digi.copy]

Max Jones: Yet More of the Amazing Armstrong, in: Melody Maker, 25.Sep.1971, p. 28 (R: “The Best of…”)

Ed Steane: Louis “Satchmo” Armstrong Is Dead, in: Hip. The Jazz Record Digest, 10/3 (Sep.1971), p. 1 (F/O)

Phyl Garland: Taps for Satchmo. Life ends for America’s most famous jazz musician, in: Ebony, Sep.1971, p. 31-34, 36, 40 (F/O/photos of memorial service) [digi.copy]; response by Milton J. Batiste: Letters to the Editor. Taps for Satchmo, in: Ebony, Nov.1971, p. 24 (letter: correcting photo caption showing him on trumpet) [digi.copy]

Leon Rene: New Lyric to Satch’s Famous Theme Song, in: Down Beat, 38/17 (14.Oct.1971), p. 11 (new lyrics to “Sleepy Time Down South”)

NN: Potpourri. Lucille Armstrong thanks for condolences, in: Down Beat, 38/17 (14.Oct.1971), p. 12 (N)

R. Coleman: Defining the Real Satchmo, in: Melody Maker, 16.Oct.1971, p. 40 (B: The Louis Armstrong Story, by Max Jones & John Chilton)

Philip Larkin: Satchmo Stil. “Louis. The Louis Armstrong Story 1900-71”, by Max Jones and John Chilton; “Louis Armstrong. The Interview”, by Richard Meryman, in: Richard Palmer & John White (eds.): Reference Back. Philip Larkin’s Uncollected Jazz Writings 1940-84, Hull 1999 [book: University of Hull Press], p. 89-90 (B; reprint, from: Guardian, 21.Oct.1971)

Floyd Levin: A Sentimental Journey, in: Fanfare, 3/10 (Oct.1971), p. 3-6 (F/O)

NN: Jazz Interactions to Honor Louis Armstrong, in: Down Beat, 38/22 (23.Dec.1971), p. 10 (short F)

George Anderson: Famous Jazz Choruses. Louis Armstrong – “Gut Bucket Blues”, in: Dixie Flyer, 9/12 (Dec.1971), p. 7 (T)

NN: Ira Mangel Dead. Armstrong Aide. Trumpeter’s Manager Last 10 Years Worked for Todd, in: New York Times, 18.Sec.1971, p. 32 (F) [digi.copy]

NN: The Louis Armstrong Statue Fund, in: Jazz Bazaar, #12/13 (Dec.1971-Jan.1972), p. 27 (advertisement)

Charles Suhor: New Orleans Farewell, in: Down Beat Music ’72 (1972), p. 21-22, 38 (F/O); reprint, in: Charles Suhor: Jazz in New Orleans. The Postwar Years Through 1970, Lanham/MD 2001 [book: Scarecrow Press], p. 98-100 (F/O)

Don DeMichael: A Farewell to Louis, in: Down Beat Music ’72 (1972), p. 20-21

Lucien Malson: Louis Armstrong, in: Lucien Malson: Que sais-je? Les maitres du jazz, Paris 1972 [book], p. 16-33 (F)

Max Jones & John Chilton: Die Louis Armstrong Story, Freiburg 1972 [book]

Eddie Lambert: Seventy-one years of Louis Armstrong. “Louis – The Louis Armstrong Story, 1900-1971”, by Max Jones & John Chilton, in: Jazz & Blues, 1/9 (Jan.1972), p. 9 (B) [digi.copy]

NN: Potpourri. Louis Armstrongt tribute, bust unvailed in Italy, in: Down Beat, 39/3 (17.Feb.1972), p. 11 (N)

Art Napoleon: Aw, Get a Piccolo. Jazz Horns, Short & Long, in: Storyville, #39 (Feb/Mar.1972), p. 100-104, 106-108, 110-112 (F)

Art Napoleon: A Backward Glance – Thinking About Louis, in: Jazz Journal, 25/3 (Mar.1972), p. 8-11 (F)

Cliff Beard: Louis Armstrong – “Someday, You’ll Be Sorry!”, in: Dixie Flyer, 19/6 (25.Jun.1972), p. 8-9 (T: lead sheet)

NN: The Louis Armstrong Statue Fund, in: Dixie Flyer, 19/6 (25.Jun.1972), p. 4 (F)

Max Jones: Louis. The Legend Lives On… and his latest reissues, in: Melody Maker, 8.Jul.1972, p. 36

Diverse Autoren: Louis Armstrong, in: The Music Maker, Jul.1972, p. 2-6 (F/I mit Marian McPartland, Jimmy McPartland)

NN: Potpourri. Louis Armstrong Elementary School in Chicago, in: Down Beat, 39/14 (17.Aug.1972), p. 11 (N)

Henryk Cholinski: Collector’s Corner. Louis Armstrong on LP’s Part II, in: Jazz Forum, #18 (Aug.1972), p. 66-71 (F/R)

Joachim Ernst Berendt: In Memoriam Mahalia Jackson und Louis Armstrong, in: Jazz Podium, 21/8 (Aug.1972), p. 21-22 (F)

NN: Louis Armstrong Mail Stamp Proposed, in: Jazz Forum, #18 (Aug.1972), p. 18 (N)

NN: Potpourri. “Satchmo Ballet” premiered by Downtown Ballet Company, in: Down Beat, 39/19 (23.Nov.1972), p. 11 (N)

NN: Potpourri. Fluhing Meadow amphitheater renamed to “Louis “Satchmo” Armstrong Bowl, in: Down Beat, 39/20 (7.Dec.1972), p. 10 (N)

NN: Armstrong left an 300,000 dollar estate to his wife, in: Melody Maker, 23.Dec.1972, p. 37

Benny Carter: The Louis Armstrong Statue Fund, in: The Second Line, 25 (Summer 1973), p. 20 (appeal for funds)

Benny Green: Father Figures. Louis 1963 / 1968 / 1970 / 1971, in: Benny Green: Drums in My Ears, London 1973 [book], p. 177-188 (F/C/O)

Benny Green: Heroes Ancient and Modern. Louis 1960 – Trumpeters Three, in: Benny Green: Drums in My Ears, London 1973 [book], p. 33-34 (F)

C. Acemandese Hall: Pops & Black Music, in: Down Beat Music ’73 (1973), p. 14-17 (poems)

Clint Bolton: When Satchmo Was Zulu, in: The Second Line, 25 (Summer 1973), p. 21-25 (F)

Duke Ellington: Music Is My Mistress, New York 1976 [book: DaCapo; Reprint, O: Garden City 1973: Doubleday], p. 234-236 (F) [digi.copy]

Hildred Roach: Daniel Louis (Satchmo) Armstrong, in: Hildred Roach: Black American Music. Past and Present, Boston 1973 [book], p. 86-87 (F)

Jorgen Grunnet Jepsen: A Discography of Louis Armstrong, 1923-1971, Copenhagen 1973 [book: Karl Emil Knudsen] (D)

NN: The Big Day in Pictures, in: The Second Line, 25 (Summer 1973), p. 18-19 (photos of Armstrong’s visit in New Orleans on 31.Oct.1965)

Ralph J. Gleason: Louis Armstrong, in: Ralph J. Gleason: Celebrating the Duke…, New York 1975 [book], p. 33-61 (F; Reprint aus: Rolling Stone, 1973)

Walter C. Allen: Satchmo Comes/Goes to Town, in: Walter C. Allen: Hendersonia. The Music of Fletcher Henderson and His Musicians, Highland Park/NJ 1973 [book: Walter C. Allen], p. 124-165 (F/D)

Eugene Kramer & Marshall Brown: Louis Armstrong on Record. The Classic Period, in: Coda, 11/2 (Jul/Aug.1973), p. 15-18 (F/R)

Jack Bradley: The Jazz Photographer, in: Coda, 11/2 (Jul/Aug.1973), p. 12-14 (photos)

John Nelson: Louis Armstrong on Record. Big Band Era, in: Coda, 11/2 (Jul/Aug.1973), p. 19-23 (F)

John Norris: Louis Armstrong on Record. Ambassador Satch, in: Coda, 11/2 (Jul/Aug.1973), p. 24-25, 27-29 (F)

John Norris: The Other Side of Louis Armstrong. A Discography of Privately Recorded Film Soundtracks, Concerts and Broadcasts, in: Coda, 11/2 (Jul/Aug.1973), p. 40-41, 43-46 (D)

Johnny Simmen: Hear Me Talking to You, in: Coda, 11/2 (Jul/Aug.1973), p. 2-7 (F/I with Wingie Carpenter, Arthur Briggs, Leon Eason, George Orendorff, Frank Galbraith, Bill Coleman, Keg Johnson) [digi.copy]

NN: A Note on Louis’ Melrose Folio of 1927, in: Coda, 11/2 (Jul/Aug.1973), p. 18 (F)

Ron Anger: Swing That Music. A Survey of Louis Armstrong Literature, in: Coda, 11/2 (Jul/Aug.1973), p. 31-37 (F/B)

Clay Sherman: Clay Sherman’s Jazz Scene. All-Star Swing Festival (Tribute to Louis Armstrong), in: the Stars and Stripes, 9.Oct.1973 (Film-R: TV show, tribute to Louis Armstrong with Count Basie, Ella Fitzgerald, Doc Severinsen, Joe Willims, Benny Goodman, Bobby Hackett, Dizzy Gillespie, Max Kaminsky) [digi.copy]

Björn Englund: Louis Armstrong in Scandinavia 1933, in: Storyville, #49 (Oct/Nov.1973), p. 23-38 (F)

Bud Freeman: The Great Louis and the Masters, in: Bud Freeman: You Don’t Look Like a Musician, Detroit 1974 [book: Balamp Publishing], p. 14-17 (F)

George W. Kay: The Milne Boys and Colored Waifs and “Little Louis”, in: The Second Line, 26 (Spring 1974), p. 8-11 (F)

Henry Pleasants: Louis Armstrong, in: Henry Pleasants: The Great American Popular Singers. Their Lives, Careers & Art, New York 1974 [book], p. 97-110 (F)

Leonard Feather: With Louis. From London to Los Angeles, in: Leonard Feather: From Satchmo to Miles, London 1974 [book: Quartet; originally published in New York, 1972: Stein and Day], p. 13-42 (F/I)

G.M. Colombe: How Do They Age So Well? (3) Louis’ Last Half-Dozen, in: Jazz Journal, 27/1 (Jan.1974), p. 22-23, 48 (F) [digi.copy]

G.M. Colombe: How Do They Age So Well? Louis’ Last Half-Dozen, in: Jazz Joural, 27/1 (Jan.1974), p. 22-23, 48 (F/R)

Walter C. Allen: Satchmo kommt!, in: Jazz Podium, 23/2 (Feb.1974), p. 32 (F: Louis Arsmtrong with Fletcher Henderson) [digi.copy]

Wayne Jones: Louis Armstrong / Bobby Hackett / Buck Clayton – “Tootin’ Through the Roof, Vol. 2” (Onyx 213), in: Down Beat, 41/10 (23.May 1974), p. 28 (R: 5 stars) [digi.copy]

Peter Vacher: Armstrong Anniversary (Royal Festival Hall, London), in: Melody Maker, 13.Jul.1974, p. 27

NN: A Jet Called Satchmo, in: Melody Maker, 20.Jul.1974, p. 20

Dick M. Bakker: Louis Armstrong Decca’s 1934-1946, in: Micrography, #32 (Jul.1974), p. 2-3 (D)

Karlheinz Drechsel: Louis Armstrong – 4.7.1900 – 6.7.1971, in: Die Posaune, #10 (Sep.1974), p. 5-10 (F)

NN: NY Concerts to Honour Satchmo, in: Melody Maker, 2.Nov.1974, p. 20

Louis Armstrong: Elder Eatmore’s Sermon on throwing stones / Le Sermon d’Elder Eatmore sur ceux qui “lancent des pierres”, in: Bulletin du HCF, #242 (Nov.1974), p. 7-8 (“I”) [digi.copy]

Peter Vacher: Heard and Seen. Louis Armstrong, Anniversary Concert, Rocal Festival Hall, London, in: Coda, #133 (Nov.1974), p. 34-35 (C: tribute)

NN: France. Satchmo Bust, in: Jazz Forum, #32 (Dec.1974), p. 15 (short F)

Floyd Levin: About the Statue – and the Sculptor, in: The Second Line, 27 (Summer 1975), p. 9-10 (F)

Gilbert M. Erskine: Everybody Loves My Baby. Bix and Louis, New York City, Fall 1924, in: The Second Line, 27 (Spring 1975), p. 10-14 (F)

Graham Collier: Louis Armstrong, in: Graham Collier: Jazz. A Student’s and Teacher’s Guide, London 1975 [book: Cambridge University Press], p. 4-15 (F)

Hugues Panassié: Je rencontre Louis Armstrong [p. 71-77 (F)]; Docteur Armstrong [p. 93-107 (F)]; Louis Armstrong contre Eisenhower… [p. 109-117 (F)]; Pops [p. 119-125 (F); Merry Swiss Kriss [p. 137-148 (F)]; Le roi des Zoulous/En tournée avec Louis Armstrong [p. 277-286 (F)], in: Hugues Panassié: Monsieur Jazz, Paris 1975 [book: Stock]

Klaus Stratemann: Armstrong Filmography, in: Coda, 12/4 (1975), p. 32-33

Leonard Feather: Louis Armstrong und Duke Ellington, in: Joachim Ernst Berendt (Hg.): Die Story des Jazz. Vom New Orleans zum Rock Jazz, Reinbek 1978 [book; reprint, O: Stuttgart 1975)], p. 117-139 (F)

Lucille Armstrong: Letter, in: The Second Line, 27 (Fall 1975), p. 11 (letter)

Martin Williams: A Celebration of Trumpeters. Louis Armstrong and Earl Hines, 1928, in: Martin Williams: Jazz in Its Time, New York 1989 [book], p. 177-179 (liner notes; Reprint von 1975)

Robert J. Morris: The Louis Armstrong Legend, in: The Second Line, 27 (Summer 1975), p. 3-9 (F)

NN: Vereen Stars in Satchmo Film, in: Melody Maker, 18.Jan.1975, p. 22

Bjorn Englund: A Louis Armstrong Filmography, in: Coda, #135 (Jan.1975), p. 5-6 (Filmography)

Arnold Jay Smith: New York Jazz Repertory Company – The Music of Louis Armstrong, Carnegie Hall, New York, in: Down Beat, 42/5 (13.Mar.1975), p. 37 (C); Reprint, in: The Second Line, 27 (Summer 1975), p. 26-27 (C)

Dan Morgenstern: Louis Armstrong – “Satchmo the Great” (Columbia), in: Down Beat, 42/8 (24.Apr.1975), p. 30-31 (R)

Johnny Simmen & Laurie Wright & David Bennett & Steve Allen: Louis… by his Friends, in: Storyville, #59 (Jun/Jul.1975), p. 180-187 (I mit Lee Collins, Joe Darensbourg, Henry Mason, Budd Johnson, Hot Lips Page, Glyn Paque, Barney Bigard, Teddy Buckner, Taft Jordan, Herman Autrey, Charlie Holmes, Stuff Smith, Pops Foster)

Herbert L. Shultz: Oh, Play That Thing, Louis! And He Did, in: The Second Line, 28 (Spring 1976), p. 33-35 (F; Reprint, from: Panorama Magazine/Chicago News, 8./9.Nov.1975)

Hans Georg Korn: Zum 75. Geburtstag von Louis Armstrong, in: Die Posaune, Dec.1975, p. 3-5 (F)

Hans-Georg Korn: Zum 75. Geburtstag von Louis Armstrong, in: Die Posaune, #11 (Dec.1975), p. 3-5 (F)

Bud Freeman: If You Know of a Better Life, Please Tell Me!, Dublin 1976 [book], p. 37 (short anecdote)

Carol Epstein: “Tribute to Louis Armstrong” (RCA), in: Jazz (Magazine) [USA], 1/1 (Summer 1976), p. 38 (R) [digi.copy]

Floyd Levin: New Orleans – July 4, 1976, in: The Second Line, 28 (Fall 1976), p. 16-19 (F: Armstrong statue)

George W. Kay: Louis Armstrong’s Letter to His “Daddy”, in: The Second Line, 28 (Summer 1976), p. 12-16 (F/letter by Armstrong to Captain Joseph Jones)

Gilbert M. Erskine: Countin’ the Blues. A Survey of the Recordings of Louis Armstrong Accompanying Singers in the 1920s, in: The Second Line, 28 (Spring 1976), p. 10-19 (F)

John McDonough: Louis Armstrong/Earl Hines – 1928, in: Down Beat, 43/10 (1976), p. 30-31 (R)

Nat Hentoff: The Onliest Louis, in: Nat Hentoff: Jazz Is, New York 1976 [book: Ridge Press/Random House; reprint: 1984], p. 63-75 (F)

NN: Louis Armstrong statue, in: The Second Line, 28 (Summer 1976), p. 16-17 (N/photos)

NN: Pops in Bronze, in: Jazz (Magazine) [USA], 1/2 (Fall 1976), p. 12 (short F: statue of Armstrong in New Orleans)

John R. Nelson: Louis Armstrong – “The All-Stars in Philadelphia 1948-9” (Jazz Archives JA-20), in: Coda, #144 (Jan/Feb.1976), p. 20-21 (R) [digi.copy]

Leonard Feather: New Orleans Awaits Satchmo Statue, in: The Second Line, 28 (Spring 1976), p. 19-21 (F; Reprint, from: Los Angeles Times, 15.Feb.1976)

NN: Satch Honored Twice, in: Down Beat, 43/5 (11.Mar.1976), p. 9 (C)

NN: Armstrong Memorial, in: Down Beat, 43/8 (22.Apr.1976), p. 10 (C: Beacon Theatre, New York) [digi.copy]

John McDonough: Louis Armstrong & Earl Hines – “Armstrong and Hines, 1928” (Smithsonian Collection R 002), in: Down Beat, 43/10 (20.May 1976), p. 30-31 (R: 5 stars) [digi.copy]

Stanley Dance: Lightly & Politely. Satchmo Statue, in: Jazz Journal, 29/5 (May 1976), p. 15 (N) [digi.copy]

Floyd Levin: Louis’ Giant Memorial, in: Melody Maker, 10.Jul.1976, p. 41

Denis Constant: Armstrong malgre lui, in: Jazz Magazine, #249 (Nov.1976), p. 22-23 (F)

Vladimir Simosko: Louis Armstrong – “Louis Armstrong and Earl Hines 1928” (Smithsonian Collection R 002), in: Coda, #152 (Dec.1976), p. 21-22 (R) [digi.copy]

Albert McCarthy: The Swing Era – Other Bands, in: Albert McCarthy: Big Band Jazz, New York 1977 [book], p. 271-272 (F)

Anne Faber: Louis Armstrong, Hamburg 1977 [book]

Art Hodes: Wingy, Louis and Me, in: Art Hodes & Chadwick Hansen (Hgg.): Selections from the Gutter. Portraits from the Jazz Record, Berkeley 1977 [book], p. 16-18 (F; Reprint aus: The Jazz Record)

Fred Robbins: Mr. Armstrong and Mr. Robbins. An Interview, in: Art Hodes & Chadwick Hansen (Hgg.): Selections from the Gutter. Portraits from the Jazz Record, Berkeley 1977 [book], p. 74-75/76-82 (F/I; Reprint aus: The Jazz Record)

Klaus Stratemann: Louis Armstrong. A Film-Discography, in: IAJRC Journal, 10/4 (Fall 1977), p. 28-30 (Filmography)

Stanley Dance: The World of Earl Hines, New York 1977 [book] (F)

Jacques Reda: Armstrong et la question du coffret, in: Jazz Magazine, #252 (Feb/Mar.1977), p. 18-19, 39-40 (F)

Chris Albertson & John S. Wilson: Louis Armstrong, Alexandria/VA 1978 [record booklet]

Gilbert M. Erskine: The Lost Masters. Louis Amstrong, in: The Second Line, 30 (Fall 1978), p. 27 (short F: on recordings never issued)

James Lincoln Collier: The First Genius. Louis Armstrong, in: James Lincoln Collier: The Making of Jazz. A Comprehensive History, London 1978 [book], p. 141-160 (F)

Jerry Coker: Louis Armstrong, in: Jerry Coker: Listening to Jazz, Englewood Cliffs/NJ 1978 [book], p. 77-87 (F/A: “Shine”)

John McDonough: Louis Armstrong and the Dukes of Dixieland. The Great Alternative, in: Down Beat, 45/11 (1978), p. 29-30 (R)

Klaus Stratemann: Louis Armstrong – A Filmo-Discography, in: IAJRC Journal, 11/1 (Winter 1978), p. 10-11 (filmography); part 2, in: IAJRC Journal, 11/2 (Spring 1978), p. 10-11 (filmography); part 3, in: IAJRC Journal, 11/3 (Summer 1978), p. 10-11 (filmography); part 4, in: IAJRC Journal, 11/4 (Fall 1978), p. 13-15 (filmography)

Leon René: Sleepytime Down South, in: The Second Line, 30 (Winter 1978), p. 56-59 (F)

Lil Hardin: Louis, in: Philippe Adler (Hg.): Les grandes signature, Paris 1987 [book], p. 9-10 (F; reprint aus: Jazz Hot, Jul/Aug.1970)

NN: USA. Louis Armstrong – His Spirit Lives On, in: Jazz Forum, #54 (1978), p. 18 (short F)

Peter Vacher: Jazz Live! Salute to Satchmo at Elstree Civic Hall, in: Jazz Journal, 31/3 (Mar.1978), p. 33 (C)

Peter Vacher: jazz Live. Salute to Satchmo at Elstree Civil Hall, in: Jazz Journal, 31/3 (Mar.1978), p. 33 (C)

J. Lee Anderson: ‘The Meatest Cornet Ever Heard’, in: Los Angeles Times, 25.Jun.1978, p. T98-99 (F: Louis Armstrong in Chicago) [digi.copy]

Flora Molton: Louis Armstrong (Now He Is Gone), in: The Second Line, 31 (Fall 1979), p. 24-25 (poem)

Keith Winter: Communication Analysis in Jazz, in: Jazzforschung/jazz research, #11 (1979), p. 93-133 (F/A/T: “Beau-Koo Jack”; “Big Butter and Egg Man”)

Robert Hoskins: Louis Armstrong. Biography of a Musician, Los Angeles 1979 [book: Holloway House Publishing] (F)

Wilma Dobie: Armstrong Jazz Center Planned by N.Y. Group, in: Jazz Forum, #61 (1979), p. 18

Wilma Dobie: USA. Armstrong Jazz Center Planned by N.Y. Group, in: Jazz Forum, #61 (1979), p. 18 (short F)

NN: The Daniel Satchmo Armstrong. A Man of Substance, a Most Substantial Man, in: Metronome, 76/9 (Sep.1979), p. 13 (poem)

Cecil Bolton (ed.): Louis Armstrong. The Music Makers / Piano (Accompaniment), London 1980 [sheet music: EMI Music Publishing] (T: “Basin Street Blues”; “Blue Again”; “Blue Turning Grey Over You”; “Cakewalkin’ Babies From Home”; “Dear Old Southland”; “Dinah”; “Down In Honkey Tonky Town”; “Everybody Loves My Baby”; “Home”; “How Come You Do Me Like You Do”; “I Double Dare You”; “If I Could Be With You”; “I’m Confessin'”; “Indiana”; “Love You Funny Thing”; “Melancholy Blues”; “Muskrat Ramble”; “Of All The Wrongs You’ve Done To Me”; “Rockin’ Chair’s Got Me”; “Some Day You’ll Be Sorry”; “Some Of These Days”; “Too Busy”; “Weary Blues”; “West End Blues”; “When You’re Smiling”; “Wild Man Blues”; “Willie The Weeper”; “You’re Driving Me Crazy”)

Cecil Bolton (ed.): Louis Armstrong. The Music Makers / Trumpet, London 1980 [sheet music: EMI Music Publishing] (T: “Basin Street Blues”; “Blue Again”; “Blue Turning Grey Over You”; “Cakewalkin’ Babies From Home”; “Dear Old Southland”; “Dinah”; “Down In Honkey Tonky Town”; “Everybody Loves My Baby”; “Home”; “How Come You Do Me Like You Do”; “I Double Dare You”; “If I Could Be With You”; “I’m Confessin'”; “Indiana”; “Love You Funny Thing”; “Melancholy Blues”; “Muskrat Ramble”; “Of All The Wrongs You’ve Done To Me”; “Rockin’ Chair’s Got Me”; “Some Day You’ll Be Sorry”; “Some Of These Days”; “Too Busy”; “Weary Blues”; “West End Blues”; “When You’re Smiling”; “Wild Man Blues”; “Willie The Weeper”; “You’re Driving Me Crazy”)

Dan Morgenstern: Chicago Concert, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 63-71 (F; originally published as liner notes for “Chicago Concert”, Columbia, 1980)

Donald Marquis: Louis Armstrong Statue, in: The Second Line, 32 (Summer 1980), p. 1-2 (F)

Gilbert M. Erskine: Two Classic Blues Instrumentals. “Knockin’ a Jug” / “Blues. A Jam Session at Victor”, in: The Second Line, 32 (Spring 1980), p. 5-8 (F)

Humphrey Lyttelton: Louis Armstrong, in: Humphrey Lyttelton: The Best of Jazz. Basin Street to Harlem. Jazz Masters and Masterpieces 1917-1930, Harmondsworth 1980 [book], p. 130-137 (F)

Humphrey Lyttelton: Louis Armstrong and Earl Hines, in: Humphrey Lyttelton: The Best of Jazz. Basin Street to Harlem. Jazz Masters and Masterpieces 1917-1930, Harmondsworth 1980 [book], p. 199-206 (F)

Jacques Réda: La dernier combat de Louis Armstrong, in: Jacques Réda: L’improviste. Une lecture du jazz, Paris 1980 [book], p. 30-39 (F); Reprint, in: Jacques Réda: L’improviste. Une lecture du jazz, Paris 1990 [book: Folio Essais], p. 47-55 (F)

NN: Hall of Fame 12 Great Jazz Solos. Louis Armstrong’s Trumpet in “Wolverine Blues”, in: Down Beat Music ’80 (1980), p. 50 (T) [digi.copy]

Sam Tanenhaus: Louis Armstrong. Musician, Los Angeles 1988 [book]

Howard Rye: Visiting Firemen. 2: Louis Armstrong, in: Storyville, #89 (Jun/Jul.1980), p. 184-187 (F: England-Tour, 1932-1934); part 2, in: Storyville, #100 (Apr/May 1982), p. 146 (F); part 3, in: Storyville, #114 (Aug/Sep.1984), p. 215 (F); additional information, in: Storyville, 1996/97, p. 28 (F)

Jacques Réda: Le combat decisif d’Armstrong, in: Jazz Magazine, #291 (Nov.1980), p. 16-19 (F)

NN: Louis Armstrong, in: Micrography, #54 (Dec.1980), p. 10 (D: some LP releases)

Arrigo Polillo: Louis Armstrong, in: Arrigo Polillo: Jazz. Geschichte und Persönlichkeiten, München 1981 [book: Herbig], p. 319-340 (F); reprint, in: Arrigo Polillo (ed. Hans-Jürgen Schaal): Jazz. Die neue Enzyklopädie, München 2003 [book: Herbig], p. 357-378 (F)

Hans Westerberg: Boy from New Orleans. Louis “Satchmo” Armstrong – on records, films, radio and television, Copenhagen 1981 [book: Jazzmedia ApS] (D/Filmography)

Joachim Ernst Berendt: Louis Armstrong, in: Joachim Ernst Berendt: Das große Jazzbuch. Von New Orleans bis Jazz Rock, Frankfurt/Main 1981 [book], p. 67-75 (F)

Lewis Porter: Louis Armstrong and Sidney Bechet in New York, 1923-1925 (excerpts), in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 33-36 (F; reprint, from “The Smithonian Collection of Recordings, RO 26, 1981)

Paul O.W. Tanner & Maurice Gerow: Five Out of Many. Louis Armstrong (1900-1971), in: Paul O.W. Tanner & Maurice Gerow: A Study of Jazz, 4/1981 [book, 1/1963], p. 153-156 (F)

Joe Delaney: Remembering Louis, in: Think Jazz, 6/2 (Feb.1981), p. 3-4 (F)

Alfonso de Lucas: “Mi vida en Nueva Orleans”, in: Quartica Jazz, #2 (May 1981), p. 58-59 (B)

John McDonough: Louis Armstrong – “The Side Man, 1924-1927” (MCA/Jazz Heritage 1301); “Back in New York, 1935” (MCA/Jazz Heritage 1304); “Swing That Music, 1936-1938” (MCA/Jazz Heritage 1312); “Satchmo’s Collectors Items, 1936-37” (MCA/Jazz Heritage 1322); “Satchmo’s Discoveries, 1936-38” (MCA/Jazz Heritage 1326); “Satchmo Forever, 1935-1945” (MCA/Jazz Heritage 1334); “With Guest Stars” (MCA/Jazz Heritage 1306); “Satchmo Serenaders” (MCA/Jazz Heritage 1316); “The All-Stars, 1950-1957” (MCA/Jazz Heritage 1335); “Louis and the Good Book” (MCA/Jazz Heritage 1300), in: Down Beat, 48/6 (Jun.1981), p. 46-48 (R) [digi.copy]

Eddie Cook: Jazz Live. Louis Armstrong Anniversary Concert, Queen Elizabeth Hall, in: Jazz Journal, 34/9 (Sep.1981), p. 14 (C: tribute: Midnight Follies Orchestra, Keith Nichols, Alan Cohen) [digi.copy]

Eddie Cook: The Wonderful World of Louis Armstrong. The All Stars are touring Britain again led by trumpeter Keith Sith, in: Jazz Journal, 34/9 (Sep.1981), p. 6-7, 9 (F: Keith Smith, Digby Fairweather, Dick Cary, Barrett Deems, Peanuts Hucko, Big Chief Russell Moore, Arvell Shaw) [digi.copy]

André Francis: Jazz (nouvelle édition), Malesherbes 1982 [book: Microcosme / Seuil], p. 48-56 (F)

Joachim Ernst Berendt: Louis Armstrong and Jazz, in: Jazz Forum, #78 (1982), p. 30-34

Robert Bowman: The Question of Improvisation and Head Arrangement in King Oliver’s Creole Jazz Band, Toronto 1982 [MA thesis: York University], passim (A/T: “Snake Rag”; “Dippermouth Blues”; “Working Man Blues”; “Riverside Blues”; “Mabel’s Dream”; “Southern Stomps”) [digi.copy]

Gerhard Kühn: Armstrong Alumni. Zum Jubiläum der Dixieland Hall, in: Jazz Podium, May 1982, p. 22-23 (C: Jimmy Maxwell; Trummy Young, Peanuts Hucko, Dick Cary, Jack Lesberg, Danny D’Imperio) [digi.copy]

G. Fehrmann: Boy from New Orleans. Armstrong on Records, Films, Radio and Television, von Hans Westerberg, in: Jazz Podium, 31/12 (Dec.1982), p. 59 (B)

Adriano Mazzoletti: Louis Armstrong a Torino, in: Adriano Mazzoletti: Il jazz in Italia. Dalle origini al dopoguerra, Rom 1983 [book], p. 224-229 (F)

Hanns-Werner Heister: West End Blues, in: Hanns-Werner Heister: Jazz, Kassel 1983 [book], p. 62-68 (A/T)

Henri Lauener: Erinnerungen an Louis Armstrong, in: Jazz (Schweiz/A3), 3/1983, p. 32-34 (F)

Henri Lauener: Erinnerungen an Louis Armstrong, in: Jazz (Schweiz/A3), 3/1983, p. 34-36 (F)

Humphrey Lyttelton: Louis Armstrong, in: Humphrey Lyttelton: The Best of Jazz II. Enter the Giants, 1931-1944, New York 1983 [book], p. 11-29 (F)

James Lincoln Collier: Louis Armstrong. An American Genius, New York 1983 [book: Oxford University Press]; review, by John McDonough, in: Down Beat, 51/6 (Jun.1984), p. 69 (B)

Michael S. McLaughlin: African Music, Rhythm, and Jazz, in: Jazz Research Papers, #3 (1983), p. 74-91 (A/T)

Vittorio Castelli & Luca Cerchiari: Jazz su disco, Milano 1983 [book: Oscar Mondadori], p. 20-25 (R: “Louis Armstrong 1926-1928”, Joker; “Louis Armstrong’s Story (1924-1945)”, MCA Coral; “The All-Stars Collection”, MCA Coral; “Satchmo Sings”, MCA Coral; “Ella and Louis”, Verve)

NN: A Batch of Satch, in: Collectors Items, #18 (Jun.1983), p. 2 (D: recent LP releases)

Peter Vacher: The Louis Armstrong Anniversary Concert, Queen Elizabeth Hall, London, in: Jazz Journal, 36/9 (Sep.1983), p. 10 (C)

S.G. Biamonte: La leggenda di Armstrong, in: Musica Jazz, 39/12 (Dec.1983), p. 35-50

Bob Morris: Rhapsody in Gold, in: The Second Line, 36 (Winter 1984), p. 8-9 (F: Armstrong’s tombstone in New York)

John Norris: Louis’ Children, by Leslie Gourse, in: Coda, #197 (1984), p. 23 (B)

Leslie Gourse: Louis Armstrong. Everyone’s Pops, in: Leslie Gourse: Louis’ Children. American Jazz Singers, New York 1984 [book], p. 21-32 (F)

Whitney Balliett: Daner Dancing All Around, in: Whitney Balliett: Goodbye and Other Messages. A Journal of Jazz 1981-1990, New York 1991 [book], p. 97-100 (B: James Lincoln Collier: Louis Armstrong; Reprint von 1984)

Wolfgang Riefler: Jazz. Eine improvisierte Musik, dargestellt an vergleichenden Analysen des St.Louis Blues, Menden 1984 [book]

Hans-Georg Klauer: Help Wanted – Louis Armstrong, in: Storyville, #111 (Feb/Mar.1984), p. 107-108 (request for discographical information); part 2, in: Storyville, #112 (Apr/May 1984), p. 131-132; part 3, in: Storyville, #113 (Jun/Jul.1984), p. 190

Max Harrison: Che belli quei chorus di Armstrong. Sembrano veri…, in: Metronome, 40/2 (Feb.1984), p. 32-33

Philip Larkin: Pleasing the People. “Louis Armstrong”, by James Lincoln Collier, in: Richard Palmer & John White (eds.): Reference Back. Philip Larkin’s Uncollected Jazz Writings 1940-84, Hull 1999 [book: University of Hull Press], p. 115-117 (B; reprint, from: Observer, 25.Mar.1984)

Abbi Hübner: Louis Armstrong, in: Der Jazzfreund, #113 (Mar.1984), p. 5 (poem)

NN: Louis Documentary to Head July TV Bonanza, in: Jazz Express, #52 (May 1984), p. 1 (F)

Laurie Wright: “Louis Armstrong. A Biography”, by James Lincoln Collier, in: Storyville, #113 (Jun/Jul.1984), p. 191 (B)

E. Cook: The Wonderful World of Louis Armstrong, in: Jazz Journal, 37/10 (Oct.1984), p. 12

Brian Priestley: Great Recordings. Louis Armstrong – West End Blues / Weather Bird, in: The Wire, #10 (Dec.1984), p. 17-18 (F)

Barney Bigard: The All Stars…, in: Barney Bigard: With Louis and the Duke. The Autobiography of a Jazz Clarinetist, London 1985 [book], p. 96-124 (F)

Charles Delaunay: Delaunay’s Dilemma. De la peinture au jazz, Macon/F 1985 [book], p. 83-88 (F)

Dan Morgenstern: Louis Armstrong – An American Genius, by James Lincoln Collier, in: Annual Review of Jazz Studies, #3 (1985), p. 193-196 (B); reprint, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 82-89 (B)

Gérard Moreau: Signé Jazz, Bordeaux 1985 [book: Editions du Ponant], p. 10-11 (very short F/drawing of the artist)

Hawe Schneider: Arm in Arm mit Armstrong, in: Hawe Schneider: …und abends swing, Hinterzarten 1985 [book], p. 119-128 (F)

Red Callender & Elaine Cohen: Unfinished Dream. The Musical World of Red Callender, London 1985 [book], passim

Robert Jackson: Analysis of Selected Louis Armstrong Solos, in: Jazz Research Papers, #5 (1985), p. 74-82 (F/A/T: “Struttin’ with Some Barbecue”, “S.O.L. Blues”, “Potato Head Blues”)

NN: Satchmo Shuffled, in: Collectors Items, #29 (30.Apr.1985), p. 2 (D: some LP releases)

NN: Louis, in: Micrography, #67 (Apr.1985), p. 3 (D: some LP releases)

Abbi Hübner: Louis Armstrong, in: Jazz Podium, 34/7 (Jul.1985), p. 17 (poem)

Steve Voce: Louis Armstrong, by James Lincoln Collier, in: Jazz Journal, 38/7 (Jul.1985), p. 24 (B)

Eddie Cook: Louis Armstrong – The Louis Armstrong Legend, in: Jazz Journal, 38/10 (Oct.1985), p. 22 (R)

Danny Barker: Louis Armstrong and Trumpet Rivalry, in: Danny Barker: A Life in Jazz, New York 1986 [book], p. 129-133 (F)

Heiner Mückenberger: Meet Me Where They Play the Blues. Jack Teagarden und seine Musik, Gauting-Buchendorf 1986 [book: Oreos], p. 137-154 (F: chapter “Die Armstrong-Teagarden All Stars”)

Henry Martin: Louis Armstrong – “West End Blues” [p. 71-72 (A)]; Louis Armstrong [p. 107-109 (A)]; Louis Armstrong – “West End Blues” [p. 234-235 (A/T)], in: Henry Martin: Enjoying Jazz, New York 1986 [book]

Trevor Tolley: Louis Armstrong – Turning Point, in: Coda, #207 (Apr.1986), p. 10

Trevor Tolley: Louis Armstrong. Turning Point. Louis and the Big Bands – 1928 to 1930, Swing SW 8450, in: Coda, #207 (Apr/May 1986), p. 10-11 (F/R)

Javier Coma: Louis Armstrong. La creación del horizonte, in: Quartica Jazz, #14 (Sep.1986), p. 24-27 (F)

John Norris: Louis Armstrong – The Masters of Jazz, in: Coda, #211 (Dec.1986), p. 21 (R)

Al Rose: Louis Armstrong, in: Al Rose: I Remember Jazz. Recollections of Six Decades Among the Great Jazzmen, Baton Rouge 1987 [book], p. 127-130 (F)

Arnold Shaw: King Oliver, Jelly Roll, and Satchmo, in: Arnold Shaw: The Jazz Age. Popular Music in the 1920s, New York 1987 [book], p. 14-30 (F)

Bob Wilber & Derek Webster: Music Was Not Enough, Houndsmills 1987 [book: Macmillan; New York 1988: Oxford University Press], passim (F)

Giampieri Cane: Facciamo che eravamo negro: Il jazz e il suo blackground, Bologna 1987 [book: Clueb], p. 219-238 (F: chapter “Tra il blues e la canzone (Louis Armstrong)”)

Joe Darensbourg: Yes, the Lord picked out Louis, in: Joe Darensbourg & Peter Vacher: Telling It Like It Is, Houndsmills 1987 [book], p. 147-168 (F)

Mike Pinfold: Louis Armstrong. His Life & Times, Tunbridge Wells 1987 [book: Spellmount Ltd.], passim (F)

Harry Hochberg: Dr. Jazz. Louis Armstrong, in: Marge Hofacre’s No Name Jazzletter, 3/10 (Sep.1987), p. 4 (F); part 2, in: Marge Hofacre’s No Name Jazzletter, 3/11 (Oct.1987), p. 4 (F); part 3, in: Marge Hofacre’s No Name Jazzletter, 4/1 (Nov.1987), p. 4 (F); part 4, in: Marge Hofacre’s No Name Jazzletter, 4/2 (Dec/Jan.1987/1988), p. 6 (F)

Kalamu Ya Salaam: Satchmo. America’s Musical Legend, in: Coda, #216 (Oct/Nov.1987), p. 34-35 (C: musical about Armstrong)

Kaluma Ya Salaam: Satchmo. America’s Musical Legend, in: Coda, #216 (Oct/Nov.1987), p. 34-35 (F)

Luciano Federighi: Louis Armstrong. La voce del jazz, in: Musica Jazz, 43/12 (Dec.1987), p. 36-48 (F)

Digby Fairweather: The Seeker, in: Jazz Rag, #6 (Autumn 1988), p. 16-17 (F/short story)

Don Marquis: The Louis Armstrong Foundation, in: The Second Line, 40/1 (Winter 1988), p. 15-17 (F)

Gary Giddins: Satchmo, New York 1988 [book]; review, in: Jazz Nu, #238 (May 1999), p. 37 (B)

Manfred Selchow: Profoundly Blue. A Bio-Discographical Scrapbook on Edmond Hall, Westoverledingen 1988 [book: privately published], passim (F)

Ralf Lentschat: Basin Street Blues (1928) und Summertime (1935). Vergleichende Untersuchung zur Jazzgestaltung von Louis Armstrong und Miles Davis, Lübeck 1988 [diploma thesis: Musikhochschule Lübeck] (F/A)

Ted Gioia: Louis Armstrong and Furniture Music, in: Ted Gioia: The Imperfect Art. Reflections on Jazz and Modern Culture, New York 1988 [book], p. 3-18 (F)

Gary Giddins: Satchmo’s Nursery. Happy Birthday, in: Gary Giddins: Faces in the Crowd. Musicians, Writers, Actors, and Filmmakers, New York 2/1996 [book: Da Capo; O: New York 1992: Oxford University Press], p. 103-106 (F; Reprint, from: Village Voice, Aug.1988)

Jack Sohmer: Louis Armstrong – What a Wonderful World, in: Down Beat, 55/8 (Aug.1988), p. 37-38 (R)

Scott Yanow: Retrospectives. Louis Armstrong, in: Jazziz, 5/5 (Aug/Sep.1988), p. 74 (F/R)

Dara O’Lochlainn: Hot Fives & Sevens, in: Jazznews, 2/5 (Nov/Dec.1988), p. 8 (F)

Dara O’Lochlainn: Jazz & Blues fan. Armstrong Never Played the Blues!, in: Jazznews, 2/5 (Nov/Dec.1988), p. 5-6 (F/I mit verschiedenen Musikern)

Digby Fairweather, in: Jazznews, 2/5 (Nov/Dec.1988), p. 14-15 (Kurzgeschichte)

NN: Louis Armstrong Chronology, in: Jazznews, 2/5 (Nov/Dec.1988), p. 20-21 (F)

Alain Tomas: Louis Armstrong, in: Noel Balen (ed.): Les grandes voix du jazz, Paris 1989 [book: Jazz Hot], p. 14-15 (F)

Floyd Levin: Louis Armstrong. His Undrrated Recordings During the Big Band Era, in: The Second Line, 41/3 (Summer 1989), p. 12-15 (F)

Gunther Schuller: Louis Armstrong, in: Gunther Schuller: The Swing Era. The Development of Jazz, 1930-1945, New York 1989 [book], p. 158-197 (A/T)

Ilse Storb: Louis Armstrong, Reinbek 1989 [book]

Lionel Hampton & James Haskins: Hamp. An Autobiography, New York 1989 [book], passim (F)

Philippe Koechlin & Filips & Artur & Patrice Narès & Alain Leroi: Oncle Ornicar presente Jazz Cartoon, Paris 1989 [book: Art Moderne], p. 12-13 (cartoon)

Stan Britt: Po’k Chops with Hamp/All Love with Louis, in: Stan Britt: Dexter Gordon. A Musical Biography, New York 1989 [book], p. 29-51 (F)

Chip Deffaa: Satchmo, in: Down Beat, 56/4 (Apr.1989), p. 51 (B)

Gary Giddins: Satchmo’s Nursery. Signifying, in: Gary Giddins: Faces in the Crowd. Musicians, Writers, Actors, and Filmmakers, New York 2/1996 [book: Da Capo; O: New York 1992: Oxford University Press], p. 106-110 (F; Reprint, from: Village Voice, May 1989)

John McDonough: Louis Armstrong Story, in: Down Beat, 56/9 (Sep.1989), p. 53 (R; Reprint aus den 50er Jahren)

Ilse Storb: Louis Armstrong. Entertainer and Real Ambassador, in: Jazz Research Papers, #10 (1990), p. 132-137 (F)

Jaromir Navràtil: Il caso Armstrong – ovvero un caso di coscienza, in: Blu Jazz, 2/6 (1990), p. 30-37 (F)

John Chilton: The Song of the Hawk. The Life and Recordings of Coleman Hawkins, London 1990 [book: Quartet Books], passim (F)

Will Friedwald: Jazz Singing. America’s Great Voices from Bessie Smith to Bebop and Beyond, New York 1990 [book: Charles Scribner’s Sons], passim; especially p. 23-49 (F: chapter “Mr. Satch and Mr. Cros. Louis Armstrong and Bing Crosby”)

A. Barris: Louis Armstrong, in: Jazz Report, 3/6 (Jun/Jul.1990), p. 18-20 (F)

Boris Farberman: Coloquios con Louis Armstrong, in: Cuadernos de Jazz, 1/5 (1991), p. 18-24 (I)

Dave Gelly: Louis Armstrong Connection, in: Jazz FM, #5 (1991), p. 11-12 (F)

James Lincoln Collier: The First Hot Bands. Louis Armstrong – “The Hot Fives and Hot Sevens, vols. 1-3”; “Louis Armstrong and Earl Hines, vol. 4” (Columbia Jazz Masterpieces CK 44049; CK 44253; CK 44422; CK 45142), in: Barry Kernfeld (ed.): The Blackwell Guide to Recorded Jazz, Cambridge/MA 1991 [book: Basil Blackwell], p. 26-33 (R)

Mike Hazeldine: The New Orleans Revival. Louis Armstrong – “Satchmo. A Musical Autobiography” (MCA 4-10006), in: Barry Kernfeld (ed.): The Blackwell Guide to Recorded Jazz, Cambridge/MA 1991 [book: Basil Blackwell], p. 225-230 (R)

NN: Jazz Slang. Heebies Jeebies, in: Blu Jazz, 3/13 (1991), p. 62-63 (F: lyrics) [digi.copy]

William. H. Kenney III: Negotiationg the Color Line. Louis Armstrong’s Autobiographies, in: Reginald T. Buckner & Steven Weiland: Jazz in Mind. Essays on the History and Meanings of Jazz, Detroit 1991 [book: Wayne State University Press], p. 38-59 (F)

Floyd Levin: Louis Armstrong. Seine unterschätzten Aufnahmen in der Big-Band-Ära, in: Jazz Podium, 40/3 (Mar.1991), p. 8-9 (F)

Coen de Jonge: De eeuwige Satchmo. Armstrong wist cultuut van de straat plaats te geven in muziek, in: Jazz Nu, 149 (Apr. 1991), p. 208-311 (F)

Arrigo Polillo: Louis Armstrong in Italia. Affiorano le prime critiche nel viaggio più lungo, in: Musica Jazz, 47/7 (Jul.1991), p. 43-44 (F)

Claude Maudoux: St. Louis Armstrong Blues. Louis Armstrong, ou le jazz personifié, in: Bulletin du HCF, #393 (Jul.1991), p. 4-5 (F)

G. Testoni: Louis Armstrong in Italia. Finalmente il jazz italiano può incoronare sua meastà, in: Musica Jazz, 47/7 (Jul.1991), p. 39-40 (F)

G.M. Maletto: Louis Armstrong in Italia. Occhiate indiscrete di “fans” e bizzarie della stampa, in: Musica Jazz, 47/7 (Jul.1991), p. 41-42 (F)

Hugues Panassié: Louis Armstrong. Jadis et maintenant, in: Bulletin du HCF, #393 (Jul.1991), p. 5-9 (F)

Jacques Pescheux: Louis Armstrong. Roi du jazz forever, in: Bulletin du HCF, #393 (Jul.1991), p. 1-3 (F)

P. Mafei: Louis Armstrong in Italia. Il mondo intero si fermò guardando a Spoleto, in: Musica Jazz, 47/7 (Jul.1991), p. 45-47 (F)

P. Maffei: Louis Armstrong in Italia. Un “Blitz” semiclandestino in un solo teatro, in: Musica Jazz, 47/7 (Jul.1991), p. 37-38 (F)

S.G. Biamonte: Louis Armstrong in Italia. Quando se ne impadoni il “pop” italiano, in: Musica Jazz, 47/7 (Jul.1991), p. 48-50 (F)

David H. Ostwald: Louis Armstrong, Civil Rights Pioneer, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 186-188 (F; reprint, from: New York Times, 3.Aug.1991)

Scott Yanow: Jazz Legends… Happy 90th, Louis!, in: Jazz Times, 21/5 (Aug.1991), p. 31, 70 (F)

André Fanelli: Louis Armstrong. De la modernité au classicisme, in: Jazz Hot, #481 (Sep.1991), p. 19-21 (F) [digi.copy]

André Fanelli: Louis Armstrong. En guise de repères…, in: Jazz Hot, #481 (Sep.1991), p. 16-18 (F) [digi.copy]

Gérard Conté: Le Louisianusme chez Louis Armstrong, in: Jazz Hot, #481 (Sep.1991), p. 22-23 (F) [digi.copy]

Guy Longnon: À propos du phrasé d’Armstrong, in: Jazz Hot, #481 (Sep.1991), p. 24-27 (F) [digi.copy]

Chip Deffaa: Louis Armstrong Archive Dedicated, in: Mississippi Rag, Oct.1991, p. 11-12 (F)

Félix W. Sportis: Discographie raisonnée de Louis Armstrong, in: Jazz Hot, #482 (Oct.1991), p. 42-47 (D) [digi.copy]

Félix W. Sportis: Louis Armstrong. Édition et passion, in: Jazz Hot, #482 (Oct.1991), p. 3841 (F) [digi.copy]

Michel Boujut: Louis Armstrong. Le cinéma de Louis, in: Jazz Hot, #482 (Oct.1991), p. 34-37 (F/filmography) [digi.copy]

Ernie Anderson: Louis Armstrong. A Personal Memoir, in: Storyville, #148 (1.Dec.1991), p. 124-148 (F/I)

Ernie Anderson: Louis Armstrong. A Personal Memoir, in: Storyville, #148 (Dec.1991), p. 124-148 (F)

Richard Cook: Top of the Pops. Louis Armstrong, in: The Wire, #94/95 (Dec/Jan.1991/92), p. 46-49 (F)

Art Hodes & Chadwick Hansen: Hot Man. The Life of Art Hodes, Urbana 1992 [book: University of Illinois Press], passim (F)

Jon P. Pult: The Undeniable One. Some Thoughts on Louis Armstrong, in: The Second Line, 44/2 (Spring 1992), p. 18-20 (F)

Joshua Berrett: Louis Armstrong and Opera (excerpt), in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 24-29 (F; excerpted reprint, from: The Musical Quarterly, summer 1992)

Tom Reed: Louis Armstrong, in: Tom Reed: The Black Music History of Los Angeles. Its Roots, Los Angeles 1992 [book], p. 215-216 (F)

Dan Havens: A Year with Satchmo, 1931-32. George James Talks, in: Jazz Journal, 45/1 (Jan.1992), p. 6-9 (F/I)

Robert Baranello: Armstrong Archive Arrives, in: Down Beat, 59/1 (Jan.1992), p. 11 (F)

Floyd Levin: Louis Armstrong’s Underrated Big Band Recordings, in: Jazz Journal, 45/2 (Feb.1992), p. 20-21 (F)

John Chilton: The Louis Armstrong Archive, in: Jazz Journal, 45/2 (Feb.1992), p. 22 (F)

Jacob A. Stein: An Evening with Louis Armstrong, in: Jazz Beat, 4/1 (Aug.1992), p. 7-8, 25 (F)

Brian Priestley: Starter Pack. Louis Armstrong, in: Jazz. The Magazine, #18 (1993), p. 24-25 (F)

Dan Morgenstern: King Louis, in: Dan Morgenstern & Ole Brask: Jazz People, New York 1976 [book: Harry N. Abrams], p. 81-98 (F)

Frank Tirro: Louis Armstrong [p. 78-80 (F)]; Louis Armstrong [p. 170-182 (A/T: Hotter Than That / West End Blues]; Louis Armstrong – Cornet Chop Suey [Anhang, p. 8-9 (A/T)]; S.O.L. Blues / Struttin’ With Some Barbecue / West End Blues [Anhang, p. 62-64 (T)], in: Frank Tirro: Jazz History, New York 2/1993 [book]

James M. Doran: On Tour with Louis Armstrong, in: James M. Doran: Herman Chittison. A Bio-Discography, Bel Air/MD 1993 [book], p. 10-11 (F) [digi.copy]

Lewis Porter & Michael Ullman: “King” Joe Oliver [p. 39-45 (F/A/T: Chimes Blues]; Louis Armstrong [p. 57-73 (F/A/T: Mandy, Make Up Your Mind / Potato Head Blues), in: Lewis Porter & Michael Ullman: Jazz. From Its Origins to the Present, Englewood Cliffs/NJ 1993 [book]

Louis Armstrong Joe Oliver Is Still King, in: Jerry’s Rhythm Rag, #1 (Winter 1993), p. 8-10 (“I”; reprint aus: Record Changer, Jul.1950)

Mark Gridley: Louis Armstrong, in: Mark C. Gridley: Jazz Styles. History and Analysis, Englewood Cliffs 5/1993 [book], p. 68-73 (F/A: “West End Blues”)

NN: Louis Armstrong Stamp Up-Date, in: The Second Line, 45 (1993), p. 45-46 (appeal for Armstrong stamp)

Robert Dupuis: Bunny Berigan. Elusive Legend of Jazz, Baton Rouge 1993 [book: University of Louisiana Press], passim (F)

Stuart Nicholson: Ella Fitzgerald, London 1993 [book: Victor Gollancz] [digi.copy]; German translation as: Ella – Die Stimme des Jazz, München 1993 [book], passim (F)

Al van Starrex: An Adventure in Discography. Louis Armstrong Discoveries – New Finds from 1929, in: Coda, #249 (May/Jun.1993), p. 32-33 (F)

Leo Walker: Louis, in: Joslin’s Jazz Journal, 12/3 (Aug.1993), p. 12-13 (F)

Ib Skovsted Thomsen: Louis Armstrong. dengang og nu, in: Jazz Special, #13 (Dec.1993), p. 16-17 (F)

André Clergeat: Le timbre d’Armstrong, in: Les Cahiers du Jazz, #4 (1994), p. 89-94 (F)

Bridget Fenlason: At last – A United States Postage Stamp for Louis Armstrong, in: The Second Line, 46 (1994), p. 61 (F)

Dan Morgenstern: Introduction to “Satchmo. My Life in New Orleans”, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 50-54 (F; originally published in 1994)

Dan Morgenstern: Louis Armstrong and the Development & Diffusion of Jazz, in: Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art], p. 95-145 (F); German translation, as “Louis Armstrong und die Verbreitung des Jazz”, in: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne], p. 95-145 (F)

Dan Morgenstern: Portrait of the Artist as a Young Man, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 17-50 (F; originally published as liner notes for “Portrait of the Artists as a Young Man”, Columbia/Legacy, 1994)

Donald Bogle: Louis Armstrong. The Films, in: Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art], p. 147-179 (F); German translation, as “Louis Armstrong. Seine Filme”, in: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne], p. 147-179 (F)

John Fordham: Jazz. Geschichte / Instrumente / Musiker / Aufnahmen, München 1994 [book: Christian Verlag], p. 96-97 (F)

Len Salik: Louis Armstrong Archive Open in new York City, in: The Second Line, 46 (1994), p. 15-16 (F)

Lucien Malson & Christian Bellest: Armstrong. Le “West End Blues” fondateur, in: Les Cahiers du Jazz, #1 (1994), p. 15-26 (A/T)

Lucille Armstrong: Louis’ Favorite Dish. The Recipe for Red Beans and Rice, in: Jazz Beat, 5/3 (Winter 1994), p. 6 (F)

Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art] (F); German translation: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne]

Marc H. Miller: Louis Armstrong. A Cultural Legacy, in: Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art], p. 17-65 (F); German translation, as “Louis Armstrong – ein kulturelles Vermächtnis”, in: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne), p. 17-65 (F)

Marc H. Miller: Louis Armstrong. A Portrait Record, in: Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art], p. 180-230 (F); German translation, as “Louis Armstrong. Eine Porträtbilanz”, in: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne], p. 181-230 (F)

Mel Tormé: Louis and Billie, in: Mel Tormé: My Singing Teachers. Reflections on Singing Popular Music, New York 1994 [book: Oxford University Press], p. 9-13 (F)

Richard A. Long: Louis Armstrong and African-American Culture, in: Marc H. Miller (ed.): Louis Armstrong. Cultural Legacy, New York 1994 [book: Queens Museum of Art], p. 67-93 (F); German translation, as: “Louis Armstrong und die afro-amerikanische Kultur”, in: Marc H. Miller: Louis Armstrong. King of Jazz, München 1996 [book: Heyne], p. 67-93 (F)

Rick Kennedy: Louis Armstrong and the Red Onion Jazz Babies, in: Rick Kennedy: Jelly Roll, Bix, and Hoagy. Gennett Studios and the Birth of Recorded Jazz, Bloomington 1994 [book], p. 85-89 (F)

Whitney Balliett: King Louis, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin’s Press], p. 813-819 (F; reprint, from 1994)

Coen de Jonge: Louis Armstrong toegewijd gerestaureerd. In volle pracht en met licht geknetter, in: Jazz Nu, #179 (Jan.1994), p. 38, 40-41 (F/R)

Lucille Armstrong: The Armstrong recipe for Red Beans and Rice, in: Jersey Jazz, 22/6 (Jul/Aug.1994), p. 38 (F)

David Bradbury: Rethinking a Legend. Was Louis Armstrong’s Fifties period Any Good?, in: Jazz on CD, 1/8 (Sep.1994), p. 12-14 (F)

Max Harrison: Louis Armstrong, in: Jazz on CD, 1/8 (Sep.1994), p. 15 (R: “Great Original Performances 1923-31”, “The Best of Louis Armstrong”)

Robert Baranello: Riffs. Satchmo’s Legacy. Armstrong Archives Open to Public, in: Down Beat, 61/9 (Sep.1994), p. 12 (F)

Abby Hübner: Louis Armstrong, in: Jazz Podium, 43/11 (Nov.1994), p. 18, 21 (F; Vorabdruck aus Armstrong-Biographie im Oreos-Verlag)

Jean-Pol Schroeder: Pour une Pléiade Bleue. A la Découverte des Intégrales de Media 7, in: Jazz in Time, #57 (Nov.1994), p. 31-33 (F/R)

Ernie Anderson: Joe Glaser & Louis Armstrong. A Memoir. Part 1: Early Days, in: Storyville, #160 (Dec.1994), p. 123-135 (F)

Kees Delsman: Really the Blues 97-1, in: Doctor Jazz Magazine, #147 (Dec.1994), p. 27-30 (F/Text.Transkription zu “Put ‘Em Down Blues”, “The Last Time”, “I’m Not Rough “, “Hotter Than That”, “Big Butter and Egg Man from the West”, “Sunset Cafe Stomp”)

NN: Really the Blues 97-2, in: Doctor Jazz Magazine, #147 (Dec.1994), p. 31-34 (F/Text-Transkription zu Armstrong/Vocal-Nummern mit Hociel Thomas,. Butterbeans and Susie: “Gambler’s Dream”, “Sunshine Baby”, “Adam and Eve Had the Blues”, “Put It Where I Can Get It”, “Wash Woman’s Blues”, “I’ve Stpped My Man”, “Deep Water Blues”, “G’wan I Told You”, “Listen to Ma”, “Lonesome Hours”, “He Likes It Slow”)

Barry Kernfeld: What to Listen for in Jazz, New Haven 1995 [book: Yale University Press], p. 11 (A/T: trumpet break in “Hotter Than That”); p. 16-18 (A/T: trumpet and clarinet solo, beginning of scat solo in “Hotter Than That”); p. 32 (A/T: scat solo in “Hotter Than That”); p. 61-62 (A: form of “Hotter Than That”); p. 167-168 (A: scat singing in “Hotter Than That”)

Don Marquis: At last – a stamp for Satchmo, in: The Second Line, 47 (1995), p. 47-50 (F)

Herman Leonard: Jazz Memories, Levallois-Perret/France 1995 [book: filipacchi], p. 20-23 (photos)

NN: Louis Armstrong Jazz Stamp ‘Unvieled’. A Packed House Celebrates at Louisiana Jazz Federation’s Tribute, in: Jazztown Crier, Fall 1995, p. 11 (C)

Stefano Zenni: Louis Armstrong. Satchmo. Oltre il mito del jazz, Roma 1995 [stampa alternativa] (F)

Stephan Richter: “Swing” als Persönlichkeitswert. Louis Armstrongs “Big Butter and Egg Man” und die Folgen, in: Stephan Richter: Zu einer Ästhetik des Jazz, Frankfurt 1995 [book], p. 131-138 (F/A/T)

Wynton Marsalis: Marsalis on Music, New York 1995 [book], p. 116-118 (F)

NN: Finally, Louis Gets Stamp of Approval, in: Mississippi Rag, Jan.1995, p. 11 (N: Briefmarke)

J.Lee Anderson: The Iron Lip Cornet Wonder. The Early Years – New Orleans, King Oliver, Fletcher Henderson, the Hot Fives and Hot Sevens, in: Mississippi Rag, Feb.1995, p. 1-4, 6-8 (F)

Jeroen de Valk: Grooves. Pijnlijk complete Louis Armsztrong-Box krijgt geen vervolg, in: Jazz Nu, #191 (Feb.1995), p. 6 (F)

NN: Louis Armstrong. Hommage cinématographique, in: Jazz Magazine, #445 (Feb.1995), p. 31-34 (Filmprogramm)

Stephen Maitland-Lewis: Louis Armstrong. A Fan Remembers, in: Mississippi Rag, Feb.1995, p. 22-23 (F)

Alain Tercinet: Bonheur. Louis Armstrong, la voix de la trompette, in: Jazzman, #1 (Mar.1995), p. 18-19 (F)

Michel Laverdure: En direct. Louis Armstrong. Hommage cinématographique, in: Jazz Magazine, #446 (Mar.1995), p. 8 (Film-C)

Ira Gitler: Live! The Armstrong Continuum, in: Jazz Times, 25/3 (Apr.1995), p. 64, 66 (C: Tribute to Armstrong by Wynton Marsalis, Nicholas Payton, Clark Terry and others)

Jean-Pol Schroeder: Pour une pléiade bleue. A la découverte des Intégrales de Media 7 – Louis Armstrong, in: Jazz in Time, #61 (Apr.1995), p. 13-15 (F/R)

Tom Alexios: Riffs. Armstrong Gets Stamp of Approval, in: Down Beat, 62/6 (Jun.1995), p. 13 (F) [digi.copy]

Larry Blumenfeld: Second Line. Ten Trumpeters Talkin’ About Louis, in: Jazziz, 12/7 (Jul.1995), p. 76-80 (F/I mit Nicholas Payton, Jon Faddis, Wynton Marsalis, Terence Blanchard, Dic Cheatham, Donald Byrd, Dave Douglas, Leroy Jones, Randy Sandke, Marcus Printup)

Leslie Gourse: Heebie Jeebies. Louis Armstrong and the Vocal Tradition, in: Jazziz, 12/7 (Jul.1995), p. 70-75 (F)

Scott Yanow: Satchmo The Great, in: Jazziz, 12/7 (Jul.1995), p. 63-69 (F)

Geraldine Wyckoff: Strictly Jazz. City trumpets new Louis Armstrong stamp, in: Offbeat, Aug.1995, p. 19 (F)

Robert Waddell: Corona. Satchmo’s on a Stamp, So the Music’s Starting, in: New York Times, 3.Sep.1995, p. CY 12 (short F) [digi.copy]

Bill Milkowski: 25 Who Mattered. Louis Armstrong, in: Jazz Times, 25/7 (Sep.1995), p. 52 (F)

Tom Jacobsen: Firs-Class Celebration, in: Mississippi Rag, Oct.1995, p. 28-30 (F: New Armstrong stamp)

Fred Robbins: Intervista a Louis Armstrong sulla Stazione Radio WHN New York City, 26 gennaio 1944, in: Jazz (Italy), 2/13 (Nov/Dec.1995), p. 14-20 (I)

NN: Block Notes 1944, in: Jazz (Italy), 2/13 (Nov/Dec.1995), p. 21 (F)

NN: Louis Armstrong. Il CD del mese, in: Jazz (Italy), 2/13 (Nov/Dec.1995), p. 22-25 (F)

Philippe Baudoin: Armstrong compositore. “Someday You’ll Be Sorry”, in: Jazz (Italy), 2/13 (Nov/Dec.1995), p. 26-27 (A/T)

Chip Deffaa: Louis Armstrong, in: Chip Deffaa: Jazz Veterans. A Portrait Gallery, Fort Bragg/CA 1996 [book: Cypress House], p. 126-127 (F)

David Perry: Satchmo, in: David Perry: Jazz Greats, London 1996 [book: Phaidon], p. 41-74 (F9

Duncan Schiedt: Twelve Lives in Jazz, Parma 1996 [book], p. 6-19 (F/photos)

Klaus Stratemann: Louis Armstrong on the Screen, Copenhagen 1996 [book] (F/Filmography)

Klaus-Uwe Dürr: Louis Armstrong, 1923-1932, Hamburg 1996 [book: privately published] (D)

Krin Gabbard: Actor and Musician. Louis Armstrong and His Films, in: Krin Gabbard: Jammin’ at the Margins. Jazz and the American Cinema, Chicago 1996 [book], p. 204-238 (F); reprint, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 201-233 (F)

Richard Domek: Musical Organization and Trademarks in the Maturing Solos of Louis Armstrong, in: Jazz Research Papers, 16 (1996), p. 32-47 (A/T: excerpts from “Cornet Shop Suey”; “Strutti With Some Barbecue”; “Potato Head Blues”; “Beau Koo Jack”; “Mahogany Hall Stomp”; “Big Butter and Egg Man”; “Ding Gong Daddy”)

Richard H. Knowles: The Waifs Home Brass Band, in: Richard H. Knowles: Fallen Heroes. A History of New Orleans Brass Bands, New Orleans 1996 [book: Jazzology Press], p. 101-103 (F)

Scott Reeves: From Pops to Miles. The Evolution of the Jazz Vocabulary, in: Jazz Research Papers, 16 (1996), p. 113-122 (F/T: trumpet transcription of “Hotter Than That”)

Doug MacCash: Eye Music. NOMA exhibit follows Armstrong from musician to icon; how to draw the human body, in: Offbeat, Jan.1996, p. 18-19 (F)

NN: Armstrong’s Home to Be Museum, in: The American Rag, 8/3 (Apr.1996), p. 1, 48 (F)

Rudie Kagie: Satchmo’s schatkamer. De gearchiveerde erfenis van Louis Armstrong, in: Jazz Nu, #206 (Jun.1996), p. 8-9, 11 (F/I mit Michael Cogswell)

Gian Carlo Roncaglia: Armstrong a Torino nel ’35. Un po’ di chiarezza, in: Ritmo, #705 (Jul.1996), p. 18-19 (F)

Luciano Federighi: Ella e Satchmo. Dal contrasto magiche fusioni, in: Musica Jazz, 52/8-9 (Aug/Sep.1996), p. 44-47 (F)

Ate van Delden: Bengt Persson’s Armstrong’s project, in: Doctor Jazz Magazine, #154 (Sep.1996), p. 19-21 (F)

Jon Pult: Armstrong über alles. An exhibit at NOMA makes clear that King Louis was the greatest, in: OffBeat, Dec.1996, p. 45-46 (F)

Albert Murray: The Armstrong Continuum. The Twentieth-Century American Herald, in: Albert Murray: The Blue Devils of Nada. A Contemporary Approach to Aesthetic Statement, New York 1997 [book: Vintage; Original: New York 1996, Random House], p. 51-72 (F)

Albert Murray: The Ellington Synthesis. Armstrong and Ellington. Stompin the Blues in Paris, in: Albert Murray: The Blue Devils of Nada. A Contemporary Approach to Aesthetic Statement, New York 1997 [book: Vintage; Original: New York 1996, Random House], p. 97-113 (F)

Brian Cameron Harker: The Early Musical Development of Louis Armstrong, 1901-1928, New York 1997 [PhD thesis: Columbia University], passim (F/A/T: excerpts from “Just Gone”; “Weatherbird Rag”; “Snake Rag”; “Dippermouth Blues”; “Jazzin’ Babies Blues”; “Cornet Shop Suey”; “Froggie Moore”; Buddy’s Habits”; “Chimes Blues”; “Tears”; “I Miss My Swiss”; “Go ‘Long Mule”; “Words”; “Tell Me, Dreamy Eyes”; “My Rose Marie”; “Naughty Man”; “Shanghai Shuffle”; “Copenhagen”; “Why Couldn’t It Be Poor Little Me”; “Alabamy Bound”; “Money Blues”; “Mandy, Make Up Your Mind”; “Morning Dove Blues”; “Lost Your Head Blues”; “Poor House Blues”; “Railroad Blues”; “Terrible Blues”; “Savoy Blues”; “West End Blues”; “Oriental Strut”; “Potato Head Blues”; “Big Butter and Egg Man”; “Heebie Jeebies”; “You Made Me Love You”; “Once in a While”; “Knee Drops”; “West End Blues”) [digi.copy]

Brian Cameron Harker: The Early Musical Development of Louis Armstrong, 1901-1928, Columbia University 1997 [book/dissertation: University Microfilm facsimile], passim (F/A/T); p. 127, 279 (T: “Cornet Shop Suey”); p. 127 (T: “Weatherbird Rag”); p. 129 (T: “Froggie Moore”); p. 134-136 (T: “Tears”); p. 160, 167, 178 (T: “Words”); p. 163 (T: “I Miss My Swiss”); p. 166 (T: “Go ‘Long Mule”); p. 176 (T: “Tell Me, Dreamy Eyes”); p. 177 (T: “My Rose Marie”); p. 179-180, 291 (T: “Naughty Man”); p. 182 (T: “Shanghai Shuffle”); p. 183 (T: “Copenhagen”); p. 185-186, 188 (T: “Why Couldn’t It Be Poor Little Me?”; p. 190-191 (T: “Alabamy Bound”); p. 192-193 (“Money Blues”); p. 196-197 (T: “Mandy Make Up Your Mind”); p. 226 (T: “Poor House Blues”); p. 228 (T: “Railroad Blues”); p. 236 (T: “See See Rider Blues”); p. 238 (T: “Terrible Blues”); p. 244 (T: “Savoy Blues”); p. 247, 371-375 (T: “West End Blues”); p. 290 (T: “Muskrat Ramble”); p. 292 (T: “Oriental Strut”); p. 294-295 (T: “Potato Head Blues”); p. 302, 304-316 (T: “Big Butter and Egg Man”); p. 322, 324 (T: “Heebie Jeebies”) [digi.copy]

Brian Harker: “Telling a Story”. Louis Armstrong and Coherence in Early Jazz, in: Current Musicology, #63 (Fall 1997), p. 46-83 (F/A/T: excerpts from “Tears”, “Go ‘Long Mule”; “Copenhagen”; “Why Couldn’t It Be Poor Little Me”; “Muscrat Ramble”; “Oriental Strut”; “Potatoe Head Blues”; “Big Butter and Egg Man”) [digi.copy]

Christian Batchelor: Louis Armstrong, in: Christian Batchelor: This Thing Called Swing. A Study of Swing Music and The Lindy Hop, The Original Swing Dance, London 1997 [book: The Lindy Hop Collection], p. 64-67 (F)

Dan Morgenstern: Review of ‘Louis Armstrong. An Extravagant Life’, by Laurence Berggreen, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 89-92 (F; originally published in The Los Angeles Times Book Review, 1997)

David Chevan: Written Music in Early Jazz, New York 1997 [PhD thesis: City University of New York], p. 238-306 (F: chapter “The Copyright Deposits of Louis Armstrong”); p. 420-421 (A: stock arrangement of “Beau Koo Jack” compared to recording by Louis Armstrong); p. 471-489 (T: original manuscripts of “Coal Cart Blues”; “Cornet Shop Suey”; “Don’t Forget to Mess Around When You’re Doing the Charleston”; “Drop That Sack”; “Gate Mouth”; “Gully Low Blues”; “Gut Bucket Blues”; “Heah Me Talkin’ to Ya”; “I Am In the Barrel, Who Don’t Like It?”; “Knockin’ a Jug”; “Muggles”; “Papa What You Are Trying to Do to Me I’ve Been Doing It for Years”; “Tears”; “Weather Bird Rag”; “Weather Bird”; “When You Leave Me Alone to Pine”)

Dempsey J. Travis: The Louis Armstrong Odyssey. From Jane Alley to America’s Jazz Ambassador, Chicago 1997 [book: Urban Resarch Press] (F)

Dempsey J. Travis: The Voices of Pop’s Children, in: Dempsey J. Travis: The Louis Armstrong Odyssey. From Jane Alley to America’s Jazz Ambassador, Chicago 1997 [book: Urban Resarch Press], p. 186-187 (F/I with Homes Daylie, Cab Calloway, Floyd Campbell, Bud Freeman, Art Hodes, George Kirby, Maxine Sullivan, Miles Davis, Earl Hines, Dizzy Gillespie, Taft Jordan, Roy Eldridge, Jonah Jones, Dud Bascomb, Sammy Lowe, Lionel Hampton)

Eric Nisenson: Blue. The Murder of Jazz, New York 1997 [book: St. Martin’s Press], p. 60-69 (F: chapter “Genius: The Triumph and Tragedy of Louis Armstrong”)

Krin Gabbard: Louis Armstrong and His Audiences, in: Lewis Porter: Jazz. A Century of Change. Readings and New Essays, New York 1997 [book: Schirmer], p. 164-171 (F)

Laurence Bergreen: Louis Armstrong. An Extravagant Life, New York 1997 [book: Broadway Books; German translation as “Louis Armstrong. Ein extravagantes Leben”, Zürrich 2000 (Haffmanns Verlag)] (F); review, by Thomas Brothers, in: American Music, 16/2 (Summer 1998), p. 234-237 (B); review, by Dave Nathan, in: Marge Hofacre’s Jazz News, 15/100 (Mar.1999), p. I: 25 (B); review, by Mike Hazeldine, in: New Orleans Music (Footnote), 7/2 (Dec.1997), p. 22-23 (B)

Werner Burkhardt: Satchmo… strahlend neu und doch der Alte. The Louis Armstrong Connection – Satchmo, Swing That Music, in: Jazz Time (CH), 1/1997, p. 18-20 (F/R)

Herman Openeer: Meningen over Jazz. Nederlands debuut van Louis Armstrong, November 1933, part 1, in: NJA Bulletin, #23 (Mar.1997), p. 40-50 (F); part 2, in: NJA Bulletin, #24 (Jun.1997), p. 36-43 (F); response, by Robert Pernet, in: NJA Bulletin, #32 (Jun.1999), p. 7 (letter)

Ken Rattenbury: The Influential Improvisers. Louis Armstrong – ‘Weather Bird Rag’, part 1, in: Crescendo & Jazz Music, 34/4 (Aug/Sep.1997), p. 38-39 (A/T); part 2, in: Crescendo & Jazz Music, 34/5 (Oct/Nov.1997), p. 38-39 (A/T)

Dave Marsh: Letters. What Armstrong Read, in: New York Times Book Review, 7.Sep.1997 (letter: criticizing the critic; remarks on Terry Teachout’s book review on Laurence Bergreen’s Armstrong biography) [digi.copy]

Michael Cogswell: Letters. What Armstrong Said, in: New York Times Book Review, 7.Sep.1997, p. 4 (letter: correction of data in Laurence Bergreen’s Armstrong biography) [digi.copy]

Loren Schoenberg: Woodshedding. ‘If I Could Be With You One Hour Tonight’. Loren Schoenberg looks at a great Louis Armstrong performance from 1930, in: Jazz UK, #17 (Sep/Oct.1997), p. 18-19 (A/T)

Vittorio Castelli: Satchmo, Handy e le forbici, in: Musica Jazz, 53/12 (Dec.1997), p. 52 (F/R)

Abbi Hübner: Louis Armstrong, in: Klaus Neumeister: And Our Hearts in New Orleans. Die Geschichte des Hot-Jazz in Hamburg ab 1950, Schacht-Audorf 1998 [book: Köller Verlag], p. 27 (poem)

Alain Gerber: Louis Armstrong. Le génie en contrebande, in: Alain Gerber: Fiesta in Blue. Textes de Jazz, Tome 1, Paris 1998 [book: Editions Alive], p. 113-117 (F)

Alain Gerber: Louis Armstrong. Louis et les philistins, in: Alain Gerber: Fiesta in Blue. Textes de Jazz, Tome 1, Paris 1998 [book: Editions Alive], p. 118-120 (F)

Bertil Lyttkens: Svart och vitt. Utländska jazzbesök 1895-1939 speglade i svensk press, Stockholm 1998 [book: Svenskt visarkiv], p. 61-69 (F: chapter “1933. Louis Armstrong”)

Carol O. Bartels: Louis Armstrong. Fond Memories, in: Jon Kukla (ed.): Jazz Scrapbook. Bill Russell and Some Highly Musical Friends, New Orleans 1998 [book: Historic New Orleans Collection], p. 28-43 (F)

Dick Russell: Albertg Murray and Louis Armstrong, in: Dick Russell: Black Genius and the American Experience, New York 1998 [book: Carroll & Graf], p. 22-36 (F)

Fips Fleischer: Erinnerungen, Berlin 1998 [book: Ullstein], p. 65-68, 73 (F)

Gary Giddins: Visions of Jazz. The First Century, New York 1998 [book: Oxford University Press], p. 23-27 (F: chapter “Louis Armstrong/Mills Brothers. Signifyin'”)

Gary Giddins: Visions of Jazz. The First Century, New York 1998 [book: Oxford University Press], p. 82-102 (F: chapter “Louis Armstrong. The Once and Future King”); p. 634-640 (F: chapter “Louis Armstrong/Nicholas Payton. Interpreted”)

John Clare: Doin’ the Satchmo Split, in: JazzChord, #44 (Summer 1998/1999), p. 9 (F)

John Potter: Armstrong to Sinatra. Swing and sub-text, in: John Potter: Vocal Authority. Singing Style and Ideology, Cambridge 1998 [book: Cambridge University Press], p. 87-112 (F)

Katherine Adzima: Interview with Louis Armstrong, in: Michel Boujut: Louis Armstrong, Paris 1998 [book: Éditions Plume], p. 4-5 (I with Marsalis about Armstrong)

Michel Boujut: Louis Armstrong, Paris 1998 [book: Éditions Plume] (F)

Paige Van Vorst: “The Louis Armstrong Odyssey. From Jane Alley to America’s Ambassador”, by Dempsey J. Travis, in: Jazz Beat, 9/3-4 (Winter/Spring 1998), p. 41-42 (B)

R. Craig Sautter: Satchmo, in: Curt Johnson & R. Craig Sautter: The Wicked City. Chicago from Kenna to Capone, Chicago 1994 [book: December Press; Reprint, New York 1998: Da Capo], p. 277-291 (F)

Randi Hultin: Born Under the Sign of Jazz, London 1998 [book: Sanctuary], p. 111-120 (F)

David Joyner: Louis Armstrong. The Great Communicator, in: Jazz Player, 5/4 (Jun/Jul.1998), p. 11-13 (F)

NN: Louis Armstrong honoté à Paris, in: Bulletin du HCF, #471 (Jun.1998), p. 29 (short F)

Stefano Zenni: “West End Blues”. Tre minuti che cambiarono il mondo, in: Musica Jazz, 54/6 (Jun.1998), p. 22-26 (F/A/T)

Jacques Pescheux: La Place Louis Armstrong à Paris enfin inaugurée, in: Bulletin du HCF, #473 (Aug.1998), p. 7-9 (F)

André Clergeat: La Piazza Louis Armstrong a Parigi, in: Jazz ‘n’ Blues ‘n’ Around, 5/5 (Oct.1998), p. 14-15 (F)

Art Fell & Peter Gaskell: Paris Honors Louis Armstrong, in: Mississippi Rag, Oct.1998, p. 34-35 (F)

Al van Starrex: “Louis Armstrong. An Extravagant Life”, by Laurence Bergreen, in: Coda, #282 (Nov/Dec.1998), p. 16-18 (B) [digi.copy]

Michel Laplace: La trompette, instrument roi. La chanson de Louis Armstrong: Le trompettiste du siecle, in: Jazz Hot, #555 (Nov.1998), p. 32-35 (F)

Scott Menhinick: Satchmo Speaks. Preserving Louis Armstrong’s private tapes, in: Signal to Noise, #8 (Nov/Dec.1998), p. 6-7 (F/I with Michael Cogswell)

Patrice Caratini: Création. Louis Armstrong, in: Jazzman, #42 (Dec.1998), p. 24-25 (F)

Richard Wiedamann: Louis “Satchmo” Armstrong. “Er schuf den Jazz, wie wir ihn kennen”, in: Jazz Zeitung, 23/12 (Dec.1998), p. 8-9 (F)

Alyn Shipton: Groovin’ High. The Life of Dizzy Gillespie, New York 1999 [book: Oxford University Press], passim (F)

Bruce Babad: Jazz Under Construction. Blueprints for Building Interesting and Expressive Solos. A Project Report, Ellensburg/WA 1999 [MA thesis: Central Washington University], passim (A); p. 36-38 (T: “Hotter Than That”) [digi.copy]

Dale Keiger: White House Trumpets Support for the House That Jazz Built, in: Q – The Magazine of Queens College, 7/2 (Summer 1999), p. 6-9 (F) [vert.file]

Dan Morgenstern: Commentary, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 177-186 (F; reprint from liner notes to “Louis Armstrong. Chicago Concert”)

Dan Morgenstern: The Armstrong I Knew, in: Annual Review of Jazz Studies, #10 (1999), p. 127-133 (F) [digi.copy]

Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books] (F/I/”I”)

Keith Shadwick: Louis Armstrong. The Beginning and the End of It All, in: Jon Newey (ed.): Tower Jazz Guide 2000/01, London 1999 [book: Tower Records], p. 38 (F)

Leonard Brown: Jazz Masters. Louis Armstrong, in: Leonard Brown & Claude Page (eds.): Kansas City and All That Jazz, Kansas City 1999 [book: Andrews McMeel Publishing], p. 5-8 (F)

Leslie Gourse: Wynton Marsalis. Skain’s Domain – A Biography, New York 1999 [book: Schirmer Books], passim (F)

Lil Hardin: Lil and Louis. Satchmo and Me (excerpts), in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 36-42 (F; transcription from recording on Riverside RLP 12-120)

Milt Hinton: On the Road with Louis Armstrong, in: Milt Hinton & David Berger: Overtime, New York 1991 (F); Reprint, in: Charles Graham & Dan Morgenstern (eds.): The Great Jazz Day, Emeryville/CA 1999 [book: Woodford Press], p. 141-142 (F)

NN: Announcing a new Armstrong book! “Louis Armstrong. In His Own Words. Selected writings by Louis Armstrong”, edited and with an introduction by Thomas Brothers, in: [book info], 1999 (F) [digi.copy]

NN: Louis Armstrong. A Centennial Photo Gallery, in: Annual Review of Jazz Studies, #10 (1999), p. 134-150 (photos) [digi.copy]

Peter J. Levinson: Trumpet Blues. The Life of Harry James, New York 1999 [book: Oxford University Press], passim (F)

Randi Hultin: Louis Armstrong far eget museum, in: Jazz Nytt (Norway), 1/1999, p. 30 (F)

Simon Géza Gábor: Magyar Jazz Történet, Budapest 1999 [book + 2 CDs: Magyar Jazzkutatási Társaság], p. 164-165 (F)

Thomas Brothers (ed.): Louis Armstrong In His Own Words, New York 1999 [book: Oxford University Press] (F/I); review, by Jay Weiser, in: Down Beat, 66/11 (Nov.1999), p. 73 (B); review, by Jack Sohmer, in: Jazz Times, 30/1 (Feb.2000), p. 77-78 (B); review, by Barry Witherden, in: Jazz Review, #10 (Jul.2000), p. 12 (B); review, by W. Mark Sutherland, in: The Jazz Report, 13/2 (Winter 2000), p. 39 (B); review, by Mark Berresford, in: VJM’s Jazz and Blues Mart, #119 (fall 2000), p. 14 (B); review, by Christopher Hillman, in: Jazz Journal, 53/11 (Nov.2000), p. 18 (B); review, by Ben Kragting Jr., in: Doctor Jazz Magazine, #171 (Dec.2000), p. 50 (RB)

William Russell (ed.): “Oh, Mister Jelly”. A Jelly Roll Morton Scrapbook, Copenhagen 1999 [book: Jazz Media], p. 347-348 (I)

Chelsea J. Carter: His Horns of Plenty. History Is Hearing Satchmo, and All That Jazz, in: New York Newsday, 21.Jan.1999, p. A39 (F/I with Michael Cogswell) [vert.file]

Jeff Hannusch: Carnival Tales. When Satchmo Was King, in: OffBeat, Feb.1999, p. 58-59 (F)

Jason Koransky: Louis Armstrong. Echoes of New Orleans, in: Down Beat, 66/7 (Jul.1999), p. 10-12 (F/I with Nicholas Payton, Clark Terry, Jon Faddis)

Ken Rattenbury: The Influential Improvisers. Louis Armstrong: “A Monday Date” (part 1), in: Crescendo & Jazz Music, 36/4 (Aug/Sep.1999), p. 38-39 (F/T); part 2, in: Crescendo & Jazz Music, 5/36 (Oct/Nov.1999), p. 38-39 (A/T)

Loren Schoenberg: 52nd Street Themes. Louis Armstrong, in: Jazz UK, #29 (Sep/Oct.1999), p. 14 (F)

John Evers: Wonderful Louis, in: Jazz Zeit, #6 (Dec.1999), p. 23 (F)

Dan Morgenstern: Louis Armstrong, in: Bill Kirchner (ed.): The Oxford Companion to Jazz, New York 2000 [book: Oxford University Press], p. 102-121 (F)

Edward Brooks: Influence and Assimilation in Louis Armstrong’s Cornet and Trumpet Work (1923-1928), New York 2000 [book: Edwin Mellen Press] (F/A)

Floyd Levin: The Great Louis Armstrong, in: Floyd Levin: Classic Jazz. A Personal View of the Music and the Musicians, Berkeley 2000 [book: University of California Press], p. 218-229 (F: “Louis Armstrong’s Underrated Recordings during the Big-Band Era”; “‘Ambassador Satch’ on the World Stage”; “A Sentimental Journey – Louis’ Funeral”)

Floyd Levin: The Seven-Year Challenge to Complete the Louis Armstrong Statue, in: Floyd Levin: Classic Jazz. A Personal View of the Music and the Musicians, Berkeley 2000 [book: University of California Press], p. 287-312 (F)

Frank Büchmann-Moller: Is This To Be My Souvenir. Jazz Photos from the Timme Rosenkrantz Collection 1918-1969, Odense 2000 [book: Odense University Press], p. 16-17 (short F/photos)

Geoffrey C. Ward & Ken Burns: Jazz. A History of America’s Music, New York 2000 [book: Alfred A. Knopf; German translation as: “Jazz. Eine Musik und ihre Geschichte”, München 2001 (Econ)], p. 37-48 (F: chapter “The Gift”); p. 74-76 (F: chapter “Fast Fingers”); p. 106-109, 112-115 (F: chapter “Ready for the New Day”); p. 122-131 (F: chapter “Our Language”); p. 157-161, 163 (F: chapter “The Sun’s Eye”); p. 166-169 (F: chapter “My, My, My”); p. 182-188 (F: chapter “Ain’t That Something”); p. 212-216 (F: chapter “The Best Friend I Ever Had”); p. 272-277 (F: chapter “Brown Sugar”); p. 314-316 (F. chapter “That’s My Home”), p. 337-341 (F: chapter “That’s What Music Is For”); p. 352-354 (F: chapter “From the Heart”); p. 391-392, 394-397 (F: chapter “Ooftah”); p. 450-453 (F: chapter “Giving It Back”)

Hans Kumpf: Trotz 99 ein Jahrhunderrtheld. Louis Armstrong hätte am 4. Juli Geburtstag gefeiert, in: Jazz Live (Austria), #128 (2000), p. 6-8 (F)

Hans-Helmut Jöhnk: Baltic Swing. Neue Beiträge zu vier Jahrzehnten Kieler Jazz- und Tanzmusikgeschichte, 1928-1970, Kiel 2000 [book: privately published], p. 33-34 (C: Armstrong in Kiel in 1955); p. 52-53 (C: Kiel 1959); p. 85-86 (C: Kiel 1962)

Henk Romein Meijer: Louis Armstrong op de koffergrammofoon. Dronke negers in de tuin, in: Jazz Nu, 22/4 (fall 2000), p. 138-140, 142 (F)

Ilse Storb: Louis Armstrong and Racism. ‘Niger, illegitimus’! Racism. ‘We got the money, you got the Blues!’ Black or white, rich or poor?, in: Jazz Research Proceedings Yearbook, #20 (2000), p. 57-63 (F)

John F. Szwed: Jazz 101. A Complete Guide to Learning and Loving Jazz, New York 2000 [book: Hyperion], p. 109-115 (F)

Jos Willems: All of Me. Louis Armstrong. An Essay in Discography 1923-1971, Willebroek/Belgium ca.2000 [book/CD-ROM: privately published] (D)

Mark C. Gridley: Jazz Styles. History and Analysis, Upper Saddle River/NJ 7/2000 [book: Prentice Hall], p. 68-73 (F/A: “West End Blues”)

NN: Zum 100. Geburtstag des Jahrhundert-Genies. Laurence Bergreen – “Louis Armstrong. Ein extravagantes Leben”, in: [book info], 2000 (F) [digi.copy]

William Karlen: Anthologie du Jazz Classique. La synthèse d’un demisiècle de swing, Sierre/Switzerland 2000 [book: Editions à la Carte], p. 45-52 (F)

Wilma Dobie: Louis Armstrong and Fate Marable, in: Jazz Notes, 11/4 (2000), p. 31-32 (F)

Alex Rawls: Bookmark. Literary Louis, in: OffBeat, Jan.2000, p. 42-43 (B: “The Louis Armstrong Companion, edited by Joshua Barrett)

NN: Louis Armstrong. Der Trompeter der Dekadenz, in: Bündner Tagblatt, 11.Feb.1956 (C); Reprint, in: Werner Tester & Toni Schädler: Jazz in Chur, 1940-2000, Chur/CH 2000 [book: privately published] (C)

Lars Westin: Armstrong. Tjusade unga, chockade äldre, in: Orkester Journalen, 6/2-3 (Feb/Mar.2000), p. 26-31 (F)

Alan Luff: Anec-Dotage. Last month’s Jazz Artist of the Century refers, in: Jazz Review, #6 (Mar.2000), p. 28 (F)

Dan Bied: Jazz Memories. Louis Armstrong, in: The American Rag, 12/2 (Mar.2000), p. 28 (F)

Vicente Ménsua: En el principo fue Armstrong, in: Cuadernos de Jazz, #57 (Mar/Apr.2000), p. 35-46 (F)

J.R. Keith Keller: Louis Armstrong in his own words, in: Jazz Special, #51 (Apr/May 2000), p. 42-45 (F/B)

Klaus Rifbjerg: Louis Armstrong. Overflodighedshornet, in: Jazz Special, #51 (Apr/May 2000), p. 36-40 (F)

Jon P. Pult: Masters of Louisiana Music. Louis Daniel Armstrong, in: OffBeat, May 2000, p. 206-208 (F)

Werner Burkhardt: Lass den Tanz beginnen! Ein biografischer Salut zu Louis Armstrongs 100. Geburtstag, in: Süddeutsche Zeitung, 21.Jun.2000 (B) [digi.copy]

Kurt S. Weil: 100 Years Louis Armstrong, in: Jazz ‘n’ More, Jun/Jul.2000, p. 52-53 (F)

Wilma Dobie: Year 2000 in Nationwide Tribute to Jazz Genius Louis Armstrong, in: The American Rag, 12/5 (Jun.2000), p. 28 (F)

Ulrich Olshausen: Mit der Blechtröte fing alles an. Dann brach er auf, um sich in die Herzen des Publikums zu trompeten: Louis Armstrong zum Hundertsten, in: Frankfurter Allgemeine Zeitung, 4.Jul.2000, p. 53 (F) [vert.file]

Bill Gottlieb: Reflections on Satchmo, in: Down Beat, 67/7 (Jul.2000), p. 60-61 (short F/photo)

Bruce Morgan: Louis in New Orleans…, in: Jazz Magazine, #506 (Jul/Aug.2000), p. 36-38 (F/I with Steven Teeter of the Louisiana State Museum)

Hans-Jürgen Schaal: Louis Armstrong. Zu früh gefeiert, in: Fono Forum, Jul.2000, p. 85 (F)

Jacques Pescheux: Le centenaire de Louis Armstrong / Louis Armstrong vu par ses collegues, in: Bulletin du HCF, #494 (Jul.2000), p. 1-7 (F)

Lars Weston: Louis, in: Orkester Journalen, 6/7-8 (Jul/Aug.2000), p. 2-8 (F)

Several authors: Pops’ Wisdom. From the Pages of Down Beat, in: Down Beat, 67/7 (Jul.2000), p. 30 (I, reprinted excerpts of interviews)

Harvey Pekar: Armstrong on Record, in: Jazziz, 17/8 (Aug.2000), p. 52, 54, 80 (F)

NN: Louis Armstrong’s Birthday. The Debate Continues, in: OffBeat, Aug.2000, p. 50-51 (F)

NN: What Does Louis Armstrong Mean?, in: OffBeat, Aug.2000, p. 51 (F/I with Kermit Ruffins, James Andrews, Tad Jones)

Peter H. Larsen: Hurra – Armstrong 99 ar, in: Jazz Special, #153 (Aug.2000), p. 26-27, 29 (F)

Steven Bernstein: Armstrong, the Trumpeter, in: Jazziz, 17/8 (Aug.2000), p. 48, 50, 79 (F)

Will Friedwald: Armstrong, the Singer, in: Jazziz, 17/8 (Aug.2000), p. 49-50 (F)

Wilma Dobie: A l’occasion de l’an 2000, un hommage américain à Louis Armstrong, génie du jazz, in: Bulletin du HCF, #495 (Aug/Sep.2000), p. 8-11 (F/short I with Dan Barrett, Kenny Davern, Clark Terry, Bob Wilber, Dick Hyman)

Les Sabina: Satchmo’s ‘Shine’, in: Jazz UK, #34 (Sep/Oct.2000), p. 19 (A/T)

NN: What Does Louis Armstrong Mean?, in: OffBeat, Sep.2000, p. 47 (F/short I with Dirk Powell, Heidi Marie Vestrheim, Greg Dulli, Antonio Gambrell, Derrick Freeman)

Rick Koster: Black Benny Williams. Louis’ Hero, in: OffBeat, Sep.2000, p. 46-47 (F)

John McDonough: Music. Souvenirs of Satchmo, in: The Wall Street Journal, 13.Oct.2000 (F) [digi.copy]

Christopher Porter: JT Notes. The Armstrong Myth, in: Jazz Times, 30/8 (Oct.2000), p. 14 (F)

Doug Ramsey: Louis Armstrong – “The Complete Hot Five & Hot Seven Recordings” (Columbia/Legacy), in: Jazz Times, 30/8 (Oct.2000), p. 77-78 (R)

George Avakian: The First Jazz Reissue Program. The Story Behind the Original Hot Fives & Sevens Reissues – and More, in: Jazz Times, 30/8 (Oct.2000), p. 42-45 (F)

Jack Sohmer: Louis Armstrong – “Satch Plays Fats” (Columbia/Legacy); “Satchmo The Great” (Columbia/Legacy); “Ambassador Satch” (Columbia/Legacy), in: Jazz Times, 30/8 (Oct.2000), p. 78-79 (R)

Jens Jorn Gjedsted: Armstrongs Hot Give & Seven, in: Jazz Special, #54 (Oct/Nov.2000), p. 28-29 (F/R)

Larry Appelbaum: Louis Armstrong & Duke Ellington – “The Great Summit. Complete Sessions” (Roulette Jazz), in: Jazz Times, 30/8 (Oct.2000), p. 79 (R)

Lee Tanner: Louis Armstrong’s Wonderful World, in: Jazz Times, 30/8 (Oct.2000), p. 30-40 (photos by Bob Willoughby, Charles Peterson, Herman Leonard, David Redfern, Milt Hinton, Jack Bradley, Chuck Stewart, Herb Snitzer, Herry Stoll)

Miles Kington: Louis Armstrong. Jazz (Con)fusion, in: BOZ, #71 (Sep/Oct.2000), p. 20-21 (F)

Nat Hentoff: Final Chorus. Louis – Black and Blue and Triumphant, in: Jazz Times, 30/8 (Oct.2000), p. 122 (F); reprint, as: “Louis Armstrong. They Would Beat Jesus If He Was Black and Marched”, in: Nat Hentoff: American Music Is, New York 2004 [book: Da Capo Press], p. 118-125 (F)

NN: What Does Louis Armstrong Mean?, in: OffBeat, Oct.2000, p. 59 (F/short I with John Boutté, Zigaboo Modeliste, Chris Tyle, Duke Heitger)

Thomas Brother: Louis Armstrong at Home, in: Jazz Times, 30/8 (Oct.2000), p. 28-29 (I from ca. 1970)

Frank Ténot: Frankly Speaking. Louis Armstrong, in: Jazz Magazine, #509 (Nov.2000), p. 53 (F)

NN: Louis and Hugh, in: Jazz at Ronnie Scott’s, #127 (Nov/Dec.2000), p. 8 (F: Louis Armstrong, Hugh Masekela)

NN: What Does Louis Armstrong Mean?, in: OffBeat, Nov.2000, p. 59 (F/short I with Sonny Landreth, John Carey, Jeff Treffinger, Brendan Gallagher)

Camille Schlosser: Schöne Weihnachten mit Louis Armstrong, in: Du, #712 (Dec.2000), p. 64-65 (F)

Christopher Porter: Screen Test. Satchmo: Louis Armstrong, in: Jazz Times, 30/10 (Dec.2000), p. 88 (Video-R)

Dan Morgenstern: Eine Rose für Louis. Neckisch, grosszügig, einfühlsam, bescheiden: Louis Armstrong war ein nahbarer Star. Eine Erinnerung, in: Du, #712 (Dec.2000), p. 7-9 (F)

David Ostwald: “Dieses Horn hat keine Vorurteile” – Louis Armstrong. Armstrongs enorme Popularität zwang die Weissen dazu, ihre Ansichten über Schwarze zu überdenken. Er durchbrach in der Szene als erster die Rassenschranken. In seiner Band spielten Weisse und Schwarze zusammen. Und bei Gelegenheit beschimpfte er auch Präsident Roosevelt, in: Du, #712 (Dec.2000), p. 24-25, xlii (F)

Dizzy Gillespie: Das Missverständnis, in: Du, #712 (Dec.2000), p. 33 (short F; excerpt from Gillespie’s autobiography)

Gene Santoro: Die Stimem Amerikas. Ein Hauch Sentimentalität, ein Hauch Subversion: Louis Armstrong ist der Tonmeister des Entertainments in unserm Jahrhundert. Definitiv, in: Du, #712 (Dec.2000), p. 2-6 (F)

Hans-Jürgen Schaal: Chronik von Leben und Werk, in: Du, #712 (Dec.2000), p. 56-63 (F)

Hugues Panassié: Ein Komet in Paris, in: Du, #712 (Dec.2000), p. 28-31 (F)

Ian Carr: Variationen in Vollendung. “Ein Neger, der im Wind stand, sein Kornett hoch erhoben, und die brillantesten Töne hervorbrachte, die ich je gehört hatte. Es war Jazz, es war das, was ich den ganzen Abend schon zu hören erhofft hatte”, sagte Jack Teagarden, nachdem er Armstrong zum ersten Mal auf einem Mississippi-Dampfer zu hören bekam, in: Du, #712 (Dec.2000), p. 38-40 (F)

Julio Cortázar: Louis, ein ganz normales Cronopium, in: Du, #712 (Dec.2000), p. 33-34 (F)

Konrad Heidkamp: Louis in a Free Way. Das Trompetengenie Wynton Marsalis machte Louis Armstrong Anfang der neunziger Jahre erneut zum Star: unüberhörbar war die Tradition wieder in die Konzertsäle und Clubs eingezogen, und der Jazz begann seine eigene Geschichte zu spielen. Jahre vorher jedoch hatten andere schon Armstrong gewürdigt. Lester Bowie zum Beispiel. Auch wenn er nicht unbedingt wie Louis klingt, in: Du, #712 (Dec.2000), p. 50-53 (F/short I with Miles Davis, Ornette Coleman, Nicholas Payton, Wynton Marsalis, Terence Blanchard, Leroy Jones, Wendell Brunious)

Michel Laverdure: Louis le Grand, in: Jazz Magazine, #510 (Dec.2000), p. 22-24 (F)

Reinhard Lorenz: Die Lippenpomade, in: Du, #712 (Dec.2000), p. 54 (F)

Werner Burkhardt: Louis Armstrong. What a Wonderful World, in: Du, #712 (Dec.2000), p. 0-1 (F)

Wolfram Knorr: Der unsichtbare Mann. Ausgerastete Onkel Toms, musikalische Zappelphilipps oder clowneske Entertainer: auf diese Rollen waren die Schwarzen im Kino verwiesen. Auch Louis Armstrong, dessen Songs immerhin zu Klassikern der Filmmusik wurden, konnte das Klischee vom komischen Neger nicht überwinden. Er blieb eine Randfigur im rassistischen Filmgeschäft, in: Du, #712 (Dec.2000), p. 44-49 (F)

Albert Murray: From the Briarpatch File. On Context, Procedure, and American Identity, New York 2001 [book: Pantheon Books], p. 108-130 (B: chapter “Louis Armstrong In His Own Words”)

Batt Johnson: What Is This Thing Called Jazz. Insights and Opinions from the Players, Lincoln/NE 2001 [book: Writer’s Showcase/iUniverse], p. 14-16 (F)

Bill Milkowski: Swing It! An Annotated History of Jive, New York 2001 [books: Billboard Books], p. 24-31 (F)

Charles Suhor: Jazz in New Orleans. The Postwar Years Through 1970, Lanham/MD 2001 [book: Scarecrow Press], p. 43-48 (F: chapter “Honoring Louis Armstrong”)

Dan Morgenstern: Louis and Duke. The Great Summit, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 92-98 (F; originally published as liner notes for “The Great Summit”, Roulette, 2001)

David Chevan: I manoscritti di Louis Armstrong depositati al copyright, in: Stefano Zenni (ed.): Il secolo di Louis Armstrong. Nuovi studi e ricerche nel centenario della nascita (1901-2001), Terni 2001 [book: Luciano Vanni Editore], p. 11-69 (F/T: “I Ain’t Gonna Tell Nobody”; “My Sweet Smelling Man”; “My Sweet Lovin’ Man”; “Coal Cart Blues”; “Cornet Shop Suey”; “Don’t Forget to Mess Around When You’re Doing the Charleston”; “Drop That Sack”; “Gate Mouth”; “Gummy Lowe Blues”; Gut Bucket Blues”; “Heah Me Talkin’ to Ya”; “I am in the Bartrel. Who Don’t Like It?”; “Knockin’ a Jug”; “Muggles”; “Papa What Are You Trying to Do to Me I’ve Been Doing It for Years”; “Tears”; “Weather Bird Rag”; “Weather Bird”; “When You Leave Me Alone to Pine”)

Eric van’t Groenewout: Belg tekent Satchmo. Pretty fly… for a white guy, in: Jazz (Nu), 24/3 (Summer 2001), p. 9 (B: cartoon book about Armstrong’s life)

Frank Marshall Davis: Louis Armstrong, in: Brilliant Corners, 6/1 (Winter 2001), p. 20.21 (poem)

Fred Spencer: The Mailbag. Randy Brooks and Satchmo’s Syndrome, in: IAJC Journal, 34/4 (Fall 2001), p. 11 (letter: Armstrongs lip troubles)

George Avakian: “Satch Plays Fats”. The Unissued Booklet, in: Stefano Zenni (ed.): Il secolo di Louis Armstrong. Nuovi studi e ricerche nel centenario della nascita (1901-2001), Terni 2001 [book: Luciano Vanni Editore], p. 157-173 (F)

Henry Martin & Keith Waters: Jazz. The First 100 Years, Belmont/CA 2001 [book: Wadsworth/Schirmer], p. 69-70 (A: “S.O.L. Blues”)

Horace A. Porter: Jazz Country. Ralph Ellison in America, Iowa City 2001 [book: University of Iowa Press], p. 32-42 (F: chapter “American Masters. Duke Ellington and Louis Armstrong”); p. 42-48 (F: chapter “Mocking Entertainers. Ellison on Louis Armstrong and Charlie Parker”)

Ilse Storb: Jazz und Neue Musik im Unterricht, Münster 2001 [book: LIT Verlag], p. 17-30 (F/A: “Westend Blues”, “Potato Head Blues”)

Joshua Berrett: “West End Blues” Revisited, in: Musica Oggi, #21 (2001), p. 35-41 (F/A)

Lawrence Gushee: Modes of Reception / Influence. The Influence of Louis Armstrong, in: Musica Oggi, #21 (2001), p. 22-28 (F)

Luca Bragalini: Il solismo di Armstrong tra note tenute, ribattute e secondary ragtime. Una zibaldone ri ritmi, in: Stefano Zenni (ed.): Il secolo di Louis Armstrong. Nuovi studi e ricerche nel centenario della nascita (1901-2001), Terni 2001 [book: Luciano Vanni Editore], p. 71-86 (A)

Luca Bragalini: Nel laboratorio ritmico di Louis Armstrong, in: Musica Oggi, #21 (2001), p. 53-60 (F/A)

Luciano Federighi: Lucky Stars & Cold, Cold Hearts. Satchmo, le stagioni pop del cantante, in: Stefano Zenni (ed.): Il secolo di Louis Armstrong. Nuovi studi e ricerche nel centenario della nascita (1901-2001), Terni 2001 [book: Luciano Vanni Editore], p. 117-133 (F)

Luigi Onori: Da Cannibale ad eroe. Louis Armstrong e l’Africa, in: Musica Oggi, #21 (2001), p. 29-34 (F)

Maurizio Franco: “Potato Head Blues”. La nascita del solismo moderno, in: Musica Oggi, #21 (2001), p. 42-52 (A/T)

Michael Cogswell: Preserving the Armstrong Legacy. The Louis Armstrong House and Archives at Queens College, in: Musica Oggi, #21 (2001), p. 74-78 (F)

Nat Hentoff: Louis Armstrong and Reconstruction, in: Nat Hentoff: The Nat Hentoff Reader, New York 2001 [book: Da Capo Press], p. 224-230 (F)

NN: It’s LA Airport for New Orleans, in: The Jazz Rag, #69 (Fall 2001), p. 3 (N)

Riccardo Schwamenthal: Fotografie. Milano 1955, 1959, in: Stefano Zenni (ed.): Il secolo di Louis Armstrong. Nuovi studi e ricerche nel centenario della nascita (1901-2001), Terni 2001 [book: Luciano Vanni Editore], p. 103-116 (photos)

Stefano Zenni (ed.): Il secolo di Louis Armstrong. Nuovi studi e ricerche nel centenario della nascita (1901-2001), Terni 2001 [book: Luciano Vanni Editore] (F); review, by Valerio Prigiotti, in: Jazz Research News, #8 (Aug.2002), p. 374-376 (B)

Stefano Zenni: Dalla tradizione al mainstream. Armstrong interpreta Handy e Waller, in: Stefano Zenni (ed.): Il secolo di Louis Armstrong. Nuovi studi e ricerche nel centenario della nascita (1901-2001), Terni 2001 [book: Luciano Vanni Editore], p. 135-156 (F/A)

Stefano Zenni: Peculliarità stilistiche dell’ultimo Armstrong, in: Musica Oggi, #21 (2001), p. 61-73 (F/A/T: “Hello Dolly”; “Chim Chim Cheer-ee”; “Zip-A-Dee-Doo-Dah”)

Thomas Brothers: Louis Armstrong. The ‘Saints’ and the ‘Boys’, in: Musica Oggi, #21 (2001), p. 5-21 (F)

Vittorio Castelli: Armstrong compositore. La riscoperta degli inediti, in: Stefano Zenni (ed.): Il secolo di Louis Armstrong. Nuovi studi e ricerche nel centenario della nascita (1901-2001), Terni 2001 [book: Luciano Vanni Editore], p. 87-101 (F/T: “Beyond a Shadow of Doubt”; “The Jive Didn’t Come from Kokomo”; “Mr. Jackson from Jacksonville”; “Got What It Takes”; “I Need Your Kind of Lovin'”)

Peggy Schein: Louis Armstrong Is Still King of Queens, in: New York Newsday, 18.Jan.2001 (F: Louis Armstrong House and Archives) [vert.file]

Alfredo Papo: Crónica de cómo el enormísimo. Cronopio Louis Armstrong, in: Cuadernos de Jazz, #62 (Jan/Feb.2001), p. 16-17 (F)

Christian Bellest: Louis For Ever, in: Les Cahiers du Jazz, #1 (Jan.2001), p. 285-288 (F/T: “Sweethearts on Parade”)

Guido Michelone: Armstrng dieci e lode. Appunti, punto per punto, per un centenario. La vita di Armstrong in dieci capitoli, in: Jazzit, 3/2 (Jan/Feb.2001), p. 12-15 (F)

John McDonough: Pops Prevails, in: Down Beat, 68/1 (Jan.2001), p. 40-41 (R: several CDs)

NN: What Does Louis Armstrong Mean?, in: Off Beat, 14/1 (Jan.2001), p. 22 (F/I with Theryl DeClouet, Edward ‘Kidd’ Jordan, James Alsanders) [digi.copy]

Peter Goodman: Satchmo at the Source, in: New York Newsday, Jan.2001 (F: Louis Armstrong Archives) [digi.copy]

Pierre Caillau: L’Armstrong de ma jeunesse, in: Bulletin du HCF, #499 (Jan.2001), p. 45-49 (F)

Vicente Ménsua: Reediciones Louis Armstrong, in: Cuadernos de Jazz, #62 (Jan/Feb.2001), p. 17 (R)

Alfredo Papo: Louis Armstrong a Barcelone, in: Bulletin du HCF, #500 (Feb/Mar.2001), p. 6-7 (F)

Bunny Matthews: March 1, 1949. Louis Armstrong’s Reign as King Zulu, in: Off Beat, 14/2 (Feb.2001), p. 70-71 (F)

Dan Kassell: heirs Swing in Louis Armstrong’s Shadow, in: Jersey Jazz, 29/2 (Feb.2001), p. 10 (C: tribute to Armstrong)

Franz Krieger: Transcription of Louis Armstrong’s “Six Foot Four”, in: Jazz Research News, #2 (Feb.2001), p. 80-83 (T)

Franz Krieger: Transcription of Louis Armstrong’s and Rex Stewart’s “Sugar Foot Stomp”, in: Jazz Research News, #2 (Feb.2001), p. 89-91 (T)

Guido Michelone: Cent’anni di stile, in: Ritmo, #755 (Feb.2001), p. 10-15 (F)

NN: What Does Louis Armstrong Mean?, in: Off Beat, 14/2 (Feb.2001), p. 72 (F/I with Blaine Kern, Jonathan Moffett, Al Johnson, Henri Schindler)

NN: What Does Louis Armstrong Mean?, in: Off Beat, 14/3 (Mar.2001), p. 47 (F/short I with Clyde Kerr, Olu Dara, Mike West, Anthony Del Rosario) [digi.copy]

Leo Wieland: König Louis’ Hundertster zum zweten. New Orleans feiert in diesem Sommer noch einmal Louis Armstrongs Geburtstag, in: Frankfurter Allgemeine Zeitung, 18.Apr.2001 (F) [vert.file]

Charles Suhor: Ignoring Genius. The New Orleans Establishment and Louis Armstrong, in: Mississippi Rag, Apr.2001, p. 25-26, 28-29 (F)

Jim Uhl: Happy Birthday, Louis Armstrong, in: The American Rag, 13/3 (Apr.2001), p. 17-18 (F)

Michel Delakian: West End Blues, in: Jazz Hot, #579 (Apr.2001), p. 25, 27, 29-31, 34, 36 (F/short I with Alain Bouchet, Irvin Mayfield, Louis Smith, Duffy Jackson, Dany Doriz, Kenny Barron, Peter King, Peter Ecklund, Maxine Weldon, Ted Curson, Bob Ferrel, Ralph Peterson, Joe Lee WIlson, Brian Lynch)

NN: What Does Louis Armstrong Mean?, in: Offbeat, Apr.2001, p. 71 (F/short I with Jamil Sharif, Johnny Vidacovich, Tricia Boutté, Mark Mullins)

Phillip D. Atteberry: A Century of Satchmo, in: Mississippi Rag, Apr.2001, p. 1-2, 4-7 (F)

NN: What Does Louis Armstrong Mean?, in: Offbeat, May 2001, p. 73 (F/short I with Artie Shaw, Clive Wilson, Michael P. Smitzh, Jeremy Davenport)

Sim Simons: All About Satchmo. Armstrong uitvoerig gedocumenteerd, in: Jazz’halo, #17 (May 2001), p. 14-15 (F/B: discography by Jos Willems)

Sim Simons: In His Own Words. A two-fingered blip on a portable typewriter, in: Jazz’halo, #17 (May 2001), p. 12-13 (B: “Louis Armstrong In His Own Words”, edited by Thomas Brothers)

Dan Morgenstern: Satchmo and the Critics, in: The Village Voice (Voice Jazz Supplement), 06.Jun.2001, p. 102-103 (F) [digi.copy]; reprint, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 71-75 (F)

David Yaffe: A Development in Depth, in: The Village Voice (Voice Jazz Supplement), 06.Jun.2001, p. 115 (F) [digi.copy]

Eugene Holley Jr.: Armstrong Akwaba (Welcome)!, in: The Village Voice (Voice Jazz Supplement), 06.Jun.2001, p. 108 (F) [digi.copy]

Gary Giddins: Boom! (Louis Armstrong), in: Village Voice, 06.Jun.2001 (F); reprint, in: Gary Giddins: Weather Bird. Jazz at the Dawn of Its Second Century, New York 2004 [book: Oxford University Press], p. 343-348 (F)

Gary Giddins: Louis Armstrong, 1901-1971, in: The Village Voice (Voice Jazz Supplement), 6.Jun.2001, p. 99 (F; introduction to series of essays) [digi.copy]

Gary Giddins: The Once and Future King, in: The Village Voice (Voice Jazz Supplement), 6.Jun.2001, p. 100-101 (F) [digi.copy]

Will Friedwald: The Old Songster, in: The Village Voice (Voice Jazz Supplement), 06.Jun.2001, p. 105, 108 (F) [digi.copy]

Bert Vuijsje: ‘Ain’t nobody played like that since”, in: Doctor Jazz Magazine, #173 (Jun.2001), p. 19-2 (F)

Boy ten Hove: Louis Armstrong, voor altijd “King”, in: Doctor Jazz Magazine, #173 (Jun.2001), p. 10-16 (F)

Hans-Jürgen Schaal: Reibeisen und Dünnblech. Ein Trumpet Summit der besonderen Art, in: Jazz Thing, #39 (Jun/Aug.2001), p. 58 (“virtual I” with Louis Armstring, Miles Davis)

Matt Glasser: Atchmo, The Philosopher, in: The Village Voice (Voice Jazz Supplement), 06.Jun.2001, p. 104 (F) [digi.copy]

NN: What Does Louis Armstrong Mean?, in: Offbeat, Jun.2001, p. 48 (F/I with Peter Holsapple, Susan Cowsill, Arvell Shaw, Joe Muranyi) [digi.copy]

Richard Cook: Reclaiming the Jazz Age. Louis Armstrong, “Tight Like This” (1929), in: Jazz Review (GB), #21 (Jun.2001), p. 22 (short F)

Adam Olschewski: Einer, der liebte. Herr oder Knecht, guter Onkel, Konformist oder Revolutionär. Zum 30. Todestag von Louis Armstrong, in: Frankfurter Rundschau, 6.Jul.2001 (F) [digi.copy]

Frank Donze: N.O. Council Digs Armstrong Airport. New Name Wins Unanimous Nod, in: (New Orleans) Times-Picayune, 6.Jul.2001 (F) [digi.copy]

NN: Airport Named After Louis Armstrong, in: New York Times, 12.Jul.2001 (F) [digi.copy]

NN: We are now approaching Armstrong-airport. Morial signs measure to honor trumpeter, in: (New Orleans) Times-Picayune, 12.Jul.2001 (short F) [digi.copy]

Terry Teachout: A Face of Armstrong, But Not the Image, in: New York Times, 29.Jul.2001 (F) [digi.copy]

NN: Keeping ‘Louis’ in Louisiana. Our indigeous music is constantly touted as a tourist draw, yet when it comes to taking care of our hometown artists, New Orleans still has a long way to go, in: Gambit Weekly, 22/31 (31.Jul.2001), p. 7 (F) [vert.file]

Floyd Levin: Another Birthday Greeting for Satchmo!, in: Jersey Jazz, 29/7 (Jul/Aug.2001), p. 6 (F: plans for New Orleans Airport to be renamed Louis Armstrong New Orleans International Airport)

Floyd Levin: Happy Birthday Louis Armstrong August 4, 2001. Another Birthday Greeting for Satchmo, in: The American Rag, 13/6 (Jul.2001), p. 1 (F)

Floyd Levin: The Night Louis Armstrong Kissed Me! Plus Other Assorted Memories, in: The American Rag, 13/6 (Jul.2001), p. 1, 58 (F)

Floyd Levin: The Night Louis Armstrong Kissed Me! Plus Other Assorted Memories, in: The American Rag, 13/6 (Jul.2001), p. 1, 58 (F)

Giuseppe Barazzetta: Armstrong, parola di testimone, in: Ritmo, #760 (Jul.2001), p. 23-25 (F)

Jason Koransky: On the Beat. Pops’ Opinions, in: Down Beat, 68/7 (Jul.2001), p. 12 (F)

Kurt Michaelis: Satchmos Debüt in Europa, in: Jazz Podium, 50/7-8 (Jul/Aug.2001), p. 34 (F)

Mike Slack: Armstrong’s Birthday. Myths and Movies, in: Mississippi Rag, Jul.2001, p. 6-7 (F)

NN: What Does Louis Armstrong Mean?, in: Offbeat, Jul.2001, p. 59 (F/short I with Jesse Holt, Philip Frazer, Tanio Hingle, Craig Klein, Clyde Kerr Jr.) [digi.copy]

NN: Wie erlebten Sie am 30. November 1934 das erste Armstrong-Konzert in Zürich?, in: Swissjazzorama Jazzletter, #3 (Jul.2001), p. 4-5 (I with Johnny Simmen)

Timme Rosenkrantz: Baron Timme Rosenkrantz Recalls His Friend Louis, in: Jersey Jazz, 29/7 (Jul/Aug.2001), p. 12, 14, 16 (F)

Voktor Rotthaler: Als Pops den Pop erfand. Der Pionier: ein Puzzle zum 100. von Louis “Satchmo” Armstrong, in: Jazz Zeitung, 26/7-8 (Jul/Aug.2001), p. 29-31 (F)

Voktor Rotthaler: Als Pops den Pop erfand. Der Pionier: ein Puzzle zum 100. von Louis “Satchmo” Armstrong, in: Jazz Zeitung, 26/7-8 (Jul/Aug.2001), p. 29-31 (F)

Xavier Prévost: Armstrong (1928). Naissance du classicisme?, in: Jazz Magazine, #517 (Jul/Aug.2001), p.32-33 (F)

Dennis Persica: Happy 100th, Satchmo! On Aug. 4, 1901, Louis Armstrong was born in New Orleans, a city whose praises he sang even when it failed to embrace him, in: (New Orleans) Times-Picayune, 4.Aug.2001 (F) [digi.copy]

Dennis Persica: Horn of Plenty. Pops’ 1st Cornet to Be Auctioned. Sotheby’s to Sell Reliv Over the Web, in: (New Orleans) Times-Picayune, 4.Aug.2001 (F) [digi.copy]

Bruce Eggler: Lost Louis. Its nice that they named the airport after bhim, but most of the signposts of Louis Armstrong’s life in New Orleans have been destroyed, or stand forgotten and neglected, in: (New Orleans) Times-Picayune, 5.Aug.2001 (F) [digi.copy]

Elizabeth Mullener: Sound the Trumpets. Louis Armstrong Airport hopes its new name takes off with a flurry of details and a festive ceremony tonight, in: (New Orleans) Times Picayune, 5.Aug.2001 (F) [digi.copy]

Howard Reich: The Louis Armstrong Tapes. The Thoroughly Human Sides of a Jazz Virtuoso, in: Chicago Tribunte, 5.Aug.2001 (F) [digi.copy]

NN: Armstrong’s Cornet to Be Auctioned, in: New York Times, 20.Aug.2001 (short F) [digi.copy]

Floyd Levin: Bon anniversaire, Satchmo!, in: Bulletin du HCF, #504 (Jul.2001), p. 4-6 (F)

Floyd Levin: Happy Birthday, Dear Satchmo!, in: Jazz Journal, 54/8 (Aug.2001), p. 20 (F)

Hugh Rainey: “Influence and Assimilation in Louis Armstrong’s Cornet and Trumpet Work”, by Edward Brooks, in: Jazz Journal, 54/8 (Aug.2001), p. 16 (B)

John Petters: Louis Armstrong. The World’s Greatest Jazz Vocalist, in: Just Jazz, #40 (Aug.2001), p. 10 (short F)

John Richman: Louis Armstrong – 100 years. Thanks a Million, in: Just Jazz, #40 (Aug.2001), p. 8-9 (F)

John Rickard: ‘The Unknown Satchmo’. A BBC Radio Documentary, in: Just Jazz, #40 (Aug.2001), p. 9 (Film-R)

Ken Rattenbury: The Influential Improvisers. Louis Armstrong: ‘Weather Bird Rag’ (part 1), in: Crescendo & Jazz Music, 38/4 (Aug/Sep.2001), p. 34-35 (A/T); part 2, in: Jazz Music, 38/5 (Oct/Nov.2001), p. 39 (A/T)

Lars Edegran: Keeping Satchmo’s Music Alive. The Armstrong Alumni All Stars. Arvell Shaw and Joe Muranyi Interviewed, in: Offbeat, Aug.2001, p. 45-50 (F/I with Arvell Shaw, Joe Muranyi) [digi.copy]

NN: Louis Armstrong 100 år, in: Jazz Special, #59 (Aug/Sep.2001), p. 10 (F)

NN: What Does Louis Armstrong Mean?, in: Offbeat, Aug.2001, p. 33, 47, 57 (F/short I with Terence Blanchard, Jeremy Davenport, Clyde Kerr Jr., Jamil Sharif, Floyd Soileau, Blaine Kewrn, Al Johnson, Henri Schidler, Olu Dara, Kermit Ruffins, Irvin Mayfield, Chris Tyle, Clive Wilson) [digi.copy]

Richard Cook & Tony Russell & Chris Sheridan & Ronald Atkins & Philip Clark & John Truitt: A Century of Louis Armstrong, in: Jazz Review (GB), #23 (Aug.2001), p. 22-27 (F)

Anna Whitney: For sale, the cornet that opened the wonderful world of Louis Armstrong, in: Independent (London), 6.Sep.2001 (F) [digi.copy]

Bep Vonk: First Love, in: Doctor Jazz Magazine, #174 (Sep.2001), p. 15 (poem)

Herman Openeer: Louis Armstrong en de “Southern Serenaders”, in: Doctor Jazz Magazine, #174 (Sep.2001), p. 12-14 (F/D)

Wilma Dobie: Costa Mesa Festival Celebrates Armstrong’s Old and New Birthdays, in: Cobi’s Music News, Sep.2001, p. 8-9 (C)

Wolfgang Sandner: Die Tröte, auf der Satchmo spielen lernte: 120000 $. Louis Armstrongs Kornett wird im Internet versteigert, in: Frankfurter Allgemeine Zeitung, 7.Oct.2001 (F) [vert.file]

Jack Thimm: Trompetisterne – okulslaeberens krystal, in: Jazz Special, #60 (Oct/Nov.2001), p. 18-24, 26-28 (F/I with Kasper Traberg, Henrik Bolberg, Palle Mikkelborg, Ole Stolle, Theis Jensen, Ib K. Olsen)

Maxim Saury: Hommage. Merci Louis, in: Bulletin du HCF, #506 (Oct.2001), p. 5-6 (F)

Charles Kinzer: Louis Armstrong Symposium at the Carolina Jazz Festival 2001, in: Jazz Research News, #5 (Nov.2001), p. 210-211 (conference report)

Joe H. Klee: Louis Armstrong. His Legacy Lives at Queens College, in: Mississippi Rag, Nov.2001, p. 1-2, 4 (F)

Olivier Kociubinska: Louis Armstrong. The complete Hot five and Hot seven recordings, in: Jazz Notes, #66 (Dec.2001), p. 42-43 (F/R)

Richard Knight: Louis and Bix, in: Jazz Journal, 54/12 (Dec.2001), p. 10-11 (F)

A. Yemisi Jimoh: Spiritual, Blues, and Jazz People in African American Fiction. Living in Paradox, Knoxville/TN 2002 [book: University of Tennessee Press], passim (F)

Alain Gerber: Louie, Paris 2002 [book: Fayard] (F: novel)

Alfred Appel Jr.: Jazz Modernism. From Ellington and Armstrong to Matisse and Joyce, New Haven 2002 [book: Yale University Press], passim (F)

Brent Edwards: Louis Armstrong and the Syntax of Scat, in: Critical Inquiry, 28/3 (Spring 2002), p. 618-649 (F/A) [digi.copy]

Brent Hayes Edwards: Louis Armstrong and the Syntax of Scat, in: Critical Inquiry, 28/3 (Spring 2002), p. 618-649 (F)

Dave Oliphant: The Early Swing Era, 1930 to 1941, Westport/CT 2002 [book: Greenwood Press], p. 147-156, 249-251 (F)

David A. Jasen & Gene Jones: Black Bottom Stomp. Eight Masters of Ragtime and Early Jazz, New York 2002 [book: Routledge], p. 180-239 (F: chapter “Louis Armstrong”)

Edward Brooks: The Young Louis Armstrong on Records. A Critical Survey of the Early Recordings, 1923-1928, Lanham/MD 2002 [book: Scarecrow Press] (F/A); review, by Randy Sandke, in: Annual Review of Jazz Studies, #12 (2002), p. 205-212 (B) [digi.copy]; review, by Wilma Dobie, in: Jazz Notes, 14/1 (2003), p. 16-18 (B); review, by Christopher Hillman, in: New Orleans Music (Footnote), 10/6 (Jun.2003), p. 20-21 (B); review, by Graham Colombé, in: Jazz Journal, 56/7 (Jul.2003), p. 11 (B)

Geoffrey L. Collier & James Lincoln Collier: A Study of Timing in Two Louis Armstrong Solos, in: Music Perception, 19/3 (Spring 2002), p. 463-483 (F/A/T: “Chop Suey”, “Hot Potato Blues”) [digi.copy]

James L. Dickerson: Just for a Thrill. Lil Hardin Armstrong, First Lady of Jazz, New York 2002 [book: Cooper Square Press], passim (F)

Jenny Ziefel: A Living Instrument. The Clarinet in Jazz in the 1950s and 1960s, Seattle 2002 [PhD thesis: University of Washington], p. 191-192 (F) [digi.copy]

John Chilton: Roy Eldridge. Little Jazz Giant, London/New York 2002 [book: Continuum], passim (F)

Kathryn Irene Reid: An Exploration of the Lineage of Jazz Vocal Improvisation Through the Analysis of Representative Solos by Louis Armstrong, Ella Fitzgerald, Jon Hendricks, Mark Murphy, Kevin Mahogany, and Kurt Elling, Coral Gables/FL 2002 [PhD thesis: University of Miami], passim; especially p. 11-27 (F/A/T: “Hotter Than That”) [digi.copy]

Lisa E. Davenport: Jazz, Race, and American Cultural Exchange. An International Study of U.S. Cultural Diplomacy, 1954-1968, Washington, DC 2002 [PhD thesis: Georgetown University], passim (F) [digi.copy]

Niyi Osundared: Remembering Satchmo, in: Glendora. African Quarterly on the Arts, 3/3-4 (2002), p. 7-9 (F) [digi.copy]

Paige Van Vorst: Bunk & Louis, in: Jazz Beat, 13/3-4 (Winter/Spring 2002), p. 3-4 (F)

Jorgen Siegumfeldt: Mig og Armstrong, in: Jazz Special, #62 (Feb/Mar.2002), p. 32-35 (F: Armstrong in Denmark 1952)

Thorsten Meyer: “A Tribute to Louis Armstrong”. Polizeiorchester Hamburg, in: Jazz Podium, 51/2 (Feb.2002), p. 27 (F/R: tribute CD)

NN: Museum Displays Armstrong’s Trumpet, in: New York Times, 28.Mar.2002 (short F) [digi.copy]

Marcus A. Woelfle: Musiker-ABC. Louis Armstrong, in: Jazz Zeitung, 27/3 (Mar.2002), p. 10 (short F)

John Richman: Copyin’ Louis, in: Just Jazz, #49 (May 2002), p. 9 (F)

NN: A Blast from Jazz’s past in Special Jazz Legends Auction. Louis Armstrong’s Boyhood Cornet the instrument on which he learned to play, in: The American Rag, 14/6 (Jun.2002), p. 21 (F)

Phil Schaap: Bechet & Armstron Together, 1924-25, part II, in: The Bechet Quarterly, 5/2 (Jun.2002), p. 1, 3-4 (F)

Wilma Dobie: Swing with Jazz. July 4th to Celebrate Louis Armstrong, in: The American Rag, 14/6 (Jun.2002), p. 7 (F)

Jim Godbolt: Satchmo the Great! Jim Godbolt commemorates the 70th anniversary of Louis Armstrong’s first visit to the UK – July 1932, in: Jazz at Ronnie Scott’s, #137 (Jul/Aug.2002), p. 20 (F)

Stuart Nicholson: The way it is. Putting the world to rights. The king and I. The first and greatest soloist and improviser in jazz, Louis Armstrong, nonetheless, has been misrepresented in jazz history, says Stuart Nicholson. Was he really the greatest thing in jazz?, in: Jazzwise, #55 (Jul.2002), p. 13 (F)

Geraldine Wyckoff: Jazzin’. Jazz & Street Beats. Stanley Crouch On Louis Armstrong, in: Off Beat, Aug.2002, p. 24-25 (F/I with Stanley Crouch)

NN:Satchmo SummerFest. Your Official Guide to the Tribute Celebration, in: Off Beat, Aug.2002, p. 31-35 (conference plan)

Werner Burkhardt: Der Heilige Satchmo marschiert. Dem großen Musiker Louis Armstrong zum (fast) Hundertsten, in: Süddeutsche Zeitung, 8./9.Jul.2000 (F); reprint, in: Werner Burkhardt: Klänge, Zeiten, Musikanten. Ein halbes Jahrhundert Jazz, Blues und Rock, Waakirchen 2002 [book: Oreos], p. 25-34 (F)

Giuseppe Barazzetta: Anatomia d’un mito, in: Ritmo, #772 (Sep.2002), p. 34-37 (F)

Michel Laplace: “Louis Armstrong. His life, his music, his recordings”, by Abbie Hübner, in: Jazz Hot, #593 (Sep.2002), supplement, p. 3 (B)

Michel Laverdure: Dans le peau de Louis Armstrong, in: Jazz Magazine, #532 (Dec.2002), p. 6 (B: “Louie”, by Alain Gerber)

Ate van Delden: Savoyager’s Stomp – The Louis Arstrong / Carroll Dickerson Odeons, in: VJM’s Jazz and Blues Mart, #131 (Fall 2003), p. 8-10 (F)

Brian Harker: Louis Armstrong and the Clarinet, in: American Music, 21/2 (Summer 2003), p. 137-158 (F/A/T: excerpts from “Chimes Blues”, “Cornet Shop Suey”, “Tears”, “Go ‘Long Mule”, “Shanghai Shuffle”, “Dippermouth Blues”, “Tell Me, Dreamy Eyes”, “Words”, “Naughty Man”, “I Miss My Swiss”, “Froggie Moore”, “Weatherbird Rag”)

David Bradbury: Armstrong, London 2003 [book: Haus Publishing] (F); review, by Ron Simpson, in: The Jazz Rag, #79 (winter 2003), p. 33 (B); review, by Richard Cook, in: Jazz Review, #52 (Jan.2004), p. 9 (B); review, by Peter Vacher, in: Jazz UK, #55 (Feb.2004), p. 21 (B)

Eddie S. Meadows: Bebop to Cool. Context, Ideology, and Musical Identity, Westport/CT 2003 [book: Praeger], passim (F)

Finn Slumstrup: Gyldendals bog om jazz, Copenhagen 2003 [book: Gyldendal], p. 233-234 (F: short biography)

Gary Giddins: Hot (Louis Armstrong), in: Louis Armstrong. The Complete Hot Five & Hot Seven Recordings [liner notes: Columbia/Legacy], 2003 (F); reprint, in: Gary Giddins: Weather Bird. Jazz at the Dawn of Its Second Century, New York 2004 [book: Oxford University Press], p. 525-540 (F)

George Wein & Nate Chinen: Myself Among Others. A Life in Music, New York 2003 [book: Da Capo], passim (F)

Horst H.P. Bergmeyer & Rainer E. Lotz: Live from the Cotton Club, Hambergen 2003 [book / record booklet: Bear Family Records], p. 107-110 (F); German translation (F) [digi.copy]

Joel Dinerstein: Swinging the Machine. Modernity, Technology, and African American Culture between the World Wars, Amherst 2003 [book: University of Massachusetts Press], passim (F)

John Latham: Louis in Birmingham. Forty years on John Latham looks back on a memorable evening and poses questions about the importance of spontaneity in jazz…, in: The Jazz Rag, #75 (Spring 2003), p. 17 (F)

Mark K. Dolan: Cathartic Uplift. A Cultural History of Blues and Jazz in the Chicago Defender, 1920-1929, Columbia/SC 2003 [PhD thesis: The University of South Carolina], p. 110-147 (F: chapter “Unwitting Accomplice. Defender Music Critic Dave Peyton and Uplift, 1925-1930”) [digi.copy]

Max Hediguer: Conceptualisation et esthétique de l’improvisation dans le jazz. Ses relations avec les systèmes musicaux, les dénominations, les nomenclatures et les notations harmoniques ou mélodiques en usage, Lille 2003 [book: Diffusion Arnt], p. annex, p. xli-xliv (T: “West End Blues”)

Michael Cogswell: Louis Armstrong. The Offstage Story of Satchmo, Portland/OR 2003 [book: Collectors Press] (F/I); review, by Christopher Loudon, in: Jazz Times, 33/10 (Dec.2003), p. 132-133 (B); review, by Jacques Canérot, in: Bulletin du HCF, #533 (Jun.2004), p. 29-30 (B); review, by Jim Farrington, in: ARSC Journal, 36/1 (Spring 2005), p. 59-60 (B)

Russ Shor: Brunswick-Vocalion Series. Louis as Guest Star, in: VJM’s Jazz & Blues Mart, #132 (Winter 2003), p. 23-24 (D)

Theo Bachteler: Sensation. Der Jazz wurde doch tatsächlich in Schnait erfunden. Ein Gästebucheintrag beweist es: Louis Armstrongs Vater kommt aus dem remstal, in: Waibklinger Kreiszeitung, 1.Apr.2003 (F: april fools day joke) [digi.copy]

Gary Giddins: Weatherbird. Satchuated. Running Down the Rabbit Hole at the Louis Armstrong Archive, in: Village Voice, 16.Apr.2003 (F) [digi.copy]; reprint, in: Gary Giddins: Weather Bird. Jazz at the Dawn of Its Second Century, New York 2004 [book: Oxford University Press], p. 554-558 (F)

Jerry Stanton: King Louis the 1st of New Orleans. Souvenirs of Satch, in: Just Jazz, #60 (Apr.2003), p. 32-34 (F)

NN: Satchmo-Tage mit Armstrongs erstem Kornett, in: Clarino.print, Jul/Aug.2003, p. 13 (short F)

Sheila Stroup: A thank you in memory of Satchmo, in: New Orleans Times-Picayune, 5.Aug.2003 (F: Japanese fans donate instruments to New Orleans marching band in memory to Armstrong) [digi.copy]

Bunny Matthews: John Scott. “Black & White”. “I’ve been wanting to do a tribute to Louis Armstrong for almost 30 years”, in: Off Beat, Aug.2003, p. 45-46 (F)

Bunny Matthews: Satchmo Spotlight. The Louis Armstrong Home, Queens, NY, in: Off Beat, Aug.2003, p. 50-51 (F/I)

Floyd Levin: “Happy Birthday, Dear Satchmo!”, in: The American Rag, 15/7 (Aug.2003), p. 29, 50 (F)

David W. Dunlap: For a King, a Castle in Queens, in: New York Times, 9.Oct.2003 (F: Louis Armstrong House) [digi.copy]

John Leland: Live from Satchmo’s Den, in: New York Times, 9.Oct.2003 (F: Louis Armstrong House) [digi.copy]

Ben Ratliff: Trumpets, Diaries and Cocktail Jiggers, in: New York Times, 15.Oct.2003 (F: Louis Armstrong House) [digi.copy]

Lynne Duke: Louis Armstrong, The Jazzman Next Door, in: Washington Post, 29.Oct.2003 (F: Louis Armstrong House) [digi.copy]

Jordan Mejias: Ein großes Haus mit einem feinen Cadillac. Historischer Wallfahrtsort: Lucille und Louis Armstrong laden wieder Gäste nach Queens ein, in: Frankfurter Allgemeine Zeitung, 4.Nov.2003, p. 40 (F: Louis Armstrong House) [digi.copy]

NN: Armstrong hemma. Nu är möjlikz att titta in i Louis Armstrong Hus, 35 minuters tågresa från Manhattan, in: Orkester Journalen, 71/11 (Nov.2003), p. 16-17 (F)

NN: Further Reading, in: [unknown source], Nov.2003 (F: survey of literature on Louis Armstrong) [digi.copy]

Susan Ruel: Satchmo’s House Opens as a Museum, in: Down Beat, 70/11 (Nov.2003), p. 22 (F)

Joe H. Klee: New York News, in: Mississippi Rag, Dec.2003, p. 10 (F: Louis Armstrong House & Archive)

Jörgen Östberg: På scen. Ljumt toppmöte. Trumpet Summit Band: Salute to Louis Armstrong, in: Orkester Journalen, 71/12 (Dec.2003), p. 23 (C: tribute to Louis Armstrong)

Nat Hentoff: Final Chorus. Armstrong House, Alive and Well, in: Jazz Times, 33/10 (Dec.2003), p. 142 (F); reprint, as: “Louis Armstrong. Don’t Let Anybody Tell You Louis Is Dead!”, in: Nat Hentoff: American Music Is, New York 2004 [book: Da Capo Press], p. 118-125 (F: chapter), p. 126-129 (F)

Adriano Mazzoletti: Il jazz in Italia. Dalle origini alle grandi orchestre, Torino 2004 [book: EDT], p. 273-276 (F: chapter “Louis Armstrong a Torino”)

Bernhard Behncke: Louis Armstrong’s Hot Five. A Photographic Mystery Solved?, in: VJM’s Jazz & Blues Mart, #135 (Fall 2004), p. 12 (F)

Charles Hiroshi Garrett: “Louis Armstrong. The Complete Hot Five and Hot Seven Recordings” (Columbia/Legacy), in: American Music, 22/2 (Summer 2004), p. 331-337 (R)

Duncan Schiedt: Jazz in Black & White. The Photographs of Duncan Schiedt, Bloomington/IN 2004 [book: Indiana University Press], p. 2-5 (F/photos)

Gene Santoro: Highway 61 Revisited. The Tangled Roots of American Jazz, Blues, Rock & Country Music, New York 2004 [book: Oxford University Press], p. 7-16 (F; chapter “Louis Armstrong”)

Jean Pierre Lion: Bix. Bix Beiderbecke, une biographie, Paris 2004 [book: Outre Mesure], passim (F)

John Newton: Jazz – With Personality on 78. Louis Armstrong on Film. This is the second in a series about “personality” recordings that incorporate jazz, either as an accompaniment or as an integral part of the recording, in: VJM’s Jazz & Blues Mart, #134 (Summer 2004), p. 4-5 (F)

Jorge Daniel Veneciano: louis Armstrong, Bricolage, and the Aesthetics of Swing, in: Robert G. O’Meally & Brent Hayes Edwards & Farah Jasmine Griffin (eds.): Uptown Conversation. The New Jazz Studies, New York 2004 [book: Columbia University Press], p. 256-277 (F: about material found the the Louis Armstrong Collection)

Joshua Berrett: Louis Armstrong & Paul Whiteman. Two Kings of Jazz, New Haven 2004 [book: Yale University Press], passim (F); review, by Joe Lang, in: Jersey Jazz, Dec.2004, p. 11 (B); review, by Stuart Nicholson, in: Jazz Times, 36/1 (Feb.2006), p. 127-128 (B)

Kavin Fontenot: “Dig This Mayor”. An Unpublished Louis Armstrong Letter, in: The Jazz Archivist, 18 (2004), p. 19-21 (F/”I”) [digi.copy]

Krin Gabbard: “Paris Blues”. Ellington, Armstrong, and Saying It with Music, in: Robert G. O’Meally & Brent Hayes Edwards & Farah Jasmine Griffin (eds.): Uptown Conversation. The New Jazz Studies, New York 2004 [book: Columbia University Press], p. 297-311 (F)

Michael Meckna: Satchmo. The Louis Armstrong Encyclopedia, Westport/CT 2004 [book: Greenwood Press], passim (F) [digi.copy]; review, by Jim Farrington, in: ARSC Journal, 36/1 (Spring 2005), p. 59-60 (B); review, by Paul Carr, in: Popular Music, 24/2 (May 2005), p.304-305 (B)

NN: several articles, in: The Dippermouth News, 5/1-2 (Fall 2004/Spring 2005), p. 1-8 (F)

Norman David: The Ella Fitzgerald Companion, Westport/CT 2004 [book: Praeger], p. 18-30 (F/A)

Penny M. von Eschen: Satchmo Blows Up the World. Jazz Ambassadors Play the Cold War, Cambridge/MA 2004 [book: Harvard University Press], passim (F), especially p. 58-91 (F: chapter “The Real Ambassador”)

Penny M. von Eschen: The Real Ambassadors, in: Robert G. O’Meally & Brent Hayes Edwards & Farah Jasmine Griffin (eds.): Uptown Conversation. The New Jazz Studies, New York 2004 [book: Columbia University Press], p. 189-203 (F)

Robert G. O’Meally: Checking our balances. Louis Armstrong, Ralph Ellison, and Betty Boop, in: The Source, #1 (2004), p. 43-58 (F)

Robert G. O’Meally: Checking Out Balances. Louis Armstrong, Ralph Ellison, and Betty Boop, in: Robert G. O’Meally & Brent Hayes Edwards & Farah Jasmine Griffin (eds.): Uptown Conversation. The New Jazz Studies, New York 2004 [book: Columbia University Press], p. 278-296 (F)

Robert M. Bennett: An Examination of the Lineage of the Sweet Trumpet Solo Style from Bix Beiderbecke, Through Five Important Jazz Trumpet Soloists, Long Beach 2004 [MA thesis: California State University], p. 9-12 (F: chapter “Louis Armstrong and Bix Beiderbecke”) [digi.copy]

Scott Allen Nollen: Louis Armstrong. The Life, Music and Screen Career, Jefferson/NC 2004 [book: McFarland] (F)

Jim Love: At Home with Pops. Jim Love was there for Jazz Review when Louis Armstrong’s home in New York was officially opened to the public, in: Jazz Review, #52 (Jan.2004), p. 26-27 (F)

Al Vollmer: Louis Armstrong House. Opening Day Celebration and Ribbon-Cutting, Wednesday, October 15, 2003, in: New Orleans Music, 11/4 (Jun.2004), p. 17-23 (F)

Aaron Cohen: Clark Terry on Louis Armstrong, in: Down Beat, 71/7 (Jul.2004), p. 51 (F) [digi.copy]

John Ephland: Harry Connick Jr. on Louis Armstrong, in: Down Beat, 71/7 (Jul.2004), p. 77 (F) [digi.copy]

Lynn Jensen: Satchmo Fest lecture hits a sour note. Foundation officials may pull financing after controversial talk, in: New Orleans Times-Picayune, 17.Aug.2004 (F: lecture by Bruce Raeburn about Louis Armstrong and women) [digi.copy]

James Gill: Trumpeting Armstrong’s darker side, in: New Orleans Times-Picayune, 22.Aug.2004 (F: lecture by Bruce Raeburn about Louis Armstrong and women) [digi.copy]

NN: Satchmo SummerFest, in: Off Beat, Aug.2004, p. 17-20 (festival and conference schedule)

Floyd Levin: A Sentimental Journey – July 1971, in: Jersey Jazz, Sep.2004, p. 32-33 (F: Armstrong’s funeral)

David Pulizzi: Coda. “Without him, there’s no us”, in: Jazziz, 21/10 (Oct.2004), p. 82 (F/short I with Endré Rice, Scotty Barnhart)

Manfred Straka: Indentification of Soloists. Louis Armstrong Ensembles, in: Jazz Research News, #15 (Nov.2004), p. 732-742 (F)

NN: Vote Swing! Jazz Meets The President In Down Beat’s Archives, in: Down Beat, 71/11 (Nov.2004), p. 60-61 (F: Dizzy Gillespie 1964, Louis Armstrong 1957, Richard Nixon 1969, Jimmy Carter 1978, Bill Clinton 1993)

Bernhard H. Behncke: Louis Armstrong’s Hot Five 1926, in: Swinging Hamburg Journal, 4/12 (2005), p. 30-33 (F/photos) [digi.copy]

Bill Crow: Jazz Anecdotes. Second Time Around, New York 2005 [book: Oxford University Press], p. 233-243 (F: collection of anecdotes)

Bruce Evan Barnhart: The Novel in the Time of Jazz. Race and Temporality in the Teens and Twenties, Irvine/CA 2005 [PhD thesis: University of California], p. 239-260 (F: chapter “Vibrato and the Vibration of Time in “St. Louis Blues”) [digi.copy]

Donald L. Maggin: Dizzy. The Life and Times of John Birks Gillespie, New York 2005 [book: Harper Collins], passim (F)

Frank Driggs & Chuck Haddix: Kansas City Jazz. From Ragtime to Bebop – A History, New York 2005 [book: Oxford University Press], passim (F)

Friedel Keim: Das große Buch der Trompete. Instrument, Geschichte, Trompeterlexikon, Mainz 2005 [book: Schott], p. 87-88 (F)

Gary Giddins: Pops and Pops (Louis Armstrong & Paul Whiteman. Two Kings of Jazz), in: Brilliant Corners, summer 2005 (B); reprint, in: Gary Giddins: Natural Selection. Gary Giddins on Comedy, Film, Music, and Books, New York 2006 [book: Oxford University Press], p. 352-357 (B)

Jean Pierre Lion: Bix. The Definitive Biography of a Jazz Legend, New York 2005 [book: continuum], passim (F)

Jeffrey Magee: The Uncrowned King of Swing. Fletcher Henderson and Big Band Jazz, New York 2005 [book: Oxford University Press], passim (F)

Jim Godbolt: A History of Jazz in Britain, 1919-50, London 2005 [book: Northway Publications], passim (F)

Joachim-Ernst Berendt (& Günther Huesmann): Das Jazzbuch. Von New Orleans bis ins 21. Jahrhundert, Frankfurt am Main 2005 [book: S. Fischer], p. 96-106 (F)

Louis Armstrong: Satchmo, in: IAJRC Journal, 37/3-4 (Fall 2005), p. 33-34 (“I”: letter to trumpeter John Best, dated March 1st, 1942)

Luvenia A. George & David N. Baker: Louis Armstrong Education Kit, Washington, DC 2005 [book: Smithsonian National Museum of American History], passim (F/A)

NN: Louis Armstrong 1952 zum ersten Mal auf Deutschland-Tournee, in: Swinging Hamburg Journal, 4/12 (2005), p. 24-28 (F: historic concert reviews) [digi.copy]

Preston Jackson & Laurie Wright: Trombone Man. Preston Jackson’s Story, Chigwell, Essex 2005 [book: Laurie Wright], passim (F), especially p. 95-119 (F)

Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 2005 [book: Reclam], p. 14-15 (R: “The Complete Hot Five & Hot Seven Recordings”, Columbia); reprint, in: Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 4/2011 [book: Reclam], p. 16-18 (R)

Roger Guérin: Roger Guérin. Une vie dans le jazz, Aubais/France 2005 [book: Mémoire d’Oc Éditions], p. 38 (short F: “Paris Blues”)

Ron Brown & Digby Fairweather: Nat Gonella. A Life in Jazz, London 2005 [book: Northway Publications], passim (F)

Scotty Barnhart: The World of Jazz Trumpet. A Comprehensive History & Practice Philosophy, Milwaukee 2005 [book: Hal Leonard], p. xxiii (T: excerpt from “Blues in the South”); p. 23-38 (F/T: chapter “Louis Armstrong. The Most Important Jazz Trumpeter”; excerpt from “West End Blues”); p. 81-85 (F/I with Arvell Shaw; chapter “Arvell Shaw on Louis Armstrong. ‘You cannot fool an audience'”)

William Howland Kenney: Jazz On the River, Chicago 2005 [book: University of Chicago Press], p. 64-87 (F: chapter “Groovin’ on the River. Louis Armstrong and Riverboat Culture”)

Wolfram Knauer: Louis Armstrong, in: Peter Niklas Wilson (ed.): Jazz Klassiker, Stuttgart 2005 [book: Reclam], p. 56-72 (F)

Carolyn Appel: Satchmo’s Legacy Lives On. The Louis Armstrong Educational Foundation, Inc., in: Jazz Education Journal, 37/4 (Feb.2005), p. C17-C18 (F)

Birgit Ahlert: Vor 40 Jahren spielte “Satchmo” ein Konzert in Magdeburg. Robert Eiling erinnert sich: “Den Abend mit Armstrong werde ich nie vergessen!”, in: Volksstimme Magdeburg, 9.Apr.2005 (F) [digi.copy]

Jos Willems: [“Hey Carl…”], in: personal e-mail to Carl A. Hällström, 17.Apr.2005 (F: about publication of Jos Willems’ “All of Me. The Complete Musical Legacy of Louis Armstrong” through Scarecrow Press”) [digi.copy] {confidential; internal use only}

Jos Willems: Dear Wolfram…, in: [letter], 17.Apr.2005 (F: announcement of the publication of “All of Me – The Complete Musical Legacy of Louis Armstrong”, in: [letter], 17.Apr.2005 (F: letter) [digi.copy]

John Janowiak: Stars Allign. 25 Great Moments in Jazz Festival History. Dave Brubeck, Louis Armstrong et al., ‘The Real Ambassadors’, Monterey Jazz Festival, 1962, in: Down Beat, 72/5 (May 2005), p. 98 (F) [digi.copy]

Björn Englund: The Louis Armstrong 1932 LP, in: Names & Numbers, #34 (Jul.2005), p. 31 (F)

Scott Yanow: “Louis Armstrong and his Friends” (Storyville), in: Coda, #322 (Jul/Aug.2005), p. 37 (R)

Michael Jastroch: In Search of Armstrong’s New Orleans. Michael Jastroch interviews Armstrong historian Tad Jones, in: Off Beat, Aug.2005, p. 46-49 (F)

Ate van Delden: Louis Armstrong’s Hot Five op Europese Odeon in de jaren twintig, in: Doctor Jazz Magazine, #190 (Sep.2005), p. 49 (F) [digi.copy]

Christopher Loudon: Louis Armstrong – “Blueberry Hill” (Milan), in: Jazz Times, 35/7 (Sep.2005), p. 113 (R)

Björn Englund: A Case of Mistaken Identity, in: Names & Numbers, #35 (Oct.2005), p. 1 (F: about Armstrong’s Stockholm concert in October 1933)

Doug Ramsey: Louis Armstrong – “In Scandinavia Vol. 1 & Vol. 2” (Storyville), in: Jazz Times, 35/8 (Oct.2005), p. 90 (R)

Fred Gérard: Lips troubles. Petit essai retrospective sur les problemes de “levres” de Louis Armstrong, in: Bulletin du HCF, #546 (Oct.2005), p. 11-14 (F)

Georg Waßmuth: Die Louis-Armstrong-Story. Vom Mississippi-Dapfer bis zum Weltruhm, in: Clarino.print, 3/11 (Nov.2005), p. 28-32 (F)

Gunnar Lindén: På scen. Vilken spelglädje! Satchmo Jubilee Tour 1955-2005, in: Orkester Journalen, 73/11 (Nov.2005), p. 17 (C: tribute concert)

Nat Hentoff: Music. The Healing Power of Jazz, in: The Wall Street Journal, 29.Dec.2005 (F: Louis Armstrong Educational Fund) [digi.copy]

Laurens Herzdahl: Louis Armstrong’s Hot Five op Europese Odeon in de jaren twintig, in: Doctor Jazz Magazine, #191 (Dec.2005), p. 47 (D) [digi.copy]

Andrea Georgia Marina Franzius: Soul Call. Music, Race, and the Creation of American Cultural Policy, 1920-1966, Durham/NC 2006 [PhD thesis: Duke University], passim; especially p. 17-90 (F: chapter “African American Music at the Crossroads of Politics. Of Tricksters and Devils”); p. 400-496 (F: chapter “‘Why Should the Devil Have All the Good Tunes?’ – The Meaning of Music and Race in the Cultural Cold War”) [digi.copy]

Ate van Delden: Boy ten Hove’s Caricatures. Drawings of Jazz Musicians, 1935-1940, Amsterdam 2006 [book: Aprilis], p. 8-15 (F/drawings)

Catherine Pasonage: The Evolution of Jazz in Britain, 1880-1935, Aldershot 2005 [book: Ashgate], p. 221-260 (F: chapter “Louis Armstrong and Duke Ellington”)

David P. Brown: Noise Orders. Jazz, Improvisation, and Architecture, Minneapolis 2006 [book: University of Minnesota Press], p. 61-88 (F: chapter “Now’s the Time. Temporalities of Louis Armstrong and Le Corbusier”)

David Yaffe: Fascinating Rhythm. Reading Jazz in American Writing, Princeton 2006 [book: Princeton University Press], passim (F)

Dunstan Prial: The Producer. John Hammond and the Soul of American Music, New York 2006 [book: Farrar, Straus and Giroux], passim (F)

Hans Herder: “Pioneers of Jazz. Louis Armstrong 1925” (Coral); “Pioneers of Jazz. Louis Armstrong 1927” (Coral), in: Swinging Hamburg Journal, 5/17 (2006), p. 14-16 (F: original liner notes) [digi.copy]

John Gennari: Blowin’ Hot and Cool. Jazz and Its Critics, Chicago 2006 [book: University of Chicago Press], passim (F: and the critics)

Jos Willems: The Complete Discography of Louis Armstrong, Lanham/MD 2006 [book: Scarecrow Press] (D); review, by Perry Huntoon, in: IAJRC Journal, 39/4 (Dec.2006), p. 101-102 (B)

Matt Sakakeeny: Louis Armstrong. Potato Head Blues, in: Columbia Jazz Resources , 2006 (F/A) [digi.copy]

NN: Louis Armstrong. West End Blues, in: Columbia Jazz Resources , 2006 (F/A) [digi.copy]

Pannonica de Koenigswarter: Les Musiciens de jazz et leurs trois voeux, Paris 2006 [book: Buchet/Chastel; German translation as: “Die Jazzmusiker und ihre drei Wünsche”, Stuttgart 2007: Reclam; English translation (original language) as: “Three Wishes. An Intimate Look at Jazz Greats”, New York 2008: Abrams Image], p. 178-179 (short I)

Peter Richmond: Fever. The Life and Music of Miss Peggy Lee, New York 2006 [book: Henry Holt], passim (F)

Roberto Pollillo & Arrigo Polillo: Swing, Bop & Free. Il jazz degli anni ’60, Milano 2006 [book: Polillo Editore], p. 72-77, 265-267 (short F/photos)

Stanley Crouch: Considering Genius. Writings on Jazz, New York 2006 [book: Basic Civitas Books], p. 77-82 (F: chapter “Papa Dip. Crescent City Conquistador and Sacrificial Hero”)

Thomas Brothers: Louis Armstrong’s New Orleans, New York 2006 [book: Norton] (F); review, by Brian Priestley, in: Jazzwise, #99 (Jul.2006), p. 66 (B); review, by Harvey Siders, in: Jazz Times, 36/6 (Aug.2006), p. 133 (B); review, by Yoshi Kato, in: Down Beat, 73/8 (Aug.2006), p. 76 (B); review, b< Charles Suhor, in: Jazz Notes, 17/4 (Dec.2006), p. 13-14 (B)

David French: Bradley Collection Displays Satchmo Treasures, in: Down Beat, 73/2 (Feb.2006), p. 14 (F: Jack Bradley collection acquired by Louis Armstrong House) [digi.copy]

Jamie Cosnowsky: Jazz Museum Spotlight. A Day With a King in Queens. At Home With Louis, in: Jazz Improv, 1/9 (Mar.2006), p. 42 (F) [digi.copy]

Jacques Canérot: “Louis Armstrong. The Life, Music and Screen Career”, by Scott Allen Nollen, in: Bulletin du HCF, #553 (May 2006), p. 26-27 (B)

John Swenson: Unreleased Armstrong at Satchmo Summerfest, in: Off Beat, Aug.2006, p. 10 (F/I with Bob Porter)

Peter B. Lowry: “Louis Armstrong & Paul Whiteman. Two Kings of Jazz”, by Joshua Berrett, in: IAJRC Journal, 39/3 (Aug.2006), p. 89-90 (B)

Setlef Ott: Het Louis Armstrong Huis in Corona, Queens, New York City, in: Doctor Jazz Magazine, #194 (Sep.2006), p. 65-66 (F) [digi.copy]

Terrell Holmes: Special Feature. Louis Armstrong House Museum, in: All About Jazz, #54 (Oct.2006), p. 13 (F) [digi.copy]

Alain Carbuccia: “All of Me. The Complete Discography of Louis Armstrong”, by Jos Willems, in: Bulletin du HCF, #557 (Nov.2006), p. 20 (B)

Lee Mergner: JT Notes. Selling Out Is In, in: Jazz Times, 36/10 (Dec.2006), p. 22 (F: selling music to an audience)

Nat Hentoff: Final Chorus. Louis Armstrong – Music Heals. Louis himself said he wanted to “give back to people some of the goodness I’ve got from them all of these years”, in: Jazz Times, 36/10 (Dec.2006), p. 122 (F: music and medicine); response, by Scott E. Brown: Letters. Medicine for Musicians, in: Jazz Times, 37/3 (Apr.2007), p. 18 (letter)

Charles Hersch: Subversive Sounds. Race and the Birth of Jazz in New Orleans, Chicago 2007 [book: University of Chicago Press], p. 183-202 (F: chapter “Armstrong. The Coffee Poisoner”)

Elijah Wald: Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz, in: Jazz Research Journal, 1/1 (2007), p. 129-145 (F)

Gary Marmorstein: The Label. The Story of Columbia Records, New York 2007 [book: Thunder’s Mouth Press], passim (F)

Gene H. Anderson: The Original Hot Five Recordings of Louis Armstrong [CMS Sourcebooks in American Music, No. 3], Hillsdale/NY 2007 [book: Pendragon Press], passim (F/A)

Henk Kleinhout: Jazz als problem. Receptie en acceptatie van de jazz in de wederopbouwperiode van Nederland 1945-1952, Hengelo 2007 [book: Elbertinck; dissertation: 2006], p. 78-83 (F: chapter “Amerikaanse jazzoptreden in Nederland. Louis Armstrong”) [digi.copy]

Ingrid Monson: Freedom Sounds. Civil Rights Call Out to Jazz and Africa, New York 2007 [book: Oxford University Press], passim (F)

Jeffrey Thomson: Ain’t Misbehavin’. Nixon and Armstrong, 1952, in: Brilliant Corners, 12/1 (Winter 2007), p. 5-6 (poem)

John Chilton: Hot Jazz, Warm Feet, London 2007 [book: Northway Publications], passim (F)

Larry Starr & Christopher Waterman: American Popular Music. From Minstrelsy to MP3, New York 2/2007 [book: Oxford University Press], p. 93 (F: chapter “Louis Armstrong (1901-1971)”)

Lil Hardin Armstrong: Satchmo and Me, in: American Music, 25/1 (Spring 2007), p. 106-118 (F) [digi.copy]

Robert Nippoldt & Hans-Jürgen Schaal: Jazz. New York in the Roaring Twenties, Köln 2007 [book: Taschen], p. 52-59 (F/drawings: chapter “Louis Armstrong. The King of Jazz”)

Robert Nippoldt & Hans-Jürgen Schaal: Jazz. Im New York der wilden Zwanziger, Hildesheim 2007 [book: Gerstenberg], p. 52-59 (F/drawings)

Roger Guerin: Le style d’Armstrong, in: Les Cahiers du Jazz, #4 (2007), p. 100-111 (F/A)

Thomas Brothers: “All of Me. The Complete Discography of Louis Armstrong”, by Jos Willems, in: ARSC Journal, 238/1 (Spring 2007), p. 114-115 (B)

Vincenzo Caporeletti: Esperienze di analisi del jazz. Armstrong, Parker, Cesàri, Monk, Mingus, Intra, Soft Machine, Lucca 2007 [book: Libreria Musicale Italiana], p. 23-34 (A: chapter “La trascrizione di G. Schuller della cadenza di Louis Armstrong in ‘West End Blues’ (1928). Una riscrittura critica”)

Danny Freedman: Three Golden Trumpets, Countless Gleaming Dreams, in: New York Times, 7.Jan.2007 (F: Louis Armstrong’s trumpets at Queens College) [digi.copy]

Eric Fine: Louis Armstrong House to Get Visitor Center, in: Down Beat, 74/3 (Mar.2007), p. 20 (F) [digi.copy]

John Norris: New Perspectives on Black Music, in: Coda, #332 (Mar/Apr.2007), p. 22-25 (B: “Louis Armstrong’s New Orleans”, by Thomas Brothers)

Ken Palmer: Louis Armstrong. Some afterthoughts to those that others have written before…, in: Just Jazz, #108 (Apr.2007), p. 29-30 (F)

Niels Lyngberg: Armstrong på spåren. “All of me – the complete discography of Louis Armstrong”, by Jos Willems, in: Orkester Journalen, 75/4 (Apr.2007), p. 22-23 (B)

Virginia H. Kaminsky: Louis Armstrong visits ‘Bourbon Street’, in: Just Jazz, #110 (Jun.2007), p. 28-29 (F)

Bob Weir: “All of Me. The Complete Discography of Louis Armstrong”, by Jos Willems, in: Jazz Journal, 60/7 (Jul.2007), p. 18 (B)

NN: Da Louis var I Skandinavien!, in: Jazz Special, #97 (Jul.2007), p. 28-30, 32-33 (F)

John Swenson: A Wonderful World. A Wild “World”. Like it or not, a song Louis Armstrong cut at the end of his career that flopped on release in the U.S. has taken a life of its own, in: OffBeat, Aug.2007, p. 28-29, 34 (F)

John Swenson: The Armstrong Legacy. Over a century after his birth, New Orleans trumpet players are still coming to grips with the complex influence of Louis Armstrong, in: OffBeat, Aug.2007, p. 30-32, 34 (F) [digi.copy]

Mike Shanley: “Mental Strain at Dawn. A Modern Portrait of Louis Armstrong” (Random Chance), in: Jazz Times, 37/6 (Aug.2007), p. 110 (R)

David Margolick: The Day Louis Armstrong Made Noise, in: New York Times, 23.Sep.2007 (F: about Little Rock interview) [digi.copy]

NN: Louis Armstrong Center for Music & Medicine Presents the “More Wonderful World” Awards to Phoebe Jacobs, Joe Wilder and Geri Fessler, in: Jazz Improv NY, 3/5 (Nov.2007), p. 8 (F) [digi.copy]

William Bauer: Louis Armstrong’s “Skid Dat De Dat”. Timbral Organization in an Early Scat Solo, in: Jazz Perspectives, 1/2 (Nov.2007), p. 133-165 (F/A) [digi.copy]

Nat Hentoff: Final Chorus. Satchmo’s Rap Sheet, in: Jazz Times, 37/10 (Dec.2007), p. 122 (F: Louis Armstrong’s FBI file)

Wynton Marsalis & Geoffrey C. Ward: Moving to Higher Ground. How Jazz Can Change Your Life, New York 2008 [book: Random House; German translation as: “Jazz, mein Leben. Von der Kraft der Improvisation”, München 2010: Siedler Verlag], p. 112-115 (F: chapter “Lessons from the Masters. Louis Armstrong”)

Chris Searle: Forward Groove. Jazz and the Real World from Louis Armstrong to Gilad Atzmon, London 2008 [book: Northway Publications], p. 27-29 (F: chapter “Working Man and Strugglin’ Woman Blues. Coal Cart Blues”); p. 46-50 (F: chapter “Working Man and Strugglin’ Woman Blues. My Only Sin”); p. 50-55 (F: chapter “Working Man and Strugglin’ Woman Blues. Shine”)

Claude Bolling & Jean-Pierre Daubresse: Bolling Story, Monaco 2008 [book: Éditions Alphée], p. 121-122 (F: chapter “Satchmo à Paris”)

Hazen Schumacher & John Stevens: A Golden Age of Jazz Revisited, 1939-1942. Three Pivotal Years of Musical Excitement, Ann Arbor/MI 2008 [book: NPP Books], p. 67-68 (short F: chapter “Louis Armstrong & His Orchestra with Sidney Bechet. Coal Cart Blues”)

Jaap van de Klomp & Scott Yanow: Jazz Lives. Till We Shall Meet and Never Part, Utrecht 2008 [book: A.W. Bruna Uitgebers], p. 16-17 (F: biography and photo of tombstones) [digi.copy]

Louis Armstrong: Cut & Paste. Reel to Reel, in: The Paris Review, #184 (Spring 2008), p. 63-79 (F: photos of Armstrong collages as used as reel-to-reel tape covers)

Todd Bryant Weeks: Luck’s In My Corner. The Life and Music of Hot Lips Page, New York 2008 [book: Routledge], passim (F)

Ken Palmer: It Ain’t Necessarily So!!, in: Just Jazz, #120 (Apr.2008), p. 21, 23 (F: Louis Armstrong as entertainer)

John Edward Hasse: Masterpiece. Louis Armstrong’s Revolution. The 80th anniversary of a celebrated American recording, in: Wall Street Journal, 14.Jun.2008 (F: “West End Blues”) [digi.copy]

Jonathan Katz: Satchmo. There’s a wonderful world of Armstrong video on You Tube. What do we find there?, in: OffBeat, 21/8 (Aug.2008), p. 26 (F)

Niko Koppel: Collector Shares Mementos and Memories of Jazz Legend, in: New York Times, 28.Sep.2008 (F/I with Jack Bradley, Michael Cogswell) [digi.copy]

Ben Child: Forest Whitacker to direct and star in Satchmo biopic. The Oscar-winning actor is to essay his second jazz great, Louis Armstrong, having previously played Charlie Parker for Clint Eastwood, in: The Guardian, 8.Oct.2008 (F/I with Forest Whitacker) [digi.copy]

David Pulizzi: The Wonderful World of Louis Armstrong, in: Jazziz, 25/8 (Oct.2008), p. 46, 48-51 (F/B: “Louis Armstrong. The Offstage Story of Satchmo”, by Michael Cogswell)

André Vasset: Les premiers films de Louis Armstrong, in: Bulletin du HCF, #576 (Dec.2008), p. 30 (B: “Louis Armstrong on the Screen” by Klaus Stratemann)

Bo Lindström & Dan Vernhettes: Traveling Blues. The Life and Music of Tommy Ladnier, Paris 2009 [book: Jazz’Edit], p. 51 (F: chapter “Louis Armstrong”)

Bruce Boyd Raeburn: New Orleans Style and the Writing of American Jazz History, Ann Arbors 2009 [book: University of Michigan Press], passim (F)

David Sager: Louis Armstrong, Bunk Johnson, and Jules Levy. The Art of “Tonation”, in: Howard T. Weiner (ed.): Early Twentieth-Century Brass Idioms. Art, Jazz, and Other Popular Traditions, Lanham/MD 2009 [book: Scarecrow Press], p. 143-153 (F/A)

Gary Giddins & Scott DeVeaux: Jazz, New York 2009 [book: W.W. Norton], p. 145-157 (F/A: chapter “Louis Armstrong. ‘Hotter Than That’ / ‘Weather Bird'”); p. 165-169 (F: chapter “Satchmo’s World”)

John Wriggle: Chappie Willet. A Jazz Arranger in Swing Era New York, in: Annual Review of Jazz Studies, #14 (2009), p. 101-188 (F/A/D: arrangements for Louis Armstrong, Teddy Hill, Lucky Millinder, Duke Ellington, Gene Krupa, Red Norvo, Jimmie Lunceford, others)

Lisa E. Davenport: Jazz Diplomacy. Promoting America in the Cold War Era, Jackson/MS 2009 [book: University Press of Mississippi], passim (F)

Peter Bölke & Rolf Enoch: Roads of Jazz, Hamburg 2009 [book: Edel Books], p. 22-23 (short F: chapter “Louis Armstrong, ‘Satchmo'”)

Peter Ecklund: Louis Armstrong and the Origins of Jazz Improvisation, in: Howard T. Weiner (ed.): Early Twentieth-Century Brass Idioms. Art, Jazz, and Other Popular Traditions, Lanham/MD 2009 [book: Scarecrow Press], p. 125-132 (F)

Sanford Josephson: Jazz Notes. Interviews across the Generations, Santa Barbara/CA 2009 [book: Praeger], p. 141-153 (F: chapter “Traveling with King Louis. Arvell Shaw”; I with Arvell Shaw, David Ostwald, Ed Polcer, Bria Skonberg, Gregory Rivkin)

Stephen Brower: Satchmo. The Wonderful World and Art of Louis Armstrong, New York 2009 [book: Abrams], passim (F: record covers, manuscripts, collage art by Armstrong)

Terry Teachout: Pops. A Life of Louis Armstrong, Boston 2009 [book: Houghton Mifflin Harcourt], passim (F)

Henri Sofroniadès: Un nommé Louis Armstrong, in: Bulletin du HCF, #577 (Jan.2009)¸p. 5 (F)

Pieter Boersma: Jazzstraat (14). Bergen op Zoom, Louis Armstrongerf, in: NJA Jazz Bulletin, #70 (Jan.2009), p. 13 (F)

John Fordham: 50 great moments in jazz. Louis Armstrong. Armstrong’s voice propelled him into the limelight, but it was as a trumpeter that he emerged as the first great virtuoso soloist, in: The Guardian, 4.Feb.2009 (F) [digi.copy]

Stefan Elfenbein: Die erste Trompete. In den Spelunken von New Orleans begann Louis Armstrongs Ausbildung zum König des Jazz, in: Berliner Zeitung, 4.Aug.2001 (F/I with Chris Clifton and Tad Jones about Armstrong’s birth date, Armstrong-related houses in New Orleans and other Armstrong memories) [digi.copy]

John Fordham: 50 great moments in jazz. Louis Armstrong, Fletcher Henderson, and the invention of swing. Last week’s great moment showed Louis Armstrong going from singer to trumpeting genius. This week: Satchmo’s role in the invention of swing, in: The Guardian, 11.Feb.2009 (F) [digi.copy]

John Fordham: 50 great moments in jazz. The Hot Fives and Hot Sevens. Louis Armstrong’s two sensational recording bands of the late 1920s saw the young musician laying the foundations of jazz improvisation, in: The Guardian, 23.Feb.2009 (F) [digi.copy]

Ricky Riccardi: In Loving Memory of Gösta Hägloff, in: , 8.Mar.2009 (F/O:: obituary on Armstrong expert Gösta Hägloff) [digi.copy] {under “Gösta HAEGLOFF”}

Doug Pomeroy: Ain’t No Pops on Pops! Audio Restoration of Louis Armstrong’s Big Swing Band. The Fleischmann Broadcasts, in: IAJRC Journal, 42/1 (Mar.2009), p. 36-40 (F)

Andrew W. Lehren: Guilty Until Proven Innocent. In the thralls of Cold War and civil rights hysteria, the FBI amassed hefty files on a slew of jazz greats, in: Jazz Times, 39/3 (Apr.2009), p. 40-45 (F: Mac Roach, Duke Ellington, Cab Calloway, Louis Armstrong, Nat King Cole, Norman Granz, Charles Mingus)

Vincent Bessières: Satchmo Design. La colle de contre-bande, in: Jazzman, #156 (Apr.2009), p. 40-42 (F: Armstrong’s collages)

Vanessa Thorpe: Secrets of Satchmo up for sale, in: The Observer, 24.May 2009 (F: letters to British journalist Lionel Crane) [digi.copy]

Michael Cogswell: David Gold, R.I.P., in: , 16.Jun.2009 (F/O: David Gold, former accountant for ABC, Joe Glaser; executor of Louis Armstrong’s estate, former president of the Louis Armstrong Educational foundation) [digi.copy] {under “David GOLD”}

John Richman: A Fine Romance. A look back at Ella and Louis’ recording partnership, in: Just Jazz, #136 (Aug.2009), p. 11 (F)

Francesco Martinelli: Le voci e lo spirito di Ella e Louis, in: Musica Jazz, 65/10 (Oct.2009), p. 53-55 (F)

Norman Meehan: Woodshed. Solo. Louis Armstrong’s Deceptively Simple Solo Chorus on ‘King of the Zulus’, in: Down Beat, 76/10 (Oct.2009), p. 152-153 (A/T) [digi.copy]

Marc Myers: Interview. Terry Teachout, in: , 30.Nov.2009-4.Dec.2009 (F/I with Terry Teachout) [digi.copy] {filed under “Terry TEACHOUT”}

Brian Glasser: Turning Point. Dream Team. Pianist Liam Noble on the album that changed his life, ‘The Beautiful Americans’ by Louis Armstrong and Duke Ellington, in: Jazzwise, #136 (Nov.2009), p. 32 (F)

Ted Panken: Historical. Armstrong’s Virtuosity Peerless Then, Valuable Now. “The Complete Louis Armstrong Deccca Sessions (1935-1946)” (Mosaic IMD7-243), in: Down Beat, 76/11 (Nov.2009), p. 71 (R: 5 stars) [digi.copy]

David Margolick: Holiday Books. The Man Who Sang, Played and Smiled, in: New York Times, 6.Dec.2009 (B: “Pops. A Life of Louis Armstrong”, by Terry Teachout) [digi.copy]

Steve Weinberg: ‘Pops’. Louis Armstrong, master of jazz, lover of life, in: The Seattle Times, 6.Dec.2009 (B: “Pops. A Life of Louis Armstrong”, by Terry Teachout) [digi.copy]

Detlef Ott: Backstage with Louis Armstrong. Een interview met de Berlijnse verzamelaar en Louis Armstrong-vriend Winfried Maier, in: Doctor Jazz Magazine, #207 (Dec.2009), p. 11-16 (F)

John McDonough: Gathering Satchmo, in: Down Beat, 76/12 (Dec.2009), p. 83 (B: “Satchmo. The Musical World and Art of Louis Armstrong” by Steven Brewer; D: “Louis Armstrong: Fleischmann’s Yeast Show”) [digi.copy]

David Stricklin: Louis Armstrong. The Soundtrack of The American Experience, Chicago 2010 [book: Ivan R. Dee], passim (F)

Eddy Determeyer: Prins Satchmo. De uitvinder van de jazz, in: Jazz Nu, 33/1 (Winter 2010), p. 36-39 (F)

Freddy Schauwecker: Satchmos Haus in NY-Queens, in: Swinging Hamburg Journal, 9/1, #32 (2010), p. 7-12 (F)

Gerhard Klußmeier: 1965. Louis Armstrong spielt in der DDR. “What a Wonderful World. Als Louis Armstrong durch den Osten tourte”, von Stephan Schulz, in: Swinging Hamburg Journal, 9/3 (2010), p. 29-30 (B)

Hans-Joachim Heßler: Der zornige Baron. Das Prinzip Diskontinuität im Leben und konzept-kompositorischen Schaffen des Charles Mingus jr., Duisburg 2010 [book: United Directions of Music], 231-239 (F: chapter “Louis Armstrong. 1942-1943”)

Lutz Eikelmann: Neues über Satchmo?!?, in: Swinging Hamburg Journal, 9/2 (2010), p. 35-37 (B: “Louis Armstrong”, by Wolfram Knauer)

Nat Hentoff: At the Jazz Band Ball. Sixty Years on the Jazz Scene, Berkeley 2010 [book: University of California Press], p. 109-111 (F: chapter “Satchmo’s Rap Sheet” on Armstrong’s FBI report)

Roland Pilz: Wir waren bei Satchmo, in: Swinging Hamburg Journal, 9/1, #32 (2010), p. 13-14 (F/photos: Louis Armstrong House)

Ron Simpson: “Pops. The Wonderful World of Louis Armstrong”, by Terry Teachout, in: The Jazz Rag, #110 (Spring 2010), p. 31 (B)

Stefano Zenni & Paolo Fresu: Louis Armstrong. Gli inizi, in: Paolo Fresu & Vittorio Albani: Paolo Fresu racconta il jazz attraverso la storia dei grandi trombettisti americani, Milano 2010 [book: Auditorium], p. 25-36 (F)

Stephan Schulz: What a Wonderful World. Als Louis Armstrong durch den Osten tourte, Berlin 2010 [book: Neues Leben], passim (F)

Tom Nolan: Three Chords for Beauty’s Sake. The Life of Artie Shaw, New York 2010 [book: W.W. Norton]; reprint as, Tom Nolan: Artie Shaw. King of the Clarinet. His Life and Times, New York 2011 [book: W.W. Norton], passim (F)

Wolfram Knauer: Louis Armstrong, Stuttgart 2010 [book: Reclam], passim (F) [digi.copy]

Bert Noglik: Wolfram Knauer – “Louis Armstrong”, in: SWR 2, NOWJazz Magazin [radio manuscript], 4.Mar.2010 (B) [digi.copy]

Johanna Schmeller: “Louis Armstrong”, von Wolfram Knauer. Diese Biografie ist gleichermaßen Epochenporträt, Werkregister und die Schilderung der musikalischen Emanzipation schwarzer Amerikaner, in: Welt Online, 6.Mar.2010 (B) [digi.copy]

Hans-Jürgen Linke: Louis Armstrong. Der erste Künstler des Jazz, in: Frankfurter Rundschau, 12.Mar.2010 (B: “Louis Armstrong”, by Wolfram Knauer) [digi.copy]

Hans Hielscher: Louis Armstrong. Der die Beatles in den Charts überholte. Über den legendären Jazztrompeter Louis Armstrong schien alles gesagt, doch nun liefern zwei neue Biografien skurrile Anekdoten – zum Beispiel, wie die Stasi seine DDR-Tour überwachte, in: , 16.Mar.2010 (B: books by Stephan Schulz, Wolfram Knauer) [digi.copy]

Heinz Zietsch: Buchtipp. Charme eines Musikers, in: Darmstädter Echo, 25.Mar.2010 (B: “Louis Armstrong”, by Wolfram Knauer) [digi.copy]

Phil de Semlyen: Exclusive. Forest Whitaker Talks Satchmo, “What a Wonderful Life” to shoot in 2011, in: Empire Online, 25.Mar.2010 (F/I with Forest Whitaker) [digi.copy]

Katherine Lewis: Terr Teachout talks about ‘Pops. The Wonderful World of Louis Armstrong’, in: Just Jazz, #143 (Mar.2010), p. 30-32 (F)

Paul Roland & Roy Carr (eds.): Jazz Singers, Berlin 2000 [book: rütten & loehning], p. 16-23 (F/I)

Theo Bachteler: Die Gschichte vom Jazz, in: [manuscript], 1.Apr.2010 (poem: april fools day joke) [digi.copy]

NN: Geschichte eines genialen Virtuosen. Großen Jazzmusikern gewidmet ist eine neue Reihe der Reclam Universal Bibliothe. Den Anfang macht Louis Armstrong, wie könnte es anders sein, in: Südkurier, 3.Apr.2010 (B: “Louis Armstrong”, by Wolfram Knauer) [digi.copy]

Frank Starke: Hackepeter in Genthin. Im Frühjahr 1965 kam Louis Armstrong zu 18 Konzerten in die DDR. Die Hintergründe sind bis heute rätselhaft, in: Märkische Allgemeine Zeitung, 30.Apr/1.May 2010 (F) [digi.copy]

NN: Aus New Orleans in die Welt, in: Märkische Allgemeine, 30.Apr.2010 (short B: “Louis Armstrong”, by Wolfram Knauer) [digi.copy]

Detlef A. Ott: “What a Wonderful World. Als Louis Armstrong durch den Osten tourte”, von Stephan Schulz, in: Jazz Podium, 59/4 (Apr.2010), p. 62 (B)

Eric Fine: New Biography Balances Armstrong’s Musical Brilliance, Historical Detractors, in: Down Beat, 77/4 (Apr.2010), p. 64 (B: “Pops. A Life of Louis Armstrong”, by Terry Teachout) [digi.copy]

Niels von Kohl: Pops. Louis Armstrong – et sammensat geni, in: Jazz Special, #114 (Apr/May 2010), p. 50-54 (F)

Reiner Kobe: Legendärer Stoff. Neues über Louis Armstrong bei Reclam, in: Jazz Zeitung, 35/2 (Apr/May 2010), p. 16 (B: “Louis Armstrong”, von Wolfram Knauer)

Michael Weston: Chords & Discords. Satchmo Not First, in: Down Beat, 77/5 (May 2010), p. 10 (letter) [digi.copy]

Katy Reckdahl: Jazz fans bent out of shape by statue’s damage. Armstrong’s bronze ‘is like our baby’, in: New Orleans Times-Picayune, 12.Jul.2010 (F) [digi.copy]

Mike Pointon: “Pops. The Wonderful World of Louis Armstrong”, by Terry Teachout, in: Just Jazz, #147 (Jul.2010), p. 36 (B)

Gregory Beyer: The Matriarch of New York Jazz Looks Back at Life With Louis Armstrong, in: Wall Street Journal, 31.Aug.2010 (F/I with Phoebe Jacobs) [digi.copy] {filed under “Phoebe JACOBS”}

Nate Chinen: Satchmo’s Story, Music Substituting for Words, in: New York Times, 31.Aug.2010 (Film-R: “Louis”) [digi.copy] {filed under “FILM”}

Andrew Hamlin: Two Louis. “Louis Armstrong. The Soundtrack of the American Experience”, by David Stricklin; “Louis Armstrong. The Life, Music, and Screen Career”, by Scott Allen Nollen, in: OffBeat, 23/8 (Aug.2010), p. 50 (B)

Brittany Epps: The Sons of Satchmo. The “Seeking Satch” competition is exposing another generation of Armstrong fans, in: OffBeat, 23/8 (Aug.2010), p. 30 (F)

Jeff Tamarkin: “Pops. A Life of Louis Armstrong”, by Terry Teachout, in: Jazz Times, 40/6 (Aug.2010), p. 78 (B)

Bert Vuijsje: Professor Bop 37. “What a Wonderful World. Als Louis Armstrong durch den Osten tourte”, by Stephan Schulz, in: Doctor Jazz Magazine, #210 (Sep.2010), p. 31-33 (B)

Nat Hentoff: Final Chorus. The Everlasting Louis Armstrong, in: Jazz Times, 40/7 (Sep.2010), p. 80 (F: Louis Armstrong House)

Berthold Klostermann: Klein, aber fein, in: Fono Forum, Oct.2010, p. 65 (B: “Louis Armstrong”, by Wolfram Knauer)

Karlheinz Drechsel: (Louis Armstrong in der DDR), in: [mail correspondence], 5.Nov.2010 (F: correction of stories in Stephan Schultze’s Armstrong book) [digi.copy] {confidential, internal use only}

Wolfgang Paul: “Gruß an Louis Armstrong”, in: [personnel correspondence], 12.Nov.2010 (F: letter offering an art edition called “Gruß an Louis Armstrong” with artwork by Horst Antes, Uwe Bremer, Johannes Grützke, Pit Morell, Peter Nagel, Michael Mathias Prechtl, Diether Roth, Albert Schindehütte, Johannes Vennekamp, Arno Waldschmidt; photocopy of cover sheet) [vert.file] [digi.copy]

Will Friedwald: What a Wonderful House. In Queens, the Louis Armstrong House Museum trumpets Its Namesake Anew, in: Wall Street Journal, 21.Dec.2010 (F) [digi.copy]

Nicholas Hirshon: Louis Armstrong’s Queens house of jazz aims to boost visits, become most visited spot in U.S., in: New York Daily News, 31.Dec.2010 (F) [digi.copy]

Steve Voce. Scratching the Surface. Humphrey Lyttelton tells Steve Voce that ‘erudite jazz critics’ are mad to be lukewarm about Louis Armstrong’s 1930s big-band work, in: Jazz Journal, 63/12 (Dec.2010), p. 7, 9 (F/I with Humphrey Lyttelton)

Alan Purslow: Louis & Me. A Love Story, in: The Jassman, 5/5 (2011), p. 4-9 (F) [digi.copy]

Bob Riesman: I Feel So Good. The Life and Times of Big Bill Broonzy, Chicago 2011 [book: University of Chicago Press], passim (F)

Brian Harker: Louis Armstrong’s Hot Five and Hot Seven Recordings, New York 2011 [book: Oxford University Press], passim (F/A: “Cornet Shop Suey”; “Big Butter and Egg Man”; “Potato Head Blues”; “S.O.L. Blues”; “Gully Low Blues”; “Savoy Blues”; “West End Blues”)

Herb Snitzer: Glorious Days and Nights. A Jazz Memoir, Jackson/MS 2011 [book: University Press of Mississippi], p. 23-31 (F: chapter “On the Bus with Pops and Duke”)

Jacques Réda: Autobiographie du Jazz, Paris 2011 [book: Climats], p. 53-59 (F: chapter “Les deux piliers. Louis Armstrong”)

John Swenson: New Atlantis. Musicians Battle for the Survival of New Orleans, New York 2011 [book: Oxford University Press], p. 105-115 (F: chapter “The Armstrong Legacy”)

Karlheinz Drechsel & Ulf Drechsel: Zwischen den Strömungen. Mein Leben mit dem Jazz, Rudolstadt 2011 [book: Greifenverlag], passim (F)

Peter Bölke: Jazz Icons, Hamburg 2011 [book: Edel earbooks], p. 4-23 (F: chapter “Louis Armstrong”)

Tad Hershorn: Norman Granz. The Man Who Used Jazz for Justice, Berkeley 2011 [book: University of California Press], passim (F)

Ted Gioia: The History of Jazz, New York 2011 [book: Oxford University Press], p. 46-51 (F: mentioned in chapter “King Oliver and Louis Armstrong); p. 53-57 (F: mentioned in chapter “The Age of the Soloist”); p. 57-66 (F: mentioned in chapter “The Hot Fives and Hot Sevens”)

Will Buckingham: Louis Armstrong and the Waif’s Home, in: The Jazz Archivist, #24 (2011), p. 2-15 (F)

Wolfram Knauer: Louis Armstrong und King Oliver in Chicago, in: Helga de la Motte-Haber & Lydia Rilling & Julia H. Schröder (Eds.): Dokumente zur Musik des 20. Jahrhunderts, Teil 2, Laaber 2011 [book: Laaber], p. 104-107 (F: about Armstrong recalling his time with King Oliver in Richard Meryman’s “The Life and Thoughts of Louis Armstrong”)

Hans-Dieter Vötter: “Satchmo” in der DDR. Jazzgeschichte. Zwei Autoren stelle in Darmstadt Bücher über Louis Armstrong vor, in: Darmstädter Echo, 28.Jan.2011 (C: book reading by Stephan Schulz, Wolfram Knauer) [digi.copy]

Ira Gitler: Apple Chorus. Louis Armstrong Museum Expansion, in: Jazz Inside, Jan.2011, p. 4 (F) [digi.copy]

Sally-Ann Worsfold: Memories o Louis Armstrong, in: Just Jazz, #153 (Jan.2011), p. 24 (F: about a concert in Southend-on-Sea in 1962)

Ted Panken: New Silent Film Reimagines Early Life of Louis Armstrong, in: Down Beat, 78/1 (Jan.2011), p. 14 (F/I with Daniel Pritzker) [digi.copy]

Alain Tercinet: Louis Armstrong. Le récit d’un sacre. Du père du jazzmoderne on a souvent distingué deux périodes: le créateur avant 1929, puis la star populaire, de plus en plus chanteur et de moins en moins trompettiste. Mais il n’y avait qu’un seul Louis, qui s’est construit patiemment, lors de ses années d’apprentissage à La Nouvelle-Orléans puis lors de ses premiers grands success à Chicago et New York. Démonstration, in: Jazz Magazine, #622 (Feb.2011), p. 24-27 (F)

Freddie Whipp: More Memories of Louis Armstrong, in: Just Jazz, #154 (Feb.2011), p. 32 (F: Armstrong concert in Britain, 1956)

Daniel Vernhettes. “Pops. A Life of Louis Armstrong”, by Terry Teachout, in: Bulletin du HCF, #599 (Mar.2011), p. 3-5 (B)

NN: Seeking Satch is searching for the next Louis Armstrong!, in: [concert info], 15.May 2011 (concert flyer) [digi.copy]

Tom Nolan: The Art of Staying Hot. Critics may have dismissed Louis Armstrong in his later years, but audiences loved him—with good reason, in: Wall Street Journal, 18.Jun.2011 (B: “What a Wonderful World”, by Ricky Riccardi) [digi.copy]

Marcus A. Woelfle: Pops Lives! Louis Armstring – zum 110. Geburtstag und 40. Todestag, in: Jazz Zeitung, 36/3 (Jun/Aug.2011), p. 22-23 (F)

Ron Cherian: Zum 40. Todestag von Satchmo. Louis Armstrings Solo über Ain’t Misbehavin’, in: Jazz Zeitung, 36/3 (Jun/Aug.2011), p. 21 (A/T)

Susanne Kippenberger: King of Queens. Kommenden Montag wird wieder Satchmis Geburtstag gefeiert – in seinem Wohnhaus. Bad und Küche sind heute noch spektakulär, in: Der Tagesspiegel, 3.Jul.2011 (F) [digi.copy]

Gisela Ostwald: Cor 40 Jahren starb Louis Armstrong. Der beste Jazztrompeter der Welt und sein Gefühl des Glücks. Ohne ihn ist die Jazz-Geschichte undenkbar: Louis Armstrong war ein Jahrhundertgenie und Lebenskünstler. Er ließ weit über tausend Plattenaufnahmen zurück, solo und mit den Besten seiner Zeit. Jetzt jährt sich sein Todestag zum 40. Mal, in: Volksstimme, 4.Jul.2011 (F) [digi.copy]

Susanne Kippenberger: Louis Armstrong, der King of Queens. Satchmos Fans feiern den 110. Geburtstag des Jazzmusikers in seinem ehemaligen Wohnhaus in Queens. Auf Knopfdruck kann man in der Küche seine heisere Stimme hören, in: Zeit Online, 4.Jul.2011 (F) [digi.copy]

Brendan Twist: Louis Armstrong bluffer Ricky Riccardi among speakers at the Satchmo SummerFest, in: New Orleans Times-Picayune, 2.Aug.2011 (F/I with Ricky Riccardi) [digi.copy]

Christian Broecking: Musiker des Teufels, Bote Gottes. Der Jazzerfinder Louis Armstrong aus New Orleans ware heute 110 Jahre alt geworden, in: Berliner Zeitung, 4.Aug.2011 (F) [digi.copy]

Andrew Hamlin: “What a Wonderful World. The Magic of Louis Armstrong’s Later Years”, by Ricky Riccardi, in: OffBeat, Aug.2011, p. 52 (B)

Hannah Romig: One Armstrong, in: OffBeat, Aug.2011, p. 10 (B: “What a Wonderful World. The Magic of Louis Armstrong’s Later Years”, by Ricky Riccardi)

John McDonough: Watchmo’s Second Act. “What a Wonderful World. The Magic of Louis Armstrong’s Later Years”, by Ricky Riccardi, in: Down Beat, 78/8 (Aug.2011), p. 77 (B) [digi.copy]

Michael Patrich Welch: All Things Armstrong. From favorite foods to unheard sessions, Satchmo SummerFest celebrates Louis Armstrong’s art and life, in: OffBeat, Aug.2011, p. 30 (F)

Jon Wilde: My favourite album. The Complete Hot Five and Hot Seven Recordings by Louis Armstrong. Our writers are picking their favourite albums – with a view that you might do the same. Here, Jon Wilde explains how Louis Armstrong’s music pulled him back from the brink …, in: The Guardian, 12.Sep.2011 (F) [digi.copy9

Adam Olivier: Memoires. Louis Armstrong in Enschede 1959. Satchmo in het stadion, in: (NJA) Jazz Bulletin, #80 (Sep.2011), p. 18-22 (F)

Andy Hamilton: “Louis Armstrong’s Hot Five and Hot Seven Recordings”, by Brian Harker, in: Jazz Journal, 64/10 (Oct.2011), p. 13, 18, 38 (B)

Henrik Wolsgaard-Iversen: Livet er en ӕske Satchmo chocolade. En imponerende udgivelse med ti cd’er fra Louis Armstrongs 50-årige karriere er en smuk gave, en lӕkker ӕske, et overflødighedshorn med mangler…, in: Jazz Special, #123 (Oct/Nov.2011), p. 28-33 (F)

Jens Jørn Gjedsted: Endnu en Louis Armstrong boks er en ren skattekiste, in: Jazz Special, #123 (Oct/Nov.2011), p. 34-35 (F)

Steve Voce: Scratching the Surface. Steve Voce reviews media coverage of Louis Armstrong’s 10th birthday, marvels over the sound of the new 10-CD Armstrong set from Universal and rediscovers Ernie Anderson’s account of Louis’s years with Joe Glaser, in: Jazz Journal, 64/10 (Oct.2011), p. 8-9 (F)

Joseph Berger: 78s, Photos, Even Sweat from Brow of a Legend. Another fragment of Louis Armstrong’s legacy is back where it belongs, in: New York Times, 8.Nov.2011 (F: Louis Armstrong archive: Gösta Hägglöf collection) [digi.copy]

Dan Verhettes: Le Waif’s Home. La grande chance de Louis, in: Bulletin du HCF, #605 (Nov.2011), p. 16-17 (F)

Irakli de Davrichewy: Spécial Armstrong. Petites précisions en guise d’avant-propos / Date de naissance de Louis Armstrong et origine de son principal surnom / Les livres écrit par Louis Armstrong, in: Bulletin du HCF, #605 (Nov.2011), p. 3-12 (F)

Jennifer Odell: Caught. Definitive Armstrong Box Set Unveiled at Satchmo Summer Fest, in: Down Beat, 78/11 (Nov.2011), p. 15 (F/I with George Avakian) [digi.copy]

Kaiser Marshall: L’arrivée de Louis Armstrong à New York, in: Bulletin du HCF, #605 (Nov.2011), p. 13-15 (F)

Jan Kraak: “Louis Armstrong’s Hot Five and Hot Seven Recordings”, by Brian Harker, in: Doctor Jazz Magazine, #215 (Winter 2011/2012), p. 59-61 (B) [digi.copy]

Wim Keller: Satchmo’s handtekening, in: (NJA) Jazz Bulletin, #81 (Dec.2011), p. 67 (short F: autograph on picture of Keller’s girlfriend)

Alexander J. Beissenhirtz: Affirmation and Resistance. The Politics of the Jazz Life in the Self-Narratives of Louis Armstrong, Art Pepper, and Oscar Peterson, Kiel 2012 [book: Verlag Ludwig], passim (F); especially p. 132-189 (F: chapter “Louis Armstrong’s ‘Swing That Music’ and ‘Satchmo. My Life in New Orleans'”)

Brian Dempster: Tracking Jazz – The Ulster Way, Antrim/Northern Ireland 2012 [book: Shanway Press], p. 95-98 (F: chapter “Hail to the King”)

Classy Koehler: Jazz History. Short Takes, in: The Jassman, 6/1 (2012), p. 6 (short F) [digi.copy]

Dan Vernhettes & Bo Lindström: Jazz Puzzles, Volume 1, Saint Etienne 2012 [book: Jazz’edit], p. 146 (F: chapter “Freddie Keppard. Louis Armstrong and Freddie Keppard”); p. 176 (F: chapter “Punch Miller. Punch and Louis”); p. 212-214 (F: chapter “Buddy Petit. Petit’s influence on louis Armstrong”)

Derek Coller: Strictly a Musician. Dick Cary. A Biography and Discography, Sunland/CA 2012 [book: Dick Cary Music], passim; especially p. 66-85 (F: chapter “With Louis Armstrong and the All Stars – and Jean Goldkette (1947-48)”)

Ed Berger: Pops Prevails. “What a Wonderful World. Tha Magic of Louis Armstrong’s Later Years”, by Ricky Riccardo, in: Journal of Jazz Studies, 8/1 (Spring 2012), p. 93-99 (B) [digi.copy]

Elijah Wald: Louis Armstrong Loves Guy Lombardo, in: David Ake & Charles Hiroshi Garrett & Daniel Goldmark (eds.): Jazz / Not Jazz. The Music and Its Boundaries, Berkeley 2012 [book: University of California Press], p. 31-48 (F: Elijah Wood beginnt sein Kapitel mit dem Erstaunen über eine Aussage Louis Armstrongs, der in einem Blindfold Test seine unumschränkte Bewunderung für Guy Lombardo kundtat, der von der Jazzkritik eher als “King of Corn” abgetan wurde. Was, fragt Wald, faszinierte Armstrong so an Lombardos Musik, dass in seinen Aufnahmen aus den späten 1920er, frühen 1930er Jahren etwa der Klang des Saxophonsatzes deutlich an Lombardo orientiert war? Tatsächlich zeigten auch andere schwarze Bandleader Gefallen am Stil des weißen Kollegen, unter ihnen selbst Duke Ellington und Jimme Lunceford. Walt vergleicht den Einfluss Lombardos mit dem klassischer Musik auf viele der frühen Jazzmusiker und betrachtet vor diesem Hintergrund dann auch gleich noch die klassischen Erfahrungen Satchmos etwa mit Erskine Tates Orchestra.)

Ernst Hofacker: Von Edison bis Elvis. Wie die Popmusik erfunden wurde, Stuttgart 2012 [book: Reclam], p. 133-143 (F: chapter “Satchmo und Duke”)

John McCusker: Creole Trombone. Kid Ory and the Early Years of Jazz, Jackson/MS 2012 [book: University Press of Mississippi], passim (F)

Joshua Berrett: “Louis Armstrong’s Hot Five and Hot Seven Recordings”, by Brian Harker, in: American Music, 30/4 (Winter 2012), p. 517-519 (B) [digi.copy]

Mario Dunkel: “Music Is My Life. Louis Armstrong, Autobiography, and American Jazz”, by Daniel Stein, in: Jazz Research News, #42 (2012), p. 2009-2013 (B)

Maurizio Franco: Oltre il Mito. Scritti sul linguaggio del Jazz, Lucca 2012 [book: Libreria Musicale Italiana], p. 43-53 (F: chapter “Louis Armstrong artista moderno”; analysis and transcription of “Potato Head Blues”)

Michael Cogswell: Terry Teachout’s “Pops”, in: Journal of Jazz Studies, 8/1 (Spring 2012), p. 82-92 (B) [digi.copy]

NN: Vor 54 Jahren. Jazzfilme (7). “Louis Armstrong (Satchmo)”, in: Swinging Hamburg Journal, 11/40 (2012), p. 12-16 (F; reprint of film flyer) [digi.copy]

Ricky Riccardi: “Special – From First to Last”. Dan Morgenstern’s Relationship with Louis Armstrong, in: Current Research in Jazz, #4 (2012) [Dan Morgenstern Festschrift] <crj-online.org/v4/> (F) [digi.copy]

Stefano Zenno: Storia del Jazz. Una prospettiva globale, Viterbo 2012 [book: Stampa Alternativa], p. 111-119 (F: chapter “Gli architetti del solismo. Louis Armstrong e Earl Hines”); p. 168-171 (F: chapter “Il mattatore Louis Armstrong”)

Timme Rosenkrantz: Harlem Jazz Adventures. A European Jazz Baron’s Memoir, 1936-1969 (edited by Fradley Garner), Lanham/MD 2012 [book: Scarecrow Press], passim (F)

Keith Spera: Louis Armstrong. The Times-Picayune covers 175 years of New Orleans history, in: new Orleans Times-Picayune, 29.Jan.2012 (F; photos from the paper’s archive) [digi.copy]

Brian Priestley: “Louis Armstrong’s Hot 5 and Hot 7 Recordings”, by Brian Harker, in: Jazzwise, #161 (Mar.2012), p. 52 (B) [digi.copy]

Matt Schudel: Louis Amrstrong’s memorable National Press Club performance to be re-released, in: Washington Post, 25.Apr.2012 (F) [digi.copy]

Peter Vacher: “What a Wonderful World. The Magic of Louis Armstrong’s Later Years”, by Rickiy Riccardi, in: Jazzwise, #165 (Jul.2012), p. 52 (B)

Michael Eck: Satchmo at The Walldorf at Shakespeare & Company, 8/26/12, in: Times Union, 26.Aug.2012 (C: play by Terry Teachout) [digi.copy]

Jeff Tamarkin: Louis Armstrong – “Satchmo at the National Press Club. Red Beans and Rice-ly Yours” (Smithsonian Folkways), in: Jazz Times, 42/6 (Aug.2012), p. 49-50 (R)

John Swenson: Armstrong Unearthed. Louis Armstrong’s musical ideal, in: Offbeat, Aug.2012, p. 38-40, 42 (F)

NN: Pops’ Tops. Top 10 Louis Armstrong albums since 1945, in: Offbeat, Aug.2012, p. 44-45 (F)

Pascal Rozat: 22 disques de rêve. Louis Armstrong / Django Reinhardt – “Paris 1934” (Fremeaux & Associés, 1934), in: Jazz Magazine, #640 (Aug.2012), p. 40 (F: fictional record) [digi.copy]

Robert Baird: Pops at His peak. Louis Armstrong’s Great Chicago Concert is now on vinyl, in: Offbeat, Aug.2012, p. 46 (F/R)

Ryan Whirty: A Secret Revealed. The finest and whitest for Armstrong’s team, the Secret Nine, in: Offbeat, Aug.2012, p. 30, 32 (F: Louis Armstrong’s base ball team in New Orleans) [digi.copy]

Seva Venet: String Theory. New Orleans string bands and Louis Armstrong, in: Offbeat, Aug.2012, p. 28 (F)

Ken Belson: Armstrong, Back When It Wasn’t Tennis Rocking the House, in: New York Times, 8.Sep.2012 (F: Louis Armstrong Memorial Stadium) [digi.copy]

Joe Meyers: louis Armstrong the subject of new Long Wharf play, in: San Francisco Chronicle, 25.Sep.2012 (F/I with Terry Teachout about “Satchmo at the Waldorf”) [digi.copy]

Hans-Jürgen Schaal: Er erfand die Zukunft des Jazz. Louis Armstrong – zur Bedeutung der Hot-Five-Aufnahmen (1925-1928), in: Jazz Zeitung, 37/4 (Sep/Oct.2012), p. 10-11 (F)

Anita Gates: Bihind the Big Grin, an Angry Satchmo. A Discussion with Terry Teachout, the Writer of “Satchmo at the Waldorf”, in: New York Times, 12.Oct.2012 (F/I with Terry Teachout) [digi.copy]

Jacqui Goddard: Louis Armstrong’s secret daughter revealed, 42 years after his death. Louis Armstrong, the jazz legend, had a secret daughter who is finally ready to tell her story to the world, in: Daily Telegraph, 15.Dec.2012 (F/I with Sharon Preston-Folta) [digi.copy]

Oliver van Essenberg: Jazz Keller Bamberg, Bamberg 2013 [book: Select Verlag], p. 8-12 (F: chapter “Zeitgenosse Armstrong. Jazzpflege zwischen Traditionspflege und Erneuerung”)

Peter Day: “Music Is My Life. Louis Armstrong, Autobiography and American Jazz”, by Daniel Stein, in: VJM’s Jazz & Blues Mart, #165 (Winter 2013), p. 29-30 (B)

Rick Kennedy: Jelly Roll, Bix, and Hoagy. Gennett Studios and the Rise of America’s Grassroots. Revised & Expanded, Bloomington 2013 [book: University of Indiana Press], p. 86-89 (F: chapter “A New Wind Is Blowing Through Chicago. Louis Armstrong and The red Onion Jazz Babies”)

Jeff Tamarkin: Louis Armstrong – “The Okeh, Columbia & RCA Victor Recordings 1925-1933” (Sony Legacy), in: Jazz Times, 43/2 (Feb.2013), p. 50 (R)

Bert Vuijsje: Fotografie. Louis Armstrong 1965. Life Foes to Blokker, in: (NJA) Jazz Bulletin, #86 (Mar.2013), p. 24-29 (F/photos: Louis Armstrong in Blokker, Netherlands)

Stanley Crouch: The United States of Louis Armstrong. We still have reason to hope, even in this age of Lil Wayne, in: New York Daily News, 6.May 2013 (F) [digi.copy]

Sascha Kröner: Schlauer als der Brockhaus. Der Jazzclub Schwalbach hat einen exzellenten Louis-Armstrong-Kenner in seinen Reihen, in: Main-Taunus Kreisblatt, 22.May 2013, p. 13 (F/I with Dieter Andreas) [digi.copy]

Hans-Jürgen Schaal: Augenblicke für die Ewigkeit. Große Bläsersoli im Jazz. 1. Der Prototyp: Big Butter and Egg Man (1926), in: Clarino.print, Jun.2013, p. 42-43 (F)

John McDonough: Historical. Satchmo’s Sounds for the Ages. “Satchmo at Symphony Hall / 65th Anniversary. The Complete Performances” (Hip-O Select 602537038213); “Louis Armstrong. The OKeh, Columbia & RCA Victor Recordings – 1925-1933” (Sony/Legacy 88697945652), in: Down Beat, 80/6 (Jun.2013), p. 78 (R: 4 stars; 5 stars) [digi.copy]

Geraldine Wyckoff: Make a Wish. Firecracker Baby. Will we ever know Louis Armstrong’s true birthday?, in: OffBeat, Aug.2013, p. 28 (F)

Steven Zeitchik: After ‘The Butle’, could Louis Armstrong be far behind for Whitaker?, in: Los Angeles Times, 3.Sep.2013 (F: about planned Louis Armstrong biopic) [digi.copy]

Bob Porter: “Louis Armstrong’s Hot Five and Hot Seven Recordings” by Brian Harker, in: IAJRC Journal, 46/3 (Sep.2013), p. 31 (B)

Ken Palmer: Armstrong with Henderson, in: Just Jazz Magazine, #185 (Sep.2013), p. 7-8 (F)

Ula Ilnytzky: Jazz mecca. Louis Armstrong’s understated home untouched in Queens, in: Argus Leader, 27.Oct.2013 (F/I with Michael Cogswell) [digi.copy]

“J.R.”: “Louiss Armstrong’s Hot Five and Hot Seven Recordings”, by Brian harker, in: Bulletin du HCF, #624 (Oct.2013), p. 22-23 (B)

Julian Schunter: Innovativ und voller Drive. Louis Armstrongs Solo über “Struttin’ With Some Barbecue”, in: Jazz Zeitung, 38/5 (Nov/Jan.2013/2014), p. 21 (F)

Sandra Baptie: New Orleans should use Duncan Plaza to honor Louis Armstrong: Letter, in: New Orleans Times-Picayune, 18.Dec.2013 (letter: new civil court complex should be used for exhibitions, events) [digi.copy]

Ate van Delden: Doctor Jazz prentenkabinet, in: Doctor Jazz Magazine, #223 (Dec.2013), p. 55 (rare photo: Armstrong at Sunset Café in Chicago)

Ricky Ricardi: Live Louis – Jammin’ at the Cotton Club 1939, in: Doctor Jazz Magazine, #223 (Dec.2013), p. 27-24 (F)

Erik Nylander: Ways of Reading an Armstrong Quote – Moves in the Sociologiy of Music, in: Alf Arvidsson (ed.): Jazz, Gender, Authenticity. Proceedings of the 10th Nordic Jazz Research Conference, Stockholm August 30-31 2012, Stockholm 2014 [book: Svenskt visarkiv] <http://statensmusikverk.se/svensktvisarkiv/jazz-gender-authenticity>, p. 157-172 (F: “All music is folk music. I ain’t never heard no horse sing a song.”) [digi.copy]

Kevin Whitehead: Warum Jazz? 111 gute Gründe, Stuttgart 2014 [book: Reclam], p. 47-48 (F: chapter “Warum machen Jazzer so viel Aufhebens um Louis Armstrong?”)

Rainer Bratfisch: Jazz in Berlin, Berlin 2014 [book: Nicolai Verlag], p. 164-167 (F: chapter “Louis Armstrong in Ost-Berlin”)

David Freeland: Book Review. ‘Louis Armstrong’ by Thomas Brothers. Commercial recordings were merely a sideshow for Louis Armstrong, while for us they are the main event, in: Wall Street Journal, 31.Jan.2014 (B: “Louis Armstrong. Master of Modernism”, by Thomas Brothers) [digi.copy]

Bruce Johnson: “Music Is My Life. Louis Armstrong, Autobiography, and American Jazz”, by Daniel Stein, in: Popular Music, 33/1 (Jan.2014), p. 173-175 (B)

Ethan Iverson: Louis Armstrong and Miles Davis, in: , 11.Mar.2014 (F: Ethan Iverson looks at the relationship between Louis Armstrong and Miles Davis who has been said to have seen Satchmo as an “Uncle Tom”, and then collects Armstrong quotes by Davis which show the younger trumpeter’s respect for the musician Armstrong and his dislike of the entertainer bowing to a white-dominated entertainment industry) [digi.copy]

Andy Webster: A Singular Trumpeter Unreels His Life. Louis Armstrong Reminisces in ‘Satchmo at the Waldorf’, in: New York Times, 20.Mar.2014 (C: play by Terry Teachout at Westside Theater) [digi.copy]

Ricky Riccardi: Lyn Murray on Louis Armstrong, in: [jazz research mailing list], 24.Mar.2014 (F: Louis Armstrong and marijuana) [digi.copy]

Ron Simpson: “Louis Armstrong, Master of Modernism”, by Thomas Brothers, in: The Jazz Rag, #131 (Spring 2014), p. 30 (B)

John Marchese: Back Where He Belonged. An All-Satchmo Day. Ways to Spend a Virtual Day With Louis Armstrong, in: New York Times, 5.Jun.2014 (F: John Marchese visits the Louis Armstrong House Museum in Corona, Queens, where he dives into Armstrong’s private world and would even have been allowed to play one of the master’s trumpet (had he brought his own mouthpiece), then attends a concert by David Ostwald’s band devoted to Satchmo’s music at Birdland, then catches “Satchmo at the Waldorf”, a one-man show by writer Terry Teachout playing on Broadway. On the way he talks to Louis Armstrong House Museum director Michael Cogswell, archivist Ricky Riccardi, Ostwald and the young trumpeter Bria Skonberg, and the actor John Douglas Thompson.) [digi.copy]

Fred Mazelis: Satchmo at the Waldorf in new York. The life and times of jazz great Louis Armstrong, in: World Socialist Web Site, 12.Jun.2014 (Coff-Boradway show by terry Teachout) [digi.copy]

Chris Waddington: Is Louis Armstrong New Orleans’ greatest son? Satchmo Summerfest celebrates his legacy, in: New Orleans Times-Picayune, 30.Jul.2014 (F: On the brink of Satchmo Summerfest in New Orleans, Chris Waddington talks to Louis Armstrong specialist Ricky Riccardi about Armstrong’s importance for 20th century popular culture) [digi.copy]

Edward Black: “Louis Armstrong. Master of Modernism”, by Thomas Brothers, in: Just Jazz Magazine, #195 (Jul.2014), p. 30 (B)

Steve Voce: Still Clinging to the Wreckage. Steve Voce looks forward to a reissue of the 1961 Armstrong/Ellington session and muses on the early 60s tension between bebopper Sonny Stitt and modaliser Miles Davis, in: Jazz Journal, 67/7 (Jul.2014), p. 8-9 (F)

Natalie Pompilio: Ten Things To Know About Louis Armstrong, in: , 4.Aug.2014 (F: On Armstrong’s real birthday, August 4th, Natalie Pompilio writes about “ten things to know about Louis Armstrong”, including information about his birthday, the pronunciation of his first name, his nicknames, his parents, his status as a trumpeter and singer, his outgoing personality, his firm stand against racism, and his relationship to his hometown New Orleans) [digi.copy]

John McDonough: Armstrong & Avakian. By Hook or By Crook. “Columba and RCA Victor Live Recordings of Louis Armstrong and The All Stars” (Mosaic 257), in: Down Beat, 81/8 (Aug.2014), p. 85 (R: 4 1/2 stars) [digi.copy]

Jazz Index

OLYMPUS DIGITAL CAMERADer Jazz Index ist eine computergestützte Bibliographie von Literatur, die im Jazzinstitut Darmstadt einzusehen ist. Wir haben momentan etwa 60 Prozent unseres umfangreichen Zeitschriftenbestandes sowie einen Großteil unseres Buchbestandes indiziert.

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