All posts by admin

2007: Encounters … The World meets Jazz

JFProgrammlogo_2007The 10th Darmstadt Jazzforum from October 4th to 7th, 2007 centered on the subject “Encounters – The World Meets Jazz”. The subject matter was not so much “world music” but rather the fact that jazz was a productive music from the beginning. We were aware, that musicians all over the world who took up jazz had to know and respect its roots as African-American music as well as had to contribute some of their own traditions. The Darmstadt Jazzforum discussed this productive discourse of traditions, the fact that jazz has been influenced by music traditions from all over the globe, from countries and regions in which the jazz tradition meanwhile has been accepted as their own tradition. We planned to discuss such convergences, adaptions or adoptions and will look at ideas which come from ethnic musical genres but so excellently work within the jazz context that it’s difficult to place the results in any of the existing genres. It’s not “world music” and it’s not mainstream jazz either. It’s a creative exchange of ideas which changes jazz.

2009: Albert Mangelsdorff – Tension

programmheftDuring the 11th Darmstadt Jazzforum, a conference dealt with Albert Mangelsdorff, his music, his influence on German jazz history and his role as an integrational figure for German and European jazz. The papers given at the three day conference (Oct 1-3, 2009) not only delved into Mangelsdorff himself, though, but also with German jazz history, with instrumental techniques, with free jazz, with the Frankfurt jazz scene, with the fusion of jazz and rock, with musical communication in an improvised music, with a growing self confidence of European jazz musicians in recent years and with the aesthetic problems and chances of jazz today. The Jazzforum, thus, tried to not just look back but approach the world of today’s jazz as well, which was so strongly influenced by Mangelsdorff’s lifelong musical efforts. The golden thread is perhaps the musical candor, which always shaped Albert Mangelsdorffs aesthetic credo.

The Darmstadt Jazzforum consists of five program parts: (1) an international three day conference, (2) a concert series over more than one week, (3) an exhibition, (4) an evening of rare film footage, and (5) a book documentation of the Jazzforum to be published next year.

The conference from vom 1. to 3. October 2009 will gather musicologists, historians, journalists and scholars from other fields as well as musicians. This year’s speakers include: the musicologist William Bares (Cambridge, USA, Harvard University) talking about the growing assertiveness of European jazz and problems arising from it; the sociologist Silvana Figueroa-Dreher about social order in free jazz improvisation; the art historian René Grohnert (Essen) about poster art in jazz and the graphic designer Günter Kieser; the Journalist Harald Justin (Wien) talking about biographies and autobiographies of jazz musicians (and especially looking at Bruno Paulot’s Albert Mangelsdorff biography); the musicologist Harald Kisiedu (New York, Columbia University) reflecting upon music and politics in the work of Peter Brötzmann; the musicologist Wolfram Knauer (Darmstadt) talking about how German musicians dealt with their national folkloric traditions; the musicologist Kai Lothwesen (Frankfurt) reflecting upon the diversity of today’s European jazz; the musicologist Martin Pfleiderer (Weimar) about vocal expressiveness in instrumental jazz; the journalist Michael Rieth talking about jazz criticism; the historian Rüdiger Ritter (Berlin) with a paper about the Polish pianist Krzysztof Komeda; the journalist Michael Rüsenberg (Köln) explaining “The Making Of” of a lengthy Albert Mangelsdorff film documentary; the journalist, musicologist and lkong-time friend of Mangelsdorff Wolfgang Sandner (Frankfurt) giving a keynopte speech about the trombonist; the musicologist Jürgen Schwab (Hanau) reflecting about the Jazzensemble des Hessischen Rundfunks; and the trombonist Nils Wogram (Zürich) showing trombone techniques and talking about Albert’s influence on trombonists.

The concert series will feature the alto saxophonist Emil Mangelsdorff, Albert’s older brother, in concert with his quartet and in conversation (Sep. 25, 2009); the duo of vibraphonist Wolfgang Schlüter and pianist Boris Netsvetaev in another concert plus conversation event (Sep. 30, 2009); the American trombonist Roswell Rudd in a duo with the pianist Lafayette Harris (Oct. 2, 2009); the German guitar duo of Joe Sachse and Uwe Kropinski; as well as a trio by trombonist Nils Wogram, organist Florian Ross and drummer Dejan Terzic (Oct. 3, 2009).

The concert series lasted from September 25th to October 3rd, 2009; the conference itself took place from October 1st through 3rd, 2009. Participation in the conference was free; concerts and workshop a reasonable admission price was charged.

Calender of jazz events in Darmstadt

Every other month we publish a compilation of upcoming concerts in Darmstadt. Main venues for jazz music in Darmstadt are formost the Centralstation, the cultural center Bessunger Knabenschule, the Jazzclub Darmstadt (Achteckiges Haus) and the cellar underneath the Jazzinstitut.

The “Darmstädter Jazzkalender” can be taken away for free at over 100 distribution points all over the city. The recent issue may also be downloaded as a pdf file here

Jazz at the institute

OLYMPUS DIGITAL CAMERAThe Jazzinstitut established its own venue in its intimate and acoustically outstanding concert space underneath its current residence. Every Friday the venue hosts more or less known artists. An ongoing series entiteled “JazzTalk” invites musicians for a regular concert followed by a public interview onstage. Aditionally Darmstadt’s jazz initiative (Verein zur Förderung des zeitgenössischen Jazz in Darmstadt e.V.) presents its own concert series at the club as well as a jam session (last Friday every month).

Also, the room is let to jazz musicians from around for their own purposes like rehearsals, cd releases or band presentations i.e.. In the attic of the building, the jazz gallery presents alternating exhibitions of visual artists with regard to jazz.

Upcoming Events

Upcoming | Archive: 2018 2017 2016 2015 2014
  • Fri
    26
    Jan
    2018

    Bessunger Jam Session

    20.30 h

    Gewölbekeller unterm Jazzinstitut,
    Eintritt frei

    Opener Band: Mathieu Bech Q'tett

    Mathieu Bech | Klavier
    Axel Zajac | Gitarre
    Michael Haupt | Bass
    Tobias Haußmann | Schlagzeug

    Foto: Mathieu Bech ©

    Der Bremer Pianist und Schlagzeuger Mathieu Bech, der nach seinem Studium in Frankfurt, u.a. bei Christoph Spendel wieder in Norddeutschland lebt, ist musikalisch breit aufgestellt. Er spielte unter anderem als Schlagzeuger mit Big Bands in der Alten Oper und im Sendesaal des Hessischen Rundfunks, gab Klavierabende in Frankfurt, spielte im Duo und im Trio beim Jazzfest der Hochschule für Musik und Darstellende Kunst, Frankfurt und begleitete dort Filme im deutschen Filmmuseum. Seine Mitmusiker sind allesamt ausgezeichnete Solisten, darunter Gitarrist Axel Zajac, der mit seiner deutsch-tschechischen Band Malstrom 2015 den renommierten Europäischen Burghauser Nachwuchs-Jazzpreis erhielt, der Kasseler Bassist Michael Haupt und der aus Oldenburg stammende Schlagzeuger Tobias Haußmann.    

    Anschließend laden der Förderverein Jazz e.V. und das Jazzinstitut Darmstadt Musikerinnen und Musiker am letzten Freitag des Monats zum zwanglosen Musizieren vor Publikum bei freiem Eintritt, das diesmal unter dem vielschichtigen Motto EXPERIMENTAL JAZZ stehen soll.

    Eine Veranstaltung des Fördervereins Jazz e.V.

  • Fri
    09
    Feb
    2018

    Tobias Hoffmann Trio

    20.30 h

    Gewölbekeller unterm Jazzinstitut,
    15,- Euro / erm. 12,- Euro [U21 und Teilhabecard: 3,- Euro]
    Tickets online bei ztix (zzgl. 10% VVK Gebühr)

    Der Weltklassegitarrist aus Nippes

    Tobias Hoffmann | Gitarre
    Frank Schönhofer | Bass
    Etienne Nillesen | Schlagzeug

    Foto: Tobias Hoffmann ©

    Tobias Hoffmann als "derzeit wahrscheinlich besten Jazzgitarristen Deutschlands" zu bezeichnen, wie mancher Journalist hingerissen schreibt, wird weder ihm noch der Wirklichkeit gerecht. Denn irgendwie ist Tobias Hoffmann mehr als nur Jazzgitarrist. Er ist ein Weltklassegitarrist aus Köln-Nippes. Der einzige zumal. Und wie schrieb doch das Eclipsed Magazin so treffend? „Völlig Jazz befreit und doch zu hundert Prozent Jazz.“

    Ein Wandler zwischen den musikalischen Welten, ein schalkhafter Gaukler, ein Till Eulenspiegel der zeitgenössischen, populären Musik, ein braver Soldat Schwejk des Jazz; ebenso leichtfüßig und gewitzt in der Art sich musikalische Fragmente anderer für seine eigene Musik anzueignen, wie augenzwinkernd-sympathisch in der Präsentation.  Ach so, ja ... Tobias Hoffmann ist mit seinen Bands zweifacher Preisträger des Neuen Deutschen Jazzpreis Mannheim, erhielt 2015 den ECHO Jazz (Gitarre Jazz national) mit seinem Trio für das Album "11 Famous Songs Tenderly Messed Up“, dann 2016 auch den WDR-Jazzpreis in der Kategorie "Improvisation". Mögen tun sie ihn also auch noch alle – das Publikum, die Kritiker und die Juroren. Wahrscheinlich also sogar das Darmstädter Publikum.

    Homepage von Tobias Hoffmann

    Eine Veranstaltung des Fördervereins Jazz e.V.

  • Fri
    16
    Feb
    2018

    LISBETH QUARTETT

    20.30 h

    Gewölbekeller unterm Jazzinstitut,
    18,- Euro / erm. 12,- Euro [U21 und Teilhabecard: 3,- Euro]
    Tickets per e-mail reservieren

    YEAH!BANDS! Kein Prinzessinnenjazz, aber ausgesprochen graziös!

    Charlotte Greve | Altsaxophon
    Manuel Schmiedel | Klavier
    Marc Muellbauer | Kontrabass
    Moritz Baumgärtner | Schlagzeug

    Foto: Annika Nagel ©

    Die Band ist neben der Improvisation das beständigste musikalische Konzept des Jazz. Die Idee der Band stand schon am Beginn seiner über 100jährigen Geschichte. Identifizierbar, in fester Besetzung, mit eigenem Sound und unverwechselbarer Klangästhetik, ohne Hierarchie, ohne Heldenverehrung, frei, emanzipiert, als Gemeinschaft von gleichwertigen Individualisten.

    Mit der neuen Reihe YEAH! BANDS! feiert das Jazzinstitut Darmstadt 2018 diese zutiefst demokratische Idee mit außergewöhnlichen Konzerten. Im Februar kommt nun das zwischen den Metropolen New York und Berlin pendelnde LISBETH QUARTETT endlich in den Gewölbekeller des Jazzinstituts. 

    2009 gegründet, seit 2012 paritätisch auf Berlin und New York verteilt, wurde das Lisbeth Quartett für seine zweite CD ‚Constant Travellers‘ mit einem Jazz-Echo als Newcomer des Jahres ausgezeichnet. Der Nachfolger ‚Framed Frequencies‘ (2014) erhielt auch international viel Lob, das folgende Live-Album dokumentierte die Spiel- und Improvisationsfreude der Band auf der Bühne.

    Ende Oktober 2017 erschien There Is Only Make (Traumton Records), das neue Album, welches mehr aus dem Bandprozess heraus entstanden ist als frühere Studioproduktionen der Band, wie Saxophonistin Charlotte Greve berichtet. Sie vergleicht den Prozess der vier Musiker*innen mit der Arbeitsweise eines Malers, der nach und nach Details und Tiefe seines Bildes entwickelt. Das Ergebnis sind vielschichtige Stücke, die zwischen ruhigen Passagen und kräftigen Steigerungen oszillieren. Melodische Bögen und klare Formen, subtiles Zusammenspiel und moderne Haltung zeigen Gestaltungswillen und Charakter. Greves hintergründige, teils lyrische Kompositionen sind im besten Sinne zeitlos, vereinen Tiefgang, unaufdringliche Leichtigkeit und weite Spannungsbögen.

    Der leuchtende, schwebende Ton von Charlotte Greves Altsaxophon, ihre klaren bis verschlungenen Modulationen werden von ihren profilierten Partnern beflügelt. Marc Muellbauers distinguierte Basslinien sind viel mehr als nur Grundierung, Pianist Manuel Schmiedel kreiert phantasievolle Panoramen und Soli, Moritz Baumgärtners unkonventionelles, klangvoll-dynamisches Schlagzeugspiel befeuert rhythmische Finessen. Aus all dem entsteht der innige, pointierte und graziöse Sound des Lisbeth Quartetts.

    „Nichts ist in dieser Musik vorhersehbar, nichts ist sicher. Das junge Lisbeth Quartett gibt eine Demonstration der Reife.“ DIE ZEIT #44, Stefan Hentz

    Homepage des Lisbeth Quartett

    Eine Veranstaltung des Jazzinstituts Darmstadt

  • Thu
    22
    Feb
    2018

    Ramón Valle Trio

    20.30 h

    Gewölbekeller unterm Jazzinstitut,
    18,- Euro / erm. 12,- Euro [U21 und Teilhabecard: 3,- Euro]
    Tickets per e-mail reservieren

    Special: Kubanischer Tastenzauberer

    Ramón Valle | Klavier
    Omar Rodriguez Calvo | Kontrabass
    Jamie Peet | Schlagzeug

    Foto: Gerhard Richter ©

     

    Homepage von Ramón Valle

    Eine Veranstaltung von beyond blue - Connection / creActiv e.V. in Zusammenarbeit mit dem Jazzinstitut Darmstadt

  • Fri
    23
    Feb
    2018

    Bessunger Jam Session

    20.30 h

    Gewölbekeller unterm Jazzinstitut,
    Eintritt frei

    Opener Band: Bigband der Georg-Christoph-Lichtenberg-Schule unter der Leitung von Uli Partheil

    Foto: Jazzinstitut ©

    Die Bigband der Gesamtschule aus Ober-Ramstadt ist inzwischen routinierter Gast bei den Sessions im Gewölbekeller des Jazzinstituts. Und wenngleich die Besetzung der der Formation naturgemäß von Jahr zu Jahr wechselt und stets auch einige Newcomer dabei sind, treten die jungen Musikerinnen und Musiker im Alter zwischen 12 und 18 Jahren mit erstaunlicher Versiertheit und einer gehörigen Portion Gelassenheit bei ihrem Eröffnungsset der Session vor großem Publikum auf. Das ist vor allem das Verdienst ihres langjährigen musikalischen Leiters Uli Partheil, der mit großem pädagogischen Geschick, Jahr um Jahr die Talente zu Höchstleistungen motiviert. 

    Anschließend laden der Förderverein Jazz e.V. und das Jazzinstitut Darmstadt Musikerinnen und Musiker am letzten Freitag des Monats zum zwanglosen Musizieren vor Publikum bei freiem Eintritt, das diesmal unter dem Motto "Jugend jazzt" stehen soll.

    Eine Veranstaltung des Fördervereins Jazz e.V.

  • Fri
    02
    Mar
    2018

    KHR Trio + Thewes

    20.30 h

    Gewölbekeller unterm Jazzinstitut,
    15,- Euro / erm. 12,- Euro [U21 und Teilhabecard: 3,- Euro]
    Tickets online bei ztix (zzgl. 10% VVK Gebühr)

    Finissagekonzert der Ausstellung von Werner Mansholt

    Christof Thewes | Posaune
    Thomas Honecker | Gitarre
    Wolfgang Reimers | Saxophon
    Detlef Kraft | Schlagzeug

    Foto Wilfried Heckmann©

    Die Ausstellung "Besuch bei Detlef Kraft" in der OPENGALLERY des Jazzinstituts zeigt noch bis Ende Februar die Aufnahmen einer 2013 im Atelier des Darmstädter Bildhauers und Musikers Detlef Kraft entstandenen Fotoserie des Fotografen Werner Mansholdt. Die Finissage wird mit einem Konzert des KHR - Trios und dem Gastsolisten Christof Thewes begangen.

    Der Saarländer Thewes bezeichnet sich selbst gerne als Freund der experimentellen Sinneswahrnehmung. Dabei ist er natürlich weit mehr, denn er erzeugt gerne selbst diese Art überraschender Sinneswahrnehmung bei seinen Zuhörern. Als einer der experimentierfreudigsten und originellsten Posaunisten der deutschen Szene gehört er längst zu den gefragtesten Kooperationspartnern des zeitgenössischen Jazz, sei es in Alexander von Schlippenbachs Globe Unity Orchestra, Uwe Obergs Lacy Pool oder dem Berliner Free Jazz Quartett SQUAKK mit Rudi Mahal, Jan Roder und Michael Griener. Soweit es seine Zeit zulässt tritt er auch mit dem Darmstädter Trio KHR auf, zu dem auch der auf Mansholdt Bildern so treffend porträtierte Bildhauer und Schlagzeuger Detlef Kraft gehört.          

    Eine Veranstaltung des Fördervereins Jazz e.V.

  • Fri
    16
    Mar
    2018

    Fly Magic

    20.30 h

    Gewölbekeller unterm Jazzinstitut,
    18,- Euro / erm. 12,- Euro [U21 und Teilhabecard: 3,- Euro]
    Tickets per e-mail reservieren

    YEAH!BANDS! Rockin' music with a jazzy attitude

    Timo Vollbrecht | Tenorsaxophon, Klarinette, effects
    Keisuke Matsuno | Gitarre
    Felix Henkelhausen | Kontrabass
    Sebastian Merck | Schlagzeug

    Foto: Tayla Nebesky ©

    Die Band ist neben der Improvisation das beständigste musikalische Konzept des Jazz. Die Idee der Band stand schon am Beginn seiner über 100jährigen Geschichte. Identifizierbar, in fester Besetzung, mit eigenem Sound und unverwechselbarer Klangästhetik, ohne Hierarchie, ohne Heldenverehrung, frei, emanzipiert, als Gemeinschaft von gleichwertigen Individualisten.

    Mit der neuen Reihe YEAH! BANDS! feiert das Jazzinstitut Darmstadt 2018 diese zutiefst demokratische Idee mit außergewöhnlichen Konzerten. Im März kommt nun mit der deutsch-amerikanischen Band FLY MAGIC eine der großen postiven Überraschungen des vergangenen Jahres mit neuer CD im Gepäck nach Darmstadt. 

    Fly Magic ist noch so ein Brückenprojekt der Jazzstädte New York und Berlin. Der aus Berlins pulsierender Improvisationsszene stammende Saxophonist Timo Vollbrecht hat mit seinem langjährigen, kongenialen musikalischen Partner, dem deutsch-japanischen Gitarristen Keisuke Matsuno, eine Band geformt, die ihren Brennstoff aus der kulturellen Diversität und den urbanen Sounds der Großstädte gewinnt. Dabei entsteht eine zauberhafte Mischung aus temperamentvoller Energie und emotionaler Intensität, die einen einzigartigen Sound erzeugt. Die Zuhörer erfasst dabei „ein prickelndes Gefühl, das dem des Fliegens gleichkommt“, wie das amerikanische Online-Magazin All About Jazz schwärmt.

    Die Musik des Quartetts, zu dem noch der aus Oldenburg stammende Bassist Felix Henkelhausen und der deutsche Top-Schlagzeuger Sebastian Merck gehören, ist durch ihren rhythmischen Fluss und überraschenden Wechsel so dynamisch und erregend wie ein wilder Flug durch die Häuserschluchten Manhattans. Überhaupt, New York ist zur musikalischen Heimat des Quartetts geworden, das aber auch schon auf Auftritte in Berlin, Panama, Haiti, der Dominikanischen Republik, Australien und Singapur zurückblicken kann.

    Und überall spielt das Publikum für die vier Musiker eine wichtige Rolle. „Das mag vielleicht ein bisschen esoterisch klingen, aber dem Publikum kommt eine entscheidende Bedeutung bei“, sagt Vollbrecht und erklärt: „Es ist eine wechselseitige Beziehung aus Geben und Nehmen – selbst in Momenten, in denen die Besucher passiv zu sein scheinen, es in Wahrheit aber gar nicht sind. Deswegen versuchen wir, jeden einzelnen Zuschauer mit mindestens einem Stück direkt zu erreichen. Selbst wenn es tatsächlich nur ein einziges Stück ist, bei dem es zu einer solchen unmittelbaren Verbindung kommt, ist das eine sehr wertvolle Erfahrung, die weit mehr ist, als pure Unterhaltung. Natürlich ist Unterhaltung an sich großartig, hier geht es aber vor allem um Ehrlichkeit. Wir stellen uns doch auch so auf die Bühne wie wir wirklich sind und verhalten uns entsprechend. Wer sich verstellt, fliegt schnell auf.“

    New York mit seinen zahlreichen, unterschiedlichen Facetten aber bleibt für die Band die Hauptinspiration. „Es schärft deine musikalischen Antennen und hält dich auf Trab“, erklärt der Saxofonist. In Berlin empfindet er das Grundtempo zwar als etwas langsamer, dafür schätzt er die Spree-Metropole wegen ihrer enorm kreativen und dynamischen Musik-Szene. Dieser Szene fühlen sich vor allem Vollbrecht und sein Kumpel und Gitarrist Keisuke Matsuno bis heute zugehörig, auch wenn sie sich grundsätzlich eher als Europäer denn als Deutsche sehen.

    Homepage von Fly Magic

    Eine Veranstaltung des Jazzinstituts Darmstadt

  • Fri
    23
    Mar
    2018

    Jürgen Wuchner's New Quartet

    20.30 h

    Gewölbekeller unterm Jazzinstitut,
    15,- Euro / erm. 12,- Euro [U21 und Teilhabecard: 3,- Euro]
    Tickets online bei ztix (zzgl. 10% VVK Gebühr)

    Tänzelnde Musik geht neue Wege

    Peter Feil | Posaune
    Jürgen Wuchner | Kontrabass
    Wollie Kaiser | Saxophone, Bassklarinette, Querflöte
    Uli Schiffelholz | Schlagzeug

    Foto: Ben Knabe©

    Nach dem traurigen Tod seines großartigen Freundes und Schlagzeugers, Janusz Stefanski, sucht Jürgen Wuchner neue musikalische Konstellationen sein kompositorisches Material umzusetzen. Dass er dabei wieder auf den Saxophonisten Wollie Kaiser zurückgreift, ohnehin ein vertrauter und langjähriger musikalischer Wegbegleiter Wuchners, war naheliegend. Mit dem Posaunisten der hr-Bigband, Peter Feil, hat er einen neuen tieftönenden und zudem ausgesprochen originellen Begleiter aufgetan, wie zuvor schon in seinem Projekt Deep Talking den Akkordeonisten Manfred Becker. In dem Frankfurter Schlagzeuger Uli Schiffelholz, seit 2010 Mitglied im Jazzensemble des Hessischen Rundfunks, hat Wuchner sogar einen würdigen Nachfolger Stefanskis gefunden, der zudem durch viele Kooperationen mit Wuchners tänzerischer, oft humorvoller Musik bereits bestens vertraut ist.      

    Eine Veranstaltung des Fördervereins Jazz e.V.

  • Fri
    30
    Mar
    2018

    Bessunger Jam Session

    20.30 h

    Gewölbekeller unterm Jazzinstitut,
    Eintritt frei

    Opener Band: Gebrüder Lux feat. Hanna Faller

    Hanna Faller | Gesang
    Pablo Bischoff | Gitarre
    Jan Philipp Kluck | Trompete
    Crisóbal Gonzales | Bass
    Enrico Bischoff | Schlagzeug


    Foto: Gebrüder Lux Promo ©

    Die Darmstädter "Gebrüder Lux" liefern eine liquide Melange aus lebendigen Melodien und Raum zur ausufernden Improvisation. Die Melodien kommen meist aus dem Bossa Nova, gepaart mit südamerikanischen und andalusischen Harmonien und Rhythmen. Die Brüder Pablo (Gitarre) und Enrico (Schlagzeug) Bischoff  haben mit dem Trompeter Jan Philipp Kluck und dem Bassisten Cristóbal Gonzalez eine recht eigenwillige Art entwickelt ihre Stücke darzubieten. Ergänzt werden sie durch die Stimme der Sängerin Hanna Faller. Mit ihr werden Eigenkompositionen sowie Standards unter anderem von Tom Jobim zu hören sein.

    Anschließend laden der Förderverein Jazz e.V. und das Jazzinstitut Darmstadt Musikerinnen und Musiker am letzten Freitag des Monats zum zwanglosen Musizieren vor Publikum bei freiem Eintritt, das diesmal unter dem vielschichtigen Motto LATINO JAZZ stehen soll.

    Eine Veranstaltung des Fördervereins Jazz e.V.

  • Fri
    06
    Apr
    2018

    72. Frühjahrstagung des INMME

    22.30 h

    Gewölbekeller unterm Jazzinstitut,
    Eintritt frei

    Nachtkonzert: Gegenwartsmusik als Forschung und Experiment

    Die Tagung geht aus von der Neigung vieler heutiger Komponistinnen und Komponisten, ihr Schaffen in spezifischer Weise als Forschung bzw. Erkenntnispraxis zu begreifen, um etwa neue Strategien der Klang- oder Formgestaltung, ungewöhnliche Darstellungen von Instrumenten, Körpern oder technischen Mitteln oder aber neue Möglichkeiten des künstlerischen Zusammenwirkens zu erproben. Aus diesem Selbstverständnis heraus ergeben sich höchst unterschiedliche Fragestellungen und Ansätze, die in ihrer Pluralität auf die Vielfalt der heutigen Gegenwartsmusik deuten – und in den Vorträgen, Workshops und Konzerten der Frühjahrstagung erlebbar gemacht sowie befragt werden sollen.

    Fast schon traditionell findet der Abschluss der Tagung mit einem Nachtkonzert im Gewölbekeller unter der Jazzinstitut statt. Die Künstler die dabei in diesem Jahr auftreten werden stehen im Moment noch nicht fest, werden aber rechtzeitig bekannt gegeben.

    Eine Veranstaltung des Instituts für Neue Musik uns Musikerziehung e.V.

  • Fri
    13
    Apr
    2018

    Quiet Fire

    20.30 h

    Gewölbekeller unterm Jazzinstitut,
    18,- Euro / erm. 12,- Euro [U21 und Teilhabecard: 3,- Euro]
    Tickets per e-mail reservieren

    YEAH!BANDS! Die Liebe zum Sturm und der Ruhe davor

    James Wylie | Altsaxophon
    Benjamin Schäfer | Klavier
    Kathrin Pechlof | Harfe
    Igor Spallati | Kontrabass
    Max Andrzejewski | Schlagzeug

    Foto: Lutz Voigtländer ©

    Die Band ist neben der Improvisation das beständigste musikalische Konzept des Jazz. Die Idee der Band stand schon am Beginn seiner über 100jährigen Geschichte. Identifizierbar, in fester Besetzung, mit eigenem Sound und unverwechselbarer Klangästhetik, ohne Hierarchie, ohne Heldenverehrung, frei, emanzipiert, als Gemeinschaft von gleichwertigen Individualisten.

    Mit der neuen Reihe YEAH! BANDS! feiert das Jazzinstitut Darmstadt 2018 diese zutiefst demokratische Idee mit außergewöhnlichen Konzerten. Im April hinterlässt mit QUIET FIRE ein All-European Quintett mit der deutschen Harfenistin Kathrin Pechlof und Wurzeln in Deutschland, Polen, Italien und Griechenland seine besondere klangliche Visitenkarte im Jazzinstitut. 

    Quiet Fire vereint fünf der spannendsten Stimmen der jungen europäischen Jazzszene. Von quiet bis fire – lotet das hochkarätig besetzte Quintett Spannungs- und Gemütszustände aus. Die Band liebt den Sturm ebenso wie die Ruhe davor, umarmt Gewissheiten und wirft sie dann freudig über Bord, entwirft zeitlose Schönheiten für den verklingenden Moment. Ihr Ziel ist es, Musik zu schaffen, die ebenso musikalisch gehaltvoll wie emotional zugänglich ist.

    Mit Quiet Fire versuchen die fünf so unterschiedlichen Musiker also scheinbar Gegensätzliches zu verbinden. Komponierte Anteile der Musik treffen auf Phasen freier Improvisation. Für sie entspricht die Interaktion innerhalb der Band einer mal gelenkten, mal ungesteuerten Konversation mit offenem Ausgang, in der alle Musiker mit eigener Stimme und eigenen Inhalten beitragen. Dabei entsteht eine Musik, die Genregrenzen überwindet und in der unterschiedlichste musikalische Ausdrucksweisen quasi organisch verschmelzen.

    Das Repertoire stammt größtenteils aus der Feder des Pianisten Benjamin Schaefer und verbindet dessen Liebe zur Komposition mit der Lust an Experimenten und spontaner Interaktion. Der mehrfach ausgezeichnete Pianist schätzt das gemeinsame Musikmachen als Gesprächssituation in einer abstrakten Sprache. Für seine neueste Unterhaltung öffnet er musikalische Räume, in denen fünf faszinierende Persönlichkeiten sich entfalten, einander herausfordern und unterstützen können. Einen besonderen Reiz bietet die Integration der Harfe in den Jazzkontext – ein Instrument mit ganz eigenem Klang, das wie das Klavier sowohl Melodie- als auch Harmoniefunktionen übernehmen oder ein rhythmisches Fundament liefern kann.

    Beinahe hätte es diese wundervolle Band nicht mehr gegeben, denn entstanden ist sie während der gemeinsamen Zeit in Berlin. Doch dann zog es den Neuseeländer James Wylie ins Ferne Thessaloniki, Pianist Benjamin Schäfer verschlug es erst nach Köln und schließlich der Liebe wegen nach Hamburg. Schlagzeuger Max Andrzejewski feiert indes mit seiner eigenen Band HÜTTE international große Erfolge, während Kathrin Pechlofs Harfe im eigenen Trio (Kontrabass Robert Landfermann, Saxophon Christian Weidner), aber auch im Bereich der Klassik oder dem Techno-Projekt Brandt-Bauer-Frick, heiß begehrt ist. Der italienische Kontrabassist Igor Spallati studierte wie Pechlof am Jazz-Institut Berlin und

    Darmstadt kann sich freuen, dass es diese Band immer noch gibt. Eine begeisterte Konzertbesucherin brachte es folgendermaßen auf den Punkt: „Das einzige, was schade ist, sind die Pausen zwischen den Stücken – man möchte einfach immer weiter zuhören.“

    Homepage von Quiet Fire  

    Eine Veranstaltung des Jazzinstituts Darmstadt

  • Sat
    28
    Apr
    2018

    Bessunger Frühlingserwachen

    20.30 h

    Gewölbekeller unterm Jazzinstitut,
    Eintritt frei

    Opener Band: Outline 18

    Anke Schimpf | Altsaxophon, Querflöte
    Frauke Kühner | Tenorsaxophon
    Michael Bossong | Sopransaxophon
    Christian Ries | Gitarre
    Uli Partheil | Klavier
    Michael Distelmann | Bass
    Max Appel | Schlagzeug

    Foto:  Peter Gerhard©

    Das "Frühlingserwachen" gehört mittlerweile beinahe schon zu den historischen Volks- und Straßenfesten in Darmstadt südlichem Stadtteil Bessungen. Ein Ereignis, bei dem eine Nacht lang die Livemusik dieses ohnhin kulturell so lebendige Quartier rund um Orangerie und Bessunger Jagdhof regiert. Neben Jazzinstitut, Jagdhofkeller und Knabenschule spielt in vielen Kneipen handgemachte Musik bei freiem Eintritt.    

    Outline ist die sich ständig wandelnde Allstar-Besetzung des Vereins zur Förderung des zeitgenössischen Jazz in Darmstadt e.V., denn hier greifen die Veranstalter noch selbst zu den Instrumenten. Förderverein und das Jazzinstitut Darmstadt laden heute im Gewölbekeller eine Darmstädter zum Konzert. Dafür entfällt im April die bei Musikerinnen und Musiker der Rhein-Main-Region so beliebte Bessunger Jam Session.

    Eine Veranstaltung des Fördervereins Jazz e.V.

Jazz Index: Peter Brötzmann

Example for a Jazz Index on Peter Brötzmann

————————————————-

Jazz Index – created on 13. August 2014

The following bibliographical information is drawn from periodicals and books present in the archive of the Jazzinstitut Darmstadt. Our extensive periodical collection comprises more than 55,000 issues of some 1,050 jazz periodicals. Close to two-thirds of the collection has been indexed.

Following the more recent entries are abbreviations denoting the nature of the material in the respective articles. These symbols are:

[A] = analytical remarks
[B] = extensive book review
[BT] = blindfold test
[C] = concert review
[D] = discography
[F] = feature article
[I] = interview
[“I”] = article written by the respective musician himself
[N] = (very short) news item
[O] = obituary
[R] = extensive record review
[T] = transcription

The Jazz Index is a service of the…

Jazzinstitut Darmstadt, Bessunger Strasse 88d, D-64285 Darmstadt, Germany
phone ++49 (6151) 963740, fax ++49 (6151) 963744

This bibliography has been compiled and mailed by … Jazzinstitut Darmstadt,
e-mail: jazz@jazzinstitut.de, Internet: www.jazzinstitut.de

Brötzmann, Peter (ts * b: 6.Mar.1941, Remscheid/Germany; Lexikon: Feather [1976,1999]; Companion [1987]; New Grove [1988,2001]; rororo [1988]; Reclam [1989]; Dictionnaire [1988,1995]; MusicHound [1999]; Rough Guide [1999,2000]; Wölfer [2008]; vertical file: Peter BRÖTZMANN [1986-1987,1992-1995,1999,2002,2006])

***

J.-M. Fehlhaber: Das Peter Brötzmann Trio in Aachen, in: Sounds, 1/1966-67, p. 25-26 (C)

Rainer Blome: Ein neues Gesicht im Jazz. Peter Brötzmann, in: Jazz Podium, 125/8 (Aug.1966), p. 216 (F/I) [digi.copy]

Rainer Blome: Peter Brötzmann – Do It Yourself / Peter Brötzmann Trio, in: Sounds, 4/1967, p. 33-34 (R)

Manfred Miller: Irene Schweizer / Peter Brötzmann. Deserving of wider recognition, in: Jazz Podium, 16/3 (Mar.1967), p. 86-87 (F) [digi.copy]

NN: Jazz in Deutschland 1967. Die Musiker. Peter Brötzmann Trio, in: Jazz Podium, 16/3 (Mar.1967), p. 66 (F) [digi.copy]

NN: Free Jazz – Pop Jazz. Jazz – unverständlich oder populär? Klaus Doldinger und sein Quartett, Vertreter des modernen Jazz und Peter Brötzmann und sein Trio, exponierte freejazzer, liefern sich musikalisch und in der Diskussion eine harte Auseinandersetzung, in: [WDR archive, call slip], 12.May 1967 (call slip; no further information; video not available at the Jazzinstitut) [digi.copy]

Keith Knox: Peter Brötzmann, in: Jazz Monthly, #155 (Jan.1968), p. 15 (F)

Siegfried Schmidt-Joos: “Weil viele Dinge geändert werden müssen.” Ein Interview mit Peter Brötzmann, in: Jazz Podium, 17/4 (Apr.1968), p. 128-129 (I) [digi.copy]

NN: Wohlklang nein. “Machine Gun” (Brötzmann 2), in: Der Spiegel, 10.Sep.1968, p. 195 (R) [digi.copy]

Manfred Miller: Peter Brötzmann, in: Sounds, #8 (Sep.1968), p. 16-17 (F)

H.D. Schelte: Peter Brötzmann und die Jazzkritik, Köln 1969 [book: Sounds], passim (F/A: “Machine Gun”) [digi.copy]

Günther Eichler: Zwischen Klarheit und Chaos. Konstruktivismus und Free Jazz im Darmstädter Studentenkeller, in: Darmstädter Echo, 6.May 1969 (C: Peter Brötzmann, Fred van Howe, Peter Kowald, Sven Ake Johansson) [digi.copy]

NN: “Brötzmann kommt”, in: [concert info], Darmstadt, 19.Jun.1969 (short F) [digi.copy]

NN: Das neue Profil der deutschen Jazzmusiker. Peter Brötzmann, in: Jazz Podium, 19/3 (Mar.1970), p. 91-92 (F)

R. Williams: “Nipples” Is Outstanding, in: Melody Maker, 21.Nov.1970, p. 32 (R)

European Jazz Personalities. German Federal Republic, Part 1, in: Jazz Forum, #13/14 (Fall/Winter 1971), p. 108 (short F: biography)

Dieter Zimmerle: Brötzmann Trio, in: Jazz Podium, 20/8 (Aug.1971), p. 280-286 (F/I with Peter Brötzmann, Fred van Hove, Han Benning) [digi.copy]

Nele Hertling & Peter Brötzmann & Jost Gebers: Free Jazz und Kinder. 15 Kinder & Brötzmann, Van Hove, Bennink, in: Free Jazz und Kinder [EP], FMP S 1/2 (1972) (F/”I”: liner notes) [digi.copy]

W.P.: Peter Brötzmann + Albert Mangelsdorff, in: Sounds, 6/1972, p. 36 (R)

NN: Platte des Monats. Peter Brötzmann Trio + Albert Mangelsdorff, in: Jazz Podium, 21/2 (Feb.1972), p. 34 (R)

R. Williams: Blasting Berlin, in: Melody Maker, 5.Feb.1972, p. 34 (R: Florence Nightingale / The End u.a.)

NN: Brötzmann-van Hove-Bennink, in: Jazz Podium, 21/4 (Apr.1972), p. 104-105 (F)

Peter Schulze: Free Jazz ohne Publikum, in: Jazz Podium, 21/9 (Sep.1972), p. 15-17 (F/I)

NN: Free-Jazz-Förderung, in: Der Spiegel, 19.Mar.1973, p. 137 (short F/I) [digi.copy]

D. Pennequin: Onze Européens parlent de leur musique. Peter Brötzmann, in: Jazz Magazine, #220 (1974), p. 19-21

Gérard Rouy: Brötzmann-Mangelsdorff (Musée d’Art Moderne de la Ville de Paris, in: Jazz Magazine, #220 (1974), p. 4-5

Alfred König: Podium Jam Session. Brötzmann “Einheitsfrontlied”, in: Jazz Podium, 23/1 (Jan.1974), p. 27 (letter)

Werner Panke: A Portrait of Peter Brötzmann, in: Jazz Forum, #38 (Dec.1975), p. 46-48 (F/I)

Peter Brötzmann & Jost Gebers: Free Jazz und Kinder, in: Jost Gebers (ed.): For Example. Workshop Freie Musik 1969-1978. Photographs, Documents, Statements, Analyses, Berlin 1978 [book/LP booklet: FMP/Free Music Production], p. 21 (“I”)

Peter Brötzmann: 10mal Spaß und Musik / Ten Times Fun and Music, in: Jost Gebers (ed.): For Example. Workshop Freie Musik 1969-1978. Photographs, Documents, Statements, Analyses, Berlin 1978 [book/LP booklet: FMP/Free Music Production], p. 126a-127a (“I”)

H. Lukas Lindenmaier: Peter Brötzmann. Interview, in: Cadence, 4/10 (Oct.1978), p. 3, 5-7, 20, 22 (I) [digi.copy]

Werner Panke: Ohne Kompromiß. Weg mit den Jugendsünden des Jazz!, in: Fono Forum, 10/1979, p. 56-57

John Fordham: Storm, in: John Fordham: Shooting from the Hip. Changing Tunes in Jazz, London 1996 [book: Kyle Cathie Limited], p. 83-84 (C; Reprint, from: The Guardian, Oct.1980)

Bert Noglik: Peter Brötzmann, in: Bert Noglik: Jazz-Werkstatt International, Berlin 1981 [book], p. 190-211 (I)

Bernd Ogan: Peter Brötzmann Trio. Aggressivität und Nuancenreichtum, in: Jazz Podium, 30/3 (Mar.1981), p. 22-23

Philippe Haller: Jazz en direct. Peter Brötzmann, in: Jazz Magazine, #296 (Apr.1981), p. 14-15 (C)

Werner Panke: Brötzmann-Schönenberg. Unüberhörbare Annäherungen, in: Jazz Podium, 31/2 (Feb.1982), p. 19

Bernd Ogan: Peter Brötzmann Trio. Überraschende, unkalkulierbare Variationen und Spielarten, in: Jazz Podium, 31/5 (May 1982), p. 25

Peter Kostakis: Peter Brötzmann & Harry Miller & Louis Moholo – “Opened, But Hardly Touched” (FMP), in: Down Beat, 50/4 (Apr.1983), p. 30-32 (R)

Peter Brötzmann: Pieces for Reed-Instruments Solo, Berlin 1984 [sheet music: FMP/Free Music Production] (T)

H.D. Grünfeld: Interview mit Peter Brötzmann. Zu Kurz gekommen: die Klarinette, in: Jazz Podium, 33/11 (Nov.1984), p. 7-8 (I)

Steve Lake: Great Recordings. The Peter Brötzmann Octet – Machine Gun, in: The Wire, #13 (Mar.1985), p. 45 (F/R)

Bernd Ogan: Brötzmann/Hannes Bauer/Bennink (im Nürnberger Jazzstudio), in: Jazz Podium, 34/5 (May 1985), p. 19 (C)

D. Ilic: Peter Brötzmann – 14 Love Poems, in: The Wire, #23 (1986), p. 52 (R)

NN: Szene. Lärm pur von “Last Exit”, in: Der Spiegel, 19.May 1986, p. 185 (short F) [digi.copy]

Steve Lake: Last Exit. The Living End, in: The Wire, #29 (Jul.1986), p. 22-23, 25 (I with Peter Brötzmann, Bill Laswell, Ronald Shannon Jackson, Sonny Sharrock)

Werner Wenzel: Brötzmann – Harth. Offener Austausch, in: Jazz Podium, 35/8 (Aug.1986), p. 27 (C)

Ekkehard Jost: Sieben Wege, ins Freie zu gelangen. Peter Brötzmann: For Adolphe Sax [p. 99-102 (F/A)], Brötzmann – van Hove – Bennink [p. 121-134 (F/A)], in: Ekkehard Jost: Europas Jazz 1960-80, Frankfurt/Main 1987 [book]

Bill Shoemaker: Han Bennink & Peter Brötzmann. First Entrances and Last Exits, in: Down Beat, 54/1 (Jan.1987), p. 24-26 (F/I)

Bill Shoemaker: Peter Brötzmann & Bill Laswell – “Low Life” (Celluloid), in: Down Beat, 54/8 (Aug.1987), p. 40 (R)

Thomas Tang: Peter Brötzmann & Alfred Harth. Offener Austausch, in: Jazz Podium, 36/12 (Dec.1987), p. 31 (C) [digi.copy]

Michael Rüsenberg: Es ist nicht das Metall – Peter Brötzmann, in: Ekkehard Jost & Annette Hauber & Klaus Wolbert (Hgg.): That’s Jazz. Der Sound des 20. Jahrhunderts, Darmstadt 1988 [book], p. 685-687 (I)

James Brinsfield: Peter Brötzmann – “Last Exit” (Enemy); “The Noise of Trouble” (Enemy), in: Down Beat, 55/1 (Jan.1988), p. 27-28 (R)

Edward Jarvis: Tyskfrijazz lever och har hälsan, in: Orkester Journalen, 56/4 (Apr.1988), p. 31-33 (R: several records on FMP)

Ulrich Stock: Peter und Caspar Brötzmann. Nie schön. Der Vater macht Free Jazz, der Sohn Rockmusik, in: Die Zeit, 12.Aug.1988 (F/I) [vert.file]

Thomas Tang: Floros Floridis Meets Peter Brötzmann & Paul Lytton. Energy- and Power-Play, in: Jazz Podium, 38/5 (May 1989), p. 34 (C)

Steve Lake: Backgrounds + Reviews. Last Exit – A Lexicon of Lightning, in: Day In Day Out, #4 (1990), p. 35-36 (F/I)

Michael Scheiner: Das Jazz-Portrait. Peter Brötzmann, in: Jazz Zeitung, 15/2 (Feb.1990), p. 2-3 (F/I)

John Fordham: Cabaret for Elephants, in: John Fordham: Shooting from the Hip. Changing Tunes in Jazz, London 1996 [book: Kyle Cathie Limited], p. 226-227 (C; Reprint, from: The Guardian, Oct.1990)

Ekkehard Jost: Free Jazz. Peter Brötzmann – “Machine Gun” (BRO 2), in: Barry Kernfeld (ed.): The Blackwell Guide to Recorded Jazz, Cambridge/MA 1991 [book: Basil Blackwell]¸p. 413-415 (R)

Thomas Mießgang: Peter Brötzmann, in: Thomas Mießgang: Semantics. Neue Musik im Gespräch, Hofheim 1991 [book], p. 61-66 (I)

Thomas Tang: Peter Brötzmann zum 50. Einen kleinen Auschnitt aus einem kleinen Leben erzählen, in: Jazz Podium, 40/3 (Mar.1991), p. 10-12 (I)

Markus Müller: Nachrichten aus der Wirklichkeit. Die ganze Wahrheit in zwei Akten, in: Jazzthetik, 5/5 (May 1991), p. 16-23 (I)

Bert Noglik: Danke und guten Weg. Peter Brötzmann zum 50., in: Neue Zeitschrift für Musik, 152/6 (Jun.1991), p. 30-35 (F/I)

Peter Erik Hillenbach: Familienkrach. Portrait: Brötzmann & Brötzmann, in: Zeitmagazin, 27.Mar.1992, p. 46-48, 52 (F/I)

Gérard Rouy: Jazz en direct. Peter Brötzmann, in: Jazz Magazine, #311 (Oct.1992), p. 6 (C)

Thomas Tang: Peter Brötzmann. Film-Portrait ist meine Sprache, in: Jazz Podium, 42/1 (Jan.1993), p. 29 (C)

John Corbett: Machine Gun Etiquette, in: The Wire, #108 (Feb.1993), p. 42-43, 46-47 (I) [digi.copy]

Gary Parker Chapin: Brötzmann / Van Hove / Bennink plus Albert Mangelsdorff – “Live in Berlin ’71” (FMP CD 34/35), in: Coda, #253 (Jan/Feb.1994), p. 25 (R) [digi.copy]

Manu Holterbach, Jérome Noetinger & Pascal Kobert: Peter Brötzmann, in: Revue & Corrigée, #22 (Dec.1994), p. 20-21 (I)

Bert Noglik: Peter Brötzmann Quartet, in: Jazzfest Berlin ’95, Berlin 1995 [program], p. 58-59 (F)

Gudrun Edel-Rösnes: Peter Brötzmann. När det låter runt, starkt och skönt – då tycker jag om det, in: Gränslöst, #1 (May 1995), p. 12-16 (I)

Peter Kemper: Behutsamer Berserker. Peter Brötzmann als unermüdlicher Prophet des freien Jazz, in: Frankfurter Allgemeine Zeitung, 12.Sep.1995 (F/C) [vert.cile]

Chema Chacón: Peter Brötzmann, in: Margen (Spain), #8 (Winter 1996/1997), p. 39 (F)

Wolfram Knauer: Emanzipation wovon? Zum Verhältnis des amerikanischen und des deutschen Jazz in den 50er und 60er Jahren, in: Wolfram Knauer (Hg.): Jazz in Deutschland, Hofheim 1996 [book], p. 141-157 (F)

Gérard Rouy: Peter Brötzmann. Le free explosif, in: Jazz Actuel, #3 (Apr.1996), p. 4-5 (I)

Ssirus W. Pakzad & Christian Stolberg: Könner an der Kanne, in: WOM Journal, Aug.1996, p. 40 (short F)

Franck Médioni & Alexandre Pierrepont & Gérard Rouy: Albert Ayler. Message reçu, in: Jazz Magazine, #462 (Sep.1996), p. 34 (short I über Albert Ayler)

Jörg Fischer: “Unser Kopf ist rund, damit das Denken die Richtung ändern kann”. Zur stilistischen Entwicklung Han Benninks unter besonderer Berücksichtigung von Einflüssen aus den bildenden Künsten, Mainz 1997 [Examensarbeit], p. 30-31 (A: Brötzmann/van Hove/Bennink: “Balls”, 1970); p. 50-51 (A: Brötzmann/van Hove/Bennink); p. 54-61 (A: Das Spielen mit verschiedenen Idiomen bei Brötzmann/van Hove/Bennink); p. 70-71 (A: “Schwarzwaldfahrt”); passim (F)

Kouichi Ohshima: Peter Brötzmann Discography, Tokyo 1997 [book: Improvised Company] (D)

Gérard Rouy: Les tendres violences de Peter Brötzmann, in: Jazz Magazine, #470 (May 1997), p. 38-39 (I)

Marcello Lorrai: Peter Brötzmann vecchio ragazzo free, in: Musica Jazz, 53/7 (Jul.1997), p. 28-30, 32 (I)

Felix Klopotek: Peter Brötzmann. Saxophonsoloaufnahmen sind heute keine Besonderheiten mehr…, in: Jazzthetik, 11/9 (Sep.1997), p. 52-55 (F/I)

Adam Strider: Peter Brötzmann. Two Nights in New York City, in: Stridernews, #5 (Jul.1998), p. 6-7 (C)

Patrik Landolt: Peter Brötzmann. Genie des Dilettanten. Das große Donnern und der lange Nachhall, in: DU, Jul.1998, p. 70-72 (F)

Bruce Carnevale: Common Currencies. For European jazz musicians bent on freedom and independence, cultural exchange has led to a new definition of terms, in: Jazziz, 15/9 (Sep.1998), p. 116-117 (F/short I with Evan Parker, Peter Kowald, Peter Brötzmann)

Harald Hult: Öppna Öron. Peter Brötzmann, in: Gränslöst, 4/3 (Sep.1998), p. 36-38 (BT: George Lewis: Ice Cream”; Bose Wärmell: “The Golden View”; Don Cherry & Bernt Rosengren: “Brotherhood Suite II”; Anthony Dalgas: “Manes Begoglou”; Ethnic Heritage Ensemble: “Afro Slick”; David Ware: “Blues for a Change”; Lennie Tristano: “Ghost of a Chance”; John Russell & Roger Turner: “Romney Marsh”)

Wolf Kampmann: Peter Brötzmann Chicago Tentet, in: Jazz Fest Berlin ’99, Berlin 1999 [program booklet], p. 22-23 (F)

Bruce Carnevale: Auditions. Peter Brötzmann – “The Chicago Octet/Tentet” (Okla Disk), in: Jazziz, 16/1 (Jan.1999), p. 60 (F/R)

Reiner Kobe: Die Like a Dog Quartet – “Little Birds Have Fast Hearts” (FMP), in: Jazz Podium, 48/1 (Jan.1999), p. 68 (R)

Bob Rusch: Peter Brötzmann Review, in: Cadence, 25/2 (Feb.1999), p. 5-7 (I)

James Hale: Brötzmann 1998, in: Coda, #284 (Mar/Apr.1999), p. 12-14 (F/R)

Sam Prestianni: Peter Brötzmann’s Die Like a Dog Quartet – “Little Birds Have Fast Hearts, No. 1” (FMP), in: Jazziz, 16/3 (Mar.1999), p. 71 (R)

Steven A. Loewy: Peter Brötzmann Unmasked. Leader of the Pack, in: Coda, #284 (Mar/Apr.1999), p. 8-12 (F/I)

Ben Watson: Peter Brötzmann’s Die Like a Dog Quartet – “Little Birds Have Fast Hearts, Volume Two” (FMP), in: Jazziz, 16/7 (Jul.1999), p. 81, 83 (R)

Carina Prange: Peter Brötzmann. Wanderer dies- und jenseits der Grenzen, in: Jazz Podium, 48/10 (Oct.1999), p. 30-31 (I)

John Corbett: Machine Gunners. Evan Parker / Peter Brötzmann, in: Down Beat, 66/10 (Oct.1999), p. 40-44 (F/I); response, by Matt Banash, in: Down Beat, 66/12 (Dec.1999), p. 12 (letter)

Jon C. Morgan: Iron Lungs. After four decades of intense activity, Peter Brötzmann’s spirit is undiminished, in: The Wire, #188 (Oct.1999), p. 26-29 (F/I)

Klaus Mümpfer: Solokonzertreihe der Jazz-Fabrik Rüsselsheim mit Mangelsdorff, Schlippenbach, Brötzmann, in: Jazz Podium, 48/11 (Nov.1999), p. 40 (C)

Mark Greenaway: Peter Brötzmann. Nipples Out Again, in: Avant, #17 (fall 2000), p. 25 (F)

Mike Heffley: Northern Sun, Southern Moon. Identity, Improvisation, and Idiom in Freie Musik Produktion, Middletown/CT 2000 [PhD thesis: Wesleyan University], passim, especially p. 568-571, 583-584, 590-591, p. 676-721 (F/I), p. 1332-1334 (A: “Die Like a Dog”, p. 1335-1337 (A: “For Adolphe Sax”) [digi.copy]

Steve Kulak: Dying Like a Dog. Inside the mind of God: Sunday Morning, Frankfurt, with the Peter Brötzmann Quartet, in: Avant, #14 (Winter 2000), p. 6-9 (F)

Patrick Hughes: Peter Brötzmann’s Die Like a Dog Quartet featuring Roy Campbell – “From Valley to Valley” (Eremite), in: Jazziz, 17/3 (Mar.2000), p. 66-67 (R)

John Corbett: Freeways. A Tour Diary from the Improvised Road with the Peter Brötzmann Chicago Tentet Plus Two, in: Down Beat, 67/10 (Oct.2000), p. 36-39 (F)

Amiri Baraka: Peter Brötzmann Sextet & Quartet – “Nipples” (Unheard Music Series/Atavistic), in: Jazz Times, 30/10 (Dec.2000), p. 148 (R)

Jon Andrews: Peter Brötzmann Chicago Tentet – “Stone/Water” (Okadisk); Peter Brötzmann Sextet/Quartet – “Nipples” (UMS/ALP), in: Down Beat, 67/12 (Dec.2000), p. 76, 78 (R) [digi.copy]

Dan Warburton: On Location. Peter Brötzmann’s Chicago Tentet, Banlieue Bleue Festival, Paris, in: Signal to Noise, #22 (summer 2001), p. 39 (C)

Hannes Schweiger: Peter Brötzmann. Much to Say, in: Jazz Live, 131 (2001), p. 8 (F/I)

Serge Perrot: Peter Brötzmann, in: ImproJazz, #71 (Jan.2001), p. 4-5 (I)

Gérard Rouy: Peter Brötzmann, le colosse de Wuppertal, in: Jazz Magazine, #512 (Feb.2001), p. 24-25 (F/I)

Phil Freeman: Peter Brötzmann Group – “Fuck de Boere” (Atavistic), in: Jazziz, 18/8 (Aug.2001), p. 50 (R)

Andreas Felber: Peter Brötzmann. Teatime in Wuppertal, in: Jazzthetik, 15/11 (Nov.2001), p. 46-48, 50-51 (I) [xerox in vert.file]

Gérard Rouy: Peter Brötzmann, 60 ans saxophoniste, in: Jazz Magazine, #520 (Nov.2001), p. 34-35 (F/I)

Felix Klopotek: Peter Brötzmann, Gregor Hotz. One That Stood Alone, in: Felix Klopotek: How They Do It. Free Jazz, Improvisation und Niemandsmusik, Mainz 2002 [book: Ventil], p. 45-50 (F)

Klaus Mümpfer: Brötzmann-Sommer. Leidenschaftliche Verausgabung, in: Jazz Podium, 51/1 (Jan.2002), p. 43 (C)

Mitch Myers: Peter Brötzmann – “Fuvk de Boere” (Unheard Music/Atavistic); Haaz & Company – “Unlawful Noise” (Unheard Music/Atavistic), in: Down Beat, 69/1 (Jan.2002), p. 73 (R)

Andreas Felber: Der unbezähmbare Realo. Die kultige Sturheit des Peter Brötzmann, in: Jazz Zeit, #30 (Jul/Aug.2002), p. 8 (F/I)

Peter Margasak: Peter Brötzmann, in: Down Beat, 69/9 (Sep.2002), p. 17 (C)

Phil Freeman: Peter Brötzmann Trio – “For Adolphe Sax” (Atavistic), in: Jazziz, 19/10 (Oct.2002), p. 65 (R)

Marc Chénard: Brötzmann + 9 = Wild Nights at the Casa, Casa del Popolo, Montreal, in: Coda, #306 (Nov/Dec.2002), p. 27-28 (C)

Clifford Allen: Peter Brötzmann, in: All About Jazz, #13 (May 2003), p. 5, 17 (I)

Michael Rosenstein: Peter Brötzmann, Four CDs, in: Coda, #309 (May/Jun.2003), p. 23-24 (R)

Bill Shoemaker: Peter Brötzmann & William Parker & Hamid Drake – “Never Too Late but Always Too Early” (Eremite); Peter Brötzmann Die Like a Dog Quartet – “Aoyama Crows” (FMP); Peter Brötzmann Sextet/Quartet – “More Nipples” (Unheard Music Series/FMP Archive Edition), in: Jazz Times, 33/7 (Sep.2003), p. 108 (R)

Georg Kleinert: Peter Brötzmann Chicago Tentet, in: Jazzclub Magazin (Karlsruhe), 18/4 (Sep/Oct.2003), p. 7 (F: concert preview)

Jérôme Baboulène: Eric Dolphy. L’outrepasseur. La jazz dans la troisième dimension, in: Jazz Magazine, #552 (Oct.2004), p. 18-23 (F/short I with Peter Brötzmann, Denis Colin, Han Bennink, Mats Gustafsson, Joe McPhee, Misha Mengelberg, Evan Parker, Michel Portal, Louis Sclavis, Jef Sicard, Ken Vandermark, Otomo Yoshihide, Mike Zwerin)

Chris Kelsey: Peter Brötzmann Chicago Tentet – “Signs” (Okkadisk), in: Jazz Times, 34/10 (Dec.2004), p. 125-126 (R)

David Borgo: Sync or Swarm. Improvising Music in a Complex Age, New York 2005 [book: Continuum], passim (F/A)

Mike Heffley: Northern Sun / Southern Moon. Europe’s Reinvention of Jazz, New Haven 2005 [book: Yale University Press], passim; especially p. 137-145 (F: chapter “Peter Brötzmann (Improvisation)” [digi.copy]; “The ’68ers”); p. 265-266 (F/I: chapter “Peter Brötzmann”) [digi.copy]

Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 2005 [book: Reclam], p. 31-32 (R: “Machine Gun”, FMP); reprint, in: Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 4/2011 [book: Reclam], p. 35-36 (R)

Thomas Loewner: Peter Brötzmann, in: Peter Niklas Wilson (ed.): Jazz Klassiker, Stuttgart 2005 [book: Reclam], p. 659-666 (F)

Ulfert Goeman: Trio Sonore. Überzeugt mit freiem Spiel, in: Jazz Podium, 54/4 (Apr.2005), p. 40 (C)

Christian Broecking: Peter Brötzmann. Harte Arbeit Free Jazz, in: Jazz Thing, #61 (Nov/Jan.2005/2006), p. 78-79 (F/I)

E. Dieter Fränzel & Dietrich Rauschtenberger: Peter Brötzmann. “Wir hatten den Willen, so weit wie möglich zu gehen”, in: E. Dieter Fränzel & JAZZ AGe Wuppertal (eds.): sounds like whoopataal. Wuppertal in der Welt des Jazz, Essen 2006 [book: Klartext], p. 171-181 (I)

E. Dieter Fränzel & Heiner Bontrup: Peter Brötzmann, der Free Jazz und der Zeitgeist, in: E. Dieter Fränzel & JAZZ AGe Wuppertal (eds.): sounds like whoopataal. Wuppertal in der Welt des Jazz, Essen 2006 [book: Klartext], passim; especially p. 168-170 (F)

E. Dieter Fränzel & JAZZ AGe Wuppertal (eds.): sounds like whoopataal. Wuppertal in der Welt des Jazz, Essen 2006 [book: Klartext], passim (F)

Lloyd Peterson: Music and the Creative Spirit. Innovators in Jazz, Improvisation, and the Avant-Garde, Lanham/Md 2006 [book: Scarecrow Press], p. 29-33, 43-55 (I)

Hans-Jürgen von Osterhausen: Musik und Bildende Kunst. Gemeinschaftsausstellung Peter Brötzmann / Han Bennink im Remscheid, in: Jazz Zeitung, 31/3 (Mar.2006), p. 4 (F)

Adam Olschewski: Poesie ist in Musik verwandelte Sprache. Freejazz-Veteran Peter Brötzmann hat sich mit dem Chicago Tentet dem Beatnik Kenneth Patchen zugewandt. Ein kleines Update über Jazz und Lyrik und ihre verschiedenen Annäherungen, in: Frankfurter Rundschau, 20.Apr.2006 (F) [vert.file] [digi.copy]

Andreas Fellinger: Live! Gemütlichkeit unerwünscht. Peter Brötzmann Tentett, Alter Schlachthof Wels, in: FreiStil, #9 (Aug.2006), p. 11 (C)

Leif Wigh: På scen. Tre imponerande improvisatörer. Sonore, Ugglan, Stockholm, in: Orkester Journalen, 74/10 (Oct.2006), p. 22 (C)

Scott Verrastro: Peter Brötzmann Group – “Alarm” (Atavistic), in: Jazz Times, 37/1 (Feb.2007), p. 132 (R)

Thierry Lepin: Peter Brötzmann, l’insurgé, in: Jazzman, #138 (Sep.2007), p. 30-32 (F/I)

Christian Broecking: Wer auftreten will, muss Geld mitbringen. Peter Brötzmann im Gespräch über das Berliner Jazzfest, Exportsubventionen und seine Musik, in: Berliner Zeitung, 29.Oct.2007, p. 33 (F/I) [digi.copy]

Bill Meyer: Peter Brötzmann Chicago Tentet – “American Landscapes 1” (Okka Disk 12067); “American Landscapes 2” (Okka Disk 12068), in: Down Beat, 74/10 (Oct.2007), p. 82 (R: 3 1/2 stars; 4 stars)

Howard Reich: Brotzmann ignites fellow tentet players, in: Chicago Tribune, 3.Dec.2007 (C) [digi.copy]

Michael Jackson: Caught. Ten-Year Brötzmann Tentet Takes Chicago by Storm, in: Down Beat, 75/3 (Mar.2008), p. 22-23 (C) [digi.copy]

NN: Peter Brötzmann / Pal Nilssen – “Love”; Mats Gustafsson – “The Fat Is Gone” (Smalltown Superjazz), in: Eartrip, #1 (Mar.2008), p. 72-74 (R) [digi.copy]

Anders Lindén: Brötzmann Brölar, in: Orkester Journalen, 76/5 (Oct/Nov.2008), p. 26-27 (poem)

“swm”: Wie ein einziger kollektiver Urschrei. Enjoy Jazz: Debüt von Saxofonist Peter Brötzmanns Sextett Full Blast in der Alten Feuerwache, in: Mannheimer Morgen, 8.Nov.2008 (C) [digi.copy]

Daniel Spicer: Master Blaster. Until you’ve heard saxophonist Peter Brötzmann in the flesh you only can gain a partial sense of the primeval sound and sheer power of the free jazz German pioneer through listening to him on CD. For those who haven’t heard him live already, this month you’ll get the chance at the London Jazz Festival. Daniel Spicer talks to him about his motivations for playing the way he does and looks back at his seminal album ‘Machine Gun’ 40 years ago, in: Jazzwise, #125 (Nov.2008), p. 30-32 (F/I)

Hans-Jürgen Linke: Das Rudel. Peter Brötzmanns Full Blast in Mannheim, in: Frankfurter Rundschau, 8.Nov.2008 (C) [digi.copy]

Maxi Sickert: Was bleibt, sind die Bilder. Wertmüller, Brötzmann und Haino spielten im Quasimodo ihre Mitmusiker an die Wand, in: die tageszeitung, 8.Nov.2008 (C) [digi.copy]

Amiri Baraka: Digging. The Afro-American Soul of American Classical Music, Berkeley 2009 [book: University of California Press], p. 398-400 (F/R: chapter “Peter Brötzmann, ‘Nipples’, and Joe McPhee, ‘Nation Time'”)

Andrew Wright Hurley: The Return of Jazz. Joachim-Ernst Berendt and West German cultural change, New York 2009 [book: Berghahn Books], passim; especially p. 118-121 (F: chapter “Peter Brötzmann and the “Kaputtspiel” (Playing Things to Pieces)” / “‘Machine Gun’, Free Jazz, and Politics”)

Erik van den Berg: Han Bennink. De wereld als trommel, Amsterdam 2009 [book: Uitgeverij Thomas Rap], passim (F/I)

NN: Peter Brötzmann – “Berg- und Talfahrt. A Night in Sana’a” (ARM 02), in: [CD info], Nov.2009 (F) [digi.copy]

Uli Armbruster: Peter Brötzmann – “Berg- und Talfahrt / A Night in Sana’a / Live at ‘Deutsches Haus'” (ARM 02), in: [CD flyer], Nov.2009 (F) [digi.copy]

Galerie Epikur (ed.): Brötzmann. Arbeiten 1959-2010, Wuppertal 2011 [book: Galerie Epikur], passim (F/art work) [digi.copy]

Harald Kisiedu: “European Freedom”. Zum Verhältnis von Musik und Politik bei Peter Brötzmann, in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 141-155 (F) [digi.copy]

John Corbett: Chicago, Januar 2011 / January 2011, in: Galerie Epikur (ed.): Brötzmann. Arbeiten 1959-2010, Wuppertal 2011 [book: Galerie Epikur], p. 14-15 (F) [digi.copy]

Jürgen Arndt: Misha Mengelberg und Peter Brötzmann in improvisatorischen Dialogen zwischen Europa und den USA, in: Jazzforschung/jazz research, #42 (2010), p. 33-58 (F)

Marcello Lorrai: William Parker. Conversazioni sul jazz, Milano 2010 [book: Auditorium], passim (F)

Mike Pearson: Cardiff, Dezember 2010 / December 2010, in: Galerie Epikur (ed.): Brötzmann. Arbeiten 1959-2010, Wuppertal 2011 [book: Galerie Epikur], p. 16-17 (F) [digi.copy]

Peter Brötzmann: Personal Statement, in: Jost Gebers (ed.): FMP. Im Rückblick – In Retrospect. 1969-2010, Berlin/Wuppertal 2010 [book: FMP-Publishing], p. 11-16 (“I”/photos)

Ralf Dombrowski: Portrait Saxofon. Kultur, Praxis, Repertoire, Interpreten, Kassel 2010 [book: Bärenreiter], p. 51-52 (F: chapter “Stimmen Europas. Von Peter Brötzmann bis Jan Garbarek”); p. 99-100 (F: chapter “Peter Brötzmann. For Adolphe Sax”)

Susanne Buckesfeld: Die Kunst von Peter Brötzmann, in: Galerie Epikur (ed.): Brötzmann. Arbeiten 1959-2010, Wuppertal 2011 [book: Galerie Epikur], p. 9-11 (F); englisch translation as: The Art of Peter Brötzmann, in: Galerie Epikur (ed.): Brötzmann. Arbeiten 1959-2010, Wuppertal 2011 [book: Galerie Epikur], p. 12-13 (F) [digi.copy]

Dan Rule: No artificial ingredients. Jazz. In his playing as in his art, saxophonist and visual artist Peter Brotzmann is cutting through the claptrap, in: The Age (Melbourne), 1.May 2010, p. 21 (F/I: about his graphic work) [digi.copy]

NN: Hairy Bones, in: Sandra Costantini (ed.): Crossroads. Jazz e altro in Emilia Romagna, Italy, 27.Feb.2010 – 23.May 2010 [festival booklet], p. 22 (F: concert preview) [digi.copy]

Brent Burton: Peter Brötzmann – “Lost & Found” (FMP), in: Jazz Times, 40/2 (Mar.2010), p. 52-53 (R)

Bill Meyer: Sonore – “Call Before You Dig” (Okka Disk 12083), in: Down Beat, 77/4 (Apr.2010), p. 52 (R: 3 1/2 stars) [digi.copy]

Daniel Spicer: On Location. Peter Brötzmann, Café Oto, London, in: The Wire, #314 (Apr.2010), p. 81 (C)

John Fordham: 50 great moments in jazz. Peter Bröttmann’s Machine Gun. A trailblazing piece of free jazz that arrived in the revolutionary year of 1968 – and later found a fan in Bill Clinton, in: The Guardian, 22.Nov.2010 (F) [digi.copy]

Uli Kurth: The 4th Quarter of the Triad. Tony Oxley. Fünf Jahrzehnte improvisierter Musik, Hofheim 2011 [book: Wolke], passim, especially p. 159-162 (F)

Wolfram Knauer: Der europäische Free Jazz, in: Helga de la Motte-Haber & Lydia Rilling & Julia H. Schröder (Eds.): Dokumente zur Musik des 20. Jahrhunderts, Teil 2, Laaber 2011 [book: Laaber], p. 118-119 (F: about Rainer Blome’s “Ein neues Gesicht im Jazz. Peter Brötzmann”)

Julian Weber: Sie nennen ihn Machine Gun. Ausnahmemusiker. Er ist der radikalste Vertreter des Free Jazz – der Saxofonist Peter Brötzmann feiert seinen 70sten, in: die tageszeitung (TAZ), 5.Feb.2011 (F/I) [digi.copy]

Volker Lüke: Nicht mehr alle Tassen im Schrank. Peter Brötzmann im HAU, in: Der Tagesspiegel (Berlin), 9.Feb.2011 (C) [digi.copy]

Valeska von Dolega: Peter Brötzmann. Geburtstag eines Grenzgängers, in: Westdeutsche Zeitung, 4.Feb.2011 (F) [digi.copy]

Markus Schneider: Die Teutonische Axt. Dem großen Free-Jazz-Saxofonisten Peter Brötzmann zum 70. Geburtstag, in: Berliner Zeitung, 5./6.Mar.2011 (F) [digi.copy]

NN: Jazz-Musiker Brötzmann stellt seine Bilder aus, in: Westdeutsche Zeitung, 10.Apr.2011 (short F) [digi.copy]

NN: “Rage!” Un film de Bernard Josse en collaboration avec Gérard Rouy, in: [film info], 30.Apr.2011 (F) [digi.copy]

Alain Brunet: Peter Brötzmann. Un demi-siècle d’improvisation libre, in: , 21.May 2011 (F/I) [digi.copy]

Steven Lafortune: Le jazz expérimental en péril selon Peter Brötzmann, in: La Nouvelle Union (Canada), 21.May 2011 (F/I) [digi.copy]

Nate Chinen: A Kind of Orthodoxy Built on Improvisation, in: New York Times, 9.Jun.2011 (C) [digi.copy]

Valeska von Dolega: Ein Film über Peter Brötzmann. Die leisen Töne der Jazz-Ikone, in: Westdeutsche Zeitung, 16.Jun.2011 (F/I/Film-R: “Brötzmann”) [digi.copy]

Anders Lindén: Brötzmann brölar, in: Orkester Journalen, 79/3 (Jun/Aug.2011), p. 14-15 (poem)

Christian Broecking: Jazzpreis. Er hat wieder gebrötzt, in: Berliner Zeitung, 20.Sep.2011 (F) [digi.copy]

Dan Warburton: Soldier on the Road. Brötz on Film, in: The Wire, #331 (Sep.2011), p. 10 (Film-R) [digi.copy]

Ted Panken: Caught. Vision Fest Brings Brötzmann, New Combos Into Sight, in: Down Beat, 78/9 (Sep.2011), p. 17 (C) [digi.copy]

Gudrun Endress: Peter Brötzmann. Glauben an das, was man tut, in: Jazz Podium, 60/10 (Oct.2011), p. 3-4, 6, 8-9 (I) [digi.copy]

NN: Long Story Short. Brötzmann, in: [festival program], Wels, Austria, 3.-6.Nov.2011 (F) [digi.copy]

“pd” & Peewee Windmüller: Albert-Mangelsdorff-Preis (Deutscher Jazzpreis) 2011 an Peter Brötzmann, in: Jazz ‘n’ More, Nov/Dec.2011, p. 4 (short F)

Andreas Felber: Einen Peter Brötzmann braucht die Welt! Music Unlimited feierte Peter Brötzmann und sich selbst. Die Welser Dezibel-Festspiele gerieten Anfang November 2011 zum denkwürdigen Ereignis, in: Concerto, Dec/Jan.2011/2012, p. 36 (F)

Christoph J. Bauer: Brötzmann. Gespräche, Berlin 2012 [book: Posth Verlag], passim (“I”)

Josef Woodard: Peter Brötzmann. Perpetually Seeking Freedom, in: Down Beat, 79/1 (Jan.2012), p. 40-42, 44-45 (F/I with Peter Brötzmann, Evan Parker, Ken Vandermark, Peer Nilssen-Love) [digi.copy]

Wolfram Knauer & Dieter Mack & Klaus Walter & Armin Köhler: Zitat und Transkulturalität. Beispiele aus der Sicht des Beirats Musik, in: [Goethe-Institut, Protokoll], 4.Mar.2012 (F: Peter Brötzmann – Berg- und Talfahrt: A Night in Sana’a: Live) [digi.copy] {confidential; internal use only}

Shaun Brady: Full Blast & Friends – “Sketches and Ballads” (Trost), in: Jazz Times, 42/3 (Apr.2012), p. 60-61 (R)

Ben Ratliff: Generations United for Improvisation, Refined but Violent. Peter Brötzmann and Jason Adasiewicz at Le Poisson Rouge, in: new York Times, 6.Sep.2012 (C) [digi.copy]

Wolf Kampmann: Mauerpark. Fluchtpunkte. Kraftvoll interurban, in: Jazz Thing, #95 (Sep/Oct.2012), p. 27 (C)

Andrey Henkin: New York at Night. Peter Brötzmann & Jason Adasiewicz, in: New York City Jazz Record, #126 (Oct.2012), p. 5 (C) [digi.copy]

Jacek Slaski: Ein herrliches Gebrüll! Peter Prötzmann im Hau 2. Eine symbolträchtige Entscheidung. Peter Brötzmann, 71, Träger des Deutschen Jazzpreises, spielte mit seinem Chicago Tentet einen Tag nach dem Ende des diesjährigen Jazzfests, in: Frankfurter Rundschau, 6.Nov.2012 (C) [digi.copy]

Jacek Slaski: Ein herrliches Gebrüll! Peter Prötzmann mit seinem Chicago tentet im Hau 2, in: Berliner Zeitung, 7.Nov.2012 (C) [digi.copy]

Alain Drouot: Peter Brötzmann – “Solo + Trio Roma” (Victo 122/123), in: Down Beat, 79/11 (Nov.2012), p. 65 (R: 4 stars) [digi.copy]

Daniel Spicer: The Primner. In the second part of our Peter Brötzmann special, Daniel Spicer provides a user’s guide to the veteran saxophonist’s crucial recordings, in: The Wire, #345 (Nov.2012), p. 46-52 (F) [digi.copy]

Daniel Spicer: The Visual Primer. A guide to the art of Peter Brötzmann, in: The Wire, #345 (Nov.2012), p. 53 (F) [digi.copy]

David Keenan: Last Man Standing. Peter Brötzmann is a legend in his own lifetime – at the age of 71 he remains one of the most uncompromising and catalytic figures in Europe’s postwar free music avant garde. In the forst of a two part special, David Keenan meets the saxophonist and visual artist at his home in Wuppertal to hear about some of the forces and experiences that have shaped his total synthesis of life, music and art over more than four decades, in: The Wire, #345 (Nov.2012), p. 38-45 (F/I) [digi.copy]

Willy Theobald: Culture Club. Ist Free Jazz heilbar? Was soll das Theater, wo spielt die Musik? Unser Experte weist den Weg durch den Kulturbetrieb der nächsten Woche. Diesmal: Die Free-Jazz-Legende Peter Brötzmann, in: Financial Times Deutschland, 3.Dec.2012 (F) [digi.copy]

Henrik Günther: Peter Brötzmann: “Wir sind dabei, einzuschlafen”. Der Jazz-Musiker stellte im Café Ada an der Wiesenstraße sein neues Buch vor, in: Westdeutsche Zeitung, 16.Dec.2012 (F/I) [digi.copy]

David Keenan: Last Man Still Standing. We so enjoyed David Keenan’s interview with peter Brötzmann in last month’s issue, that when we found out he had extracted it from a 35,000 word transcript, we asked him to write up part two from the best of the outtakes, in: The Wire, #346 (Dec.2012), p. 32-37 (F/I) [digi.copy]

Daniel Spicer: After the storm – Peter Brötzmann calls time on Chicago Tentet, in: Jazzwise, #172 (Mar.2013), p. 8 (F/I: announces end of tentet) [digi.copy]

Daniel Spicer: Brötzmann / Edwards / Noble, The Green Door Store, Brighton, in: Jazzwise, #172 (Mar.2013), p. 58 (C) [digi.copy]

Jürg Solothurnmann: “Es gibt keine Freundlichkeiten, es gibt nur Musik.” Jürg Solothurnmann über das neue Buch “Brötzmann – Gespräche” von Christoph J. Bauer und Peter Brötzmann, in: Jazz ‘n’ More, Mar/Apr.2013, p. 28 (B) [digi.copy]

Mats Guistafsson: Vaxdax. I örat på en discaholic, in: Orkester Journalen, 81/2 (Apr/May 2013), p. 46-47 (F: early FMP releases)

Peter Margasak: Peter Brötzmann Creates Strong Global Legacy. “Long Story Short” (Trost 112); “Boneshaper” (Trost 113); Exit!” (Rune Grammofon 2138); “Provoke” (Clean Feed 273), in: Down Beat, 80/5 (May 2013), p. 51 (R: 4 1/2 stars; 4 stars; 4 stars; 4 stars) [digi.copy]

Steve Greenlee: “Long Story Short. Curated by Peter Brötzmann”, in: Jazz Times, 43/4 (May 2013), p. 70 (R)

Simon Leth Stolzenbach: Peter Brötzmann. Skamfuld saxofon fra Tyskland, in: Jazz Special, #133 (Jun/Jul.2013), p. 84-87 (F/I)

Olaf Maikopf: Peter Brötzmann Jubiläum in Wels 2011, in: Jazzthetik, 27/7-8 (Jul/Aug.2013), p. 75 (F/R) [digi.copy]

Olivier Ledure: Peter Brötzmann. Un instant chaviré, Montreuil, in: ImproJazz, #200 (Nov/Dec.2013), p. 47-48 (C)

Michael Jackson: Brötzmann / Noble – “I Am Here Where Are You” (Trost 122), in: Down Beat, 80/12 (Dec.2013), p. 85 (R: 4 stars) [digi.copy]

Oliver Augst: Ab Goldap. Rüdiger Carl im Gespräch mit Oliver Augst, Frankfurt/Main 2014 [book: weissbooks], passim (F) [digi.copy]

Peter Brötzmann & Gérard Rouy: We Thought We Could Change the World. Conversations with Gérard Rouy, Hofheim 2014 [book: Wolke Verlag], passim (“I”)

Rainer Bratfisch: Jazz in Berlin, Berlin 2014 [book: Nicolai Verlag], passim (F)

Reiner Kobe: “Brötzmann Conversations with Gérard Rouy. We Thought We Could Change the World”, in: Jazz Podium, 67/6 (Jun.2014), p. 60 (B) [digi.copy]

Ted Panken: The 80 Coolest Things in Jazz Today. Global Jazz. Peter Brötzmann, in: Down Beat, 81/7 (Jul.2014), p. 50 (short F) [digi.copy]

Jazz Index: Albert Mangelsdorff

Example for a Jazz Index on Albert Mangelsdorff

————————————————-

Jazz Index – created on 13. August 2014

The following bibliographical information is drawn from periodicals and books present in the archive of the Jazzinstitut Darmstadt. Our extensive periodical collection comprises more than 55,000 issues of some 1,050 jazz periodicals. Close to two-thirds of the collection has been indexed.

Following the more recent entries are abbreviations denoting the nature of the material in the respective articles. These symbols are:

[A] = analytical remarks
[B] = extensive book review
[BT] = blindfold test
[C] = concert review
[D] = discography
[F] = feature article
[I] = interview
[“I”] = article written by the respective musician himself
[N] = (very short) news item
[O] = obituary
[R] = extensive record review
[T] = transcription

The Jazz Index is a service of the…

Jazzinstitut Darmstadt, Bessunger Strasse 88d, D-64285 Darmstadt, Germany
phone ++49 (6151) 963740, fax ++49 (6151) 963744

This bibliography has been compiled and mailed by … Jazzinstitut Darmstadt,
e-mail: jazz@jazzinstitut.de, Internet: www.jazzinstitut.de

Mangelsdorff, Albert (tbn * b: 5.Sep.1928, Frankfurt am Main/Germany; d: 25.Jul.2005, Frankfurt am Main/Germany; Lexikon: Feather [1958]; Feather [1960]; Companion [1987]; New Grove [1988]; rororo [1988]; Reclam [1989]; Dictionnaire [1988,1995]; Komponisten [1995]; MusicHound [1999]; Rough Guide [1999]; vertical file: Dieter GLAWISCHNIG [1998]; Albert MANGELSDORFF [1969;1978;1985-1988;1991-2005])

***

Martin Kunzler (compiler): Albert Mangelsdorff, article collection for his entry in “ro ro ro Jazz Lexikon”, 1950s to 1980s (F) [digi.copy]

“hoe”: Jazzfestival in Willisau, in: Darmstädter Echo, 29.Jul.1975 (short F: concert preview: Albert Mangelsdorff Quartet) [digi.copy]

NN: Breaks. Leonard Feather, in: Der Drummer, 8/1954, p. 6 (N: Feather calls Mangelsdorff, Koller, Domnerus, Deuchar, Jaspar, Michelot excellent musicians who could play in any US name band) [digi.copy]

NN: Jazz-Echo war dabei, in: Jazz-Echo, Jul.1954, p. 47 (N/photo: with Hans Koller) [digi.copy]

Ernest Borneman: From Frankfurt, Columnist Ernest Borneman describes A cellar club where jazz stars play for free, in: Melody Maker, 30/1092 (21.Aug.1954), p. 3, 8 (F: Domicile of Jazz; Albert Mangelsdorff, Emil Mangelsdorff, Jutta Hipp, Carlo Bohländer, Harry Schell, Karl Sanner) [digi.copy]

K.B.: “Unser Albert”, in: vierViertel, 8/8 [Jazz Revue, 5/8] (Aug.1954), p. iv-v (F)

Ernest Borneman: Jazz in Germany, in: Jazz-Echo, Nov.1954, p. 42-44 (short F) [digi.copy]

NN: … kurz berichtet…, in: Der Drummer, 9/1955, p. 9 (N: records for US label) [digi.copy]

NN: … kurz berichtet…, in: Der Drummer, 10/1955, p. 8 (N: plans new quintet) [digi.copy]

NN: Hans Koller und Albert Mangelsdorff wurden als “Musiker des Jahres” gewählt, in: Jazz-Echo, Jan.1955, p. 1 (N/photo: cover) [digi.copy]

NN: Jazz-News, in: Jazz-Echo, Jan.1955, p. 44 (N: tour through South Germany plus Jutta Hipp Quintet, Two Beat Stompers) [digi.copy]

Joachim Ernst Berendt: Albert Mangelsdorff, in: Jazz Hot, #97 (Mar.1955), p. 15-16 (F) [digi.copy]

NN: Baden-Baden, in: Jazz-Echo, Mar.1955, p. 47 (C: Kurt Edelhagen Orchestra with Hans Koller, Albert Mangelsdorff) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Jun.1955, p. 43 (N: concert in Koblenz) [digi.copy]

NN: Jazz News. Amerika, in: Jazz-Echo, Nov.1955, p. 43 (N: record issued in USA on Angel label) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Oct.1956, p. 47 (N: tour “Jazz 1956 – History of Jazz”) [digi.copy]

NN: Jazz-News, in: Jazz-Echo, May 1957, p. 47 (N: German tour of Frankfurt All Stars) [digi.copy]

Pete Schmidt: Am Stateside gemessen. Joki, Albert & Co., in: Jazz Podium, 6/8 (Aug.1957), p. 11 (C) [digi.copy]

Leonard Feather: Blindfold Test. Al Mangles, in: Down Beat, 25/19 (1958), p. 45 (BT) [digi.copy]

NN: Jazz-News. Europa, in: Jazz-Echo, Mar.1958, p. 48 (N: not accepted by German tour manager as supporting act for the Modern Jazz Quartet) [digi.copy]

“DJF”: Albert Mangelsdorff fährt nach Newport, vertritt Deutschland im “Turmbau-zu-Babel-Orchester”, in: Schlagzeug, 3/9 (May 1958), p. 8 (F) [digi.copy]

NN: “Joki Freund / Albert Mangelsdorff Sextett” (Brunswick 10 804 EPB), in: Jazz-Echo, May 1958, p. 45 (R) [digi.copy]

NN: A. Mangelsdorff beim Newport-Festival. Vertreter Deutschlands beim amerikanischen Jazz-Festival, in: Westjazz, 3/33 (May 1958), p. 3 (F) [digi.copy]

NN: Albert Mangelsdorff spielt in Newport!, in: Jazz-Echo, May 1958, p. 40 (short F/copy of telegram announcing Mangelsdorff selection for the International Youth Orchestra) [digi.copy]

Eric T. Vogel: “Ich habe nicht viel Neues gelernt!” Unterhaltung mit Albert Mangelsdorff, in: Jazz Podium, 7/8 (Aug.1958), p. 160 (I) [digi.copy]

Albert Mangelsdorff: Wir spielten mit Satchmo. Albert Mangelsdorff berichtet aus Newport, in: Schlagzeug, 3/13 (Sep.1958), p. 7, 25 (“I”) [digi.copy]

Albert Mangelsdorff: Sam Session, in: Schlagzeug, 3/14 (Oct.1958), p. 12 (“I”: letter) [digi.copy]

NN: Albert Mangelsdorff plays Opa Hirchleitner, in: Schlagzeug, 3/16 (Dec.1958), p. 4 (N) [digi.copy]

Lawrence Gushee: Newport 1958. The International Youth Band, in: Jazz Review, 2/3 (1959), p. 27-28 (R) [digi.copy]

NN: Opa Hirchleitner-Story nunmehr musikalisch, in: Jazzpress, 2/1 (12.Jan.1959), p. 2 (F) [digi.copy]

“gr”: Jazz im Konzertsaal, in: Darmstädter Echo, 24.Feb.1959 (N) [digi.copy]

NN: Mangelsdorff-Jazztet in San Remo, in: Jazzpress, 2/6 (16.Feb.1959), p. 2 (N) [digi.copy]

“Schi.”: Die gelassene Sieben. Das Albert-Mangelsdorff-Septett in der Stadthalle, in: Darmstädter Echo, 2.Mar.1959 (C) [digi.copy]

NN: Bundesjugendkonferenz des DGB eröffnet mit Jazz, in: Jazzpress, 2/12 (30.Mar.1959), p. 3 (N) [digi.copy]

NN: Hans Koller Jazz Stars – “The New Hans Koller Jazz Stars featuring Albert Mangelsdorff” (Brunswick 10 811 EPB), in: Westjazz, 4/41 (Mar.1959), p. 7 (R) [digi.copy]

NN: Oberbürgermeister für Jazz, in: Jazzpress, 2/11 (23.Mar.1959), p. 2 (N) [digi.copy]

NN: Deutscher Jazz in Italien, in: Schlagzeug, #20 (Apr.1959), p. 5 (N: San Remo Festival) [digi.copy]

NN: Deutscher Jazz in Italien, in: Schlagzeug, #21 (May 1959), p. 4 (N: Mangelsdorff in San Remo) [digi.copy]

NN: Breaks, in: Schlagzeug, #22 (Jun.1959), p. 14 (N: plays for German union) [digi.copy]

NN: Stu Hamer bei Mangelsdorff, in: Schlagzeug, 4/8 (Aug.1959), p. 5 (N) [digi.copy]

NN: Jazz-Ensemble des Hess. Rundfunks, Albert Mangelsdorff Jazztet, in: Berliner Jazz-Programm, Sep/Oct.1959, p. 3 (F: concert preview) [digi.copy]

NN: Albert Mangelsdorff – “A Ball with Al” (Philips 423 277 PE), in: Schlagzeug, #27 (Nov.1959), p. 32 (R) [digi.copy]

NN: Die Opa Hirchleitner Story, musikalisch illustriert, in: Schlagzeug, #27 (Nov.1959), p. 8 (N/photo) [digi.copy]

NN: “Die Opa Hirchleitner Story” (Brunswick 10 815 EPB), in: Schlagzeug, #28 (Dec.1959), p. 31 (R) [digi.copy]

NN: Albert Mangelsdorff besetzt um, in: Jazz Podium, 9/2 (Feb.1960), p. 28 (short F) [digi.copy]

NN: Überraschung bei Mangelsdorff, in: Schlagzeug, #30 (Feb.1960), p. 4 (short F: changes in Mangelsdorff band: Bent Jaedig replaces Stu Hamer; Hartwig Bartz replaces Rudi Sehring) [digi.copy]

Dieter Zimmerle: Das Mangelsdorff-Quintett wieder neu, in: Jazz Podium, 9/4 (Apr.1960), p. 80 (F) [digi.copy]

Wolfgang Dohl: Albert Mangelsdorff, in: Jazz Podium, 10/4 (Apr.1961), p. 101-102 (F) [digi.copy]

Dieter Zimmerle: jazz pur und gemixt. Rückschau auf den Deutschen Jazz-Salon Berlin 1961, in: Jazz Podium, 10/6 (Jun.1961), p. 152-155 (C: European All Stars, Klaus Doldinger, Rolf Kühn, Attila Zoller, Helmut Brandt, Roland Kovac, Johannes Rediske, Joki Freund, Albert Mangelsdorff, Hans Koller [as painter], others) [digi.copy]

“Schi”: Atemberaubende Jazz-Phrasierung. Mangelsdorff, Grappelly, Auer spielen in Darmstadt, in: Darmstädter Echo, 5.Dec.1961 (C) [digi.copy]

P. Adler: A Juan-les-Pins. Petit Festival, Grande Semaine, in: Jazz Hot, 28/180 (1962), p. 7 (C)

Albert Mangelsdorff: Jazz in Deutschland. Gestern und heute, in: Jazz Podium, 11/1 (Jan.1962), p. 7-9 (“I”) [digi.copy]

NN: Albert Mangelsdorff schwer geschädigt, in: Jazz Podium, 11/2 (Feb.1962), p. 31 (short F: instrument stolen) [digi.copy]

NN: Zuerst Mangelsdorff – dann Hampel, in: Jazz Podium, 11/7 (Jul.1962), p. 159 (N: German tour) [digi.copy]

NN: Albert Mangelsdorff spielte für Atlantic, in: Jazz Podium, 11/9 (Sep.1962), p. 199 (short F: with John lewis) [digi.copy]

Edward A. Podesta: John Lewis & Albert Mangelsdorff & The Zagreb Jazz Quintet – “Animal Dance” (Atlantic 1402), in: Jazz [USA], 3/6 (Oct.1964), p. 18 (R) [digi.copy]

Albert Mangelsdorff: Neue Schallplatten, in: Jazz-Bulletin [Deutsche Jazz Föderation], #1 (Mar.1963), p. 4-6 (“I”: record reviews of: Modern Jazz Quartet, “The Comedy; Horace Parlan Quintet, “On the spur of the moment”; John Coltrane, “Die neue Welle im Jazz”; Sonny Rollins & Co., “The Bridge”; Shelly Manne & Bill Evans, “Empathy”) [digi.copy]

NN: Auslandstournee des Mangelsdorff Quintetts, in: Jazz Podium, 12/4 (Apr.1963), p. 76 (short F: Yugoslavia, Lyia, Egypt, Turkey) [digi.copy]

NN: Kurz notiert…, in: Jazz Podium, 12/5 (May 1963), p. 115 (N: jam session with Albert Mangelsdorff and others in Stuttgart) [digi.copy]

NN: In Kürze notiert. Albert Mangelsdorff Quintett, in: Showbusiness, 3/5 (15.Oct.1963), p. 5 (N: Asia tour planned) [digi.copy]

Horst Lippmann & Albert Mangelsdorff: Langersehnter Startschuß. Horst Lippmann beginnt CBS-Plattenserie mit deutschen Musikern, in: Jazz Podium, 12/10 (Oct.1963), p. 210-211 (F/”I”) [digi.copy]

NN: German Jazzmen to Go to Asia, in: Down Beat, 30/27 (10.Oct.1963), p. 11 (F) [digi.copy]

François-René Cristiani: Des Allemands mal soutenus ont manqué de feeling, in: Jazz Hot, #193 (Dec.1963), p. 15-16 (C) [digi.copy]

NN: German Jazz Group Thrills Local Fans, in: [Malaysian newspaper], 1964 (C) [digi.copy]

NN: Konzert des Monats. Albert Mangelsdorff Quintett, Frankfurt / Main, in: [concert info], 1964 (F: program leaflet for DDR tour) [digi.copy]

NN: Top German jazz group to play in Penang, in: [Manaysian newspaper], 1964 (F) [digi.copy]

Don DeMichael: Albert Mangelsdorff – “Tension” (CBS), in: Down Beat, 31/4 (13.Feb.1964), p. 29 (R) [digi.copy]

Gilbert M. Erskine: John Lewis & Albert Mangelsdorff / Zagreb Jazz Quartet – “Animal Dance” (Atlantic), in: Down Beat, 31/11 (7.May 1964), p. 28-29 (R)

Joachim Ernst Berendt: Jazz für den Fernen Osten. Asien-Tournee des Albert-Mangelsdorff-Quintetts, in: Jazz Podium, 13/6 (Jun.1964), p. 138-140 (F) [digi.copy]

Albert Mangelsdorff: Jazz für den fernen Osten, in: Jazz Podium, 13/7 (Jul.1964), p. 158-159 (“I”) [digi.copy]

NN: Now Jazz Ramwong. Asiatische Themen – aber Jazz à la Mangelsdorff, in: Jazz Podium, 13/8 (Aug.1964), p. 192 (F/R) [digi.copy]

Joachim Ernst Berendt: Teutonic Tour. Through Asia with the Albert Mangelsdorff Quintet, in: Down Beat, 31/25 (10.Sep.1964), p. 13-15 (F) [digi.copy]

NN: S Albert Mangelsdorffem na Dálném východě, in: Melodie [CSSR], 2/10 (Oct.1964), p. 155-156 (F)

NN: Mangelsdorff Pierces Curtain, Takes Jazz to E. Germany, in: Down Beat, 31/30 (19.Nov.1964), p. 13 (N) [digi.copy]

NN: Albert Mangelsdorff, in: Jazz Podium, 13/12 (Dec.1964), p. 298 (N: plans for East German Mangelsdorff release) [digi.copy]

Albert Mangelsdorff: Jazz Studio. Anleitung zur Improvisation für Posaune, Maint 1965 [book: Schott], passim (“I”: A/T)

Pete Welding: Albert Mangelsdorff – “Now Jazz Ramwong” (CBS), in: Down Beat, 32/3 (11.Feb.1965), p. 29-30 (R) [digi.copy]

Reginald Rudorf: Mangelsdorff kommt auch drüben an. Jazzquintett des Hessischen Rundfunks zum zweitenmal in Mitteldeutschland, in: Darmstädter Echo, 30.Jun.1965 (F/I) [digi.copy]

Joachim Ernst Berendt: Newport Jazz Festival, in: Jazz Podium, 14/8 (Aug.1965), p. 196-198 (C) [digi.copy]

NN: German 5 Set for Scott Club, in: Melody Makr, 7.Aug.1965, p. 4 (N) [digi.copy]

NN: Mangelsdorff. Now Europe Is Swinging, Too, in: Melody Maker, 21.Aug.1965, p. 6 (F/I) [digi.copy]

NN: Editorial. Bilder vom Newport Festival, inkl. Mangelsdorff, in: Sounds & Fury, 1/2 (Oct.1965), p. 12-20 (C) [digi.copy]

NN: Publishers Page. At Newport, in: Sounds & Fury, 1/2 (Oct.1965), p. 1-2 (+ cover) [digi.copy]

Misja Mengelberg: Albert Mangelsdorff Quitnet, in: Holland Festival, 1966 (F) [digi.copy]

“wd”: Ein Jazz-Konzert der Spitzenklasse. Das Albert-Mangelsdorff-Quintett gastierte in Darmstadts Stadthalle, in: Darmstädter Echo, 31.Jan.1966 (C) [digi.copy]

NN: Gastspiele und Tourneen mit Mangelsdorff, in: Jazz Podium, 15/1 (Jan.1966), p. 4 (N: tour listing) [digi.copy]

Gérald Merceron: Albert Mangelsdorff en Angleterre, in: Jazz Hot, #217 (Feb.1966), p. 9 (C) [digi.copy]

“bora”: Das war deutscher Jazz Sound. Das Albert-Mangelsdorff-Quintett gastierte in Krefeld, in: Westdeutsche Zeitung, 1.Apr.1966 (C) [digi.copy]; reprint, in: Günter Holthoff & Mojo Mendiola (eds.): 50 Jahre Jazzkeller Krefeld, Krefeld 2008 [book: Leporello Verlag], p. 65 (C) [digi.copy]

Taylor Castell: Albert Mangelsdorff – Now Jazz Ramwong, in: Sounds & Fury, 2/2 (Apr.1966), p. 56 (R) [digi.copy]

NN: Jazz at the Opera. Jazz-Matinee in der Hamburgischen Staatsoper aus Anlaß der Oper “The Visitation” von Gunther Schuller, in: Hör Zu Black Label SHZE 802 BL [LP cover, liner notes], 1967 (F: Rolf Liebermann, Gunther Schuller, Albert Mangelsdorff, Dusko Goykovic, Rolf Kühn, Bent Jaedig, Ralph Hübner, Peter Trunk, John Eaton) [digi.copy]

NN: Jazz in Deutschland 1967. Die Musiker. Albert Mangelsdorff Quintett, in: Jazz Podium, 16/3 (Mar.1967), p. 68 (F) [digi.copy]

“uli”: Mangelsdorff und Degenhardt. Konzert in der Darmstädter Stadthalle, in: Darmstädter Echo, 5.May 1967 (C) [digi.copy]

Joachim Ernst Berendt: J.E. Berendt’s Mai Jazz-Notizen. Die Kollegen sagen: Karlhanns Berger aus Heidelberg ist der beste Vibraphonist der Welt, in: Twen, May 1967, p. 140-141 (F: “summit meeting” Baden-Baden with Albert Mangelsdorf/Wolfgang Schoof Band, Rolf + Joachim Kühn Quartet, Eje Thelin/Barney Wilen Quartet) [digi.copy]

“we”: Nichts für ungeübte Ohren. Mangelsdorff-Konzert mit ausgesuchtem Cool-Jazz, in: Darmstädter Echo, 12.Jun.1967 (C) [digi.copy]

NN: Jazz News. Albert Mangelsdorff, in: Jazz Podium, 17/3 (Mar.1968), p. 75 (N: concert in Belgium) [digi.copy]

NN: Platte des Monats. Albert Mangelsdorff – “Folk Mond & Flower Dream” (CBS), in: Jazz Podium, 17/3 (Mar.1968), p. 72 (R) [digi.copy]

Claus Schreiner: Albert Mangelsdorff Quintett, Marburg 1969 [program booklet; vert.file: Albert MANGELSDORFF] [digi.copy]

Dieter Glawischnig: Motivische Arbeit im Jazz, in: Jazzforschung/jazz research, #1 (1969), p. 133-139 (A/T: “Blues du Domicile”)[digi.copy](F)

“ap”: Jazz und Turnen. Neue Impulse durch aktuelle Musik, in: Darmstädter Echo, 3.Feb.1969 (C) [digi.copy]

NN: Unter der Lupe. Ein weiterer Versuch. Jazz statt Jahn – Seltsamer Applaus, in: Darmstädter Echo, 4.Feb.1969 (C) [digi.copy]

NN: Jazz News, in: Jazz Podium, 18/3 (Mar.1969), p. 77 (N: tours Yugoslavia, France) [digi.copy]

Alan Heineman: Lee Konitz & Albert Mangelsdorff & Attila Zoller -“Zo-Ko-Ma” (MPS), in: Down Beat, 36/26 (25.Dec.1969), p. 30, 32 (R) [digi.copy]

NN: Das neue Profil der deutschen Jazzmusiker. Albert Mangelsdorff, in: Jazz Podium, 19/3 (Mar.1970), p. 88-92 (F) [digi.copy]

NN: Mangelsdorff auf Europatournee, in: Jazz Podium, 19/4 (Apr.1970), p. 121 (N) [digi.copy]

R. Williams: Straight Ahead for Elvin (Mangelsdorff Quartet at the Expo, London), in: Melody Maker, 31.Oct.1970, p. 30 (C)

European Jazz Personalities. German Federal Republic, Part 1, in: Jazz Forum, #13/14 (Fall/Winter 1971), p. 113 (short F: biography) [digi.copy]

NN: the german all-stars 71. a music tour organized by the Goethe-Institut, München 1971 [program booklet: Goethe-Institut], p. 4 (F) [digi.copy]

Wolfgang Sandner: Anmerkungen zur Improvisationstechnik von Albert Mangelsdorff, in: Jazzforschung/jazz research, #3/4 (1971/1972), p. 166-171 (A/T: excerpts from “Never Let It End”; “Square Dance”; “Open Mind”)[digi.copy]

Dieter Zimmerle: Wieder daheim: German All Stars, Kommentare und Kritik, in: Jazz Podium, 20/6 (Jun.1971), p. 214-219 (F/I) [digi.copy]

Joachim Ernst Berendt: Jazz Goes Europe, in: Frankfurter Hefte, 7/1972, p. 522-525 (F)[digi.copy]

Joachim Ernst Berendt: Spontan komponieren. Allein. Mit Humor. Ausschnitte aus einem Gespräch mit Albert Mangelsdorff, in: Jazz Podium/Jazz Now, 1972, p. 17-18 (I) [digi.copy]

W.P.: Peter Brötzmann + Albert Mangelsdorff, in: Sounds, 6/1972, p. 36 (R) [digi.copy]

NN: Platte des Monats. Peter Brötzmann Trio + Albert Mangelsdorff, in: Jazz Podium, 21/2 (Feb.1972), p. 34 (R) [digi.copy]

NN: Mangelsdorff Quartett, in: Jazz Podium, 21/4 (Apr.1972), p. 102-103 (F/I) [digi.copy]

Joachim Ernst Berendt: Solo Now! Spontan komponieren. Allein. Mit Humor. Albert Mangelsdorff, in: Jazz Podium, 21/8 (Aug.1972), p. 17-18 (I) [digi.copy]

NN: Neues Mangelsdorff Quintett, in: Jazz Podium, 21/9 (Sep.1972), p. 8 (N) [digi.copy]

“p”: Free Jazz und Elektronik. Tage für Neue Musik beginnen am Samstag, in: Darmstädter Echo, 23.Nov.1972 (short F: concert preview: workshop with Albert Mangelsdorff, Manfred Schoof, Peter Trunk) [digi.copy] {filed under “Deutschland/Darmstadt”}

Ivan A. Gonzalez: Albert Mangelsdorff, Santiago de Chile, in: Coda, 11/3 (1973), p. 41-43 (C) [digi.copy]

Joachim Ernst Berendt: Albert Mangelsdorff, interviewed, in: Jazz Forum, #21 (1973), p. 41-45 (I) [digi.copy]

NN: Posaunist hielt Treue, in: Westdeutsche Zeitung, 19.Mar.1973 (short F/photo: Jazzkeller Krefeld, with Peter Giger) [digi.copy]

Gerard Rouy: Brötzmann-Mangelsdorff (Musée d’Art Moderne de la Ville de Paris), in: Jazz Magazine, #220 (1974), p. 4-5 (C) [digi.copy]

Ray Townley: Albert Mangelsdorff – “Live in Tokyo” (Enja), in: Down Beat, 41/1 (17.Jan.1974), p. 24 (R)

NN: How They See the EJF. Albert Mangelsdorff, in: Jazz Forum, #28 (Apr.1974), p. 35 (short I) [digi.copy]

“hoe”: festival für Mangelsdorff. Jazztage in der Schweizer Gemeinde Willisau, in: Darmstädter Echo, 4.Sep.1975 (C) [digi.copy] {filed under “Schweiz/Willisau”}

Bernd Ogan: 2x4tett. Alexander von Schlippenbach und Albert Mangelsdorff, in: Jazz Podium, 24/12 (Dec.1975), p. 19 (C) [digi.copy]

Werner Panke: Federal Republic of Germany. Recording Awards for Mangelsdorff, in: Jazz Forum, #42 (1976), p. 12 (N) [digi.copy]

Claus Berger: Burton und Mangelsdorff beim NDR Workshop, in: Jazz Podium, 25/2 (Feb.1976), p. 21 (C) [digi.copy]

Steve Lake: The stunning art of Albert Mangelsdorff, in: Melody Maker, 17.Apr.1976, p. 39, 44 (F/I) [digi.copy]

Jean Buzelin: Concerts. Albert Mangelsdorff, in: Jazz Hot, #327 (May 1976), p. 34 (C) [digi.copy]

Bill Smith: Heard and Seen. Solo Now – Albert Mangelsdorff, Gunter Hampel, Pierre Favre, Joachim Kühn, Morris Pollack Concert Hall, Montreal, in: Coda, #148 (Jun.1976), p. 28-29 (C) [digi.copy]

NN: Ack van Rooyen. Ist es aus Ihrer Sicht ratsam, als Jazzsolist seine Existenzgrundlage in einem Rundfunkorchester zu suchen?, in: Jazz Podium, 25/10 (Oct.1976), p. 15 (I) [digi.copy]

Steve Lake: Albert Mangelsdorff/Sato/Warren/Blairman – Spontaneous, in: Melody Maker, 4.Dec.1976, p. 28 (R)

Dietrich J. Noll: Aspekte der Klangflächenimprovisation. Albert Mangelsdorff, in: Dietrich J. Noll: Zur Improvisation im deutschen Free Jazz, Hamburg 1977 [book], p. 55-90 (A/T) [digi.copy]

Robert Urmann: Mangelsdorff + The Trio = “Mumps”, in: Blues Notes, 9/30 (1977), p. 43 (C) [digi.copy]

NN: Melody Maker International Critics’ Poll, in: Melody Maker, 15.Jan.1977, p. 28-29, 32 (top trombonist)

Joachim Ernst Berendt: Albert Mangelsdorff. Big Noise from Frankfurt, in: Down Beat, 44/3 (10.Feb.1977), p. 16, 41, 44 (I) [digi.copy]; response, by Al Trapani: Chords & Discords. Bone of Contention, in: Down Beat, 44/8 (21.Apr.1977), p. 8 (letter: Phil Wilson also uses multiphonics) [digi.copy]

Wolfgang Sandner: Jazzporträt. Albert Mangelsdorff, in: HiFi, Jul.1977, p. 813, 815-818 (F/A) [digi.copy]

Tom Everett: Albert Mangelsdorff. Interview, in: Cadence, 3/4-5 (Oct.1977), p. 10-11, 16 (I) [digi.copy]

Joachim Ernst Berendt: Wiederentdecken, was Jazz in Wirklichkeit ist. Gespräch mit Albert Mangelsdorff, in: Joachim Ernst Berendt: Ein Fenster aus Jazz, Frankfurt/Main 1980 [book; reprint, O: Frankfurt/Main 1978], p. 61-74 (I) [digi.copy]

Michael Henkels: Albert Mangelsdorff. Die wichtigsten umfragen nennen Albert Mangelsdorff seit Jahren den weltbesten Jazzposaunisten…, in: [unknown source], 1978 (F/I) [digi.copy]

NN: Mangelsdorff – Pastorius – Mouzon. Triologue, in: Swinging Newsletter, 8/35 (Feb.1978), p. 9 (short F) [digi.copy]

NN: The MPS Decade. Albert Mangelsdorff. Trombonist Extraordinaire, in: Jazz Journal, 31/5 (May 1978), p. MPS xiii-xiv (F) [digi.copy]

Michael Henkels: Halbe Sachen nie. Albert Mangelsdorff, “Wunderkind” der internationalen Musik-Szene, wurde 50, in: Musik Joker, 18.Sep.1978, p. 21 (short F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Peter Gropp: Mangelsdorff – Dauner – Gomez – Elvin Jones in Baden-Baden, in: Jazz Podium, 27/10 (Oct.1978), p. 18 (C) [digi.copy]

Robert Palmer: Jazz. Mangelsdorff, in: new York Times, 14.Nov.1978, p. C10 (C) [digi.copy]

Joachim Ernst Berendt: Der Höhenflug des Albert Mangelsdorff. Ein Porträt des Jazzposaunisten, in: Fono Forum, 5/1979, p. 26-32 (F) [digi.copy]

Joachim Ernst Berendt: Jazz in Germany ’79, in: Jazz Journal, 32/1 (Jan.1979), p. 9, 11, 13-14 (F) [digi.copy]

Bill Smith: Albert Mangelsdorff, Music Gallery, Toronto, in: Coda, #164/165 (Feb.1979), p. 57 (C) [digi.copy]

Karl Heinz Nass: Podium jam Session.A lbert was here. Gedanken zu Michael Nauras Marsch durch die Institutionen, in: Jazz Podium, 38/2 (Feb.1979), p. 3 (letter) [digi.copy]

Scott Albin: Albert Mangelsdorff. The Kitchen Center, New York City, in: Down Beat, 46/3 (8.Feb.1979), p. 41-42 (C) [digi.copy]

Jean Buzelin: Concerts. Mangelsdorff/Portal Group(s), in: Jazz Hot, #360 (Apr.1979), p. 36 (C)

Michael James: Albert Mangelsdorff – ” Jazz Tune I Hope” (MPS 15.528), in: Melody Maker, 5.May 1979, p. 39 (R) [digi.copy]

Bill Smith: Albert Mangelsdorff, in: Coda, #168 (Aug.1979), p. 4-10 (I) [digi.copy]

Yves Thébault: Jazz en direct. Ellingtonia, in: Jazz Magazine, # 288 (Aug.1980), p. 19-20 (C)

Graciela Rava: Autour du Globe, in: Jazz Magazine, # 289 (Sep.1980), p. 68-69, 104 (I/Globe Unity) [digi.copy]

Lee Jeske: Free Players from Many Lands Form Globe Unity Orchestra, in: Down Beat, 47/9 (Sep.1980), p. 28, 31-33 (F/I with Alexander von Schlippenbach, Alber Mangelsdorff, Enrico Rava) [digi.copy]

Bert Noglik: Albert Mangelsdorff. Thirty Years in Jazz, in: Jazz Forum, #69 (1981), p. 32-35 (I) [digi.copy]

Bert Noglik: Albert Mangelsdorff, in: Bert Noglik: Jazz-Werkstatt International, Berlin 1981 [book], p. 65-84 (I) [digi.copy]

Bruce Fowler: Pro Session. Winds. Vocal Multiphonics, in: Down Beat, 48/1 (Jan.1981), p. 59-61[digi.copy]

Didier Francfort: Jazz en direct. Albert Mangelsdorff, in: Jazz Magazine, #294 (Feb.1981), p. 14 (C) [digi.copy]

Philippe Carles: Pieges pour Albert, in: Jazz Magazine, # 298 (Jun.1981), p. 72-73 (I) [digi.copy]

Fred Bouchard: Albert Mangelsdorff – “Tension” (L+R LR 41.001); “Tromboneliness” (Sackville 2011); “Trilogue. Live at the Berlin Jazz Days” (Pausa 7055); “Hamburger Idylle” /Pausa 7091), in: Down Beat, 48/7 (Jul.1981), p. 44-45 (R: 4 1/2 stars; 5 stars; 2 1/2 stars; 3 1/2 stars) [digi.copy]

Lee Jeske: Northsea Jazz Festival, The Hague, Holland, in: Down Beat, 48/11 (Nov.1981), p. 55 (C) [digi.copy]

Hans-Jürgen Linke: Ein Interview mit Albert Mangelsdorff, in: Johannes Oehlmann (Hg.): Jazzaz. Texte zur Jazzmusik, Gießen 1982 [book], p. 108-134 (I) [digi.copy]

Danilo Lubej: Mangelsdorff/Dudas. Jazz – der Jugend nahegebracht, in: Jazz Podium, 31/2 (Feb.1982), p. 22 (C)[digi.copy]

Wolfgang Dichans: Milan Sladek/Albert Mangelsdorff. Masken und Improvisationen, in: Jazz Podium, 31/11 (Nov.1982), p. 28-29 (C) [digi.copy]

D. Matthews: Albert Mangelsdorff By Himself (North Sea Festival), in: Crescendo, 21/9 (1983), p. 6 (C)

Franz Reininger: Die deutsche Jazzszene. Der Kreis um Albert Mangelsdorff, Wien 1983 [book/Magisterarbeit] (F/I) [digi.copy]

Gerard Rouy: L’Europe des huit. Albert Mangelsdorff. Des voix en coulisse, in: Jazz Magazine, #315 (1983), p. 38-40 (I) [digi.copy]

Volker Kriegel: Albert Mangelsdorff. Posaune, in: Burghard König (Hg.): Jazzrock. Tendenzen einer modernen Musik, Reinbek 1983 [book], p. 164-172 (I) [digi.copy]

NN: Harlachinger Einkehr. Albert Mangelsdorff Solo, in: Jazz Zeitung, 8/1 (Jan.1983), p. 1 [digi.copy]

Thomas Fitterling: Albert Mangelsdorff Trio – Triple Entente, in: Jazz Podium, 31/5 (May 1983), p. 49 (R) [digi.copy]

Frank van Dixhoorn: Albert Mangelsdorff. ‘Soms hoor je me ritme-gitaar spelen op de trombone’, in: Jazz Freak, 12/2 (15.Nov.1984), p. 58-60 (I) [digi.copy]

Piet van Engelen: Subliem concert van Alberrt Mangelsdorff, in: Jazz Freak, 12/2 (15.Nov.1984), p. 54 (C) [digi.copy]

Armando Bausch: Albert Mangelsdorff – Der Jazz ist eine universale Musik, in: Armando Bausch: Jazz in Europa, Luxemburg 1985 [book], p. 44-50 (F/I) [digi.copy]

B. Olson: Händelserik expedition (Mangelsdorff Trio, Scharinska Villa i Umeå), in: Orkester Journalen, 53/5 (May 1985), p. 17 (C)

Gudrun Endress: Albert Mangelsdorff. Arbeit mit dem Deutsch-Französischen Jazz Ensemble., in: Jazz Podium, 34/9 (Sep.1985), p. 16-17 (I) [digi.copy]

Hans Ruland: Gebrüder Mangelsdorff, in: Jazz-Zeitung, 10/10 (Oct.1985), p. 19 (C)

Klaus Robert Bachmann: Albert Mangelsdorff in der Freiburger Jazzschule, in: Jazz Podium, 34/11 (Nov.1985), p. 20 (C) [digi.copy]

Dita von Szadkowski: Mehr dienen als herrschen – Traditionalisten im Jazz. “Albert”, in: Dita von Szadkowski: Grenzüberschreibungen. Jazz und sein musikalisches Umfeld der 80er Jahre, Frankfurt/Main 1986 [book: Fischer], p. 143-148 (F) [digi.copy]

Michael Rieth: Einmal Winter – Sommer und zurück! Erster Klasse natürlich. Ein Stück Wegs mit Albert Mangelsdorff, in: Jazz Container, 1986/87, p. 25-41

Ulfert Goemann: Albert Mangelsdorff – Hot Hut, in: Jazz Podium, 35/1 (Jan.1986), p. 46 (R) [digi.copy]

Wolfgang Dichans: Albert Mangelsdorff. Zuerst muß es swingen, in: Fachblatt Musik Magazin, Feb.1986, p. 80-81, 83, 85-86 (I) [vert.file: Albert MANGELSDORFF] [digi.copy]

Michael Frohne: Monolog für drei Stimmen. Albert Mangelsdorff, in: Jazz Podium, 35/3 (Mar.1986), p. 26-27 (C) [digi.copy]

Jörg Eipasch: Mangelsdorff – Surman – Phalanx, in: Jazz Podium, 35/5 (May 1986), p. 21 (C) [digi.copy]

Pete Gamble: Camden Jazz Week. Holland / Jones / Mangelsdorff / Surman, in: Jazz Journal, 39/5 (May 1986), p. 22 (C) [digi.copy]

Laszlo Molnar: Nicht oben, nicht unten. Albert Mangelsdorff und Wolfgang Dauner in der Filderhalle, in: Stuttgarter Zeitung, 24.Nov.1986 (C) [vert.file: Albert MANGELSDORFF] [digi.copy]

Ekkehard Jost: Bundesrepublik Deutschland. Albert Mangelsdorff, in: Ekkehard Jost: Europas Jazz 1960-80, Frankfurt/Main 1987 [book], p. 199-210 (F/A) [digi.copy]

Klaus Mümpfer: Emil und Albert Mangelsdorff. Zur simplen Basis des Blues gefunden, in: Jazz Podium, 36/7 (Jul.1987), p. 34 (C)

Dita von Szadkowski: Albert Mangelsdorff. Ein Portrait, in: Jazzthetik, 1/5 (Sep.1987), p. 10-13 (F; Vorabdruck) [digi.copy]

“atz”: Eine Posaune und sonst nichts, in: Die Welt, 28.Dec.1987, p. 6 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Hans Kumpf: Albert, der Posaunenweltmeister. 40 Jahre auf der Bühne, in: Jazz Podium, 36/12 (Dec.1987), p. 32 (F) [digi.copy]

Peter Watrous: Reviews / Music. One-Man Trombone Choir, in: New York Times, 26.May 1988 (C) [digi.copy]

“lind”: Der Botschafter. Vorzeigejazzer Albert Mangelsdorff sechzig, in: Stuttgarter Zeitung, 5.Sep.1988 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Michael Laages: A. Mangelsdorff wird 60. Der Mann mit den zwei Stimmen, in: Die Welt, 5.Sep.1988 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Wolfgang Sandner: Der Asket. Albert Mangelsdorff wird sechzig, in: Frankfurter Allgemeine Zeitung, 5.Sep.1988, p. 29 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Jean Quist: Albert Mangelsdorff speelt nog een paar jaar, in: Jazz Nu, 10/123 (Feb.1989), p. 174-175 (I) [digi.copy]

Klaus Robert Bachmann: Albert Mangelsdorff und Die Free Dig Big Band. Die Jazzer auf dem Tanztrip, in: Jazz Podium, 38/2 (Feb.1989), p. 37 (C)

Albert Mangelsdorff: Frankfurt am Main. Jazzmusik und grüne Soß, Freiburg 1990 [book] (“I”)

M.O.C. Döpfner: Dreistimmig auf einer Posaune. Albert Mangelsdorff, in: Wolfgang Sandner (ed.): Jazz in Frankfurt, Frankfurt/Main 1990 [book: Societäts-Verlag], p. 68-75 (F/I) [digi.copy]

Michael Naura: Der freischwebende Posaunist. Albert Mangelsdorff, in: Michael Naura: Jazz-Toccata. Ansichten und Attacken, Reinbek bei Hamburg 1991 [book: rororo], p. 157-159 (F)

Detlev Reinert: Auf neuen Abwegen. Der Jazzposaunist mit Mitgliedern der Klaus-Lage-Band auf Deutschland-Tournee, in: Frankfurter Allgemeine Zeitung, 14.Feb.1991, p. 33 (C) [vert.file: Albert MANGELSDORFF] [digi.copy]

“mt”: Der Jazzmusiker Albert Mangelsdorff erhält die Goethe-Plakette, in: Frankfurter Allgemeine Zeitung, 7.Mar.1991, p. 43 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Mike Hennessey: Albert Mangelsdorff. La rivoluzione a coulisse, in: Musica Jazz, 47/6 (Jun.1991), p. 16-20 (F) [digi.copy]

Detlev Gollasch: Heftige Spontan-Trance. Jazz zwischen Kalkül und Impulsivität im Palmengarten. Tenorsaxophonist Matthias Schubert, in: Frankfurter Allgemeine Zeitung, 4.Sep.1991 (C) [vert.file: Albert MANGELSDORFF] [digi.copy]

Bernd Ogan: Weber, Mangelsdorff. Konzert extremer Polaritäten, in: Jazz Podium, 41/3 (Mar.1992), p. 52-53 (C)

Detlev Gollasch: Der typische Kiekser. Albert Mangelsdorff & Members in der Alten Oper, in: Frankfurter Allgemeine Zeitung, 11.Mar.1992, p. 38 (C)

Rainer Köhl: Furioser Naturlaut. Watson/Lindberg/Mangelsdorff, in: Jazz Podium, 41/6 (Jun.1992), p. 42 (C)

Bruno Paulot: Albert Mangelsdorff. Gespräche, Waakirchen 1993 [book] (F/I mit Mangelsdorff und diversen Musikern/D)

“mak”: Langer Atem des Klangs. Albert Mangelsdorff, Eric Watson und John Lindberg beim Jazz im Palmengarten, in: Frankfurter Rundschau, 16.Aug.1993 (C) [vert.file: Albert MANGELSDORFF] [digi.copy]

Bert Noglik: Harte Arbeit im Stollen für die Glanzleistungen auf dem Hochseil. Die Botschaft des Jazz – Buchpräsentation und Geburtstagskonzert für und mit Albert Mangelsdorff im Amerikahaus, in: Frankfurter Rundschau, Sep.1993 (F/C) [vert.file: Albert MANGELSDORFF] [digi.copy]

Detlev Gollasch: Musikalisches Kapitel. Albert Mangelsdorff im Amerika-Haus, in: Frankfurter Allgemeine Zeitung, 18.Sep.1993, p. 48 (C) [vert.file: Albert MANGELSDORFF] [digi.copy]

Bert Noglik: Opposition im Medium der Klänge. Albert Mangelsdorff im Gespräch, in: Franz Ritter (ed.): Heinrich Himmler und die Liebe zum Swing. Erinnerungen und Dokumente, Leipzig 1994 [book], p. 143-154 (I) [digi.copy]

Michael Scheiner: Das Jazz-Portrait. Albert Mangelsdorff, in: Jazz-Zeitung, 19/5 (May 1994), p. 4-5 (F) [digi.copy]

Anja Krause: Mozart mit Jazz. Alois Kottmann und Albert Mangelsdorff im Hanauer Schloß, in: Frankfurter Allgemeine Zeitung, 11.Jun.1994, p. 50 (C)

Wolfgang Sandner: Gigantisches Posaunen-Palaver. Albert Mangelsdorff und die Gruppe “Slideride” beim Jazz im Palmengarten, in: Frankfurter Allgemeine Zeitung, 27.Aug.1994, p. 49 (C) [vert.file: Albert MANGELSDORFF]

Ulfert Goemann: Jazz und Popularmusik. Professorenstellen für Dr. Karl Hans Berger und Albert Mangelsdorff, in: Jazz Podium, 43/9 (Sep.1994), p. 42 (C)

G.R.K.: Berliner Bekenntnis, in: Frankfurter Allgemeine Zeitung, 21.Oct.1994, p. 43 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Albert Mangelsdorff: JazzFest 1995 – “Jazz Played in Germany”, in: Jazzfest Berlin ’95, Berlin 1995 [program], p. 5 (“I”)[digi.copy]

Lothar Jänichen: Albert Mangelsdorff-Wolfgang Dauner Quintett feat. Christof Lauer, in: Jazzfest Berlin ’95, Berlin 1995 [program], p. 12-13 (F) [digi.copy]

Libero Farné: Il vecchio e il nuovo sotto il tiro dei trombonisti, in: Musica Jazz, 51/4 (Apr.1995), p. 20-21 (C)

Paul-Hermann Gruner: Jazz-Dinner nach Maß. Mangelsdorff und Weber im Auerbacher Schloß, in: Darmstädter Echo, 26.Jun.1995 (C) [vert.file: Albert MANGELSDORFF]

Wolfgang Sandner: Die Sprungkraft des Einhorns. Spielt und spielt und spielt Posaune. Albert Mangelsdorff, das Wunder vom Main, in: Frankfurter Allgemeine Zeitung, 2.Sep.1995 (F) [vert.file: Albert MANGELSDORFF] [digi.copy]

Heribert Ickerott: Albert Mangelsdorff, künstlerischer Leiter des JazzFestes Berlin. Auf dem JazFest Berlin waren schon immer zu wenige deutsche Musiker repräsentiert, in: Jazz Podium, 44/11 (Nov.1995), p. 8 (I) [digi.copy]

Paul Hermann Gruner: Tempel der Improvisation. Ethno-Jazz mit Mangelsdorff und Weber, in: Darmstädter Echo, 20.Nov.1995 (C) [vert.file: Albert MANGELSDORFF]

Peter Bölke: Albert Mangelsdorff. Solo auf geraden Wegen, in: Spiegel Special, 12 (Dec.1995), p. 132-135 (F) [digi.copy]

Wolfram Knauer: Emanzipation wovon? Zum Verhältnis des amerikanischen und des deutschen Jazz in den 50er und 60er Jahren, in: Wolfram Knauer (Hg.): Jazz in Deutschland, Hofheim 1996 [book], p. 141-157 (F) [digi.copy]

Christoph Ekowski: Albert Mangelsdorff denkt an Bosnien. Uraufführung in Hanau, in: Frankfurter Allgemeine Zeitung, 17.Jan.1996, p. 49 (C) [vert.file: Albert MANGELSDORFF]

Jürgen Schwab: Mangelsdorff und Dauner. Jazz im Palmengarten, in: Frankfurter Allgemeine Zeitung, 30.Jul.1996 (C) [vert.file: Albert MANGELSDORFF]

Kasia Kumpf: Eurojazz. Albert Mangelsdorff, in: Jazz Forum (Poland), #175 (1997), p. 47-49 (F/I) [digi.copy]

Patrick Hinely: Albert Mangelsdorff. Atmospheric Conditions Permitting, in: Coda, #271 (Jan/Feb.1997), p. 8-11 (F/I) [digi.copy]

Christian Ekowski: Keine Sünden wider den Geist der Moderne. Der Posaunist Albert Mangelsdorff beim Jazz im Frankfurter Palmengarten, in: Frankfurter Allgemeine Zeitung, 16.Aug.1997, p. 53 (C) [vert.file]

Mike Zwerin: Albert Mangelsdorff, a Strong Pair of Chops, in: International herald Tribune, 21.Nov.1997 (F) [digi.copy]

Albert Mangelsdorff: Liebe JazzFest-Besucherinnen und -Besucher, in: Jazzfest Berlin ’98, Berlin 1998 [program booklet], p. 5 (“I”)[digi.copy]

Deborah Colcutt: Blowing His Own Trumpet. World famous jazz trombonist Albert Mangelsdorff has always laid his hat and trombone in his home town of Frankfurt, in: Gateway Frankfurt, Winter 1998, p. 33-35 (F/I) [vert.file] [digi.copy]

Johannes Kaiser: Weltmeister auf der Posaune. Ein Porträt des Musikers und Komponisten Albert Mangelsdorff, Radio-Feature for Deutschlandradio Berlin [Internet transcript], Jan.1998 (F/I) [vert.file] [digi.copy]

NN: Mangelsdorff/Dauner Quintett, in: Jazzclub Magazin (Karlsruhe), 13/3 (Jun/Jul.1998), p. 15 (F: concert preview) [digi.copy]

Gudrun Endress: Albert Mangelsdorff. “Ob ich vielleicht der Beste war, hat für mich nie eine Rolle gespielt”, in: Jazz Podium, 47/9 (Sep.1998), p. 3-7 (I with Mangelsdorff, Dieter Ilg, Wolfgang Dauner, Wolfgang Haffner, Günter Lenz, Ralf Hübner, Joki Freund, Peter Brötzmann, Alex von Schlippenbach, Lee Konitz, Charlie Mariano) [digi.copy]

Peter Bastian: Albert Mangelsdorff wird siebzig, in: Jazzthetik, 12/9 (Sep.1998), p. 20-22 (F/I) [digi.copy]

Reiner Kobe: Albert Mangelsdorff. Siebzig Jahre alt, in: Freiburger Jazzhaus Journal, 12/9 (Sep.1998), p. 14 (F) [digi.copy]

Reiner Kobe: Albert Mangelsdorff siebzig Jahre, in: Jazz Zeitung, 23/9 (Sep.1998), p. 25 (F) [digi.copy]

Rolf Westermann: “Spott ist das Schlimmste, was passieren kann”. Frankfurts Oberbürgermeisterin Petra Roth legt Posaunist Albert Mangelsdorff ein Saxophon an den Mund, in: Darmstädter Echo, 16.Sep.1998, p. 4 (F) [vert.file] [digi.copy]

Volker Kriegel: Widerstandssignale aus dem Posaunenkanal. Bericht von einer Geburtstags-Gala zu Ehren des Jazzposaunisten Albert Mangelsdorff, in: Frankfurter Allgemeine Zeitung, 5.Sep.1998, p. 33 (F) [vert.file] [digi.copy]

Klaus Matthias Schmidt: Die deutsche Posaunenlegende. Weltstar Albert Mangelsdorff im Jazzkeller, in: Rheinische Post, 30.Nov.1998 (C) [digi.copy]

Ute Büchter-Römer: Legendäre Posaunenphantasien. Albert Mangelsdorff spielte zum 40. Geburtstag im vollbesetzten Jazzkeller zusammen mit dem “Percussion-Orchestra”, in: Westdeutsche Zeitung, 30.Nov.1998 (C: Krefeld) [digi.copy]

“gui.”:Vermittler großer Erlebnisse. Verdienstorden für Mangelsdorff und Rau, in: Frankfurter Allgemeine Zeitung, 17.Nov.1998, p. 54 (short F) [vert.file] [digi.copy]

Klaus Matthias Schmidt: Die deutsche Posaunenlegende. Weltstar Albert Mangelsdorff im Jazzkeller, in: Rheinische Post, 30.Nov.1998 (C); reprint, in: Günter Holthoff & Mojo Mendiola (eds.): 50 Jahre Jazzkeller Krefeld, Krefeld 2008 [book: Leporello Verlag], p. 66 (C)

Michael Pilz: “Chet Baker unterm Beat ist Piraterie.” Musik für die Spieler? Albert Mangelsdorff über das Prinzip Jazz und sein Berliner JazzFest, in: Die Welt (Internet), 3.Nov.1998 (I) [vert.file] [digi.copy]

Ulrich Möller-Arnsberg: “The Horn is a Lady”. Albert Mangelsdorff zum 70. Geburtstag, in: GEMA Nachrichten, #158 (Nov.1998), p. 170-173 (F/I with Wolfgang Dauner, Klaus Doldinger, Eberhard Weber, Manfred Schoof, Joe Viera) [digi.copy]

Fritz Boensel: Lohnschreiber, in: Fritz Boensel: So weit der Gugl hupft. Mutmaßungen über Mitmenschen, [no place] 1999 [book: Thiele & Schwarz], p. 12-13 (short F) [digi.copy]

NN: Albert Mangelsdorff. Lifelines, in: [press release with biographical data], Marburg 1999 [Concert Büro Claus Schreiner] (F) [vert.file] [digi.copy]

Mike Zwerin: Six Eurojazzers You Should Know (But Don’t Call Them That), in: Jazziz, 16/5 (May 1999), p. 46-48 (F/short I with Joachim Kühn, Daniel Humair, Enrico Rava, Albert Mangelsdorff, Richard Galliano, Michel Portal) [digi.copy]

Achim Heidenreich: Jazz im Palmengarten. Albert Mangelsdorff und das Karlheinz Miklin Trio, in: Frankfurter Allgemeine Zeitung, 8.Aug.1999 (C) [vert.file] [digi.copy]

Klaus Mümpfer: Solokonzertreihe der Jazz-Fabrik Rüsselsheim mit Mangelsdorff, Schlippenbach, Brötzmann, in: Jazz Podium, 48/11 (Nov.1999), p. 40 (C)

Albert Mangelsdorff: “Ein großartiges Publikum.” Deutschlands bedeutendster Jazzmusiker hat aus Esslingen nur gute Erfahrungen, in: Günther Graf & Udo Klinner & Alexander Maier (eds.): Musik aus Mauern. Chronik des Esslinger Jazzkellers, Esslingen 2000 [book: Jazzclub Esslingen], p. 106 (“I”)[digi.copy]

Mike Heffley: Northern Sun, Southern Moon. Identity, Improvisation, and Idiom in Freie Musik Produktion, Middletown/CT 2000 [PhD thesis: Wesleyan University], passim, especially p. 492-498 (F/I); p. 584-587 (F/I) [digi.copy] [digi.copy]

Mathias Bäumel: Old Friends. Mehr Schatten als Licht in der Dresdner Semperoper, in: Jazz Podium, 49/2 (Feb.2000), p. 44 (C)

Marc Peschke: Was die Vögel nervös macht. Albert Mangelsdorff und Freunde bei “Jazz im Palmengarten”, in: Frankfurter Allgemeine Zeitung, 8.Jul.2000 (C) [vert.file]

Reinhard Köchl: German Jazz Masters. Ludwigsburger Gipfelgespräche, in: Jazz Thing, #35 (Sep/Oct.2000), p. 72-74 (I with Manfred Schoof, Klaus Doldinger, Albert Mangelsdorff, Wolfgang Dauner, Eberhard Weber, Wolfgang Haffner) [digi.copy]

Wolfgang Sandner: Auf einen Zug. Von gebührendem Rang: “Die Albert Mangelsdorff Rolle” (WDR), in: Frankfurter Allgemeine Zeitung, 2.Sep.2000 (Film-R) [vert.file] [digi.copy]

Dirk Meissner: Alte Freunde müsst ihr sein. Sechs German Jazz Masters – sechs Stilistiken, in: Jazz Zeitung, 25/10 (Oct.2000), p. 8 (R)

Hans-Jürgen von Osterhausen: Die Albert Mangelsdorff-Rolle. Ein außergewöhnlicher Film, in: Jazz Podium, 49/11 (Nov.2000), p. 34 (Film-R)

“tja”: 1. Paul-Hindemith-Preis an Albert Mangelsdorff, in: Frankfurter Rundschau, Dec.2000 (short F) [vert.file] [digi.copy]

“tja”: Plattmacher, in: Frankfurter Rundschau, 12.Dec.2000 (short F/photo: protest against Hindemith prize for Mangelsdorff) [digi.copy]

Johannes Anders: Albert Mangelsdorff erhält ersten Hindemith-Preis, in: Jazz ‘n’ More, Feb/Mar.2001, p. 8 (N)

Martin Schuster: Mister Trombone. Albert Mangelsdorff, in: Concerto, Feb/Mar.2001, p. 22-24 (F/I) [digi.copy]

Wolfgang Messner: Transcription of Albert Mangelsdorff’s “Al-Lee”, in: Jazz Research News, #2 (Feb.2001), p. 77-79 (T) [digi.copy]

Tobias Böcker: Spiellaune. Jazz Masters im Birdland, in: Jazz Zeitung, 26/4 (Apr.2001), p. 6 (C)

Géza Gábor Simon: Immens gut. Attila Zoller. Sein Leben und seine Kunst. Bio-Diskographie, Budapest 2003 [book: Jazz Oktatási és kutatási alapítvány], passim (F)

Hans Dieter Grünefeld: Albert Mangelsdorff. Posaune als alter ego, in: Music Manual, fall 2003, p. 30 (F) [digi.copy]

Marc Sarrazy: Joachim Kühn. Une histoire du jazz moderne, Paris 2003 [book: Éditions Syllepse], passim (F)

Gérard Rouy: Cooperation. Vingt ans de Mangelsdorff, in: Jazz Magazine, #534 (Feb.2003), p. 6 (F) [digi.copy]

Jürgen Schwab: Jazz-Stadt Frankfurt. Die Mangelsdorff-Brüder und der synkopierte Viervierteltakt, in: Frankfurter Allgemeine Zeitung, 27.Jun.2003 (F/I) [vert.file: D/Frankfurt] [digi.copy]

Wolfgang Sandner: Freiheit für die Posaune. Albert Mangelsdorffs brillante “Music for Jazz Orchestra”, in: Frankfurter Allgemeine Zeitung, 9.Aug.2003, p. 35 (F/R) [vert.file] [digi.copy]

Berthold Klostermann: Hut ab! Hut ab vor Deutschlands Jazzmusiker Nr. 1! Am 5. September wird Albert Mangelsdorff 75 Jahre alt. Pünktlich zum Geburtstag erscheint ein neues Album, das den Erneuerer des Posaunenspiels im Jazz zum ersten Mal als Big-Band-Komponist und -Arrangeur präsentiert. Grund genug für Berthold Klostermann, ihn im Frankfurter Übungskeller zu besuchen, in: Fono Forum, Sep.2003, p. 98-100 (F/I) [digi.copy]

Carina Prange: Albert Mangelsdorff. Multiphonics zum 75. Geburtstag, in: Jazz Zeit, #40 (Sep.2003), p. 6 (F) [digi.copy]

Dieter Wackerbarth: Albert Mangelsdorff. Glück und Talent sowie Zufall und Zielstrebigkeit, in: Jazz Podium, 52/9 (Sep.2003), p. 8-10, 12-13 (F/I) [digi.copy]

Hans-Jürgen Linke: Mit sanfter Besessenheit. Nicht ohne seine Posaune: Der Jazzmusiker Albert Mangelsdorff feiert heute seinen 75. geburtstag, in: Frankfurter Rundschau, 5.Sep.2003 (F) [vert.file] [digi.copy]

Johannes Völz: Albert Mangelsdorff. Heimlich, still und laut, in: Jazz Thing, #50 (Sep/Oct.2003), p. 40-41 (F/I) [digi.copy]

Michael Rieth: Gelungener Feier-Abend. Albert Mangelsdorffs Geburtstagskonzert mit alten Freunden in der Alten Oper, in: Frankfurter Rundschau, 15.Sep.2003 (C) [vert.file] [digi.copy]

Peter Kleiß: Wildgänse. Peter Kleiß für Albert Mangelsdorff zum 75., [manuscript, Sep.2003] (poem) [vert.file] [digi.copy]

Stefan Arndt: Happy Birthday, Albert! Albert Mangelsdorff, in: Jazzthetik, 17/9 (Sep.2003), p. 16-21 (F/I) [digi.copy]

Tobias Böcker: Die Stimme der Posaune im deutschen Jazz. Albert Mangelsdorff wird heute 75 Jahre alt – Stilbildend auf seinem Instrument und für die Szene, in: Allgäuer Zeitung, 5.Sep.2003 (F) [vert.file] [digi.copy]

Tobias Schumacher: albert mangelsdorff. geburtstagsgeschenk: erstes werk für großes jazzorchester, in: Clarino.print, Sep.2003, p. 40 (F) [digi.copy]

Tom Fuchs: Ein Gespräch mit Albert Mangelsdorff, in: Thüringer Allgemeine, 4.Sep.2003 (I) [vert.file] [digi.copy]

Ulrich Olshausen: Generalvertretung des Jazz. Albert Mangelsdorff feiert den 75. in der Alten Oper – eine Demonstration lebendiger deutscher Jazzgeschichte, in: Frankfurter Allgemeine Zeitung, 14.Sep.2003 (C) [vert.file] [digi.copy]

Werner Theurich: Jazz mit Meisen und Menschen. Albert Mangelsdorff wird 75, in: Spiegel Online, 5.Sep.2003 (F) [vert.file] [digi.copy]

Andrey Henkin: Albert Mangelsdorff. A Legend at 75, in: All About Jazz, #18 (Oct.2003), p. 21 (F/I) [digi.copy]

Dietmar Hoscher & Wolfgang Gonaus: Jazz. Jazzstatements in Wort und Bild, Wien 2004 [book: Dr. Peter Müller Verlag], p. 96-97 (short I/photos)

Jürgen Schwab: Der Frankfurt Sound. Eine Stadt und ihre Jazzgeschichte(n), Frankfurt/Main 2004 [book: Societäts Verlag], passim (F)

Jürgen Schwab: Der Frankfurt Sound. Eine Stadt und ihre Jazzgeschichte(n), Frankfurt/Main 2004 [book: Societäts Verlag], p. 105-109, 153-154, 173, 232-233, 249, passim (F) [digi.copy]

Peter Niklas Wilson: Traumhochzeit oder Mesalliance? Alte Musik und Neuer Jazz, in: Jazzforschung / jazz research, #36 (2004), p. 107-121 (F/A: Albert Mangelsdorff, Michael Riessler, Michel Godard, Barry Guy, Joachim Kühn, Richie Beirach & Gregor Huebner / George Mraz, Uri Caine) [digi.copy]

Jürgen Jung: Albert Mangelsdorff, Musiker, im Gespräch, in: , 9.Jan.2004 (I) [digi.copy]

“ste”: Skulptur zur Erinnerung an Mike Gehrke, in: Hannoversche Allgemeine, 6.Sep.2004 (F) [vert.file] [digi.copy] [digi.copy]

Fritz Rau: 50 Jahre Backstage. Erinnerungen eines Konzertveranstalters, Heidelberg 2005 [book: Palmyra], passim (F)

Gerd Filtgen: Albert Mangelsdorff, in: Peter Niklas Wilson (ed.): Jazz Klassiker, Stuttgart 2005 [book: Reclam], p. 445-453 (F)

Helga Reuter-Kumpmann: Üben und improvisieren. Gespräch mit Albert Mangelsdorff, in: Gerhard Kilger (ed.): macht musik. Musik als Glück und Nutzen für das Leben, Köln 2005 [book: Wienand Verlag], p. 76-83 (F)

Kurt Dietrich: Jazz ‘Bones. The World of Jazz Trombone, Rottenburg 2005 [book: Advance Music], p. 532-536 (F) [digi.copy]

Mike Heffley: Northern Sun / Southern Moon. Europe’s Reinvention of Jazz, New Haven 2005 [book: Yale University Press], passim; especially p. 31-34 (F/I: chapter “Albert Mangelsdorff: Trombone Archaisms”) [digi.copy]

Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 2005 [book: Reclam], p. 137-139 (R: “Three Originals”, MPS); reprint, in: Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 4/2011 [book: Reclam], p. 159-161 (R)

NN: Ehrenmitgliedschaft für Albert Mangelsdorff, in: [press release: Internationale Posaunen-Vereinigung] 14.Jan.2000 (F) [vert.file] [digi.copy]

Hans-Jürgen Linke: Alberts bestes Trio. Eine Jazz-Wiederentdeckung, in: Frankfurter Rundschau, 21.Jun.2006 (R: “Triplicity”) [vert.file] [digi.copy]

Ulfert Goeman: Die Posaune des Jazz – Ein Filmportrait von Albert Mangelsdorff, in: Jazz Podium, 54/6 (Jun.2005), p. 8-9 (F) [digi.copy]

Ben Mattison: Jazz Trombonist Albert Mangelsdorff Dies at 76, in: Playbill News, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

Christian Broecking: Wir haben auf totales Risiko gespielt. Der Erfinder des deutschen Jazz nach dem Krieg. Zum Tod des Posaunisten Albert Mangelsdorff, in: Berliner Zeitung, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

Gregor Dotzauer: Der Evoluzzer. Liebe zur Mehrstimmigkeit. Zum Tod des Posaunisten und Jazz-Botschafters Albert Mangelsdorff, in: Der Tagesspiegel (Berlin), 26.Jul.2005 (F/O) [vert.file]

Hans-Jürgen Linke: Ein warmer, fester Ton. Nicht nur ein großer, sondern auch ein folgenreicher Musiker – Der Frankfurter Posaunist Albert Mangelsdorff ist im Alter von 76 Jahren gestorben, in: Frankfurter Rundschau, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

Harald Budewig: Zum Tode von Albert Mangelsdorff, in: Frankfurter Allgemeine Zeitung, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

Harald Budweg: Jazz. Zum Tode von Albert Mangelsdorff, in: Frankfurter Allgemeine Zeitung, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

John Fordham: Albert Mangelsdorff. German jazz trombonist noted for stunning solo improvisations, in: Guardian, 298.Jul.2005 (F/O) [vert.file] [digi.copy]

Josef Engels: Seine Multiphonics waren weltberühmt. Jazzposaunist Albert Mangelsdorff ist gestorben, in: Berliner Morgenpost, 26.Jul.2005 (F/O) [vert.file] [digi.copy]

Michael Naura: Freies Schweben. Zum Tode des berühmten deutschen Jazzmusikers Albert Mangelsdorff, in: Die Zeit, 28.Jul.2005 (F/O) [vert.file] [digi.copy]

NN: Zum Tod von Albert Mangelsdorff. Programmänderungen im hr-Fernsehen und in hr2, in: [press release hr radio], 26.Jul.2005 (F) [digi.copy]

Odilo Clausnitzer: Zum Tode des Posaunisten Albert Mangelsdorff. Manfred Schoof im Gespräch mit Odilo Clausnitzer, in: WDR Jazzpoint Special, 30.Jul.2005 (F/O; I with Manfred Schoof) [digi.copy]

Raimund Dillmann: albert, in: [e-mail correspondence], 28.Jul.2005 (F/O) [vert.file] [digi.copy]

Rainer Hartmann: Der Pilot, der keine Grenzen kannte, in: Kölner Stadt-Anzeiger, 27.Jul.2005 (F/O) [vert.file] [digi.copy]

Steve Voce: Albert Mangelsdorff. Master of the unaccompanied jazz trombone, in: The Independent, 27.Jul.2005 (F/O) [vert.file] [digi.copy]

Tobias Rapp: Der Mann mit den vielen Stimmen, in: die tageszeitung, 27.Jul.2005, p. 5 (F/O) [vert.file] [digi.copy]

Wolfgang Sandner: Der Asket auf der Posaune. Auf der Höhe seiner Kunst hatte er niemanden mehr über sich. Zum Tode des Jazzmusikers Albert Mangelsdorff, in: Frankfurter Allgemeine Zeitung, 27.Jul.2005, p. 35 (F/O) [vert.file] [digi.copy]

Wolfgang Sandner: Europas Jazz trägt seinen Namen. Albert Mangelsdorff hat den Klang einer Epoche geprägt, durch die er in Frankfurt geformt wurde, in: Frankfurter Allgemeine Zeitung, 1.Aug.2005, p. 7 (F/O) [vert.file] [digi.copy]

“S.R.”: Ein Kapitel der Posaunengeschichte, in: Fono Forum, Sep.2005, p. 12 (F/O) [digi.copy]

“zer.”: Albert Mangelsdorff auf dem Hauptfriedhof beigesetzt, in: Frankfurter Allgemeine Zeitung, 2.Aug.2005, p. 40 (F) [vert.file] [digi.copy]

Gunter Hampel: When Angels Sing. Albert Mangelsdorff, in: [e-mail correspondence], 3.Aug.2005 (F/O) [vert.file] [digi.copy]

Hans-Jürgen Linke: Keine Epoche ist zu Ende. Zur Beerdigung von Albert Mangelsdorff in Frankfurt, in: Frankfurter Rundschau, 3.Aug.2005 (F/O) [vert.file] [digi.copy]

Niranjan Jhaveri: Albert Mangelsdorff – RIP, in: [personal e-mail correspondence], 1.Aug.2005 (F/O) [digi.copy]

Bert Noglik: Danke und Hut ab. In memoriam Albert Mangelsdorff, in: Jazz Zeitung, 30/9 (Sep.2005), p. 11 (F/O) [digi.copy]

Bruce Crowther: Obituaries. Albert Mangelsdorff, in: Jazz Journal, 58/9 (Sep.2005), p. 20 (F/O) [digi.copy]

Gerard Rouy: Albert Mangelsdorff. La coulisse reste sans voic. Agé de 76 ans, le tromboniste allemand est mort à Francfort, sa ville natale, le 25 juillet des suites d’une leucémie, in: Jazz Magazine, #562 (Sep.2005), p. 9 (F/O) [digi.copy]

Gunter Hampel & Wolfgang Dauner & Eberhard Weber & John Surman & Willem Breuker & John Lindberg & George Lewis & Barre Phillips & Fred van Hove & Pierre Favre: Albert Mangelsdorff, 1928-2005, in: All About Jazz (New York), #41 (Sep.2005), p. 12-13 (F/O) [vert.file] [digi.copy]

John Evers: As Time Goes By… Posaunenvogel. Zum Tod von Albert Mangelsdorff, in: Jazzzeit, #56 (Sep/Oct.2005), p. 90 (F/O) [digi.copy]

NN: Albert Mangelsdorff, in: Orkester Journalen, 73/9 (Sep.2005), p. 35 (F/O) [digi.copy]

NN: Farewell. Albert Mangelsdorff, in: Jazz ‘n’ More, Sep/Oct.2005, p. 8 (O) [digi.copy]

Reinhard Köchl: Albert Mangelsdorff. Einer fehlt, in: Jazzthetik, 19/9 (Sep.2005), p. 18, 20-21 (F/O) [digi.copy]

Ulrich Olshausen: Der tiefe Gesang der Posaune. Albert Mangelsdorff wurde 76, in: Jazz Podium, 54/9 (Sep.2005), p. 3-4 (F/O) [digi.copy]

Wolf Kampmann: In Memoriam Albert Mangelsdorff. Das Lied von der Erde, in: Jazz Thing, #60 (Sep/Oct.2005), p. 6 (F/O) [digi.copy]

Hans-Jürgen Schaal: Galerie der Großen (19). Albert Mangelsdorff, in: Clarino.print, 3/10 (Oct.2005), p. 18 (F) [digi.copy]

Martin Schuster: Albert Mangelsdorff (1928-2005), in: Concerto, Oct/Nov.2005, p. 37 (F/O) [digi.copy]

Michel Laplace: Larmes. Albert Mangelsdorff, in: Jazz Hot, #624 (Oct.2005), supplement, p. 7 (F/O) [digi.copy]

Peter Ortmann: Begegnungen. Peter Ortmann zum Tode von Albert Mangelsdorff, in: Musikforum, 3/4 (Oct/Dec.2005), p. 58 (F/O) [digi.copy]

Patrick Hinely: Albert Mangelsdorff, 1928-2005, in: Coda, #324 (Nov.2005), p. 8 (F/O) [digi.copy]

E. Dieter Fränzel & JAZZ AGe Wuppertal (eds.): sounds like whoopataal. Wuppertal in der Welt des Jazz, Essen 2006 [book: Klartext], passim (F)

Pannonica de Koenigswarter: Les Musiciens de jazz et leurs trois voeux, Paris 2006 [book: Buchet/Chastel; German translation as: “Die Jazzmusiker und ihre drei Wünsche”, Stuttgart 2007: Reclam; English translation (original language) as: “Three Wishes. An Intimate Look at Jazz Greats”, New York 2008: Abrams Image], p. 297, 299 (short I) [digi.copy]

Dieter Wackerbarth: Dichtung & Wahrheit über den “Nestor des deutschen Jazz”. Augenzwinkernde Hommage an Albert Mangelsdorff zum 1. Todestag, in: Jazz Podium, 55/7-8 (Jul/Aug.2006), p. 3-6 (F) [digi.copy]

Christian Hoesch: Hommage und Show. Gedenkabend für Albert Mangelsdorff bei den “Jazznights” der Alten Oper, in: Frankfurter Allgemeine Zeitung, 7.Sep.2006, p. 51 (C: tribute to Mangelsdorff) [vert.file] [digi.copy]

Gerd Döring: Vorher und nachher. Ein Abend für Albert Mangelsdorff in der Frankfurter Alten Oper, in: Frankfurter Rundschau, 7.Sep.2006 (C: tribute to Mangelsdorff) [vert.file] [digi.copy]

NN: Albert Mangelsdorff Quintett, “Folk Mond & Flower Dream”. The Lost Tapes. Fast eine Familienstory, in: [press release], 14.Sep.2007 (F) [vert.file] [digi.copy]

Claus Schreiner: Wiedergutmachung. Mit dem Posaunisten Albert Mangelsdorff starb 2005 eine herausragende internationale Jazz-Persönlichkeit. Zu Lebzeiten gab es viele seiner wichtigsten Aufnahmen nicht auf CD. Das ändert sich nun zum 80. Geburtstag, in: Jazz Echo, 11/2 (2008), p. 23 (F) [digi.copy]

Günter Holthoff & Mojo Mendiola (eds.): 50 Jahre Jazzkeller Krefeld, Krefeld 2008 [book: Leporello Verlag], p. 64-67 (F) [digi.copy]

Wolfgang Sandner: Gedenkkonzert für Albert Mangelsdorff. Jazz auf großer Flamme. Jubeltöne für den Posaunenmeister. Herausragende Jazzkoryphäen geben sich am 6. September im Großen Saal ein musikalisches Stelldichein. Ihr Einsatz dient der Erinnerung an einen berühmten Frankfurter, in: Frankfurter Allgemeine Zeitung, 31.Aug.2008 (F: concert preview) [digi.copy]

Christian Broecking: Markenzeichen: Soloposaune, in: Berliner Zeitung, 5.Sep.2008 (F) [vert.file] [digi.copy]

Hans-Jürgen Linke: Nicht schlecht. Eine Ehrung und ein kleines Gedenk-Jazzfestival zum 80. Geburtstag von Albert Mangelsdorff, in: Frankfurter Rundschau, 8.Sep.2008 (C: tribute concert with Albert Mangelsdorff Memorial Quintet; Joachim Kühn, Miroslav Vitous, Daniel Humair; Lee Konitz & Martial Solal; Emil Mangelsdorff & hr Big Band) [digi.copy]

Ulrich Olshausen: Vier Schritte zur Geisterbeschwörung. Eine musikalische Gedenkfeier für Albert Mangelsdorff in der Alten Oper Frankfurt, in: Frankfurter Allgemeine Zeitung, 8.Sep.2008 (C: tribute concert with Albert Mangelsdorff Memorial Quintet; Joachim Kühn, Miroslav Vitous, Daniel Humair; Lee Konitz & Martial Solal; Emil Mangelsdorff & hr Big Band) [digi.copy]

Volker Schmidt: Albert Mangelsdorff. Der größte Frankfurter nach Goethe. Vom Swing−Kid zum Blech−Pionier: Der Posaunist Albert Mangelsdorff zerrte den deutschen Jazz aus dem Nachkriegsmief in die frische Luft der 68er. Jetzt wäre er 80 geworden. Eine Erinnerung, in: Die Zeit, 4.Sep.2008 (F) [digi.copy]

Dieter Wackerbarth: Zum 80. Geburtstag von Albert Mangelsdorff. Mangelsdorff beyond – Ertrag und Perspektive für die Posaune im Jazz, in: Jazz Podium, 57/10 (Oct.2008), p. 3-4, 6, 8-9 (F) [digi.copy]

Dieter Wackerbarth: Zum 80. Geburtstag von Albert Mangelsdorff. Mangelsdorff beyond – Ertrag und Perspektive für die Posaune im Jazz, in: Jazz Podium, 57/11 (Nov.2008), p. 36-38 (F) [digi.copy]

Alfred Krondraf: Kein Mangel an Mangelsdorff. Erinnerungen en masse, in: Concerto, Dec/Jan.2008/2009, p. 46 (F/R)

Andrew Wright Hurley: The Return of Jazz. Joachim-Ernst Berendt and West German cultural change, New York 2009 [book: Berghahn Books], passim; especially p. 158-167 (F: chapter “The Goethe Institut’s Jazz Ambassadors Strike Up”)

Heinz Protzer: Attila Zoller. Sein Leben, seine Zeit, seine Musik, Erftstadt 2009 [book: privately published], passim (F)

Martina Taubenberger: “The Sound of Democracy – The Sound of Freedom”. Jazz-Rezeption in Deutschland (1945-1963), Mainz 2009 [PhD thesis: Johannes-Gutenberg-Universität], passim; especially p. 260-292 (I: chapter “Zeitzeugeninterview. Albert Mangelsdorff”)

NN: Darmstädter Forum für einen Virtuosen. Jazzinstitut ehrt Albert Mangelsdorff, in: Wiesbadener Kurier, 5.Jan.2009 (F) [digi.copy]

“clan”: Ding der Woche. Mangelsdorffs Ersatz-Posaune, in: Frankfurter Allgemeine Zeitung, 14.Feb.2009 (F) [digi.copy]

“zer.”: Nachlass mit Posaunen. Grundstock gelegt für das Mangelsdorff-Archiv, in: Frankfurter Allgemeine Zeitung, 12.Feb.2009 (F) [digi.copy]

Claudia Michels: Nachlass. Mangelsdorff-Jazz-Archiv eröffnet, in: Frankfurter Rundschau, 12.Feb.2009 (F) [digi.copy]

Jensen Zlotowicz: Jazzarchiv zieht den Kürzeren, in: Thürinigsche Landeszeitung, 13.Feb.2009 (F: about Albert Mangelsdorff Archiv in Frankfurt) [digi.copy]

NN: Presseinformation. Grundstock für Albert-Mangelsdorff-Archiv in Frankfurt gelegt. Nachlass der Jazz-Legende für die Stadt Frankfurt gesichert. Institut für Stadtgeschichte plant Archiv zur Frankfurter Jazzgeschichte, in: [press release of the Stadt Frankfurt], 11.Feb.2009 (F) [digi.copy]

Wolfgang Sandner: Metropole des Jazz. Mangelsdorff-Archiv gegründet, in: Frankfurter Allgemeine Zeitung, 12.Feb.2009 (F) [digi.copy]

Ulfert Goeman: In Frankfurt Grundstock gelegt für ein Albert-Mangelsdorff-Archiv, in: Jazz Podium, 58/4 (Apr.2009), p. 43 (F) [digi.copy]

Heinz Zietsch: Mangelsdorff zu Ehren. Jazzforum. Das elfte Darmstädter Festival steht unter dem Motto “Spannung” – Beginn am Freitag, in: Darmstädter Echo, 22.Sep.2009 (F: concert preview) [digi.copy]

Nick van Dijk: Woodshed. Solo. Albert Mangelsdorff’s Multiphonic Solo on ‘Morbidia’, in: Down Beat, 76/11 (Nov.2009), p. 76 (A/T) [digi.copy]

Wolfgang Schorlau: Das brennende Klavier. Der Musiker Wolfgang Dauner, Hamburg 2010 [book: Nautilus], passim, especially p. 125-127 (F: chapter “Das Albert Mangelsdorff-Wolfgang Dauner Duo”)

Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], passim (F) [digi.copy]

Wolfgang Sandner: Ein prototyp und Sonderfall. Albert Mangelsdorff, Jazzmusiker in Deutschland, in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 17-27 (F) [digi.copy]

Wolfram Knauer: Es sungen drei Engel. Zum Umgang von Jazzmusikern mit deutscher Musiktradition, in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 65-85 (F) [digi.copy]

Harald Justin: Jenseits des Skandals. Albert Mangelsdorff: Autobiographisches Erzählen im Kontext (und mögliche Paradigmenwechsel im deutschen Jazz), in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 217-243 (F) [digi.copy]

Michael Rieth: Goethe und der Blues, Kropotkin und die Krone, Albert und die Anarchie, in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 245-265 (F; partly a reprint of Rieth’s earlier essay in Jazzcontainer, Hofheim 1986) [digi.copy]

Michael Rüsenberg: “Ein musikalisches Zwiegespräch zwischen dem weltberühmten Posaunisten und dem unbekannten Wal”. Anmerkungen zu Albert Mangelsdorff, in: Wolfram Knauer (ed.): Albert Mangelsdorff. Tension / Spannung, Hofheim 2010 [book: Wolke Verlag], p. 293-301 (F) [digi.copy]

Tobias Böcker: Albert Mangelsdorff über Attila Zoller. “Er hat mit Haut und Haar für die Musik gelebt”, in: Jazz Podium, 59/3 (Mar.2010), p. 36-37 (I)

Uwe Wittstock: Der Posaunen-Goethe. Frankfurt war mal deutsche Jazz-Hauptstadt. Daran erinnert das Archiv des Musikers Albert Mangelsdorff, in: Welt Online, 23.Mar.2010 (F) [digi.copy]

Ralf Dombrowski: Buch-Tipp: Albert Mangelsdorff, in: , 2.Dec.2010 (B: “Albert Mangelsdorff. Tension / Spannung”, edited by Wolfram Knauer) [digi.copy]

Karlheinz Drechsel & Ulf Drechsel: Zwischen den Strömungen. Mein Leben mit dem Jazz, Rudolstadt 2011 [book: Greifenverlag], passim (F)

Ulfert Goeman: Wegbeieiter mit Posaune. Jazz – Das Darmstädter Institut publiziert bedeutende Beiträge zu Albert Mangelsdorff, in: Darmstädter Echo, 31.Jan.2011 (B: “Tension / Spannung”, edited by Wolfram Knauer) [digi.copy]

Ulfert Goeman: “Albert Mangelsdorff. Tension / Spannung. Darmstädter Beiträge zur Jazzforschung, Band 11”, edited by Wolfram Knauer, in: Jazz Podium, 60/2 (Feb.2011), p. 60 (B) [digi.copy]

Bert Noglik: Buchrezension: Darmstädter Beiträge zur Jazzforschung Band 11. Albert Mangelsdorff – Tension – Spannung, in: [SWR 2 NOW Jazz Magazin], 3.Mar.2011 (F: manuscript) [digi.copy]

NN: Der Jazz-Posaunist als Model. Fundstücke aus dem Mangelsdorff-Nachlass, in: , 24.Aug.2011 (F) [digi.copy]

Wolfgang Sandner: Es war nicht die Meise. Gesprächskonzert mit Jürgen Schwab und Christof Lauer, in: Frankfurter Allgemeine Zeitung, 25.Aug.2011 (C) [digi.copy]

Wolfram Knauer: “Three Angels”. Albert Mangelsdorff’s and Other Musicians’ Reworking of the German Folk Music Tradition, in: Current Research in Jazz, #4 (2012) [Dan Morgenstern Festschrift] <crj-online.org/v4/> (F) [digi.copy]

Lukas Gedziorowski: Vogeljazz am Teich. Ein bislang namenloser Enten- und Reiherweiher, an dem der Posaunist Albert Mangelsdorff oft Vögel beobachtete, soll jetzt nach dem legendären Frankfurter Musiker benannt werden, in: Frankfurter Rundschau, 14.Mar.2013 (F) [digi.copy

NN: Straßenbenennungen und Angaben zum amtlichen Straßenverzeichnis, in: Amtsblatt (Frankfurt), 24.Jul.2013 (F: planned re-naming of Frankfurt street in “Albert-Mangelsdorff-Allee”; never realized) [digi.copy]

NN: Albert Mangelsdorff Quintett – “Legends Live” (Jazzhaus 201727), in: [LP inpo], Jul.2013 (F) [digi.copy]

Evanthia Triantafillou: Einladung zur Einweihungsfeier des Albert-Mangelsdorff-Weihers, in: [letter], 17.Sep.2013 (F: small lake in Frankfurt park to be named after Albert Mangelsdorff) [digi.copy]

Ulrich Stock: Wiederentdeckt. Erste Weltmusik aus Deutschland. Das Albert Mangelsdorff Quintett holte Thailand nach Freiburg, in: Die Zeit, 12.Dec.2013 (R: “Live at Audimax Freiburg, June 22, 1964”, SWR/Arthaus Musik) [digi.copy]

Rainer Bratfisch: Jazz in Berlin, Berlin 2014 [book: Nicolai Verlag], passim (F)

Jazz Index: Charlie Parker

Example for a Jazz Index on Charlie Parker

————————————————-

Jazz Index – created on 13. August 2014

The following bibliographical information is drawn from periodicals and books present in the archive of the Jazzinstitut Darmstadt. Our extensive periodical collection comprises more than 55,000 issues of some 1,050 jazz periodicals. Close to two-thirds of the collection has been indexed.

Following the more recent entries are abbreviations denoting the nature of the material in the respective articles. These symbols are:

[A] = analytical remarks
[B] = extensive book review
[BT] = blindfold test
[C] = concert review
[D] = discography
[F] = feature article
[I] = interview
[“I”] = article written by the respective musician himself
[N] = (very short) news item
[O] = obituary
[R] = extensive record review
[T] = transcription

The Jazz Index is a service of the…

Jazzinstitut Darmstadt, Bessunger Strasse 88d, D-64285 Darmstadt, Germany
phone ++49 (6151) 963740, fax ++49 (6151) 963744

This bibliography has been compiled and mailed by … Jazzinstitut Darmstadt,
e-mail: jazz@jazzinstitut.de, Internet: www.jazzinstitut.de

Parker, Charlie (as * real name: Charles Christopher Parker; b: 29.Aug.1920, Kansas City/KS; d: 12.Mar.1955, New York; Lexikon: Feather [1960]; Companion [1987]; New Grove [1988]; rororo [1988]; Reclam [1989]; Dictionnaire [1988,1995]; MusicHound [1999]; Rough Guide [1999]; vertical file: Charlie PARKER [1988,1998,2000,2003-2005])

***

LITERATURE:

NN: Flash!, in: Metronome, 62/6 (Jun.1945), p. 6 (N: Philadelphia concert with Don Byas, Buddy DeFranco, Dizzy Gillespie, Charlie Parker) [digi.copy]

NN: Flash!, in: Metronome, 62/6 (Jun.1945), p. 6 (N: New Jazz Foundation concert in New York with Billie Holiday or Coleman Hawkins, Erroll Garner Trio, Remo Palmieri, Don Byas, Charlie Parker, Buck Clayton, Slam Stewart, Joe Guy) [digi.copy]

The Two Deuces (= Barry Ulanov & Leonard Feather): Dizzy Gillespie – “Blue ‘n’ Boogie” / “Groovin’ High” (Guild 1001), in: Metronome, 62/6 (Jun.1945), p. 14 (R: calling Parker “The Diz of the alto”) [digi.copy]

Barry Ulanov & Leonard Feather: Tiny Grimes/Charlie Parker, in: Metronome, Oct.1945 (C); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 239-240 (R)

Barry Ulanov: Dizzy Dazzles for an Hour. Rest of Concert Drags, in: Metronome, Oct.1945 (C); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 181-183 (C)

Horst Lippmann: Letzte Neuheiten. Charlie Parker hat eigene Band, in: Die Jazz-Club News, #3/4 (Oct/Nov.1945), p. 22 (N) [digi.copy]

NN: 652nd Street Invades Toronto Studio, in: Down Beat, 12/24 (15.Dec.1945), p. 2 (N/photo)

NN: Parker Exciting L.A. With Be-Bop, in: The Capitol News from Hollywood, 4/4 (Apr.1946), p. 10 (short F: at Finale Club with Miles Davis, Joe Albany) [digi.copy]

NN: Sunset and Vine, in: The Capitol News from Hollywood, 4/4 (Apr.1946), p. 2 (news column: wants to stay in Hollywood permanently; just signed recording contract) [digi.copy]

Barry Ulanov & George T. Simon & Leonard Feather: Charlie Parker’s Re Boppers – “Now’s The Time”/”Billie’s Bounce”, in: Metronome, Mar.1946; Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 240-241 (R)

Barry Ulanov & George T. Simon & Leonard Feather: Charlie Parker’s Ri Bop Boys – “Ko Ko”, in: Metronome, May 1946; Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 241-242 (R: excerpt referring to Parker)

NN: Noteworthy People. New Maetsro – Charlie (Bird) Parker, in: Hollywood Note, 1/4 (Jun.1946), p. 24 (short F)

Michael Levin: Charlie Parker – “Ornithology” / “A Night in Tunesia” (Dial 1002), in: Down Beat, 15.Jul.1946 (R: 2 stars / 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 183 (R)

NN: Charlie Parker Shows Recovery, in: Down Beat, 23.Sep.1946 (N) [digi.copy] {Rutgers papers “Charlie Parker”, p. 51}

George T. Simon & Leonard Feather: Charlie Parker – “Be-Bop”/”Lover Man”, in: Metronome, Nov.1946 (R); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 242 (R)

NN: Benefit presented here for Charlie Parker, in: [unknown manuscript], 16.Dec.1946 (C) [digi.copy] {Rutgers papers “Charlie Parker”, p. 18}

NN: Parker Fund to Hospital, in: [unknown source], 1947 (F: benefit money turned over to West View Hospital) [digi.copy] {Rutgers papers “Charlie Parker”, p. 162}

NN: Benefit, in: [unknown source], Feb.1947 (short F: benefit for Charlie Parker at Club Royale in Los Angeles earning 500 dollar) [digi.copy] {Rutgers papers “Charlie Parker”, p. 17}

Ross Russell & Chan Richardson: [correspondence], in: NN: Pop, Including Bird – The Chan Parker Collection, London, 8.Sep.1954 [auction catalogue], p. 9 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 7}

Elliott Grennard: Sparrow’s Last Jump, in: Ralph J. Gleason: Jam Session. An Anthology of Jazz, London 1961 [book], p. 235-248 (short story; Reprint aus: Harper’s Magazine, May 1947) [digi.copy]

NN: Yardbird Parker Is Blue Monday’s Jam ‘Sesh’ Star, in: New York Amsterdam News, 3.May 1947, p. 23 (short F) [digi.copy]

NN: The Bird, in: Metronome, 63/6 (Jun.1947), p. 27 (short F/photo) [digi.copy]

Leonard Feather: Yardbird Flies Home. Back in New York, Charlie Parker reviews his life and his musical thinking, in: Metronome, 63/8 (Aug.1947), p. 14, 43-44 (F/I) [digi.copy]; Reprint, in: Jerry’s Rhythm Rag, 2 (spring 1993), p. 28-30 (F/I); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 61-65 (F/I)

NN: Charlie Parker – “Buzzy” / “Donna Lee” (Savoy 512), in: Metronome, 63/8 (Aug.1947), p. 32 (R) [digi.copy]

Joe Segal: Jazz Moods. Be-Bop Arrives As ‘Bird’ Comes to Chi, in: [unknown source, ca.Oct.1947 (F: upcoming engagement at Argyle Show Lounge) [digi.copy] {Rutgers papers “Charlie Parker”, p. 167}

Michael Levin: Dizzy, Bird, Ella Pack Carnegie. Despite Bad Acoustics, Gillespie Concert Offers Some Excellent Music, in: Down Beat, 14/22 (22.Oct.1947), p. 1, 3 (C); reprint, in: Ken Vail: Dizzy Gillespie. The Bebop Years 1937-1952, Cambridge 2000 [book: Vail Publishing], p. 51 (C)

Allan Morisson & Nicole Barclay: Charlie “Yardbird” Parker, in: Jazz News [France], #1 (Noel 1948), p. 6-7 (F)

André Hodeir: Charlie Parker, in: Jazz Hot, #special (Jan.1948), p. 8-10l, 13 (F/A); erratum, in: Jazz Hot, #19 (Jan.1948), p. 11

Charles Delaunay: Discographie de Charlie Parker, in: Jazz Hot, #special (Jan.1948), p. 8 (D)

Hubert Rostaing: Charlie Parker, in: Jazz Hot, #special (Jan.1948), p. 9 (F)

NN: Influence of the Year. Charlie Parker, in: Metronome, 64/1 (Jan.1948), p. 22 (F) [digi.copy]

Raymond Fol: Charlie Parker, in: Jazz Hot, #special (Jan.1948), p. 8 (F)

NN: Harris, Parker Get Beat Plaques, in: Down Beat, 15/8 (21.Apr.1948), p. 18 (N); Reprint, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 36 (N)

Tom Herrick: Charlie Parker – “The Parkers” (Savoy 509), in: Down Beat, 21.Apr.1948 (R: 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 183-184 (R)

NN: Bop vs. Boogie Show, in: Down Beat, 15/10 (19.May 1948), p. 3 (N)

Tom Herrick: Charlie Parker Quartet – “This Is Always” / “Dewey Square” (Dial 1019), in: Down Beat, 11.Aug.1948 (R: 2 stars / 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 184 (R)

Leonard Feather: A Bird’s-ear View of Music. Nobody gets the bird from bird as broadminded parker takes the blindfold test, in: Metronome, 64/8 (Aug.1948), p. 14, 21-22 (BT: Stan Kenton: “Monotony”/”Elegy for Alto”; Benny Goodman: “Nagasaki”; Sonny Stitt: “Seven-Up”; Jay McShann: “Sepian Stomp”; George Wettling: “Heebie Jeebies”; Stravinsky: “The Song of the Nightingale”; Hot Lips Page: “Lafayette”; Count Basie: “House Rent Boogie”; Charlie Barnet: “The Gal from Joe’s”; Dizzy Gillespie: “Stay On It”; Johnny Hodges: “Passion Flower”); Reprint, in: Down Beat, 32/5 (11.Mar.1965), p. 32 (BT); Reprint, in: Jazz Times, 25/5 (Jun.1995), p. 122, 120 (BT); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 65-69 (BT)

Martha Mee: Letters to the Editors. Ornithology, in: Metronome, 64/10 (Oct.1948), p. 26 (letter)

Eddie Ronan: Bird a Floperoo; Hawk Still Tops, in: Down Beat, 15/25 (15.Dec.1948), p. 7 (C) [digi.copy]

Tom Herrick: Charlie Parker – “Barbados” / “Parker’s Mood” (Savoy 936), in: Down Beat, 15.Dec.1948 (R: 2 stars / 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 184 (R)

Marke Paise: Fans Score; Bird Fails to Show Up, in: Down Beat, 15/26 (29.Dec.1948), p. 11 (N); Reprint, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 43 (N)

Charles Delaunay: [letter to Charlie Parker], in: NN: ‘Bird’. The Chan Parker Collection Auction, in: Crescendo & Jazz Music, 31/4 (Aug/Sep.1994), p. 10 (F: excerpts from letter inviting Charlie Parker to Paris) [digi.copy] {Rutgers papers “Charlie Parker”, p. 8}

George Hoefer: Parker and Phillips Beep New Type Bop With Bongo Beat, in: [unknown source], 1949 (R: Charlier Parker & Machito) [digi.copy] {Rutgers papers “Charlie Parker”, p. 166}

Gil Fuller: Be-Bop Instrumental Choruses for Alto Sax by Charlie Parker. 6 Original Choruses on Outstanding Be-Bop Themes, New York & London 1949 [sheet music: J.J. Robbins / Bosworth & Co.] (T: “Oop Bop Sh’Bam”, “Things to Come”; “That’s Earl, Brother”; Ray’s Idea”; “One Bass Hit”; “Good Dues Blues”)

Harold Davison: [letter to Charlie Parker], in: NN: ‘Bird’. The Chan Parker Collection Auction, in: Crescendo & Jazz Music, 31/4 (Aug/Sep.1994), p. 10 (F: excerpts from letter inviting Charlie Parker to Paris) [digi.copy] {Rutgers papers “Charlie Parker”, p. 8}

Horst Lippmann: Über die beste Combo der Welt (Charlie Parker Quintett), in: Jazz Home, 1/2 (1949), p. 14-18 (F) [digi.copy]

J. Blume et al: Discographie de Charlie Parker, in: Jazz Hot, 15/39 (1949), p. 30-32 (D)

Van Alexander: The Be-Bop Style, New York 1949 [sheet music: Criterion Music Corporation] (F/A/T: “Yardbird Suite”, “Moose the Mooche”, “Confirmation”)

Tom Herrick: Charlie Parker – “Embraceable You” / “Bongo Bop” (Dial 1024), in: Down Beat, 28.Jan.1949 (R: 3 stars / 2 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 185 (R)

George Simon: Metronome Poll. Charlie Parker, in: Metronome, 65/1 (Jan.1949), p. 18 (short F) [digi.copy]

NN: Charlie Parker All Stars – “Barbados” / “Parker’s Mood” (Savoy 936), in: Metronome, 65/1 (Jan.1949), p. 47 (R) [digi.copy]

“N.K.”: Charlie Parker Quartet” – “Bird’s Nest” / “Coal Blues” (Esquire 10-017), in: Jazz Journal, 2/2 (Feb.1949), p. 5 (R) [digi.copy]

Barry Ulanov & Barbara Hodgkins & Peter Dean: Charlie Parker – “Bongo Bop”/Embraceable You”, in: Metronome, Feb.1949 (R); in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 243 (R)

André Hodeir: Charlie “Yardbird” Parker, in: Jazz Hot, #33 (May 1949), p. 8-9 (F)

Boris Vian: Charlie Parker. Le Superman du Jazz, in: Jazz Hot, #33 (May 1949), p. 21 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 75-77 (F); Dutch translation, as: Charlie Parker, de superman van de jazz, in: Boris Vian: Over jazz. Teksten 1946-1958, Amsterdam 1984 [book: Van Gennep], p. 43-45 (F); German translation, in: Boris Vian: Rundherum um Mitternacht. Schriften, Glossen und Kritiken über Jazz, Wien 1989 [book], p. 77-79 (F)

NN: Do You Get It?, in: Time, 23.May 1949 (C: Paris concert) [digi.copy] {Rutgers papers “Charlie Parker”, p. 16}

S.F.: Charlie “Yardbird” Parker, in: Jazz News [France], #5 (May 1949), p. 6-7 (F)

NN: Charlie Parker’s New Stars – “Stupendous”; Howard McGhee Sextet – “High wind in Hollywood” (Parlophone R. 3142), in: Orkester Journalen, 17/6 (Jun.1949), p. 30-31 (R)

Rolf Dahlgren: Charlie Parker’s New Stars – “Stupendous”; The Howard McGhee Sextet – “High Wind in Hollywood (Parlophone R 3142), in: Estrad, 11/6 (Jun.1949), p. 15 (R)

Michael Levin: Charlie Parker – “Crazelogy Part I / Part II” (Dial 1034), in: Down Beat, 17.Jun.49 (R: 1 stars; 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 187 (R)

Boris Vian: Parker et les Cubains, in: Combat, 11.Jul.1949 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 353-354 (F)

Frank Ténot (aka “Le Raisin Moisi”): Fausses Notes. Charlie Parker et Max Roach m’ont dit…, in: Jazz Hot, #36 (Sep.1949), p. 11 (F: satire); reprint, in: Frank Ténot: Frankly Speaking. Chroniques de Jazz de 1944 à 2004, Paris 2004 [book: Editions du Layeur], p. 28-29 (F)

Michael Levin & John S. Wilson: Charlie Parker. No Bop Roots in Jazz: Parker, in: Down Beat, 9.Sep.1949, S. 1 (F/I); Reprint, as “Charlie Parker. The Chili Parlor Interview”, in: Down Beat, 32/6 (1965), p. 13-15 (F/I); Reprint, in: Ekkehard Jost & Annette Hauber & Klaus Wolbert (eds.): That’s Jazz. Der Sound des 20. Jahrhunderts, Darmstadt 1988 [book], p. 187-189 (F/I); Reprint, in: Down Beat, 57/12 (Dec.1990), p. 20 (F/I); Reprint, in: Down Beat, 61/2 (Feb.1994), p. 24, 26 (F/I); Reprint, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 67-68 (F/I); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 69-79 (F/I); reprint, in: Down Beat, 76/5 (May 2009), p. 44-46 (F/I) [digi.copy]; reprint, in: Frank Alkyer & Ed Enright (eds.): Down Beat. The Great Jazz Interviews. A 75th Anniversary Anthology, New York 2009 [book: Hal Leonard Books], p. 32-36 (F/I)

NN: Jazz at Massey Hall, in: Down Beat, 56/9 (Sep.1989), p. 52 (R; Reprint from: Down Beat, 1950s) [digi.copy]

Claes Dahlgren: Hermans stora band upplöst. Nytt från New York. Billy Eckstine – Charlie Parker – Herbie Fields – Birdland öppnar med Jazz Festival, in: Orkester Journalen, 18/1 (Jan.1950), p. 12-13, 17 (C)

NN: Charlie Parker All Stars – “Birds gets the worm” / James Moody and his Cool Cats – “Dexterious” (Metronome B 511), in: Orkester Journalen, 18/1 (Jan.1950), p. 23 (R)

NN: The All Stars. Charlie Parker, in: Metronome, 66/1 (Jan.1950), p. 16 (F) [digi.copy]

NN: Un chorus entre mille. Chorus de Charlie Parker sur “Ornithology”, in: Jazz Hot, #40 (Jan.1950), p. 33 (T)

NN: Charlie Parker Solo on ‘Groovin’ High’, in: Down Beat, 17/5 (10.Mar.1950), p. 12 (T); Reprint, in: Down Beat, 36/14 (10.Jul.1969), p. 40 (T)

Tom Cundall: Charlie Parker – “Donna Lee” / “Buzzy” (Savoy 928), in: Jazz Journal, 3/3 (Mar.1950), p. 7 (R) [digi.copy]

J.-L. Scali: Discographie de Charlie Parker. corrections/additions, in: Jazz Hot, #43 (Apr.1950), p. 30 (D)

NN: At Mosque. Tickets Ready For Bird, Slam, Shearing Date, in: Pittsburgh Courier, 8.Apr.1950, p. 20 (short F: concert preview) [digi.copy]

Ruth McClendon: Chords and Discords. Parker’s ‘Mood’, in: Down Beat, 17/8 (21.Apr.1950), p. 10 (letter: disappointing concert)

Barry Ulanov & Barbara Hodgkins & George T. Simon: Charlie Parker – “Klactoveedsedstene”/”Charlie’s Wig”, in: Metronome, May 1950 (R); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 244 (R)

Marshall Stearns & James Maher: Charlie Parker Interview [transcription], in: [website], radio interview, around May 1950 (I) [digi.copy]

Marshall Stearns: Charlie Parker Interview, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 74-77 (I from May 1950)

Victor Mitz: Advenimiento de Charlie Parker, in: Jazz Crisis (Spain), 1/9 (Jun/Jul.1950), p. 70, 74 (F)

Barry Ulanov & Barbara Hodgkins & George T. Simon: Charlie Parker and Strings, in: Metronome, Aug.1950 (R); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 245-246 (R)

Barry Ulanov: In Person. Charlie Parker, in: Metronome, 66/8 (Aug.1950), p. 19 (C); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 183-184 (C)

Charles Delaunay: [letter to Charlie Parker], in: NN: ‘Bird’. The Chan Parker Collection Auction, in: Crescendo & Jazz Music, 31/4 (Aug/Sep.1994), p. 10 (F: excerpts from letter inviting Charlie Parker to Paris) [digi.copy] {Rutgers papers “Charlie Parker”, p. 8}

Leonard Feather: Charlie Parker et son orchestre à cordes, in: Jazz Hot, #47 (Sep.1950), p. 17 (F)

Leonard Feather: Charlie Parker Interview, in: [website], radio interview, Voice of America, Mar/Apr.1951 (I) [digi.copy]

NN: Charlie Parker – “Drifting on a Reed” / “The Gypsy” (Dial 1043), in: Metronome, 67/4 (Apr.1951), p. 29 (R)

Marshall Stearns & John Maher: Interview – Charlie Parker, ca. May 1, 1951, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 91-109 (I)

NN: Charlie Parker – School, in: Metronome, 67/9 (Sep.1951), p. 11-12

NN: Charlie Parker’s Discography, in: Metronome, 67/9 (Sep.1951), p. 12

Lucien Malson: Charlie Parker, in: Lucien Malson: Que sais-je? Les maitres du jazz, Paris 1952 [book], p. 107-120 (F)

Mike Butcher: Matters for Moderns. … then I heard Bird – so ugly, so angular and so sharp, in: Melody Maker, 1952 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 161}

Lars Resberg: Charlie Parker Quintet – “This Is Always” / “Carving The Bird” (Metronome B 582), in: Estrad, 14/1 (Jan.1952), p. 14 (R)

NN: Charlie Parker – “Star Eyes” / “Au Privave” (Mercury 11087), in: Down Beat, 7.May 1952 (R: 2 stars / 3 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 189-190 (R)

Alun Morgan: Retrospection, in: Jazz Journal, 5/8 (Aug.1952), p. 6 (F/R: “Quasimodo”, “Dewey Square”)

Joachim Ernst Berendt: Das Jazzbuch. Entwicklung und Bedeutung der Jazzmusik, Frankfurt/Main 1953 [book: Fischer Bücherei], p. 67-71 (F)

M. Nevard: Is Parker Washed Up?, in: Melody Maker, 29/1058 (1953), p. 3

André Hodeir: Un chorus par disque. Le solo de Charlie Parker sur “Ornithology”, in: Jazz Hot, #73 (Jan.1953), p. 14 (A/T)

Nat Hentoff: Counterpoint [Bird with Strings a.o.], in: Down Beat, 20.Jan.1953 (F/I); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 79-81 (F/I); reprint, in: Down Beat, 76/7 (Jul.2009), p. 102 (F/I) [digi.copy]

Nat Hentoff: Counterpoint [Bird with Strings a.o.], in: Down Beat, 61/7 (Jul.1994), p. 38 (F/I; Reprint aus DB, 28.Jan.1953)

Nat Hentoff: Counterpoint, in: Down Beat, 20/2 (28.Jan.1953), p. 15 (F/I: on strings, Hindemith, Stravinsky, Bartok, Lennie Tristano, Dave Brubeck, Paul Desmond)

NN: I’m as happy as a bird with my King Super-20, in: Down Beat, 20/1 (14.Jan.1953), p. 18 (advertisement)

NN: “Charlie Parker” (Mercury MGC 513), in: Down Beat, 20/4 (25.Feb.1953), p. 13 (R) [digi.copy]

NN: Bird Turns Teacher, in: Down Beat, 20/4 (25.Feb.1953), p. 6 (N) [digi.copy] {Rutgers papers “Charlie Parker”, p. 50}

NN: Bird, Diz To Pace Toronto Jazz Fete, in: Down Beat, 20/5 (11.Mar.1953), p. 5 (N: Massey Hall Concert) [digi.copy]

NN: Charlie Parker – “I Can’t Get Started” / “Night and Day” (Mercury), in: Down Beat, 20/8 (22.Apr.1953), p. 21 (R)

William Hoffman: Chords and Discords. Where’s Bird?, in: Down Beat, 20/12 (17.Jun.1953), p. 8 (letter) [digi.copy]

Gordon Wells: Charlie Parker – The “Bird”, in: Jazz Journal, 6/6 (Jun.1953), p. 1 (F)

John McLellan: Charlie Parker Interview, in: [website], radio interview, WHDH Boston, 13.Jun.1953 (I) [digi.copy]

John McLellan: Charlie Parker Interview, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 130-132 (I from Jun.1953)

John McLellan: Interview – Charlie Parker, Boston, probably June 13, 1953, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 109-121 (I)

George T. Simon: Winding-Parker at Birdland, in: Metronome, 69/7 (Jul.1953), p. 18-19 (C); Reprint, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 133 (C); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 184 (C: excerpt referring to Parker)

NN: Want To Buy A Combo?, in: Down Beat, 20/14 (15.Jul.1953), p. 28 (very short F) [digi.copy]

Barry Ulanov: Charlie Parker – “In the Still of the Night”/”Old Folks”, in: Metronome, Sep.1953 (R); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 246 (R)

NN: “Jazz at Massey Hall” (Debut DLP-2, Debut DLP-3), in: Down Beat, 20/26 (30.Dec.1953), p. 14 (R) [digi.copy]

Billy Eckstine: Bird Blew In His Socks!, in: Melody Maker, 30/1091 (1954), p. 3-4

Billy Eckstine: Dizzy, Bird and the Birth of Bop, in: Melody Maker, 30/1094 (1954), p. 5

Leonard Feather & Robert Reisner: Bird, in: Eddie Condon & Richard Gehman (Hgg.): Eddie Condon’s Treasury of Jazz, New York 1956 [book], p. 228-241 (F; Reprint aus: Down Beat 1954; 1956)

NN: “Bird” Attempts Suicide on Eve of Tour, in: Melody Maker, 30/1096 (1954), p. 1, 16

NN: Charlie Parker Booked to Play in Britain, in: Melody Maker, 30/1094 (1954), p. 1, 8

Ted Hallock: Parker Talks to the MM, in: Melody Maker, 30/1059 (1954), p.3

John McLellan & Paul Desmond: Charlie Parker Interview, in: [website], radio interview, WHDH Boston, Jan.1954 (I) [digi.copy]

John McLellan: Charlie Parker Interview, in: Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book], p. 144-146 (I from Jan.1954)

John McLellan: Interview – Charlie Parker, Paul Desmond, Boston, January 1954, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 121-131 (I)

Jack Tracy: Charlie Parker – “She Rote” / “K.C. Blues” (Clef 11101), in: Down Beat, 10.Feb.1954 (R: 5 stars / 2 stars); reprint, in: Frank Alkyer & Ed Enright & Jason Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York 2007 [book: Hal Leonard Books], p. 193 (R)

Joachim Ernst Berendt: Charlie Parker Quintett – “Au privave” / “Star Eyes” (Austroton), in: Jazz Podium, 3/2 (Feb.1954), p. 18 (R) [digi.copy]

Edgar Jackson: “Jazz at Massey Hall” (Vogue), in: Melody Maker, #1073 (10.Apr.1954), p. 11 (R) [digi.copy]

Barry Ulanov: Bird on the Run, in: Metronome, 70/3 (Mar.1954), p. 34

Nat Hentoff: “Jazz at Massey Hall, Vol. 3” (Debut DLP-4), in: Down Beat, 72/1 (Jan.2005), p. 86 (R: 5 stars; reprint, from: Down Beat, 5.May 1954) [digi.copy]

Nat Hentoff: Charlie Parker – “Almost Like Being in Love” / “What Is This Thign Called Love?” (Clef), in: Down Beat, 21/10 (19.May 1954), p. 10, 12 (R)

K. Klaphek: Charlie Parker, in: Jazz Podium, 3/8 (Aug.1954), p. 5

NN: Charlie Parker Quintett – “Star Eyes” / “Au Privave” (Austroton 5192 V), in: Jazz-Echo, Aug.1954, p. 51 (R) [digi.copy]

NN: Den Großen Deutschen Jazz-Plattenpreis 1954 – Combos (modern) – erhielt Charlie Parker, in: Jazz-Echo, Aug.1954, p. 37 (N/photo) [digi.copy]

NN: Jazz-News, in: Jazz-Echo, Aug.1954, p. 48 (N: European tour planned with Sarah Vaughan, Illinois Jacquet) [digi.copy]

Dorothy Kilgannon: Fired ‘Bop King’ Tries to Kill Self, in: [New York Journal?], 4.Sep.1954 (short F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 1}

NN: Entertainment. Charlie Parker Tries Suicide After Being Fired, in: Jet, 6/19 (16.Sep.1954), p. 56 (short F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 61}

NN: Vaughan, Jacquet, Parker Will Entertain GIs in Europe, in: Pittsburgh Courier, 18.Sep.1954, p. 18 (F: play England, Germany) [digi.copy]

NN: Charlie Parker ne viendra pas en Europe, in: Jazz Hot, #92 (Oct.1954), p. 22 (N)

NN: Jazz-News, in: Jazz-Echo, Oct.1954, p. 48 (N: Charlie Parker, Sarah Vaughan, German tour dates) [digi.copy]

NN: Parker “vilar” efter skandal och självmordsförsök med jod, in: Estrad, 16/10 (Oct.1954), p. 1 (F)

NN: Selbstmordversuch Charlie Parkers, in: Jazz Podium, 3/10 (Oct.1954), p. 5

NN: Jazz-News, in: Jazz-Echo, Nov.1954, p. 46 (N: Parker’s European tour cancelled after suicide attempt) [digi.copy]

George Hoefer: Charlie “Yardbird” Parker, in: [manuscript], ca.1955 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 191-200}

George Hoefer: The Bird Blows the Blues, in: [manuscript], ca. 1955 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 159-160; also p. 172-173}

Gion Mili: Six, in: NN: Newport Jazz Festival 1955, Newport 1955 [program booklet: Jacques Willaumez Associates], p. 72-77 (short F/photo) [digi.copy]

Nat Shapiro & Nat Hentoff (eds.): Hear Me Talkin’ to Ya. The Story of Jazz by the Men Who Made It, New York 1955 [book: Rinehart & Company]; London 1955 [book: Peter Davies]; London 1958 [book: Peter Davies]; Harmondsworth 1962 [book: Penguin]; New York 1966 [book: Dover]; German translation as “Jazz erzählt. hear me talkin’ to ya”, München 1959 [book: Nymphenburger Verlagshandlung]; German translation as “Jazz erzählt. Von New Orleans bis West Coast”, München 1962 [book: dtv]; German translation as “Jazz erzählt. 50 Jahre Jazzgeschichte aus erster Hand”, Frankfurt/Main 1984 [book: JAS Publikationen], passim (short I)

NN: To Parker, in: NN: Newport Jazz Festival 1955, Newport 1955 [program booklet: Jacques Willaumez Associates], p. 28-29 (short F) [digi.copy]

Harvey Kahn: Death of Parker Rumours Began as Joke in Paris Club, in: Melody Maker, 29.Jan.1955, p. 20

Charles Gruenberg: Jazz World Mourns Loss of ‘Cool’ Charlie Parker, in: New York Post, 15.Mar.1955, p. 4, 38 (F/O) [digi.copy] {Rutgers papers “Charlie Parker”, p. 43-45}

Bob Sylvester: The Yardbird Dies, in: New York Daily News, 16.Mar.1955 (F/O) [digi.copy] {Rutgers papers “Charlie Parker”, p. 41}

Julie Macdonald: Dear Mr. Stearns…, in: [manuscript], 17.Mar.1955 (F: letter to Marshall Stearns about Charlie Parker’s death, possible benefit) [digi.copy] {Rutgers papers “Charlie Parker”, p. 163}

Leonard Feather: Sudden Death of Charlie Parker, in: Melody Maker, 19.Mar.1955, p. 1, 20

M. Nevard: Fallen Bird, in: Melody Maker, 19.Mar.1955, p. 3

NN: Charlie Parker, Jazz Master Dies. A Be-Bop Founder and Top Saxophonist Is Stricken in Suite of Baroness, in: New York Times, 15.Mar.1955 (F/O) [digi.copy]

Carroll Peery: Charlie Parker Memorial Concert Jams Carnegie Hall, in: Daily Worker (New York), 5.Apr.1955, p. 7 (C: memorial concert) [digi.copy] {Rutgers papers “Charlie Parker”, p. 42}

NN: Neger. Charlie ist tot, in: Der Spiegel, 13.Apr.1955, p. 46 (F/O) [digi.copy]

André Hodeir: Le Bird n’est plus, in: Jazz Hot, #98 (Apr.1955), p. 7-8 (F/O)

Bill Coss: Charlie Parker – “Cosmic Rays”/”Kim”, in: Metronome, Apr.1955 (R); Reprint, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 247 (R)

Billie Wallington: Charlie Parker… un être humain, in: Jazz Magazine, #5 (Apr.1955), p. 20 (F); reprint, in: Les Années Jazz Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 24 (F)

Hubert Damisch: Charlie Parker. Fragile, mystérieux, insaisissable, in: Jazz Magazine, #5 (Apr.1955), p. 16 (F); reprint, in: Les Années Jazz Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 22 (F)

Jean Berdin: Bird of Paradise, in: Jazz Magazine, #5 (Apr.1955), p. 17, 20 (F); reprint, in: Les Années Jazz Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 23-24 (F)

Leonard Feather: Charlie Parker tel que je l’ai connu, in: Jazz Hot, #98 (Apr.1955), p. 8-10 (F/O)

Leonard Feather: Parker Finally Finds Peace, in: Down Beat, 20.Apr.1955 (F/O); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 81-83 (F/O); Reprint, in: Down Beat, 66/7 (Jul.1999), p. 34-35 (F/O)

NN: Charlie Parker (gestorben), in: Jazz Podium, 4/4 (Apr.1955), p. 4

NN: Farewell to Bird, in: Melody Maker, 2.Apr.1955, p. 9 (funeral)

NN: Jazz. Neger. Charlie ist tot, in: Der Spiegel, 9/16 (13.Apr.1955), p. 46 (F/O) [digi.copy]

NN: The Amen Corner. Farewell to the Bird, in: [unknown source], Apr.1955 (short F) [digi.copy]

Ted Raymond: The Strange Case of “Yardbird” Parker and Baroness Rothschild. The King of Bop Died Before his Time – in The Fifth Avenue Apartment of a Titled Heiress. This Complex of Wealth & Be-Bop Fascinates Because Be-Bop Makes for Curious Friendships, in: [unknown source], p. 22-23, 52 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 169-171}

Billie Wallington: Concert-souvenir. Charlie Parker au Carnegie Hall, in: Jazz Magazine, #6 (May 1955), p. 6 (C)

Billie Washington: Jazz Magazine a assisté aux funérailles de Charlie Parker, in: Jazz Magazine, #6 (May 1955), p. 22-23 (F); reprint, in: Les Années Jazz Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 26-27 (F)

Gene Ramey: My Memories of Bird Parker, in: Melody Maker, 28.May 1955, p. 5, 10 (F); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 135-139 (F)

George T. Simon: Simon Says…, in: Metronome, 71/5 (May 1955), p. 54

Joe Brown [Joachim Ernst Berendt]: Charlie Parker. Ein Leben zum Tode…, in: Jazz-Echo, May 1955, p. 39-41 (F/O) [digi.copy]

Lee Saner: Le concert de Carnegie Hall à la mémoire de Charlie Parker, in: Jazz Hot, #99 (May 1955), p. 29 (C)

Leonard Feather: Les obsèques de Charlie Parker, in: Jazz Hot, #99 (May 1955), p. 13 (F)

Leonard Feather: The Parker Memorial Concert (at Carnegie Hall), in: Melody Maker, 7.May 1955, p. 5 (C)

Marcel Zannini: Le dernier chorus du Bird, in: Jazz Hot, #99 (May 1955), p. 10 (F)

NN: Charlie Parker 1920-1955, in: Metronome, 71/5 (May 1955), p. 6

NN: Charlie Parker Records, in: Jazz Magazine, #6 (May 1955), p. 8 (N)

NN: Im Gedenken an Charlie Parker, in: Jazz Podium, 4/5 (May 1955), p. 4 (Spendenaufruf)

NN: Jazz-News. Deutschland, in: Jazz-Echo, May 1955, p. 42 (N: Deutsche Jazz Föderation collects money for Parker family) [digi.copy]

E. Wiedemann: Charlie Parker – Bird Discography, in: Melody Maker, 25.Jun.1955, p. 5

Gene Ramey: Memories of “Bird”… Hur Parker började, in: Estrad, 17/6 (Jun.1955), p. 5 (F)

NN: Jazz-News. Amerika, in: Jazz-Echo, Jun.1955, p. 44 (N: Carnegie Hall memorial concert) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Jun.1955, p. 43-44 (N: benefit collection for Parker family by Deutsche Jazz Föderation) [digi.copy]

Rolf Dötsch: Nachrichten aus Westdeutschland. Konzert des HC im Wintergarten – “In memoriam Charlie Parker”, in: Jazz Podium, 4/6 (Jun.1955), p. 22 (N) [digi.copy]

E. Jackson: Charlie Parker Memorial Album, in: Melody Maker, 9.Jul.1955, p. 7 (R)

Gene Ramey: Souvenirs de Bird, in: Jazz Magazine, #8 (Jul/Aug.1955), p. 20-21 (F); reprint, in: Jazz Magazine, #633 (Jan.2012), p. 40-41 (F) [digi.copy]

NN: “Charlie Parker All Stars/Sextet” (Jazztone J-702), in: Jazz-Echo, Jul.1955, p. 52 (R) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Jul.1955, p. 44 (N: “Charlie Parker Memorial”-Platten in USA) [digi.copy]

NN: Sad Case of Charlie Parker. Dead at 34, the ‘Bird’s tragic life, his early death symbolize the plight of many Negro musicians / At April benefit artists, musicians turned out to acknowledge ‘Bird’s genius / ‘Bird’s tragic life and untimely death are American Tragedy, in: Our World, Jul.1955, p. 9-10, 12 (F/O) [digi.copy] {Rutgers Papers “Charlie Parker”, p. 56-59}

Jörgen Grunnet Jepsen: Charlie Parker Diskografi, in: Orkester Journalen, 23/8 (Aug.1955), p. 34-35 (D)

NN: Jazz-News. Amerika, in: Jazz-Echo, Aug.1955, p. 43 (N: Chan Parker organizes memorial sessions in Lumberville, Pennsylvania) [digi.copy]

NN: Jazz-News. Deutschland, in: Jazz-Echo, Aug.1955, p. 42 (N: benefit collection by DJF results in 1.000 DM) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Oct.1955, p. 43 (N: Deutsche Jazz Föderation collects 10.698,26 Dollar for Parker’s family) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Dec.1955, p. 45 (N: biography by Bob Reisner) [digi.copy]

NN: Readers Name Charlie Parker Fourth Hall of Fame Member, in: Down Beat, 39/13 (20.Jul.1972), p. 25 (Reprint, from: Down Beat, 28.Dec.1955)

Alun Morgan & Raymond Horricks: Parker and Gillespie – The Dominating Figures of the Post-Minton Development, in: Alun Morgan & Raymond Horricks: Modern Jazz. A Survey of Developments since 1939, Westport/CT 1977 [book; Reprint, O: London 1956], p. 43-59 (F)

André Hodeir: Charlie Parker and the Bop Movement, in: André Hodeir: Jazz. Its Evolution and Essence, New York 1956 [book: Grove Press; also: London 1956: Secker & Warburg; New York 1961: Grove Press/Black Cat], p. 99-115 (A/T) [digi.cpy]; reprint, in: André Hodeir & Jean-Louis Pautrot: The André Hodeir Jazz Reader, Ann Arbor/MI 2006 [book: University of Michigan Press], p. 53-67 (A/T)

André Hodeir: Charlie Parker et le mouvement “Bop”, in: André Hodeir: Hommes et Problèmes du Jazz, Paris 1954 [book: Au Portulan, chez Flammarion], p. 124-143 (A/T)

André Hodeir: Le problème de l’improvisation. La mélodie dans le jazz, in: André Hodeir: Hommes et Problèmes du Jazz, Paris 1954 [book: Au Portulan, chez Flammarion], p. 171-192 (A/T: “Cool Blues”)

André Hodeir: The Problem of Improvisation. Melody in Jazz, in: André Hodeir: Jazz. Its Evolution and Essence, New York 1956 [book: Grove Press; also: London 1956: Secker & Warburg; New York 1961: Grove Press/Black Cat], p. 139-157 (A/T: “Cool Blues”) [digi.copy]

B. Harvey: Charlie Parker, in: Jazz Monthly, 2/7 (1956), p. 28, 31

Bill Coss: Charlie Parker 1920-1955, in: Metronome Yearbook 1956 (1956), p. 38-41, 76-79, 96 (F/O) [digi.copy]

Joachim Ernst Berendt: Charlie Parkers Leben zum Tode, in: Joachim Ernst Berendt: Variationen über Jazz, München 1956 [book], p. 60-72 (F)

Leonard Feather: A Bird’s – Ear View of Music, in: Metronome Yearbook 1956 (1956), p. 42-43

NN. Charlie Parker, in: Metronome Yearbook 1956 (1956), p. 80-84 (I with Teddy Charles, Kenny Clarke, J.J. Johnson, John LaPorta, Joe Maini, Charlie Mariano, Charles Mingus, Jack Montrose, Jimmy Raney, David Schildkraut, George Wallington) [digi.copy]

Orrin Keepnews: Charlie Parker, in: Orrin Keepnews: The View from Within. Jazz Writing 1948-1987, New York 1988 [book], p. 85-99 (F; Reprint aus: Nat Shapiro & Nat Hentoff (Hgg.): The Jazz Makers, New York 1956)

Tony Scott: Tony Scott on Charlie Parker, in: Metronome Yearbook 1956 (1956), p. 44-45

Whitney Balliett: The Measure of “Bird”. The unique Charlie Parker, a year after his death, in: [unknown source], ca. 1956, p. 33-34 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 104-105}

William S. Brown: The Last Time I Saw Yardbird, in: Don Friedman & Ken Joffe (eds.): Jazz New York. The First Annual New York Jazz Festival, New York 1956 [program booklet], p. 24-25 (F) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Jan.1956, p. 46 (N: story about saxophone used for record cover) [digi.copy]

NN: Jazz-News. Amerika, in: Jazz-Echo, Mar.1956, p. 45 (N: Charlie Parker Memorial Fund) [digi.copy]

M. Nevard: Giants of Jazz. Charlie Parker, in: Melody Maker, 7.Apr.1956, p. 17

Mark Gardner: Bargain Bird, in: Jazz Journal, 20/6 (Jun.1956), p. 8-11 (F/D)

Horst Lippmann: “Das Quintett des Jahres 1953” (Brunswick), in: Jazz Podium, 5/7 (Jul.1956), p. 20 (R: Massey Hall Concert) [digi.copy]

Joe Brown: Charlie Parker / Dizzy Gillespie – “Das Quintett des Jahres” (Brunswick 10 050 EPB), in: Jazz-Echo, Jul.1956, p. 46-47 (R) [digi.copy]

M. Knueppel: Lover Man, in: Jazz Podium, 5/8 (Aug.1956), p. 10

Bill Coss: Charlie Parker – “All Star Sextet” (Roost), in: Jazz Today, 1/1 (Oct.1956), p. 40 (R)

Nat Hentoff: Armstrong aime Parker!, in: Jazz Hot, #115 (Nov.1956), p. 22 (short F/I)

M. Allen: Ornithology, in: Jazz Monthly, 3/6 (1957), p. 12 (poem)

Martin Williams: Collected Bird, in: Martin Williams: Jazz Changes, New York 1992 [book: Oxford University Press], p. 231-233 (R; Reprint von 1957)

Max Harrison: Aspects of an Alto, in: Jazz Monthly, 3/6 (1957), p. 5-6, 27

Max Harrison: Backlog 4. The Originators, in: Jazz Monthly, 3/7 (1957), p. 29, 31

Orrin Keepnews: Charlie Parker, in: Nat Shapiro & Nat Hentoff: The Jazz Makers. Essays on the Greats of Jazz, New York 1979 [book; Reprint, O: 1957], p. 202-217 (F)

T. Brown: The Truth About Charlie Parker, Told By His Friend, the Baroness de Koenigswarter-Rothschild, in: Melody Maker, 16.Feb.1957, p. 4-5

Barney Wilen: Charlie Parker à travers les disques, in: Jazz Hot, #119 (Mar.1957), p. 12-13 (F) [digi.copy]

Eddie Bernard: L’Albatros, in: Jazz Hot, #119 (Mar.1957), p. 10-11 (F) [digi.copy]

Jack Maher: “Jazz at Massey Hall”(Debut), in: Jazz Today, 2/4 (May 1957), p. 28 (R) [digi.copy]

Jack Maher: “The Charlie Parker Story” (Savoy), in: Jazz Today, 2/4 (May 1957), p. 31 (R) [digi.copy]

Whitney Balliett: The Measure of “Bird”, in: Jazz Journal, 10/5 (May 1957), p. 3-4 (F)

Joe Brown (= Joachim Ernst Berendt): “The Art of Charlie Parker (Vol. II)” (Jazztone J 1017), in: Jazz-Echo, Jun.1957, p. 46 (R) [digi.copy]

Ralph J. Gleason: The Rhythm Section. After Parker, Jazz Was Never the Same, in: San Francisco Chronicle, 9.Jun.1957 (F/R: Verve release of eight Parker LPs) [digi.copy] {Rutgers papers “Charlie Parker”, p. 60}

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Jul.1957, p. 46 (N: book planned by Chan Parker) [digi.copy]

Raymond Horricks: Parker Revisited, in: Melody Maker, 20.Jul.1957, p. 15

NN: Yardbird Suite, in: Jazz Podium, 6/8 (Aug.1957), p. 7, 9

Jack Maher: Moments of Genius, in: Jazz Today, 2/9 (Oct.1957), p. 19-20 (R)

Leonard Feather: “J’ai enregistré Charlie Parker Junior”, in: Jazz Magazine, #31 (Oct.1957), p. 14 (N)

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Oct.1957, p. 45 (N: 5-year-old Charles Baird Parker sings “Salt Peanuts” on tribute LP for Mode Records) [digi.copy]

NN: The Christmas issue…, in: [unknown source], 28.Nov.1957 (N: Adam Claton Powell couldn’t make Parker’s funeral; his assiatant Rev. Licorish garbled names and biographical data) [digi.copy] {Rutgers papers “Charlie Parker”, p. 55}

Arnold Shaw: Ballad of the Bird. The Legend of Charles Christopher Parker, in: Esquire, Dec.1957 (F) [digi.copy]

François Postif & Guy Kopelowicz: Les héritiers de Parker ont choisi le ténor, in: Jazz Magazine, #33 (Dec.1957), p. 25-30 (F on Parker, short features on Sonny Sitt, Sonny Rollins, John Coltrane, Hank Mobley, Yusef Lateef, J.R. Monterose, Clifford Jordan, John Gilmore, Bobby Jaspar, Barney Wilen, James Clay, Seldon Powell, Lucky Thompson, Curtis Porter, Frank Foster, Frnk Wess, Bill Perkins, Richie Kamuca)

Horst Lippmann: Charlie parker – “Early Bird” (Brunswick 10117 EPB), in: Jazz Podium, 6/12 (Dec.1957), p. 23 (R) [digi.copy]

Horst Lippmann: Charlie Parker & Dizzy Gillespie – “The Immortal Session, Vol. 1” (Sonet SCP-2808), in: Jazz Podium, 6/12 (Dec.1957), p. 22 (R) [digi.copy]

Leonard Feather: Leonard Feather berichtet aus USA, in: Jazz-Echo, Dec.1957, p. 44 (N: new biography by Bob Reisner and Richard Gehman) [digi.copy]

NN: Charlie Parker – “Early Bird” (Brunswick 10 117 EPB), in: Jazz-Echo, Dec.1957, p. 48, 84 (R) [digi.copy]

Alun Morgan: The Charlie Parker Story (on Savoy), in: Jazz Monthly, 3/11 (1958), p. 5-6, 32

Bill Coss: Behind the Jazz Masik. Charlie Parker. From Here to Eternity, in: Metronome Yearbook 1958 (1958), p. 43

Ralph J. Gleason: Charlie “Bird” Parker, in: Ralph J. Gleason: Celebrating the Duke…, New York 1975 [book], p. 87-95 (F; Reprint aus Hi-Fi Stereo Review, 1958; 1971)

Bob Cato: Designer’s Choice. A Statement, in: Infinity. American Sicuety of Magazine Photographers, Feb.1958, (short F/photo: Baird Parker blowing Bird’s saxophone) [digi.copy] {Rutgers papers “Charlie Parker”, p. 149-151}

Horst Lippmann: Dizzy Gillespie & Charlie Parker – “The Immortal Session Vol. 2” (Sonet); Charlie Parker All Stars – “Night in Tunesia” (Sonet), in: Jazz Podium, 7/2 (Feb.1958), p. 45 (R) [digi.copy]

George Hoefer: Charlie “Yardbird” Parker, in: [letter to Murray Fisher], 5.Mar.1958 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 62-67; also p. 174-179}

George Hoefer: The Hot Box, in: Down Beat, 25/7 (3.Apr.1958), p. 34 (F/R: “The Charlie Parker Story, Savoy MG-12079) [digi.copy]

François Postif & Guy Kopelewicz: Discographie de Charlie Parker, in: Jazz Hot, #132 (May 1958), p. 39-41 (D); part 2, in: Jazz Hot, #133 (Jun.1958), p. 40-42 (D); part 3, in: Jazz Hot, #134 (Jul/Aug.1958), p. 36-38 (D); part 4, in: Jazz Hot, #135 (Sep.1958), p. 38 (D)

“S.J.”: “Charlie Parker Bigband” (Columbua-Clef LP 33CX10004), in: Schlagzeug, 3/10 (Jun.1958), p. 21 (R) [digi.copy]

Steve Race: Immortal Charlie Parker, in: Melody Maker, 21.Jun.1958, p. 4 (R)

Steve Race: Parker, in: Melody Maker, 5.Jul.1958, p. 4

NN: Charlie Parker – “Bird on 52nd Street” (Jazz Workshop Inc JWS-501), in: Jazz-Echo, Nov.1958, p. 44 (R) [digi.copy]

NN: Charlie Parker All Star Sextet – “Air Conditioning” / “Bird Feathers” / “Quasimodo” / “Crazeology” (Sonet), in: Westjazz, 4/39 (Nov.1958), p. 7 (R) [digi.copy]

Johs Bergh: Charlie Parker Quintet – “Sewey Square” / “Embraceable You” / “Klacktoveedsedtene” / “Bongo Bop” (Sonet SXP 2826)

NN: Charlie Parker All Stars – “Night in Tunisia” / “Moose the Mooche” / “Yardbird Suite” / “Ornithology” (Sonet SXP 2815) [digi.copy]

Steve Race: Blue Bird, in: Melody Maker, 13.Dec.1958, p. 5 (R: Parker’s Mood)

E. Wiedemann: News and Views. Ornithologically Speaking, in: Jazz Review, 2/5 (1959), p. 42

H.W. Shih: Reconsiderations 3. Charlie Parker Memorial, in: Jazz Review, 2/1 (1959), p. 42-43 (R)

John S. Wilson: The Collector’s Jazz. Modern, New York 1959 [book: J.B. Lippincott], p. 220-225 (short F) [digi.copy]

Lucien Malson: Jazz d’aujourd’hui. Quatre ans après sa mort Charlie Parker demeure le plus vivant des moderns, in: Jazz Magazine, 5/49 (1959), p. 18ff.

Max Harrison: Charlie Parker, in: Nat Hentoff & Albert J. McCarthy (eds.): Jazz. New Perspectives on the History of Jazz by Twelve of the World’s Foremost Jazz Critics and Scholars, New York 1959 [book: Rinehart & Company]; reprint: New York 1961 [book: Grove Press]; reprint: London 1962 [book: The Jazz Book Club & Cassell]; reprint: New York 1975 [book: Da Capo], p. 275-286 (F)

Sadik Hakim: The Charlie Parker KoKo Date, in: Jazz Review, 2/2 (1959), p. 11

Siegfried Schmidt: Charlie Parker. Ein Porträt, Wetzlar 1959 [book: Pegasus Verlag] (F)

Max Harrison: Charlie Parker’s Savoy Recordings, in: Max Harrison: A Jazz Retrospect, London 1991 [book; Reprint, O: 1976], p. 15-22 (F; Reprint aus: Jazz Monthly, Jan.1959)

Sadik Hakim: The Charlie Parker KoKo Date, in: The Jazz Review, 2/2 (Feb.1959), p. 11 (F) [digi.copy]

Erik Wiedemann: News and Views. Ornithologically Speaking, in: The Jazz Review, 2/5 (Jun.1959), p. 42 (F/R: Parker reissues) [digi.copy]

Lucien Malson: Jazz d’aujourd’hui. Quatre ans après sa mort Charlie Parker demeure le plus vivant des modernes, in: Jazz Magazine, #49 (Jun.1959), p. 18-21, 42 (F)

NN: breaks, in: Schlagzeug, 4/8 (Aug.1959), p. 25 (N: Polish biography by Jozef Balcerak, Jan Sitkowski) [digi.copy]

NN: breaks, in: Schlagzeug, 4/9 (Sep.1959), p. 14 (N: article in “Confidential” about Parker’s love life) [digi.copy]

NN: Breaks, in: Schlagzeug, #26 (Oct.1959), p. 26 (N: Richard Gehman declines cooperation in Charlie Parker biography) [digi.copy]

H.-J. Dietzel: “Jazz-Bücherei, Charlie Parker”, by Siegfried Schmidt, in: Schlagzeug, #28 (Dec.1959), p. 18 (B) [digi.copy]

NN: Charlie Parker, in: Schlagzeug, #28 (Dec.1959), p. 22-24 (F) [digi.copy]

Bill Crow: Dizzy Gillespie and Charlie Parker – Diz ‘n’ Bird in Concert, in: Jazz Review, 3/2 (1960), p. 29-30 (R) [digi.copy]

Carlo Bohländer: Charlie Parker, in: Carlo Bohländer: Jazz. Geschichte und Rhythmus, Mainz 1960 [book: B. Schott’s Söhne], p. 49-50 (short F)

Charles Fox & Peter Gammond & Alun Morgan & Alexis Korner: Jazz on Record. A Critical Guide, London 1960 [book: Grey Arrow], p. 248-254 (F)

Leonard Feather: The Jazzman as Critic. The Blindfold Test. Reactions to Charlie Parker, in: Leonard Feather: The Encyclopedia of Jazz, New York 1960 [book: Bonanza Books], p. 480 (F/I with Charles Mingus, Sy Oliver, Bob Morse, Lennie Tristano)

Max Harrison: Charlie Parker, in: Sinclair Traill & The Hon. Gerald Lascelles (Hgg.): Just Jazz 4, London 1960 [book], p. 22-28 (F)

Max Harrison: Kings of Jazz. Charlie Parker, New York 1960 [book: A.S. Barnes and Company] (F)

Nat Hentoff: Charlie Parker, New York 1960 [booklet: BMI] [digi.copy] {Rutgers papers “Charlie Parker”, p. 180-188}

NN: Norman Granz Unloads Record C. For $2 1/2 Million As Parker Heirs Sue, in: New York Amsterdam News, 1960 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 40}

Bob Dawbarn: Four New Tracks from Bird (from a concert at the Amiralen Dance Hall, Malmö, Sweden), in: Melody Maker, 12.Mar.1960, p. 14 (R)

Dizzy Gillespie: Charlie Parker tel que je l’ai connu…, in: Jazz Hot, #152 (Mar.1960), p. 38-39 (F)

R.A. Perlongo: The Real Story Behind the Charlie Parker with Strings, in: Metronome, 77/8 (Aug.1960), p. 20-21 (Satire)

John McLellan: The Jazz Scene. Time To Give Bird The Bird, in: [unknown source, Boston newspaper?], 13.Se.1960 (F/short I with Ornette Coleman) [digi.copy] {Rutgers papers “Charlie Parker”, p. 71}

Gene Lees: Bird et Diz, in: Jazz Magazine, 7/73 (1961), p. 29-31

Hans-Jürgen Winkler: Charlie Parker, in: Hans-Jürgen Winkler: Jazz für Jedermann, München 1961 [book], p. 271-273 (F)

J.-R. Masson: Des inédits de Bird, in: Jazz Magazine, 7/71 (1961), p. 18

NN: The Bird’s Family To Get Record Money After 6 Years, in: [unknown source], 1961 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 158}

Siegfried Schmidt-Joos: Charlie Parker – Ich war immer in Panik [p. 44-48 (F)]; Charlie Parkers Erben [p. 263-268 (F)], in: Siegfried Schmidt-Joos: Jazz. Gesicht einer Musik, Gütersloh 1961 [book]

NN: You are invited to a press conference to discuss the estates of Charlie Parker and Billie Holiday, in: [invitation], 14.Feb.1961 (F: list of panelists, among them Doris Parker, Louis McKay, Marely Dufty, Aubrey Mayhew, Bernard Stillman, Florynce R. Kennedy) [digi.copy] {Rutgers papers “Charlie Parker”, p. 70, 95}

Philip Benjamin: Royalties Sought By Two Estates. Billie Holiday and Charlie Parker Foundations Would Use Funds From Disks, in: Time, 15.Feb.1961 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 78-79}

Lars Werner: Charlie Parker – “Historical Recordings Vol. 3” (Le Jazz Cool), in: Orkester Journalen, 29/2 (Feb.1961), p. 28 (R)

Philip Benjamin: Royalties Sought By Two Estates. Billie Holiday and Charlie Parker Foundations Would Use Funds From Disks, in: New York Times, 15.Feb.1961, p. 40 (F) [digi.copy]

Bob Dawbarn: These Bird Tracks Are Unrivalled, in: Melody Maker, 8.Apr.1961, p. 17 (R: Diz ‘n’ Bird in Concert)

NN: Two Estates Seek Royalties, in: Down Beat, 28/8 (13.Apr.1961), p. 14-15 (F: estates of Charlie Parker and Billie Holiday)

Edward Kosner: Charlie Parker – The Echoes Linger, in: new York Post, 16.Apr.1961 (F/I with Doris Parker: estate seeks royalties) [digi.copy] {Rutgers papers “Charlie Parker”, p. 85}

NN: Sidney Bechet en Charlie Parker, in: Rhythme. Nederlands enige Jazz-Periodiek, 12/139 (Apr.1961), p. 33 (photo)

Dizzy Gillespie & Gene Lees: The Years with Yard, in: Down Beat, 28/11 (25.May 1961), p. 21-23 (F); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 161-167 (F); reprint, in: Frank Alkyer & Ed Enright (eds.): Down Beat. The Great Jazz Interviews. A 75th Anniversary Anthology, New York 2009 [book: Hal Leonard Books], p. 82-84 (F)

Humphrey Lyttelton: Bird Was Anything But Cool, in: Melody Maker, 6.May 1961, p. 5

Ira Gitler: Charlie Parker – “Historical Recordings Vol.1” (LeJazz Cool), in: Down Beat, 28/11 (1961), p. 24, 26 (R)

NN: A Charlie Parker Record Company, in: Down Beat, 28/11 (25.May 1961), p. 11 (short F)

NN: Some Great Reed Solos. Charlie Parker – “Relaxin’ at Camarillo”; “Groovin’ High”, in: Down Beat, 28/11 (25.May 1961), p. 44 (T); Reprint, in: Down Beat, 36/14 (10.Jul.1969), p. 40-41 (T)

NN: Neue Parker-Platten, in: Jazz Podium, 10/6 (Jun.1961), p. 151 (N) [digi.copy]

NN: Pickles. Mer Parker, in: Orkester Journalen, 29/6 (Jun.1961), p. 5 (N: Charlie Parker Record Company founded)

NN: Aus dem Nachlaß, in: Bravo, 16.Jul.1961, p. 23 (N: release of unissued recordings by Charlie Parker planned by his widow) [digi.copy]

NN: Press Release, in: [press release], 18.Jul.1961 (F: estates of Charlie Parker and Billie Holiday) [digi.copy] {Rutgers papers “Charlie Parker”, p. 80-84}

John Williams: Subject: Charlie Parker. revealing things nobody ever knew about the bird, in: Swank, 8/3 (Jul.1961), p. 8-9, 58-60 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 96-99}

Ira Gitler: Charlie Parker – Bird Is Free, in: Down Beat, 28/20 (28.Sep.1961), p. 35-36 (R) [digi.copy]

Ira Gitler: Charlie Parker – “Bird Is Free” (Charlie Parker),l in: Down Beat, 28/20 (28.Sep.1961), p. 35-36 (R)

Edward Kosner: At Charlie Parker’s Grave. A Rest, in: New York Post, 4.Oct.1961 (F/I with Dizzy Gillespie at Charlie Parker’s grave in Kansas City) [digi.copy] {Rutgers papers “Charlie Parker”, p. 106}

Jack Cooke: The Blithe Spirit, in: Jazz Monthly, 7/9 (Nov.1961), p. 14-15 (F: Parkers Schüler)

NN: Blues for Bird in Kansas City, in: Down Beat, 28/23 (9.Nov.1961), p. 11 (short F/I with Dizzy Gillespie)

Ira Gitler: “A Handful of Modern Jazz. Charlie Parker, Dizzy Gillespie, Miles Davis” (Baronet); “The Early Bird” (Baronet), in: Down Beat, 28/25 (7.Dec.1961), p. 42, 44 (R: 3 1/2 stars; 4 stars) [digi.copy]

NN: Trials and Tribulations, in: Down Beat, 28/26 (21.Dec.1961), p. 13-14 (F: Charlie Parker Estate, Charlie Parker Record Co.) [digi.copy]

André Hodeir: Charlie Parker’s Solo on “Ornithology”, in: André Hodeir: Toward Jazz, New York 1962 [book: Grove Press; London 1965: The Jazz Book Club], p. 181-183 (A/T)

André Hodeir: The Bird Is Gone. A Tribute to Charlie Parker, in: André Hodeir: Toward Jazz, New York 1962 [book: Grove Press; London 1965: The Jazz Book Club], p. 15-18 (F); reprint, in: André Hodeir & Jean-Louis Pautrot: The André Hodeir Jazz Reader, Ann Arbor/MI 2006 [book: University of Michigan Press], p. 125-129 (F)

Don DeMichael: Repackaged (Charlie Parker Records), in: Down Beat, 29/24 (1962), p. 35-36

J.-L. Ginibre: Pages et plages pour Bird, in: Jazz Magazine, 8/84 (1962), p. 18

J.-R. Masson: Il y a sept ans, in: Jazz Magazine, 8/80 (1962), p. 20ff.

James Poling (ed.): Esquire’s World of Jazz, London 1962 [book: Arthur Baker], p. 90-105 (F: chapters “Segue to today” / “For Bird, an elegy”)

Leonard Feather: La légende de l’oiseau, in: Jazz Magazine, 8/85 (1962), p. 23-24

Martin Williams: Charlie Parker – The Dial Recordings, Volume 2, in: Martin Williams: Jazz in Its Time, New York 1989 [book], p. 201-206 (liner notes; Reprint von 1962)

Martin Williams: Concert Treasures, in: Martin Williams: Jazz Changes, New York 1992 [book: Oxford University Press], p. 252-255 (R: Massey Hall Concert; Reprint von 1962)

Martin Williams: Once There Was Bird – Charlie Parker, in: Martin Williams: Jazz Heritage, New York 1985 [book], p. 184-191 (F; Reprint: liner notes, 1962)

Max Harrison: Parker, Charlie, in: Stanley Dance (ed.): Jazz Era. The ‘Forties, London 1962 [book: The Jazz Book Club & MacGibbon & Kee], p. 196-198 (F)

Robert Reisner: Bird. The Legend of Charlie Parker, New York 1962 [book: Citadel Press] (F/I mit: Angelo Ascagni, Harold Baker, Ahmed Basheer, Walter Bishop Jr., Art Blakey, Rudi Blesh, August Blume, Teddy Blume, Vince Bottari, Pietro Carbone, Teddy Charles, Tutty Clarkin, Earl Coleman, Junior Collins, Al Cotton, Harvey Cropper, Ernest Daniels, Miles Davis, Kenny Dorham, Ralph Douglas, Tommy Douglas, Billy Eckstine, Art Farmer, Warren Fitzgerald, Lou Flanigin Jr., Jimmy Forrest, Dizzy Gillespie, Tony Graye, Elliot Grennard, Gigi Gryce, Sadik Hakim, Benny Harris, Earl Hines, Cliff Jetkins, Ted Joans, Budd Johnson, Buddy Jones, Duke Jordan, Sheila Jordan, Lawrence Keyes, Henry Kier, Baroness Pannonica de Koenigswarter, Dave Lambert, Jerry Lloyd, Julie MacDonald, Edward Mayfield Jr., Howard McGhee, Jackie McLean, Jay McShann, Charles Mingus, Orville Minor, Alan Morrison, Bob Newman, Anita O’Day, Addie Parker, Doris Parker, Oscar Pettiford, Tommy Potter, Gene Ramey, Jimmy Raney, Teddy Reig, Jerome Richardson, Max Roach, Ross Russell, George Salano, Frank Sanderford, Dave Schildkraut, Tony Scott, Noble Sissle, Buster Smith, Sonny Stitt, Idress Sulieman, Symphony Sid Torin, Lennie Tristano, Ray Turner, Barry Ulanov, Edgar Varese, Ted Wald, Bob Wallace, George Wallington)

John S. Wilson: A History of Jazz. Part V. Boppers & Moldy Figs. While the traditionalists dug New Orleans sounds, Bird and Diz fronted a revolution aimed at the future, in: Show Business Illustrated, Apr.1962, p. 53-55, 79 (F) [digi.copy] {Rutgers papers “Charlie Parher”, p. 100-103}

Max Jones: Chasing the Bird – In Print, in: Melody Maker, 7.Jul.1962, p. 11

Ralph Ellison: On Bird, Bird-Watching, and Jazz, in: Ralph Ellison: Living with Music. Ralph Ellison’s Jazz Writings, New York 2001 [book: Modern Library], p. 65-76 (F; reprint from: Saturday Review, 28.Jul.1962)

Alun Morgan: Bird & the Lover Man Session, in: Jazz Monthly, 8/6 (Aug.1962), p. 3-6 (F)

Victor Schonfield: Rare Bird, in: JazzJournal, 15/9 (Sep.1962), p. 19, 22 (F), p. 1

Alun Morgan: Le commencement de la fin, in: Jazz Magazine, 9/93 (1963), p. 32-35

Bill Coss: Charlie Parker, in: Dom Cerulli & Burt Korall & Mort Nasatir (Hg.): The Jazz Word, London 1963 [book], p. 90-94 (F)

Jack Kerouac: Charlie Parker, in: Dom Cerulli & Burt Korall & Mort Nasatir (eds.): The Jazz Word, London 1963 [book], p. 76-78 (poem) [digi.copy]

Pete Welding: Charlie Parker Memorial Concert, Sutherland Lounge, Chicago, in: Down Beat, 30/12 (1963), p. 36 (C)

Eric T. Vogel: The Legend of Charlie Parker – Bird, von Robert Reisner, in: Jazz Podium, 12/2 (Feb.1963), p. 44 (B)

Leonard Katz. New Battle On Over Charley Parker Estate, in: New York Post, 5.Apr.1963 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 107}

NN: Parker Records Sued for Alleged Past-Due Royalties, in: [unknown source], 9.May 1963 (short F) [digi.copy]

Martin Williams: Charlie Parker Made Easy, in: Martin Williams: Jazz Masters in Transition, 1957-1969, New York 1970 [book], p. 106-107 (R: Lou Donaldson, Cannonball Adderley; reprint aus: Saturday Review, 11.May 1963)

Walther Hein: Bird und Dizz, in: Jazz Podium, 12/6 (Jun.1963), p. 128-129

Claes Dahlgren: Minnesfond för Parker. Amerikanska nyheter, in: Orkester Journalen, 31/7-8 (Jul/Aug.1963), p. 8 (short F: Charlie Parker Award)

Philip Larkin: On the Wing. “Bird. The Legend of Charlie Parker”, by Robert H. Reisner, in: Richard Palmer & John White (eds.): Reference Back. Philip Larkin’s Uncollected Jazz Writings 1940-84, Hull 1999 [book: University of Hull Press], p. 59-60 (B; reprint, from: Guardian, 6.Sep.1963)

Benny Green: Charlie Parker, in: Benny Green: The Reluctant Art. The Growth of Jazz, London 1964 [book: The Jazz Book Club & MacGibbon & Kee], p. 159-191 (F)

M. Delorme & P. Koechlin: Les paroles du Bird, in: Jazz Hot, 30/200 (1964), p. 24-30

Ralph Gervin: Charlie Parker (“Bird”), in: John Henrik Clarke (Hg.): Harlem. A Community in Transition, New York 1970 [book; Reprint, O: 1964], p. 76 (poem)

Ross Russell: Charlie Parker and Dizzy Gillespie, in: Martin Williams (Hg.): Jazz Panorama. From the Pages of Jazz Review, New York 2/1967 [book, O: New York 11964], p. 180-186 (F/R)

Wilfrid Mellers: From art back to jazz. Modern jazz and the composing improviser. Thelonious Monk and Charlie Parker, Ornette Coleman and John Coltrane, in: Wilfrid Mellers: Music in a New Found Land. Themes and Developments in the History of American Music, London 1964 [book], p. 331-350 (F/A)

Peter S. Friedman: Chords and Discords. New Bird Is Old Bird, in: Down Beat, 31/3 (30.Jan.1964), p. 4, 6 (letter)

Ira Gitler: Old Wine, New Bottles. Charlie Parker – “Bird on 52nd Street” (Fantasy); “Bird at St. Nick’s” (Fantay), in: Down Beat, 31/10 (23.Apr.1964), p. 31-32 (R) [digi.copy]

Don DeMichael & Pete Welding: Jazz Basics. Charlie Parker – “Jazz at Massey Hall” (Fantasy); “Bird Symbols” (Charlie Parker); “The Genius of Charlie Parker, Vol. 2” (Savoy), in: Down Beat, 31/9 (9.Apr.1964), p. 24-5, 40 (R)

M. Gardner: The Bird Speaks, in: Jazz Journal, 17/5 (May 1964), p. 25-27 (I/D) [digi.copy]

NN: A Discography of the “Live” Recordings of Charlie Parker, in: Jazz Journal, 17/5 (May 1964), p. 29 (D); part 3, in: Jazz Journal, 17/7 (Jul.1964), p. 25 (D)

Walther Hein: Re-Boppers-Session vom 26.11.1945/Bird Sessions 1947/1951, in: Jazz Podium, 13/7 (Jul.1964), p. 160-162 (R)

Michel Delorme: Les paroles du Bird. Interview par Mark Gardner, in: Jazz Hot, #200 (Jul/Aug.1964), p. 24-26 (I)

Homer Brown: Chords & Discords. Worry About Bird Film, in: Down Beat, 31/31 (3.Dec.1964), p. 6-7 (letter)

Max Jones: Bird – Unquestionably the Greatest Ever, in: Melody Maker, 19.Dec.1964, p. 19 (R: Historical Masterpieces, Vol.1-3/Memorial Album Vol.6)

D. Lemery: Les enfants du Bird, in: Jazz Magazine, #116 (1965), p. 16-27

Don Heckman: Bird in Flight. Parker the Improviser, in: Down Beat, 32/6 (1965), p. 22-24

Down Beat, 32/6 (1965), passim (Charlie Parker memorial issue)

Leonard Feather: Blindfold Test. Charlie Parker, in: Down Beat, 32/6 (1965), p. 32 (BT)

M.T. Cohen: With Care and Love, in: Down Beat, 32/6 (1965), p. 19-20

Martin Williams: The Listener’s Legacy, in: Down Beat, 32/6 (1965), p. 20-21, 35

NN: Parker’s Mood, in: Down Beat, 32/6 (1965), p. 25

Siegfried Schmidt-Joos: Bird. The Genius of Charlie Parker, in: Jazz, 4/6 (1965), p. 8-9

Whitney Balliett: Bird, in: Whitney Balliett: Such Sweet Thunder. 49 Pieces on Jazz, Indianapolis 1966 [book: Bobbs-Merrill], p. 249-251 (C: Tribute to Parker; reprint from 1965); Reprint, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin’s Press], p. 238-239 (C)

Bob Dawbarn: Bird Flies High in Sweden, in: Melody Maker, 20.Feb.1965, p. 15 (R: In Sweden)

John S. Wilson: Charlie Parker, Saxophonist, Recalled in ‘Legends’ at Café, in: New York Times, 17.Feb.1965, p. 39 (C: tribute play at Café au Go Go) [digi.copy]

Joe Segal: Bird in Chicago, in: Down Beat, 32/6 (25.Mar.1965), p. 18-19 (F); response, by Guy Warren, in: Down Beat, 32/13 (17.Jun.1965), p. 10 (letter)

Leonard Feather: Charlie Parker 1920-1955. A Fist at the World, in: Down Beat, 32/6 (11.Mar.1965), p. 15-18 (F); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 83-88 (F)

Bob Dawbarn: The Pick of Parker, in: Melody Maker, 3.Apr.1965, p. 10 (R)

Don DeMichael: “The World of Charlie Parker” (Roost), in: Down Beat, 32/11 (20.May 1965), p. 28-29 (R)

Harvey Pekar: “Charlie Parker 10th Memorial Concert” (Limelight), in: Down Beat, 32/16 (29.Jul.1965), p. 32 (R); response, by D.C. Washington, in: Down Beat, 32/19 (9.Sep.1965), p. 10 (letter)

J.A.: Parker. Tenth Memorial Concert in Chicago, in: Melody Maker, 11.Sep.1965, p. 6

Alun Morgan: Charlie Parker – “Bird Is Free” (Egmont AJS-5); “Bird Symbols” (Verve VLP 9105 / Egmont AJS-3), in: Jazz Monthly, 11/10 (Dec.1965), p. 11 (R) [digi.copy]

NN: Potpourri: Opera dedicated to Charlie Parker scheduled to be premiered, in: Down Beat, 32/27 (30.Dec.1965), p. 16 (N)

André Francis: Jazz, Bourges 1958 [book: Solfèges / Éditions du Seuil]; reprint: Bourges 1966 [book: Solfèges / Éditions du Seuil], p. 106-111 (F)

Ira Gitler: Charlie Parker and the Alto and Baritone Saxophonists, in: Ira Gitler: Jazz Masters of the Forties, New York 1966 [book: Macmillan]; reprint, New York 1974 [book: Collier Books], p. 15-57 (F); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 23-58 (F); updated reprint, in: Ira Gitler: The Masters of Bebop. A Listener’s Guide, New York 2001 [book: Da Capo], p. 15-57 (F)

Martin Williams: Eight Recorded Solos. Embraceable You / Ornithology, by Charlie Parker, in: Martin Williams: Where’s the Melody? A Listener’s Introduction to Jazz, New York 1966 [book], p. 44-47 (F)

Martin Williams: Now’s the Time / Billie’s Bounce, by th Charlie Parker Quintet, in: Martin Williams: Where’s the Melody? A Listener’s Introduction to Jazz, New York 1966 [book], p. 52-54 (F)

NN: Potpourri. Charlie Parker Memorial Concert, in: Down Beat, 33/6 (24.Mar.1966), p. 16 (C)

Herb Levinson & George P. Godwin & Charles Preston & George Fox & James McCormick III & Baird Parker: Chords & Discords. Bird Issue Huzzahs… And One Disappointment, in: Down Beat, 32/9 (22.Apr.1965), p. 8, 10 (letters); response, by J.C. Farquhar, John Periam (“More on the Bird Issue”), in: Down Beat, 32/10 (6.May 1965), p. 8 (letters)

NN: Seven Steps in Jazz, in: Melody Maker, 7.May 1966, p. 8 (Kurzbiographie)

Richard Chesmore: Caught in the Act. An Opera for the Bird – “Without Memorial Banners”, Atkins Auditorium, Kansas City, Mo., in: Down Beat, 33/9 (5.May 1966), p. 13 (C)

Bob Dawbarn: New Bird Plus Old Greats, in: Melody Maker, 18.Jun.1966, p. 12 (R: Ornithology)

Bob Dawbarn: Great Jazz Solos. Parker’s Mood, by Charlie Parker, in: Melody Maker, 9.Jul.1966, p. 6

B. Houston: More Parker, But Watch the Duplication, in: Melody Maker, 15.Oct.1966, p. 14 (R: Charlie Parker, Vol.1/2 / The World of Charlie Parker)

Bill Quinn: Caught in the Act. Charlie Parker Memorial Concert, Either/Or Club, Chicago, in: Down Beat, 33/21 (20.Oct.1966), p. 22-23 (C)

Charlie Parker: Sketch-Orks, New York 1967 [sheet music] (T: lead sheets of “Au Privave”; “Back Home Blues”; “Ballade”; “The Bird”; “Bloomdido”; “Blues for Alice”; “Cardboard”; “Celebrity/Celerity”; “Chi Chi”; “Confirmation”; “Cosmic Rays”; “Dewey Square”; “Diverse”; “K.C. Blues”; “Kim”; “Laird Baird”; “Leap Frog”; “Mohawk”; “Moose the Mooche”; “My Little Suede Shoes”; “An Oscar for Treadwell”; “Ornithology”; “Passport”; “Relaxin’ with Lee”; “Scrapple from the Apple”; “Segment”; “She Rote”; “Si Si”; “Visa”; “Yardbird Suite”)

B. Houston: A Bird Collection – And All for Fifty Bop, in: Melody Maker, 1.Jul.1967, p. 11 (R: Charlie Parker, Vol.1-4)

André Hodeir: Ceci n’est pas le jazz, in: Jazz Hot, 34/243 (1968), p. 6-7

Barry Witherden: Charlie Parker – Ballads and Birdland, in: Jazz Studies (British Institute of Jazz Studies), 2/2 (1968), p. 30-31 (R)

Denes Agay: The Joy of Jazz. Easy to Medium Grade Piano Solos, London 1968 [sheet music], p. 44-45 (piano solo arrangement of “Anthropology”)

Tony Williams: Charlie Parker. A discography, [no place] 1968 [book: Discographical Forum] (D)

Ira Gitler: “Tribute to Charlie Parker” (RCA Victor 3783), in: Down Beat, 35/13 (27.Jun.1968), p. 31 (R: 4 stars) [digi.copy]

Tony Williams: Charlie Parker. A Discography, in: Discographical Forum, #8 (Sep.1968), p. Parker/1-Parker/5 (D); part 2, in: Discographical Forum, #9 (Nov.1968), p. Parker/6-Parker/11 (D); part 3, in: Discographical Forum, #10 (Jan.1969), p.Parker/12-Parker/17 (D)

B. Houston: Second Opinion. Charlie Parker, in: Melody Maker, 26.Oct.1968, p. 10

Ross Russell: Yardbird in Lotus Land. Les souvenirs de Ross Russell sur Charlie Parker, in: Jazz Hot, 35/255 (1969), p. 22-25; part 2: At Billy Berg, in: Jazz Hot, 36/257 (1970), p. 15-17; part 3: Moose the Mooche, in: Jazz Hot, #258 (1970), p. 18-20; part 4: Rumeurs dans la nuit, in: Jazz Hot, 36/259 (1970), p. 26-28; part 5: Ornithology, in: Jazz Hot, #260 (1970), p. 26-28; part 6: Hollywod, in: Jazz Hot, 36/262 (1970), p. 16ff.; part 7: Lover Man, in: Jazz Hot, 36/264 (1970), p. 24-25

Siegfried Schmidt-Joos: Grenzen zwischen den Zeiten. Improvisationen über den Tod Charlie Parkers nach einem Thema von Archibald McLeish, in: Jazz Podium, 18/3 (Mar.1969), p. 82-83 (F) [digi.copy]

Tony Williams: Charlie Parker Discography, part 4, in: Discographical Forum, #11 (Mar.1969), p. 18-23 (D); part 5, in: Discographical Forum, #12 (May 1969), p. 24-29 (D)

Barry McRae: Jazz Basics. Charlie Parker, in: Jazz Journal, 22/4 (Apr.1969), p. 17 (F)

Jim Burns: Bird in California, in: Jazz Journal, 22/7 (Jul.1969), p. 10-12 (F) [digi.copy]

Barry Tepperman: Budget Bird, in: Coda, 9/8 (1970), p. 10-11

Barry Witherden: Charlie Parker – “10th Memorial Concert” (Mercury SMWL 21040), in: Pieces of Jazz, 1970, p. 82-83 (R)

C. Paris: Charlie Parker in Time, in: Jazz Hot, 36/261 (1970), p. 16-19

Martin Williams: Charlie Parker. The Burden of Innovation, in: Barney Rossett (ed.): The Evergreen Review. A Ten-Year Anthology, Secaucus/NJ 1968 [book: Castle Books], p. 317.321 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 73-77}; reprint, in: Martin Williams: The Jazz Tradition, New York 2/1983 [book; New York 1/1970], p. 135-153 (F); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 10-23 (F); Reprint, in: Steven C. Tracy (ed.): Write Me a Few of Your Lines. A Blues Reader, Amherst/MA 1999 [book: University of Massachusetts Press], p. 509-513 (F)

NN: Charlie Parker Memorial Concerts (in Chicago), in: Jazz & Pop, 9/9 (1970), p. 12

Pete Moon: Bird Still Lives, in: Pieces of Jazz, 1970¸p. 87-88 (F)

Pete Moon: Charlie Parker All Stars – “Bird on 52nd Street” (America 30 AM 6061), in: Pieces of Jazz, 1970, p. 15 (R); response, by Derrick Stewart-Baxter: Comment, in: Pieces of Jazz, 1970, p. 38a (letter)

Owen Peterson: The Massey Hall Concert, in: Jazz Journal, 23/3 (Mar.1970), p. 8-10 (F) [digi.copy]

Martin Williams: Music Workshop. A Charlie Parker Masterpiece, in: Down Beat, 37/7 (2.Apr.1970), p. 34-35 (A/T: “Embraceable You”)

Barry Tepperman: Budget Bird, in: Coda, 9/8 (Jul/Aug.1970), p. 10-11 (F)

Mark Gardner: Chords & Discords. Bird Lore, in: Down Beat, 37/13 (9.Jul.1970), p. 8 (letter: “Klact-oveesedstene”)

Martin Williams: Legendarne nagranie. Charlie Parkera, in: Jazz. Rythm i piosenka, #167/168 (Jul/Aug.1970), p. 22 (F/T)

David Amram: Bird in Washington, in: Jazz Journal, 23/8 (Aug.1970), p. 4-5 (F)

Mark Gardner: Charlie Parker, in: Jazz Journal, 23/8 (Aug.1970), p. 2-3 (F)

NN: Bird Month in Chicago Honors Jazz Immortal, in: Down Beat, 37/17 (3.Sep.1970), p. 7 (short F)

Peter Keepnews: Chords & Discords. On Bird, in: Down Beat, 37/17 (3.Sep.1970), p. 6 (letter)

Burt Korall: The Pop and Jazz Scene. Salute to Bird, in: International Musician, 69/4 (Oct.1970), p. 6 (C)

NN: Charlie Parker Memorial (à Kansas City), in: Jazz Magazine, #186 (1971), p. 15

Ross Russell: The Last Apprentice [p. 179-186 (F)]; Charlie Parker [p. 196-205 (F)], in: Ross Russell: Jazz Style in Kansas City and the Southwest, Berkeley 1971 [book: University of California Press]

NN: Bird Lives. K.C. Plans Art Center, Memorial, in: Down Beat, 38/2 (21.Jan.1971), p. 11 (F)

Alfred Rosenberg: Jazzstruktur-Analysen, in: Jazz Podium, 20/2 (Feb.1971), p. 72-73 (A/T; Donna Lee); part 2, in: Jazz Podium, 20/3 (Mar.1971), p. 104-105 (A/T: Donna Lee); part 3, in: Jazz Podium, 20/4 (Apr.1971), p. 144-146 (A/T: Donna Lee); part 4, in: Jazz Podium, 20/5 (May 1971), p. 178-180 (A/T: Donna Lee); part 5, in: Jazz Podium, 20/7 (Jul.1971), p. 251-253 (A/T: Donna Lee); part 6, in: Jazz Podium, 20/9 (Sep.1971), p. 322-323 (A/T: Donna Lee); part 7, in: Jazz Podium, 20/10 (Oct.1971), p. 358-359 (A/T: Donna Lee); part 8, in: Jazz Podium, 20/11 (Nov.1971), p. 398-399 (A/T: Donna Lee); part 9, in: Jazz Podium, 20/12 (Dec.1971), p. 440-441 (A/T: Donna Lee)

NN: Charlie Parker Jahr in Kansas City, in: Jazz Podium, 20/2 (Feb.1971), p. 48 (N)

Burt Korall: “Bird”, in: International Musician, 69/9 (Mar.1971), p. 9 (N: plans for monument in Kansas City)

R. Williams: Essential Parker, in: Melody Maker, 17.Jul.1971, p. 28 (R: Charlie Parker, Vol.2, on Xtra)

Owen Peterson: Early Bird, in: Jazz Journal, 24/4 (Apr.1971), p. 34-36 (F/R)

Lucien Malson: Charlie Parker, in: Lucien Malson: Que sais-je? Les maitres du jazz, Paris 1972 [book], p. 74-87 (F)

Jim Burns: The Charlie Parker Ko Ko Date, in: Jazz & Blues, 1/9 (Jan.1972), p. 10 (F)

Alfred Rosenberg: Jazzstruktur-Analysen, part 10, in: Jazz Podium, 21/2 (Feb.1972), p. 51-52 (A/T: Donna Lee); part 11, in: Jazz Podium, 21/3 (Mar.1972), p. 80-81 (A/T: Donna Lee); part 12, in: Jazz Podium, 21/6 (Jun.1972), p. 200-201 (A/T: Donna Lee); part 13, in: Jazz Podium, 21/7 (Jul.1972), p. 240-242 (A/T: Donna Lee); part 14: Harmonik, in: Jazz Podium, 21/8 (Aug.1972), p. 37, 36 (A)

NN: Charlie Parker auf Dial, in: Jazz Podium, 21/5 (May 1972), p. 150-151 (F/R)

Paul Warren: Charlie Parker. Holding up all sorrow for heaven to see, in: The Village Voice, 6.Jul.1972 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 109-110}

Benny Green: Virtuosi. Bird 1966 / Bird 1968, in: Benny Green: Drums in My Ears, London 1973 [book], p. 128-131 (R)

Hildred Roach: Charlie (Bird) Parker, in: Hildred Roach: Black American Music. Past and Present, Boston 1973 [book], p. 89-90 (F)

Max Harrison: Ross Russel’s “Bird Lives”, in: Jazz & Blues, 3/4 (1973), p. 4-5

Ross Russell: Bird Lives! The High Life and Hard Times of Charlie ‘Yardbird’ Parker, New York 1973 [book: Charterhouse; London 1973: Quartet; London 1980] (F)

Ted Joans: Bird Lives!, in: Jazz Magazine, #216 (1973), p. 44-45 (B)

NN: Potpourri. Charlie Parker tribute at Boston’s Jordan Hall, produced by Jaki Byard, in: Down Beat, 40/4 (1.Mar.1973), p. 12 (N)

Gary Giddins: “The Charlie Parker/Dizzy Gillespie Years” (Roulette); “The Best of Dizzy Gillespie, Charlie Parker, John Coltrane” (Roulette), in: Down Beat, 40/9 (10.May 1973), p. 25-26, 29-30 (R)

NN: Potpourri, in: Down Beat, 40/12 (21.Jun.1973), p. 12 (N: tribute to Charlie Parker)

Philip Larkin: Birdlife. “Bird Lives!”, by Ross Russell, in: Richard Palmer & John White (eds.): Reference Back. Philip Larkin’s Uncollected Jazz Writings 1940-84, Hull 1999 [book: University of Hull Press], p. 95-96 (B; reprint, from: Guardian, 28.Jun.1973)

Ross Russell: Parker, The Man Who Changed Music, in: Melody Maker, 16.Jun.1973, p. 30-31 (Vorabdruck)

Steve Voce: It Don’t Mean a Thing. Bird and Bits, in: Jazz Journal, 26/8 (Aug.1973), p. 18-19 (F) [digi.copy]

NN: Potpourri, in: Down Beat, 40/15 (13.Sep.1973), p. 45 (N: Parker marathon, WKCR-FM, New York)

B. Palmer: Charlie Parker. Post-Flight, in: Rolling Stone, #164 (1974), p. 22

Dan Morgenstern: Charlie Parker, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 352-358 (F; originally published as liner notes for “First Recordings!”, Onyx, 1974)

J. Isaacs: The Comprehensive Charlie Parker – Live Performances Vol.1/2, in: Rolling Stone, #156 (1974), p. 64-65 (R)

Leonard Feather: Bop and Bird, in: Leonard Feather: From Satchmo to Miles, London 1974 [book: Quartet; originally published in New York, 1972: Stein and Day], p. 129-145 (F)

Piet Koster & Dick M. Bakker: Charlie Parker Vol. One: 1940-1947; Volume Two: 1948-1950; Volume Three: 1951-1954; Volume Four: 1940-1955, Alphen aan de Rijn/NL 1974-1976 [book: Micrography] (D)

Thomas Owens: Charlie Parker. Techniques of Improvisation, Los Angeles 1974 [PhD thesis: University of California] (F/A/T: “Anthropology”; “Au Privave”; “Barbados”; “Bebop”; “Bernie’s Tune”; “Big Foot”; “Billie’s Bounce”; “The Bird”; “Bird Gets the Worm”; “Bluebird”; “The Bluest Blues”; “Blues for Norman”; “Body and Soul”; “Carvin’ the Bird”; “Chasin’ the Bird”; “Cherokee”; “Cheryl”; “Chi Chi”; “The Closer”; “Constellation”; “Cool Blues”; “Dark Shadows”; “Dewey Square”; “Dexterity”; “Diverse”; “Dizzy Atmosphere”; “Dizzy Boogie”; “Donna Lee”; “Don’t Blame Me”; “Embraceable You”; “Fifty-Second Street Theme”; “4-F Blues”; “Funky Blues”; “G.I. Blues”; “Groovin’ High”; “Home Cooking”; “Honeysuckle Rose”; “Hootie Blues”; “Hot House”; “The Hymn”; “I Can’t Get Started”; “I Got Rhythm”; “I Love Paris”; “Indiana”; “I’ve Found a New Baby”, “Jump the Blues”; “Kim”; “Koko”; “Lady Be Good”; “Laird Baird”; “Little Willie Leaps”; “Lover Come Back to Me”; “Mango Mangue”; “Meandering”; “Mohawk”; “Moose the Mooche”; “Moten Swing”; “My Heart Belongs to Daddy”; “My Little Suede Shoes”; “Night in Tunesia”; “Now’s the Time”; “Okiedoke”; “The Opener”; “Ornithology”; “An Oscar for Treadwell”; “Out of Nowhere”; “Parker’s Mood”; “Perhaps”; “Quasimodo”; “”Red Cross”; “Relaxin’ at Camarillo”; “Relaxin’ with Lee”; “Round About Midnight”; “Salt Peanuts”; “Scrapple from the Apple”; “Segment”; “Sepian Bounce”; “Sippin’ at Bells”; “Slim Slam Blues”; “The Squirrel”; “Street Beat”; “Swingmatism”; “That’s the Blues”; “Thriving From a Riff”; “Tico Tico”; “Tiny’s Tempo”; “Twentieth-Century Blues”; “Warming Up a Riff”; “Wee (Allen’s Alley)”; “What Is This Thing Called Love”) [digi.copy]

Bill Esposito: Homage to Bird. Buddy Tate, Budd Johnson and Seldon Powell talk about the genius of Charlie Parker, in: Jazz Journal, 27/3 (Mar.1974), p. 4-5 (F)

Neil Tesser: Charlie Parker – “First Recordings” (Onyx 221), in: Down Beat, 41/13 (18.Jul.1974), p. 32 (R: 35 stars) [digi.copy]

C. Welch: Parker Genius, in: Melody Maker, 6.Jul.1974, p. 59 (R: Charlie Parker on Dial)

Max Jones: Flight of the Bird, in: Melody Maker, 19.Oct.1974, p. 52 (B: Robert Reisner)

Burt Korall: Jazz View. Charlie Parker Still Has a Lot of Sax Appeal, in: New York Times, 24.Nov.1974 (F: on Charlie Parker, and recent Supersax albums) [digi.copy] {Rutgers papers “Charlie Parker”, p. 111}

Burnett James: “Bird. The Legend of Charlie Parker”, by Robert Reisner, in: Jazz Journal, 27/11 (Nov.1974), p. 25 (B) [digi.copy]

Lawrence O. Koch: Ornithology. A Study of Charlie Parker’s Music. Part 1, in: Journal of Jazz Studies, 2/1 (Dec.1974), p. 61-87 (A)

Patrick Sullivan: Charlie Parker on Dial.Spotlite Set, in: Jazz Forum, #32 (Dec.1974), p. 61, 63-64 (F/R)

Graham Collier: Charlie Parker, in: Graham Collier: Jazz. A Student’s and Teacher’s Guide, London 1975 [book: Cambridge University Press], p. 40-48 (F)

Henryk Cholinski: Charlie Parker on LP, in: Jazz Forum, #35 (1975), p. 49-54 (F/D); part 2: Studio Recordings, in: Jazz Forum, #36 (1975), p. 49-53 (F/D); part 3: Live Recordings, in: Jazz Forum, #37 (1975), p. 56-61 (F/D)

Hugues Panassié: Une déclaration de Charlie Parker, in: Hugues Panassié: Monsieur Jazz, Paris 1975 [book: Stock], p. 353-362 (F)

J. Patrick: Charlie Parker and harmonic sources of Bebop composition. Thoughts on the repertory of new jazz in the 1940s, in: Journal of Jazz Studies, 2/2 (1975), p. 3-23 (A)

Studs Terkel: Charlie Parker. Yardbird!, in: Studs Terkel: Giants of Jazz, New York 1975 [Thomas Y. Crowell], p. 163-172 (F); German translation as “Giganten des Jazz”, Frankfurt am Main 2005 [book: Zweitausendeins], p. 179-188 (F)

W.L. Fowler: Music Workshop. Bird Motives, in: Down Beat, 42/16 (1975), p. 43 (Ornithology)

Harry Miedema: Music Workshop. “Now’s the Time”, in: Down Beat, 42/4 (27.Feb.1975), p. 35 (T)

Chris Sheridan: Chasin’ the Bird, in: Jazz Journal, 28/3 (Mar.1975), p. 6, 8-10 (F) [digi.copy]

Mark Gardner: Bird. Twenty years after, in: Jazz Journal, 28/3 (Mar.1975), p. 4-5 (F) [digi.copy]

Mark Gardner: Bird. Twenty Years After, in: Jazz Journal, 28/3 (Mar.1975), p. 4-6, -10 (F)

James Patrick: Charlie Parker and Harmonic Sources of Bebop Composition. Thoughts on the Repertory of New Jazz in the 1940s, in: Journal of Jazz Studies, 2/2 (Jun.1975), p. 3-23 (F)

Lawrence O. Koch: A Numerical Listing of Charlie Parker’s Recordings, in: Journal of Jazz Studies, 2/2 (Jun.1975), p. 86-95 (D)

Lawrence O. Koch: Ornithology. A Study of Charlie Parker’s Music, part 2, in: Journal of Jazz Studies, 2/2 (Jun.1975), p. 61-85 (A/T: “Embraceable You”)

Lawrence O. Koch: Ornithology. A Study of Charlie Parker’s Music, part one, errata, in: Journal of Jazz Studies, 2/2 (Jun.1975), p. 115-119 (T: corrections)

J.H. Alexander: McLean to Play in Parker Tribute, in: new York Post, 22.Aug.1975 (F/I with Jackie McLean) [digi.copy] {Rutgers papers “Charlie Parker”, p. 116}

John S. Wilson: Sound of Charlie Parker Still Echoes in Jazz World. Musical Identity Was Sudden Discovery to Bird, in: New York Times, 22.Aug.1975, p. 33, 44 (F/I with Jackie McLean, Red Rodney, Roy Haynes, Tommy Potter, Al Haig) [digi.copy] {Rutgers papers “Charlie Parker”, p. 113-114}

Patricia O’Haire: A mute salute, in: new York Daily News, 28.Aug.1975 (F: tribute to Charlie Parker at Avery Fisher Hall cancelled) [digi.copy] {Rutgers papers “Charlie Parker”, p. 115}

NN: Parker Tribute. Fiasco at Fisher, in: [unknown source], Aug.1975 (F: tribute to Charlie Parker at Avery Fisher Hall cancelled) [digi.copy] {Rutgers papers “Charlie Parker”, p. 168}

John Litweiler: “Charlie Parker on Dial, Vol.1-6” (Spotlite), in: Down Beat, 42/17 (23.Oct.1975), p. 30-34 (R); response, by Lorne Schoenberg, in: Down Beat, 42/20 (4.Dec.1975), p. 8 (letter)

John Litweiler: Old Wine, New Bottles, in: Down Beat, 42/17 (23.Oct.1975), p. 30, 32-34 (R: “Charlie Parker on Dial”)

William L. Fowler: Bird Motives, in: Down Beat, 42/16 (9.Oct.1975), p. 43 (T: “Ornithology”)

Carl Strommen: Insight. Bird’s Oboe Player Remembers the Man, in: Jazz (Magazine) [USA], 1/1 (Summer 1976), p. 30-31 (F/I with Martin Sperber) [digi.copy]

Gary Giddins: The Charlie Parker Reissue Parade, in: Gary Giddins: Riding On a Blue Note. Jazz & American Pop, New York 1981 [book]; reprint, New York 2000 [book: Da Capo Press], p. 111-119 (F/R; Reprint aus: Village Voice, 1976-1978)

Nat Hentoff: The Great Speckled Bird, in: Nat Hentoff: Jazz Is, New York 1976 [book: Ridge Press/Random House; reprint: 1984], p. 169-195 (F)

Tom Stites: Memorial for Bird, in: Jazz (Magazine) [USA], 1/1 (Summer 1976), p. 15 (F) [digi.copy]

Mark Gardner: “Charlie Parker Discograph. Volume 2, 1948-1950”, by Piet Koster & Dick M. Bakker, in: Coda, #144 (Jan/Feb.1976), p. 37 (B) [digi.copy]

Tom Owens: Parker at the Trade Winds – Bootleg Jazz, in: Jazz Journal, 29/1 (Jan.1976), p. 7 (F/R) [digi.copy]

David Behrens: Where ‘The Bird’ Still Soars. “Charlie Parker was a musical genius who helped to bring about the music you listen to today … [It was revolutionary…”, in: Newsday, 9.Dec.1976 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 117-118}

Dan Morgenstern: One Night at Birdland, in: Dan Morgenstern: Living with Jazz. A Reader, New York 2004 [book: Pantheon], p. 483-491 (F; originally published as liner notes for “One Night at Birdland”, Columbia, 1977)

Sy Johnson: Bird Lives, in: Jazz (Magazine) [USA], 1/4 (Summer 1977), p. 31 (F) [digi.copy]

Alun Morgan: How Garner tried to provide a nest egg for Bird, in: Jazz Journal, 30/7 (Jul.1977), p. 34 (F)

André Hodeir: Le Bird n’est plus, in: Philippe Adler (Hg.): Les grandes signature, Paris 1987 [book], p. 59-60 (F; Reprint aus: Jazz Hot, Apr.1955)

Carl Strommen: Woodshed. “Embraceable You”, take 1/2, in: Jazz (Magazine) [USA], 2/3 (Spring 1978), p. 84-85, 87 (A/T)

James Lincoln Collier: Charlie Parker. An Erratic Bird in Flight, in: James Lincoln Collier: The Making of Jazz. A Comprehensive History, London 1978 [book], p. 362-376 (F)

Jamey Aebersold & Michael H. Goldsen (eds.): Charlie Parker Omnibook. Transcribed Exactly from His Recorded Solos, Lynbrook NY, 1978 [sheet music: Goldfeder], passim (T for Eb instruments / C clef instruments: “Ah-Leu-Cha”; “Another Hairdo”; “Anthropology”; “Au Privavce”; “Back Home Blues”; “Ballade”; “Barbados”; “Billie’s Bounce”; “The Bird”; “Bird Gets the Worm”; “Bloomdido”; “Blue Bird”; “Blues (fast)”; “Blues for Alice”; “Buzzy”; “Card Board”; “Celerity”; “Chasing the Bird”; “Cheryl”; “Chi Chi”; “Confirmation”; “Constellation”; “Cosmic Rays”; “Dewey Square”; “Diverse”; “Donna Lee”; “K.C. Blues”; “Kim”; “Klaun Stance”; “Ko Ko”; “Laird Baird”; “Leap Frog”; “Marmaduke”; “Merry-Go-Round”; “Mohawk”; “Moose the Mooche”; “My Little Suede Shoes”; “Now’s the Time”; “Ornithology”; “An Oscar for Treadwell”; “Parker’s Mood”; “Passport”; “Perhaps”; “Red Cross”; “Relaxing with Lee”; “Scrapple from the Apple”; “Segment”; “Shaw ‘Nuff”; “She Rote”; “Si Si”; “Steeplechase”; “Thriving from a Riff”; “Visa”; Warming Up a Riff”; “Yardbird Suite”)

Jerry Coker: Charlie Parker, in: Jerry Coker: Listening to Jazz, Englewood Cliffs/NJ 1978 [book], p. 104-114 (F/A: “Don’t Blame Me”)

John McDonough: Charlie Parker – One Night at Birdland/Bird with Strings, in: Down Beat, 45/4 (1978), p. 27-28 (R)

Kirk L. Bjornsgaard & Russ SHor: The Spirit of Bird Still Flying, in: IAJRC Journal, 11/1 (Winter 1978), p. 12-13 (F)

Philippe Baudoin: Compositions de C. Parker, in: Le Jazzophone, #1 (1978), p. 21-22 (F)

Michael Zwerin: Bird Dies, in: Black Music and Jazz Review, 1/5 (Aug.1978), p. 9 (F)

Günther Buhles: Charlie Parker – “Summit Meeting at the Birdland” (CBS 82 291); “Bird with Strings. Live at the Apollo, Carnegie Hall & Birdland” (CBS 82 292), in: Jazz Podium, 27/10 (Oct.1978), p. 35-36 (R) [digi.copy]

Rüdiger Böttger: Charlie Parker – “The Very Best of Bird” (Warner Bros. WB 3198), in: Jazz Podium, 27/10 (Oct.1978), p. 34-35 (R) [digi.copy]

Björn Fremer: Charlie Parker in Sweden. The Beautiful Dream That Came True, in: Jazz Journal, 31/11 (Nov.1978), p. 33 (F)

Bernard Cash: Bird of Paradise, in: Chris Goddard: Jazz Away from Home, New York 1979 [book: Paddington Press], p. 103-104 (T)

Dizzy Gillespie & Al Fraser: Bird and Diz, in: Dizzy Gillespie & Al Fraser: To Be or Not to Bop. Memoires, New York 1979 [book], p. 391-404 (F)

H.A. Reed: The Black Bar in the Making of a Jazz Musician. Bird, Mingus, and Stan Hope, in: Journal of Jazz Studies, 5/2 (1979), p. 76-90

Kitty Grime: Hearing Bird, in: Kitty Grime: Jazz at Ronnie Scott’s, London 1979 [book], p. 31-39 (I mit diversen Musikern)

Tom Piazza: Bird’s Rainbow, in: Jazz Magazine (USA), 3/2 (Spring 1979), p. 30-35 (F)

Mike Healy: UB Jazz Scholar Explores Genius of Charlie Parker, in: Buffalo Courier-Explorer, 2.Apr.1979 (F/I with James Patrick) [digi.copy] {Rutgers papers “Charlie Parker”, p. 120}

Daniel Soutif: Parker chez Dial, in: Jazz Magazine, #273 (Mar.1979), p. 36-39 (F/R)

Al Haig & Duke Jordan: High Voltage. Ornithology. Charlie Parker, in: Black Music & Jazz Review, 2/2 (May 1979), p. 13 (F)

Bart Becker: Jay McShann Interview, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 139-142 (F; Reprint, from: Cadence, Sep/Oct.1979)

Harry Meidema: Bloomdido – Charlie Parker Plays the Blues, in: Down Beat Music ’80 (1980), p. 51-52 (T) [digi.copy]

Harry Meidema: Charlie Parker’s Embraceable You Solo, in: Down Beat Music ’80 (1980), p. 51 (T) [digi.copy]

Al Levitt: Parkeriana. Chasing the Bird, in: Jazz Magazine, #284 (Mar.1980), p. 26-29 (F)

Jacques Réda: La coupure de Charlie Parker, in: Jazz Magazine, #284 (Mar.1980), p. 25 (F); Reprint, in: Jacques Réda: La coupure de Charlie Parker, in: Jacques Réda: L’improviste. Une lecture du jazz, Paris 1980 [book], p. 85-89 (F); Reprint, in: Jacques Réda: L’improviste. Une lecture du jazz, Paris 1990 [book: Folio Essais], p. 130-134 (F)

Marshall Stearns: Het Charlie Parker Interview, in: Jazz Nu, 2/6-7 (Mar/Apr.1980), p. 266-268 (I)

Pierre Rigaud: Parkeriana. Romance à clés, in: Jazz Magazine, #284 (Mar.1980), p. 2-24 (F)

Ross Russell: Parkeriana. Ouverture chez Billy Berg, in: Jazz Magazine, #284 (Mar.1980), p. 18-21, 58, 60, 62 (F; extract from “Bird Lives!”)

Chan Parker: Now’s the Time, in: Jazz Hot, #373 (May 1980), p. 31-41 (F) [digi.copy]

Piet Koster: Charlie Parker. The Complete Savoy Studio Sessions, in: Micrography, #53 (Jul.1980), p. 13-14 (D) [digi.copy]

David Knight: The Night Charlie Parker Died, in: Down Beat, 47/8 (Aug.1980), p. 22-25 (F) [digi.copy]

Leonard Feather & Conrad Silvert: Jazz World Remembers Bird, in: Down Beat, 47/8 (Aug.1980), p. 26-28, 60-61 (F/I with Max Roach, Art Blakey, Sonny Rollins, Jimmy Heath, Leonard Feather, J.J. Johnson, Johnny Griffin, Jackie mcLean, Norman Granz, Charles Owens, Med Flory, Benny Carter) [digi.copy]

Arrigo Polillo: Charlie Parker, in: Arrigo Polillo: Jazz. Geschichte und Persönlichkeiten, München 1981 [book: Herbig], p. 482-502 (F); reprint, in: Arrigo Polillo (ed. Hans-Jürgen Schaal): Jazz. Die neue Enzyklopädie, München 2003 [book: Herbig], p. 520-540 (F)

Denis Levaillant: Le Jeu, in: Denis Levaillant: L’improvisation musicale. Essai sur la puissance du jeu, Paris 1981 [book], p. 132-133 (A/T: Parker’s Mood)

Joachim Ernst Berendt: Charlie Parkers und Dizzy Gillespie, in: Joachim Ernst Berendt: Das große Jazzbuch. Von New Orleans bis Jazz Rock, Frankfurt/Main 1981 [book], p. 100-112 (F)

Lee Bash: The Historical and Pedagogical Implications of Motivic Formulas as Supplied by the Charlie Parker Recordings of “Cherokee”, in: Jazz Research Papers, 1 (1981), p. 1-9 (A/T)

NN: Charlie Parker on Dial, in: Tzaz, 13 (1981), p. 84-87 (F – auf griechisch)

Paul O.W. Tanner & Maurice Gerow: Five Out of Many. Charlie Parker (1921-1955), in: Paul O.W. Tanner & Maurice Gerow: A Study of Jazz, 4/1981 [book, 1/1963], p. 161-164 (F)

Whitney Balliett: New Bird, in: Whitney Balliett: Goodbye and Other Messages. A Journal of Jazz 1981-1990, New York 1991 [book], p. 18-22 (Film-R: To Bird with Love; Reprint von 1981); reprint, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin’s Press], p. 593-597 (F)

Chris Goddard: Jazz Oral History Project. Buster Smith, January 13, 1981, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 142-151 (F)

Chan Parker: Dear Mrs. Sneed…, in: [letter to Judy Sneed], 19.Jul.1981 (letter: about Parker’s home on 151 Aveue B, NYC) [digi.copy]

Lee Jeske: To Bird with Love, by Chan Parker and Francis Paudras, in: Down Beat, 48/9 (Sep.1981), p. 65 (B) [digi.copy]

Chan Parker: To Bird with Love…, in: Coda, #181 (Dec.1981), p. 4-7 (F)

Gene DiNovi: Bebop Forever, in: Coda, #181 (Dec.1981), p. 20-21 (F)

Sadik Hakim: My Experiences with Bird and Prez, in: Coda, #181 (Dec.1981), p. 16-19 (F)

Ted Joans: Bird and the Beats, in: Coda, #181 (Dec.1981), p. 14-15 (F)

Alfons Michael Dauer: Day lydisch-chromatische Tonsystem von George Russell und seine Anwendung, in: Jazzforschung/jazz research, #14 (1982), p. 106-107 (A/T: “Lady Be Good”)

André Francis: Jazz (nouvelle édition), Malesherbes 1982 [book: Microcosme / Seuil], p. 116-122 (F)

Ian Carr: Bird Land, in: Ian Carr: Miles Davis. A Biography, New York 1982 [book], p. 12-30 (F)

Ira Gitler: Jazz Oral History Project. Howard McGhee (1982), in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 151-161 (F)

Mike Zwerin: Remembering Bird, in: Michael Zwerin: Broken Up and Dances, Paris 41982 [book], p. 53-55 (F)

Jack Sohmer: Charlie Parker – One Night in Washington / Jazz Perennial. The Genius Vol.7, in: Down Beat, 49/8 (Aug.1982), p. 31-32 (R)

John Clare: Charlie Parker: Two Perspectives. The Artist (1), in: Jazz (Australien), 2/11 (Sep/Oct.1982), p. 8-10 (F)

Niels Nielsen: Charlie Parker: Two Perspectives. The recordings (2), in: Jazz (Australien), 2/11 (Sep/Oct.1982), p. 11-13 (F/R)

Brian Priestley: Mingus. A Critical Biography, New York 1983 [book: Da Capo Press], passim (F) [digi.copy]

G. Arnaud & J. Reese: Charlie Parker fait danser le P.C., in: Jazz Hot, 49/398 (1983), p. 31

Hanns-Werner Heister: How High the Moon/Ornithology, in: Hanns-Werner Heister: Jazz, Kassel 1983 [book], p. 79-85 (A/T)

Joe Chambers: Ornithology, 1947-8, in: Joe Chambers: Milestones 1. The Music and Times of Miles Davis to 1960, New York 1983 [book], p. 58-89 (F)

Michael S. McLaughlin: African Music, Rhythm, and Jazz, in: Jazz Research Papers, 3 (1983), p. 74-91 (A/T)

Vittorio Castelli & Luca Cerchiari: Jazz su disco, Milano 1983 [book: Oscar Mondadori], p. 275-280 (R: “The Complete Savoy Studio Sessions”, Savoy; “On Dial Vol. 1”, Spotlite; “On Dial Vol. 4”, Spotlite; “On Dial Vol. 5”, Spotlite; “The Verve Years”, Verve)

N. Nielsen: Charlie Parker in Retrospect, in: Jazz Journal, 36/5 (May 1983), p. 16-18

Sadik Hakim: Dinosaure du Bop, in: Jazz Hot, #405 (Nov.1983), p. 48 (F)

Brian Priestley: Charlie Parker, Tunbridge Wells 1984 [book]

Brian Priestley: Parker – ‘Embraceable You’, in: The Wire, #7 (Summer 1984), p. 26-27 (F/R: Parker on Dial Vol. 4)

Michael James: Another Reading. The Parker Dials, in: The Wire, #7 (Summer 1984), p. 28-30 (F/R)

Xavier Prévost: L’oiseau retrospectif, in: Jazz Magazine, #329 (1984), p. 62-63 (R: Bird on Verve, Vol.1-8)

A. Leonardi: Charlie Parker. Mito di una generazione, in: Musica Jazz, 40/2 (Feb.1984), p. 43

Chan Parker: Dear Judy…, in: [letter to Judy Sneed (Rhode)], 19.Mar.1984 (letter: about the Parker home on 151 Avenue B, NYC) [digi.copy]

Renze de Vries: Bird Lives – zes jazzvogels, in: Jazz Nu, 6/66 (Apr.1984), p. 242-245 (F)

NN: Bird and Diz, in: Jazz Podijm, 33/10 (Oct.1984), p. 15-18 (B: To be or Not to Bop von Dizzy Gillspie)

Günther Buhles: Charlie Parker, von Brian Priestley, in: Jazz Podium, 33/11 (Nov.1984), p. 58 (B)

A. Vulbeau & A. Legido: Si Parker s’etait présenté…, in: Jazz Magazine, #337 (1985), p. 24-27

Benny Waters: Lester Young and Other Musicians I Admire, in: Benny Waters: The Key to a Jazzy Life, Toulouse 1985 [book], p. 77-79 (F)

Charles Delaunay: Delaunay’s Dilemma. De la peinture au jazz, Macon/F 1985 [book], p. 173-175 (F)

Gérard Moreau: Signé Jazz, Bordeaux 1985 [book: Editions du Ponant], p. 114-115 (very short F/drawing of the artist)

I. Böcker: Charlie Parker – Loverman, in: Musikern, 1/1985, p. 18-19

John Norris: Ornithology. The Continuing World of Charlie Parker, in: Coda, #202 (1985), p. 1

Max Harrison: Charlie Parker, by Brian Priestley, in: Jazz Forum, #92 (1985), p. 57-59 (B)

NN: Bird Lives!, in: Jazz Forum, #94 (1985), p. 56-57 (R) [digi.copy]

Brian Davis: Bird on Verve, in: The Wire, #13 (Mar.1985), p. 33-35 (F/R)

Brian Priestley: Charlie Parker (1920-1955). The Brilliance of Bird, in: The Wire, #13 (Mar.1985), p. 25-27 (F)

Charles Fox: Early Bird. Charles Fox surveys Parker’s background and hears from Jay McShann about the days when Parker toured with his big band, in: The Wire, #13 (Mar.1985), p. 27-28 (F/I with Jay McShann)

Greg Murphy: Bird – Studio Versus Live. Greg Murphy indulges in a session of fascinating and, ultimately, enlightening listening…, in: The Wire, #13 (Mar.1985), p. 31-32 (F)

Jeff Tempo: Up Against the Wall. Jeff Tempo opens a text book and finds that, in jazz, things are never quite as “black and white” as they seem, in: The Wire, #13 (Mar.1985), p. 29-30 (F: photo forgery)

Joe Kienemann: Das Jazz-Portrait – Charlie Parker, in: Jazz Zeitung, 10/3 (Mar.1985), p. 2-4 (F) [digi.copy]

Keith Shadwick: Under the Influence. Keith Shadwick looks at the startling effect Bird’s music had immediately on his contemporaries but asks who was to carry the legacy forward?, in: The Wire, #13 (Mar.1985), p. 35-37 (F)

Stan Britt: Bird Rappin’. Musicians talk about Charlie Parker, in: The Wire, #13 (Mar.1985), p. 39-41, 43 (F/I with Red Holloway, Sonny Stitt, Horace Silver, Eddie Cleanhead Vinson, Mary Lou Williams, Ruby Braff, Jimmy Witherspoon, Johnny Griffin, Art Pepper, Arnett Cobb, George Coleman, Harry Edison, Slim Gaillard, Hampton Hawes, Lee Konitz, B.B. King, Dexter Gordon, Joe Zawinul, Ernie Wilkins, Tony Scott, Peter King, Red Rodney, Jackie McLean, Thad Jones, Sonny Rollins, Jay McShann)

B. Räftegård: Parkers mästarballader, in: Orkester Journalen, 53/4 (Apr.1985), p. 15-17

Marcello Piras: Charlie Parker, in: Musica Jazz, 41/4 (Apr.1985), p. 35-50

O. Snismarck: “Bird” i stan, in: Orkester Journalen, 53/4 (Apr.1985), p. 19

R. Dahlgren: Charlie Parker i Sverige, in: Orkester Journalen, 53/4 (Apr.1985), p. 18, 20-22

John Norris: Ornithology. Publisher John Norris investigates the continuing world of Charlie Parker, in: Coda, #202 (Jun/Jul.1985), p. 18-19 (F)

Yusef Lateef: The Genius of Charlie Parker, in: Down Beat, 52/8 (Aug.1985), p. 56 (F)

Günther Buhles: Ross Russell . Bird lebt!, in: Jazz Podium, 34/11 (Nov.1985), p. 52 (B)

Al van Starrex: Charlie Parker, by Brian Priestley, in: Coda, #207 (1986), p. 18 (B)

Henry Martin: Charlie Parker/Dizzy Gillespie – “Koko” [p. 67-69 (A)]; Charlie Parker [p. 125-127 (A)]; Charlie Parker – “Shaw ‘Nuff'” [p. 242-243 (A/T), in: Henry Martin: Enjoying Jazz, New York 1986 [book]

J. Cooke: Charlie Parker – Birth of the Bebop, in: The Wire, #29 (1986), p. 37-38 (R)

Juergen Abi Schmitt: Von Strömen wird die Rede sein, vom Fliessen, von Wüsten innen und außen. Essay über Charlie Parker und Edgar Varèse, in: Ingrid Karl (Hg.): Jazz op. 3. Die heimliche Liebe des Jazz zur europäischen Moderne, Wien 1986 [book], p. 17-35 (F)

N. Coleman: Charlie Parker – The Complete Savoy Sessions, Vol.2, in: The Wire, #24 (1986), p. 45 (R)

Richard Cook: Charlie Parker – At Storyville, in: The Wire, #25 (1986), p. 50-51 (R)

Robert Gordon: Diz and Bird in Lotusland, in: Robert Gordon: Jazz West Coast. The Los Angeles Jazz Scene of the 1950s, London 1986 [book], p. 5-22 (F)

Scott Yanow: Charlie Parker – The Complete Roost Performances, in: Coda, #206 (1986), p. 33 (R)

Scott Yanow: Charlie Parker – The Cole Porter Songbook, in: Coda, #206 (1986), p. 34 (R)

, in: Nathan W. Pearson, Jr.: Goin’ to Kansas City, Urbana 1987 [book: University of Illinois Press], passim (F)

Amiri Baraka: A Tribute to Bird, in: LeRoi Jones & Amina Baraka: The Music. Reflections on Jazz and Blues, New York 1987 [book], p. 277-278 (F)

Gary Giddins: Bird Lives!, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 3-9 (F/I with Jay McShann, Dizzy Gillespie, Red Rodney, Buddy De Franco, Joe Newman, Thad Jones; Reprint, from: Gary Giddins: Celebrating Bird [1987])

Gary Giddins: Celebrating Bird. The Triumph of Charlie Parker, New York 1987 [book: Beech Tree Books], passim (F) [digi.copy]

Paul Smith & Morris Feldman (eds.): Charlie Parker for Piano, Book One, New York 1987 [sheet music] (T: piano solo arrangements of “Yardbird Suite”; “Confirmation”; “Au Privave”; “Chi Chi”; “Kim”; “Moose the Mooche”; “My Little Suede Shoes”; “Ornithology”; “Visa”; “Segment”; “An Oscar for Treadwell”; “Back Home Blues”; “Card Board”; “Blues for Alice”; “The Bird”)

Javier Coma: Charlie Parker. La esclavitud del libertador, in: Quartica Jazz, #17 (Mar.1987), p. 26-27 (F)

J.C: Diaz: Pentagrama. Maestros del Be Bop. Charlie Parker, in: Quartica Jazz, #18 (Apr.1987), p. 54-56 (A)

Michael Bourne: Ad lib. Celebrating Bird, in: Down Beat, 54/4 (Apr.1987), p. 63 (F)

Michael Bourne: Celebrating Bird, by Gary Giddins, in: Down Beat, 54/4 (Apr.1987), p. 63 (B)

Martin Isherwood: Bird Film Bio, in: Down Beat, 54/12 (Dec.1987), p. 12 (Film-R)

Graham Lock: Forces in Motion. Anthony Braxton and the Meta-Reality of Creative Music, London 1988 [book], p. 64-67 (F)

Iron Werther: Charlie Parker, in: Iron Werther: Bebop. Die Geschichte einer musikalischen Revolution und ihrer Interpreten, Frankfurt/Main 1988 [book], p. 78-99 (F)

Lawrence O. Koch: Ornithology. A Study of Charlie Parker’s Music, in: Lawrence O. Koch: Yardbird Suite. A Compendium of the Music and Life of Charlie Parker, Bowling Green 1988 [book: The Popular Press], p. 289-232 (A/T); Reprint, in: Lawrence O. Koch: Yardbird Suite. A Compendium of the Music and Life of Charlie Parker, revised edition, Boston 1999 [book: Northeastern University Press], p. 311-342 (A/T); review, by Andy Hamilton, in: Jazz Review, #5 (Feb.2000), p. 43 (B)

Lawrence O. Koch: Yardbird Suite. A Compendium of the Music and Life of Charlie Parker, Bowling Green 1988 [book: The Popular Press] (F/A/D)

NN: Doin’ Bird. The Clint Eastwood Interview, in: Straight No Chaser, #2 (1988), p. 22-24 (I mit Eastwood)

NN: Play Ornithology for Me… Charlie Parker, in: The Jazz Rag, #7 (1988), p. 3 (Film-R)

Paul Smith (ed.): Charlie Parker for Piano, Book Two, New York 1988 [sheet music] (T: piano solo arrangements of “Au Privave”; “Bloomdido”; “Blues (Fast)”; “Celebrity/Celerity”; “Cosmic Rays”; “Dewey Square”; “K.C. Blues”; “Laird Baird”; “Leap Frog”; “Mohawk”; “Passport”; “Relaxing with Lee”; “Scrapple from the Apple”; “She Rote”; “Si Si”)

Peter Niklas Wilson & Ulfert Goeman: Charlie Parker. Sein Leben, seine Musik, seine Schallplatten, Schaftlach 1988 [book: Oreos] (F/A/D)

Coen de Jonge: Charlie Parker op tenor. Nog net niet op ellepijp en spaakbeen, in: Jazz Nu, #114 (Apr.1988), p. 274-275 (F/R)

Christer Nilsson: Chan nöjd med Eastwood, in: Orkester Journalen, 56/5 (May 1988), p. 17 (F/I with Chan Parker)

Leonard Feather: In un film capolavoro. Parker vive!, in: Musica Jazz, 44/7 (Jul.1988), p. 7 (Film-R)

Jaap Lüdeke: Rolprent over Charlie Parker. Het regent veel in film Bird, in: Jazz Nu, #118 (Sep.1988), p. 432-433 (Film-R)

Scott Yanow: Bird – The Movie, in: Down Beat, 55/9 (Sep.1988), p. 24-26 (Film-R)

Didier Deutsch: Cinemusic – “Bird”, in: Jazziz, 5/6 (Oct/Nov.1988), p. 61, 76 (Film-R)

Gary Giddins: Birdman of Hollywood, in: Gary Giddins: Faces in the Crowd. Musicians, Writers, Actors, and Filmmakers, New York 2/1996 [book: Da Capo; O: New York 1992: Oxford University Press], p. 39-51 (F/Film-R; Reprint, from: Esquire, Oct.1988)

Günter Buhles: Ein Universum musikalischer Schönheit. Zur Stilentwicklung und Konzeption von Charlie Parker, in: Jazz Podium, 37/10 (Oct.1988), p. 3-4, 6-7 (F/A) [digi.copy]

Claudio Sessa & Giuseppe Piacentino & Giacomo Battistella: Bird com’era, in: Musica Jazz, 44/11 (Nov.1988), p. 35-46 (F/D)

Francis Davis: Bird on Film. Charlie Parker gets lost in a fan’s new movie, in: Atlantic Monthly, Nov.1988 (F/Film-R) [vert.file] [digi.copy]

Francis Davis: Birdland, Mon Amour, in: Francis Davis: Jazz and Its Discontents. A Francis Davis Reader, New York 2004 [book: Da Capo Press], p. 272-278 (Film-R: “Bird”; originally published in Nov.1988)

Giuseppe Piacentino & Pino Candini & Marzio Castagnedi: Bird. Un cult-movie che fa discutere, in: Musica Jazz, 44/11 (Nov.1988), p. 12-18 (Film-R)

Günter Buhles: Zur Stilentwicklung und Konzeption von Charlie Parker, in: Jazz Podium, 37/11 (Nov.1988), p. 16-18, 20, 22 (F/A) [digi.copy]

Horst Kruse: 2 Filme über Charlie Parker (Clint Eastwood, Marc Huraux), in: Jazzthetik, 2/11 (Nov.1988), p. 24-25 (Film-R) [digi.copy]

Peter Watrous: The Man Who Defined Modern Jazz. Charlie Parker’s music remains the primer for musicians who are serious about their art, in: New York Times, 13.Nov.1988, p. 26, 28 (F) [digi.copy] {also in: Rutgers papers “Charlie Parker”, p. 135-137}

Chan Parker: Rare Bird. Charlie Parker’s great love relives her years with a tumultuous jazz giant, in: People Magazine, 1.Dec.1988, p. 79-80, 82 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 132-134}

Günter Buhles: Charlie Parker. Der Prototyp des Bebopkünstlers, in: Jazz Podium, 37/12 (Dec.1988), p. 8, 10, 12, 15-16 (F) [digi.copy]

Helmut Weihsmann: Bird. Kurzkritik über den Charlie Parker Film von Clint Eastwood, in: Jazz Podium, 37/12 (Dec.1988), p. 17 (Film-R) [digi.copy]

Richard B. Woodward: The Year of the Bird. Charlie Parker paid his dues, as jazz players say. Now he gets his due, with a big film and a burst of CDs honorin one of the world’s great musicians, in: World Monitor, Dec.1988, p. 78-81 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 121-124}

Laurent Cugny: Las Vegas Tango. Une vie de Gil Evans, Paris 1989 [book: P.O.L./Collection Birdland], passim (F)

Mark Miller: Cool Blues. Charlie Parker in Canada 1953, London/Ontario 1989 [book: Nightwood Editions] (F)

Norman Saks & Leonard Bukowski & Robert M. Bregman: The Charlie Parker Discography, Toronto 1989 [book: B.B.S.] (D)

Paul Smith: Charlie Parker for Piano, Book Three, Lynbrook/NY 1989 [sheet music] (T: piano solo arrangements by Paul Smith of “Ah-Leu-Cha”; “Anthropology”; “Barbados”; “Billie’s Bounce”; “Cheryl”; “Constellation”; “Donna Lee”; “Ko Ko”; “Marmaduke”; “Now’s the Time”; “Perhaps”; “Red Cross”; “Shawnuff”; “Steeplechase”; “Thriving From a Riff”)

Philippe Koechlin & Filips & Artur & Patrice Narès & Alain Leroi: Oncle Ornicar presente Jazz Cartoon, Paris 1989 [book: Art Moderne], p. 50-51 (cartoon)

Raymond Federman: Erinnerung an Charlie Parker oder Wie wird man es wieder los, in: Lettre International, 3/6 (1989), p. 46-48 (F) [digi.copy]

Stan Britt: On the Street Where You Bop (with Bird, Miles, Bud, et al), in: Stan Britt: Dexter Gordon. A Musical Biography, New York 1989 [book], p. 63-69 (F)

Tony Scott: La mia vita nel mondo deineri, in: Blu Jazz, 1/3 (1989), p. 15-34 (F)

Val Wilmer: Bird Lies? Vi brakte I forrige utgave en fyldig omtale av filmen Bird I utlandet raser nå debatten im filmen. Nazznytt har derfor valgt å presentere den følgende artikkelen av Val Wilmer for å rette søkelyset på en side av filmen som i liten grad har vaert omtalt her til lands…, in: Jazz Nytt, 1/1989, p. 6-7 (F)

Whitney Balliett: Bird, in: Whitney Balliett: Barney, Bradley, and Max. 16 Portraits in Jazz, New York 1989 [book], p. 181-189 (F); Reprint, in: Whitney Balliett: American Musicians II. Seventy-One Portraits in Jazz, New York 1997 [book: Oxford University Press], p. 276-282 (F)

Günter Buhles: Über das musikalische Umfeld von Charlie Parker, IV, in: Jazz Podium, 38/1 (Jan.1989), p. 3-4, 6, 8, 10-11 (F) [digi.copy]

Sandy Carter: Slippin’ & Slidin’. Bird. Chasing the Legend, in: Zeta Magazine, Jan.1989, p. 61-64 (F/Film-R: “Bird”) [digi.copy] {Rutgers papers “Charlie Parker”, p. 138-141}

Buddy Collette & Elaine Cohen: Bird, from Someone to Watch Over Jazz, in: Coda, #224 (Feb/Mar.1989), p. 6-8 (F)

Kevin Whitehead: Messy Life, Perfect Art, in: Down Beat, 56/2 (Feb.1989), p. 6 (Film-R)

Scott Yanow: Retrospectives. Charlie Parker, in: Jazziz, 6/2 (Feb/Mar.1989), p. 37, 63 (F/R)

Stanley Crouch: Bird Land. Charlie Parker, Clint Eastwood, and America, in: The New Republic, 27.Feb.1989, p. 25-31 (F/Film-R) [digi.copy] {Rutgers papers “Charlie Parker”, p. 142-148}; reprint, in: in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 251-262 (F/Film-R)

Dave Helland: Parker Postage, in: Down Beat, 56/3 (Mar.1989), p. 3 (F: Parker-Briefmarke)

Kevin Whitehead: Ornithology. The Complete Savoy Studio Sessions / The Complete Charlie Parker on Verve / The Savoy Years. The Complete Royal Roost Performances / The Bird You Never Heard / Bebop and Bird Vol.1/2, in: Down Beat, 56/3 (Mar.1989), p. 37-39 (F/R) [digi.copy]

Paul Smith: Charlie Parker’s Solo on Dewey Square. A Piano Arrangement, in: Down beat, 56/4 (Apr.1989), p. 56-57 (T)

Helmut Weihsmann: Jazz im Film. Bird Now. Geschichten vom Bird. Bemerkungen zur Semidokumentation, in: Jazz Podium, 38/5 (May 1989), p. 27 (Film-R)

Aad Lohman: Camarillo over Charlie Parker. ‘Een vrijwel ondoordringbare persoonlijkheid’, in: Jazz Nu, 11/127 (Jun.1989), p. 333-336 (F/B/R)

John Fordham: Chan, in: John Fordham: Shooting from the Hip. Changing Tunes in Jazz, London 1996 [book: Kyle Cathie Limited], p. 203-206 (F; Reprint, from: The Guardian, Jul.1989)

Harry Gibson: The Bird Is on the Wing, in: Village Voice, 29.Aug.1989, p. 6, 13-14 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 153-155}

Bernard Maury: Transcription – “What Is This Thing Called Love”, in: Jazz Hot, # 468 (Nov.1989), p. 58 (T)

Becca Pulliam: The Benedetti Tapes Parker Solos, in: Down Beat, 57/12 (Dec.1990), p. 60 (R)

Carl Woideck: Charlie Parker. Student of Jazz, in: Jazz Research Papers, 10 (1990), p. 181-183 (A/T)

Giampiero Cane: Il metodo progressivo di Charlie Parker, in: Blu Jazz, 2/8 (1990), p. 27-33 (F/A/T)

John Webb: A Study of the Stylistic Innovations of Five Major Saxophonists, in: Jazz Research Papers, 10 (1990), p. 171-183 (F)

NN: Charlie Parker. Due foto inedite, in: Blu Jazz, 2/10 (1990), p. 33-36 (F)

Wolfram Knauer: Komposition in der Jazzgeschichte. Charlie Parker und das Verständnis von Improvisation als Spontankomposition, in: Wolfram Knauer: Zwischen Bebop und Free Jazz. Komposition und Improvisation des Modern Jazz Quartet, Mainz 1990 [book, 2 vols.], p. 73-76 (F)

Albrekt von Konow: aöanserad Parker-box. “Celebrating the Bird. The Triumph of Charlie Parker”, by Gary Giddins, in: Orkester Journalen, 58/2 (Feb.1990), p. 2 (B)

Ric Gentry: Solo Flight. Restoring the Alto Saxophone for the Music to Charlie Parker’s “Bird” Soundtrack, in: Saxophone Journal, 14/6 (May/Jun.1990), p. 38-41 (F/I mit Lennie Niehaus)

Paul Smith: Charlie Parker – “My Little Suede Shoes”, in: The Piano Stylist & Jazz Workshop, Jun/Jul.1990, p. 23-25 (T)

Stephanie Stein: Parker Tribute Benefits Drug Rehab Program, in: Down Beat, 57/6 (Jun.1990), p. 12 (C: tribute to Parker)

Mark Gardner: Chasin’ Charlie. Mark Gardner catches the earliest Bird and marvels at the enduring appeal of his genius, in: Jazz Journal, 43/11 (Nov.1990), p. 14-15 (F)

Bob Davis: Golden Bird. The Rediscovery of Charlie Parker’s 1st Recordings 50 Years After the First Took Flight, in: Down Beat, 57/12 (Dec.1990), p. 16-20, 60 (F/I); responses, by Buddy DeFranco, Clancey Burchfield, in: Down Beat, 58/3 (Mar.1991), p. 8 (letters)

Bernard Cash: Trumbauer, Parker, and Young, in: Lewis Porter (Hg.): A Lester Young Reader, Washington 1991 [book], p. 264-276 (A)

Mark Gardner: Bop and Related Styles. Charlie Parker – “The Charlie Parker Story” (Savoy MG 12079); “Charlie Parkeron Dial, vol. 1” (Spotlite 101), in: Barry Kernfeld (ed.): The Blackwell Guide to Recorded Jazz, Cambridge/MA 1991 [book: Basil Blackwell], p. 245-253 (R)

Michael Bourne: Memories of Charlie Parker, in: Hennessy Jazz Notes, Spring 1991, p. 3 (I mit Roy Haynes, Red Rodney)

Roy Porter: There and Back, Oxford 1991 [book], passim

Jean-Pol Schroeder: Digital Bird. Charles Christopher Parker à l’heure du CD, in: Jazz in Time, #20/21 (Feb/Mar.1991), p. 30-32 (F/R)

Ira Gitler: Aperto lo scrigno dei tesori di Parker, in: Musica Jazz, 47/3 (Mar.1991), p. 12-15 (F/R: Dean Benedetti Recordings)

Kevin Whitehead: Dean’s List. The Complete Dean Benedetti Recordings of Charlie Parker, in: Down Beat, 58/3 (Mar.1991), p. 46 (R)

Lars Westin: Parker I koncentrat. “The Compete Benedetti Recordings” (Mosaic MD7-121), in: Orkester Journalen, 59/3 (Mar.1991), p. 34-36 (R)

Paul Desmond: “Blygsamhet leder ingenstans.” Charlie Parker intervjuad av Paul Desmond, in: Orkester Journalen, 59/4 (Apr.1991), p. 18-19, 34 (I)

Jack Sohmer: Charlie Parker – “The Complete ‘Birth’ of the Bop” (Stash), in: Down Beat, 58/8 (Aug.1991), p. 44-45 (R)

Coen de Jonge: Benedetti ving Bird in zijn natuurlijke staat. De erfenis van een doorgeslagen Parker-adept, in: Jazz Nu, #153 (Sep.1991), p. 528-530 (F)

Trevor Tolley: In the Land of Oo-Bla-Dee. The Dean benedetti Recordings of Charlie Parker, in: Coda, #240 (Nov/Dec.1991), p. 38-40 (R)

Jean-Pol Schroeder: La légende de l’oiseau. Le Chainon Manquant, in: Jazz in Time, #29 (Dec.1991), p. 26-27 (F/D)

Bill Crow: Bird, in: Bill Crow: From Birdland to Broadway. Scenes from a Jazzy Life, New York 1992 [book], p. 129-133 (F)

David H. Rosenthal: Hard Bop. Jazz & Black Music 1955-1965, New York 1992 [book], passim (F)

Philippe Baudoin: I grandi standard del jazz, in: Blu Jazz, 4/26 (1992), p. 62-63 (F/T: My Little Suede Shoes)

Scott Sandvik: Polyharmony, Polymeter and Motivic Development in Charlie Parker’s “Klactoveseeds-Tene” (Take 1) Solo, in: Jazzforschung/jazz research, #24 (1992), p. 83-98 (A/T)

Ted Gioia: The Bird in the Basket, in: Ted Gioia: West Coast Jazz. Modern Jazz in California, 1945-1960, New York 1992 [book], p. 16-29 (F)

Tom Reed: Charlie Parker, in: Tom Reed: The Black Music History of Los Angeles. Its Roots, Los Angeles 1992 [book], p. 203-204 (F)

Whitney Balliett: Bird Lives, in: Whitney Balliett: Collected Works. A Journal of Jazz 1954-2000, New York 2000 [book: St.Martin’s Press], p. 772-775 (F; reprint, from 1992)

Max Salazar: Afro-Cubop History, in: Latin beat, 2/2 (Mar.1992), p. 20-25 (F)

Tony Dagradi: Linear Compositional Styles of Charlie Parker, in: Saxophone Journal, 16/6 (May/Jun.1992), p. 46-47 (F/A)

Frank Tirro: The Bird – Charlie Parker [p. 293-296 (F)]; More About Bird [p. 309-315 (A/T: Klacktoveedsedstene / Parker’s Mood)]; Dizzy Gillespie – Groovin’ High [Anhang, p. 24-28 (A/T)]; Charlie Parker – Confirmation [Anhang, p. 33-35 (A/T)]; Embraceable You / Little Benny / Parker’s Mood [Anhang, p. 72-77 (T)], in: Frank Tirro: Jazz History, New York ²1993 [book]

Lewis Porter & Michael Ullman: Charlie Parker [p. 218-233 (F/A/T: Hootie Blues / The Jumpin’ Blues / Koko / Parker’s Blues / Rocker No.2)]; Embraceable You [p. 457-458 (A/T)], in: Lewis Porter & Michael Ullman: Jazz. From Its Origins to the Present, Englewood Cliffs/NJ 1993 [book]

Mark Gridley: Charlie Parker, in: Mark C. Gridley: Jazz Styles. History and Analysis, Englewood Cliffs 51993 [book], p. 143-144, 155-157 (F/A: Shaw Nuff)

Paul De Barros: Jackson Street After Hours. The Roots of Jazz in Seattle, Seattle 1993 [book: Sasquatch Books], passim (F)

Robert Earl Price: Yardbird’s Vamp, in: African American Review, 27/1 (Spring 1993), p. 79-91 (play about Charlie Parker) [digi.copy]

Robert M. Bregman & Leonard Bukowski & Norman Saks: The Charlie Parker Discography, Redwood/NY 1993 [book: Cadence Jazz Books] (D)

José Maria García Martinez: El verdadero amor de Charles Christopher Parker. Charlie Parker/Omar Jayyam. La relación entre un saxofonista de jazz y un mistico del siglo XII, in: Cuadernos de Jazz, #14 (Jan/Feb.1993), p. 27-38 (F)

NN: Charlie Parker, in: Jazz Nu, #169 (Feb.1993), p. 48 (Foto)

Claudio Gabis: Blues for Alice. Analisis musical del tema de Parker, in: Cuadernos de Jazz, #15 (Mar/Apr.1993), p. 77-78 (A/T)

Giampiero Cane: Doctor Dizzy & Mr. Bird, in: Blu Jazz, #30 (Mar.1993), p. 28-31 (F)

NN: Gillespie-Parker Discography, in: Blu Jazz, #30 (Mar.1993), p. 32-35 (D)

Gianfranco Salvatore: Video. Charlie Parker – The Bird, in: Blu Jazz, 5/33 (Jun.1993), p. 62-63 (Film-R)

Judy Sneed: Dear Dan…, in: [letter to supporters, here to Dan Morgenstern], 21.Jul.1993 (F: letter requesting support to place Parker’s former home on Avenue B on the National Register of Historic Places) [digi.copy] {Rutgers papers “Charlie Parker”, p. 126}

David Bradbury: Charlie Parker on Dial. The Complete Sessions, in: Jazz on CD, 1/4 (Aug.1993), p. 12-16 (F/R)

Jeffrey Beaumoel: Charlie Parker Residence Nominated for National Register of Historic Places, in: [press notice], ca. 1994 (F) [digi.copy]

John Fordham: Jazz. Geschichte / Instrumente / Musiker / Aufnahmen, München 1994 [book: Christian Verlag], p. 110-111 (F)

Paul F. Berliner: Thinking in Jazz. The Infinite Art of Improvisation, Chicago 1994 [book: University of Chicago Press], passim (F)

Ebbe Traberg: Un nido escandinavo para Charlie Parker, in: Cuadernos de Jazz, #21 (Mar/Apr.1994), p. 40-41 (F)

Nat Hentoff: Looking Bird in the Face. Nat Hentoff recalls the tragic dichotomy of Charles Parker Jr. and a man they called “Bird”, in: Icon Thoughtstyle Magazine, Apr.1994, p. 118, 122 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 130-131}

Hank O’Neal: The Discovery. Hank O’Neal tells the story behind finding hundreds of unknown photographs of a 1952 Charlie Parker, in: Jazz on CD, 1/7 (Jul.1994), p. 27-31 (F)

NN: ‘Bird’. The Chan Parker Collection Auction, in: Crescendo & Jazz Music, 31/4 (Aug/Sep.1994), p. 10-11 (F)

Dave Gelly: What Charlie didn’t blow. Charlie Parker even pawned his saxes, but, says Dave Gelly, he still left his widow plenty to auction, in: The Guardian, 4.Sep.1994 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 128}

Andrew Simons: Charlie Parker – A Bird’s Eye View of the Private Genius, in: NN: Pop, Including Bird – The Chan Parker Collection, London, 8.Sep.1954 [auction catalogue] (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 2-3}

NN: Pop, Including Bird – The Chan Parker Collection, London, 8.Sep.1954 [auction catalogue] (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 2-16}

Leonard Weinreich: Bidding for Bird. Great Charlie Parker Auction in London, in: Jazz on CD, 1/10 (Nov.1994), p. 31-33 (F)

Nina J. Hodgson: The Christie’s Auction of Bird’s Memorabilia, in: (California) Jazz Now, 4/8 (Dec/Jan.1994/95), p. 9 (F)

NN: Bird Auchtion Exceeds Expectations, in: Jazz Times, Dec.1994 (short F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 129}

Esther Bubley: Charlie Parker, Levallois/France 1995 [book: Filipacchi] (F/photos)

François & Yves Billard: Histoires du Saxophone: Castelnau-le-Lez/France 1995 [book: Climats], p. 165-176 (F)

Herman Leonard: Jazz Memories, Levallois-Perret/France 1995 [book: filipacchi], p. 144-149 (photos)

Nat Hentoff: The Onliest Bird, in: Nat Hentoff: Listen to the Stories. Nat Hentoff on Jazz and Country Music, New York 1995 [book: Harper Collins Publishers], p. 75-78 (F)

Thomas Owens: The Parker Style, in: Thomas Owens: Bebop. The Music and the Players, New York 1995 [book], p. 28-45 (F/A) [digi.copy]

Ira Gitler: “Bird”, il suo genio sorprendeva ogni giorno, in: Musica Jazz, 51/3 (Mar.1995), p. 44-49 (F)

Stefano Zenni: Charlie Parker. 40 anni dopo, in: Musica Jazz, 51/3 (Mar.1995), p. 35-43 (F)

Ton Ouwehand: Grooves. 1995 is het jaar van Charlie ‘Bird’ Parker, in: Jazz Nu, #192 (Mar.1995), p. 6 (F)

Bernhard Jäger: Charlie “Bird” Parker. Vor 40 Jahren starb der große Jazzsaxophonist und Hauptvertreter des Bebop, in: Concerto, Apr/May 1995, p. 19 (F) [digi.copy]

Big Mama: Bluebird, Bluebird, in: Jazzology, #8 (Jun.1995), p. 46 (F)

Carles Montblanc: Espero NO decir NADA sobre Charlie Parker, in: Jazzology, #8 (Jun.1995), p. 47-48 (F)

Ebbe Traberg: El concierto de Massey Hall, in: Jazzology, #8 (Jun.1995), p. 40-41 (F)

Francesc J. Peleato & Tonet Rufié & Josep Ramon Jové: Les migracions discogràfiques de Bird, in: Jazzology, #8 (Jun.1995), p. 37-39 (F)

Javier Domínguez: A Charlie Parker “El Pájaro” y también a Julio Cortázar, su amigo y el mío, in: Jazzology, #8 (Jun.1995), p. 49 (poem)

José Miguel Sanchez Carros: El heredero de Charlie Parker, in: Jazzology, #8 (Jun.1995), p. 44 (F)

Kandido Huarte: Un mito, más allá del jazz y de la música, in: Jazzology, #8 (Jun.1995), p. 42 (F)

Max Sunyer: Negre amb saxo, in: Jazzology, #8 (Jun.1995), p. 45 (F)

Rexach: Pocas nubes en el cielo de California, in: Jazzology, #8 (Jun.1995), p. 43 (F)

Alain Presencer: The Massey Hall Concert, in: Jazz at Ronnie Scott’s, #94 (Jul/Aug.1995), p. 10-11 (F); review, by Jim Godbolt (ed.): Ronnie Scott’s Jazz Farrago. Compilation of Features from Jazz at Ronnie Scott’s Magazine, London 2008 [book: Hampstead Press], p. 48-49 (F)

Ira Gitler: Reflections of Bird. On the 75th anniversary of his birth Charlie Parker’s legacy burns strong, in: Down Beat, 62/8 (Aug.1995), p. 16-20 (F/I mit Jimmy Heath, Percy Heath, Jackie McLean, Phil Woods, Max Roach, Michael Weiss, Peter Delano, Jesse Davis)

Remo Palmier: Charlie Parker’s Sax Solo on ‘Parker’s Mood’, in: Down Beat, 62/8 (Aug.1995), p. 62-63 (A/T) [digi.copy]

Bill Milkowski: 25 Who Mattered. Charlie Parker, in: Jazz Times, 25/7 (Sep.1995), p. 54 (F)

Giuseppe Barazzetta: Promemoria per Charlie Parker, in: Ritmo, #695 (Sep.1995), p. 26-27 (F)

Günter Buhles: Charlie Parker 1920-1955, oder: Wie wahr ist der Slogan “Bird lives!” 40 Jahre nach seinem Tod?, in: Jazz Podium, 44/9 (Sep.1995), p. 3-4 (F)

Vicente Ménsua: Kok. Cumple anos, in: Cuadernos de Jazz, #31 (Nov/Dec.1995), p. 38-42 (F)

Marc-Édouard Nabe: Les mille et une métamorphoses de Charlie Parker, in: Jazzman, #9 (Dec.1995), p. 20-21 (F)

Mark Koster: Nederlandse jazzmusici blikken terug op Bird. Een Rembrandt, groter dan Mozart, een Jezus-figuur, in: Jazz Nu, #200 (Dec.1995), p. 26-29 (F/I mit Ben Herman, Piet Noordijk, Pierre Courbois, Mischa Mengelberg, Candy Dulfer)

Martin Schrouten: Requiem voor Charlie Parker. Wat je hoort als je hem hoort, in: Jazz Nu, #200 (Dec.1995), p. 22-25 (F)

Carl Woideck: Charlie Parker. His Music and Life, Ann Arbor 1996 [book] (F/I/A/T: several excerpts, complete transcriptions of “Honey & Body”; “Oh! Lady Be Good”; “Parker’s Mood”; “Just Friends”); p. 63-103, p. 152-159, p. 228-241 [digi.copy]; review, by Al Van Starrex, in: Coda, #283 (Jan/Feb.1999), p. 33-34 (B); review, by Andy Hamilton, in: The Wire, #182 (Apr.1999), p. 90-91 (B)

Chip Deffaa: Charlie Parker, in: Chip Deffaa: Jazz Veterans. A Portrait Gallery, Fort Bragg/CA 1996 [book: Cypress House], p. 138-139 (F)

Chip Deffaa: Doris Parker, in: Chip Deffaa: Jazz Veterans. A Portrait Gallery, Fort Bragg/CA 1996 [book: Cypress House], p. 140-141 (F/I)

Dave Oliphant: The Jay McShann Orchestra, 1938-1942, in: Dave Oliphant: Texan Jazz, Austin 1996 [book], p. 123-131 (F)

David Perry: Charlie Parker, in: David Perry: Jazz Greats, London 1996 [book: Phaidon], p. 145-168 (F)

Duncan Schiedt: Twelve Lives in Jazz, Parma 1996 [book], p. 164-75 (F/photos)

Francis Davis: Bebop and Nothingness, in: Francis Davis: Bebop and Nothingness. Jazz and Pop at the End of the Century, New York 1996 [book], p. 27-35 (F; Reprint, from Apr.1990); Reprint, in: Carl Woideck: The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 174-178 (F)

Guy Reynard & Yves Sportis: Birdography. Charlie Parker en compacts, in: Jazz Hot, #special (1996), p. 38-41 (D: CD’s)

Henry Martin: Charlie Parker and Thematic Improvisation, Lanham/MD 1996 [book: Scarecrow Press] (A/T: “Red Cross”; “Shaw ‘Nuff”; “Thriving On a Riff”; “Crazeology”; “Wee”; “Lester Leaps In”; “Embraceable You”; “Just Friends”; “Cherokee”; “Koko”; “Star Eyes”, “Cool Blues”; “Au Privave”; “Blues for Alice”; “Bongo Bop”; “Now’s the Time”; “Cheryl”; “Parker’s Mood”)

Ken Vail: Bird’s Diary. The Life of Charlie Parker 1945-1955, Chessington/Surrey 1996 [book] (F/I/letters; chronological listing)

Kent J. Engelhardt: Young Charlie Parker and Side-Slipping. The Efferge Ware Connection, in: Jazz Research Papers, 16 (1996), p. 177-188 (A/T: excerpts from “Honeysuckle Rose”; “I’m Forever Blowing Bubbles”; “St. Louis Mood”)

Scott Reeves: From Pops to Miles. The Evolution of the Jazz Vocabulary, in: Jazz Research Papers, 16 (1996), p. 113-122 (F/T: alto saxophone transcription of “Shaw ‘Nuff”)

Stefaan Debevere: Melodisch denken in jazz, in: Tijdschrift voor Muziektheorie, 1/3 (1996), p. 181-189 (A/T: Charlie Parker: “Donna Lee”; Chet Baker: “Line for Lyons”, “Look for the Silver Lining”; Sarah Vaughan: “All of Me”) [xerox]

Juan Pascual Gay: Contrapunto y fuga, in: Jazzology, #9 (Jan.1996), p. 34 (F: Jacks Pollock & Charlie Parker)

Michael Holbek: Charlie Parker. “Yardbird” ville være blevet 75 ar den 29. august 1995, in: Jazz Special, #26 (Feb/Mar.1996), p. 26 (F)

Sadik Hakim: Reflections of an Era. My Experiences with Bird and Prez, in: Jazz Journal, 49/8 (Aug.1996), p. 16-18, 35 (F)

Ssirus W. Pakzad & Christian Stolberg: Könner an der Kanne, in: WOM Journal, Aug.1996, p. 44 (short F)

Zoë Anglesey: Jazz on Campus. Brooklyn Conservatory Celebrates the Brighter Side of Charlie Parker, in: Down Beat, 63/11 (Nov.1996), p. 74 (F)

Catherine Bowman: “Charlie Parker Memorial Birthday Celebration, Tompkins Square Park”, in: Brilliant Corners, 2/1 (Winter 1997), p. 8-9 (poem)

Eric Nisenson: Blue. The Murder of Jazz, New York 1997 [book: St. Martin’s Press], passim (F)

John Gennari: Pulp Addiction. Charting the Bird. Obsession in Ross Russell’s “The Sound”, in: Brilliant Corners, 2/1 (Winter 1997), p. 38-51 (F)

Leslie Gourse: Straight, No Chaser. The Life and Genius of Thelonious Monk, New York 1997 [book: Schirmer Books], passim (F)

Mark S. Haywood: Order and Chaos in Bird and Trane, in: Annual Review of Jazz Studies, #9 (1997/1998), p. 133-143 (A)

Paul Zimmer: “But Bird”, in: Brilliant Corners, 1/2 (Summer 1997), p. 70-71 (poem)

Philippe Adler & Pierre de Chocqueuse: Passeport pour le jazz. Les grands CD du jazz moderne 1944-1997, Paris 1997 [book: Balland], p. 308-313 (F/R: “The Savoy Recordings”; “The Dial Masters”; “Bird and Diz”)

Preston Love: A Thousand Honey Creeks Later. My Life in Music from Basie to Motown – and Beyond, Hanover/NH 1997 [book: Wesleyan University Press], passim (F)

Sandy Evans & Christopher Williams: French Flowers Blooming. The Music for “Testimony”, in: Brilliant Corners, 2/1 (Winter 1997), p. 80-85 (F: musical about Charlie Parker)

Sascha Feinstein: Jazz Poetry from the 1920s to the Present, Westport/CT 1997 [book: Praeger], p. 89-114 (F: chapter “Chasin’ the Bird. Charlie Parker and the Enraptured Poets of the Fifties”)

William Claxton: A Note on the Cover Art. Detail from the Image “Charlie Parker and Fans, Pasadena, 1952”, in: Brilliant Corners, 2/1 (Winter 1997), p. 4-7 (F)

Rudie Kagie: Immortal sessons. De schoonheid van Parkers dieptepunten, in: Jazz Nu, #216 (May 1997), p. 40-41 (F)

Alain Tercinet: Parker’s Mood, Marseille 1998 [book: Éditions Parenthèses] (F/D)

Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books] (F); review, in: Jazz Notes, 10/3 (1999), p. 17-19 (B)

Carl Woideck: Charlie Parker Chronology, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 263-268 (F)

Carl Woideck: Charlie Parker’s Apprenticeship Recordings 1940-1943, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 188-205 (F)

Don Glanden: Bebop and Blues from Bird to Barron, in: Jazz Improv, 1/4 (1998), p. 119-121 (A/T: “Billie’s Bounce”)

Edward M. Komara: The Dial Recordings of Charlie Parker. A Discography, Westport/CT 1998 [book: Greenwood Press] (D)

Gary Giddins: Visions of Jazz. The First Century, New York 1998 [book: Oxford University Press], p. 261-283 (F: chapter Charlie Parker. Flying Home”; T: “Jumpin’ the Blues”; “Koko”; “A Night in Tunesia”; “Lady Be Good”; “Embraceable You”; “Parker’s Mood”)

Harry A. Reed: Yardbird Suite 1. Charlie “Yardbird” Parker (1920-1955) and the Convergence of Kansas City and New York City Nightclubs in the Birth of Bebop, in: Western Journal of Black Studies, 22/1 (Spring 1998), p. 1-10 (F) [digi.copy]

Jack Kerouac: Three Chorusses from ‘Mexico City Blues’, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 171-173 (poem)

Juha Henriksson: Chasing the Bird. Functional Harmony in Charlie Parker’s Bebop Themes, Helsinki 1998 [book: Suomen Musiikkitieteellinen Seura] (A: “Ah-Leu-Cha”; “Another Hairdo”; “Anthropology”; “Au Privave”; “Back Home Blues”; “Barbados”; “Billie’s Bounce”; “Bloomdido”; “Blue Bird”; “Blues”; “Blues for Alice”; “Buzzy”; “Cardboard”; “Chasing the Bird”; “Cheryl”; “Chi Chi”; “Confirmation”; “Dewey Square”; “K.C. Blues”; “Laird Baird”; “Marmaduke”; “Mohawk”; “My Little Suede Shoes”; “Now’s The Time”; “Ornithology”; “An Oscar for Treadwell”; “Passport”; “Perhaps”; “Red Cross”; “Scrapple from the Apple”; “Segment”; “Shaw Nuff”; “Si Si”; “Steeplechase”; “Visa”; “Yardbird Suite”)

Kent Engelhardt: The Influence of Young Charlie Parker on John Jackson, in: Jazz Research Proceedings Yearbook, #18 (1998), p. 27-35 (F)

Max Harrison: A Rare Bird, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 204-225 (F)

NN: “Anthropology”, in: Jazz Improv, 1/4 (1998), p. 215-216, 218 (A)

NN: Charlie Parker – “Confirmation”, in: Jazz Improv, 1/4 (1998), p. 143-147 (A/T)

NN: Charlie Parker – “Ornithology”, in: Jazz Improv, 1/4 (1998), p. 148-153 (A/T)

Phil Schaap: The Verve Sessions, in: Carl Woideck (ed.): The Charlie Parker Companion. Six Decades of Commentary, New York 1998 [book: Schirmer Books], p. 225-238 (F)

Philippe Baudoin: Charlie Parker, compositeur, in: Alain Tercinet: Parker’s Mood, Marseille 1998 [book: Éditions Parenthèses], p. 123-128 (F: listing of Parker compositions with identification of formal bass)

William J. Moody: “Bird Lives!”, in: Brilliant Corners, 2/2 (Summer 1998), p. 25-34 (excerpt from poem/short story)

Ken Burns: Chan Parker, interview transcript for “Jazz. A Film by Ken Burns”, May 1998 (F) [vert.file] [digi.copy]

“PIP”: Il “Camarillo” sta chiudendo (e un ricordo di Charlie Parker svanisce), in: Ritmo, #726 (Jun.1998), p. 25 (F)

Lee Hill Kavanaugh: Charlie Parker’s Grave May Relocate, in: Down Beat, 65/7 (Jul.1998), p. 15 (F)

Michael J. Renner: Prelude. A New Nest for Bird’s Bones, in: Jazziz, 15/8 (Aug.1998), p. 14 (F: Parker’s grave to be moved)

Colin Moynihan: Will Bird’s House Fly As a City Landmark?, in: New York Times, 20.Dec.1998 (F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 127}

Alain Gerber: Charlie Parker. “Au moment de sa mort, il y a eu un formidable coup de tonnerre” (Baronne Pannonica de Koenigswarter), in: Alain Gerber: Fiesta in Blue. Textes de Jazz, Tome 2, Paris 1999 [book: Editions Alive], p. 98-102 (F)

Alain Gerber: Charlie Parker. Louis et Charlie, in: Alain Gerber: Fiesta in Blue. Textes de Jazz, Tome 2, Paris 1999 [book: Editions Alive], p. 103-113 (F)

Alyn Shipton: Groovin’ High. The Life of Dizzy Gillespie, New York 1999 [book: Oxford University Press], passim (F)

Chan Parker: My Life in E-Flat, Columbia/SC 1999 [book: University of South Carolina Press], passim (F)

Edward Komara: The Dial Recordings of Charlie Parker, in: Dave Oliphant (ed.): The Bebop Revolution in Words and Music, Austin/TX 1994 [book: Harry Ransom Humanity Research Center], p. 78-103 (F)

Gary Giddins: Charlie “Bird” Parker, in: Charles Graham & Dan Morgenstern (eds.): The Great Jazz Day, Emeryville/CA 1999 [book: Woodford Press], p. 107-110 (F)

Gary Giddins: Charlie Parker. An Overview, in: Dave Oliphant (ed.): The Bebop Revolution in Words and Music, Austin/TX 1994 [book: Harry Ransom Humanity Research Center], p. 52-77 (A/T: “Koko”; “Lady Be Good”; “Embraceable You”; “Paker’s Mood”)

J. Bernlef: In gesprek met Charlie Parker, in: J. Bernlef: Haalt de jazz de eenentwintigste eeuw?, Amsterdam 1999 [book: Querido], p. 7-12 (F: fictional interview)

Keith Shadwick: Charlie Parker. Bird Lives!, in: Jon Newey (ed.): Tower Jazz Guide 2000/01, London 1999 [book: Tower Records], p. 40 (F)

Kenny Mathieson: Giant Steps. Bebop and the Creators of Modern Jazz 1945-65, Edinburgh 1999 [book: Payback Press], p. 40-75 (F)

Konrad Heidkamp: Elvis, Bird und Tipp-Kick, in: Konrad Heidkamp: It’s All Over Now. Musik einer Generation – 40 Jahre Rock und Jazz, Berlin 1999 [book: Alexander Fest Verlag; 2nd edition: Reinbek bei Hamburg 2007: ro-ro-ro], p. 28-44 (F)

Kwatei Jones-Quartey: “Parker’s Mood” Revisited, in: Annual Review of Jazz Studies, #10 (1999), p. 221-235 (A) [digi.copy]

Lawrence O. Koch: Yardbird Suite. A Compendium of the Music and Life of Charlie Parker, revised edition, Boston 1999 [book: Northeastern University Press] (F/A/D)

Leonard Brown: Jazz Masters. Charlie Parker, in: Leonard Brown & Claude Page (eds.): Kansas City and All That Jazz, Kansas City 1999 [book: Andrews McMeel Publishing], p. 12-13 (F)

Martin Gray: Parker at His Peak, in: Lenox Avenue, #5 (1999), p. 113 (poem)

Paul Bley & David Lee: Stopping Time. Paul Bley and the Transformation of Jazz, Canada 1999 [book: Véhicule Press], passim (F)

Rick Helzer: Charlie Parker’s Solo on “Shaw ‘Nuff”, in: Jazz Improv, 2/2 (1999), p. 213-214 (A/T)

Ross Russell: Symposium Keynote Address, in: Dave Oliphant (ed.): The Bebop Revolution in Words and Music, Austin/TX 1994 [book: Harry Ransom Humanity Research Center] (F)

Russ Chase: “The Dial Recordings of Charlie Parker. A Discography”, by Edward M. Komara, in: IAJRC Journal, 32/1 (Winter 1999), p. 107 (B)

Thomas Owens: Bird’s Children and Grandchildren. The Spread of Charlie Parker’s Musical Language, in: Jazzforschung/jazz research, #31 (1999), p. 75-88 (A/T: “Kim”; “Scrapple from the Apple”; “Donna Lee”; “Billie’s Bounce”; “I Got Rhythm”)

Leslie Sabina: Woodshedding. Charlie Parker’s “Don’t Blame Me”, in: Jazz UK, #25 (Jan/Feb.1999), p. 14-15 (A/T)

NN: Jazz musician’s grave to stay, in: [unknown source] (Associated Press), Feb.1999 (short F) [digi.copy] {Rutgers papers “Charlie Parker”, p. 125}

Jason Koransky: Riffs. Bird Memorial to Be Unveiled Without Bones, in: Down Beat, 66/4 (Apr.1999), p. 16 (F)

Thomas Conrad: Charlie Parker – “The Complete Live Performances on Savoy” (Savoy), in: Down Beat, 66/4 (Apr.1999), p. 66 (R)

Michael J. Renner: Prelufe. Bird Remains, in: Jazziz, 16/6 (Jun.1999), p. 16 (F: plans to move Parker’s remains)

Bret Primack: We All Learn from Bird. Charlie Parker & Jazz Education, in: Jazz Educators Journal, 32/1 (Jul.1999), p. 36-38, 40-42 (F)

Leonard Brown: Charlie Parker Memorial Unveiled at Kansas City’s 18th & Vine District, in: Jazz Educators Journal, 32/1 (Jul.1999), p. 45 (F)

Leonard Brown: The Charlie Parker Symposium. Reflections on a Tribute to a Master, in: Jazz Educators Journal, 32/1 (Jul.1999), p. 44-47 (F/C: tribute to Parker in Kansas City)

John F. Szwed: “My Life in E-Flat”, by Chan Parker, in: Jazziz, 16/8 (Aug.1999), p. 30-31 (B)

Ed Hazell: Prelude. Bird Caught, But Uncaged, in: Jazziz, 16/9 (Sep.1999), p. 14 (Film-R)

Ira Gitler: Live. Remembering Bird with Strings, Symphony Space, in: Jazz Times, 29/8 (Oct.1999), p. 55 (C: tribute to Charlie Parker)

Mark Gardner: “My Life in E-Flat”, by Chan Parker, in: Jazz Journal, 52/10 (Oct.1999), p. 14-15 (B)

Brian Priestley: Charlie Parker, in: Dave Gelly (ed.): Masters of Jazz Saxophone. The Story of the Players and Their Music, London 2000 [book: Balafon Books], p. 46-53 (F)

Geoffrey C. Ward & Ken Burns: Jazz. A History of America’s Music, New York 2000 [book: Alfred A. Knopf; German translation as: “Jazz. Eine Musik und ihre Geschichte”, München 2001 (Econ)], p. 305-311 (F: chapter “Reach”); p. 323 (F: chapter “Now’s the Time”); p. 334-337 (F: chapter “So Tough”); p. 354-358 (F: chapter “Drastic Stuff”); p. 381-386 (F: chapter “My Name Is Bird”)

Henri Robberechts: Parker’s Mood, in: Record Memory Club Magazine, #50 (2000), p. 31-45 (F)

James Patrick: Charlie Parker, in: Bill Kirchner (ed.): The Oxford Companion to Jazz, New York 2000 [book: Oxford University Press], p. 316-331 (F/A)

Kent John Engelhardt: Musical and Cultural Factors in the Musical Development of Young Charlie Parker as Demonstrated Through Transcription and Analysis of the Improvised Solos of Young Charlie Parker with the Jay McShann Orchestra, Pittsburgh/PA 2000 [PhD thesis: University of Pittsburgh] (F/A/T: Charlie Parker’s solos on: “I Found a New Baby”; “Body and Soul”; “Moten Swing”; “Coquette”; “Oh, Lady Be Good”; “Honeysuckle Rose”; “Swingmatism”; “Hootie Blues”; “Lonely Boy Blues”; “The Jumpin’ Blues”; “Sepian Bounce”; “I Got Rhythm”; “St. Louis Mood”; “I’m Forever Blowing Bubbles”) [digi.copy]

Mark C. Gridley: Jazz Styles. History and Analysis, Upper Saddle River/NJ 7/2000 [book: Prentice Hall], p. 151-152, 163-165 (F/A: “Shaw Nuff”)

Michael Herbert: New Directions in Jazz Composition As Evidenced in the Works of Three Composers. Kenny Wheeler, Don Grolnick, and Russell Ferrante, Pittsburgh/PA 2000 [MA thesis: Duquesne University], p. 11-13 (F/A/T: “Ko-Ko”); p. 20-22 (A: “Blues for Alice”) [digi.copy]

Robert Dean Hodson: Interaction and Improvisation. Group Interplay in Jazz Performance, Madison/WI 2000 [PhD thesis: University of Wisconsin], p. 39-52 (A: “Now’s The Time”; chapter “Musical Roles and Behaviors”); p. 53-62 (A: “Now’s the Time”; “Musical Relationships within the Rhythm Section”); p. 65-97 (A: “Now’s the Time”; chapter “Harmony and Interaction”); p. 115-128 (A: “Now’s the Time”; chapter “Form and Interaction”) [digi.copy]

Rolf Ljungquist: Some Notes on Charlie Parker and Sweden, in: IAJRC Journal, 33/2 (Spring 2000), p. 26-29 (F)

William Karlen: Anthologie du Jazz Classique. La synthèse d’un demisiècle de swing, Sierre/Switzerland 2000 [book: Editions à la Carte], p. 157-161 (F)

Brian Dale: Bird Gets the Bootleg, in: Jazz Journal, 53/1 (Jan.2000), p. 17-18 (F)

David Firestone: Bird Lives. Parker’s Still in the Groove, in: New York Times (Internet), 10.May 2000 (F) [vert.file]

Hans-Jürgen Schaal: Charlie Parker. Der Erfinder des modernen Jazz, in: Fono Forum, Aug.2000, p. 85-87 (F)

Ira Gitler: Charlie Parker – “New Bird” (Swan), in: Jazz Times, 30/6 (Aug.2000), p. 101-102 (R)

Hans-Jürgen Schaal: Krebskanon-Blues. Aus dem aktuellen Nachleben von Charlie Parker und J.S. Bach, in: Jazz Thing, #35 (Sep/Oct.2000), p. 20 (parody)

Werner Stiefele: Charlie Parker. Freier Vogel, in: Scala, Sep/Oct.2000, p. 86-89 (F) [digi.copy]

Belinda Thom: BoB. An Improvisational Music Companion, Pittsburgh/PA 2001 [PhD thesis: Carnegie Mellon University], p. 162-175, 223-236, 253-255, 260-264, 265-271 (F/A/T: computer simulation of a Charlie Parker solo) [digi.copy]

Frank Marshall Davis: Charlie Parker, in: Brilliant Corners, 6/1 (Winter 2001), p. 27-28 (poem)

Hans-Jürgen Schaal (ed.): Jazz-Standards. Das Lexikon, Kassel 2001 [book: Bärenreiter], p. 38-39 (F: “Anthropology”); p. 44-45 (F: “Au Privave”); p. 61.-62 (F: “Billie’s Bounce”); p. 99-100 (F: “Confirmation”); p. 360-361 (F: “Now’s the Time”); p. 377-378 (F: “Ornithology”); p. 388-390 (F: “Parker’s Mood”); p. 555-556 (F: “Yardbird Suite”)

Henry Martin & Keith Waters: Jazz. The First 100 Years, Belmont/CA 2001 [book: Wadsworth/Schirmer], p. 183-184 (A: “Salt Peanuts”); p. 189-190 (A: “Bloomdido”)

Horace A. Porter: Jazz Country. Ralph Ellison in America, Iowa City 2001 [book: University of Iowa Press], p. 42-48 (F: chapter “Mocking Entertainers. Ellison on Louis Armstrong and Charlie Parker”)

Ilse Storb: Jazz und Neue Musik im Unterricht, Münster 2001 [book: LIT Verlag], p. 91-96 (F/A: “Ornithology”)

Jacques Aboucaya & Jean-Pierre Peyrebelle: Du Be-Bop au Free Jazz. Formes et techniques d’improvisation chez C. Parker, M. Davis et O. Coleman, Toulouse 2001 [book: Presses Universitaires du Mirail] (F/A)

Lars Bjorn & Jim Gallert: Before Motown. A History of Jazz in Detroit, 1920-1960, Ann Arbor 2001 [book: University of Michigan Press], passim (F)

Nicholas Gebhardt: Charlie Parker. The Virtuosity of Speed, in: Nicholas Gebhardt: Going for Jazz. Musical Practices and American Ideology, Chicago 2001 [book: University of Chicago Press], p. 77-122 (F)

Robert Bregman: “Thou Was Not Born for Death, Immortal Bird”, in: IAJRC Journal, 34/3 (Summer 2001), p. 35 (F)

Jean-Louis Chautemps: Triptyque pour Charlie Parker, in: Les Cahiers du Jazz, #1 (Jan.2001), p. 261-264 (F)

Martin Westin & Lars Westin: Sista natten met gängen. Charlie Parker i Sverige (2). De sista timmarna i Stockholm blev internsiva och händelserika, in: Orkester Journalen, 69/1 (Jan.2001), p. 24-26 (F)

Ted Panken: Bountiful Bird, in: Down Beat, 68/1 (Jan.2001), p. 42 (R: “The Complete Savoy and Dial Studio Recordings”)

Richard Cook: Reclaiming the Jazz Age. Charlie Parker, “KoKo” (1945), in: Jazz Review (GB), #21 (Jun.2001), p. 23 (short F)

Doug Ramsey: Charlie Parker – “The Washington Concerts” (Blue Note), in: Jazz Times, 31/6 (Aug.2001), p. 134-135 (R)

Mark Stefani: Bird “Magic”. Sax on Guitar: Parker’s “Outside” Tricks, in: Just Jazz Guitar, #29 (Nov.2001), p. 54-57 (F/A)

Alun Morgan: Lost in Meditation. Bird Jottings, in: Jazz Journal, 54/12 (Dec.2001), p. 7 (F: short discographical remarks)

David Amram: Offbeat. Collaborating with Jack Kerouac, New York 2002 [book: Thunder’s Mouth Press], passim (F)

David Ritz: Faith in Time. The Life of Jimmy Scott, Cambridge/MA 2002 [book: Da Capo Press], passim (F)

Fabrice Zammarchi & Sylvie Mas: A Life in the Golden Age of Jazz. A Biography of Buddy DeFranco, Seattle/WA 2002 [book: Parkside Publications], p. 47-48, p. 123-129, passim (F)

Frederick J. Spencer: Jazz and Death. Medical Profiles of Jazz Greats, Jackson/MS 2002 [book: University of Mississippi Press], p. 133-141 (F: drug abuse, cause of death)

Geoffrey Haydon: Quintet of the Year, London 2002 [book: Aurum Press] (F); review by Brian Priestley, in: Jazzwise, #57 (Sep.2002), p. 63 (B); review by Bob Weir, in: Jazz Journal, 55/10 (Oct.2002), p. 18 (B); review by Raymond Horricks, in: Crescendo & Jazz Music, 39/5 (Oct/Nov.2002), p. 27-28 (B); review by Ron Simpson, in: The Jazz Rag, #74 (Winter 2002), p. 11 (B); review by James Hale, in: The Jazz Report, 16/1 (Winter 2003), p. 33 (B); review by Vic Hall, in: IAJRC Journal, 36/2 (Spring 2003), p. 52 (B); review, by Greg Buium, in: Coda, #309 (May/Jun.2003), p. 10 (B); review by Brian Priestley & Peter Vacher, in: Jazz UK, #54 (Nov/Dec.2003), p. 21 (B); review by Steve Futterman, in: Jazz Times, 34/10 (Dec.2004), p. 121-122 (B)

Gregory Djanikian: Listening to Charlie Parker in Northern Vermont, in: Brilliant Corners, 6/2 (Summer 2002), p. 30-32 (poem)

Herbert Hellhund: Parker Revisited, in: Jazzforschung / jazz research, #34 (2002), p. 149-163 (F/A/T: “Now’s the Time”; “Ah Leu Cha”; “Koko”)

James Gavin: Deep in a Dream. The Long Night of Chet Baker, New York 2002 [book: Alfred A. Knopf], passim (F)

John Szwed: So What. The Life of Miles Davis, New York 2002 [book: Simon & Schuster], passim (F)

Lewis MacAdams: Birth of the Cool. Beat, Bebop & The American Avant-Garde, London 2002 [book: Scribner’s], passim (F)

Noal Cohen & Michael Fitzgerald: Rat Race Blues. The Musical Life of Gigi Gryce, Berkeley/CA 2002 [book: Berkeley Hills Books], passim (F)

Oscar Peterson: A Jazz Odyssey. The Life of Oscar Peterson, London/New York 2002 [book: Continuum; German translation, as: “Meine Jazz-Odyssee”, Höfen/A 2003, book: hannibal], passim, especially p. 207-208, 212-213 (F)

Paolo Vitolo: Guida al jazz. Gli autori e le musiche dal bebop alla creative music, Milano 2002 [book: Bruno Mondadori], p. 181-186 (F)

Peter J. Martin: Spontaneity and organisation, in: Mervyn Cooke & David Horn (eds.): The Cambridge Companion to Jazz, Cambridge 2002 [book: Cambridge University Press], p. 133-152 (F)

Steve Larson: Musical Forces, Melodic Expectation, and Jazz Melody, in: Music Perception, 19/3 (Spring 2002), p. 351-385 (F/A/T: “Confirmation”) [digi.copy]

Gianmichele Taormina: Charlie Parker. La grande luce di un mito, in: Jazzit, 4/9 (Mar/Apr.2002), p. 78-81 (F)

Olivier Kociubinska: Charlie Parker – “The Complete Dial and Savoy Recordings”, in: Jazz Notes, #68 (May 2002), p. 38-40 (F/R)

Bob Weir: Charlie Parker Discography, in: Names & Numbers, #23 (Oct.2002), p. 32 (B: “Bird Lore – A Revised Charlie Parker”)

Bob Weir: “Bird Lore. A Revised Charlie Parker Discography”, by Piet Koster, in: Jazz Journal, 55/11 (Nov.2002), p. 18 (B)

Ettore Ulivelli: Il Testimone. Rivisitazione due, in: Ritmo, #774/775 (Nov/Dec.2002), p. 40-41 (F/I; excerpts from Parker interview in Down Beat, 9.Sep.1949)

Egbert de Bloeme: “Bird Lore. A Revised Charlie Parker Discography”, compiled by Piet Koster, in: NJA Bulletin, #46 (Dec.2002), p. 41 (B)

Ben Sidran: A Life in the Music, New York 2003 [book: Taylor Trade Publishing], passim (F)

Dempsey J. Travis: Norman Granz. The White Moses of Black Jazz, Chicago/IL 2003 [book: Urban Research Press], p. 244-259 (F)

Eddie S. Meadows: Bebop to Cool. Context, Ideology, and Musical Identity, Westport/CT 2003 [book: Praeger], passim, esp. p. 173-218 (F/A: chapter “The Musical Language of Charlie Parker”)

Finn Slumstrup: Gyldendals bog om jazz, Copenhagen 2003 [book: Gyldendal], p. 268-269 (F: short biography)

George Wein & Nate Chinen: Myself Among Others. A Life in Music, New York 2003 [book: Da Capo], passim (F)

Leonardo Acosta: Cubano Be, Cubano Bop. One Hundred Years of Jazz in Cuba, Washington/DC 2003 [book: Smithsonian Press], passim (F)

Martin Westin: Charlie Parker i Sverige, in: Steinar Kristiansen (ed.): Nordisk Jazzforskning. Rapport fra den sjette konferansen i Oslo, 9. – 10. August 2002, Oslo 2003 [book: Norsk Jazzarkiv], p. 37-45 (F)

Philip Martin James Ford: American Popular Music in the Cold War. The Hip Aesthetic and the Countercultural Idea, Minneapolis 2003 [PhD thesis: The University of Minnesota], p. 281-289 (F/A: chapter “Gip Irony Revisited. Perspective of Perspectives”) [digi.copy]

Sonya Ruth Lawson: The Origins and Development of the Use of Violins, Violas, and Cellos in Jazz in the United States of America, Eugene/OR 2003 [PhD thesis: University of Oregon], p. 106-112 (F/A: Charlie Parker with Strings) [digi.copy]

Sonya Ruth Lawson: The Origins and Development of the Use of Violins, Violas, and Cellos in Jazz in the United States of America, Eugene/OR 2003 [PhD thesis: University of Oregon; published through UMI], p. 106-120 (F: Charlie parker and strings)

Sundar Viswanathan: An Analysis of the Jazz Improvisation and Composition in Selected Works from the Blue Note Records Period of Tenor Saxophonist Joe Henderson from 1963-1966, New York 2003 [PhD thesis: New York University], p. 70-80 (F: chapter “Important Contributions to Jazz Music. Charlie Parker”)

Terry Gibbs & Cary Ginell: Good Vibes. A Life in Jazz, Lanham/MD 2003 [book: Scarecrow Press], passim (F)

William Walker Pace: Jazz Saxophone and Trumpet Improvisations Transcribed and Annotated for Double Bass, Coral Gables/FL 2003 [PhD thesis: University of Miami], p. 14-22, 92-93 (F/A/T: “Relaxin’ at Camarillo”) [digi.copy]

Several authors: More Bird Lore (part 2), in: Names & Numbers, #24 (Jan.2003), p. 26-28 (D); part 3, in: Names & Numbers, #25 (Apr.2003), p. 29-30 (D) [digi.copy]; part 4, in: Names & Numbers, #26 (Jul.2003), p. 39-40 (D) [digi.copy]; part 5, in: Names & Numbers, #28 (Jan.2004), p. 44-45 (D) [digi.copy]

Nat Hentoff: Music. ‘Bird’ Rules the Roost On Live Recordings, in: The Wall Street Journal, 13.Mar.2003 (F) [digi.copy]

Mark Miller: Jazz at Massey Hall, in: Coda, #309 (May/Jun.2003), p. 6-9 (F)

NN: Canada Marks ‘Greatest’ Jazz Concert 50 Years Later, in: New York Times, 12.May 2003 (F) [vert.file] [digi.copy]

Greg Buium: Massey Hall, 50 Years Later, in: Down Beat, 70/6 (Jun.2003), p. 28 (F/I with Max Roach) [digi.copy]

Patrick Pommier: Une histoire de sax. Si le jazz est souvent un roman, il peut arriver qu’un de ses héros soit un instrument…, in: Jazz Magazine, #541 (Oct.2003), p. 24-25 (F)

Andrew Lindemann Malone: Thriving on a Remix. ‘Bird Up’ reimages Charlie Parker, in: Jazz Times, 33/10 (Dec.2003), p. 36, 38 (F)

Chuck Denison: The Great American Songbook. The Stories Behind The Standards, Bendon/OR 2004 [book: Rober D. Reed Publishers], p. 28-30 (F: “Ornithology”)

Duncan Schiedt: Jazz in Black & White. The Photographs of Duncan Schiedt, Bloomington/IN 2004 [book: Indiana University Press], p. 74-75 (F/photo)

Herbert Hellhund: Logik der Linie – Strukturkomponenten der Improvisation im modernen Jazz, in: Jazzforschung / jazz research, #36 (2004), p. 61-72 (F/A/T: excerpts from: Jim Hall: “Echo”; Charlie Parker: “Now’s the Time”; Clifford Brown: “Confirmation”; John Coltrane: “Giant Steps”; Chet Baker: “Down”)

NN: Biography. Charlie Parker, in: Jazz dünyasi, #1 (fall 2004), p. 24-26 (F)

Norman Weinstein: A Sentence Based on a Riff of Charlie Parker’s, in: Brilliant Corners, 9/1 (Winter 2004), p. 38 (poem)

Martin Westin: Charlie Parker in Sweden 1950, in: [jazz research list], Feb.2004 (F) [vert.file] [digi.copy]

Les Sabina: Woodshedding. ‘Hootie Blues’. Improvised Solo by Charlie Parker, in: Jazz UK, #56 (Mar/Apr.2004), p. 38 (A/T)

Gerard J. Hoogeveen & Joop van der Leij & Chris Sellers: More Bird Lore, part 6, in: Names & Numbers, #29 (Apr.2004), p. 27-29 (D)

Kathy Dyson: Early Musical Development of Lester Young, Joe Pass, Charlie Parker and Bill Evans. How they learned to improvise, [manuscript, Leeds Jazz Conference, 2.Apr.2004] (F) [vert.file] [digi.copy] (“Improvisation”)

Scott Yanow: Beyond the (bebop) revolution. Even as he neared his end, Charlie Parker was still searching, in: Jazziz, 21/4 (Apr.2004), p. 47 (F)

Thomas Phleps: Transcription. “Yardbird Suite” – as played by The Charlie Parker Septet, in: Jazz Research News, #11 (Apr.2004), p. 552-556 (T)

Thomas Phleps: Transcription. “Red Cross” – as played by the Tiny Grimes Quintette, in: Jazz Research News, #13 (Jun.2004), p. 670-673 (R)

Ted Panken: Wayne Shorter on Charlie Parker, in: Down Beat, 71/7 (Jul.2004), p. 16-17 (F) [digi.copy]

Gerard J. Hoogeveen & Joop van der Leij: More Bird Lore (Part 7), in: Names & Numbers, #31 (Oct.2004), p. 27-30 (D); part 8, in: Names & Numbers, #32 (Jan.2005), p. 34 (D)

John Corbett: “Charlie Parker acetates” (no label, early 1950s), in: Down Beat, 71/11 (Nov.2004), p. 18 (F/R)

Bert Vuijsje: Bebop Business. Onbegrijpelijk stil rond Bird. Waarom stond – bijna – niemand stil bij de vijftigste sterfdag van Charlie Parker? Bert Vuijsje stelt de vraag aan de Nederlandse media én aan zichzelf, in: Jazz Nu, 28/3 (summer 2005), p. 97 (F)

Bill Crow: Jazz Anecdotes. Second Time Around, New York 2005 [book: Oxford University Press], p. 331-342 (F: collection of anecdotes)

Brian Priestley: Chasin’ the Bird. The Life and Legacy of Charlie Parker, London 2005 [book: equinox] (F/A/D); review, by Mark Gardner, in: Jazz Journal, 58/12 (Dec.2005), p. 16 (B); review, by Greg Murphy, in: The Jazz Rag, #89 (Winter 2005), p. 29 (B); review, by Keith Shadwick, in: Jazzwise, #93 (Dec/Jan.2005/2006), p. 66 (B)

Donald L. Maggin: Dizzy. The Life and Times of John Birks Gillespie, New York 2005 [book: Harper Collins], passim (F)

Doug Ramsey: Take Five. The public and private lives of Paul Desmond, Seattle 2005 [book: Parkside Publications], passim (F)

Frank Driggs & Chuck Haddix: Kansas City Jazz. From Ragtime to Bebop – A History, New York 2005 [book: Oxford University Press], passim (F)

Gabriele Comeglio: Gunslinging Bird. If Charlie Parker was a Gunslinger, There’d Be a Lot of Dead Copycats, in: Musica Oggi, #24 (2005/2006), p. 93-107 (F/A: )

Gianni M. Gualberto: “Bird with Strings”. Casualità o intenzionalità?, in: Musica Oggi, #24 (2005/2006), p. 108-120 (F/A/T)

Henry Martin: Charlie Parker as Composer, in: Musica Oggi, #24 (2005/2006), p. 28-43 (F/A)

Jean-Pierre Jackson: Charlie Parker, Arles 2005 [book: Actes Sud] (F)

Joachim-Ernst Berendt (& Günther Huesmann): Das Jazzbuch. Von New Orleans bis ins 21. Jahrhundert, Frankfurt am Main 2005 [book: S. Fischer], p. 136-149 (F)

Lewis Porter: Charlie Parker on Film and Television, in: Musica Oggi, #24 (2005/2006), p. 121-136 (F)

Marcus A. Woelfle: Charlie Parker, in: Peter Niklas Wilson (ed.): Jazz Klassiker, Stuttgart 2005 [book: Reclam], p. 289-302 (F)

Maurizio Franco: parker e gli altri. Il mito Parkeiano e la realità del bebop, in: Musica Oggi, #24 (2005/2006), p. 17-27 (F)

Michael Segell: The Devil’s Horn. The Story of the Saxophone, from Noisy Novelty to King of Cool, New York 2005 [book: Farrar, Straus and Giroux], passim (F)

Paul Thomas Musser: Me, Myself and Mingus, Urbana/IL 2005 [PhD thesis: University of Illinois], p. 13-19 (F: chapter “Ellington and Parker. Two Vital Sources”) [digi.copy]

Peter Ind: Jazz Visions. Lennie Tristano and his Legacy, London 2005 [book: equinox], passim (F)

Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 2005 [book: Reclam], p. 169-170 (R: “Jazz at Massey Hall”, Original Jazz Classics); reprint, in: Ralf Dombrowski: Basis-Diskothek Jazz, Stuttgart 4/2011 [book: Reclam], p. 195-197 (R)

Richard Cook: It’s About That Time. Miles Davis On and Off Record, London 2005 [book: Atlantic Books], passim (F)

Scott DeVeaux: Multiphrenia. A New Approach to Charlie Parker, in: Musica Oggi, #24 (2005/2006), p. 5-16 (F/A/T: “Out of Nowhere”)

Vincent Périer & Pierre Fargeton: Techniques. De l’un Charlie à l’autre. ‘Thriving from a riff’, in: Les cahiers du jazz, #2 (2005), p. 171-182 (A)

Vincenzo Caporaletti: Evoluzione du un volo. Il “Famous Alto Break” nelle 24 incisioni Parkeriane di “Nighg in Tunesia”, in: Musica Oggi, #24 (2005/2006), p. 44-64 (F/A)

Wolfram Knauer: “Parker’s Mood”. Genesis of a Blues Improvisation, in: Musica Oggi, #24 (2005/2006), p. 65-92 (A/T)

Brian Priestley & Alyn Shipton: The Sound. Fifty years ago on 12 March Charlie Parker died. His music has changed the directon and sound of jazz and remains as influential today as it was revolutionary in his lifetime…, in: Jazzwise, #84 (Mar.2005), p. 24-31 (F/short I with Jay McShann, Charlie Watts, Clark Terry, Percy Heath, Hank Crawford, Dave Green, Peter King)

Carlos Sampayo: La creación del caos, in: Cuadernos de Jazz, #87 (Mar/Apr.2005), p. 18-21 (F)

Chris Parker: Charlie Parker, 1920-1955, in: Jazz at Ronnie Scott’s, #153 (Mar/Apr.2005), p. 19 (F)

Christian Gauffre: Charlie Parker Story, in: Jazz Magazine, #557 (Mar.2005), p. 4-6, 9-10, 14-15, 17, 20-23, 25-26, 31-33 (F)

David Romero: El mejor quinteto de la historia. The Massey Hall Concert, in: Cuadernos de Jazz, #87 (Mar/Apr.2005), p. 30-33 (F)

Félix W. Sportis: Charlie Parker. L’oiseau de feu, in: Jazz Hot, #618 (Mar.2005), p. 31-38 (F)

Fernando Ortiz de Urbina: Nows the Time. Génesis de un tiempo, in: Cuadernos de Jazz, #87 (Mar/Apr.2005), p. 14-17 (F)

Fernando Ortiz de Urbina: Testimonios. En recuerdo de Bird, in: Cuadernos de Jazz, #87 (Mar/Apr.2005), p. 22-29 (F/I with George Avakian, Billy Bauer, Ozzie Cadena, Jimmy Heath, Ira Gitler, André Hodeir, Bill Crow, Hal McKusick, Nat Hentoff)

Franck Bergerot: Birdology. Discographie. Précis d’ornithologie, in: Jazzman, #111 (Mar.2005), p. 24-27 (F)

Jean-Louis Chautemps: Parker Moods, in: Jazz Magazine, #557 (Mar.2005), p. 7, 11-12, 18-19, 24, 28 (F/short I with Steve Coleman, Rosario Giuliani, Rob Brown, Daniel Huck, Michel Portal, Guillaume Orti, Maceo Parker, Sonny Rollins, Oliver Lake)

Jennifer Odell: Jazz fans still flock to Charlie Parker 50 years later, in Houston Chronicle, 9.Mar.2005 (F/short I with Charles McPherson, Von Freeman, Christian McBride, Kurt Elling) [vert.file] [digi.copy]

Marc-Edouard Nabe: Birdology. L’Oiseau de Dieu, in: Jazzman, #111 (Mar.2005), p. 14-15 (F)

Miguel Garrido Munoz:Auge y caída de un mito americano. Tocata y fuga en la noche, in: Cuadernos de Jazz, #87 (Mar/Apr.2005), p. 34-37 (F)

Mike Zwerin: Listening to Bird, still flying, in: International Herald Tribune, 9.Mar.2005 (F) [digi.copy]

Richard Cook & Brian Morton: The Bird We Heard. Charlie Parker died 50 years ago this month, but his sound and surviving music remain an essential part of what we call modern jazz. Richard Cook and Brian Morton look back at some of Bird’s best flights, and offer a pick of Parker from his sprawling discography, in: Jazz Review, #66 (Mar.2005), p. 22-24 (F)

Thierry Péremarti & Vincent Bessières: Birdology. “Je me souviens de Charlie Parker…”, in: Jazzman, #111 (Mar.2005), p. 16-19 (F/short I with Ray Barretto, Billy Bauer, Paul Bley, Terry Gibbs, Barry Harris, Percy Heath, Dick Hyman, Hank Jones, Lee Konitz, Mundell Lowe, Hal McKusick, Frank Morgan, Lennie Niehaus, Jack Nimitz, Jimmy Scott)

Vincent Bessières & Pierrick Pedron: Birdology. Le bec et la plume, in: Jazzman, #111 (Mar.2005), p. 20-23 (F)

Björn Englund: Parker in Sweden – Another Gap Filled, in: Names & Numbers, #33 (Apr.2005), p. 27 (short F: drummer at Helsingborg session is Eric Saxell)

Franck Médioni: Souvenirs de l’oiseau. Charlie Parker, in: Jazz Notes, #83 (May 2005), p. 28-29 (F/short I with Jean-Luc Guionnet, Donald Harrison, Steve Lehman, Philippe Lemoine, Anthony Ortega, Pierrick Pédron, Steve Potts, Jef Sicard, Sonny Simmons, John Tchicai, Sébastien Texier, Claude Tissendier, André Villéger)

John Evers: As Time Goes By. Bird Lives, in: Jazzzeit, #54 (May/Jun.2005), p. 90 (F)

John Janowiak: Stars Allign. 25 Great Moments in Jazz Festival History. Charlie Parker et al., Bird Slays French, Paris Jazz Festival, 1949, in: Down Beat, 72/5 (May 2005), p. 96 (F) [digi.copy]

Dan Ouellette: The Question Is … Why does Bird still fly?, in: Down Beat, 72/6 (Jun.2005), p. 21 (F/short I with Claire Daly, Roy Hargrove, Hank Jones, John Pizzarelli) [digi.copy]

Flemmijn Larsen: Parker’s Mood – om relationen mellem stor kunst oh psykisk ustabilitet, in: Jazz Special, #83 (Jun/Jul.2005), p. 32-36 (F)

Ed Enright: Charlie Parker – “Liveology” (RE 545 450663), in: Down Beat, 72/7 (Jul.2005), p. 66 (R: 3 1/2 stars) [digi.copy]

Fred Kaplan: Bird Lives! The Birth of Bebop, Captured on Disc, in: New York Times, 31.Jul.2005 (F: new recordings discovered of Town Hall concert, 1945) [vert.file] [digi.copy]

Les Sabina: Woodshedding. Charlie Parker on ‘Half Nelson’. Charlie Parker didn’t play tenor saxophone often, but he demonstrated a fascinatingly different, more laid-back persona with the heavier horn. Les Sabina investigates a classic Bird solo on Miles Davis’ ‘Half Nelson’, in: Jazz UK, #64 (Jul/Aug.2005), p. 28 (A/T) [digi.copy]

Llew Walker: The Wyandotte Parkers, in: [manuscript] < www.birdlives.co.uk>, Sep.2005 (F: short article commissioned by Historical Journal of Wyandotte County about Charlie’s early years in Wyandotte County, Kansas) [digi.copy]

Benjamin Moussay: Charlie Parker. 22 écoutes de “Now’s the Time”, in: Jazzman, #117 (Oct.2005), p. 80-81 (F/A/T)

Chris Kelsey: Dizzy Gillespie & Charlie Parker – “Town Hall, New York City, June 22, 1945” (Uptown), in: Jazz Times, 35/9 (Nov.2005), p. 115-116 (R); reprint, with further comments, in: Jazz Times, 36/1 (Feb.2006), p. 55 (R) [digi.copy]; responses, by Whitney Balliett & Chris Kelse: Letters. Whitney Strikes, in: Jazz Times, 36/3 (Apr.2006), p. 17 (letters)

John McDonough (& Jim Macnie & John Corbett & Paul de Barros): Dizzy Gillespie & Charlie Parker – “Town Hall, New York City, June 22, 1945” (Uptown 2751), in: Down Beat, 72/11 (Nov.2005), p. 58-59 (R: 5 stars; 5 stars; 4 stars; 5 stars) [digi.copy]

Larry Blumenfeld: Auditions. Seeds of change, unearthed, in: Jazziz, 22/12 (Dec.2005), p. 50 (R: “Dizzy Gillespie / Charlie Parker, Town Hall, New York City, June 22, 1045”, Uptown)

Martin Westin: Parker långa väg till Sverige. Länge var Charlie Parker och bebop något bara för de mest hänhivna och nyfikna i vårt land. Först 1950 fanns Charlie Parkers skivor att få i Sverige i någon större omfattning, och med sitt turnébesök etablerade han sig verkligen som den stora stjärnan inom jazzen, in: Orkester Journalen, 73/12 (Dec.2005), p. 20-25 (F)

Chad Jenkins: Charlie Parker. Koko, in: Columbia Jazz Resources , 2006 (F/A) [digi.copy]

David Yaffe: Fascinating Rhythm. Reading Jazz in American Writing, Princeton 2006 [book: Princeton University Press], passim (F)

Jens Kjeldsen: Charlie Parker – The Bird, Århus 2006 [book: Husets Forlag] (F/A)

John Gennari: Blowin’ Hot and Cool. Jazz and Its Critics, Chicago 2006 [book: University of Chicago Press], p. 299-338 (F: chapter “Race-ing the Bird. Ross Russell’s Obsessive Pursuit of Charlie Parker”)

John Gennari: Blowin’ Hot and Cool. Jazz and Its Critics, Chicago 2006 [book: University of Chicago Press], passim (F)

Kim Parker (& Phil Woods, Pat Dorian, Jesse Green): From an ESU Jazz Masters Seminar. Kim Parker, in: The Note, 15/2 (summer 2006), p. 6-13 (F)

Marc Danval: Toots Thielemans, Bruxelles 2006 [book: Éditions Racine], p. 103-110 (F: chapter “La complicité avec Charlie Parker et le depart aux USA”)

Michael Fitzgerald: “Chasin’ the Bird. The Life and Legacy of Charlie Parker”, by Brian Priestley, in: ARSC Journal, 37/2 (Fall 2006), p. 240-242 (B)

NN: Charlie Parker. Embraceable You, in: Columbia Jazz Resources , 2006 (F/A) [digi.copy]

Philippe Baudoin: La valse des vilains copieurs. ‘My Little Suede Shoes’ est-il de la plume de Charlie Parker, in: Les cahiers du jazz, #3 (2006), p. 88-95 (F/A) [digi.copy]

Stanley Crouch: Considering Genius. Writings on Jazz, New York 2006 [book: Basic Civitas Books], p. 66-76 (F: chapter “Bird Land. Charlie Parker, Clint Eastwood, and America”)

Brian Priestley: Chasin’ the Bird. American critic Gary Giddins has called Brian Priestley’s “Chasin’ the Bird” ‘an indispensable gem’ – mixing Charlie Parker biography with musical and discographical scrutiny. This is an extract from the chapter ‘Celebrity’, in: Jazz UK, #67 (Jan/Feb.2006), p. 12-13 (F: book excerpt) [digi.copy]

Tommy Ludwig: Hörsturz (1). Charlie Parker – “Star Eyes” (1951), in: Jazzthetik, 20/3 (Mar.2006), p. 98 (F) [digi.copy]

Fernando Ortiz de Urbina: Brian Priestley atrapa al pájaro, in: Cuadernos de Jazz, #94 (May/Jun.2006), p. 16-17 (B: “Chasin’ The Bird”, by Brian Priestley)

Hugh Gregory: Charlie Parker’s Story Revisited, in: Down Beat, 73/5 (May 2006), p. 74 (B: “Chasin’ the Bird. The Life and Legacy of Charlie Parker”, by Brian Priestley)

Kirk Silsbee: Bronzeville Gypsy. How Charlie Parker Lit Up Little Tokyo, in Los Angeles Downtown News, (22.May 2006), p. 1, 7, 8 (F) [digi.copy] {manuscript, sent by Kirk Silsbee. 15.Dec.2010}

Pieter Boersma: Jazzstraat (4). Rotterdam, Charlie Parkersingel, in: NJA Jazz Bulletin, #60 (Jul.2006), p. 15 (F)

Roxana Hadadi: In Bird’s Name. Benefit concert battles substance abuse and helps young mothers and childrens, in: Jazz Times, 36/7 (Sep.2006), p. 28 (F/short I with Jimmy Heath, Clark Terry, Shannon Gibbons) [digi.copy]

Han Enderman: Charlie Parker on 78. Part 1: Savoy, in: Names & Numbers, #39 (Oct.2006), p. 2-9 (D)

Andy Hamilton: Lee Konitz. Conversations on the Improviser’s Art, Ann Arbor 2007 [book: University of Michigan Press], p. 21-25 (F)

Eunmi Shim: Lennie Tristano. His Life in Music, Ann Arbor 2007 [book: University of Michigan Press], passim (F)

Jan Bruér: Guldår & Krisår. Svensk Jazz under 1950- och 60-talen, Stockholm 2007 [book: Svensk Visarkiv], passim (F)

Michael S. Harper: Bird Lives. Charles Parker in St. Louis, in: Brilliant Corners, 12/1 (Winter 2007), p. 46-47 (poem)

Morris B. Golbrook: When bad things happen to great musicians. The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen, in: Jazz Research Journal, 1/1 (2007), p. 99-128 (F: “Lady Sings the Blues”; “‘Round Midnight”; “Bird”)

Vincenzo Caporeletti: Esperienze di analisi del jazz. Armstrong, Parker, Cesàri, Monk, Mingus, Intra, Soft Machine, Lucca 2007 [book: Libreria Musicale Italiana], p. 35-56 (A: chapter “Miniature audiotattili. I break di Charlie parker nelle 24 incisioni di ‘Night in Tunisia'”)

Geoffrey Wheeler: Savoy’s Early Birds. The First Recordings by Charlie Parker on the New Jersey Label, in: IAJRC Journal, 40/1 (Feb.2007), p. 32-45 (F)

Ole Mogensen: Parkers Plastik! – hvem siger der ikke er penge i jazz?, in: Jazz Special, #94 (Feb/Mar.2007), p. 52-53 (F)

Martin Westin: Parker i funrummet. “Charlie Parker. The Bird”, by Jens Kjeldsen, in: Orkester Journalen, 75/3 (Mar.2007), p. 29 (B)

Han Enderman: Charlie Parker on 78. Part 2: Guild (1945), in: Names & Numbers, #41 (Apr.2007), p. 20-23 (D)

Tommy Ludwig: Hörsturz (12). Charlie Parker Jam Session. “Funky Blues” (1952), in: Jazzthetik, 21/4 (Apr.2007), p. 102 (F)

Nate Chinen: Music. Charlie Parker, Uptown and Down, in: New York Times, 24.Aug.2007 (F) [digi.copy]

Steve Penn: KC needs to do more to honor Parker, in: The Kansas City Star, 22.Aug.2007 (F) [digi.copy]

Tony Kofi: Turning Point. Bird watching. Tony Kofi on the album that changed his life Charlie Parker’s ‘Complete Dial Sessions’, in: Jazzwise, #111 (Aug.2007), p. 34 (F) [digi.copy]

William H. Smith: K.C.’s Pendergast and Parker, in: The Wall Street Journal, 14.Aug.2007 (F) [digi.copy]

Geoffrey A. Wheeler: Gaillard-Gillespie-Parker Bel-Tone Date, in: Names & Numbers, #43 (Oct.2007), p. 15-17 (F)

Han Enderman: Charlie Parker on 78. Part 3: Decca, in: Names & Numbers, #43 (Oct.2007), p. 29-30 (D)

Jørgen Siegumfeldt: I mindste musikalske detalje. Jens Kjeldens Charlie Parker-vaerk stiller store krav til laeseren – men trods mange irritationsmomenter er den fuld af fascinerende analyser, in: Jazz Special, #99 (Oct/Nov.2007), p. 62-65 (F)

Kirk Silsbee: Yardbird in Lotusland: A new recording captures Charlie Parker’s wild idyll at Altadena’s Zorthian Ranch in 1952, in Arroyo Monthly, (Nov.2007), p. 20-22 (F) [digi.copy] {manuscript, sent by Kirk Silsbee. 15.Dec.2010}

Marc Rice: “Yardbird Suite. A Compendium of the Music and Life of Charlie Parker”, by Lawrence O. Koch, in: Journal of the Society for American Music, 1/4 (Nov.2007), p. 526-528 (B) [digi.copy]

Alexander Kraus: “Home Cooking I” / “Groovin’ High”, in: [unpublished manuscript], Dec.2007 (T) [vert.file]

Alain Gerber: Vive critique des troubadours – éloge résolu de Thelonious, Chet et Charlie sur le bord du cratère, in: Les Cahiers du Jazz, #5 (2008), p. 74-79 (poem)

Barry Fox: Bird, the film, in: Jim Godbolt (ed.): Ronnie Scott’s Jazz Farrago. Compilation of Features from Jazz at Ronnie Scott’s Magazine, London 2008 [book: Hampstead Press], p. 182-183 (Film-R)

Chris Searle: Forward Groove. Jazz and the Real World from Louis Armstrong to Gilad Atzmon, London 2008 [book: Northway Publications], p. 88-90 (F: chapter “NowJaap van de Klomp: Jazz Lives. Till We Shall Meet and Never Part, Utrecht 2008 [book: A.W. Bruna Uitgebers], p. 58-59 (F: biography and photo of tombstones) [digi.copy]

Sascha Feinstein: Rearview Mirror, in: The Note, #46 (Summer 2008), p. 20-25 (F: autobiographical essay with Parker references) [digi.copy]

Wolfram Knauer: Parker’s Mood. Genese einer Bluesimprovisation, in: Ole Kongsted & Niels Krabbe & Michael Kube & Morten Michelsen (eds.): A due. Musical Essays in Honour of John D. Bergsagel & Heinrich W. Schwab, Copenhagen 2008 [book: The Royal Library], p. 322-345 (F/A) [digi.copy]

Wynton Marsalis & Geoffrey C. Ward: Moving to Higher Ground. How Jazz Can Change Your Life, New York 2008 [book: Random House; German translation as: “Jazz, mein Leben. Von der Kraft der Improvisation”, München 2010: Siedler Verlag], p. 147-149 (F: chapter “Lessons from the Masters. Charlie Parker”)

David Remnick: Bird-Watcher. Thinking about Charlie Parker, every day, in: The New Yorker, 19.May 2008, p. 58-67 (F/I with Phil Schaap) [digi.copy]

Brian Glasser: Turning Point. Scrapple from the apple. Saxophonist Chris Biscoe on the album that changed his life, Charlie Parker’s “Bird on 52nd Street”, in: Jazzwise, #122 (Aug.2008), p. 30 (F)

John McDonough: Charlie Parker & Arne Domnerus – “In Sweden. November 22, 1950” (Oktav 1164), in: Down Beat, 75/10 (Oct.2008), p. 80 (R: 2 1/2 stars) [digi.copy]

Brian Glasser: Turning Point. Chasing the bird. Gilad Atzmon on the album that changed his life, ‘Charlie Parker with Strings’, in: Jazzwise, #125 (Nov.2008), p. 40 (F)

Brian Priestley: Charlie Parker and Popular Music, in: Annual Review of Jazz Studies, #14 (2009), p. 83-99 (F/A)

Gary Giddins & Scott DeVeaux: Jazz, New York 2009 [book: W.W. Norton], p. 301-318 (F/A: chapter “Charlie Parker. ‘Ko Ko’ / ‘Embraceable You’ / ‘Now’s the Time'”)

Hans Offringa (& Jack McCray): Whisky & Jazz, Charleston/SC 2009 [book: Evening Post Publishing Company], p. 86-89 (F: short biographical essay)

John Gennari: Blaxploitation Bird. Ross Russell’s Pulp Addiction, in: Graham Lock & David Murray (eds.): Thriving On A Riff. Jazz & Blues Influences in African American Literature and Film, New York 2009 [book: Oxford University Press], p. 163-183 (F)

Leif Bo Petersen & Theo Rehak: The Music and Life of Theodore “Fats” Navarro. Infatuation, Lanham/MD 2009 [book: Scarecrow Press], passim (F)

Mark Laver: “The Greatest Jazz Concert Ever”. Critical Discourse, European Aesthetics, and the Legitimization of Jazz, in: Critical Studies in Improvisation, 5/1 (2009) (F) [digi.copy]

Peter Bölke & Rolf Enoch: Roads of Jazz, Hamburg 2009 [book: Edel Books], p. 72-83 (F: chapter “Charlie Parker”)

Robin D.G. Kelley: Thelonious Monk. The Life and Times of an American Original, New York 2009 [book: Free Press], passim (F)

Ted Panken: Charlie Parker – “Washington, D.C., May 23, 1948” (Uptown 27.55), in: Down Beat, 76/2 (Feb.2009), p. 80 (R: 4 stars) [digi.copy]

John Fordham: 50 great moments in jazz: Charlie Parker. One of the most influential improvisational soloists in jazz, and a pioneer of bebop, Parker was able to move away from a tune’s ‘home’ key and back without losing the thread, in: The Guardian, 20.Jul.2009 (F) [digi.copy]

Ethan Iverson: Lester Young Centennial. 2) Oh, Lady!, in: , 27.Aug.2009 (A/T: “Lady be Good” as recorded by Coleman Hawkins, Lester Young, Charlie Parker, Lee Konitz, Herschel Evans, Chu Berry) [digi.copy] {filed under Lester YOUNG}

John Fordham: 50 great moments in jazz: Charlie Parker’s first recordings. Writtten hastily during rehearsals, these songs contain some of the most memorable melodies in 20th-century music, in: The Guardian, 13.Aug.2009 (F) [digi.copy]

John Fordham: 50 great moments in jazz: Charlie Parker teams up with Ross Russell. Parker’s deal with the record shop-owner was a defining moment for the saxophonist, as it led him to create some of the most memorable jazz improvisation of all time, in: The Guardian, 24.Sep.2009 (F) [digi.copy]

Barry Witherden: The Yardbird and the jazz child. Barry Witherden examines the special relationship between Sheila Jordan and Charlie Parker, in: Jazz Journal, 62/8 (Oct.2009), p. 6-8 (F) [digi.copy]

John Fordham: 50 great moments in jazz: The Quintet – Jazz At Massey Hall. Charlie Parker’s final collaboration, featuring bebop’s biggest stars, is one of the greatest recorded live shows in jazz, in: The Guardian, 23.Oct.2009 (F) [digi.copy]

Hans-Joachim Heßler: Der zornige Baron. Das Prinzip Diskontinuität im Leben und konzept-kompositorischen Schaffen des Charles Mingus jr., Duisburg 2010 [book: United Directions of Music], p. 246-272 (F: chapter “Charlie Parker. 1946, 1952-53 und 1955”)

Jimmy Heath & Joseph McLaren: I Walked With Giants. The Autobiography of Jimmy Heath, Philadelphia 2010 [book: Temple University Press], passim (F)

Juan C. Zagalaz: Innovaciones melódico armónicas en la improvisación jazzistica. Un recorrido a través de Body and Soul (1935-1945), Jaén/Spain 2010 [PhD thesis: Universidad de Jaén], p. 191-194 (A); p. 207-210 (A); p. 243-250 (A); p. 258-260 (A); p. 342-343 (T: “Body and Soul”); p. 351-353 (T: “Body and Soul”); p. 367-370 (T: “Body and Soul”) [digi.copy]

Ralf Dombrowski: Portrait Saxofon. Kultur, Praxis, Repertoire, Interpreten, Kassel 2010 [book: Bärenreiter], p. 32-35 (FTom Nolan: Three Chords for Beauty’s Sake. The Life of Artie Shaw, New York 2010 [book: W.W. Norton]; reprint as, Tom Nolan: Artie Shaw. King of the Clarinet. His Life and Times, New York 2011 [book: W.W. Norton], passim (F)

Marcus A. Woelfle: Aber die Kunst kennt Grenze. Zum 90. Geburtstag des Bebop-Genies Charlie Parker,in: Jazz Zeitung, 35/3 (Jun/Aug.2010), p. 22-23 (F)

Alun Morgan: Lost in Meditation. Bird at Carnegie, in: Jazz Journal, 63/7 (Jul.2010), p. 20 (F)

Marc Myers: Ira Gitler on Parker’s Mood, in: , 7.Jul.2010 (F/I with Ira Gitler about song titles by Charlie Parker and the story behind them: “Another Hair-Do”; “Barbados”; “Billie’s Bounce”; “Bloomdido”; “Cheryl”; “Constellation”; “Dewey Square”; “Donna Lee”; “Half Nelson”; “Kim”; “Klactovedsteen”; “Klaunstance”; “Laird Baird”; “Marmaduke”; “Quasimodo”; “Sippin’ at Bells”)

Marc Myers: Charlie Parker and McKusick’s Suit, in: , 31.Aug.2010 (F/I with Hal McKusick about how Charlie Parker ended up wearing his suit while performing at Billy Berg’s in 1946) [digi.copy]

Marc Myers: Phil Schaap. Charlie Parker, in: , 23-26.Aug.2010 (F/I with Phil Schaap) [digi.copy]

Berthold Klostermann: Der Pyrotechniker. Der Altsaxophonist Charlie Parker, genannt “Bird”, war die erste Ikone des modernen Jazz. Sein Leben und seine Musik boten Stoff für Filme und Romane. Anlässlich seines 90. Geburtstags erinnert Berthold Klostermann an den charismatischen Innovator, in: Fono Forum, Oct.2010, p. 50-52 (F) [digi.copy]

Corey Kilgannon: Where a Bird Played Sax, Now Others Find Refuge, in: New York Times, 23.Nov.2010 (F: Charlie Parker’s old New York East Village row house) [digi.copy]

René de Hilster: Stijlbepalende albums, deel 6. Charlie Parker. The Dial & Savoy Sessions, in: Jazz Nu, 33/6 (Winter 2010), p. 122-125 (F)

Allen Forte: The Development of Diminutions in American Jazz, in: Journal of Jazz Studies, 7/1 (2011) , p. 7-27 (F/A: Lester Young: “Blues ‘n’ Bells” / “These Foolish Things”; Modern Jazz Quartet: “Bluesology”; Charlie Parker: “Blues” / “I’m In the Mood for Love”) [digi.copy]

Jacques Réda: Autobiographie du Jazz, Paris 2011 [book: Climats], p. 197-204 (F)

Jim Austin: A Day with a Jazz Musician, in: Brilliant Corners, 16/1 (Winter 2011), p. 42-59 (short story)

Karl Lippegaus: John Coltrane. A Love Supreme, Hamburg 2011 [book: edel:vita], p. 25-28 (F: chapter “Bird”) [digi.copy]

Tad Hershorn: Norman Granz. The Man Who Used Jazz for Justice, Berkeley 2011 [book: University of California Press], passim (F)

Ted Gioia: The History of Jazz, New York 2011 [book: Oxford University Press], p. 185-200 (F: mentioned in chapter “The Birth of Bebop”); p. 200-216 (F: mentioned in chapter “The Mainstreaming of Bebop”)

Jody Espina: Jazz School. Woodshed. Paraphrasing the Greats, in: Down Beat, 78/1 (Jan.2011), p. 64-65 (A: Charlie Parker’s “Biellie’s Bounce”) [digi.copy]

Stig Linderoth: The Quintet at Massey Hall, in: Orkester Journalen, 79/1 (Feb/Mar.2011), p. 22-25 (F)

Daniel M. Gold: Theater Review. ‘Cool Blues’. A Jazzman Encounters His Life and Death, in: New York Times, 30.Mar.2011 (C: drama “Cool Blues” at the New Federal Theater) [digi.copy]

Ira Gitler: Bird With Strings, Ute Lemper, in: Jazz Inside, Apr.2011, p. 4 (C: Jazz at Lincoln Center tribute concert)

Wolfram Knauer: “The Complete Charlie Parker. Vol. 2: Now’s the Time 1945-1946” (Frémeaux & Associés FA 1332), in: Jazz Podium, 60/6 (Jun.2011), p. 79 (R) [digi.copy]

Larry Blumenfeld: Birdwatching in Manhattan. Charlie Parker’s Musical Descendants Gather in the City for His 91st Birthday, in: Wall Street Journal, 26.Aug.2011 (F/I with Toots Thielemans, Archie Shepp, Tia Fuller, James Carter) [digi.copy]

Michael Weston: Chords & Discords. Bird Flew with Soupy, in: Down Beat, 78/11 (Nov.2011), p. 10 (letter) [digi.copy]

William A. Pryor: Charlie Parker at Camarillo, in: IAJRC Journal, 44/4 (Dec.2011), p. 9-10 (F)

Classy Koehler: Jazz History. Short Takes, in: The Jassman, 6/1 (2012), p. 6-7 (short F) [digi.copy]

Derek Ansell: Sugar Free Saxophone. The Life and Music of Jackie McLean, London 2012 [book: Northway Publications], passim (F)

John Howland: Jazz with Strings. Between Jazz and the Great American Songbook, in: David Ake & Charles Hiroshi Garrett & Daniel Goldmark (eds.): Jazz / Not Jazz. The Music and Its Boundaries, Berkeley 2012 [book: University of California Press], p. 111-147 (F/A: Paul Whiteman: “Clap Yo’ Hands”; Artie Shaw: “Blues In the Night”; Frank Sinatra: “I’m Walking Behind You”; George Handy: “Bloos”; Stan Kenton & Pete Rugolo: “Lonesome Road”; Charlie Parker & Jimmy Carroll: “Just Friends”)

Maurizio Franco: Oltre il Mito. Scritti sul linguaggio del Jazz, Lucca 2012 [book: Libreria Musicale Italiana], p. 55-67 (F: chapter “Il mito Parker e la realtà del bebop”)

Paul Combs: Dameronia. The Life and Music of Tadd Dameron, Ann Arbor 2012 [book: University of Michigan Press], passim (F)

Peter Pullman: Wail The Life of Bud Powell, New York 2012 [book: Bop Changes], passim (F)

Stefano Zenno: Storia del Jazz. Una prospettiva globale, Viterbo 2012 [book: Stampa Alternativa], p. 289-294 (F: chapter “Maestri del bebop. Charlie Parker”)

Stephen Cottrell: The Saxophone, New Haven 2012 [book: Yale University Press], p. 206-212 (F/T: “Donna Lee”, excerpt)

Timme Rosenkrantz: Harlem Jazz Adventures. A European Jazz Baron’s Memoir, 1936-1969 (edited by Fradley Garner), Lanham/MD 2012 [book: Scarecrow Press], passim (F)

Enzo Capua: Qui New York. Avenue B, là dove ha abitato Bird, in: Musica Jazz, 68/8 (Aug.2012), p. 49 (F)

Jan Evensmo: The Altosax & Tenorsax of Charles Parker, “Charlie”, “Bird”, Oslo 18.Nov.2012 [booklet: Jan Evensmo] [digi.copy]

Steve Coleman: Charlie Parker – “Ko-Ko” (1948 live version), in: Viva La Musica, #334 (Oct.2012), p. 1 (A/T) [digi.copy]

Hans-Jürgen Schaal: Augenblicke für die Ewigkeit. Große Bläsersoli im Jazz. 4. Der Blues: Parker’s Mood (1948), in: Clarino.print, Jun.2013, p. 42, 44 (F)

Hans-Jürgen Schaal: Trainingslager. Wie Bläser üben (17). Die pulverisierte Rille, in: Clarino.print, Jun.2013, p. 17 (F: how Charlie Parker practiced)

Harvey Dickson: Charlie Parker, My Sister and Me, in: new York Times [The 6th Floor], 16.Jul.2013 (F) [digi.copy]

Joe Klopus: Racism still swirls around jazz legend Charlie Parker, in: The Kansas City Star, 31.Jul.2013 (F) [digi.copy]

NN: “Bird. The Life and Music of Charlie Parker”, by Chuck Haddix, in: IAJRC Journal, 46/3 (Sep.2013), p. 25 (B)

Dwight Garner: When Bird Was a Fledgling. “Kansas City Lightning. The Rise and Time of Charlie Parker”, by Stanley Crouch, in: New York Times, 10.Oct.2013 (B) [digi.copy]

Dan Morgenstern: ‘Kansas City Lightning’ by Stanley Crouch. ‘Bird’ by Chuck Haddix. ‘Celebratin’ Bird’ by Gary Giddins. Fast, slow or blue, Charlie Parker redefined the jazz vocabulary in his short life, in: Wall Street Journal, 18.Oct.2013 (B) [digi.copy]

Bill Beuttler: “Kansas City Lightning. The Rose and Times of Charlie Parker”, by Stanley Crouch, in: Jazz Times, 43/8 (Oct.2013), p. 69 (B)

Chris Waddington: Stanley Crouch brings a sharp tongue, smarts and a new Charlie Parker bio to New Orleans, in: new Orleans Times-Picayune, 6.Nov.2013 (B: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch) [digi.copy]

Brian Priestley: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch; “Bird. The Life and Music of Charlie Parker”, by Chuck Haddix, in: Jazzwise, #180 (Nov.2013), p. 52 (B) [digi.copy]

Ralf Frodermann: Der Ton der blauen Stunde. Charlie Parker im Streicherbeet, in: Jazz Podium, 62/11 (Nov.2013), p. 32 (F) [digi.copy]

David Hajdu: Bebop. “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch; “Bird. The Life and Music of Charlie Parker”, by Chuck Haddix, in: New York Times, 6.Dec.2013 (B) [digi.copy]

Bob Porter: Bird, Cab & Idris Muhammad, in: IAJRC Journal, 46/4 (Dec.2013), p. 31 (B: “Bird. The Life and Legend of Charlie Parker”, by Chuck Haddix)

Robert Bregman: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch, in: IAJRC Journal, 46/4 (Dec.2013), p. 41-42 (B)

Kevin Whitehead: Warum Jazz? 111 gute Gründe, Stuttgart 2014 [book: Reclam], p. 82-86 (F: chapter “Warum klang der Bebop, als er zuerst aufkam, so radikal? Stellte er einen Bruch mit älteren Stilen dar? Warum ist Charlie Parker so wichtig?”)

Wolfram Knauer: Charlie Parker, Stuttgart 2014 [book: Reclam], passim (F) [digi.copy]

Shaun Mullen: An Appreciation. Charlie ‘Bird’ Parker, in: The Moderate Voice, 27.Jan.2014 (F) [digi.copy]

Allan Kozinn: Be-Bopera. ‘Charlie Parker’s Yardbird’ Coming From Opera Philadelphia, in: New York Times, 30.Jan.2014 (F: The Opera Philadelphia has commissioned the saxophonist and composer Daniel Schnyder to compose a chamber opera about Charlie Parker, called “Charlie Parker’s Yardbird”. The opera with a libretto by Bridgette A. Wimberly will have its world premiere in June 2015) [digi.copy]

Stefan Künzli: Das Genie zwischen Innovation und Absturz. Jazz. Eine deutschsprachige Biografie von Charlie Parker zum 75 Geburtstag des Bebop und des modernen Jazz, in: Aargauer Zeitung, 15.Mar.2014 (B: “Charlie Parker”, by Wolfram Knauer) [digi.copy]

Bill Milkowski. Bird Takes Wing. A conversation with Stanley Crouch, in: Jazziz, 31/3 (Mar.2014), p. 60-64 (F) [digi.copy]

Ted Panken – Swing to Bop. “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch, in: Down Beat, 81/3 (Mar.2014), p. 73 (B) [digi.copy]

Bert Noglik: Wir setzen fort mit einer Buchempfehlung, in: MDR Figaro, 4.Apr.2014 (B: “Charlie Parker”, by Wolfram Knauer) [radio manuscript] [digi.copy]

Thomas Wolff: Der Sound aus Zimmer 305. Biografie. Wolfram Knauer kniet sich in die Sessions des Saxofonisten Charlie Parker hinein, in: Darmstädter Echo, 14.Apr.2014, p. 15 (B) [digi.copy]

Reiner Kobe: “Charlie Parker”, von Wolfram Knauer, in: Jazz Podium, 67/4 (Apr.2014), p. 61 (B) [digi.copy]

Robert Bregman: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch, in: Jazz Journal, 67/4 (Apr.2014), p. 14-15 (B)

Hans-Jürgen Linke: Charlie Parker Biographie / Jazz. Eine Blaupause für Mythen. Wolfram schreibt eine sorgfältige Biographie des großen Charlie Parker und zugleich ein vorbildliches Buch über die Geschichte des Jazz, in: Frankfurter Rundschau, 3.May 2014 (B) [digi.copy]

Wolfgang Sandner: Bebop durch alle Tonarten. Exzessives Leben und espressive Kunst. Wolfram Knauers vorzügliche Biographie des Jazzmusikers Charlie Parker, in: Frankfurter Allgemeine Zeitung, 13.May 2014 (B) [digi.copy]

Leif Wigh: Böcker. En gudabenådad vecka som skakade Sverige. “Charlie Parker i Sverige” by Martin Westin, in: Orkester Journalen, 82/2 (May/Jun.2014), p. 45 (B)

Reiner Kobe: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch; “Bird. The Life and Music of Charlie Parker”, by Chuck Haddix, in: Jazz Podium, 67/5 (May 2014), p. 65 (B) [digi.copy]

Brian Priestley: “Celebrating Bird. The Triumph of Charlie Parker”, by Gary Giddins, in: Jazzwise, #186 (Jun.2014), p. 52 (B)

Hans-Jürgen Linke: Birds Blindflug. Wolfram Knauers vorbildliches Buch zu Charlie Parker, in: Jazz Zeitung, 39/3 (Jun/Aug.2014), p. 17 (B)

Chris Walker: Everybody Got Naked With Charlie “Bird” Parker at the Wildes Party in L.A. History, in: L.A. Weekly, 8.Jul.2014 (F: Chris Walker reflects about a party the legendary Charlie Parker took part in on 15 July 1952 at Zorthian Ranch, an artists commune in northern Los Angeles which ended in a jam session at which first a single woman performed a striptease while Charlie Parker played “Embraceable You”, which was followed by most of the guests, including many of the musicians getting naked. A recording of the session survived the years and had been issued as a low-quality bootleg some years ago. Walker also describes how the tape recording survived and eventually was found and rescued by a “Bird Detective”, a Charlie Parker fanatic named John Burton.) [digi.copy]

Hans-Jürgen Linke: Wolfram Knauer. Blaupause für Mythen. “Charlie Parker”, sonst nichts. Kein Untertitel, keine näheren Angaben zu Absichten oder einschränkenden Fragestellungen. Wolfram Knauers Buch zu Charlie Parker kommt bescheiden daher, aber es ist vor allem eines: präzise, in: Jazzthetik, 28/7-8 (Jul/Aug.2014), p. 50 (B) [digi.copy]

Philip Clark: “Kansas City Lightning. The Rise and Times of Charlie Parker”, by Stanley Crouch; “Bird. The Life and Music of Charlie Parker”, by Chuck Haddix; “Testimony. A Tribute to Charlie Parker”, by Yusef Komunyakaa, in: The Wire, #365 (Jul.2014), p. 73 (B) [digi.copy]

Jazz Index: Louis Armstrong

Sample of Jazz Index for Louis Armstrong

————————————————-

Jazz Index – created on 13. August 2014

The following bibliographical information is drawn from periodicals and books present in the archive of the Jazzinstitut Darmstadt. Our extensive periodical collection comprises more than 55,000 issues of some 1,050 jazz periodicals. Close to two-thirds of the collection has been indexed.

Following the more recent entries are abbreviations denoting the nature of the material in the respective articles. These symbols are:

[A] = analytical remarks
[B] = extensive book review
[BT] = blindfold test
[C] = concert review
[D] = discography
[F] = feature article
[I] = interview
[“I”] = article written by the respective musician himself
[N] = (very short) news item
[O] = obituary
[R] = extensive record review
[T] = transcription

The Jazz Index is a service of the…

Jazzinstitut Darmstadt, Bessunger Strasse 88d, D-64285 Darmstadt, Germany
phone ++49 (6151) 963740, fax ++49 (6151) 963744

This bibliography has been compiled and mailed by … Jazzinstitut Darmstadt,
e-mail: jazz@jazzinstitut.de, Internet: www.jazzinstitut.de

Armstrong, Louis (tp * real name: Louis Daniel Armstrong; b: 4.Aug.1901, New Orleans/LA [most often given as 4.Jul.1900, New Orleans, but this is incorrect according to birth certificate]; d: 6.Jul.1971, New York; Lexikon: Feather [1955,1958,1960,1966,1976,1999]; New Orleans Jazz [1984]; Companion [1987]; New Grove [1988,2001]; rororo [1988]; Who’s Who [1989]; Reclam [1989]; Dictionnaire [1988,1995]; MusicHound [1999]; Rough Guide [1999,2000]; Yanow [2000]; vertical file: Louis ARMSTRONG [incl. manuscript + band arrangement “Swing That Music”;…,1995-1997,1999-2003,2005])

***

Joachim Ernst Berendt: Louis Armstrong und der Jazz, Mannheim o.J. [Sonderdruck]

Judith Lynn Porter: Louis Armstrong, in: NN (ed.): Louis’ Songbook. The Armstrong Treasury, New York o.J. [sheet music], p. 2, 5 (F)

Langston Hughes: The First Book of Jazz, New York [no date: Franklin Watts, Inc.], p. 32-36 (F: chapter “Louis Armstrong”)

NN (ed.): Louis’ Songbook. The Armstrong Treasury, New York o.J. [sheet music] (T: vocal/piano arrangements of “Ballad of Davy Crockett”; “The Bare Necessities”; “Before the Parade Passes By”; “Bibbidi-Bobbidi-Boo”; “Bill Bailes, Won’t You Please Come Home”; “Blues for Yesterday”; “Blues in the South”; “Chim Chim Cher-ee”; “Dallas Blues”; “Doctor Jazz”; “Easy Rider”; “Hello, Dolly”; “Hey, Look Me Over”; “Jackass Blues”; “Jimtown Blues”; “Livery Stable Blues”; “The Lonesome Road”; “A Lot of Livin’ to Do”; “Mame”; “Milenberg Joys”; “Muskrat Ramble”; “Do You Know What It Means to Miss New Orleans”; “Put On a Happy Face”; “Put On Your Sunday Clothes”; “Sidewalk Blues”; “Sugar Foot Stomp”; “That Old Black Magic”; “Tin Roof Blues”; “When the Saints Go Marching In”; “Willie the Weeper”; “Wolverine Blues”)

NN: few Juveniles Arrested, in: new Orleans Times-Democrat, 2.Jan.1913 (N: arrested for discharging a revolver at Rampard and Perdido Street. “Being an old offener he was sent to the negro Waif’s Home”) [digi.copy]

NN: Registration Cart [draft card], 12.Sep.1917 (F: registration card filled out by Louis Armstrong) [digi.copy]

NN: Recording Artist, in: The Pittsburgh Courier, 16.Mar.1929, p. B5 (N/photo) [digi.copy]

NN: At Harlem Theaters. At the Lafayette, in: New York Amsterdam News, 26.Jun.1929, p. 12 (C; plus advertisement with picture for Okeh Records, “Basin Street Blues”) [digi.copy]

NN: Louis Armstrong, in: New York Amsterdam News, 26.Jun.1929, p. 13 (N: picture; also: concert advertisement) [digi.copy]

NN: Louis Armstrong Next Big Attraction Here. King of Cornetists, a Columbia Record Star, To Make First Appearance in Pittsburgh At Pythian Temple May 5 and 6, in: The Pittsburgh Courier, 26.Apr.1930, p.3 (F) [digi.copy]

NN: Louis Armstrong, World’s Best Cornetist, Here Monday, Tuesday. Capacity Crowds Expected At Pythian Temple To Welcome Famed New York Celebrity and Record Star Upon First Appeacance In This City, in: The Pittsburgh Courier, 3.May 1930, p. 8 (F, photo) [digi.copy]

Chappy Gardner: Louis Armstrong Arrested in Big Dope Scandal. Coronetist [sic] Held In Big Dope Catch, in: The Pittsburgh Courier, 6.Dec.1930, p. 1 (F) [digi.copy]

Chappy Gardner: Louis Armstrong Arrested in Big Dope Scandal. Coronetist [sic] Held in Big Dope Catch, in: Pittsburgh Courier, 6.Dec.1930, p. 1 (F) [digi.copy]

NN: Louis Armstrong Is Still ‘King’ Of All Trumpeters, in: The Pittsburgh Courier, 14.Feb.1931, p. A8 (N) [digi.copy]

NN: “Two Kings” Meet in Sunny California, in: The Pittsburgh Courier, 28.Feb.1931, p. 2 (N/photo: Louis Armstrong at Frank Sebastian’s Cotton Club, Culver City, California) [digi.copy]

NN: Sentence Trumpet King, in: The Pittsburgh Courier, 21.Mar.1931, p. 1 (short F: sentenced to six months in prison for possession of marihuana) [digi.copy]

NN: Louis Armstrong Out. Sentence Cut Short, in: The Pittsburgh Courier, 28.Mar.1931, p. 1 (F) [digi.copy]

NN: Weil, Laureate of Former City Regime, Jailed. Accused by Musician of Extortion Plot, in: Chicago Sunday Tribune, 19.Apr.1931, p. 3 (F) [digi.copy]

NN: Louie Armstrong Had No Place To Toot Horn; Crowds Followed Him. Thousands of New Orleans Dance Lovers Disappointed As Famous Orchestra Leader Gets All Dressed Up, But No Place to Play, in: Pittsburgh Courier, 19.Sep.1931, p. A8 (F) [digi.copy]

George D. Tyler: louis Armstrong Learned to Blow Trumpet in Municipal Home for Boys, in: Afro-American, 26.Dec.1931, p. 9 (F) [digi.copy]

NN: Armstrong’s Tift, Rumor Is Afloat, in: Pittsburgh Courier, 26.Dec.1931, p. 3 (F: Louis + Lil Armstrong seeking legal separation) [digi.copy]

Robert Goffin: Aux frontières du jazz, Paris 1932 [book: Éditions du Sagittaire], p. 177-179 (F: chapter “Les grands Jazz nègres. Louis Armstrong”) [digi.copy]; p. 197-199 (F: chapter “Les individualités du Hot. Louis Armstrong”) [digi.copy]

NN: Armstrong, In Suit, Says He’s Not Unique, in: Afro-American, 16.Jan.1932, p. 16 (F) [digi.copy]

NN: Armstrong-Connie Court Fight Ends. Musician Comes to Terms With Former Manager and Cabaret Owners, in: New York Amsterdam News, 20.Jan.1932, p. 2 (F) [digi.copy]

NN: Lawyer for Armstrong, Cornet King, Calls Him Ordinary. Result of Suit Hinges on His Ability as a Jazz Artist, in: Atlanta World, 17.Jan.1932, p. 2 (F) [digi.copy]

NN: Trumpeter Fights Ban. Louis Armstrong’s Talent Not Unique, Managers Contend. Witness Rates Cab Calloway, Duke Ellington, Fletcher Henderson and Others Above Cornetist in U.S. Court Suit Here, in: New York Amsterdam News, 13.Jan.1932, p. 1, 10 (F) [digi.copy]

NN: “Black Rascal” Sold 100,000 Records. “Time” Magazine Calls Louis Armstrong “Bullet-headed, Satchel-mouth”, in: Afro-American, 18.Jun.1932, p. 16 (F) [digi.copy]

Dan S. Ingman: England’s Welcome to Louis Armstrong, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 50-55 (F; reprint, from: The Melody Maker, Aug.1932)

NN: Louis Armstrong, Special, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 48-50 (short F; reprint from Rhythm, Oct.1932)

NN: Critic Calls Louis Armstrong Modern Angel Gabriel. Rumors of Trumpeter’s Death “Greatly Exaggerated,” as He is Very Much Alive and Going Strong, in: Afro-American, 15.Apr.1933, p. 9 (F) [digi.copy]

R.D. Darrell: “L’Espiègle” Noir (Black Eulenspiegel), in: Music. Magazine International du Jazz (Belgium), 9/91 (Apr.1933), p. 93-94 (F; in French and English)

H. De La Tour: Our Performers Abroad, in: New York Amsterdam News, 23.Aug.1933, p. 7 (F: Louis Armstrong, Paul Robeson in London) [digi.copy]

NN: Unpaid Policy “Hit” Causes man’s Death. Porto Rican Slain by Player of Numbers Game After Failure to Pay Debt, in: New York Amsterdam News, 20.Sep.1933, p. 16 (F: murder happened while Louis Armstrong’s “I’ll Be Glad When You’re Dead” was playing on the radio) [digi.copy]

NN: Louie to Stay in Europe, in: Pittsburgh Courier, 28.Oct.1933, p. A6 (F: Armstrong to continue European tour, though his manager returned to the USA) [digi.copy]

Trumpet King Says Goodbye Forever to U.S., in: Afro-American, 11.Nov.1933, p. 19 (F) [digi.copy]

A. Sorkine: Le Jazz en Hollande. Armstrong et Ellington, in: Music. Le Magazine du Jazz (Belgium), 10/101 (Feb.1934), p. 2, 4 (C)

NN: Armstrong Is Being Panned. Louis Got Temperamental and Withdrew From the Concert With Hawkins, in: New York Amsterdam News, 28.Apr.1934, p. 6 (F: problems with planned joined concert by Louis Armstrong and Coleman Hawkins) [digi.copy]

Bob Williams: The Hawkins-Armstrong Feud, in: Afro-American, 19.May 1934, p. 9 (F: problems with planned joined concert by Louis Armstrong and Coleman Hawkins because Armstrong has second place in billing) [digi.copy]

NN: Armstrong Plays His Swan Song In England. Louis in Final Week and Will Leave for the United States, in: New York Amsterdam News, 14.Jul.1934, p. 6 (F) [digi.copy]

Several authors: la Presse et les Concerts de Louis Armstrong, in: Music. Le Magazine du Jazz (Belgium), 12/114 (Mar.1935), p. 11-14 (F/C: concerts in Belgium and Paris)

NN: No Improvement in Lip of Star Trumpeter. ‘Melody Maker’ Brings In Sad News of Louis. Armstrong Must Not Use Trumpet for Quite a While, Says London Paper, in: New York Amsterdam News, 13.Apr.1935, p. 10 (F) [digi.copy]

NN: Louis Armstrong. ‘My Chops Was Beat – But I’m Dyin’ to Swing Again’, in: Down Beat, Jun.1935 (F/I); reprint, in: Down Beat, 61/2 (Feb.1994), p. 20, 22 (F/I); reprint, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 22 (F/I); reprint, in: Frank Alkyer & Ed Enright (eds.): Down Beat. The Great Jazz Interviews. A 75th Anniversary Anthology, New York 2009 [book: Hal Leonard Books], p. 3 (F/I)

Ishmael Northcross: Louis Armstrong Would “Toot” the Classics. Them Cats Are Ready Says Louis, in: Atlanta Daily World, 5.Jul.1935, p. 2 (F/I) [digi.copy]

Ishmael Northcross: Louie Armstring Changes Style of Trumpet Playing. Shelves “Gut-Bucket” Style for New Symphonic Jazz. Has New Group of Musicians. Six Weeks of Rehearsing Ends When Tour Starts, in: Afro-American, 6.Jul.1935, p. 8 (F/I) [digi.copy]

Ishmael Northcross: Armstrong Eyes Symphonic Jazz as Real Hope of Music. Prince of Trumpet Plans New Innovation in Symphonic Jazz – Says His Boys Can Really “Swing”, in: Pittsburgh Courier, 13.Jul.1935, p. 16 (F/I) [digi.copy]

NN: Louis Armstrong’s Ex-Manager Takes Receipts at Dance. Johnny Collins, White, Claims Money Due on Sale of Contract. Says Hoe Glazer Should Pay $5,000. $260 Cllected from Baltimore Engagement, in: Afro-American, 13.Jul.1935, p. 8 (F) [digi.copy]

NN: Louis Has Made Most Recordings, in: Atlanta Daily World, 15.Jul.1935, p. 3 (F) [digi.copy]

NN: “I’ll Send ‘Em Away Sizzling,” Says Louie, in: Atlanta Daily World, 19.Jul.1935, p. 5 (F/I) [digi.copy]

NN: Lil Armstrong May Appear With Husband, in: Atlanta Daily World, 20.Jul.1935, p. 3 (F: but Lil is identified as “a singer of unusual ability”) [digi.copy]

NN: Trumpeter to Entertain Thousands at Apollo. Armstrong Making His First Appearance. Trumpeter in His Initial Showing at the Apollo Since His Return, in: New York Amsterdam News, 10.Aug.1935, p. 5 (F) [digi.copy]

John Hammond: Louis Armstrong – Sweethearts on Parade / Savoy Blues, in: Rhythm, Dec.1935, p. 19 (R)

Louis Armstrong: Satchmo. Mi vida en Nueva Orleans, in: Cuadernos de Jazz, #63 (Mar/Apr.2001), p. 40-43 (“I”; Spanish excerpt from “My Life in New Orleans”, 1936)

Louis Armstrong: What Is Swing?, in: Robert Walser (ed.): Keeping Time. Readings in Jazz History, New York 1999 [book: Oxford University Press], p. 73-76 (F; excerpted reprint, from: Louis Armstrong, Swing That Music, New York 1936)

NN: Louis Armstrong and his Orchestra – I’m In the Mood for Love / You Are My Lucky Star / Wrap Your Troubles in Dreams / A Monday Date, in: Rhythm, Feb.1936, p. 39-40 (R)

NN: Louis Armstrong Goes to Boston for New “High;” Gets $8,000 Per. King of Trumpet Players to Open Metropolitan Theater In Hub City At Record Figure, in: Pittsburgh Courier, 14.Mar.1936, p. A7 (F) [digi.copy]

NN: Louie Armstrong to Undergo Operation, in: Pittsburgh Courier, 28.Mar.1936, p. A6 (short F: tonsillectomy) [digi.copy]

NN: Louis Armstrong, Who Once Made 260 Consecutive “High C’s” and Finished on “Top F,” Is Daddy of Swing Music. Courier Correspondent Reveals Some Intimate “Inside Dope” On Famous Band Leader Who Is Breaking All Records Wherever He Appears, in: Pittsburgh Courier, 28.Mar.1936, p. A6 (F) [digi.copy]

NN: Louis Armstrong Offers To Donate His Services To Aid In Relief Of Flood Victims. Joe Glaser, His Manager, Announces Humane Action of America’s Foremost Attraction – MayBe Used in Big Cities, in: Pittsburgh Courier, 4.Apr.1936, p. A7 (F) [digi.copy]

John Hammond: Louis Armstrong – I’m Shootin’ High / I’ve Got My Fingers Crossed, in: Rhythm, Apr.1936, p. 30 (R)

John Hammond: Louis Armstrong and his Orchestra – Wild Man Blues / Melancholy, in: Rhythm, Apr.1936, p. 29 (R)

NN: Armstrong Establishes Local Dance Record. Capacity Crowd of 2,200 at Temple. King of Trumpet Players Brings Entire “Gang” to Town For Big Night – Heard Over Radio, in: Pittsburgh Courier, 2.May 1936, p. 16 (F) [digi.copy]

Porter Roberts: Praise and Criticisim. Debunking Mr. Joe Glaser (Louis Armstrong’s Manager), in: Pittsburgh Courier, 2.May 1936, p. 16 (F: critizing Glaser using white musicians to back Armstrong) [digi.copy]

John Hammond: Louis Armstrong and his Hot Seven – Alligator Crawl / Potato Head Blues, in: Rhythm, May 1936, p. 41 (R)

John Hammond: Louis Armstrong and his Orchestra – Old Man Mose / Music Goes Round and Around, in: Rhythm, May 1936, p. 42 (R)

NN: Sobol Calls Louie Armstrong ‘King of Swing’. Noted Columnist, Walter Winchell, Rave About Louie, in: Pittsburgh Courier, 6.Jun.1936, p. A7 (F) [digi.copy]

Porter Roberts: Praise and Criticism. Headlining – Louis Armstrong, in: Pittsburgh Courier, 13.Jun.1936, p. A9 (F: Armstrong earning too less for his fame) [digi.copy]

Hugues Panassié: Louis Armstrong – “Got a Bran’ New Suit” / “On Treasure Island” / “Thanks a Million” / Solitude” (Brunswick), in: Jazz Hot, 2/9 (Jun.1936), p. 20 (R) [digi.copy]

Hugues Panassié: Louis Armstrong – “Melancholy Blues” / “Wild Man Blues” / “Alligator Crawl” / “Potato Head Blues” (Parlophone), in: Jazz Hot, 2/9 (Jun.1936), p. 21-22 (R) [digi.copy]

John Hammond: Louis Armstrong and his White Band – I’m Putting All My Eggs / Yes, Yes, My, My, in: Rhythm, Jun.1936, p. 21 (R) [digi.copy]

Hugues Panassié: Louis Armstrong – “Old Man Mose” / “The Music Goes ‘Round and Around” (Brunswick), in: Jazz Hot, 2/10 (Jul.1936), p. 18-19 (R) [digi.copy]

Madeleine Gautier: Louis Armstrong – “You Are My Lucky Star” (Brunswick), in: Jazz Hot, 2/10 (Jul.1936), p. 7 (R) [digi.copy]

NN: Ashton Stevens, Noted Critic, Declares Louis Armstrong Is Definition of ‘Swing’. Says He Will Write About Him As Long As Satchmo’s Trumpet Playing Remains On Gold Standard – Praises Revue, in: Pittsburgh Courier, 1.Aug.1936, p. 16 (F) [digi.copy]

NN: Oh! Hum! Louis Breaks Two More Attendance Records in Missouri; Hollywood Bound, in: Pittsburgh Courier, 1.Aug.1936, p. 16 (short F) [digi.copy]

Ted Watson: Satchmo Armstrong Now Making Hollywood Movie, in: Afro-American, 15.Aug.1936, p. 10 (F: “Pennies from Heaven”) [digi.copy]

Bernice Patton: Louis “Scats to Town” in New Picture. “King of Trumpet” Toots His ‘Swing’ On Golden Horn, in: Pittsburgh Courier, 29.Aug.1936, p. 17 (F) [digi.copy]

B. ten Hove: Satch’mo. Louis Armstrong, in: Rhythm, Sep.1936, p. 37 (poem)

George T. Simon: What’s What Amongst Who’s Who, in: Rhythm, Sep.1936, p. 21 (kurzes F)

Al Moses: Armstrong Is Called Answer To Theater Owner’s Prayer. Visit to Harlem Is Great Box Office Triumph, Despite Lack of Boasting, in: Pittsburgh Courier, 3.Oct.1936, p. A6 (F) [digi.copy]

NN: Books Published Today, in: New York Times, 4.Nov.1936, p. 43 (N: “Swing That Music”) [digi.copy]

NN: Armstrong Coming At Crest of Popularity. Loendi Secures Largest Hall In City for Dec. 11. “King of Trumpet Stars” and Late Screen Star Will Play at Motor Square Garden Just About Time “Pennies From Heaven” Is Shown Here, in: Pittsburgh Courier, 28.Nov.1936, p. 19 (F) [digi.copy]

Franklyn Frank: Believes Musicians Are Derelict By Not Protecting Their Own Interests, in: Philadelphia Tribune, 3.Dec.1936, p. 10 (F: critical questions about their way of handling business to Fletcher Henderson, Louis Armstrong, Count Basie, Eddie Durham, Duke Ellington) [digi.copy]

Roi Ottley: “Jazz” Acquires Flashy Clothes as “Swing” In Fascinating and Colorful Saga of Satch. Louis Armstrong Pens First Book on Swing in Standard Volume, in: New York Amsterdam News, 12.Dec.1936, p. 13 (F/B) [digi.copy]

John Hammond: Louis Armstrong and his Hot Five – Two Deuces / Fireworks, in: Rhythm, Feb.1937, p. 11 (R)

Frank S. Nugent: The Screen. “Artists and Models”, Which Opened Yesterday at the Paramount, Is One of the Season’s Best Musicals, in: New York Times, 5.Aug.1937, p. 19 (Film-R)

NN: “Satchelmo” Is 37; Choo Berry Joins Cab, in: Down Beat, 4/8 (Aug.1937), p. 1 (N)

NN: Orchestra Personnels. Louis Armstrong & Orch., in: Down Beat, 4/8 (Aug.1937), p. 17 (personnel listing)

NN: Satchmo’ Returns To His First Love, in: Down Beat, 5/1 (Jan.1938), p. 3 (N: concert plans in Chicago) [digi.copy]

NN: Armstrong at Loew’s State, in: New York Times, 25.Mar.1938, p. 14 (N) [digi.copy]

NN: “Satchelmouth “Symbol Of Best Negro Music”. Has Been Idol Of Swing Music Disciples For Many Years, in: Down Beat, 5/3 (Mar.1938), p. 4 (F: biography, current band, biographies of band members)

NN: Armstrong in L.A. for Spot in Warner Film, in: Tempo, 6/3 (Sep.1938), p. 5 (N)

Hugues Panassié: Panassie Decries Plight of Critics!! French Jazz Authority Speaks His Mind to Dissipate the Many Misunderstandings Now Existing, in: Down Beat, 6/3 (Mar.1939), p. 3, 9 (F about the task of the jazz critic, the difficulties to “improve” jazz, Duke Ellington as good example, the differences between Louis Armstrong and Roy Eldrigde) [digi.copy]

Mickey Cherep: Armstrong Is Best Trumpeter – Prima, in: Down Beat, 6/3 (Mar.1939), p. 7 (short F) [digi.copy]

NN: Louis Armstrong & His Orchestra – “I can’t give you anything but love” / “Ain’t misbehavin'” (Decca F 6954); “I’ve got a pocketful of dreams” / “I’ve got a heart full of rhythm” (Decca F 6915), in: Estrad, 1/4 (Apr.1939), p. 32 (R)

“Barrelhouse Dan”: Louis Armstrong – “When the Saints Go Marching In” / “As Long As You Live” (Decca), in: Down Beat, 6/5 (May 1939), p. 20 (R) [digi.copy]

NN: Together Again, in: Down Beat, 6/6 (Jun.1939), p. 26 (N/photo: Louis Armstrong, Tiny Parham)

Park Breck: This Isn’t Bunk; Bunk Taught Louis, in: Down Beat, 6/6 (Jun.1939), p. 4 (F/I with Bunk Johnson, Louis Armstrong)

Park Breck: This Isn’t Bunk; Bunk Taught Louis, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 39-40 (F/I; Reprint aus DB, Jun.1939)

Paul Eduard Miller: Complete Louis Armstrong Discography, in: Down Beat, 6/6 (Jun.1939), p. 19, 22 (D); part 4, in: Down Beat, 6/9 (Sep.1939), p. 16 (D) [digi.copy]

NN: Louis Armstrong Takes Band to the Cotton Club, in: Jazz Information, 1/6 (17.Oct.1939), p. 1 (N)

NN: Swingin’ That Dream, in: New York Times, 26.Nov.1939, p. X3 (C: “Shakespeare’s “A Midsummer Night’s Dream” with Benny Goodman, Louis Armstrong, Maxine Sullivan) [digi.copy]

Charles Edward Smith: New Orleans Jazz (Decca A-425), in: Tom Piazza: Setting the Tempo. Fifty Years of Great Jazz Liner Notes, New York 1996 [book], p. 25-50 (F; Reprint of liner notes from 1940)

W. Stock: Louis Armstrong – The World’s Greatest Trumpet Player / Singin’ ‘n’ Playin’, in: Jazz Podium, 35/1 (Jan.1940), p. 40 (R)

NN: Armstrong Makes Small-Band Date, in: Jazz Information, 1/32 (10.May 1940), p. 1 (short F)

NN: Louis Armstrong. Spirit of Satchmo. “Harlem Stomp” / “You’ve Got Me Voo-Doo’d”, in: Metronome, 61/6 (Jun.1940), p. 20 (R) [digi.copy]

NN: A Rare Picture of the “Hot Five”, in: Down Beat, 7/15 (1.Aug.1940), p. 11115 (N/photo)

NN: Allen, Holmes Leave Louis, in: Jazz Information, 2/5 (20.Sep.1940), p. 3 (N)

George M. Avakian: The Unissued Armstrongs, in: Jerry’s Rhythm Rag, 2 (spring 1993), p. 24-25 (F: Original in “Jazz Information”, Dec.1940)

Charles Delaunay: Louis Armstrong – “Red Cap” / “Alexander’s Ragtime Band” (Brunswick), in: NN (ed.): Festival de Jazz Français, Paris 1941 [program booklet: Hot Club de France], p. 13 (R) [digi.copy]

Charlie Emge: Orson Welles Jazz Movie Will Star Louis Armstrong, in: Down Beat, 8/16 (15.Aug.1941), p. 7 (F)

Louis Armstrong: 60-Year-old ‘Bunk’ Johnson, Louis’ Tutor, Sits in the Band, in: Down Beat, 8/16 (15.Aug.1941), p. 11 (“I”)

NN: My Boy, Bunny Berigan, in: Down Beat, 39/13 (20.Jul.1972), p. 24 (short F/I; Reprint, from: Down Beat, 1.Sep.1941)

NN: Berigan “Can’t Do No Wrong,” Says Armstrong, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 49 (F/I; Reprint aus DB, Sep.1941)

NN: Illustrious Duo…, in: Down Beat, 8/19 (1.Oct.1941), p. 19 (N/photo)

NN: Lil Armstrong Snubbed by Hollywood! Louie’s Picture Will Have Hazel Scott in Big Role, in: Down Beat, 8/19 (1.Oct.1941), p. 4 (F)

André Coeuroy: Le point de vue d’Armstrong / Louis Armstrong, in: André Coeuroy: Histoire générale du Jazz. Strette – Hot – Swing, Paris 1942 [book], p. 36-37, 124-128 (F)

NN: Louis, in: Jazz Quarterly, Summer 1942, p. 4 (poem)

NN: Long for F.D.R., But Satchmo’ Gets a Roosevelt, Too, in: Down Beat, 9/4 (15.Feb.1942), p. 23 (short F) [digi.copy]

NN: Louie, Wife Out of Tune, in: Down Beat, 9/4 (15.Feb.1942), p. 1 (short F: planned divorce from Alfa Armstrong) [digi.copy]

NN: Satchmo Eyes Casa Manana, in: Down Beat, 9/6 (15.Mar.1942), p. 1 (short F) [digi.copy]

NN: Welles Jazz Film May Be Shelved. Louie May Never Be Immortalized in Great Movie, in: Down Beat, 9/9 (1.May 1942), p. 12 (short F)

NN: Four New Decca Sides for Satchmo, in: Down Beat, 9/10 (15.May 1942), p. 15 (N)

NN: Bunny and Harry, Says Pops, in: Down Beat, 9/11 (1.Jun.1942), p. 7 (N/photo)

NN: Louis Armstrong – “Coquette” / “Among My Souvenirs” (Decca Blue), in: Down Beat, 9/14 (15.Jul.1942), p. 20 (R) [digi.copy]

NN: Louie Armstrong Gets Important Film Role. To Play Feature Role in “Cabin”, in: The Pittsburgh Courier, 1.Aug.1942, p. 21 (F) [digi.copy]

NN: Louie’s “Battle of Music” Turns Into a Battle Royal, in: The Pittsburgh Courier, 1.Aug.1942, p. 42 (C: disturbances at concert with Louis Armstrong and Charlie Barnet) [digi.copy]

NN: Crow Running Ballrooms, in: Down Beat, 9/17 (1.Sep.1942), p. 11 (N: George Crow, former Armstrong road manager, now manager of ballrooms in Sioux City, Iowa) [digi.copy]

NN: Louie Rehearses for Cabin Role, in: Down Beat, 9/18 (15.Sep.1942), p. 7 (short F)

NN: Louie Armstrong Not Rewed – Yet, in: Down Beat, 9/20 (15.Oct.1942), p. 4 (N)

NN: Louie Loses Five, Has to Scramble, in: Down Beat, 10/21 (1.Nov.1943), p. 1 (N) [digi.copy]

Roger Pryor Dodge: Louis Armstrong, in: Jazz (USA), 1/10 (Dec.1943), p. 5-6 (F/T: “Wild Man Blues”); reprint, in: Roger Pryor Dodge: Hot Jazz and Jazz Dance, Collected Writings, 1929-1964, New York 1995 [book], p. 123-125 (F/T)

William C. Love: Louis Armstrong’s Discography, in: Jazz (USA), 1/10 (Dec.1943), p. 18-21 (D)

David Ewen: Louis Armstrong. “Chicago, Chicago, That’s Where I Belong…”, in: David Ewen: Men of Popular Music, Chicago 1944 [book: Ziff-Davis Publishing Company], p. 49-62 (F)

Robert Goffin: Louis Armstrong, in: Robert Goffin: Jazz. From the Congo to the Metropolitan, Garden City/NY 1944 [book: Doubleday, Doran & Co.; reprint: New York 1975: DaCapo], p. 114-129 (F) [digi.copy]

Robert Goffin: Satchmo and the Duke, in: Robert Goffin: Jazz. From the Congo to the Metropolitan, Garden City/NY 1944 [book: Doubleday, Doran & Co.; reprint: New York 1975: DaCapo], p. 167-179 (F) [digi.copy]

NN: Jordan, Armstrong Play Competish; Jordan Clicks, in: The Billboard, 56/1 (1.Jan.1944), p. 13 (N) [digi.copy]

Art Hodes: Wingie, Louie and Me. Continuing a Series on the Jobs and Experiences of Musicians. Chicago, Louis and Earl in 1928, in: The Jazz Record, #16 (Jan.1944), p. 6-7 (F)

NN: Armstron Uses New Men in Pic, in: Down Beat, 11/12 (15.Jun.1944), p. 16 (N) [digi.copy]

NN: Federal Agency Takes Ork’s Bus, in: Down Beat, 11/18 (15.Sep.1944), p. 6 (F: bus incident during tour) [digi.copy]

Bob Coe: Chords and Discords. More of Satchmo’, in: Down Beat, 11/20 (15.Oct.1944), p. 10 (letter) [digi.copy]

George T. Simon: Simon Says…, in: Metronome, 62/12 (Dec.1944), p. 34 (F: Harry James adores Louis Armstrong) [digi.copy]

Edmond Bernhard & Jacques Vergnies: Louis Armstrong, ou Le Jazz fait homme, in: Edmond Bernhard & Jacques Vergnies: Apologie du Jazz, Bruxelles 1945 [book], p. 119-123 (F)

Robert Goffin: Louis Armstrong, in: Robert Goffin: Histoire du Jazz, Montréal 1945 [book], p. 139-162 (F)

George T. Simon: Louis Armstrong, in: George T. Simon: Simon Says. The Sights and Sounds of the Swing Era, 1935-1955, New York 1971 [book], p. 461-462 (F; Reprint aus: Metronome, Jan.1945)

George T. Simon: Simon Says…, in: Metronome, 62/1 (Jan.1945), p. 38 (F: Muggsy Spanier, Bobby Hackett, Billy Butterfield, others find Armstrong the greatest) [digi.copy]

NN: Another N.O. Jazz Concert, in: Down Beat, 12/1 (1.Jan.1945), p. 1 (short F: concert with Louis Armstrong, Sidney Bechet, others) [digi.copy]

Carlos de Radzitzky: Louis “Satchmo” Armstrong, in: Jazz (Belgium), #1 (1.Mar.1945), p. 4-5 (F)

John Lucas: Louis Armstrong – “Hot Jazz No. 1” (Victor), in: Down Beat, 12/7 (1.Apr.1945), p. 8 (R) [digi.copy]

John Lucas: Louis Armstrong -“I Wonder”, “Jodie Man” (Decca), in: Down Beat, 12/7 (1.Apr.1945), p. 9 (R) [digi.copy]

NN: Louis Armstrong – “Louis Armstrong” (Victor Album HJ-1), in: Metronome, 62/5 (May 1945), p. 20 (R) [digi.copy]

The Two Deuces (= Barry Ulanov & Leonard Feather): Louis Armstrong – “Louis Armstrong” (Victor HJ-1), in: Metronome, 62/5 (May 1945), p. 20 (R) [digi.copy]

Leonard Feather & Louis Armstrong: Louis on jazz and swing, in: Metronome, 62/6 (Jun.1945), p. 26-27 (F/I: letter by Louis Armstrong to Leonard Feather) [digi.copy]

Leonard Feather: Louis Armstrong. Accentuate the Fortissoimo. Apollo, New York, in: Metronome, 62/6 (Jun.1945), p. 24 (C: with new band led by Joe Garland) [digi.copy]

NN: Louis, in: Metronome, 62/6 (Jun.1945), p. 5 (N) [digi.copy]

Rudi Blesh: Louis Armstrong and Metronome. “I Used to Follow Bunk All Over Town,” Says Louis, Disproving Metronome Attack on Old Time Jazz, in: The Jazz Record, #34 (Jul.1945), p. 4-5, 12 (F/I)

Roger Pryor Dodge: Louis Armstrong, Brunswick-Album No. B-1016, in: Pryor Dodge: Hot Jazz and Jazz Dance, Collected Writings, 1929-1964, New York 1995 [book], p. 312-314 (R; Reprint aus: The Record Changer, Sep.1945)

Günter Boas: Die Jazzbiographie. Louis Armstrong, in: Die Jazz-Club News, #3/4 (Oct/Nov.1945), p. 11 (F)

Hugues Panassié: Louis Armstrong at the Salle Pleyel, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 60-73 (F; reprint, from: “Douze Années de Jazz”, 1946)

Mezz Mezzrow & Bernard Wolfe: Really the Blues, New York 1946 [book: Random House], passim (F)

William Russell: Louis Armstrong, in: Frederic Ramsey, Jr. & Charles Edward Smith (Hgg.): Jazzmen, London 1958 [book; Reprint, O: New York 1946], p. 119-142 (F)

Pierre Petitot: Louis Armstrong à Detroit, in: Jazz Hot, 11/5 (Mar.1946), p. 8 (C)

NN: Armstrong Unit Hits the Road, in: Pittsburgh Courier, 25.May 1946 (short F) [digi.copy]

NN: Louis Armstrong’s Crew Set for Rankin Arena. Satchmo’s Gang Primed for Big Date on Aug. 23, in: Pittsburgh Courier, 17.Aug.1946, p. 23 (F) [digi.copy]

Bernard Laurence: Le dernier concert de Louis Armstrong, in: Jazz Hot, 13/15 (1947), p. 5-6 (C)

Charles Delaunay: Louis Armstrong 1947, in: Jazz Hot, 13/14 (1947), p. 4-6 (F/I)

Hugues Panassié: Louis Armstrong. L’homme, le style, l’oeuvre, Paris 1947 [book] (F/D)

Robert Goffin: Louis Armstrong. Le Roi du Jazz, Paris 1947 [book]

NN: Satchmo Opens $200,000 D.C. Music Hall Seating 3,000, in: Afro-American, 18.Jan.1947, p. 8 (short F) [digi.copy]

Michael Levin: Louis Is Superb in Carnegie Hall Concert, in: Jerry’s Rhythm Rag, #4 (Fall 1993), p. 37-38 (C; Reprint aus Down Beat, 26.Feb.1947)

Kaiser Marshall: When Armstrong Came to New York, in: The Jazz Record, #52 (Feb.1947), p. 12-15 (F); Reprint, in: Art Hodes & Chadwick Hansen (Hgg.): Selections from the Gutter. Portraits from the Jazz Record, Berkeley 1977 [book], p. 83-85 (F)

Billie Rowe: Louis Armstrong Gets Second Big Flicker Fling. Lionel Hampton Also Sought for Role in Danny Kaye Starrer, in: Pittsburgh Courier, 14.Jun.1947 (F) [digi.copy]

NN: Louis Armstrong – “You Don’t Learn That In School” / “I Believe” / “It Takes Time” / “I Wonder, I Wonder, I Wonder” (Victor 20-2228/40), in: Metronome, 63/6 (Jun.1947), p. 25 (R) [digi.copy]

NN: “Ole Satchmo” At Apollo, in: New York Amsterdam News, 5.Jul.1947, p. 17 (N/photo) [digi.copy]

Louis Armstrong: Brief aus Hollywood, in: Hot Club News (Frankfurt), #23/24 (Jul/Aug.1947), p. 7-8 (“I”) [digi.copy]

Louis Armstrong: Louis Armstrong über Be-Bop!, in: Hot Club News (Frankfurt), #23/24 (Jul/Aug.1947), p. 8 (“I”: positive remarks on bebop) [digi.copy]

George Hoefer: New Louis Discovery On Okeh, in: Down Beat, 14/17 (13.Aug.1947), p. 9 (short F: Armstrong with Clarence Williams)

NN: Armstrong Set For Berg Spot, in: Down Beat, 14/17 (13.Aug.1947), p. 1 (N)

NN: Louis Armstrong – “St. Louis Blues” / “Tiger Rag” / “Song of the Vipers” / “Will You Won’t You Be My Babe”; “Sunny Side of the Street” (Vox Album 300), in: Metronome, 63/8 (Aug.1947), p. 29 (R) [digi.copy]

Luis Araquw: Cara a cara con Louis Armstrong, in: Ritmo y Melodia (Spain), 4/23 (Sep.1947), p. 8 (F)

NN: Louis Armstrong’s Chicago Date Really Calls Out Law, in: Pittsburgh Courier, 4.Oct.1947, p. 17 (F: due to big success) [digi.copy]

NN: Louis Armstrong and His Concert Group, in: Down Beat, 14/22 (22.Oct.1947), p. 7 (large advertisement with press clippings)

Roy W. Stephens: Writer Raps Armstrong for Criticism of Trend, in: Lewis Porter: Jazz. A Century of Change. Readings and New Essays, New York 1997 [book: Schirmer], p. 182-184 (F; Reprint, from: Philadelphia Afro-American, 15.Nov.1947)

John Lucas: King Louis. His Silver Jubilee, in: The Record Changer, Dec.1947, p. 11 (F)

NN: Louis Armstrong and Big Sid Catlett…, in: Metronome, 63/12 (Dec.1947), p. 48 (N/photo)

GUP: Louis Armstrong, in: Hot Club Journal, 1/9 (1948)

Orrin Keepnews: A Louis Armstrong Review, in: Orrin Keepnews: The View from Within. Jazz Writing 1948-1987, New York 1988 [book], p. 101-103 (C; Reprint aus: Record Changer, 1948)

Franck Bauer: Le concert de Louis Armstrong, in: Jazz Hot, #special (Jan.1948), p. 4-5 (F/C)

Robert Sylvester & Frank Conniff & Bernie Woods: Armstrong Jazzmen at Carnegie Hall, in: Metronome, 64/1 (Jan.1948), p. 5 (C; reprint from New York dailies)

NN: Lionel, Armstrong Hot in N.Y. Theatres, in: Pittsburgh Courier, 7.Feb.1948, p. 14 (short F) [digi.copy]

NN: Louis’ French Date Definite, in: Down Beat, 15/3 (11.Feb.1948), p. 1 (N) [digi.copy]

Boris Vian: Armstrong bleibt der Meister, in: Boris Vian: Stolz und Vorurteile. Schriften, Glossen und Kritiken über Jazz, Wien 1990 [book], p. 40-41 (F; O: Combat, 24.Feb.1948)]

Boris Vian: Le Festival de Jazz de Nice. Louis Armstrong, in: Jazz Hot, #20 (Feb.1948), p. 15 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 51-52 (F)

Michel Emer: Louis Armstrong. Tel que je l’ai retrouvé…, in: Jazz Hot, #20 (Feb.1948), p. 6-7 (F)

Boris Vian: Louis Armstrong à Pleyel a triomphe “comme prevu”, in: Combat, 3.Mar.1948 (C); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 252-253 (C)

NN: Der Pokal dem Trompeter. Delirium in Nizza, in: Der Spiegel, 6.Mar.1948 (C) [digi.copy]

Ernest Borneman: Louis Plays in Paris; Fluffs Threat on Life, in: Down Beat, 15/6 (24.Mar.1948), p. 17 (F/C)

André Hodeir: Louis Armstrong à Paris, in: Jazz Hot, #21 (Mar.1948), p. 4 (F/C)

George Simon: Bebop’s the Easy Out, Claims Louis. They can give it, but they can’t take it, insists Armstrong, who threatens to hitch up his mule if things don’t get better soon, in: Metronome, 64/3 (Mar.1948), p. 14-15 (F/I)

George T. Simon: Bebop’s the Easy Way Out, Claims Louis, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 141-144 (F/I; reprint, from: Metronome, Mar.1948)

George T. Simon: Louis Armstrong, in: George T. Simon: Simon Says. The Sights and Sounds of the Swing Era, 1935-1955, New York 1971 [book], p. 29-31 (F/I; Reprint aus: Metronome, Mar.1948)

Hans Blüthner: Louis Armstrong and his Orchestra – “I Got Rhythm” / “Them There Eyes” (Odeon 31 747); “When You’re Smiling” / “Body and Soul” (Odeon 31 749), in: Melodie, 3/3 (Mar.1948), p. 14 (R) [digi.copy]

Henry Vadas: Retour au Hot Five, in: Jazz Hot, #21 (Mar.1948), p. 15 (F)

Ernest Borneman: “Bop Will Kill Business Unless It Kills Itself First” – Louis Armstrong, in: Down Beat, 7.Apr.1948, p. 2-3 (I with Louis Armstrong, Barney Bigard, Mezz Mezzrow); Reprint, in: Down Beat: 60 Years of Jazz, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 64-66 (I); Reprint, in: Robert Walser (ed.): Keeping Time. Readings in Jazz History, New York 1999 [book: Oxford University Press], p. 153-155 (I); reprint, in: Joshua Berrett (ed.): The Louis Armstrong Companion. Eight Decades of Commentary, New York 1999 [book: Schirmer Books], p. 144-151 (I); reprint, in: Down Beat, 76/7 (Jul.2009), p. 100-101 (I) [digi.copy]

Boris Vian: Quand Armstrong depasse les moyens moyens, in: Combat, 8.Apr.1948 (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 263-264 (F)

NN: Louis Inked for Leadoff Pop Concert, in: Down Beat, 15/8 (21.Apr.1948), p. 18 (N)

NN: N.O. Date for Louis, in: Down Beat, 15/8 (21.Apr.1948), p. 4 (N)

NN: Clicks in Mardi Gras Town. Armstrong Hot as Good Gumbo in N.O., in: Pittsburgh Courier, 1.May 1948, p. 15 (F) [digi.copy]

NN: NJF Sponsors Louis Concert, in: Down Beat, 15/9 (5.May.1948), p. 2 (N)

Boris Vian: Revue de Presse. A propos de Louis Armstrong, in: Jazz Hot, #23 (May 1948), p. 10-11 (F)

“gup”: Louis Armstrong, in: Hot Club Journal (Germany), 1/9 (Jun.1948), p. 19-20 (F) [xerox] [digi.copy]

NN: Louis’ Ciro’s Click Nets Click Date, in: Down Beat, 15/17 (25.Aug.1948), p. 2 (N) [digi.copy]

Mackie Paise: Armstrong Date Set in Vancouver, in: Down Beat, 15/23 (17.Nov.1948), p. 18 (N)

Ruth Gillis: Louis, College In Detroit Aid Race Harmony, in: Down Beat, 15/24 (1.Dec.1948), p. 9 (F/C)

Jack Egan: Television News. Louis Unit Shows Why ‘Live’ Music Is Sought, in: Down Beat, 15/25 (15.Dec.1948), p. 7 (F) [digi.copy]

George Hoefer: The Hot Box. King Louis Elected King of Zulus for Mardi Gras, in: Down Beat, 15/26 (29.Dec.1948), p. 11 (F)

NN: The Louie Cylinders, in: The Jazzfinder, 1/12 (Dec.1948), p. 5-6 (F)

André Hodeir: Huit faces de Louis Armstrong Hot Five, in: Jazz Hot, #special (Jan.1949), p. 16-17, 32 (F)

NN: Louis Armstrong – “Please Stop Playin’ Those Blues” / “Lovely Weather We’re Having” (Victor 20-2648), in: Metronome, 65/1 (Jan.1949), p. 43 (R) [digi.copy]

NN: Louis the First, in: Time, 23.Feb.1949, p. 30-33 (F/I) [digi.copy]

NN: Armstrong Reigns as King of the Zulus Back Home, in: Playback, 2/3 (#15, Mar.1949), p. 3-4 (F)

Leonard Feathwer: J’ai vu Satchmo en Roi des Zoulous. Le Mardi gras de Louis Armstrong, in: Jazz Hot, #32 (Apr.1949) (F); Reprint, in: Boris Vian: Écrits sur le jazz. Tome 1: Jazz Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 187-194 (F)

Peter Tanner: Louis Armstrong – “Please Stop Playing These Blues” / “Before Long” (HMV 89743); “Cash for Your Trash” / “I Never Knew” (Brunswick 04044), in: Jazz Journal, 2/4 (Apr.1949), p. 8 (R) [digi.copy]

Leonard Feather: En Mardi Grasparad in New Orleans. Leonard Feather har upplevt tre hektiska dagar I New Orleans med Louis Armstrong som King of the Zulus, in: Estrad, 11/5 (May 1949), p. 10-11 (F)

NN: Rey de los Zulúes, in: Ritmo y Melodia (Spain), 5/35 (May 1949), p. 1 (short F)

Pierre Artis: Recuerdo de Armstrong, in: Ritmo y Melodia (Spain), 5/35 (May 1949), p. 3 (F)

Al Sandstrom: Än leva gamla gudar. Glimtar från Los Angeles, in: Orkester Journalen, 17/6 (Jun.1949), p. 18-19 (news column: Louis Armstrong, Wingy Manone, Red Nichols, Kid Ory, Gene Krupa)

NN: Louis Armstrong and his Orchestra / Hot Six – “Joseph and his Brothers” / “I want a little girl” (HMV B. 9645), in: Orkester Journalen, 17/6 (Jun.1949), p. 28 (R)

Peter Tanner: Louis Armstrong – “Savoy Blues” / “Me and Brother Bill” (Decca F 7177), in: Jazz Journal, 2/6 (Jun.1949), p. 7 (R) [digi.copy]

Rolf Dahlgren: Louis Armstrong and his Hot Six / Orchestra – “I want a little girl” / “Joseph and his Brudders” (HMV B 9645), in: Estrad, 11/6 (Jun.1949), p. 15 (R)

Blicher-Hansen: Armstrong – “alt er i orden”, in: Estrad, 11/8 (Aug.1949), p. 1 (C: Copenhagen concert)

Leonard Feather: Blindfold Test. Louis Armstrong, in: Metronome, Sep/Oct.1949 (BT: Roy Eldridge: “Fiesta in Brass”; Bunk Johnson: “Franklin Street Blues”; Woody Herman: Keeper of the Flame”; Art Hodes: “Way Down Yonder in New Orleans”; Benny Goodman: “Sometimes I’m Happy”; Guy Lombardo: “Always”); Reprint, in: Jazz Times, 30/8 (Oct.2000), p. 46-47 (BT)

“-wil”: Louis, Ahearing on Same Bill Enrich Bop City Till, in: Down Beat, 16/19 (7.Oct.1949), p. 2 (F/C)

NN: Louis the First, in: BFN Anglo-German Swing Club, 20.Oct.1949, p. 1-7 (F; reprint from Time); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 43-48 (F) [digi.copy]

Leonard Feather: Lombardo Grooves Louis!… Bop Is Bunk!, in: Jazz Times, 25/4 (May 1995), p. 138 (BT; Reprint from: Metronome, Oct.1949: Roy Eldridge: “Fiesta in Brass”; Bunk Johnson: “Franklin Street Blues”; Woody Herman: Keeper of the Flame”; Art Hodes: “Way Down Yonder in New Orleans”; Benny Goodman: “Sometimes I’m Happy”; Guy Lombardo: “Always”)

NN: Armstrong et Béchet en France, in: Jazz Hot, #37 (Oct.1949), p. 5 (short F)

NN: Armstrong med drömsextetten i Sverige. Aftonbladet och Estrad arrangera. Alla tiders största jazzevenemang. Europapremiär i Stockholm 3 okt., in: Estrad, 11/10 (Oct.1949), p. 1 (F)

NN: Discographie d’Louis Armstrong, in: Jazz Hot, #37 (Oct.1949), p. 30 (D)

NN: Louis Armstrong en Suisse, in: Jazz Hot [Jazz-Revue (Switzerland)], #37 (Oct.1949), p. 41 (N)

NN: Jazz. Weißes Tuch auf schwarzer Stirn. Wenn King Louis bläst, in: Der Spiegel, 3/46 (10.Nov.1949), p. 34-35 (F) [digi.copy]

“N.H.” & Rolf Dahlgren & Sven Janthe & Percy Kull & Rhythm rascal & Charles Norman & CeHå & Elevinsohn: Armstrongs konserter – en folkfest utan like, in: Estrad, 11/11 (Nov.1949), p. 5-9 (C/photos)

André Hodeir: Popularité de Louis Armstrong, in: Jazz Hot, #38 (Nov.1949), p. 5 (F)

Carlos de Radzituky: Louis Armstrong en Belgique, in: Jazz Hot [Hot Club Magazine (Belgium)], #38 (Nov.1949), p. 37, 39 (F/C)

Gérard Pochonet: Louis Armstrong et Coleman Hawkins en France, in: Jazz Hot, #38 (Nov.1949), p. 20-21 (F/C)

Louis Emery: Earl Hines avec Louis Armstrong à Lausanne, in: Jazz Hot [Jazz-Revue (Switzerland)], #38 (Nov.1949), p. 41-42 (C)

Rolf Dahlgren: Louis Armstrong and his orchestra – “Coquette” / “Among my souvenirs” (Decca BM 4002), in: Estrad, 11/11 (Nov.1949), p. 17 (R)

Felix Steinmann: Louis Armstrong auf Europa-Tournee, in: Jazz (Germany), #1 (Dec.1949), p. 26 (C) [digi.copy]

Sinclair Traill: Louis Armstrong & His All Stars – “Endie” / “Jack Armstrong Blues” (HMV B9819), in: Jazz Journal, 2/12 (Dec.1949), p. 9 (R) [digi.copy]

NN: Louis Armstrong. Ein Leben für den Jazz, in: [label info: Odeon Schallplatten], ca. 1950s (F/D) [digi.copy]

J. Martin: Many Happy Returns, in: British Forces Network, #9 (1950)

Pierre Gazères: Les dialogues du jubilé Armstrong, in: Jazz Hot, #41 (Feb.1950), p. 26-27 (R)

Carlos de Radzitzky: Louis Armstrong in Europe. Satchmo’s Belgian Diary, in: Jazz Journal, 3/1 (Jan.1950), p. 6 (short F/photos) [digi.copy]

Peter Tanner: Louis Armstrong – “That Lucky Old Sun” / “Blueberry Hill” (Brunswick 04372); “Maybe It’s Because” / “I’ll Keep the Lovelight Burning” (Brunswick 04380), in: Jazz Journal, 3/1 (Jan.1950), p. 9 (R) [digi.copy]

Sinclair Traill: Louis Armstrong’s Hot Five – “Cornet Chop Suey” / “Muskrat Ramble” (Columbia DB), in: Jazz Journal, 3/2 (Feb.1950), p. 9 (R) [digi.copy]

NN: Apuntes para un retrato de Louis Armstrong, in: Jazz Crisis (Spain), 1/6 (Mar.1950), p. 42, 46 (F)

NN: Knight Brings King Louis Tribute, in: Down Beat, 17/8 (21.Apr.1950), p. 2 (N/photo)

NN: Louis Armstrong and his Hot Seven – “Hotter Than That”; “That’s When I’ll Come Back to You” (Odeon), in: Anglo-German Swing Club News, #6 (Apr.1950) (R); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 151 (R) [digi.copy]

Sinclair Traill: Louis Armstrong – “I’ll Get Mine Bye” / “Hey Lawdy Mama” (Brunswick 04296); “Yes Suh” / “Do You Call That a Buddy” (Brunswick 04297); “Long, Long Ago” / “Is the Gloaming” (Brunswick 04397), in: Jazz Journal, 3/4 (Apr.1950), p. 6 (R) [digi.copy]

Olaf Syman & Jack Martin: Louis Armstrong’s Dixieland Seven – “Where the Blues Were Born in New Orleans”; “Mahogany Hall Stomp” (HMV), in: Anglo-German Swing Club News Sheet, #7 (May 1950) (R); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 174 (R) [digi.copy]

Félix Manskleid: Portrait d’un demi-siècle. Satchmo fête son cinquantenaire, in: Jazz Hot, #45 (Jun.1950), p. 22 (F)

Louis Armstrong: Ulceratedly Yours, Louis Armstrong, in: Down Beat, 14.Jul.1950 (“I”); reprint, in: Down Beat, 61/7 (Jul.1994), p. 27 (“I”); reprint, in: Down Beat, 67/7 (Jul.2000), p. 36-37 (“I”); reprint, in: Frank Alkyer & Ed Enright (eds.): Down Beat. The Great Jazz Interviews. A 75th Anniversary Anthology, New York 2009 [book: Hal Leonard Books], p. 39-31 (“I”)

Alan P. Merriam & Robert J. Benford: Louis Armstrong. Bibliography, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 33-35 (Bibliography)

Albert J. McCarthy: Louis Armstrong. Discography, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 37-42 (D)

Bill Grauer: Louis Today, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 27 (F)

Bucklin Moon: Louis Armstrong. The Horn Behind the Blues, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 14 (F)

Charles Edward Smith: The Making of a King, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 19-21, 45-46 (F)

Fletcher Henderson: Louis Armstrong. He Made the Band Swing, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 15-16 (F/I)

George Avakian: Louis Armstrong – “I Mean the Jeebies”, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 22 (F)

George T. Simon: L (50th birthday), in: Metronome, 66/7 (Jul.1950), p. 15

Jack Martin: Many Happy Returns, in: Anglo-German Swing Club News Sheet, #9 (Jul.1950) (F); reprint, in: Horst Ansin & Marc Dröscher & Jürgen Foth & Gerhard Klußmeier (eds.): Anglo-German Swing Club. Als der Swing zurück nach Hamburg kam… Dokumente 1945-1952, Hamburg 2003 [book: Dölling und Galitz Verlag], p. 212 (F) [digi.copy]

Kay C. Thompson: Louis and the Waif’s Home. His Early Training Came “Back’o Jones”, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 8, 43 (F)

Lester Koenig: The Hot Five Sessions, by Kid Ory, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 17, 45 (F)

Louis Armstrong: Bunk Didn’t Teach Me, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 30 (“I”)

Louis Armstrong: Care of the Lip, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 20 (“I”)

Louis Armstrong: Joe Oliver Is Still King, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 10-11 (“I”)

Lucille Armstrong: Louis’ Favorite Dish. The Recipe for Red Beans and Rice, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 18 (F)

NN: From Louis’ Photo Album, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 28-29 (photo-F)

NN: Louis On the Spot. An Interview, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 23-24, 44 (I)

Orrin Keepnews: Louis Armstrontg. The Big Band Period, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 25-26 (F)

Peter Drew: Louis Armstrong. The Professional Viewpoint, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 31, 46-47 (F)

Rudi Blesh: On the Riverboats, in: The Record Changer, 9/6-7 (Jul/Aug.1950), p. 9, 43-44 (F)

George T. Simon: Louis Armstrong, in: Metronome, 66/8 (Aug.1950), p. 18-19

“mix”: Louis Armstrong – “La Vie en Rose”, “C’est Si Bon”, in: Down Beat, 17/19 (22.Sep.1950), p. 14 (R)

Pierre Belzeaux: Satchmo a fêté ses 50 ans, in: Jazz Hot, #47 (Sep.1950), p. 19 (F)

Barry Ulanov: History of Jazz. Part 4: Louis Armstrong, in: Metronome, 66/11 (Nov.1950), p. 14-15

Tallulah Bankhead: An Appreciation of Louis Armstrong, in: Flair, Nov.1950 (F); reprint, in: NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet], p. 16-17 (F) [digi.copy]

NN: Louis Armstrong’s 50 Dixieland Jazz Classics for the Cornet, New York 1951 [book/sheet music: Melrose Music Corp.] (T: “Black Bottom Stomp”; “Bucktown Blues”; “Cafe Capers”; “The Chant”; “Chattanooga Stomp”; “Chicago Breakdown”; “Chimes Blues”; “Copenhagen”; “Dallas Stomp”; “Dead Man Blues”; “Dixieland Blues”; “Doctor Jazz”; “Eassy Rider”; “Frog-i-more Rag”; “Grace and Beauty”; “Grandpa’s Spell”; “High Society”; “Hot Notes”; “Jackass Blues”; “Jimtown Blues”; “Kansas City Stomp”; “King Porter Stomp”; “Livery Stable Blues”; “London Blues”; “Maple Leaf Rag”; “Milenburg Joys”; “Mr. Jelly Lord”; “Mobile Blues”; “New Orleans Stomp”; “Panama Blues”; “The Pearls”; “San Sue Strut”; “She’s Crying For Me”; “Sidewalk Blues”; “Slippery Elm”; “Snag It”; “Sobbin’ Blues”; “Spanish Shawl”; “Steamboat Stomp”; “Stomp Your Stuff”; “Sugar Babe”; “Sugar Foot Stomp”; “Tampeekoe”; “Tin Roof Blues”; “Tia Juana”; “29th & Dearborn”; “Wa Wa Wa”; “Weary Blues”; “Wolverine Blues”)

NN: Louis Armstrong & Louis Jordan – “Life Is So Peculiar” / “You Rascal You” (Decca 27212), in: Metronome, 67/1 (Jan.1951), p. 25 (R) [digi.copy]

NN: Louis Armstrong Packs ‘Em in at Local Nightclub, in: Los Angeles Sentinel, 12.Apr.1951, p. B3 (short F) [digi.copy]

Rudolf Ebel: Louis Armstrong – “Knee Drops” / Carroll Dickerson – “Savoyagers Stomp” (Odeon O-31807), in: Jazz Tempo, 1/1 (Apr.1951), p. 12 (R) [digi.copy]

NN: Jazz-Nachrichten. Armstrong am 9.8. in Nürnberg?, in: Jazz Tempo, 1/2 (May 1951), p. 16 (N) [digi.copy]

NN: Jazz-Nachrichten. Film mit Armstrong, in: Jazz Tempo, 1/2 (May 1951), p. 16 (N: “The Strip”) [digi.copy]

Bill Grauer: Letter to Louis, in: The Record Changer, 10/6 (Jun.1951), p. 5 (F)

Carlos de Radzitzky: Deux concerts de Louis Armstrong en Long-Playing, in: Jazz Hot [Hot Club Magazine (Belgium)], #56 (Jun.1951), p. 31, 33 (C)

NN: Gordon Jenkins. Armstrong’s Alter Ego, in: Metronome, 68/6 (Jun.1951), p. 16

NN: Louis Armstrong, in: VierViertel, 5/7 (Jul.1951), p. 30 (N: angekündigtes Deutschland-Gastspiel)

Claes Dahlgren: Nytt från New York, in: Orkester Journalen, 19/8 (Aug.1951), p. 10 (N)

NN: Louis 1925-1947, in: Metronome, 67/8 (Aug.1951), p. 18-19, 33

NN: Louis Armstrong and his Orchestra – “I velieve” / “You don’t learn that in school” (HMV SG 285); “Linger in my arms a little longer, baby” / “Blues for yesterday” (HMV X 7716), in: Orkester Journalen, 19/8 (Aug.1951), p. 17 (R)

Ted Warner: Hört i Chicago, in: Orkester Journalen, 19/8 (Aug.1951), p. 14-15 (C)

NN: Personalien. Louis Armstrong, in: Der Spiegel. 17.Oct.1951, p. 24 (short F: Armstrong gets his lip balm through Hans Blüthner and Kurt Widmann) [digi.copy]

Claes Dahlgren: Nytt från New York. Armstrong filmar flitigt, in: Orkester Journalen, 19/10 (Oct.1951), p. 10 (short F)

Joachim Ernst Berendt: Armstrong. Baby, jetzt kommt die Krone. Geliebte kleine Jazztrompete. Jazz-King Louis Armstrong, in: Der Spiegel, 5/48 (28.11.1951), p. 24-27, cover (F) [digi.copy]

Claes Dahlgren: Nytt från New York. Okänd trombonist med Armstrong, in: Orkester Journalen, 19/11 (Nov.1951), p. 11 (short F)

NN: Louis Armstrong Plays New Years Show at Oasis, in: Los Angeles Sentinel, 27.Dec.1951, p. B7 (short F) [digi.copy]

NN: Wie sie wurden, was sie sind. Louis Armstrong, in: Hör Zu!, #49 (Dec.1951) (F); reprint, in: Swinging Hamburg Journal, 10/39 (2011), p. 22 (F) [digi.copy]

Sinclair Traill: Requiem for the All Stars, in: Jazz Journal, 4/12 (Dec.1951), p. 1-2 (F)

Art Buchwald: Paris – and People. ‘Satchmo’ Abroad, in: New York Herald Tribune, 1952 (F/I); reprint, in: NN: Louis Armstrong and his Concert Group. The Ambassador of Jazz, USA 1958 [program booklet], p. 19 (F/I) [digi.copy]

Barry Ulanov: Louis, in: Barry Ulanov: The History of Jazz in America, New York 1952 [book: The Viking Press], p. 87-97 (F) [digi.copy]

E.J.: Maturafeier mit Louis Armstrong, in: Podium, 4/55 (1952), p. 5

Erwin Kester: Trompete – Ausdruck schöpferischer Lebenskraft. Louis Armstrong musizierte im Frankfurter Althoffbau, in: Frankfurter Rundschau, 1952 (C) [digi.copy]

H. Redl: Louis Armstrong and his All-Stars, in: Podium, 4/53 (1952), p. 7

J. Vermont: Les concerts. La tournée Louis Armstrong, in: Jazz Hot, 18/72 (1952), p. 13-15

Joachim Ernst Berendt: Armstrong-Tournee. Künstlerisch sehr wertvoll, in: Melody Maker, 6/45 (1952), p. 25

Lil Armstrong: Comment j’ai connu Louis, in: Jazz Hot, 18/71 (1952), p. 10-11

Lil Armstrong: Lil Armstrong revit l’age d’or de Chicago, in: Jazz Hot, 18/72 (1952), p. 10ff.

Lucien Malson: Louis Armstrong, in: Lucien Malson: Que sais-je? Les maitres du jazz, Paris 1952 [book], p. 36-52 (F)

NN: Louis Armstrong kommt. New Orleans war enttäuscht, in: Podium, 4/56-57 (1952), p. 5

Rex Harris: Jazz, Harmondsworth, Essex 1952 [book: Penguin Books], p. 112-139 (F: chapter “The Great Individualists”)

NN: ‘Satchmo’ Hits With Top Tune In Career, in: Los Angeles Sentinel, 24.Jan.1952, p. B2 (short F) [digi.copy]

NN: Louis, Rhythmaires Join in Song, in: Down Beat, 19/3 (8.Feb.1952), p. 9 (N/photo)

Don Freeman: We’ll Get Along Without Hines’ Ego, Says Armstrong, in: Down Beat, 19/4 (22.Feb.1952), p. 3 (F/I)

J. Lee Anderson: Evolution of Jazz, in: Down Beat, 19/4 (22.Feb.1952), p. 18 (F: cartoon)

Ralph J. Gleason: Swingin’ at the Golden Gate. Going Back to Hawaii Every Year, Says Satch, in: Down Beat, 19/8 (18.Apr.1952), p. 5 (F/I) [digi.copy]

Claes Dahlgren: Nytt från New York. Armstrong på världsturné, in: Orkester Journalen, 20/4 (Apr.1952), p. 11 (short F)

John Lucas: Bix or Louis, in: The Record Changer, 11/4 (Apr.1952), p. 3, 10 (F)

NN: Louis Armstrong and his Hot Five – “Gut bucket blues” / “Yes I’m in the barrel” (Columbia D.B. 2978); Louis Armstrong and Gordon Jenkins – “That lucky old sun” / “Blueberry hill” (Decca BM 04372), in: Orkester Journalen, 20/4 (Apr.1952), p. 26 (R)

NN: Louis Armstrong – “You’re just in love” / “That’s what the man said” (Decca BM 31007), in: Orkester Journalen, 20/5 (May 1952), p. 22-23 (R)

NN: Personalien. Louis Armstrong, in: Der Spiegel, 9.Jul.1952, p. 24 (short F: British tour canceled because Armstrong supposedly doesn’t fill the halls) [digi.copy]

NN: Louis Armstrong and Ella Fitzgerald – “The frim fram sauce” / “A kiss to build a dream on” (Decca BM 31040), in: Orkester Journalen, 20/7 (Jul.1952), p. 19 (R)

NN: Louis Armstrong, in: VierViertel, 6/7 (Jul.1952), p. 30 (F/Konzertankündigung)

NN: The Mills Brothers with Louis Armstrong – “Cherry” / “Marie” (Decca BM 03065), in: Orkester Journalen, 20/8 (Aug.1952), p. 22 (R)

NN: Louis Armstrong en Europe, in: Jazz Hot, #69 (Sep.1952), p. 19 (N)

NN: Louis Armstrong kommt. Ein Wunschtraum der Jazzfreunde geht in Erfüllung, in: Das internationale Podium, #56/57 (Sep.1952), p. 5 (F) [digi.copy]

NN: New Orleans war enttäuscht, in: Das internationale Podium, #56/57 (Sep.1952), p. 5 (C) [digi.copy]

“L.O.”: Der König der Trompeter kommt. Louis Armstrong zum erstenmal in Deutschland, in: Die Neue Zeitung, 3.Oct.1952 (F); reprint, in: Swinging Hamburg Journal, 4/12 (2005), p. 25 (F) [digi.copy]

NN: Armstrong and Jenkins, in: Down Beat, 19/20 (8.Oct.1952), p. 1 (N/photo: Louis Armstrong, Gordon Jenkins)

Günter Schab: Louis mit der Trompete. Armstrong begann seine Deutschland-Tournee, in: Die Neue Zeitung, 13.Oct.1952 (C); reprint, in: Swinging Hamburg Journal, 4/12 (2005), p. 26 (C) [digi.copy]

“H.Ko.” Das Fest der Fans. Anmerkungen zum Gastspiel Louis Armstrongs, in: Die Neue Zeitung, 14.Oct.1952 (C); reprint, in: Swinging Hamburg Journal, 4/12 (2005), p. 27 (C) [digi.copy]

Jostein Nyhamar: Trolldom i trompeten. Jubel for Armstrong, in: Aktuell (Norway), 18.Oct.1952, p. 14-15, cover (C) [digi.copy]

John Hammond: Louis Travels Light, BG Needs Baggage, in: Down Beat, 19/21 (22.Oct.1952), p. 3, 19 (F)

NN: Armstrong On European Tour, in: Down Beat, 19/21 (22.Oct.1952), p. 1 (short F)

NN: Cover Subjects, in: Down Beat, 19/21 (22.Oct.1952),p.1, cover (N/cover)

NN: Louis Armstrong & Velma Middleton – “Baby It’s Cold Outside” / “That’s My Desire” (Decca), in: Down Beat, 19/21 (22.Oct.1952), p.11 (R)

Franz Heinrich: Armstrong in Deutschland, in: Jazz Revue, 3/10 (Oct.1952), p. 3 (C)

NN: Louis Armstrong ohne Illusion, in: vierViertel, 6/10 (Oct.1952), p. 4 (C) [digi.copy]

NN: Satchmo ist endlich da! Termine der Armstrong-Konzerte festgelegt, in: Podium, Oct.1952 (short F/concert dates in Germany) [digi.copy]

NN: Armstrong-Tournee. Künstlerisch sehr wertvoll, in: Der Spiegel, 5.Nov.1952 (C); reprint, in: Swinging Hamburg Journal, 4/12 (2005), p. 28 (C) [digi.copy]

NN: Jazz. Armstrong-Tournee. Künstlerisch sehr wertvoll, in: Der Spiegel, 5.Nov.1952, p. 25 (F/C: in Germany) [digi.copy]

NN: Louis Armstrong – “I Laughed At Love” / “Takes Two to Tango” (Decca), in: Down Beat, 19/22 (5.Nov.1952), p. 10 (R)

NN: Wild Crowds, Broken Records Greet Armstrong Abroad Again, in: Down Beat, 19/23 (19.Nov.1952), p. 1 (F: Armstrong in Stockholm, Copenhagen, France)

“h.w.”: Louis Armstrong – ein Erlebnis! Erste Podium-Reise ein voller Erfolg, in: Podium, Nov.1952 (C: Munich, Germany) [digi.copy]

“S.B.”: Trotz allem: Bravo Satchmo! Armstrongs Spiel überstrahlte alle Mängel dieses Gastspiels, in: Podium, Nov.1952 (C) [digi.copy]

Carlos de Radzitzky: Louis Armstrong à Bruxelles, in: Jazz Hot [Hot Club Magazine (Belgium)], #71 (Nov.1952), p. 35 (C)

Louis Armstrong: Extraits de “Ma Nouvelle Orleans”, in: Jazz Hot, #71 (Nov.1952), p. 12-14 (excerpt from Armstrong’s book)

NN: In Person. Louis Armstrong, Paramount Theatre, New York, in: Metronome, 68/11 (Nov.1952), p. 11 (C)

NN: Louis Armstrong’s Deutschland-Tournee, in: Die Gonmdel, Nov.1952 (short C) [digi.copy]

NN: Louis Armstrong & Gordon Jenkins – “White Christmas” / “Winter Wonderland

Periodicals

zeitschriftThis is a listing of jazz periodicals in our collection. Our extensive periodical collection comprises more than 80,000 issues of some 1,100 jazz periodicals. A major part of these periodicals have been indexed in our Jazz Index, a unique biographical reference database.

Jazz-periodicals at the archive of the Jazzinstitut Darmstadt

Titles and Inventory List
AAMOA REPORTS – P-465
(Afro-American Music Opportunities Association, Inc.)
USA
1974: Vol. 6/4 (Jul/Aug)
ABOUNDANT SOUNDS – P-1005
USA
1964: Vol. 2/2-3 (Apr/May-Jul)
ACTUEL – P 1078
Jazz / Pop Music / Théatre / Poésie
France
1968: #1-2 (Oct-Nov) [only digi.copy]
1969: #3-4 (Jan/Feb-Mar) [only digi.copy]
#6 (Mai)
AD LIB – P-556
Rikskonserter informerar om
Sweden
1979: #3 (Dec)
AKTUELLER NEUHEITENDIENST – P-1
der Jazz-Diskothek Münster/Westfalen
Germany
1961: #1, 4/5, 6/7, 8, # Anf. 60er ohne No., ?
AKUSTIK GITARRE – P-708
Germany
1996: #1-4 (Mar/May-Dec/Feb)
1997: #1-5 (Mar/May-Dec/Jan)
1998: #1-6 (Feb/Mar-Dec/Jan)
1999: #1-6 (Jan/Feb-Nov/Dec)
2000: #1-6 (Jan/Feb-Nov/Dec)
2001: #1-6 (Jan/Feb-Nov/Dec)
2002: #1-6 (Jan/Feb-Nov/Dec)
2003: #1-6 (Jan/Feb-Nov/Dec)
2004: #1-6 (Jan/Feb-Nov/Dec)
2005: #1-6 (Jan/Feb-Nov/Dec)
2006: #1-6 (Jan/Feb-Nov/Dec)
2007: #1-6 (Jan/Feb-Nov/Dec)
2008: #1-6 (Jan/Feb-Nov/Dec)
2009: #1-6 (Jan/Feb-Nov/Dec)
2010: #1-6 (Jan/Feb-Nov/Dec)
2011: #1-6 (Jan/Feb-Nov/Dec)
2012: #1-6 (Jan/Feb-Nov/Dec)
2013: #1-6 (Dec/Jan-Oct/Nov)
2014: #1-6 (Dec/Jan-Oct/Nov)
2015: #1-6 (Dec/Jan-Oct/Nov)
2016: #1-6 (Dec/Jan-Oct/Nov)2017: #1-5 (Dec/Jan-Aug/Sep)
ALL ABOUT JAZZ / NEW YORK
[see under “The New York City Jazz Record”]
ALL ABOUT JAZZ / BAY AREA – P-1008
USA, Bay Area
2004: #1 (Feb), #8 (Sep)
2009. #84 (April), #92 (Dez)
ALL ABOUT JAZZ / LOS ANGELES – P-1007
USA, Los Angeles
2003: #5 (Jul), #7-10 (Sep-Dec)
2004: #11-12 (Jan-Feb)/Vol. 2/9 (Oct)
ALL JAZZ – P-971
Portugal
2001: (1 issue)
2002: Mar/Apr (?) Vol. 2-4 (Jun/Jul-Oct/Nov)
2003: Vol.5-7 (Jan-Apr/May)
ALL THAT JAZZ – P-836
Germany
1998: #1-2 (Fall-Winter)Box
1999: #3 (Spring)
ALLEN’S POOP SHEET – P-2
USA
1958: Vol. 1/1-2
1959: Vol. 1/3-4
1960: Vol. 1/5
1972: Vol. 1/12
1973/74: Vol. 1/13
1974/75: Vol. 1/14
1978: Vol. 2-1/2
ALLES AUS DER WELT – P-3
Germany
1951: Vol. 3/3 (Mar) [Joachim-Ernst Berendt: Wird Elefanten-Tanz die neue Mode?]
LES ALLUMES DU JAZZ – P-933
France
2000: #4
2001: #6
2002: #7
2003: #9
2004: #10-11
2005: #12-13
2006: #14-17
2007: #18-20
2008: #21-23
2009: #24-25
2010: #26-28
2013: #32
2015: #33-35
ALTA FEDELTA – P-507
Italy
1981: #9-11 (Sep-Nov)
1982: #1-12 (Jan-Dec)
1983: #1-12 (Jan-Dec)
1984: #1-2 (Jan-Feb)
AMERICAN FOLK MUSIC OCCASIONAL – P-1133
USA
1964: #1
AMERICAN JAZZ ANNUAL – P-4
USA
1956: Newport Edition
AMERICAN JAZZ PHILHARMONIC NEWSLETTER – P-604
USA
1985: #1-2
1986: #1-2
1987: #1
1988: #1-3
1989: #1
1990: #1
1991: #1
1992: #1
1993: #1-2
1994: Vol. 8/2;
Vol. 9/1 (Winter)
1996: Vol. 10/1
1997: Vol. 11/1-2 (Spring-Summer);
Vol. 12/1 (Fall)
2000: Vol. 25 (April)
AMERICAN JAZZ REVIEW – P-922
(American Jazz Club)
USA
1946: Vol. 2/6 (Apr); Vol. 3/2 (Dec)
AMERICAN MUSIC – P-675
USA
1987: Vol. 5/1 (Spring)
1990: Vol. 8/3 (Fall)2014: Vol. 32/1, 3,4, (Spring, Fall, Winter)2015: Vol. 33/1-3 (Spring,Summer,Fall)
2016: Vol. 34/3-4 (Fall-Winter)
AMJAZZIN – P-1026
The American Jazz Institute Newsletter
USA
2004: Vol.11 (Winter)
AMJ MUSICISTI JAZZ BOLLETTINO – P-684
Italy
1995: Vol.5/7 (May), 9 (Nov/Dec)
1997: #12 (Sep)
ANALOG AKTUELL – P-608
Forum für analoge Musikwiedergabe
Germany
1994: #1
AND ALL THAT JAZZ – P-719
New Sacramento Traditional Jazz Society
USA
1970: Vol. 1/5-6 (May-Jun), 1/8-9 (Sep-Oct)
1971: Vol. 2/2 (Feb), 2/4-5 (Apr-May), 2/7 (Jul), 2/9 (Sep), 2/12 (Dec)
1972: Vol. 3/1 (Jan), 3/4 (Apr), 11 (Nov)
1973: Vol. 4/4-5
1974: Vol. 5/3-4 (Mar-Apr), 6-8 (Jul-Oct)
1975: Vol. 6/7
1976: Vol. 7/7-8
1977: Vol. 8/5 (May), 12 (Dec)
1978: Vol. 9/1 (Jan), 5 (Spring), 6
ANGLO GERMAN SWING CLUB NEWS – P-5
(British Forces Network)
Germany
1949: #2-4 (Sep-Nov) [#1-5 also in Reprint]
1950: #6-11 (Apr-Sep) [#6-11 also in Reprint]
[continued as “Rhythm Club News”]
ANNUAL REVIEW OF JAZZ STUDIES – P-6
[continuation of “Journal of Jazz Studies”]
USA
1982: #1
1983: #2
1985: #3
1988: #4
1991: #5
1993: #6
1994/95: #7
1996: #8
1997/98 #9
1999: #10
2000/2001: #11
2002: #12
2003: #13
2009: #14 [last issue; re-continued as Journal of Jazz Studies, only available online]
ANNUARIO DE JAZZ CALIENTE – P-7
Argentina
1971
AQUARIAN ARTS WEEKLY – P-502
USA
1984: #542 (26.Sep)
ARHOOLIE OCCASIONAL – P-597
USA
1971: #1
1973: #2
ARPÔGE – P-837
L’actualit’ musicale mondiale
France
[no date; 1 issue]
ARSC JOURNAL – P-824
Association for Recorded Sound Collections
USA
1998: Vol. 29/1-2 (Spring, Fall)
1999: Vol. 30/1-2 (Spring, Fall)
2000: Vol. 31/1-2 (Spring, Fall)
2001: Vol. 32/1-2 (Spring, Fall)
2002: Vol. 33/1-2 (Spring, Fall)
2003: Vol. 34/1-2 (Spring, Fall)
2004: Vol. 35/1-2 (Spring, Fall)
2005: Vol. 36/1-2 (Spring, Fall)
2006: Vol. 37/1-2 (Spring, Fall)
2007: Vol. 38/1-2 (Spring, Fall)
2008: Vol. 39/1-2 (Spring, Fall)
2009: Vol. 40/1-2 (Spring, Fall)
2010: Vol. 41/1-2 (Spring, Fall)
2011: Vol. 42/1-2 (Spring, Fall)
2012: Vol.43/1 (Spring)
ARSC NEWSLETTER – P-825
Association for Recorded Sound Collections
USA
1998: #83-85 (Spring-Fall)
1999: #86-89 (Winter-Fall)
2000: #90-93 (Winter-Fall)
2001: #94-97 (Winter-Fall)
2002: #98-100 (Spring-Fall)
2003: #101-103 (Winter-Fall)
2004: #104-106 (Winter-Fall)
2005: #107-109 (Winter-Fall)
2006: #110-112 (Winter-Fall)
2007: #113-115 (Winter-Fall)
2008: #116-118 (Winter-Fall)
2009: #119-121 (Winter-Fall)
2010: #122-124 (Winter-Fall)
2011: #125-127 (Winter-Fall)
2012: #128 (Winter)
ART POSITION – P-8
Germany
1992: Vol. 4, #19/20 (May/Aug) [Helmut Weihsmann: Jazz ‘n’ Movies. Jazzdarstellungen im Film. Historische und Stilistische Anmerkungen (1. Teil)]
Vol. 4, #21 (Sep/Oct) [Helmut Weihsmann: Jazz ‘n’ Movies. Jazzdarstellungen im Film. Historische und stilistische Anmerkungen (2.Teil)]
1993: Vol. 5, #22 [Helmut Weihsmann: Cover-Art. Jazz-Schallplattenhüllen und deren Gestaltung]
DER ARTIST – P-759
Central-Organ der Circus, Variet’-Bühnen und Reisenden Theater
Germany
1901: diverse Hefte (ca. Jun-Aug) als Mikrofilm
1973: Vol. 91/20 (17.Oct.)
1979: Vol. 97/6 (21.Mar)
1986: Vol.104/6 (15.Jun)
ARTIST REVY – P-1099
Special Tidningen för Nöjesvärlden
Norway
1963: Vol, 2/1 (Dec)
Arts Midwest Jazzletter – P-984
USA
1990: Vol. 8/3 (Summer)
ASCAP IN ACTION – P-9
USA
1991: Spring
ASCAP TODAY – P-494
USA
1967: Vol. 1/3 (Autumn)
AUDITORIUM, THE – P-860
Italy
1988: #12
1994: #13
1998: #2
AUSTIN TRADITONELL JAZZ CLUB – P-698 (Newsletter)
USA
1978: #6 (Mar)
AUSTRALIAN JAZZ QUARTERLY – P-654
Australien
1949: #8 (Dec)
1950: #10 (Apr)
AUSTRALIAN RECORD AND MUSIC REVIEW P-1131
A Quarterly Discographical Magazine for Record and Music Collectors
Australia
1993: #16-17 (Jan,Apr)
AVANT – P-796
Jazz, Improvised and Contemporary Classical Music
England
1997: #1-4 (Spring-Winter)
1998: #5-9 (Winter-Autumn)
1999: #10-13 (Winter-Autumn)
2000: #14-17 (Winter-Autumn)
2001: #18 (Spring)
B.A.D. – P-1141
Black Arts & Dance
Germany
1990: #1-4 (May/Jun-Nov/Dec)
1991: #5-15 (Jan-Dec)
1992: #1/2-12/1 (Jan/Feb-Jan/Dec)1993: #2-12 (Feb-Dec)
BADENER NEUJAHRSBLÄTTER – P-1030
Switzerland
2006: #81 [Einzelheft]
BAJS NEWSLETTER – P-894
(Bay Area Jazz Society)
USA
1982: #1 (Sep)
BALLROOM AND BAND – P-1144
England
1934: Nov-Dec
1935: Jan-Mar
BAMBOLEO – P-935
Zeitschrift für Salsa und mehr …
Germany
2000: #12 (Dec/Jan)
2001: #13-15 (Feb/Mar-Jun/Jul)
BAND LEADERS – P-989
USA
1946: Vol.3/4, 5 (Mar,Jun)
BANJO PODIUM – P-810
Germany
1988: #19 (Winter)
1990: #23-25 (Winter-Spring)
1992: #34 (Fall)
1993: #37 (Summer)
1994: #42-43 (Fall-Winter)
1995: #44 (Spring), #46 (Fall)
1996/97 #51 (Winter)1998: #57, (Sommer), #58 (Herbst)
1999: #60 (Spring)
2000: #66-67 (Herbst-Winter)2001: #68
BASLER JAZZ-ROUNDTABLE NOTES – P-650
Switzerland
1977: #10/11 (Aug/Sep)
BBC MUSIC MAGAZIN – P-986
Austria
1994: Vol. 3/2 (Oct)
THE BEAT – P-806
Mitteilungen des Jazz-Clubs Rheda
Germany
1959: May
BEAU CHICAGO AND BEYOND… – P-1034
USA:
2005: #1 (Fall/Winter)
The BECHET BULLETIN / The BECHET QUARTERLY – P-999
An Official Publication of The Sidney Bechet Society, Ltd.
USA
1997: Vol. 1/1 (Sep)
1998: Vol. 1/2-4 (Feb,May,Sep), Vol. 2/1 (Dec)
1999: Vol. 2/2-4 (Mar,Jun,Aug,Nov)
2000: Vol: 3/1-2 (May,Sep)
2001: Vol. 4/2-3 (Jun,Sep)
2002: Vol. 5/1-3 (Feb,Jun,Dec)
2003: Vol. 6/1-3 (Mar,May,Jun)
2004: Vol. 7/1-3 (Jan,Mar,Aug)
2005: Vol. 8/1-3 (Feb,Jun,Dec)
2006: Vol. 9/1-2 (Feb,Oct)
2007: Vol. 10/1-4 (Jan,Apr,Sep,Nov)
2008: Vol. 11/1-3 (Jan,Jun,Aug)
BEITRÄGE ZUR POPULARMUSIKFORSCHUNG – P-593
Germany
1987: #3/4 [Rock/Pop/Jazz. Vom Amateur zum Profi]
1988: #5/6 [Musikalische Werdegänge]
1989: #7/8 [Rock, Pop, Jazz – musikimmanent durchleuchtet]
1990: #9/10 [Zwischen “Jesus Christ Superstar” und “Sympathy for the Devil”. Rock/Pop/Jazz und christliche Religion]
1993: #11 [Aspekte zur Geschichte populärer Musik]
#12 [Stationen populärer Musik: Vom Rock’n’Roll zum Techno]
1994: #13 [Musik der Skinheads und ein egenpart: Die “Heile Welt” der volkstümlichen Musik]
#14 [Grundlagen – Theorien – Perspektiven]
1995: #15/16 [”Es liegt in der Luft was Idiotisches” – Populäre Musik zur Zeit der Weimarer Republik]
1996: #17 [Regionale Stile und Volksmusikalische Traditionen]
#18 [Mainstream, Underground, Avantgarde]
1997: #19/20; Nachtrag [Step Across the Border. Neue musikalische Trends – neue massenmediale
Kontexte]
1998: #21/22 [Populäre Musik, Politik und mehr…]
#23 [Neues zum Umgang mit Rock- und Popmusik]
1999: #24 [Erkenntniszuwachs durch Analyse – Populäre Musik auf dem Prüfstand]
2000: #25/26 [Populäre Musik im kulturwissenschaftlichen Diskurs]
2001: #27/28 [Populäre Musik im kulturwissenschaftlichen Diskurs II]
2002: #29/30 [Heimatlose Klänge? Regionale Musiklandschaften – heute -]
2003: #31 [Clipped Differences –Geschlechterrepräsentationen im Musikvideo]
2005: #33 [Keiner wird gewinnen – Populäre Musik im Wettbewerb]
2006: #34 [Cut and paste – Schnittmuster populärer Musik der Gegenwart]
2007: #35 [Sound and the city – Populäre Musik im urbanen Kontext]
2008: #36 [No Time for Losers – Charts, Listen und andere Kanonisierungen in der populären Musik]
2011: #37 [Thema Nr.1 – Sex und populäre Musik]
2012: #38 [Black Box Pop – Analysen populärer Musik]
2013: #39 [Ware Inszenierungen – Performance, Vermarktung und Autentizität in der populären Musik]
2014: #40 [Geschichte wird gemacht – Zur Historiographie populärer Musik]2014: #41 [Typisch Deutsch – (Eigen-)Sichten auf populäre Musik in diesem unseren Land]
BELLAPHON – P-1157 (DE)
(Import Dienst)
1978: Facts New Februar
BELLS – P-432
A newsletter of opinion, news and reviews of improvised music
USA
1976: #20 (Oct)
1978: #25/26-29/30 (Dec/Jan-Nov/Dec)
1979: #31/32 (Sep)
BERKLEE COLLEGE OF MUSIC BULLETIN – P-598
USA
1973: May
BERKLEE TODAY – P-1058
USA
2008: Vol. 19/3 (Winter)
BERLINER JAZZBLATT – P-561
East Germany
1983: #4 (Apr)
1990: #30 (Jan/Mar)
BERLIN-JAZZ – P-470
Mitteilungsblatt des Jazz-Club Berlin
Germany
1956: #5 (Mar/Apr)[*Fehlbestand]
1957: Jan, Dec/Jan
1958: Feb/Mar
BERLIN MAGAZIN – P-10
Germany
1972: Vol. (7) (Sep) [Joachim-Ernst Berendt: Jazz als Spiegel der Probleme und Krisen. Joachim-Ernst Berendt über die Berliner Jazztage 1972]
BERLINER JAZZPROGRAMM – P-1017
Germany
1959: Sep/Oct
BESTÄNDE – P-11
Texte und Bilder für Kulturabhängige
Austria
1990: #16/17 (Winter) [special jazz issue: “Notenblätter”]
2000: #52 (Jun/Jul) [special jazz issue]
BILLIE HOLIDAY CIRCLE NEWSLETTER – P-964
England
Undated issues
Page 1-309
BIGBAND! -P-809
Netherlands
1997: Vol. 1/2 (Jan/Feb), Vol.1/1 (Nov/Dec)
1998: Vol. 1/3-7 (Mar/Apr-Nov/Dec)
1999: Vol. 2/8-13 (Jan/Feb-Nov/Dec)
2000: Vol. 2/14 (Jan/Feb)
BIG BANDS INTERNATIONAL – P-546
England
1992: #59 (May)
THE BIG BANDWAGON – P-892
USA
1979: Vol. 2/10 (Sep)
BILD DER FRAU – P-12
Germany
1991: #24 (10.Jun) [Hannelore Schütz: Das intime Wörterbuch der Frau (Stichwort “Jazz”: Photo der ODJB aus dem Photoarchiv des Jazz-Instituts Darmstadt)]
BILD DER ZEIT – P-13
Germany
1971: #12 (Dec) [Gerhard Kühn: Jazztime in New Orleans (Claxton photos)]
BILD UND FUNK – P-14
Germany
1953: #48 (29.Nov) [NN: Schwarz und Weiß in Baden Baden (Lionel Hampton & Joachim-Ernst Berendt)]
1954: #1 (3.Jan) [NN: Starlese aus USA. Amerikas beliebteste Schlagersängerinnen (Sarah Vaughan, Ella Fitzgerald, Gisele Mackenzie, Rosemary Clooney, Dinah Shore)]
1960: #49 (4.Dec) [Joachim-Ernst Berendt: Das größte Jazzfestival der Welt. Joachim-Ernst Berendt berichtet aus Monterey/USA]
BILLBOARD – P-456
USA
1983: Vol. 95/4 (29.Jan)
1989: Vol. 101/1-2,4-14,16-19,21-23,25-34,37-48,50
1990: Vol. 102/48 (1.Dec)
1991: Vol. 103/1 (5.Jan), 3-4 (19.-26.Jan), 13 (30.Mar), 45 (9.Nov)-49 (7.Dec)
1992: Vol. 104/1 (4.Jan), 40 (3.Oct)-43 24.Oct)
BILLY TAYLOR SOUNDPOST – P-641
USA
1994: Vol. 1/7-8 (May, Aug)
1995: Vol. 2/1 (Jan/Jul), 2/3 (Dec)
BIRDS’S VOICE / JOE ZAWINULS BIRDLAND – P-1010
Austria
2004: #5/6-11/12 (May/Jun-Nov/Dec)
2005: #1/2 (Jan/Feb)
BJAZZ – P-893
(Organ for Bergen Jazz Forum)
Norway
1982: #2-3 (May-Sep)
BLACK MUSIC & JAZZ REVIEW – P-466
England
1978: Vol. 1/1-9 (Apr-Dec)
1979: Vol. 1/***-11 (Feb-Dec)
1980: Vol. 2/9-11 (Jan-Mar)
1982: Vol. 5/1 (May), 5/8 (Dec)
1983: Vol. 6/3 (Aug)
1984: Vol. 7/3-8 (Mar-Aug)
BLACK MUSIC RESEARCH JOURNAL – P-15
(BMR JOURNAL)
USA
1983: Vol. 3
1984: Vol. 4
1986: Vol. 6
1988: Vol. 8/1-2 (Spring, Fall)
1989: Vol. 9/1-2 (Spring, Fall)
1990: Vol. 10/1-2 (Spring, Fall)
1991: Vol. 11/1-2 (Spring, Fall)
1992: Vol. 12/1-2 (Spring, Fall)
1993: Vol. 13/1-2 (Spring, Fall)
1994: Vol. 14/1-2 (Spring, Fall)
1995: Vol. 15/1-2 (Spring, Fall)
1996: Vol. 16/1-2 (Spring, Fall)
1997: Vol. 17/1-2 (Spring, Fall)
1998: Vol. 18/1-2 (Spring, Fall)
1999: Vol. 19/1 (Spring)
2000: Vol. 20/1-2 (Spring, Fall)
2001: Vol. 21/1-2 (Spring, Fall)
2002: Vol. 22/1-2 (Spring, Fall)
2003: Vol. 23/1-2 (Spring, Fall)
2004: Vol. 24/1-2 (Spring, Fall)
2005: Vol. 25/1-2 (Spring, Fall)
2006: Vol. 26/1-2 (Spring, Fall)
2007: Vol. 27/1-2 (Spring; Fall)
2008: Vol. 28/1 (Spring)
BLACK MUSIC RESEARCH NEWSLETTER – P-464
USA
1977: Vol. 1/1-2 (Summer-Fall)
1978: Vol. 1/3-4 (Winter-Spring); Vol. 2/1-2 (Summer-Fall)
1979: Vol. 2/3-4 (Winter-Spring); Vol. 3/1-2 (Summer-Fall)
1980: Vol. 4/1-2 (Spring, Fall)
1981: Vol. 4/3 (Spring); Vol. 5/1 (Fall)
1984: Vol. 6/2 (Spring); Vol. 7/1 (Fall)
BLACK PERSPECTIVE IN MUSIC – P-676
USA
1977: Vol. 5/1-2 (Spring-Fall)
1978: Vol. 6/1-2 (Spring-Fall)
1980: Vol. 8/1 (Spring)
1981: Vol. 9/1-2 (Spring-Fall)
BLASNOST-JOURNAL – P-16
Germany
1991: May
BLEU BANANE – P-835
Belgium
1997: #1 (Fall)
1998: #2-3 (Spring-Fall)
2000: #4 (Spring)
BLOCK -P-744
Tijdschrift voor Blues
Netherlands
1983: #47 (Jul/Sep)
1996: #100 (Oct/Nov/Dec)
BLOW UP – P-862
Italy
1998: #8 (Nov/Dec)
BLU JAZZ – P-444
Italy
(continues as Jazz / Mensile)
1989: (Beilage zu Blu) Vol. 4/27-28, (Blu Jazz) Vol. 1/1-3
1990: Vol. 2/4-10
1991: Vol. 3/11-19
1992: Vol. 4/20-28
1993: Vol. 5/29-39
1994: Vol. 1/1-5 (Jun-Dec) [Jazz]
1995: Vol. 2/6-13 (Jan-Nov/Dec)
1996: Vol. 3/14-19 (Jan/Feb-Nov/Dec)
1997: Vol. 4/20-24 (Jan/Feb-Nov/Dec)
BLUE ANCHOR BULLETIN – P-17
Schweden
1992: Vol. 17/1 (Apr)
1993: Vol. 18/1 (Mar)
1994: Vol. 19/1 (Feb)
1995: Vol. 20/1 (May)
BLUE NOTE, THE – P-592
South Bay New Orleans Jazz Club
USA
1962: Nov-Dec
1963: Jan-Mar,May-Jun,Sep
1964: Jan-Mar,May,Aug-Sep,Dec
1965: Jan-Feb,Apr-Dec
1966: Jul
1967: Apr,Jun,Aug-Sep
1968: May,Sep,Nov
1969: ca. Jun,Aug.
1970: ca. Jan,ca.May-ca.Jul,ca.Nov
1971: Jan,Mar-Apr,Sep
1972: Feb,Apr
1973: Oct
1974: May,Oct
BLUE RHYTHM – P-693
präsentiert von Jazz Thing
Deutschland
1995: #1 (winter)
1996: #2-3 (summer-winter)
1997: #4-5 (summer-winter)
1998: #6-8 (spring-fall)
1999: #9-11 (spring-fall)
2000: #12-14 (spring-fall)
2001: #15-17 (spring-fall)
2002: #18-20 (spring-fall)
2003: #21-23 (spring-fall)
2004: #24-26 (spring-fall)
2005: #27-29 (spring-fall)
2006: #30-32 (spring-fall)
2007: #33-35 (spring-fall)
2008: #36-38 (spring-fall)
2009: #39-40 (spring-summer)
Blues at the Foundation – P-939
USA
2001: Vol. 3/1 (Winter)
BLUES & RHYTHM – P-1092
The Gospel Truth
England
1984: #5 (Dec)
BLUES & SOUL – P-18
England
1972: #81
1973: #117
1977: #227
1984: #407-412, 413-416,418
1985: #427,431-448
1986: #449-450, 452-453, 456, 471
1992: #604
1995: #702-706
1996: #712
BLUES FORUM – P-19
Germany
1980: #1
1981: #2-4
1982: #5-8
1983: #9-12
1984: #13-16
1985: #17/18
1986: #19
1987: #20
BLUES LIFE – P-20
Austria
1979: Vol. 2/6-8
1980: Vol. 3/9-12
1981: Vol. 4/13-16
1982: Vol. 5/17-20
1983: Vol. 6/21-24
1984: Vol. 7/25-28
1985: Vol. 8/29-31
1990: Vol. 13/50-52
1991: Vol. 14/53-56
1992: Vol. 15/57-60
1993: Vol. 16/61, 64
1994: Vol. 17/65
BLUES MUSIC MAGAZINE – P-1124 (formerly Blues Revue Quarterly)
USA
2013: 1-2 (Sep-Nov)
BLUES NEWS – P-685
Germany
1995: Vol. 1/1-2 (Mar-Sep)
1996: Vol. 2/3-6 (Jan-Oct/Dec)
1997: Vol. 3/7-10 (Jan/Mar-Oct/Dec)
1998: Vol. 4/11-15 (Jan/Feb-Nov/Dec)
1999: Vol. 5/16-19 (Jan/Mar-Oct/Dec)
2000: Vol. 6/20-23 (Jan/Mar-Oct/Dec)
2001: Vol. 7/24-27 (Jan/Mar-Oct/Dec)
2002: Vol. 8/28-31 (Jan/Mar-Oct/Dec)
2003: Vol. 9/32-35 (Jan/Mar-Oct/Dec)
2004: Vol. 10/36-39 (Jan/Mar-Oct/Dec)
2005: Vol. 11/40-43(Jan/Mar-Jul/Sep/Oct-Dec)
2006: Vol. 12/44-47(Jan/Mar-Oct-Dec)
2007: Vol. 13/48-51 (Jan/Mar-Oct-Dec)
2008: Vol. 14/52-55 (Jan/Mar-Oct/Dec)
2009: Vol. 15/56-59 (Jan/Mar-Oct/Dec)
2010: Vol. 16/60-63 (Jan/Mar-Oct/Dec)
2011: Vol. 17/64-67 (Jan/Mar- Oct/Dec)
2012: Vol. 18/68-71 (Jan/Mar-Oct/Dec)
2013: Vol. 19/72-76 (Jan/Mar-Dec)
2016: #85 (Apr), #87 (Oct)
2017: #89 -90 (Apr-Jul/Sep)
BLUES NOTES – P-21
Belgium
1990: #2-3 (Jul, Nov)
1991: #4-6 (Feb, Jul, Nov)
1992: #7-9 (Feb/Mar, Jul, Nov)
1993: #10 (Apr)
BLUES NOTES – P-538
Germany
1971: Vol. 3, 210/11-12
1972: Vol. 4, 13-15/16
1973: Vol. 5, 17-19/20
1974: Vol. 6, 21-23
1975: Vol. 7, 24/25-26/27
1976: Vol. 8, 28/29
1977: Vol. 9, 30-31
1978: Vol. 10, 32/33-34
1979: Vol. 11, 35/35-37
BLUES POWER – P-775
Italy
1973: Vol. 1/1 (Nov)
1974: Vol. 1/4
BLUES POWER MAGAZINE – P-525
Germany
1992: #1-2
1993: #3-5
1994: #6
BLUES RESEARCH P-1081
(Record Research presents)
USA
no date (ca. 1960s): #13 -16
BLUES REVUE (QUARTERLY) (BRQ) – An Acoustic & Traditional Blues Digest – P-22
USA
1991: #1-2 (Jul, Oct)
1992: #3-6 (Jan, Spring, Summer, Fall)
1993: #7-10 (Winter, Spring, Summer, Fall)
1994: #11-15 (Winter, Spring, Summer, Fall, Winter)
1995: #16-20 (Mar/Apr-Dec/Jan)
1996: #21-26 (Feb/Mar-Dec/Jan)
1997: #27-33 (Feb/Mar-Dec)
1998: #34-43 (Jan/Feb-Dec)
1999: #44-53 (Jan/Feb-Dec)
2000: #54-63 (Jan-Dec)
2001: #64-73 (Jan/Feb-Dec)
2002: #74-79 (Jan/Mar-Dec/Jan)
2003: #80-85 (Feb/Mar-Dec/Jan)
2004: #86-91 (Feb/Mar-Dec/Jan)
2005: #92-97 (Feb/Mar-Dec/Jan)
2006: #98-103 (Feb/Mar-Dec/Jan)
2007: #104-109 (Feb/Mar-Dec/Jan)
2008: #110-115 (Feb/Mar-Dec/Jan)
2009: #116-121 (Feb/Mar-Dec/Jan)
2010: #122-126 (Feb/Mar-Nov/Dec)
2011: #127-132 (Jan/Feb-Nov/Dec)
2012: #133-136 (Mar/Apr-Sep/Oct)
2013: #137 (Mar/Apr)
BLUES UNLIMITED – P-23
England
1963: #7 (Dec)
1964: #8-10 (Jan-Mar), 12-17 (Jun-Nov/Dec), B1 [special issue on Muddy Waters], B2 [special issue on John Lee Hooker]
1965: #19-28
1966: #29-35, 36-39
1967: #40, 42, 45-48
1968: #49-55, 56-58
1968: Collector Classics, #12-13; Beale Street
1969: #59-68
1970: #69-78
1971: #79-87
1972: #88-97
1973: #98-105
1974: #106-111
1975: #112-116
1976: #117-122
1977: #123-127
1978: #128-132
1979: #133-136
1980: #137-139
1981: #140-141
1982: #142-143
1983: #144-145
1984: #146
1986: #147 (Spring)
1987: #148/149 (Winter)
BLUES WORLD – P-24
England
1965: #1
1966: #9-11
1967: #12-16
1968: #18-22
1969: #23-25
1970: #26-37
1971: #38-41
1973: #45, 46/49
1974: #50
BLUES WORLD BOOKLET – P-25
England
#1 [Robert Johnson]
BLUESER RUNDBRIEF -P-745
Germany
1995: #4-7 (Jun, Sep-Dec)
1996: #8-18 (Jan-Dec)
1997: 19-21 (Jan-Mar)
BMI – P-568
The Many Worlds of Music
USA
1969: summer
1973: #1
1987: #1
BODY & SOUL – P-26
Germany (Polygram)
1992: #2-3
1993: #4-6
1994: #7-8
1995: #9-10
BOLETIN GM – P-1072
Spain
2008: #12
BOOGIE NEWS – P-27
Germany (trade newsletter)
1992: #1, Sep/Dec
1993: Apr/Jul
BOOGIE WOOGIE & BLUES COLLECTOR – P-28
Netherlands
1971: #2 (Feb)
BORDERLINE – P-29
USA
#1 (Rich Boy, Poor Boy)
#2 (Feb/Mar 1989: One Day Close to Hell)
#5 (KC Jazz)
#6 (Fall 1991: Why I Live Where I Live)
BOUNDARY – P-705
USA
1995: Vol.22/2 (Summer)
BOZ – P-601
(England)
1994: #1-9 (Mar-Dec/Jan)
1995: #10-20 (Feb-Dec)
1996: #21-32 (Jan-Dec)
1997: #33-44 (J+an-Dec)
1998: #45-55 (Jan-Nov)
1999: #57-67 (Feb-Dec/Jan)
2000: #68, 70-73 (May,Aug-Dec)
2001: #74-81 (Jan-Dec)
The Brass Group – P-1112
Italy
1981: #4-5 (Jan-Feb)
BRILLIANT CORNERS – P-847
USA
1997: Vol. 1/2, Vol. 2/1
1998: Vol. 2/2, Vol. 3/1
1999: Vol. 3/2, Vol. 4/1
2000: Vol. 4/2, Vol. 5/1
2001: Vol. 5/2, Vol. 6/1
2002: Vol. 6/2, Vol. 7/1
2003: Vol. 7/2, Vol. 8/1
2004: Vol. 8/2, Vol. 9/1
2005: Vol. 9/2, Vol. 10/1
2006: Vol. 10/2, Vol. 11/1
2007: Vol. 11/2, Vol. 12/1
2008: Vol. 12/2, Vol. 13/1
2010: Vol. 15/1-2
2011: Vol. 16/1
2012: Vol. 16/2, Vol. 17/1
2013: Vol. 17/2, Vol. 18/1
2014: Vol. 18/2, Vol. 19/12015: Vol. 19/2; Vol. 20/1
2016: Vol. 20/2; Vol. 21/1
2017: Vol. 21/2
BRITISH INSTITUTE OF JAZZ STUDIES NEWSLETTER – P-30
England
1967: #4
1969: #21, 24/25
1970: #29-34
BRONX CHEER – P-261
USA
1997: #3
1998: #4
BROW BEAT – P-852
USA
1993: #1 (Fall)
BRUTUS – P-540
Japan
1985: #104 (Feb)
BUDDY DEFRANCO NEWSLETTER – P-605
USA
1984: Vol. 1/2 (Dec)
1985: Vol. 1/3-4 (Mar,Jun); Vol. 2/1-2 (Sep,Dec)
1986: Vol. 2/3-4 (Mar,Jun); Vol. 3/1-2 (Sep,Dec)
1987: Vol. 3/3-4 (Mar,Jun); Vol. 4/1 (Sep)
1988: Vol. 4/2-4 (Jan,Mar,Jun); Vol. 5/1-2 (Sep,Dec)
1989: Vol. 5/3 (Mar); Vol. 6/1 (Oct)
1990: Vol. 6/2 (Jun)
1993: Vol. 7/1 (Summer)
The BUGLE CALL RAG – P-1014
The Newsletter of the Harry Roy Appreciation Society
England
1992: #58 (Christmas)
1993: #59-60 (Spring-Summer)
1994: #63 (Summer)1996: #69 (Sommer)
1997: #70, #72 (Summer),
1999: #77-79 (Spring-Winter)
2000: #80 (Spring)
2001: #84-85 (Summer-Winter)
2002: #88 (Christmas)
2003: #91 (Winter)
2005: #95 (May)
BULLETIN DU HOT CLUB DE FRANCE (hcf) – P-31
France
1945: #1-3
1954: #36-39 (Mar-Jul), 41-43 (Oct-Dec)
1955: #44-48 (Jan-May), 50-52 (Aug-Nov)
1956: #59 (Jul/Aug)
1957: #73 (Dec)
1958: #74-75 (Jan-Feb), 78-79 (May-Aug), 81-83 (Oct-Dec)
1959: #88 (May/Jun), 93 (Dec)
1960: #94-102 (Jan-Nov)
1961: #104-107 (Jan-Apr)
1962: #114-116 (Jan-Mar), 118 (May/Jun), 120-123 (Sep-Dec)
1963: #125-129 (Feb-Aug), 132 (Nov)
1964: #134-136 (Jan-Mar)
1965: #145-149 (Feb-Aug), 151-153 (Oct-Dec)
1966: #154-163 (Jan-Dec)
1967: #164 (Jan), 166 (Mar), 168-173 (May-Dec)
1968: #174-183 (Jan-Dec)
1969: #184-189 (Jan-Aug), 191 (Oct)
1970: #194-197 (Jan-Apr)
1971: #206 (Mar), 208 (May/Jun), 212-213 (Nov/Dec)
1972: #214 (Jan), 216-223 (Mar-Dec)
1973: #224-233 (Jan-Dec)
1974: #234-243 (Jan-Dec)
1975: #244-250 (Jan-Dec)
1976: #251-257 (Jan-Dec)
1977: #259 (Mar/Apr), 261 (Sep/Oct)
1978: #262-267 (Apr-Dec)
1979: #273-274 (Aug/SepOct/Nov)
1980: #276 (Jan)
1981: #289 (Jun)
1983: #309 (Jul/Aug)
1985: #325 (Mar)
1989: #366-367 (Feb-Mar), 372-373 (Aug/Sep-Oct)
1990: #380 (May)
1991: #393 (Jul)
1992: #406 (Aug/Sep), 408-409 (Nov-Dec)
1993: #410-420 (Jan-Dec)
1994: #421-431 (Jan-Dec)
1995: #432-441 (Jan-Nov)
1996: #443-453 (Jan-Dec)
1997: #454-465 (Jan-Dec)
1998: #466-477 (Jan-Dec)
1999: #478-487 (Jan-Dec)
2000: #488-498 (Jan-Dec)
2001: #499-508 (Jan-Dec)
2002: #509-518 (Jan-Dec)
2003: #519-528 (Jan-Dec)
2004: #529-538 (Jan/Feb-Dec)
2005: #539-548 (Jan-Dec)
2006: #549-558 (Jan-Dec)
2007: #559-566 (Jan/Feb-Nov/Dec)
2008: #567-576 (Jan-Dec)
2009: #577-586 (Jan-Dec)
2010: #587-596 (Jan-Dec)
2011: #597-606 (Jan-Dec)
2012: #607-615 (Jan-Nov)
2013: #617-626 (Jan-Dec)
2014: #627-636 (Jan-Dec)
2015: #637-646 (Jan-Dec)
2016: #647-656 (Jan-Dec)
2017: #657-662 (Jan-Jun)
BULLETIN FROM JAZZ INFORMATION – P-32
England
1936: #5-6, 12-19, 21-24
1940: #20,22
1941: #7
BULLETIN SOUCASN HUDBA – P-33
CSFR
1980: #27/28 [special jazz issue]
BULLETIN DU HCF – P-1175
1993: #411 (Februar)
BUNTE PLATTE, Die – P-34
Germany
1951: #5 [Joachim-Ernst Berendt: Jazz in Hollywood]
#8 [NN: Europas Bigband Nr. 1: Ted Heath; Peter Bopp: Zwei hatten eine Idee. Aus der Geschichte der Capitol-Schallplatte; Joachim-Ernst Berendt: Der Swing ist wieder da]
#9 [NN: Ted Heath auf Tournee; Peter Bopp: Zwei hatten eine Idee. Aus der Geschichte der Capitol-Schallplatte (II)]
#11 [Joachim-Ernst Berendt: Das Vibraphon im Jazz]
#12 [Joachim-Ernst Berendt: Jazz made in Germany]
1952: #1 [Joachim-Ernst Berendt: Vom Stilkrieg im Jazz]
BUTT RAG – P-978
USA
#6
CADENCE – P-35
USA
1976: Vol. 1/1-12 (Jan-Oct); Vol. 2/1-2 (Nov-Dec)
1977: Vol. 2/3-12 (Jan-Jul); Vol. 3/1-8 (Aug-Dec) [suppl. Index 1977]
1978: Vol. 3/9-12 (Jan-Mar); Vol. 4/1-12 (Apr-Dec) [suppl. Index 1978]
1979: Vol. 5/1-12 (Jan-Dec) [suppl. Index 1979]
1980: Vol. 6/1-12 (Jan-Dec) [suppl. Index 1980]
1981: Vol. 7/1-12 (Jan-Dec) [suppl. Index 1981]
1982: Vol. 8/1-12 (Jan-Dec) [suppl. Index 1982]
1983: Vol. 9/1-12 (Jan-Dec) [suppl. Index 1983]
1984: Vol. 10/1-12 (Jan-Dec) [suppl. Index 1984]
1985: Vol. 11/1-12 (Jan-Dec) [suppl. Index 1985]
1986: Vol. 12/1-12 (Jan-Dec) [suppl. Index 1986]
1987: Vol. 13/1-12 (Jan-Dec) [suppl. Index 1987]
1988: Vol. 14/1-12 (Jan-Dec) [suppl. Index 1988]
1989: Vol. 15/1-12 (Jan-Dec) [suppl. Index 1989]
1990: Vol. 16/1-12 (Jan-Dec)
1991: Vol. 17/1-12 (Jan-Dec)
1992: Vol. 18/1-12 (Jan-Dec)
1993: Vol. 19/1-12 (Jan-Dec)
1994: Vol. 20/1-12 (Jan-Dec)
1995: Vol. 21/1-12 (Jan-Dec)
1996: Vol. 22/1-12 (Jan-Dec)
1997: Vol. 23/1-12 (Jan-Dec)
1998: Vol. 24/1-12 (Jan-Dec)
1999: Vol. 25/1-12 (Jan-Dec)
2000: Vol. 26/1-11 (Jan-Dec)
2001: Vol. 27/1-12 (Jan-Dec)
2002: Vol. 28/1-12 (Jan-Dec)
2003: Vol. 29/1-12 (Jan-Dec)
2004: Vol. 30/1-12 (Jan-Dec)
2005: Vol. 31/1-12 (Jan-Dec)
2006: Vol. 32/1-12 (Jan-Dec)
2007: Vol. 33/1-10/12 (Jan-Oct/Dec)
2008: Vol. 34/1/3-10/12 (Jan/Mar-Oct/Dec)
2009: Vol. 35/1/3 -10/12 (Jan/Mar-Oct/Dec)
2010: Vol. 36/1/3-10/12 (Jan/Mar-Oct/Dec)
2011: Vol. 37/1/3-10/12 (Jan/Mar-Oct/Dec)
2012: [magazine changed to Online / pdf format; only one print edition per year]
2013: Vol. 39 (Annual Eddition)
CADENZAS – P-601
Quarterly Newsletter of Trumpeter Marvin Stamm
USA
1993: Vol. 1/1 (Fall)
1994: Vol. 1/2-4 (Winter, Spring, Summer); Vol. 2/1 (Fall)
1995: Vol. 2/2-4 (Winter-Summer); Vol. 3/1 (Fall), 3/2 (Winter)
1996: Vol. ¾ (Spring); Vol. 4/1-2 (Summer/Fall)
1997: Vol. 4/4 (Spring); Vol. 5/1 (Fall)
1998: Vol. 5/4 (Fall)
1999: Vol. 6/1 (Winter)
CAHIERS DU JAZZ, Les – P-36
France
1960’s: #1, 2, 4, 6, 8-10, 11-17 [no year]
1994: #1-4 (new series)
1995: #5-6
1996: #7-9
1997: #10-12
2001: #1 (new series)
2004: #1 (new series)
2005: #2 (new series)
2006: #3 (new series)
2007: #4 (new series)
2008: #5 (new series)
2009: #6 (new series)
2010: #7 (new series)
2011: #8 (new series)
2012: #9 (new series)
2013: #10 (new series)
(CALIFORNIA) JAZZ NOW – P-37
USA
1991: Vol. 1/1-7 (May-Dec)
1992: Vol. 1/8-10 (Feb-Apr); Vol. 2/1-8 (May-Dec)
1993: Vol. 2/9-11 (Jan-Mar); Vol. 3/1-8 (Apr-Dec)
1994: Vol. 3/9-11 (Feb-May); Vol. 4/1-8 (Jun-Dec)
1995: Vol. 4/9-11 (Feb-Apr); Vol. 5/1-4 (May-Aug),
6-8 (Oct-Dec/Jan) [complete]
1996: Vol. 5/9 (Feb); Vol. 6/1 (May), 7-8 (Nov/Jan)
[complete]
1997: Vol. 6/9-11 (Feb-Apr); Vol.7/1-2 (May-Jun),
4-8 (Jul/Aug-Dec/Jan)
[complete]
1998: Vol. 7/9-11 (Feb-Apr); Vol. 8/1-8 (May-
Dec/Jan)
1999: Vol. 8/9-11 (Feb-Apr); Vol. 9/1-8 (May-
Dec/Jan)
2000: Vol. 9/9-10 (Feb-Mar)
CALL BOY, The – P-747
England
1968: Vol. 5/2-4 (Mar-Dec)
1969: Vol. 6/1 (Mar), 3 (Sep)
CAPITOLIUM – P-628
Mitteilungen rund um das Sammeln von Schallplatten, Phonographen und anderen Musikapparaten
Switzerland
1992: #1 (Sep)
1993: #2 (Jun)
1994: #3 (Jun)
1995: #4 (Jun)
1996: #5 (Jun)
1997: #6 (Jun)
CAPITOL NEWS – P-38
(from Hollywood)
USA
1945: Vol 3/5 (May)
1946: Vol 4/2-5 (Feb-May), 10 (Oct)
1947: Vol. 5/11 (Nov)
1948: Vol. 6/3 (Mar), 9 (Sep), 11 (Nov)
1949: Vol. 7/1-2 (Jan-Feb), 8 (Aug), 12 (Dec)
1950: Vol. 8/4 (Apr)
CASH BOX – P-979
USA
1990: Vol. LIII #40 (Apr 28)
CAT’S MEOW, THE – P-591
Columbia Jazz Club
USA
[falsche Jahrgangsangaben aus dem Original übernommen]
1966: Vol. 9/1-3 (Jan-Mar), Vol. 10/8 (Sep)
1967: Vol. 11/1 (Mar, 5 (3.Nov)
1968: Vol. 10/2 (Feb), Vol. 12/11 (Nov)
1969: Dec
1974: Mar
1977: Jul, Oct-Nov
1978: Jan-Apr, Nov-Dec
1979: Jan-Mar
CBMR DIGEST – P-39
USA
1990: Vol. 3/3 (Fall)
1991: Vol. 4/1-2 (Spring-Fall)
1992: Vol. 5/1-2 (Spring-Fall)
1993: Vol. 6/1-3 (Winter-Fall)
2005: Vol. 18/1 (Spring)
CENTRALSTATION DARMSTADT – P-932
Programmzeitung
Germany
1999: #10-12 (Oct-Dec)
2000: #13-19 (Jan-Dec/Jan)
2001: #20-29 (Feb-Dec/Jan)
2002: #30-38 (Feb-Dec/Jan)
2003: #40-49 (Feb-Dec/Jan)
2004: #50-55 (Feb-Dec/Jan)
2005: #56-60 (Feb/Mar-Nov/Dec)
2006: #61-65 (Jan/Feb-Nov/Dec)
2007: #66-71 (Jan/Feb-Nov/Dec)
2008: #72-76 (Jan/Feb-Nov/Dec)
2009: #78-80, 82-83 (Jan/Feb-May/Jun,Sep/Oct-Nov/Dec)
2010: #84-89 (Jan/Feb-Nov/Dec)
2011: #90-95 (Jan/Feb-Nov/Dec)
2012: #96-100 (Jan/Feb-Nov/Dec)
2013: #101-107 (Jan/Feb-Nov/Dec)
2014: #108-112 (Jan/Feb-Nov/Dec)2015: #113-117 (Jan/Feb-Sep/Oct)
2016: #120-124 (Mar/Apr-Nov/Dec)2017: #127 (Mai/Juni)
CENTURY OF JAZZ, The – P-40
An Observer Publication
(Jazz fm)
England
parts 1-8
CHANGE INTO JAZZ – P-1004
Germany
1975: Apr
CHET’S CHOICE – P-41
USA
1991: Vol. 1/0 (premiere issue), 1-3, Special edition 1
1992: Vol. 1/4; Vol. 2/1-3
1993: Vol. 2/4; Vol. 3/1-3
1994: Special edition; Vol. 4/1-3
1995: Special Edition; Vol. 4/4, 5/1-2
1996: Special Edition; Vol. 5/3-4 [periodical ceased publication after Vol. 5/4]
CHICAGO BLUES ANNUAL – P-42
USA
1992: #4
1994: #6
1995: #7
CHICAGO JAZZ MAGAZINE – P-1035
USA
2006: Vol: 5/2 (Mar/Apr)
CLARE-VOYANCE – P-631
Dedicated to the Music of Clare Fischer
USA
1991: #1-2 (Aug)
1992: #3 (May)
1993: #4-5 (Feb,Dec)
1995: #6 (Mar)
1996: #7 (Feb)
CLARINO.PRINT – P-1002
Bläsermusik/ windmusik international
Germany
2003: Vol. 1/1-12
2004: Vol. 2/1-12
2005: Vol. 3/1-12 (Jan-Dec)
2006: Vol. 4/1-12 (Jan-Dec)
2007: Vol. 5/1-12 (Jan-Dec)
2008: Vol. 6/1-12 (Jan-Dec)
2009: Vol. 7/1-12 (Jan-Dec)
2010: Vol. 8/1-12 (Jan-Dec)
2011: Vol. 9/1-12 (Jan-Dec)
2012: Vol. 10/1-12 (Jan-Dec)
2013: Vol. 11/1-12 (Jan-Dec)
2014: Vol. 12/1-12 (Jan-Dec)
2015: Vol. 13/1-12 (Jan-Dec) [supp. March: Kohlberg – Standards für Percussion & Ausstattung; supp. September: Jubiläumsausgabe 2015)
2016: Vol. 14/1-12 (Jan-Dec)
2017: Vol. 15/1-7/8 (Jan-Jul/Aug)
CLASSIC RAG, The – P-590
Classic Rag Society of South Western Ohio
USA
1976: Mar-Apr
1977: Nov
1978: Apr
1982: Oct
CLASSIC WAX – P-567
For Music Lovers Everywhere
USA
1981: #2 (Jan), 4-5 (Aug, Nov)
CLEF (The Record Collector‘s Guide) – P-923
USA
1946: Vol. 1/6 (Aug)
CLEVELAND TRADITIONAL JAZZ SOCIETY – P-690
USA
1978: Mar
CLUB DER SCHELLCKFREUNDE HESSEN
– P-1176
1989
CLIMAX MUSIC LTD – P-691
USA
1978: Jan
COBBLESTONE – P-582
The History Magazine for Young People
USA
1983: Oct (The Jazz Sensation)
1993: May (Duke Ellington. A Musical Genius)
COBI’S MUSIC NEWS – P-951
News from Universal Jazz Coalition and Jazz Center of New York
USA
2001: Sep
CODA MAGAZINE – P-43
Canada
1959: Vol. 2/2-3 (Jun-Jul), 2/5-2/8 (Sep-Dec)
1960: Vol. 2/9-11 (Jan-Mar); Vol. 3/1-8 (May-Dec)
1961: Vol. 3/9-12 (Jan-Apr); Vol. 4/1-8 (May-Dec)
1962: Vol. 4/9-12 (Apr-Jul); Vol. 5/1-5 (Aug-Dec)
1963: Vol. 5/6-12 (Jan-Jul); 6/1-5 (Aug-Dec/Jan)
1964: Vol. 6/6-8 (Feb/Mar-Dec/Jan)
1965: Vol. 6/12 (Feb/Mar); 7/1-5 (Apr-Dec/Jan)
1966: Vol. 7/6-11 (Feb-Dec/Jan)
1967: Vol. 7/12 (Mar); 8/1-4 (May-Nov)
1968: Vol. 8/5-10 (Jan-Dec)
1969: Vol. 8/11-12 (Jan-Mar); 9/1-4 (Jun-Dec)
1970: Vol. 9/5-10 (Feb-Dec)
1971: complete
1972: complete
1973: complete
1974: complete
1975: complete
1976: complete
1977: complete
1978: complete
1979: complete
1980: complete
1981: complete
1982: complete
1983: #188-193
1984: #194-200
1985: complete
1986: complete
1987: #212-217
1988: #218-223
1989: #224-229
1990: #230-235
1991: #236-240
1992: #241-246
1993: #247-252 (Jan/Feb-Nov/Dec)
1994: #253-258 (Jan/Feb-Nov/Dec)
1995: #259-264 (Jan/Feb-Nov/Dec)
1996: #265-270 (Jan/Feb-Nov/Dec)
1997: #271-276 (Jan/Feb-Nov/Dec)
1998: #277-282 (Jan/Feb-Nov/Dec)
1999: #283-288 (Jan/Feb-Nov/Dec)
2000: #289-294 (Jan/Feb-Nov/Dec)
2001: #295-300/301 (Jan/Feb-Dec)
2002: #302-306 (Mar/Apr-Nov/Dec)
2003: #307-309 (Jan/Feb-May/Jun)
2004: #315-318 (May/Jun-Nov/Dec)
2005: #319-324 (Jan/Feb-Nov/Dec)
2006: #325-330 (Jan/Feb-Nov/Dec)
2007: #331-336 (Jan/Feb-Nov/Dec)
2008: #337-341 (Jan/Feb-Nov)
CODA… – P-751
Germany
1997: Vol. 1/1 (Jun)
COLLECTA, The – P-44
England
1969: #5 (May/Jun)
1971: #16 (Dez)
1970: #8-10 (Jan-May/Jun)
1972: #17 (May)
1973: # 19 (Jan), 20 (Juli)
1974: #21-22(Feb, Jul)
1975: #23-24 (Jan-Dec)
1976: #25 (Sep)
COLLECTOR – P-45
Italy
1967: #3/6 (Mar)
1968: #13-16
1970: #24-26
1974: #36-38
1975/76: #39-40
HI-FI & Tapes Katalog+Jazzshop
#28 (Dez)1978: #41-42 (Mai)
1981: #46/47 (Dec)
1985: #48/49 (Dec)
COLLECTORS ITEMS – P-46
England
1980: #1-3 (Aug,Oct,Dec)
1981: #4-9 (Feb,Apr,Jun,Aug,Oct, Dec)
1982: #10-11 (Feb,Apr), #14-15 (Oct,Dec)
1983: #16-20 (Feb,Apr,Jun,Aug,Oct), index
1984: #23 (April) #26-27 (Oct,Dec)
1985: #28-33 (Feb,Apr,Jun,Aug,Oct,Dec)
1986: #34,(?) #35 (April) 36 (Feb,Jun?), #37 (Aug)
#38 (Okt),
1987: #40-43 (Feb,Apr,Jun,Oct)
1988: #45 (Apr/Jun)
1989: #48-51 (Jun-Nov/Dec)
1990: #54-56 (Summer-Dec)
1991: #57-58 (Spring-Summer)
1992: #59 (Jan), 60 (Mar),(62 (Dec)
1993: #63 (Mar)
1994: #66 (Spring), #67 (Sommer), #68 (Fall)
1995: #69 (Frühjahr)
COLLOQUIUM – P-47
Zeitschrift der freien Studenten Berlins
Germany
1955: Vol. 9/4 [Joachim-Ernst Berendt: Jazz in Deutschland]
COMBO – P-48
Der aktuelle Nachrichtendienst für den Berufsmusiker
Germany
1949: #7 (6.Jul) [Karl Heiderich: Kurt Edelhagen: “Wer übt, hat’s nötig?”]
#11 (6.Sep) [Hawe: Was ist Bebop?]
#12 (21.Sep) [Hawe: Die Combo – hüben und drüben; Hera: Die Combo-
Orchesterschau stellt vor: Ernst Jäger]
COMMODORE – P-1082
Light music on 78s
England
1972: #7-8 (Fall-Winter)
1973: #9-10 (Spring-Summer)
CONCERT – P-974
Jazz Special
Germany
1980: #7-8 (Apr/Jun-Herbst)
1981: #9,11
1982: #9 (Sep)
1985: Summer
CONCERTO -P-994
Austria
1990: #1-4
1991: #1-4
1992: #1-4
1993: #1-4
1994: #1-4
1995: #1-6
1996: #1-6 (Mar/Apr-Dec/Feb)
1997: #2-6 (Apr/May-Dec/Jan)
1998: #1-6 (Feb/Mar-Dec/Jan)
1999: #1-6 (Feb/Mar-Dec/Jan)
2000: #1-6 (Feb/Mar-Dec/Jan)
2001: #1-6 (Feb/Mar-Dec/Jan)
2002: #1-6 (Feb/Mar-Dec/Jan)
2003: #1-6 (Feb/Mar-Dec/Jan)
2004: #1-6 (Feb/Mar-Dec/Jan)
2005: #1-6 (Jan/Feb-Dec/Jan)
2006: #1-6 (Jan/Feb-Dec/Jan)
2007: #1-6 (Feb/Mar-Dec/Jan)
2008: #1-6 (Feb/Mar-Dec/Jan)
2009: #1-6 (Feb/Mar-Dec/Jan)
2010: #1-6 (Feb/Mar-Dec/Jan)
2011: #1-6 (Feb/Mar-Dec/Jan)
2012: #1-6 (Feb/Mar-Dec/Jan)
2013: #1-6 (Feb/Mar-Dec/Jan)
2014: #1-6 (Feb/Mar-Dec/Jan)
2015: #1-6 (Feb/Mar-Dec/Jan)
2016: #1-6 (Feb/Mar-Dec/Jan)
2017: #1-3 (Feb/Mar-Jun/Jul)
CONNECTICUT JAZZ NEWS – P-718
Connecticut Traditional Jazz Club
USA
1969: Dec
1970: Spring-Summer
CONSTANZE – P-49
Germany
1953: Vol. 6/3 (Feb) [NN: Hören auch Sie schräge Musik?]
Vol. 6/5 (Mar) [NN: Hier wird auch Ihnen: Heiß und kalt!]
CONTEMPORARY MUSIC REVIEW – P-998
England
2001: Vol.20 (1)
CORNET – P-50
Germany
1972: Vol. 1, #1-7
1973: Vol. 2, #8-13
1974: Vol. 3, #14-17
1975: Vol. 4, #18-22
1976: Vol. 5, #23-27
1977: Vol. 6, #28-31
1978: Vol. 7, #32-35
1979: Vol. 8, #36-39
1980: Vol. 9, #40-43/44
1981: Vol. 10, #45-47
1982: Vol. 11, #48-51
1983: Vol. 12, #52-55
1984: Vol. 13, #56-58
1985: Vol. 14, #59-60
COS Radicalism in Music – P-988
Japan
1988: #1 (Nov)
1998: #2 (May)
CRACKLE, THE – P-51
Improvised Music in Transition
USA
1976: #3 (autumn)
1977-78: #4
1979: #5
CRC Jazz Journal – P1076
USA
1988: Vol. 14/4 (Sep/Dec)
1989: Vol. 15/1-2 (Jan/Mar-Apr/Jul)
CRC NEWSLETTER – P-52
USA
1975: Vol. 1/1-4
1976: Vol. 2/1-4
1977: Vol. 3/3-4
1978: Vol. 4/1-4
1979: Vol. 5/1-3
1980: Vol. 6/1, 3, 41981: Vol. 7/31982: Vol. 8/1, 3, 41983: Vol. 9/1-2, 3, 4
1984: Vol. 10/1-2, 3, 4

1985: Vol. 11/3, 4
1986: Vol. 12/1-2, 3,

1987: Vol. 13/1-2, 3, 4

1988: Vol. 14/1, 2, 3

CREATIVE WORLD – P-547
The Creative World of Stan Kenton
USA
1970: Vol. 1/1-2 [als “The Kenton Era” bzw. “Creative World News”]
1971: Vol. 2/1 (Nov) [als “Creative World Bulletin and Catalogue”]
1972: Vol. 2/2-6 (Feb, May, Jul, Sep, Jul-Sep, Nov, Dec) [als “Creative World Bulletin and Catalogue”, z.T. mehrfache Nummernvergabe]
1973: Vol. 3/1-4 (Feb, Feb-May, May, Jul, Jul, Oct) [als “Creative World Bulletin and Catalogue” bzw. “Creative World”, z.T. mehrfache Nummernvergabe]
1974: Vol. 4/1-4
1975: Vol. 5/1,4
1976: Vol. 6/1-2
1977: Vol. 7/1
1978: Vol. 8/1
CRESCENDO & JAZZ MUSIC – P-53
England1962: komplett (Jul.1962-Jun/Jul.2005 als
[digi.copy])
1964: Vol. 3/3-5 (Oct-Dec)
1965: Vol. 3/1-7 (Jan-Juli), 3/9-12 (Apr-Jul),
Vol. 4/8-9 (Aug-Sep), Vol. 4/9-12 (Sep-Dez)
1966: Vol. 5/4 (Nov)
1967: Vol. 5/6 (Jan), 5/1, 5/2, 5/7 Febr), 6/3-5 (Oct-
Nov)
1968: Vol. 6/6 (Jan), 6/6 (Jan), 6/6 (Febr), 6/10
(May),
1969: Vol. 7/9 (Apr)
1975: Vol. 14/5 (Jul)1982: Vol. 21/3 (Nov)
1983: Apr, May, Jun-Nov
1984: Feb/Mar
1985: Jun/Jul-Dec/Jan
1994: Vol. 31/4 (Aug/Sep)
1996: Vol. 33/1-6 (Feb/Mar-Dec/Jan)
1997: Vol. 34/1-6 (Feb/Mar-Dec/Jan)
1998: Vol. 35/1-6 (Feb/Mar-Dec/Jan)
1999: Vol. 36/1-6 (Feb/Mar-Dec/Jan)
2000: Vol. 37/1-6 (Feb/Mar-Dec/Jan)
2001: Vol. 38/1-2 (Feb/Mar-Apr/May), 4-6
(Aug/Sep-Dec/Jan)
2002: Vol. 39/1-6 (Feb/Mar-Dec/Jan)
2003: Vol. 40/1-6 (Feb/Mar-Dec/Jan)
2004: Vol. 41/1-4,6 (Feb/Mar-Aug/Sep,Dec/Jan)
2005: Vol. 42/1,3,5 (Feb/Mar,Jun/Jul,Oct/Nov)
CRESCENDO, The – P-54
USA
1927: Vol. 20/1 (Jul)
1928: Vol. 20/11 (May)
1929: Vol. 21/10 (Apr), 12 (Jun); Vol. 22/3-4 (Sep-Oct)
1933: Vol. 25/10 (Oct)
Critical Inquiry – P-992
USA
2002: Vol. 28/3 (Spring)
CRESCENDO INTERNATIONAL the Musicia’s viewpoint) – P-1158
1967: Nov.
1968: Jan/Febr1970: März
CROSBY COLLECTOR, The – P-55
England
1970: Vol. 5/1 (#53), 5 (#57)
1971: Vol. 6/1 (#63)
1972: Vol. 6/2 (#64), 5 (#67)
CUADERNOS DE JAZZ – P-56
Spain
1990: Vol. 1/1-2
1991: Vol. 1/3-6, Vol. 2/1 (Nov-Dec)
1992: Vol. 2/8-13 (Jan/Feb-Nov/Dec)
1993: Vol. 3/14-19 (Jan/Feb-Nov/Dec)
1994: Vol. 4/20-25 (Jan/Feb-Nov/Dec)
1995: Vol. 5/26-28 (Jan/Feb-Jul/Aug), 30-31 (Sep/Oct-Nov/Dec)
1996: Vol. 6/32-37 (Jan/Feb-Nov/Dec)
1997: Vol. 7/38-43 (Jan/Feb-Nov/Dec)
1998: Vol. 8/44-49 (Jan/Feb-Nov/Dec)
1999: Vol. 9/50-55 (Jan/Feb-Nov/Dec)
2000: Vol. 10/56-61 (Jan/Feb-Nov/Dec), suppl. Index 1999-2000
2001: Vol. 11/62-67 (Jan/Feb-Nov/Dec), suppl. Record Review Index 1990-2000
2002: Vol. 12/68-73 (Jan/Feb-Nov/Dec)
2003: Vol. 13/74-79 (Jan/Feb-Nov/Dec)
2004: Vol. 14/80-85 (Jan/Feb-Nov/Dec)
2005: Vol. 15/86-91 (Jan/Feb-Nov/Dec)
2006: Vol. 17/92-97 (Jan/Feb-Nov/Dec)
2007: Vol. 18/98-103 (Jan/Feb-Nov/Dec)
2008: Vol. 19/104-109 (Jan/Feb-Nov/Dec)
2009: Vol. 20/110-115 (Jan/Feb-Nov/Dec)
2010: Vol. 21/116-117 (Jan/Feb-Mar/Apr)
CURRENT MUSICOLOGY – P-975
USA
2000: #69 (Spring)
2001-2002: #71-74 (Spring 2001 – fall 2002)
CUT – P-512
Magazin für Wohlklang
Switzerland
1983: #10 (Oct)
DANCE MUSIC ANNUAL – P-57
England
1951
DANCING USA – P-58
USA
1992: Vol. 10/1 (Jan/Feb)
DANISH MUSIC REVIEW – P-633
Danmark
1994: #1
DARMSTÄDTER KULTURANNUAL – P-59
Germany
1991: #1 [Wolfram Knauer: Größte europäische Jazzsammlung im Internationalen Jazz-Institut Darmstadt; Wolfram Knauer: Spontaneität und Komposition. 2. Darmstädter Jazzforum im September]
1992: 5.Feb [Wolfram Knauer: Jazz – live in Darmstadt]
1993: #3 [Wolfram Knauer: Jazz in Europa – europäischer Jazz]
DAVE BRUBECK QUARTET NEWSLETTER – P-610
USA
1994: Vol. 12/1 (Summer/Fall)
1995: Vol. 12/2-3 (Winter/Spring-Summer/Winter)
1996: Vol. 13/1-4 (Winter/Summer-Winter)
1997: Vol. 14/1 (Spring/Summer), 14/4 (Winter/Spring)
1998: Vol. 15/1 (Spring/Fall)
1999: Vol. 16/1-2 (Winter/Spring-Summer/Fall)
DAYBREAK EXPRESS – P-755
(Archives Center, National Museum of American History)
USA
1995: Vol. 1/2 (Fall)
1996: Vol. 2/1-2 (Spring-Fall)
1997: Vol. 3/1 (Spring)
DAY IN DAY OUT – P-60
Germany
1989: #1-3
1990: #4-6 (complete)
DELAWARE VALLEY JAZZ FRATERNITY – P-689
USA
Newsletter:
1978: Mar, Apr
DEMS BULLETIN – P-441
(Duke Ellington Music Society)
Sweden
1979: #1-5
1980: #1-4
1981: #1-5
1982: #1-5
1983: #1-4
1984: #1-5
1985: #1-4
1986: #1-4
1987: #1-4
1988: #1-5
1989: #1-4
1990: #1-4
1991: #1-5
1992: #1-4
1993: #1-4
1994: #1-4
1995: #1-3 (Jun-Dec)
1996: #1-2 (Dec-Feb)
1997: #1-4 (Mar/May-Dec/Feb)
1998: #1-4 (Mar/May-Dec/Feb)
1999: #2-5 (Mar/May-Dec/Feb)
2000: #1-4 (Mar/May-Dec/Feb)
2001: #1,3 (Apr/Jul, Dec/Feb)
2002: #1-3 (Apr/Jul-Dec/Mar)
2003: #1-3 (Apr/Jul-Dec/Mar) [2003/03 (Dec/Mar) is the last issue in print; DEMS is continued on internet]
DENVER JAZZ CLUB NEWS, THE – P-588
USA
1970: Feb-Apr
1971: Apr
1973: Nov
1974: Jan, Feb
1976: Apr
DESCARGA NEWSLETTER – P-793
A Publication for and by Latin Music Listeners
USA
1997: #29
DE STEM – P-717
Extra Festival Bulletin
Oude Stijl s Jazz Festival Breda
Netherlands
1979: May
DER JAZZ CLUB
Herausgegeben von der Arbeitsgemeinschaft westdeutsche Jauu-Culbs e.V. (AWJ)
Germany
1967: Vol.?/ 6-7 [Sammlung Pecherstorfer]
DEUTSCHE ILLUSTRIERTE – P-61
Germany
1958: #39 (27.Sep) [NN: Jazz für Soldaten? Bundesverteidigungsminister Strauß: Diktatoren hassen freie Rhythmen…]
DIFFERENT DRUMMER – P-1123
The Magazine for Jazz Listeners
USA
1974: Vol. 1/9 (Jul)
DIG MUSIC – P-1022
Sweden
2004: 1
2005: 2
DING, Das – P-484
Internationales Musikmagazin
Deutschland
1980: Vol. 4/7-8 (Jul-Aug)
The DIPPERMOUTH NEWS – P-1061
The Official Newsletter of the Louis Armstrong House Museum
2004/2005: Vol. 5/1-2 (Fall-Spring)
DISC – P-629
The Record Magazine
USA
1946: Vol. 1/1-2 (Aug-Sep)
DISCOGRAPHER, The – P-62
1967: Vol. 1/1
1969: Vol. 1/4
DISCOGRAPHICAL AND MICROGRAPHICAL BASICS – P-559
Netherlands
1988: #1 (Sep)
1989: #2-3 (Mar, Jul)
1990: #4 (Feb)
DISCOGRAPHICAL FORUM – P-63
England
1960: #1-3
1961: #4
1968: #5-9
1969: #10-15
1970: #16-21
1971: #22-27
1972: #28-29
Ohne Jahresangaben: #30-54
2010: #55
2011: #56
2013: #57
2014: #58
2015: #59-602016: #61-62
DISCOGRAPHICAL SOCIETY JAZZ BOOKLET – P-332
England
1944: [J.C. Higginbotham]
1945: [Hot Jazz]
1946: [Black and White, Part Two]; July [Eye Witness Jazz, Part Two]
mid-1940s: [New Orleans & Chicago Jazz]
[Eye Witness Jazz]
[Jazz in New York]
late 1940s: [Cream of the White Clarinets]
DISCO GRAPHIE – P-855
Belgium
1996: #20-21
1997: #22-23 (Jun,Aug)
1998: #24
DISCOGRAPHIE – P-1125
Germany
1982: #2
DISCOPHILE, The – P-64
England
1948: #1
1949: #6-9
1950: #12-15
1951: #16-19, 21
1952: #22, 24-27
1953: #28-33
1954: #34-39
1955: #40
1956: #46-51
1957: #52-58
1958: #59-61
DISK – P-65
Netherlands
1961: #2 (Oct)
DISK IN THE WORLD – P-497
Japan
1981: #2-3 (Jan, Jun)
DISKUSSIONSFORUM JAZZ BONN – P-462
Germany
1975: #1 (May)
1977: #4 (Sep)
1978: #5 (Jan), 6 (May)
DIVERSE NEWS – P-696
England
1995: Autumn
DIXIE-BEAT – P-589
Valley Dixieland Jazz Club
USA
1970: Vol. 1/9-11
DIXIE FLYER – P-623
The Society for the Preservation of Dixieland Jazz
USA
1968: Jul
1969: Jul, Sep-Dec
1970: Jan, May-Jul, Sep-Oct
1971: Vol. 9/1-2 (Jan-Feb), 9/4-5 (Apr-May), 9/10 (Oct), 9/12 (Dec)
1972: Vol. 10/1-2 (Jan-Feb), 10/6 (Jun), 10/9 (Sep)
1973: Vol. 11/4 (Apr), 11/6 (Jun), 11/7 (Jul), 11/10 (Oct), 11/12 (Dec)
1978: Vol. 17/3 (Mar), Aug, Vol. 17/1 (Nov)
DIXIELAND HALL – P-702
Deutschland
Newsletter
1993: Oct, Nov, Dec
1994: # 1-12 (Jan-Dec)
1995: # 1-12 (Jan-Dec)
1996: # 2-7 (Feb-Jul), Oct-Nov/Dec
DMR INTERN -P-1012
Verbandsinformationen des Deutschen Musikrats
Germany
2004: #01(Jan-Mar)-02 (Jul)
2005: #01 (Mar)
DOBELL’S BOOK CATALOGUE – P-66
England
ca. 1960
DOBELL’S BULLETIN – P-67
England
1960: #2-3 (Apr-May), 5 (Jul), 8 (Oct), 10 (Dec)
1961: #11-12 (Jan-Feb)
DOBELL’S NEWS – P-68
England
1958: Vol. 1/2-7
1959: Vol. 1/8-9, 11
DOCTOR JAZZ (Dr. Jazz) – P-72
[als Fotokopie vorhanden: #77, #79-82, #85, #87-88, #96, #100, #105]
1963: #1-5
1964: #7-10
1965: #11-14
1966: #17-22
1967: #23-29
1968: #30-33
1969: #34-39
1970: #40-45
1971: #46-51
1972: #52-57
1973: #58-63
1974: #64-69
1975: #71-75
1976: #76
1978: #84
1980: #92 (Jun)
1985: #108 (Apr)
1987: #116-119 (Mar,Jun,Sep,Dec)
1988: #120-123 (Mar,Jun,Sep,Dec)
1989: #124-127 (Mar,Jun,Sep,Dec)
1990: #128-131 (Mar,Jun,Sep,Dec)
1991: #132-134 (Mar,Jun,Sep)
1992: #136-139 (Mar,Jun,Sep,Dec)
1993: #140-143 (Mar,Jun,Sep,Dec)
1994: #144-147 (Mar,Jun,Sep,Dec)
1995: #148-151 (Mar,Jun,Sep,Dec)
1996: #152-155 (Mar,Jun,Sep,Dec)
1997: #156-159 (Mar,Jun,Sep,Dec)
1998: #160-163 (Mar,Jun,Sep,Dec)
1999: #164-167 (Mar,Jun,Sep,Dec)
2000: #168-171 (Mar,Jun,Sep,Dec)
2001: #172-175 (Mar,Jun,Sep,Dec)
2002: #176-179 (Mar,Jun,Sep,Dec)
2003: #180-183 (Mar,Jun,Sep,Dec)
2004: #184-187 (Mar,Jun,Sep,Dec)
2005: #188-191 (Mar,Jun,Sep,Dec)
2006: #192-195 (Mar,Jun,Sep,Dec)
2007: #196-199 (Mar,Jun,Sep,Dec)
2008: #200-203 (Mar,Jun,Sep,Dec)
2009: #204-207 (Mar,Jun,Sep,Dec)
2010: #208-211 (Jan,Jun,Sep,Dec)
2011: #212-215 (Jan,Jun,Sep,Dec)
2012: #216-219 (Jan,Jun,Sep,Dec)
2013: #220-223 (Jan,Jun,Sep,Dec)
2014: #224-227 (Jan,Jun,Sep,Dec)
2015: #228-231 (Jan,Jun,Sep,Dec)
2016: #232-235 (Jan,Jun,Sep,Dec)
2017: #236-237 (Jan,Jun)
DOSIERTE LEBEN, DAS -P-1128
Das Avant-Avantgarde-Magazin
Germany
2014: #19/105 (May)
DOWN BEAT – P-69
USA
1935: Vol. 2/8 (Aug), 11 (Nov)
1936: Vol. 3/1 (Dec/Jan)
1937: Vol. 4/8-10 (Aug-Oct), 12 (Dec)
1938: Vol. 5/1-10 (Jan-Oct), 12 (Dec)
[Xerox-Sicherung: Sep, Sep]
1939: Vol. 6/1-9 (Jan-Sep), 10-15 (1.Oct-15.Dec)
[Xerox-Sicherung: Jun, Sep, 1.Nov]
1940: Vol. 7/1-20 (1.Jan-15.Oct)
[Xerox-Sicherung: 15.Feb, 1.May, 1.Aug]
1941: Vol. 8/1-9 (1.Jan-1.May), 11-24 (1.Jun-
15.Dec) [Xerox-Sicherung: 15.Mar, 1. May,
1.Jul, 15.Jul, 1.Aug]
1942: Vol. 9/1 (1.Jan), 4-6 (15.Feb-15.Mar), 8-14
(15.Apr-15.Jul), 16-24 (15.Aug-15.Dec)
1943: Vol. 10/1-15 (1.Jan-1.Aug), 16-21 (15.Aug-
1.Nov), 23-24 (1.-15. Dec)
[Xerox-Sicherung: 1.Aug.]
1944: Vol. 11/1-24 [complete volume]
1945: Vol. 12/1-24 [except #3 (1.Feb), 17 (1.Sep),
19 (1.Oct); Overseas Edition:
Vol. 12/13, 12/16 (Aug)
(1.Jul), 20-21 (15.Oct-1.Nov), 24 (15.Dec)
1946: Vol. 13/1-2 (1.-14.Jan), 13/4-7 (11.Feb-
25.Mar), 13/9 (22.Apr), 13/11-13 (20.May-
17.Jun), 13/16-23 (29.Jul-4.Nov), 25 (2.
Dec); Overseas Edition: Vol. 13/2 (14.Jan),
7 (25.Mar), 21 (7.Oct), 23 (Nov), 24(15.Dec)
[Xerox-Sicherung: 1.Jan, 25.Feb]
1947: Vol. 14/1 (1.Jan),14/8 (9. Apr), 13-14
(18.Jun-2.Jul), 16-17 (30.Jul-13.Aug), 22
(22.Oct), 24-25 (19.Nov-3.Dec), 28-29 (17.-
31.Dec) [wrong numbering for last issue]
[Xerox-Sicherung: 13.Aug]
1948: Vol. 15/1-26 (14.Jan-29.Dec)
1949: Vol. 16/1-25 (14.Jan-30.Dec)
1950: Vol. 17/1-26 (13.Jan-29.Dec)
1951: Vol. 18/1-26
1952: Vol. 19/1-26
[Xerox-Sicherung: 22.Feb, 4.Jun]
1953: Vol. 20/1-26
[Xerox-Sicherung: 23.Sep]
1954: Vol. 21/1-26
1955: Vol. 22/1-26
1956: Vol. 23/1-26
1957: Vol. 24/1-26
1958: Vol. 25/1-26
1959: Vol. 26/1-26
1960: Vol. 27/1-26
1961: Vol. 28/1-26
1962: Vol. 29/1-13 (21.Jun), 20 (5.Jul)-31
[wrong numbering, complete volume]
Vol. 29/26 (Okt)
1963: Vol. 30/1-32
[wrong numbering, complete volume]
1964: Vol. 31/1-33
[wrong numbering, complete volume]
1965: Vol. 32/1-27
1966: Vol. 33/1-26
1967: Vol. 34/1-26
1968: Vol. 35/1-26
1969: Vol. 36/1-26 [7.Aug: p. 9-10 missing]
1970: Vol. 37/1-26
1971: Vol. 38/1-22
1972: Vol. 39/1-21
1973: Vol. 40/1-21
1974: Vol. 41/1-21
1975: Vol. 42/1-21
1976: Vol. 43/1-21
1977: Vol. 44/1-21
1978: Vol. 45/1-21
1979: Vol. 46/1-18
1980: Vol. 47/1-12 (Jan-Dec)
1981: Vol. 48/1-12 (Jan-Dec)
1982: Vol. 49/1-12 (Jan-Dec)
1983: Vol. 50/1-12 (Jan-Dec)
1984: Vol. 51/1-12 (Jan-Dec)
1985: Vol. 52/1-12 (Jan-Dec)
1986: Vol. 53/1-12 (Jan-Dec)
1987: Vol. 54/1-12 (Jan-Dec)
1988: Vol. 55/1-12 (Jan-Dec)
1989: Vol. 56/1-12 (Jan-Dec)
1990: Vol. 57/1-12 (Jan-Dec)
1991: Vol. 58/1-12 (Jan-Dec)
1992: Vol. 59/1-12 (Jan-Dec)
1993: Vol. 60/1-12 (Jan-Dec)
1994: Vol. 61/02 (Feb), 61/09 (Sep), 61/12 (Dec)
1995: Vol. 62/2 (Feb), 62/4 (Apr)
1998: Vol. 65/1-12 (Jan-Dec)
1999: Vol. 66/1-12 (Jan-Dec)
2000: Vol. 67/1-12 (Jan-Dec)
2001: Vol. 68/1-12 (Jan-Dec)
2002: Vol. 69/1-12 (Jan-Dec)
2003: Vol. 70/1-12 (Jan-Dec)
2004: Vol. 71/1-12 (Jan-Dec)
2005: Vol. 72/1-12 (Jan-Dec)
2006: Vol. 73/1-12 (Jan-Dec)
2007: Vol. 74/1-12 (Jan-Dec)
2008: Vol. 75/1-12 (Jan-Dec)
2009: Vol. 76/1-12 (Jan-Dec)
2010: Vol. 77/1-12 (Jan-Dec)
2011: Vol. 78/1-12 (Jan-Dec)
2012: Vol. 79/1-12 (Jan-Dec)
2013: Vol. 80/1-12 (Jan-Dec)
2014: Vol. 81/1-12 (Jan-Dec)
2015: Vol. 82/1-12 (Jan-Dec)
2016: Vol. 83/1-12 (Jan-Dec)
2017: Vol. 84/1-8 (Jan-Aug)
DOWN BEAT YEARBOOK – P-70
USA
1956: Vol. 1
1957: Vol. 2
1958: Vol. 3
1959: Vol. 4
1960: Vol. 5
1961: Vol. 6
1962: Vol. 7
1963: Vol. 8
1964: Vol. 9
1965: Vol. 10
1966: Vol. 11
1967: Vol. 12
1968: Vol. 13
1969: Vol. 14
1970: Vol. 15
1971: Vol. 16
1972: Vol. 17
1973: Vol. 18
1974: Vol. 19
1975: Vol. 20
1976: Vol. 21
1978: Vol. 23
1980: Vol. 25
DOWNBEAT’S YEARBOOK OF SWING – P-71
USA
1939
DRESDNER JAZZSZENE – P-562
East Germany
1981: #2
DRUMMER, Der – P-73
Germany
1953: #1-4
1954: #5-8
1955: #9-11
1956: #12
1957: #13-16
1958: #17-18
DRUMMER SCOPE – P-471
USA
1956: Vol. 1/1-3 (May-Jul), 5-8 (Sep-Dec)
1957: Vol. 1/9 (Jan), Vol. 2/2 (Feb)
DRUMS AND PERCUSSION – P-74
USA
1975: Vol.1/12 (Autumn/Winter)
DU – P-75
Switzerland
1989: #8 (Aug) [special issue on Miles Davis]
1991: #5 (May) [special issue on John Cage]
1992: #4 (Apr) [special issue: Body and Soul. Die großen Sängerinnen des Jazz]
1994: #3 (Mar) [special issue on Thelonious Monk]
1995: #5 (May) [special issue: Friedrike Mayröcker, Ernst Jandl: An den Rändern der Sprache]
1996: #5 (May) [special issue: Zeit für neue Musik],
#12 (Dec) [special issue on Max Roach]
1998: #7 (Jul) [special issue: Tenor Saxophon]
2002: #723 (Feb) [special issue on Charles Mingus],
2010: #808 (Jul/Aug) [special issue on Montreux Jazz Festiva]
The DUKE ELLINGTON SOCIETY – P-1060
Celebrating the Music of Duke Ellington
2008: Feb
DUKE ELLINGTON SOCIETY OF SWEDEN (DESS) – P1071
Sweden
2006: Vol. 13/1 (Mar), 3 (Sep)
EAR – P-481
Magazine of New Music
USA
1980: Vol. 5/5 (Apr/May)
1985: Vol. 9/5+10/1 (Fall)
1986: Vol. 11/1-2 (Sep-Oct), 4 (Dec/Jan)
1987: Vol. 12/3 (May), 6 (Sep), 8 (Nov)
1988: Vol. 13/2 (Apr), 6-7 (Sep-Oct)
1989: Vol. 13/10 (Feb)
1991: Vol. 16/1-2 (Apr-May)
EARSHOT – P-570
A Mirror and Focus for the Jazz Community
USA
1993: Vol. 9/7-8 (Aug-Sep)
EAST VILLAGE EYE – P-505
USA
1984: Sep
EBONY – P-434
USA
1959: Nov-Dec [digi.copy]
1960: Jan-Dec [digi.copy]
1961: Jan-Dec [digi.copy]
1962: Jan-Dec [digi.copy]
1963: Jan-Dec [digi.copy]
1964: Jan-Dec [digi.copy]
1965: Vol. 20/10 (Aug) [special issue: The White Problem in America]
1969: Jul [digi.copy]
ECOUTER VOIR – P-959
l’information des professionnels de la diffusion musicale
France
1998: #98 (Feb)
ELEGANTE WELT – P-76
Germany
1952: Vol. 41/7 (Jul) [K.W.: Karrieren begannen… bei Los Angeles (Yma Sumac)]
1955: Vol. 44/11 (Nov) [Joachim-Ernst Berendt: Der Swing ist wieder da]
ELLE – P-77
Germany
1971: #4 (15.Feb) [Joachim-Ernst Berendt: Jazz]
ELLINGTONIA – P-1055
(A Publication of The Duke Ellington Society)
USA
2007: Vol.15/8 (Nov)
2008: Vol. 16/2 (Feb)
ELMORE – P-1032
Saving American Music
USA
2006: #6-7 (Jan/Feb-Mar/Apr)
EMMA – P-77
Das Magazin von Frauen für Frauen
1989: #3 (Mar) [Viola Roggenkamp: Frauen im Jazz]
ENSEMBLE – P-78
The Newsletter of International Jazz Friends
England
1967: #8 (Oct/Dec)
1968: #10-11 (Apr-Jun)
EPOCA – P-789
(Die neue deutsche Zeitschrift)
Germany
1964: Vol. 2/1 (Jan)
1965: Vol. 7 (Jul)
1966: Vol. 5 (May),
ER – P-79
Die Zeitschrift für den Herrn
Germany
1953: Vol. 4/12 (Dec) [book review on Laade, Ziefle, Zimmerle: “Jazzlexikon”]
1954: Vol. 5/11 (Nov) [Adrian Vellbert: Bei Jazz fällt alle Schwere ab]
ESQUIRE – P-438
1959: Vol. 51/1 (Jan) [Sonderheft: The Golden Age of Jazz]
ESQUIRE’S JAZZ BOOK – P-80
USA
1944
1945
1946
ESTRAD – P-1036
Tidskrift för den moderna dansmusiken
Sweden
1939: Vol. 1/1 (Jan), 3-12 (Mar-Dec)
1940: Vol. 2/1-8 (Jan-Aug), 10-12 (Oct-Dec)
1941: Vol. 3/1-5 (Jan-May)
1943: Vol. 5/9-10 (Sep-Oct), 12 (Dec)
1944: Vol. 6/1-3 (Jan-Mar), 6 (Juni), 9 (Sep), 11 (Nov)
1945: Vol. 7/1 (Jan), 3 (Mar), 7/5-10 (May-Oct)
1946: Vol. 8/2 (Mar), 7-9 (Jul.Sep), 11-12 (Nov-Dec)
1947: Vol. 9/5-6 (May-Jun), 9 (Sep)
1948: Vol. 10/9-10 (Sep-Oct)
1949: Vol. 11/2 (Feb), 11/5-6 (May-Jun), 11/8 (Aug), 10-11 (Oct-Nov)
1950: Vol. 12/7 (Jul)
1951: #2-5, 9 (Jan-May, Sep)
1952: #1, 10 (Jan, Oct)
1953: #1,3-4,7-8,11 (Jan, Mar-Apr,Jul-Aug,Nov)
1954: #4,10 (Apr,Oct)
1955: #1,3,6,9-10 (Jan, Mar, Jun, Sep-Oct)
1956: #2,5-9,11 (Feb, May-Sep,Nov)
1957: #2, 5-6,9 (Feb,May-Jun,Sep)
1958: #1-2,4,7/8,10-12
1959: #2-3,11
1962: Vol. 24/1-2, 4-12 (Jan-Feb, Apr-Dec)
1963: #1
ETUDE MUSIC MAGAZINE – P-734
USA
1947: 65/3 (Mar)
EUROJAZZ REVIEW – P-635
England
1994: #1-2 (Aug, Nov)
EUROPA-ARCHIV – P-472
Germany
1946: Vol. 1/2 (Aug) [NN: Die Geschichte des Jazz]
EUROPEAN JAZZ FEDERATION,
Wien, Austria -P-1165 (Swinging Newsletter)1972: #2 (Dez)1976: #23 (Feb)
EVANGELISCHER FILMBEOBACHTER – P-726
(Der Plattenteller)
Germany
1962: Vol. ¾,12, Register
1964: Vol. 5/3
1965: Vol. 17/ 29, 31, 33
EVANSVILLE AREA JAZZ CLUB, THE – P-688
USA
1973: 14.Mar
EXAMINER MAGAZINE – P-731
San Francisco
1994: Oct (23.)
EX LIBRIS – P-81
Germany
1967: #3 (Mar) [Joachim-Ernst Berendt: Die Avantgarde und das Chaos]
EXPANSIONS – P-891
(The Collective Black Artists’ Newsletter)
USA
1975: Winter
EXPRESSION – P-480
Das Internationale Magazin für American Express Mitglieder
Germany
1993: Vol. 9/1 (Feb/Mar) [Jos’phine Pannard: Jazz-Revival; kurze Festival-Liste]
EXTEMPORE – P-1068
Australia
2008: #1 (Nov)
2009: #2-3 (May,Nov)
2010: #4-5 (May, Nov) [#5 = last issue]
FABLE BULLETIN – P-850
Violin Improvisation Studies
England
1993: #1-2
1994: #3-4
1995: #5-7
1996: #8
1997: #9
1998: #10
1999: #11
2000: suppl. #1-11
FACHBLATT MUSIKMAGAZIN – P-82
Germany
1982: #11-12
1983: #1, 4, 7, 10
1984: #7
1985: #1, 5-7, 9-10, 12
1986: #1-12
1987: #4, 6
1988: #1, 12
1989: #1
1991: #2, 7
FANFARE – P-83
(Southern California Hot Jazz Society)
before 1969: info sheets
USA
1964: 1 issue (Apr)
1969: Vol. 1/1,4,5,7 (Jan, Apr, May, Jul), 1/8-12 (Aug-Dec)
1970: Vol. 2/2 (Feb), 4-10 (Apr-Oct)
1971: Vol. 3/1-2 (Jan-Feb), 4-10 (Apr-Oct)
1972: Vol. 4/1 (Jan), 3-4 (Mar-Apr)
1973: Vol. 5/3-5 (Mar-May), 5/7 (Jul), 5/11 (Nov)
FAZ MAGAZIN – P-84
(Frankfurter Allgemeine Zeitung)
Germany
1983: #196 (2.Dec) [Ulrich Olshausen: Miles Davis. Meister des Hardbop: Miles Davis, Trompeter wie
Boxer – unnahbar]
1985: #285 (16.Aug) [Ulrich Olshausen: Ein Orchester in der Kehle. Al Jarreau, der Jazzsänger in
Deutschland (Jarreau on cover)]
1988: #429 (20.May) [Wolfgang Sandner: Jazz (Jazz cover)]
#437 (15.Jul) [Wolfgang Sandner: Saxophone lachen nicht]
#445 (9.Sep) [Peter Kemper: Rückkehr zu den Quellen. Der Saxophonist Archie Shepp]
1990: #555 (19.Oct) [Peter Kemper: Pharoah Sanders. Auf der Suche nach dem wahren Ton]
#565 (28.Dec) [Andrian Kreye: Fester Rhythmus, bewegtes Leben: Ginger
Baker (Baker on cover)]
1991: #594 (19.Jul) [Wolfgang Sandner: Über die Einsamkeit des Posaunisten Albert Mangelsdorff
(Mangelsdorff on cover]
#598 (16.Aug) [Karl Steinorth: Gordon Parks. Meister der Fotografie, Kämpfer in der Bilderwelt
(photo of Louis Armstrong)]
1992: #645 (10.Jul) [Andrian Kreye: Der Mann, der dem Jazz die heißen Rhythmen
Kubas brachte (Mario Bauza on cover)]
1995: #793 (12.May) [Wolfgang Sandner: Dave Brubeck/Gerry Mulligan (Mulligan on cover)]
FEDERATION JAZZ – P-85
USA
1990: Vol. 5/2-3 (May/Jun-Jul/Aug)
1992: Vol. 7/1 (spring/summer)
1993: Vol. 8/1-3 (spring-fall/winter)
1994: Vol. 9/1 (spring)
1995: Vol. 10/1 (spring), 10/2 (Sommer)
1996: Vol. 11/2 (spring), 11/4 (Fall)
1997: Vol. 12/1 (Winter/Spring), 12/3 (Fall)
FEEDBACK – P-950
Germany
2001: Oct-Nov
2002: Feb-Sep,Nov
FERNSEH-MAGAZIN – P-86
Germany
1959: Vol. 2/31 (11.-24.Jan)
FILM – P-87
Germany
1967: Vol. 5/3 (Mar) [Joachim-Ernst Berendt: Plädoyer für den Jazz im Film]
FILM – RADIO – JAZZ – P-802
Switzerland
1947: #4 (Nov/Dec)
FILM DIENST – P-928
Germany
2000: 53/18 (29.Aug)
FILMWOCHE, DIE – P-88
Germany
1951: Vol. 6/43 (27.Oct) [announcement of a report by Joachim-Ernst Berendt in “Hollywood – heute” for
Radio Bremen]
FINNISH MUSIC QUARTERLY – P-89
Finland
1985: #3-4 [Matti Konttinen: Top Finish Big Bands]
1986: #1 [Jaako Tahkolahti: Oulunkylä Pop / Jazz Institute]2014: #1-3
FLIEGENDE HOLLÄNDER, Der – P-90
Zeitschrift für Freunde der KLM
Netherlands
1967: #12 (Summer) [photo of Ella Fitzgerald & Duke Ellington on KLM]
FLORIDA – P-554
(The Orlando Sentinel)
USA
1993: Vol. 40/16 (18.Apr) [Matt Schudel: South Florida’s Jazz Elite (Ira Sullivan, Flip Phillips, Lonnie Liston
Smith, Red Rodney)]
FOCUS MSG
England
1964: #1-2 (Feb.-Mar)
FOLK MAGAZIN – P-1122
Germany
1976: #2
FOLKWANG HOCHSCHUL ZEITUNG – P-1040
Germany
1992/93: Vol.6 /13 (Wintersemester)
FONGI – P-767
(Der wilde Jazzgeist)
Germany
1958: #1 (15.Mar), #2 (15.May), #3 (15.Jul), #4 (15.Sep), #5 (15.Nov)
1959: #1-2; Fongi Kalender
1970: Sonderausgabe (“Der schlaffe Jazzgeist”, zum 20-jährigen Bestehen des Hot Circle Darmstadt)
FONO FORUM – P-91
Germany
1961: #3
1977: #1-12
1978: #1-12
1979: #1-12
1980: #1-12
1981: #1-12
1982: #1-12
1998: #1-12
1999: #1-12
2000: #1-12
2001: #1-12
2002: #1-12
2003: #1-12
2004: #1-12
2005: #1-12
2006: #1-12
2007: #1-12
2008: #1-12
2009: #1-12 (Fono Forum Special: Piano Festival 4/5 2009)
2010: #1-12
2011: #1-12
2012: #1-12
2013: #1-12
2014: #1-12
2015: #1-12
2016: #1-7 (Jan-Jul)
Keine kostenfreie Belieferung mehr
FONTES ARTIS MUSICAE – P-92
1989: Vol. 36/3 (Jul-Sep) [special jazz issue]
FOOTNOTE – P-92
[continued as New Orleans Music]
England
1972: Vol. 3/6 (Aug), Vol. 4/2 (Dec)
1973: Vol. 4/3-5 (Feb-Jun), Vol. 5/1 (Oct)
1974: Vol. 5/2-6 (Dec/Jan-Aug/Sep), Vol. 6/1 (Oct/Nov)
1975: Vol. 6/2-5 (Dec/Jan-Jun/Jul), Vol. 7/1 (Oct/Nov)
1976: Vol. 7/3-4 (Feb/Mar-Apr/May)
1977: Vol. 8/3 (Feb/Mar)
1981: Vol. 12/6 (Aug/Sep)
1984: Vol. 16/1 (Oct/Nov)
1985: Vol. 16/2-6 (Dec/Jan-Aug/Sep); Vol. 17/1 (Oct/Nov)
1986: Vol. 17/2-6 (Dec/Jan-Aug/Sep); Vol. 18/1 (Oct/Nov)
1987: Vol. 18/2-5 (Dec/Jan-Jun/Jul)
1989: Vol. 20/6 (Aug/Sep); Vol. 1/1-2 (Oct/Nov-Dec/Jan)
1990: Vol. 1/3-6 (Feb/Mar-Aug/Sep); Vol. 2/1-2 (Oct/Nov-Dec/Jan)
1991: Vol. 2/3-6 (Feb/Mar-Aug/Sep); Vol. 3/1-2 (Oct/Nov-Dec/Jan)
1992: Vol. 3/3-6 (Mar-Dec)
1993: Vol. 4/1-3 (Mar-Sep)
1994: Vol. 4/5-6 (Mar-Jun); Vol. 5/1-2 (Sep-Dec)
1995: Vol. 5/3-6 (Mar-Dec)
1996: Vol. 6/1-4 (Mar-Dec)
1997: Vol. 6/5-6 (Mar-Jun); 7/1-2 (Sep-Dec)
1998: Vol. 7/3-6 (Mar-Dec)
1999: Vol. 8/1 (Mar)
2000: Vol. 8/5-6 (Mar-Jun); Vol. 9/1 (Sep)
2003: Vol. 10/6 (Jun); 11/1-2 (Sep,Dec)
2004: Vol. 11/3-4 (Mar,Jun)
2006: Vol. 13/2 (Dec)
2007: Vol. 13/3-6 (Mar-Sep)
FORCED EXPOSURE – P-545
USA
1988: #13 (Winter)
1989: #15 (Summer)
1990: #16
1993: #18
FORM – P-93
Internationale Revue
Germany
1958: #2 [Joachim-Ernst Berendt: Das Modern Jazz Quartet]
FORSCHUNGSZENTRUM POPULÄRE MUSIK NEWS (FPM News) – P-94
Germany (Berlin)
1991: #1-2
1992: #1
1993: #1
1994: #1
FORSCHUNGSZENTRUM POPULÄRE MUSIK REPORT – P-95
Germany (Berlin)
1990
FORTE – P-96
(Belgium)
1990: Oct [no jazz content]
1992: Feb [no jazz content], Jun [Graham Collier: Schools of Jazz / Ecoles de Jazz]
1993: #1 [no jazz content]
FORTISSIMO – P-677
Official Publication of the Musicians Society of San Antonio, Local No. 23
USA
1965: Vol. 13/2 (May)
FOX AUF 78 – P-97
Ein Magazin rund um die gute alte Tanzmusik
Germany
1986: #1-2 (Aug-Dec)
1987: #3-4 (Spring-Fall)
1988: #5-6 (Spring-Fall)
1989: #7 (Summer)
1990: #8 (Spring)
1991: #9 (Winter)
1992: #10 (Herbst-Winter 1991/92), 11 (Herbst 1992)
1993: #12 (Summer)
1994: #13 (Summer)
1995: #14 (Summer)
1996: #15 (Winter/Spring)
1997: #16 (Spring)
1998: #17 (Spring)
1999: #18 (Spring)
2000: #19 (Spring)
2001: #20 (Summer)
2002: #21 (Fall)
2004: #22 (Spring)
2006: #23 (Winter)
2007: #24 (Summer)
2009: #25 (Winter)
2011: #26 (Winter)
2013: #27 (Winter)
2014/2015:
2016: #29 (Herbst)
FRANKFURTER HEFTE – P-98
Germany
1955: Vol. 10/7 (Jul) [Joachim-Ernst Berendt: Die Improvisation in der Jazzmusik] Vol. 10/11 (Nov) [Joachim-Ernst Berendt & Joachim Heydorn: Schwarz und Weiß in USA]
1970: Vol. 25/5 (May) [Joachim-Ernst Berendt: Den Schwarzen der USA fehlen die Politiker]
1971: Vol. 26/1 (Jan) [Joachim-Ernst Berendt: Die Melodisierung der Freiheit. Gedanken zur Jazz-Entwicklung in den siebziger Jahren]
Vol. 26/12 (Dec) [Joachim-Ernst Berendt: Miles Davis und seine Söhne (I). Zu neuen Jazz-Schallplatten]
1972: Vol. 27/1 (Jan) [Joachim-Ernst Berendt: Miles Davis und seine Söhne (II) ol. 27/7 (Jul) [Joachim-Ernst Berendt: Jazz Goes Europe. I. Die deutsche Szene]
Vol. 27/10 (Oct) [Joachim-Ernst Berendt: Jazz Goes Europe. II. Die englische Szene]
FRANKFURTER JAZZ-ZEITUNG – P-781
Germany
1981: Vol. 1 (Oct)
FRAU UND MUSIK – P-99
Germany
1991: #22 (Dec)
FREEWAY – P-954
The More or Less Quarterly Voice of the Improvised Music Association
1992: Vol. 2/1 (Mar/May); Vol. 2/3 (Jul-Sep)
1993: Vol. 2/5 (Spring)
FREIBORD – P-527
Literatur – Kunst – Kulturpolitik
Austria
1981: Vol. 6/23 (Sonderheft Jazz/Musik)
FREIBURGER JAZZHAUS JOURNAL – P-100
Germany
1987: Vol. 1/1
1988: Vol. 2/4 (Apr)
1990: Vol. 3/10
1991: Vol. 5/3-8, 10-12
1992: Vol. 6/1-12
1993: Vol. 7/1-12
1994: Vol. 8/1-12
1995: Vol. 9/1-12
1996: Vol. 10/1-12
1997: Vol. 11/1-12
1998: Vol. 12/1-12
FREIBURGER ZEITSCHRIFT FÜR GESCHLECHTERSTUDIEN – P-1121
Germany
2013: Vol. 18/1 (special “Musik & Genderdiskurs”)
FREISTIL – P-1023
Magazin für Musik und Umgebung
Austria
2005: # 4-5 (Sep,Dec)
2006: #6-8 (Feb,Apr,Jun) #9 (Aug) #10 (Oct) 11
(Dec)
2007: #12-15 (Mar,Mai,Jul,Sep)
2008: #17-20,22 (Feb,Apr,Jun,Aug,Dez)
2009: #23-28 (Feb-Dec/Jan)
2010: #29-32 (Feb/Mar-Aug/Sep)
2011: #35 (Apr/May)-36 (Feb/Mar), 39 (Oct/Nov)- 40 (Dec)
2012: #41-46 (Feb/Mar-Dec/Jan)
2013: #47-51 (Feb/Mar-Nov/Dec)
2014: #52-57 (Jan/Feb-Nov-Dec)
2015: #58-62 (Jan/Feb-Sep/Oct)
FRENCH GUITAR – P-812
France
1997: #1-5 (Mar/Apr-Dec/Jan)
FUGUE – P-900
USA
1996/1997: #14/15 (Fall/Spring)
THE FULL SCORE – P-848
England
1999: Spring
FUNK-FERNSEH-JOURNAL – P-101
Germany
1959: Vol. 6/64 (6.Sep)
FUNK-ILLUSTRIERTE – P-102
Germany
1952: Vol. 20/18 (27.Apr) [NN: Jazz triumphierte in Paris (review of 2nd Salon International du Jazz)]
FUNKSTUNDE – P-721
Germany
1937: Vol. 14/10-19 (7./13.Mar-9./15.May), 14/21-27 (23./29.May-4./10.Jul), 14/29-30 (18./24.Jul-25./31.Jul), 14/33-36 (15./21.Aug-5./11.Sep), 14/38-52 (19./25.Sep-26.Dec./1.Jan)
1940: Vol. ?
FÜR DEN GOTTESDIENST – P-899
Germany
2000: #55 (Apr)
FUSE – P-517
The Cultural Media & News Magazine
USA
1980: Vol. 4/5 (Jul/Aug)
GARNER GEMS (ERROLL GARNER GEMS) – P-103
Scotland/USA
1991: Vol. 1/1 (Jan), 2 (Apr), 3 (Jul), 4 (Oct)
1992: Vol. 2/1 (Jan), 2 (Apr), 3 (Jul), 4 (Oct)
1993: Vol. 3/1 (Jan), 2 (Apr), 3 (Jul), 4 (Oct)
1994: #13
1995: #15
GAZETA JAZZOWA – P-1075
Poland
2009: #15 (Oct-Nov)
GBC INFO – P-710
German Blues Circle
Germany
1976: #1-5 (Aug-Dec)
1977: #6-16 (Jan-Dec)
1978: #17-28 (Jan-Dec/Jan)
1979: #29-39 (Feb-Dec/Jan)
1980: #40-47 (Feb-Sep), 50 (Nov)
1981: #51-56 (Jan/Feb-Nov/Dec)
1982: #57-62 (Jan/Feb-Nov/Dec)
1983: #63-64 (Jan/Feb-Mar)
1984: #99-110 (Jan-Dec/Jan)
1985: #111-121 (Feb-Dec)
1986: #123-133 (Feb-Dec)
1987: #135-141 (Feb-Aug), 143-145 (Oct.Dec)
1988: #147-158 (Feb-Dec.1988)
1989: #160-170/171 (Feb-Dec/Jan)
1990: #172-182/183 (Feb-Dec/Jan)
1991: #184-194/195 (Feb-Dec/Jan)
1992: #196-206/207 (Feb-Dec/Jan)
1993: #208-218/219 (Feb-Dec/Jan)
1994: #220-230/231 (Feb-Dec/Jan)
1995: #232-242/243 (Feb-Dec/Jan)
1996: #244-254/255 (Feb-Dec/Jan)
1997: #256-266/267 (Feb-Dec/Jan)
1998: #268-278/279 (Feb-Dec/Jan)
1999: #280-290 (Feb-Jul, Sep-Dec/Jan)
2000: #292-302/303 (Feb-Dec)
2001: #304-313/314 (Feb-Dec)
2002: #315-325/326 (Feb-Dec/Jan)
2003: #327-336/337 (Feb-Dec/Jan)
2004: #338-347/48 (Feb-Dec/Jan)
2005: #349-358 (Feb-Dec/Jan)
Erscheinen ab Jan. 2006 eingestellt.
GEHÖRT – GELESEN – P-104
Die Manuskripte der interessantesten Sendungen
Germany
1955: Vol. 2/8 (Aug) [Joachim-Ernst Berendt: Schwarz unter Weiß – Zur Situation des Negers in den USA]
GEMA NACHRICHTEN – P-659
Germany
1994: #150 (Dec)
1996: #154 (Nov)
1997: #155-156 (Jul,Nov)
1998: #157-158 (Jun,Nov)
1999: #160 (Nov)
2002: #166 (Nov)
2004: #169,170 (Jun,Nov)
GENE LEES NEWSLETTER – P-600
USA
1983: Vol: 2/5,8,11-12, Vol. 3/1-5
1984: Vol. 3/6-12, Vol. 4/1-5
1985: Vol. 4/6-12
1986: Vol. 5/1-12
1987: Vol. 6/1-12
1988: Vol. 7/1-9,10,12
1989: Vol. 8/1
1992: Vol. 11/8-9 (Aug-Sep)
GEZZITALIANO, IL – P-846
Italy
1998: Vol. 2, #7
1999: Vol. 3, #10-11 (May/Jun-Jul/Aug)
GITARRE AKTUELL – P-716
Germany
1992: Vol. 13/2
1993: Vol. 14/2
1995: Vol. 16/3-4
GITARRE & BASS – P-874
Germany
1999: Sep
GM – P-499
Revija Glasbene Mladine Slovenije
Yugoslavia
1977/78: #1-2, 4
GOLDMINE – P-1029
The Collectors Record and Compact Disc Magazine
2005: Vol. 31/10 (13.May)
GOLF REPORT KÖLN -P-1004
Germany
2003: #2
2004: #1
2005: #1,3
2006: # 4
2008: #1,3,4
2009: #1-2
2010: #4
2011: #3
2012: #3
2013: #32014: #42015: #2,3
[jazz articles scanned]
GONDEL, Die – P-105
[including JAZZ ECHO]
Germany
1950: #6-12
1951: #1-12
1952: #1-12
1953: #1-12
1954: #1-12
1955: #1-12
1956: #1-12
1957: #1-12
1958: #1-12
1959: #1-12
1960: #1-12
1961: #1-12 (Jan, Apr-Nov komplett)
1962: #1-12 (komplett)
1963: #1-12 (komplett)
1964: #1-12 (komplett)
1965: #1-12 (Jan,Feb,Jul komplett)
1966: #1-5 (Jan-Mar,May komplett)
GONG – P-106
Germany
1954: (31.Jan) [NN: Stars aus USA (Tommy Dorsey, Frank Sinatra, Johnnie Ray, Billy Eckstine, Lionel Hampton, Doris Day, Jo Stafford, Peggy Lee, Kay Starr)]
GOOD NOISE, The – P-107
England
#1-250 (+ Index)
GOODCHILD’S JAZZ BULLETIN – P-108
England
1959: #31-32 (Jan-Feb)
GRAFFITI – P-854
Belgium
1996: #114 (Oct)
GRÄNSLÖST – P-672
Sweden
1995: #1-3 (May,Sep,Dec)
1996: #1-4 (Mar,Jun,Sep,Dec)
1997: #1-4 (Mar,Jun,Sep,Dec)
1998: #1-4 (Mar,Jun,Sep,Dec)
1999: #1-4 (Mar,Jun,Sep,Dec)
2000: #1 (Mar) [eingestellt]
GRAMOFON
CSSR
1946: #2, 4, 6
GRAMOPHONE – P-109
England
1923: Vol. 1/1 (Apr) [als Beilage zu Vol. 50/599 (Apr.1973)]
1928: Vol. 6/67 (Dec)
1930: Vol. 8/86-87 (Jul-Aug)
1931: Vol. 9/93-98 (Feb-Jul), 100 (Sep), 103 (Dec)
1932: Vol. 9/104-108 (Jan-May);
Vol. 10/111 (Aug), 113-115 (Oct-Nov)
1933: Vol. 10/116-119 (Jan-Apr), 121-123 (Jun-Aug);
Vol. 11/127 (Dec)
1934: Vol. 11/128-131 (Jan-Apr);
Vol. 12/133-136 (Jun-Sep), 139 (Dec)
1935: Vol. 13/151 (Dec)
1936: Vol. 13/152 (Jan);
Vol. 14/156-163 (May-Dec)
1937: Vol. 14/166 (Mar);
Vol. 15/172 (Sep)
1938: Vol. 15/176-177 (Jan-Feb);
Vol. 16/181-183 (Jul-Aug)
1973: Vol. 50/596-597 (Jan-Feb), 599-600 (Apr-May), 602 (Jul)
GTJ & CR NEWS – P-1170 (Contemporary records)

1958: Vol.3 #1 (März)

1959: Vol.4 #1-4 (Jan, März, Juni, Nov)

1960: Vol.5 #1 (Feb), #2 (Sommer)

GUIA DE JAZZ – P-110
Argentina
1987: Vol. 3/12 (Aug)
GUIDER – P-798
New York Entertainment and Restaurant Guide
USA
1977: 15.Feb
GUITAR – P-1155 GB
(Guitar the Magazine for all Guitarists)
1975: Vol.4 #4 (Nov) #5 (Dez)1976: Vol.4 #6-12 (Jan-Juli) Vol.5 #1 (Aug) Vol.5
#5 (Dez)
1977: Vol.5 #7 (Febr) Vol.5 #9 (April)1981: Vol.10 #4 (Nov)
GUITAR EXTRA! – P-111
USA
1991: Vol. 2/1 (Spring)
Guitar One – P-940
USA
The Magazine You Can Play
2001: #3 (Mar)
GUITAR PLAYER – P-112
USA
1974: Vol. 8/11-12 (Nov-Dec)
1975: Vol. 9/1-8 (Jan-Aug), 10-11 (Oct-Nov)
1976: Vol. 10/4 (Apr), 6-7 (Jun-Jul), 12 (Dec)
1977: Vol. 11/1-2 (Jan-Feb), 6 (Jun), 10 (Oct)
1978: Vol. 12/1-2 (Jan-Feb), 4-5 (Apr-May), 8-9 (Aug-Sep)
1981: Vol. 15/4 (Apr), 15/8 (Aug), 15/10-11 (Oct-Nov)
1983: Vol. 17/5 (May)
1986: Vol. 20/8 (Aug)
1987: Vol. 21/1 (Jan)
GUITAR WORLD – P-566
USA
1983: Vol. 4/1-2 (Jan-Mar)
GUITARISTE MAGAZINE – P-533
France
1980: #1-2 (Nov-Dec)
1981: #3-10 (Jan-Sep)
THE GUNN REPORT – P-886
England
1970: #23 (Oct), 25 (Dec)
1980: Sep/Dec
1986: #1
1992: (Dec)
HAMBURGER MUSIK-MAGAZIN 78 – P-1085
Germany
1979: #10-11
1980: #12
1981: #13
1983: #14
HARMONIE-REVUE – P-113
Germany
1952: #2-3 (Jan-???)
HARMONIKA-REVUE – P-781
Germany
1963: Vol.30, #1/2-11/12 (Jan/Feb-Nov/Dec)
1968: Vol.35, #3
1970: Vol.37, #6
HENNESSY – P-452
USA
1992: Fall
1993: Spring-Winter
1994: Spring-Winter
1995: Spring-Winter
1996: Spring-Summer-Fall
1997: Spring, Fall
HERDS, The – P-599
The Woody Herman Society
1993: Vol. 1 (Winter)
HERREN-JOURNAL, Das – P-114
Germany
1953: #11 (Nov) [jazz article cut out]
1954: #4 (Apr) [Joachim-Ernst Berendt: Kühler Jazz im hohen Norden (Jazz in Sweden)]
#10 (Oct) [Joachim-Ernst Berendt: Jazz-Stars 1954]
HESSEN PROFILE – P-115
Journal für Wissenschaft und Kunst
Germany
1989: #2 [NN: Jazz im Hof; NN: Jazz ist in (Landesjugendjazzorchester)]
HIFI & MUSIK – P-521
Sweden
1977: Vol. 8/8 (Aug)
HIFI STEREOPHONIE – P-116
Germany
1982: Vol. 21/10 (Oct)
1983: Vol. 22/7 (Jul)
HiFi-STEREO-PRAXIS (Zeitschrift für Schallplatte und Tonbandtechnik) – P-1136

Germany

1962: #3-11 (Mar-Nov)

1963: #1-3, 8 (Jan-Mar,Aug)

HiFi SCENE – P-475
Switzerland
1992: #6 (Sep)
HINDEMITH FORUM – P-902
2000: #1-2
2001: #3-5
2002: #6
2003: #7-8
2004: #9-11
2005: #12
2006: #13-14
2007: #15-16
2008: #17-18
2009: #19-21
2010: #22
2011: #23-24
2012: #25-26
HIP. THE JAZZ RECORD DIGEST – P-117
USA
1968: Vol. 4/5 (Nov)
1969: Vol. 6/3-6 (Sep-Dec)
1970: Vol. 7/1-5 (Jan-May); Vol. 8/2-6 (Aug-Dec)
1971: Vol. 9/1-7 (Jan-Jun), Vol. 10/1-6 (Aug-Dec)
HOLLYWOOD NOTE – P-926
USA
1946: Vol 1/4-5 (Jun-Jul)
HÖREN UND SEHEN – P-118
Germany
1954: 2.May [no jazz content]
HÖR MIT MIR – P-722
Neue Funk-Stunde
Germany
1940: Vol.11/1-9 (31.Dec/6.Jan-25.Feb/2.Mar), 11/15-31 (7./13.Apr-29.Jul/3.Aug), 11/36-50 (1./7.Sep-8./14.Dec)
HOT CLUB 51 Düren – P-458
Germany
[alle in Fotokopie]
1955: #65 (25.Jan), #70 (5. Apr), #81 (4.Oct), #85 (29.Nov)
1956: #91 (21.Jan), #96 (20.Jun)
HOT CLUB FRANKFURT – P-740
Germany
1952: #28 (22.Sep)
HOT CLUB JOURNAL – P-119
Germany
1948: Vol. 1/9-11 (Jun-Aug)
HOT CLUB MAGAZINE – P-120
France
1946: #2-12
1947: #13-22
1948: #24, 26-27
HOT CLUB NEWS – P-121
Germany
1991: Vol. 1/1-2
1992: Vol. 2/1-4
1993: Vol. 3/1-4
1994: Vol. 4/1-4
1995: Vol. 5/1-4
1996: Vol. 6/1-4
1997: Vol. 7/1-4
1998: Vol. 8/1-4
1999: Vol. 9/1-4
2000: Vol. 10/1-4
2001: Vol. 11/1 [eingestellt]
HOT HOUSE – P-122
(New York’s Jazz Bible)
USA
1986: Vol. 5/2 (Feb)
1987: Vol. 6/1 (Jan)
1991: Vol. 10/6-8 (Jun-Aug)
1992: Vol. 11/1-2 (Jan-Feb), 4 (Apr)
1996: Vol. 15/5 (May)
1997: Vol. 16/8-9 (Aug-Sep), 11 (Nov)
1998: Vol. 17/4,6-8 (Apr,Jun-Aug)
1999: Vol. 18/5-6 (May-Jun)
2008: Jan-May
2009: Feb, Sep
2010: Feb
2011: Mar
2012: Feb
2013: Feb
[complete as pdf files from Jan.2010]
HOT HOUSE – P-875
Maison de Jazz de Liege
Belgium
1998: #1-9 (Feb-Nov)
1999: #10-19 (Jan-Nov)
2000: #20-29 (Jan-Nov)
2001: #30-32, 34/35-39 (Jan-Mar, May/Jun-Nov)
2002: #40-49 (Jan-Nov)
2003: #50-60 (Jan-Nov+Noel)
2004: #61-71 (Jan-Dec)
2005: #72-82(Jan-Dec)
2006: #83-93 (Jan-Dec)
2007: #94-103 (Jan-Dec)
2008: #105-114 (Feb-Dec)
2009: #115-125 (Jan-Dec)
2010: #126-136 (Jan-Dec)
2011: #137-144 (Jan-Sep)
2012: #155-158 (Sep-Dec) [digi.copy]
[pdf files from Jan.2008]
HOT JAZZ (INFO) – P-123
Germany
1968; Vol. 4/3 (May) (+1 number)
1969: Vol. 5/1-2 (+ 1 number)
1970: Vol. 6/1-4
1971: Vol. 7/1-3
1972: Vol. 8/1-5
1973: Vol. 9/1-3
1974: #1-12
1975: #1-12
1976: #1-12
1977: #1-12
1978: #1-11
1979: #1-12
1980: #1-12
1981: #1-12
1982: #1-12
1983: #1-12
1984: #1-12
1985: #5-121986: #1-10
1987: #1-121988: #1/2, #5/6, #11/12
HOT NOTES – P-664
New York Hot Jazz Society
USA
1969: Vol. 1/7-8 (Jul-Aug)
1971: (press release)
HRS SOCIETY RAG – P-925
USA
1940: (Oct)
HUDBA PRO RADOST – P-124
(Musik zum Vergnügen)
CSFR
1964: Juli/Aug, Sept/Okt, Nov/Dez
1965: Jan/Feb, März/April, Mai-Juli, Aug-Okt,
1966: Jan/Feb, Mai-Juni, Aug-Okt, Nov/Dec
1967: Jan/Feb, 1 further issue
HURLY BURLY – P-960
free improvised music magazine
Spain
1997: #1-3 (Apr-Oct)
1998: #4-7 (Jan-Oct)
1999: #8 (Jan)
HURTA CONDEL – P-857
Spain
1997: #2
IAJE NEWSLETTER – P-442
(International Association of Jazz Educators)
USA
1992: Sep
1993: Mar, Sep
1994: Aug
1997: May, Jun
2006: International Conference Newsletter 2007
2007: International Conference Newsletter 2008
IAJRC JOURNAL – P-127
USA
1968: Vol. 1/1-2 (Jan,Apr)
1969: Vol. 2/2-3 (Jul,Oct)
1970: Vol. 3/1-4 (Jan,Apr,Jul,Oct)
1971: Vol. 4/1-4 (Jan,Apr,Jul,Oct)
1972: Vol. 5/1-2 (Jan,Apr), 4 (Oct)
1973: Vol. 6/1-4 (Jan,Spring,Summer,Fall)
1974: Vol. 7/1-4 (Winter-Fall)
1975: Vol. 8/1-4 (Winter-Fall)
1976: Vol. 9/1-4 (Winter-Fall)
1977: Vol. 10/1-4 (Winter-Fall)
1978: Vol. 11/1-4 (Winter-Fall)
1980: Vol. 13/1-4 (Jan,Apr,Jul,Oct)
1981: Vol. 14/1-4 (Jan-Oct)
1982: Vol. 15/1-3 (Jan,May,Oct)
1983: Vol. 16/1-2 (Jul,Oct)
1984: Vol. 17/1-4 (Jan,Apr,Jul,Oct
1985: Vol. 18/1-4 (Jan,Mar,Jul,Oct)
1986: Vol. 19/1-4 (Jan,Apr,JulOct)
1990: Vol. 23/2-3 (Spring-Summer)
1991: Vol. 24/2-4 (Spring-Fall)
1992: Vol. 25/1-4 (Winter-Fall)
1992: Mar (Directory of Members)
1993: Vol. 26/1-4 (Winter-Fall)
1994: Vol. 27/1-4 (Winter-Fall)
1995: Vol. 28/1-4 (Winter-Fall)
1996: Vol. 29/1-4 (Winter-Fall)
1997: Vol. 30/1-4 (Winter-Fall)
1998: Vol. 31/1-4 (Winter-Fall)
1999: Vol. 32/1-4 (Winter-Fall); Directory of Members
2000: Vol. 33/1-4 (Winter-Fall)
2001: Vol. 34/1-4 (Winter-Fall); Directory of Members
2002: Vol. 35/1-4 (Winter-Fall)
2003: Vol. 36/1-4 (Winter-Fall)
2004: Vol. 37/1-4 (Winter-Fall)
2005: Vol. 38/1-4 (Winter-Fall)
2006: Vol. 39/1-4 (Winter-Dec)
2007: Vol. 40/1-4 (Feb,May,Aug,Dec)
2008: Vol. 41/1-4 (Feb,May,Aug,Dec)
2009: Vol. 42/1-4 (Mar,Jun,Sep,Dec); Directory of Members
2010: Vol. 43/1-4 (Mar,Jun,Sep,Dec)
2011: Vol. 44/1-4 (Mar,Jun,Sep,Dec); Directory of Members
2012: Vol. 45/1-4 (Mar,Jun,Sep,Dec)
2013: Vol. 46/1-4 (Mar,Jun,Sep,Dec)
2014: Vol. 47/1,3,4 (Mar,Sep,Dec); (Directory of Members)
2015: Vol. 48/1 (Mar)
IASJ NEWSLETTER – P-125
(International Association of Schools of Jazz)
Netherlands
1991: #1 (Dec)
1992: #2-4 (May-Dec)
1993: #5 (May)
1994: #6-8 (Jan,Jun,Nov)
1995: #9 (Apr), 11 (Nov)
1996: #12-14 (May,Jun,Dec)
1997: #17 (Dec)
1998: #18 (Apr)
1999: #20-22 (May-Nov)
2000: #23-24, 26 (Jan-Apr,Oct)
2001: #27-29 (Feb-Oct)
2002: #30-32 (Jan-Oct), 34(Dec)
2003: #1,3 (Apr,Oct,Dec)
2004: Mar,Sep,Dec
2005: Apr,Dec
2009: Jun
2011: Dec
2012: Jun, Dec
IJF BULLETIN – P-128
1987: #1
ILLUSTRIERTE WOCHE – P-129
Badische Illustrierte
Germany
1952: Vol. 7/18 (3.May) [NN: Wer gegen Jazz ist… ist gegen die Jugend – erklärte ein französischer Regierungssprecher auf dem “Salon du Jazz” in Paris (Photos by Jean-Pierre Leloir)]ILTA TÄHTI – P-130
Finland
1991: #87 (28.Jun) [Tuija Aalto: Jazzmuseo: vain tosi faneille (über das Jazz-Institut Darmstadt)]
IMPETUS – P-468
England
1976: #1-3
ca. 1977: #4-6
1978: #7-8
1979: #9
IMPRINT – P-437
Germany
1977: Vol. 29/4 [Joachim-Ernst Berendt: Begegnungen mit Hermann Hesse]
IMPROJAZZ – P-607
France
1993: #0 (Dec)
1994: #1-10 (Jan-Dec)
1995: #11-20 (Jan-Dec)
1996: #21-30 (Jan-Nov/Dec)
1997: #31-40 (Jan-Nov/Dec)
1998: #41-50 (Jan-Nov/Dec)
1999: #51-60 (Jan-Nov/Dec)
2000: #61-70 (Jan-Nov/Dec)
2001: #71-80 (Jan-Nov/Dec)
2002: #81-90 (Jan-Nov/Dec)
2003: #91-100 (Jan-Nov/Dec)
2004: #101-110 (Jan-Nov/Dec)
2005: #111-120 (Jan-Nov)
2006: #121-130 (Jan-Dec)
2007: #131-140 (Jan-Nov/Dec)
2008: #141-150 (Jan-Nov)
2009: #151-160 (Jan-Nov)
2010: #161-170 (Jan-Nov)
2011: #171-180 (Jan-Nov/Dec)
2012: #181-190 (Jan-Nov/Dec)
2013: #191-200 (Jan-Nov/Dec)
2014: #201-210 (Jan-Nov/Dec)
2015: #211-220 (Jan-Nov/Dec)
2016: #221-230 (Jan-Nov/Dec)
2017: #231-237 (Jan-Jul/Aug)
IMPROVISOR, The – P-131
USA
1982: Vol. 2/2 (Winter) + supplement
1991: Vol. 9 (autumn)
1993: Vol. 10
IN CONCERT – P-132
The Monthly Newsletter of the World Jazz Association
USA
1975: Vol. 1/2-5 (Aug/Sep-Dec)
1976: Vol. 2/1-2 (Spring-Jul/Aug)
INDEPENDENT JAZZ LIST – P-746
England
1990: #1-3 (Jun,Sep,Nov)
1991: #4-7 (Jan,Mar,May,Jul), #9 (Dec)
INDIGO NOTES – P-872
Germany
1993: #2-8
1994: #10-13, #15-18
1995: komplett
1996: komplett
1997: #39-46
1998: #50, #55-57
1999: #59-63, #65-68
2000: #69-76
2001: #77-84
2002: #85-92
2003: #93-99
2004: #100-108
2005: #109-118
2006: #119-128 (Feb-Dec/Jan)
2007: #129-138 (Feb-Dec/Jan)
2008: #139-148 (Feb-Dec/Jan)
2009: #149-158 (Feb-Dec/Jan) [last issue]
INFORMATION – P-851
Germany (Karslruhe)
1963: Oct-Nov
1964: #1
INFORMATION FÜR DIE TRUPPE – P-133
Germany
1958: #14 [Interview mit Bundesverteidigungsminister Strauß: Die Bundeswehr und der Jazz; Joachim-Ernst Berendt: Was ist Jazz?]
INFORMATIONEN – P-771
Studienkreis: Deutscher Widerstand
Germany
1991: Vol. 16/32-33 (Apr,Oct)
1992: Vol. 17/34-35 (Mar,Oct)
INJAZZ – P-448
Germany
1992: #1 (Sep)
1993: #2-4 (Jan, …, Sep)
1994: #5-7 (Feb, Jul, Dec)
1995: #8-9 (Mar, Jul)
INMUSIC – P-638
USA
1990: Vol. 1/1-6 (Jan-Jun), 10-12 (Oct-Dec)
1991: Vol. 2/1-3 (Jan-Mar)
INNER VISIONS – P-887
(Black Music Association)
USA
1979: Vol. 1/2 (Oct)
INTERMISSION – P-624
New Orleans Jazz Club of Southern California
USA
1968: Vol. 1/6 (Aug)
1969: Vol. 2/9-10 (Nov-Dec)
1970: Vol. 3/1-10 (Feb-Nov)
1971: Vol. 4/2-5 (Mar-Jul), 4/8 (Oct)
1972: Vol. 5/3 (Mar)
International Blues Record Club Bulletin – P-1110
USA
1962: Vol. 2/1 (Winter 1962/1963)
INTERNATIONAL JAZZ ARCHIVES JOURNAL – P-656
USA
1993: Vol. 1/1 (Fall)
1994: Vol. 1/2 (Fall)
1995: Vol. 1/3 (Fall)
1996: Vol. 1/4 (Fall)
1998: Vol. 2/1 (Fall)
2012: Vol. 3/4 (Spring)
INTERNATIONAL MUSICIAN – P-134
USA
1949: Feb, Apr, Jun
1950: Apr
1953: Mar
1955: Mar
1956: Jan-Sep, Nov
1957: Apr, Jun, Sep, Nov, DecS
1958: Jan-Feb, Apr, Jul, Dec
1959: Jan, Mar-Aug, Dec
1960: Mar-Apr, Nov
1961: Apr-Dec
1962: Jan-Dec
1963: Jan-Dec
1964: Jan-Oct
1966: Apr
1967: Feb, May-Sep, Nov-Dec
1968: Jan-Oct
1969: Jan-Feb, Apr-May, Jul-Aug, Oct-Nov
1970: Jan, Mar-Dec
1971: Jan-Aug, Dec
1972: Jan-Feb
1973: Vol. 71/11-12 (May-Jun), Vol. 72/1-3 Jul-Sep), 5-6 (Nov-Dec)
1974: Vol. 72/8-12 (Jan-Jun), Vol. 73/1-4 (Jul- Oct)
1975: Vol. 73/8-9 (Feb-Mar)
1991: Vol. 89/9 (Mar), Vol. 90/3-6 (Sep-Dec)
1992: Vol. 90/7-12 (Jan-Jun); Vol. 91/1-4 (Jul- Oct)
INTERNATIONAL MUSICIAN AND RECORDING WORLD – P-782
Germany
1981: Vol. 3/11 (Nov)
INTERNATIONALE RECORDS NEWS – P-1162
Italien
1982: Vol.1 #1 (Mai) bis #6 (Nov)1983: Vol.2 #1 (Spring)
INTERNATIONAL STORY, The – P-135
Delta Airlines
1991: Fall [Claire D. Hughes: Jazz It Up. You can hear jazz music, from traditional Dixieland to modern improvisation, no matter where you’re heading]
INTERNATIONALE PODIUM, Das – P-136
Germany
1951: Vol. 3/45-49 (Jul-Dec)
1952: Vol. 4/50-53 (Feb-May), 55-61 (Jul-Dec) [fortgeführt als “Jazz Podium”, siehe dort]
1955: Vol. 8/85 (Jan)
INTERVALS – P-606
The Newsletter of Soprano Saxophonist David Liebman
USA
1994: Vol. 1/3; Vol. 2/1 (Fall/Winter)
1995: Vol. 2/3 (Spring/Summer), Vol. 3/1 (Fall/Winter)
INTERVIEW – P-1066
Andy Warhol’s Interview
1986: Vol. 16/4 (Apr)
IN THE GROOVE -P-924
USA
1946: Vol 1/9 (Nov)
INTO JAZZ – P-137
England
1974: Vol. 1/1-7 (Feb-Aug)
IN TUNE –P-1038
England
1993: #40 (Mar)
IRC NEWS – P-***
(Switzerland)
ca. 1969: #27-75, Reminder 1-6
I.S.A.M. NEWSLETTER – P-126
USA
1971-1979: Vol. 1/1-9/1
1980-1989: Vol. 9/2-19/1
1990: Vol. 19/2 (May), Vol. 20/1 (Nov)Neuere Ausgaben online unter:
http://www.brooklyn.cuny.edu/web/academics/centers/hitchcock/publications/amr/archive.php
ISTAR NEWSLETTER – P-138
India
1985/86: #3-4
JAC -P-1057
La Revista des Jazz
Spain/Barcelona
2003: #3
JASSMAN, THE P-1054
South Africa
2007: Vol1/1 (Oct)
2008: Vol. 2/1-6
2009: Vol. 3/1-6
2010: Vol. 4/1-2
JAZZ – P-139
Australia
1981: Vol. 1/3 (May/Jun), 5 (Sep)
1982: Vol. 2/10-11 (Jul-Oct)
1983: Vol. 3/1-2 (Jan-Apr), 5 (Spring)
1985: #20
1986: #21-22
JAZZ – P-549
Belgische Radio en Televisie, Nederlandse Uitzendingen
Belgium
1969/70: Oct/Mar
1972: Feb-Apr, Dec
JAZZ – P-140
CSFR
1964: Vol. 10 (#98)
1965: Vol. 10/2 (#102)
JAZZ – P-918
Belgium
1945: #1-11
JAZZ – P-141
Germany
1949: Vol. 1/1 (Dec)
JAZZ – P-657
(fortgeführt als JAZZI MAGAZINE)
Poland
1994: #1 (May)
1995: #9
1996: #16
1997: #17-18, 20-21 (Jul/Aug-Sep/Oct)
1998: #23 (Jan/Feb)
2001: #41
JAZZ – P-142
Switzerland
1974: #1-6
1975: #1-6
1976: #1-6
1977: #1-61985: #3 (Japan), #4 zehn Portrais
JAZZ. Das Schweizer Jazz-Magazin – P-792
Switzerland
1996: #1-2 (Sep/Oct-Nov/Dec)
1997: #3-7 (Jan/Feb-Sep/Oct)
JAZZ – P-636
Hungary
1976: #7 (Dec)
1977: #8-10 (Apr-Dec)
1978: #13 (Dec)
1979: #14-16 (Apr-Dec)
1980: #17-18 (Apr-Sep)
1981: #19-21 (Jan-Dec)
1984: #3
JAZZ – P-921
USA
1942: Vol 1/4 (Sep)
1943: Vol 1/7, 8 (May), 9 (Jul), 10 (Dec)
1944: Vol. 1/1 (15.Dec)
1945: Vol. 1/2
JAZZ – P-143
USA
1962: Vol. 1/1-2 (Oct-Dec)
1963: Vol. 2/3-9 (Jan-Dec)
1964: Vol. 3/1-6 (Feb-Dec),
1965: Vol. 4/1-11 (Jan-Dec)
1966: Vol. 5/1-12 (Jan-Dec)
1967: Vol. 6/1-4 (Jan-April), 6-7 (Juni-Juli)
JAZZ – P-144
USA
1967: Vol. 6/1-7 (Jan-Jul)
JAZZ – P-145
Miesiecznik Ilustrowany, later: Rytm i piosenka
Later: MM. Magzyn Muzyczny JAZZ [Musikmagazin JAZZ]
Poland
1956: Vol. 1/6 (#2-3), 11-12 (#5-6)
1957: Vol. 2/1-7 (#7-#13), 9-12 (#15-18)
1958: Vol. 3/1-4 (#19-22), 8/9
1959: Vol. 4/3 (#33), 8 (#38)
1960: Vol. 5/10 (#51)
1962: Vol. 7/1-12 (#65-76)
1964: Vol. 9/12 (#100)
1965: Vol. 10/2 (#102), 5 (#104)
1966: Vol. 11/12 (#124)
1967: Vol. 12/1-12 (#125-136)
1968: Vol. 13/1-3 (#137-139), 5-6 (#141-142), 11 (#147)
1969: Vol. 14/1-12 (#149-160)
1970: Vol. 15/1-2, 4-5, 7/8-12 (#161-162, 164-165, 167/168-173)
1971: Vol. 16/1-12 (#173-184)
1972: Vol. 17/1, 4, 9-10, 12 (#185, 188, 193-194, 196)
1973: Vol. 18/1-2, 10 (#206), 11-12 (#197-198, 207-208)
1974: Vol. 19/4 (#212), 6 (#214)
1975: Vol. 20/2-4 (#222-224), 6-12 (#226-232)
1976: Vol. 21/1-3 (#233-235), 7-11 (#239/240-243)
1977: Vol. 22/1-3 (#245-247), 5-6 (#269-250), 10 (#254)
1978: Vol. 23/5-6 (#261-262), 7 (#263), 9 (#265); 12 (#268),
1979: Vol. 24/8 (#276)
1981: Vol. 26/3 (#295), /4 (#296)
1982: #301
1983: (#305-308, 310) [#309 fehlt]
1984: (#311, #315-316)
1985: (#318-319)
JAZZ – P-146
Switzerland (A3-Format)
1981: #0
1982: #1-2 [complete set]
1983: #1-5 [complete set]
1984: #1-6
1985: #1-6
JAZZ – P-1154
Tschechischen Republik , CZ
1947: 1. Jahrgang, #3
1948: 2. Jahrgang, #1, 2, 4
JAZZ. A QUARTERLY OF AMERICAN MUSIC – P-230
USA
1958: #1 (Oct)
1959: #2-4 (Spring, Summer, Fall)
1960: #5 (Winter)
JAZZ AMBASSADOR MAGAZINE (Jam) – P-1138
USA
2013 Oct/Nov
JAZZ AT RONNIE SCOTT’S – P-839
The House Magazine of Ronnie Scott’s Club
England
1981: Oct-Nov
1983: #21 (Jan)
1987: #46 (Aug)
1989: #55 (Jan/Feb)
1990: #65-66 (Oct-Dec)
1991: #67-70,72 (Jan/Feb-Jul/Aug,Nov/Dec)
1992: #73-77 (Jan/Feb-Sep/Oct)
1993: #79-81,83-84 (Jan/Feb-May/Jun,Sep/Oct-Nov/Dec)
1994: #85-89 (Jan/Feb-Sep/Oct)
1995: #91-92,94-95 (Jan/Feb-Mar/Apr,Jul/Aug-Sep/Oct)
1996: #97-98,100-102 (Jan/Feb-Mar/Apr,Jul/Aug-Nov/Dec)
1997: #103-109 (Jan/Feb-Nov/Dec) (21.01.2009: #104 vermisst)
1998: #110-115 (Jan/Feb-Nov/Dec)
1999: #116-121(Jan/Feb-Nov/Dec)
2000: #122-127 (Jan/Feb-Nov/Dec)
2001: #128-133 (Jan/Feb-Nov/Dec)
2002: #134-138 (Jan/Feb-Sep/Oct)
2003: #140-144 (Jan/Feb-Sep/Oct)
2004: #146-148,151 (Jan/Feb-May/Jun,Nov/Dec)
2005: #152-154, 156-157 (Jan/Feb-May/Jun,Sep/Oct-Nov/Dec)
2006: #158-159 (Jan-Feb)
JAZZ, BLUES AND CO. – P-518
France
1976: #3 (Oct)
1977: #11 (Aug/Sep)
1978: #15-16 (Mar-Apr), 21/22 (Oct)
1979: #25/26 (Jan), 28/29 (Spring), 32/33 (Aug/Sep)
1980: #36/37-44/45 (Jan/Feb-Oct/Dec), Sonderheft (Festivalheft)
1981: #47 (Jan-Feb)
1982: #59/60 (Christmas)
JAZZ & BLUES – P-148
England
1971: Vol. 1/1-8 (Apr-Dec)
1972: Vol. 1/9-11, Vol. 2/1-9 (Jan-Dec)
1973: Vol. 1/10-12 (Jan-Mar),
Vol: 2/10, 2/12 (März),
Vol. 3/10 (Feb), 3/2 (Mai), 3/6 (Sept),
11-9 (Apr-Dec) ?
JAZZ & CONTEMPORARY MUSIC PROGRAM NEWSLETTER – P-973
England
2002: Spring/Summer
JAZZ & POP – P-149
USA
1967: Vol. 6/8-12 (Aug-Dec)
1968: Vol. 7/1-12 (Jan-Dec)
1969: Vol. 8/1-12 (Jan-Dec)
1970: Vol. 9/1-12 (Jan-Dec)
1971: Vol. 10/1-3, 5-8 (Jan-Mar, May-Aug)
JAZZ (Bulletin) – P-150
CSSR
1972: #3
1973: #7 (Sep)
1974: #8-10 (Jan, Apr, Aug)
1975: #13-15 (Apr, Jul, Dec)
1977: #21/22
JAZZ (Just aquitaine) – P-548
France
1984: #13 (15.Sep)
JAZZ (MAGAZINE) – P-189
USA
1976: Vol. 1/1 (Summer)
1977: Vol. 1/3-4 (Spring-Summer); Vol. 2/1 (Fall)
1978: Vol. 2/2 (Winter), 2/4 (Summer); Vol. 3, #1 (Fall)
1979: Vol. 3/2-4 (Spring-Fall); Vol. 4/1 (Winter)
1980: Vol. 4/2 (Spring)
JAZZ + CLASSIC – P-151
Switzerland
1978: #1-6
1979: #1-6
JAZZ – RHYTHM & BLUES – P-147
Switzerland
1968: #1-8
JAZZ – The Magazine (Jazz Magazine) – P-171 (Nicht mehr existent ab 11/96)
(formerly Jazz fm)
England
1990: #1-4
1991: #5-9
1992: #10-16
1993: #17-22
1994: #23-27
1995: #28-30 (Jan/Feb-May/Jun)
JAZZ 360° – P-152
France
1979: #14 (Jan), 20 (Sep), 23 (Dec)
1980: #24-30 (Jan-Sep),
1981: #36 (Mar), 39-42 (Jun-Nov)
1982: #43-47 (Jan-Apr), 49-54 (May-Dec)
1983: #55-64 (Jan-Dec)
1984: #65-74 (Jan-Dec)
1985: #75-76 (Jan-Dec)
JAZZ ACTUEL – P-756
Le journal du Petit Faucheux
France
1995: #1
1996: #2-5
1997: #6-9
1998: #10-14
JAZZAMATAZZ – P-873
USA
1999: Vol. 2/6; Vol. 3/8 (Winter/Spring)
2000: Vol. 111/9 (Spring)
2004: Vol. 13/4 (Summer)
JAZZ APPRECIATION SOCIETY BOOKLET – P-153
England
mid-1940s: [Jazz]
[Stanley F. Dance: Jazz Notebook]
[Jazz on Record]
[Jazz Writings]
[Jazz Today]
[American Jazz No. 1 / No. 2]
[Thoo’ Berry]
JAZZ Årbogen – P-154
Denmark
1958: Vol. 2
1959: Vol. 3
JAZZ ARCHIVIST, The – P-155
USA
1986: Vol. 1/1-2 [digi.copy]
1987: Vol. 2/1-2 [digi.copy]
1988: Vol. 3/1-2 [digi.copy]
1989: Vol. 4/1-2 [digi.copy]
1990: Vol. 5/1-2 [digi.copy]
1991: Vol. 6/1-2 [digi.copy]
1992: Vol. 7/1-2 [digi.copy]
1993: Vol. 8/1-2 [digi.copy]
1994: Vol. 9/1-2 [digi.copy]
1995: Vol. 10/1-2 [digi.copy]
1996: Vol. 11/1 (May) [digi.copy]
1997: Vol. 12/1 (May) [digi.copy]
1998: Vol. 13 (1998/1999) [digi.copy]
2000: Vol. 14 (1Heft) [digi.copy]
2001: Vol. 15 (1Heft) [digi.copy]
2002: Vol. 16 (1Heft) [digi.copy]
2003: Vol. 17 (1Heft) [digi.copy]
2004: Vol. 18 [digi.copy]
2005/06: Vol. 19 [digi.copy]
2007: Vol. 20 [digi.copy]
2008: Vol. 21 [digi.copy]
2009: Vol. 22 [digi.copy]
2010: Vol. 23 [digi.copy]
2011: Vol. 24
JAZZ AROUND P-729
Belgien
1996: #5 (Jun/Jul/Aug)
1997: #11-12 (Sep/Oct-Nov/Dec)
1998: #13-17 (Jan-Nov/Dec)
1999: #18-22 (Feb/Mar-Nov/Dec)
2001: #26-27 (Jan/Feb-May/Jun)
2002: #30-32 (Feb/Mar-Jul/Aug)
2003: Jul/Sep.2003
JAZZBAND – P-763
Argentina
Vol. 1/3 (Jul/Aug)
JAZZ BAZAAR – P-157
Germany
1969: #1-4
1970: #5-8
1971: #9-11
1972: #12/13
JAZZ BEAT – P-158 (P-231)
England
1964: Vol. 1/3, 5, 11-12
1965: Vol. 2/2-3, 5, 7, 10-12
1966: Vol. 3/1, 3/2, 3/4, 3/10
JAZZ BEAT – P-159
USA1989: Vol. 1/1 (Aug), 1/2 (Winter 1989/1990)1990: Vol. 3&4; Vol. 2/1-2&3 (August-Winter)
1991: Vol. 2/4 (Spring); 3/1-2&3 (Summer-Fall/Winter)
1992: Vol. 3/4 (Spring); Vol. 4/1-3 (Aug, Winter)
1993: Vol. 4/4 (Spring); 5/1-2 (16.Aug, Fall)
1994: Vol. 5/3-4 (Winter-Spring); 6/1-2 (16.Aug-Fall)
1995: Vol. 6/3 (Winter); 6/4 (Spring), Vol. 7/1 (Aug), 7/2 (Fall)
1996: Vol. 7/3&4 (Winter/Spring), Vol. 8/1-3 (Summer-Winter)
1997: Vol. 8/4 (Spring); Vol. 9/1-2 (Summer-Fall)
1998: Vol. Vol. 9/3/4 (Winter/Spring); 10/1-3 (Summer, Fall, Winter)
1999: Vol. 10/4 (Spring), Vol. 11/1 (Summer)
2001: Vol. 13/1-2 (Summer-Fall)
2002: Vol. 13/3&4 (Winter/Spring)
2003: Vol. 15/1-2 (Summer-Fall)
2004: Vol. 15/3&4 (Winter/Spring); Vol. 16/1 (Summer)
2005: Vol. 17/1
2006: Vol. 18/1-4
2007: Vol. 19/1,
2008: Vol. 19/3&4; Vol. 20/1&2&3&4
2009: Vol. 21/1
JAZZ BLADET – P-1105
Denmark
1957: Vol. 1,1 (Oct-Nov)1961: Vol.4 (April)
JAZZ BLAST, THE – P-586
Dedicated to the Preservation of Big Bands and Traditional Jazz
USA
1969: Jul,Dec
1970: Jan-Dec
1971: Jan,Mar-Apr,Jul-Aug
1972: Sep-Dec
1973: Jan-Feb,Sep
JAZZBLÄTTCHE – P-773
Mitteilungsorgan des Jazzclub Rheingau e.V.
Germany
1987: Vol. 1/3 (Jul)
1988: Vol. 2/3-4 (Jul,Oct)
1989: Vol. ¾ (Oct)
1990: Vol. 4/1-3 (Jan,Apr,Jul)
1991: Vol. 5/1-4 (Feb,May,Jul,Oct)
1992: Vol. 6/1 (Feb), 3-4 (Jul,Oct)
1993: Vol. 7/2-4 (Apr,Jul,Oct)
JAZZ BOOK CLUB YEARBOOK OF JAZZ – P-160
England
1945
JAZZBOOK – P-232
England
1955
JAZZBRIEF, DER – P-737
Germany
1997: #1-3 (Jan,Apr,Jul)
1998: #4-5 (Jan,Jun)
1999: #6-8 (Mar,Jun,Sep)
2000: #9 (Mar)
JAZZ-BULLETIN – P-1091
DJF (Deutsche Jazz Föderation)
1973: #1 (Mar)
JAZZ BULLETIN – P-1108
CSSR
1965: Sep/Oct
JAZZ BULLETIN – P-161
Switzerland
1953: Vol. 2/4-7, 9, 12
1954: Vol. 3/3-12
1955: Vol. 4/1
JAZZ CENTRE SOCIETY NEWSLETTER – P-963
England
1979: Feb,Apr,Sep-Dec/Jan
1980: Feb/Mar,Jun/Jul-Aug/Sep
1981: Dec/Jan
1983: Dec/Jan
JAZZ CHANGES – P-609
Netherlands/England
1994: Vol. 1/1-2 (Spring-Autumn)
1995: Vol. 2/1-3 (Spring-Autumn)
1996: Vol. 3/1-3 (Spring-Autumn)
1997: Vol. 4/1-3 (Spring-Autumn)
1998: Vol. 5/1-3 (Spring-Autumn)
1999: Vol. 6/1-2 (Spring-Summer)
2000: Vol. 7/1 (Spring)
JAZZCHORD – P-658
News & Information from the National Jazz Co-ordinator
Australia
1993: #11-16 (Jan/Feb-Nov/Dec)
1994: #17-22 (Jan/Feb-Winter)
1995: #23-27 (Feb/Mar-Oct/Nov)
1996: #28-32 (Summer 1995/96-Sep/Oct)
1997: #33-38 (Dec/Jan-Oct/Nov)
1998: #39-43 (Dec/Feb-Sep/Nov)
1999: #44-50 (Dec/Jan-Winter)
2000: #51-56 (Feb/Mar-Winter)
2001: #57-62 (Feb/Mar-Dec/Jan)
2002: #63-64 (Feb/Mar-Apr/May)
JAZZ CIRCLE BASEL Monatsbulletin – P-670
Switzerland
1994: #26-27 (Feb-Mar), #31-35 (Jul-Nov)
2002: #127-130 (Jul-Oct)
JAZZ CIRCLE NEWS – P-565
England
1978: #2-11 (Mar-Dec)
1979: #12-15,17-18 (Jan-May,Aug-Oct)
JAZZ CLASSIQUE – P-1143
France
2002: #20-23 (Apr,Jun,Sep,Nov)
2003: #24-28 (Jan,Apr,Jun,Sep,Nov)
2004: #29-33 (Jan,Apr,Jun,Sep,Nov)
2005: #34-38 (Jan,Apr,Jun,Sep,Nov)
2006: #39-43 (Jan,Apr,Jun,Sep,Nov)
2007: #44-48 (Jan,Apr,Jun,Sep,Nov)
2008: #49-53 (Jan,Apr,Jun,Sep,Nov)
2009: #54-56 (Jan,Apr,Jun)
JAZZ CLUB – P-661
Jazzinfo für Clubmitglieder des Jazzclub Werne
Germany
1989: #15-16 (Sep-Oct)
1990: #18-24 (Feb-Nov)
1991: #25-30 (Jan/Feb-Nov/Dec)
1992: #31-34 (Jan/Feb-Sep/Oct)
1993: #39 (May/Jun)
JAZZ CLUB MAGAZIN – P-840
Jazzclub Karlsruhe e.V.
Germany
1991: Vol. 6/1,3,5 (Jan/Feb,May/Jun,Sep/Oct)
1992: Vol. 7/1-6 (Jan/Feb-Nov/Dec)
1993: Vol. 8/1-6 (Jan/Feb-Nov/Dec)
1994: Vol. 9/1-6 (Jan/Feb-Nov/Dec)
1996: Vol.11/1-6 (Feb/Mar-Dec/Jan)
1997: Vol.12/1-6 (Feb/Mar-Dec/Jan)
1998: Vol.13/1-6 (Feb/Mar-Dec/Jan)
1999: Vol.14/1-6 (Feb/Mar-Dec/Jan)
2000: Vol.15/1-5 (Feb/Mar-Nov/Dec)
2001: Vol.16/1-5 (Feb/Mar-Nov/Dec)
2002: Vol.17/1-5 (Feb/Mar-Nov/Dec)
2003: Vol.18/1-5 (Feb/Mar-Nov/Dec)
[fortgesetzt als kleinformatiges Programmheft]
2004: Vol. 19/2-3 (Mar/Apr-May/Jun)
Die JAZZ-CLUB NEWS – P-819
(Hot-Club Frankfurt)
Germany
1945: #2 (30.Sep), 3/4 (Oct/Nov), 5/6 (Dec/Jan)
1946: #7/8-15/16 (Mar/Apr-Nov/Dec)
JAZZ CLUB NEWS – P-162
Minden, Germany
1990: Vol. 1/1
1991: Vol. 2/1-2
jazz column – P-965
For Members of the Jazz Book Club)
England
1957: #3 (May/Jun)
1959: #13 (Feb)
1960: #21(Jun)
1961: #25-26,29-30 (Feb-Apr,Oct-Dec)
1962: #32,35-36 (Apr,Oct-Dec)
JAZZ CONCERTO – P-797
Italy
1997: Vol. 3/16
JAZZ CONTAINER – P-163
Jahrbuch für improvisierte Musik
1986/87
JAZZ COURIER, Der – P-164
Germany
1955: #1-12
1956: #13-14
JAZZ CRISIS – P-914
Spain
1949: Vol. 1/1-3 (Nov-Dec)
1950: Vol. 1/4-9 (Jan-Jun/Jul)
JAZZ CRITIQUE – P-981
Japan
1995: #83
JAZZ CRUSADE NEWSLETTER – P-602
USA
1992: #1-2
1993: #3-5
1994: #6
1995: #7-8
1996: #9-10
2000: Summer
2001: Winter
2002: Summer
JAZZ DI IERI E DI OGGI – P-165
Italy
1959: Vol. 1/1-10
1960: Vol. 2/6-9
JAZZ DIGEST – P-166
USA
1972: Vol. 1/1-12
1973: Vol. 2/1-12
1974: Vol. 3/1-6
JAZZ DISCO – P-443
Schweden
1960: Vol. 1/2 (Jul)
JAZZ DOWN UNDER – P-585
Australia
1977: #20 (Nov/Dec)
JAZZ DÜNYASI – P-1016
Azerbaijan
2004: #1 (Autumn)
2005: #4 (Summer)
2006: #6 (Winter)
2012: #14
JAZZEAST NEWS – P-594
Canada
1993: Vol. 4/2 (Spring)
1994: Vol. 5/2-3 (Spring, Fall)
1995: Vol. 6/1 (Winter), 6/3 (Sep)
continued as JAZZ NOTES (JAZZEAST)
1997: Vol. 8/1 (Jan)
JAZZ ECHO – P-167
USA
1979: Vol. 9/39-42 (Jan, Mar, Jun, Oct)
1980: Vol. 10/44 (Summer)
JAZZ ECHO – P-834
Germany
1998: Vol. 1/2
1999: Vol. 2/1-4 (Spring-Winter)
2000: Vol. 3/1-4 (Spring-Winter) + special edition (Feb)
2001: Vol. 4/1-4 (Spring-Winter)
2002: Vol. 5/1-4 (Spring-Winter)
2003: Vol. 6/1-4 (Spring-Winter)
2004: Vol. 7/1-4 (Spring-Winter)
2005: Vol. 8/1-4 (Spring-Winter)
2006: Vol. 9/1-4 (Spring-Winter)
2007: Vol. 10/1-4 (Spring-Winter)
2008: Vol. 11/1-2 (Spring-Fall)
2009: Vol. 12/1-3 (Spring-Fall)
2010: Vol. 13/1-2 (Spring-Fall) [magazine stopped print publication!]
JAZZed – P-1047
The Jazz Educator’s Magazine
(USA)
2007: Vol. 1/2 (Jan)
JAZZ EDUCATORS JOURNAL – P-168
(new name beginning Vol. 34/3: Jazz Education Journal)
USA
1984: Vol. 16/3 (Feb/Mar)
1990: Vol. 23/3 (Winter)
1991: Vol. 23/4 (Summer); Vol. 24/1-2 (Fall-Winter)
1992: Vol. 24/3-4 (Spring-Summer); Vol. 25/1 (Fall)
1993: Vol. 25/2-4 (Winter-Summer); Vol. 26/1-2 (Oct-Dec)
1994: Vol. 26/3-4 (Mar-May); Vol. 27/1-2 (Oct-Dec)
1995: Vol. 27/3-4 (Mar-May); Vol. 28/1-3 (Jul-Nov)
1996: Vol. 28/4-6 (Jan-May); Vol. 29/1-3 (Jul-Nov)
1997: Vol. 29/4-6 (Jan-May); Vol. 30/1-3 (Jul-Nov)
1998: Vol. 30/4-6 (Jan-May); Vol. 31/1-3 (Jul-Nov)
1999: Vol. 31/4-7 (Jan-May); Vol. 32/1-3 (Jul-Nov)
2000: Vol. 32/4-6 (Jan-May); Vol. 33/1-3 (Jul-Nov)
2001: Vol. 33/4-6 (Jan-May); Vol. 34/1-3 (Jul-Nov)
2002: Vol. 34/4-6 (Jan-May/Jun); 35/1-3 (Jul-Nov)
2003: Vol. 35/4-6 (Jan/Feb-May/Jun); 36/1-3 (Jul/Aug-Nov/Dec)
2004: Vol. 36/4-6 (Jan/Feb-May/Jun); 37/1-3 (Jul/Aug-Dec)
2005: Vol. 37/4-6 (Feb-Jun/Jul); 38/1-3 (Jul/Aug-Dec)
2006: Vol. 38/4-6 (Feb-Jun/Jul); 39/1-3 (Jul/Aug-Dec)
2007: Vol. 39/4-6 (Feb-Jun/Jul); 40/1-2/3 (Aug/Sep-Oct/Nov/Dec)
2008: Vol. 40/4 (Jan)
JAZZ ENSUITE – P-169
France
1983/4: #1-2 (Oct-Dec/Jan)
1984: #5 (Summer)
JAZZER – P-233
Germany
1960: Vol. 1/2-9 (Apr-Dec)
1961: Vol. 2/1, 3-12
1962: Vol. 3/1-8
JAZZETTE – P-909
USA
1944: Vol. 1/1 (Nov)
1945: Vol 1/2-4 (Jan-Mar/Apr)
JAZZETTE – P-234
(MPS)
Germany1967: 15.Dez
1968: 15.Aug [special issue Jazz am Rhein ‘68]
1969: 1.Sep [special issue 10 years Clarke-Boland Ensemble; 10 years Ronnie Scott’s Club]; 2.Nov [Jazz in the Opera]
1970: 15.Oct [special issue: Carmen, Dizzy and the Band]; 26.Oct [special issue: The week of Jazz in Action
1979: 15.Oct [special issue: Ein Livehouse für Köln]
1981: 15.Nov [special issue: Music Unlimited, Milano]
1987: 15.Oct [special issue: Il Salotto]
JAZZ EXPRESS – P-170
England
1983: #44-45 (Jul-Aug/Sep), #47 (Nov)
1984: #50-57 (Mar-Oct), #59 (Dec/Jan)
1985: #60 (Feb), #62 (Apr), #64 (Jun)
1986: #68 (Jan), #75-78 (Aug-Nov)
1987: #84,86-87 (Jun,Aug-Sep)
1988: #96-97/98 (Jul-Aug/Sep)
1989: #111-113/114 (Oct-Dec/Jan)
1990: #115-124/125 (Feb-Dec/Jan)
1991: #126-136/137 (Feb- Dec/Jan)
1992: #138-148/149 (Feb-Dec/Jan)
1993: #150-160/161 (Feb-Dec/Jan) [fortgeführt als BOZ, siehe dort]
JAZZFAX – P-714
Jazz Appreciation Society of Syracuse
USA
1982: Vol. 11/2-3 (Oct-Nov)
JAZZFINDER, The – P-235
USA
1948: Vol 1/1-12 (Jan-Dec)
1949: ?
JAZZFORSCHUNG/JAZZ RESEARCH – P-236
Austria
1969: Vol. 1
1970: Vol. 2
1971/72: Vol. 3/4
1973: Vol. 5
1974/75: Vol. 6/7
1976: Vol. 8
1977: Vol. 9
1978: Vol. 10
1979: Vol. 11
1980: Vol. 12
1981: Vol. 13
1982: Vol. 14
1983: Vol. 15
1984: Vol. 16
1985: Vol. 17
1986: Vol. 18
1987: Vol. 19
1988: Vol. 20
1989: Vol. 21
1990: Vol. 22
1991: Vol. 23
1992: Vol. 24
1993: Vol. 25
1994: Vol. 26
1995: Vol. 27
1996: Vol. 28
1997: Vol. 29
1998: Vol. 30
1999: Vol. 31
2000: Vol. 32
2001: Vol. 33
2002: Vol. 34
2003: Vol. 35
2004: Vol. 36
2005: Vol. 37
2006: Vol. 38
2007: Vol. 39
2008: Vol. 40
2009: Vol. 41
2010: Vol. 42
2011: Vol. 43
2012: Vol. 44
2013: Vol. 43
JAZZ FORUM – P-1160
The European Jazz Magazin, Polen
2005: #3
JAZZ FORUM – P-172
Poland
Die Zeitschrift erschien ab 1965 in polnischer Sprache als Jazz Forum. Biuletyn Polska Federacja Jazzowa [Jazz Forum. Bulletin der polnischen Jazz-Föderation]. Die Englische Ausgabe erschien parallel ab Herbst 1967. Die englischsprachige Version wurde 1992 eingestellt. Ab 1993 nur in Polnisch.Polnische Version:
1965: [#1 fehlt]
1966: (#2-5)
1967: (#6-7)
1968: (#8)
1969: (#9-10)1971: #14[Ab 1973 erschien eine polnischsprachige Ausgabe, in der die wesentlichen Artikel der englischsprachigen Ausgabe in Übersetzung abgedruckt waren. Weiter enthielt sie Informationen der Polnischen Jazz Vereinigung (PSJ), die in der internationalen Ausgabe nicht abgedruckt wurden. Die Nummerirung orientierte sich an der englischsprachigen internationalen Ausgabe des JF.]

1973: (#21-26)
1974: (#27-30, 32) [#31 fehlt]
1975: (#33-38)
1976: (#39-42) [#43,#44 fehlen]
1977: (#45-50)
1978: (#51-56)
1979: (#57-62)
1980: (#63-68)
1981: (#69-73)
1982: (#74-79)
1983: (#80-85)
1984: (#86-91)
1985: (#92-97)
1986: (#98-103)
1987: (#104-109)
1988: (#110-115)
1989: (#116-120) [#121 fehlt]

[Erschien auch zwischen 1990 und 1993 in Polnisch. Vgl. Katalog der Nationalbibliothek Warschau http://alpha.bn.org.pl/search~S5*pol?/tJazz+Forum/tjazz+forum/1%2C4%2C6%2CB/frameset&FF=tjazz+forum+ed+polska&2%2C%2C2]

1993: Vol. 28/1-3,5-12 (#140-142,144-150)
1994: Vol. 29/1-12 (#151-158)
1995: Vol. 30/1-12 (#159-166)
1996: Vol. 31/1-12 (#167-174)
1997: Vol. 32/1-12 (#175-182)
1998: Vol. 33/1-12 (#183-190)
1999: Vol. 34/1-12 (#191-198)
2000: Vol. 35/1-12 (#199-206)
2001: Vol. 36/1-12 (#207-214)
2002: Vol. 37/1-12 (#215-222)
2003: Vol. 38/1-12 (#223-230)
2004: Vol. 39/1-2, 4-6 (#231, 233-238)
2005: Vol. 40/1-12 (#239-246)
2006: Vol. 41/1-4, 6-12 (247-249, 250-254)
2007: Vol. 42/1-12 (#255-262)
2008: Vol. 43/1-6 (#263-266), 9 (#268), 12 (#270)
2009: Vol. 44/4-5 (#273), 10-12 (#277-278)
2010: Vol. 45/1/2-7/8 (#279-283), 10/11-12 (#185-186)
2011: Vol. 46/1/2-3 (#187-188), 7/8-9, 12 (#291-292,294)
2012: Vol. 47/1/2-10/11 (#295-301)
2014: Vol. 49/10-11 (#317)
2015: Vol. 50/4-5 (#321)
2017: Vol. 52/1 (#335)

Englische Version:
1967: Vol. 1/1 (#1)
1968: Vol. 1/2-3 (#2-3)
1969: Vol. 3/1-3 (#4-6)
1970: Vol. 4/1-4 (#7-10)
1971: Vol. 5/1-4 (#11-14)
1972: Vol. 6/1-6 (#15-20)
1973: Vol. 7/1-6 (#21-26)
1974: Vol. 8/1-6 (#27-32)
1975: Vol. 9/1-6 (#33-38)
1976: Vol. 10/1-6 (#39-44)
1977: Vol. 11/1-6 (#45-50)
1978: Vol. 12/1-6 (#51-56)
1979: Vol. 13/1-6 (#57-62)
1980: Vol. 14-15/1-6 (#63-68)
1981: Vol. 16/1-4 (#69-73)
1982: Vol. 17/1-6 (#74-79)
1983: Vol. 18/1-6 (#80-85)
1984: Vol. 19/1-6 (#86-91)
1985: Vol. 20/1-6 (#92-97)
1986: Vol. 21/1-6 (#98-103)
1987: Vol. 22/1-6 (#104-109)
1988: Vol. 23/1-6 (#110-115)
1989: Vol. 24/1-6 (#116-121)
1990: Vol. 25/1-6 (#122-127)
1991: Vol. 26/1-6 (#128-131)
1992: Vol. 27/1-6 (#133-137) [last English language issue; the following issues are in Polish]
JAZZ FORUM – P-173
England
1946: #1-2
1947: #3-5
JAZZ FORUM – P-492
Germany
1959: Vol. 3/8 (Oct)
JAZZFORUM – P-1100
Mitteilungsblatt der bayerischen jazz-Clubs
1958: Vol. 6/2 (May); Vol. 7/2 (Nov)
JAZZFORUM – P-1152
The Magazin of the International Jazz Federation1975/3 #35 englisch
1976/2 #40 englisch
1976/3 #41 englisch
1976/4 #44 englisch
1977/6 #50 deutsch 11. Jahrgang
1978/1 #51 internationale Edition, englisch
1978/2 #52 deutsch, 12. Jahrgang
1978/4 #54 deutsch
1978/6 #56 deutsch
1959/1 #57 deutsch
1959/3 #59 deutsch
1959/4 #60 deutsch
1979/5 #61 englisch
1979/5 #61 deutsch
1979/6 #62 deutsch
1980/1 #63 deutsch
1980/2 #64 deutsch
1980/4 #66 deutsch
1980/5 #67 englisch
1980/5 #67 deutsch
1981/2 #70 deutsch
1981/3 #71 deutsch
1981/5 #73 deutsch
1981/6 #74 deutsch
1982/2 #75 deutsch
1982/5 #78 englisch
1983/1 #80 englisch
1983/2 #81 englisch
1983/3 #82 englisch
1983/4 #83 englisch
1983/5 #84 englisch
1984/1 #86 englisch
1984/2 #87 englisch
1984/3 #88 englisch
1984/4 #89 englisch
1984/5 #90 englisch
1984/6 #91 englisch
1985/1 #92 englisch
1985/2 #93 englisch
1985/3 #94 englisch
1985/4 #95 englisch
1985/5 #96 englisch
1985/6 #97 englisch
1986/1 #98 englisch
1986/2 #99 englisch
1986/3 #100 englisch
1986/4 #101 englisch
1986/5 #102 englisch
1986/6 #103 englisch
1987/2 #105 englisch
1987/4 #107 englisch
1987/5 #108 englisch
1987/6 #109 englisch
1988/1 #110 englisch
1988/2 #111 englisch
1988/3 #112 englisch
1988/5 #114 englisch
JAZZFORUM_VILNIUS – P-1171 ( Litauen)
1988: ?JAZZ FREAK – P-174
Netherlands
1979/80: Vol. 7/1-6
1980/81: Vol. 8/1-6
1981/82: Vol. 9/1-6
1982/83: Vol. 10/1-4, 6, Vol. 11/2 (Nov)
1984: Vol. 11/4-6 (Mar, May, Jul); Vol. 12/1-2 (Sep-Nov)
1985: Vol. 12/3-6 (Jan-Jul); Vol. 13/2 (Nov)
1986: Vol. 13/3 (Jan); Vol. 14/2 (Nov)
1987: Vol. 14/3 (Jan)
1988: Vol. 15/6 (Jul/Aug); Vol. 16/1-2 (Sep/Oct-Nov/Dec)
1989: Vol. 16/3-6 (Jan/Feb-Jul/Aug); Vol. 17/1-2 (Sep/Oct-Nov/Dec)
1990: Vol. 17/3 (Jan/Feb)
1993: Vol. 21/1 (Sep/Oct); Vol. 21/2 (Nov/Dec)
1994: Vol. 21/3-6 (Jan/Feb-Jul/Aug); Vol. 22/1-2 (Sep/Oct-Nov/Dec)
1995: Vol. 22/3-5/6 (Jan/Feb-Jul)
JAZZFREUND, Der – P-237
Germany
1965: Vol. 7/3-4 (#39-40)
1966: Vol. 6/1 (#41), 3-4 (#43-44)
1967: Vol. 9/1 (#45), 3-4 (#47-48)
1968: Vol. 10/2 (#50), 12 (#52)
1969: Vol. 11/1-4 (#53-56)
1970: Vol. 12/1-4 (#57-60)
1971: Vol. 13/1-4 (#61-64)
1972: Vol. 14/1-4 (#65-68)
1973: Vol. 15/1-4 (#69-72)
1974: Vol. 16/1-4 (#73-76)
1975: Vol. 17/1-4 (#77-80)
1976: Vol. 18/1-4 (#81-84)
1977: Vol. 19/1-4 (#85-88)
1978: Vol. 20/1-4 (#89-92)
1979: Vol. 21/1-4 (#93-96)
1980: Vol. 22/1-4 (#97-100)
1981: Vol. 23/1-4 (#101-104)
1982: Vol. 24/1-4 (#105-108)
1983: Vol. 25/1-4 (#109-112)
1984: Vol. 26/1-4 (#113-116)
1985: Vol. 27/1-4 (#117-120)
1986: Vol. 28/1-4 (#121-124)
1987: Vol. 29/1-4 (#125-128)
1988: Vol. 30/1-4, #129-132 (Mar, Jun, Sep, Dec)
1989: Vol. 31/1-4, #133-136 (Mar, Jun, Sep, Dec)
1990: Vol. 32/1-4, #137-140
1991: Vol. 33/1-4, #141-144 (Mar, Jun, Sep, Dec)
1992: Vol. 34/2-3, #146-148 (Jun, Sep, Dec)
1993: Vol. 35/1-4, #149-152 (Mar, Jun, Sep, Dec)
1994: Vol. 36/1-4, #153-156 (Mar,Jun,Sep,Dec)
1995: Vol. 37/1-4, #157-160 (Mar,Jun,Sep,Dec)
1996: Vol. 38/1-4, #161-164 (Mar,Jun,Sep,Dec)
1997: Vol. 39/1-4, #165-168 (Mar,Jun,Sep,Dec)
1998: Vol. 40/1-4, #169-172 (Mar,Jun,Sep,Dec)
1999: Vol. 41/1-4, #173-176 (Mar,Jun,Sep,Dec)
JAZZ GUIDE, The – P-943
England
1966: Vol. 2/10-12
1967: Vol. 3/1-5
JAZZ’ HALO – P-741
Belgien
1997: Vol. 1/1-4 (Jan-Oct)
1998: Vol. 2/1-4 (Jan-Dec)
1999: Vol. 3/1-3 (Apr-Oct), 12 (Dec) [new numbering]
2000: Vol. 4/13-16 (Jul,Sep,Nov,Dec)
2001: Vol. 5/17-19 (May,Aug,Dec), 20 (special issue)
2002: Vol. 6/21-22 (May-Oct)
2003: Vol. 6/23-24
JAZZHIRADà – P-898
Hungary
1971: Vol. 1/1-2
1972: Vol. 2/1-9
1973: Vol. 3/1-3
1974: Vol. 4/1-2
1975: Vol. 5 (Sep)
JAZZ HIP
(Revue d’information)
France
1962: Vol. 5/31
1963: Vol. 6/32-34
1960s: #36-38
JAZZ HOME – P-175
Germany
1949: Vol. 1/1-5
1950: Vol. 2/1 [last issue; one further issue continued as part of Anglo German Swing Club News Sheet, #5 (Feb.1950)]
JAZZ HOT – P-176
France
1935: Vol. 1/1-5
1936: Vol. 2, #6-13
1937: Vol. 3, #14-21
1938: Vol. 4, #22-28
1939: Vol. 5, #29-321943: (as “Circulaire du Hot Club de France”: Vol. 9, #7-8 (Oct-Nov [Nov-no mis-identified as #7 (Oct)])
1944: (as “Circulaire du Hot Club de France”: Vol. 10, May
1945: Vol. 11, #1-2 (Oct-Dec)
1946: Vol. 12, #4-11 (Jan/Feb-Dec)
1947: Vol. 13, #12-19
1948: Vol. 14, #Special, #20-28
1949: Vol. 15, #Special, #29-31, 33-39
1950: Vol. 16, #Special, #40-50
1951: Vol. 17, #51-61
1952: Vol. 18, #62-72
1953: Vol. 19, #73-83
1954: Vol. 20, #84-94
1955: Vol. 21, #95-105
1956: Vol. 22, #106-116
1957: Vol. 23, #117-127
1958: Vol. 24, #128-138
1959: Vol. 25, #139-149
1960: Vol. 26, #150-160
1961: Vol. 27, #161-171
1962: Vol. 28, #172-182
1963: Vol. 29, #183-193
1964: Vol. 30, #194-204
1965: Vol. 31, #205-215
1966: Vol. 32, #216-226
1967: Vol. 33, #227-237
1968: Vol. 34, #238-245
1969: Vol. 35, #246-256
1970: Vol. 36, #257-267
1971: Vol. 37, #268-278
1972: Vol. 38, #279-289
1973: Vol. 39, #290-300
1974: Vol. 40, #301-311
1975: Vol. 41, #312-322
1976: Vol. 42, #323-333
1977: Vol. 43, #334-344
1978: Vol. 44, #345/346-355 (Dec/Jan-Nov)
1979: Vol. 45, #356/357-367 (Dec/Jan-Nov)
1980: Vol. 46, #368/369-378 (Dec/Jan-Nov)
1981: Vol. 47, #379/380-390 (Dec/Jan-Dec)
1982: Vol. 48, #391/392-396 (Jan/Feb-Sep/Oct)
1983: Vol. 49, #397-406 (Jan/Feb-Dec)
1984: Vol. 50, #407-416 (Jan/Feb-Dec)
1985: Vol. 51, #417-427 (Jan -Dec)
1986: Vol. 52, #428-436 (Jan-Dec)
1987: Vol. 53, #437-447 (Jan-Dec)
1988: Vol. 54, #448-458 (Jan-Dec)
1989: Vol. 55, #459-469 (Jan-Dec)
1990: Vol. 56, #470-480 (Jan-Dec)
1991: Vol. 57, #481-484 (Jan-Dec)
1992: Vol. 58, #485-495 (Jan-Dec)
1993: Vol. 59, #495-506 (Jan-Dec/Jan)
1994: Vol. 60, #507-516 (Feb-Dec/Jan)
1995: Vol. 61, no. special, #517-526 (Feb-Dec/Jan)
1996: Vol. 62, no. special, #527-536 (Feb-Dec/Jan)
1997: Vol. 63, no. special, #537-545 (Feb-Dec/Jan)
1998: Vol. 64, no. special, #547-556 (Feb-Dec/Jan)
1999: Vol. 65, no. special, #557-566 (Feb-Dec/Jan)
2000: Vol. 66, no. special, #567-576 (suppl.) (Feb-Dec/Jan)
2001: Vol. 61, no. special, #577-586 (suppl.) (Feb-Dec/Jan)
2002: Vol. 62, no. special, #587-594, 596 (suppl.) (Feb-Oct, Dec)
2003: Vol. 63, no. special #597-606 (suppl.) (Feb-Dec)
2004: Vol. 64, no. special, #607-616 (Feb-Dec)
2005: Vol. 65, no. special, #617-626 (suppl.) (Feb-Dec)
2006: Vol. 66, no. special, #627-635 (Feb-Dec)
2007: Vol. 67, no. special, #636-644 (Feb-Nov)
JAZZ IMPROV – P-844
Timeless Music Motivation & Ideas for Jazz Lovers
USA
1998: Vol. 1/1-4
1999: Vol. 2/1-3
2000: Vol. 2/4
2001: Vol. 3/1-3
JAZZ IMPROV NY – P-1062
The Ultimate Directory of NY Area Jazz Club, Concert & Event Listings
2008: Vol. 3/7 (Jan); Vol. 3/9-10 (Mar-Apr)
[complete as pdf files from Jul.2005 to Jul.2009; continued as “Jazz Inside NY”]
JAZZ IN ARKANSAS – P-387
Newsletter
USA
1966: Mar-Apr, Jul-Sep
1967: Jun, Dec/Jan
1968: Feb, 13.Dec
1969: 19.Feb, 3.Apr, 1.May, Jun, Jul, 19.Aug, 3.Sep, 2.Oct
1970: 29.Jul, 3.Sep, 1.Oct, 3.Dec, 30.Dec
1971: 3.Feb, 3.Mar, 1.Apr, 29.Apr, 3.Jun, 24.Jun, 28.Jul, 1.Sep
JAZZ IN BERLIN – P-177
Germany
1987: May-Jul, Sep-Dec
1988: Jan, Mar-May
JAZZ IN DUISBURG – P-683
Germany
1995: #2
JAZZ INFO – P-478
Programm des Jazzclub Darmstadt e.V.
Germany
1993: 1. Halbjahr
JAZZ INFORMATION – P-725
USA
1939: Vol. 1/3 (26.Sep), 5-6 (10.-17.Oct), 9 (7.Nov), 13 (8.Dec) [1/2-1/16 (19.Sep-29.Dec.1939) as typed xerox/digi.copy]
1940: Vol. 1/18 (12.Jan), 23 (23.Feb), 25 (8.Mar), 27 (29.Mar), 30 (26.Apr), 32 (10.May)
Vol. 2/1 (26.Jul), 3 (23.Aug), 5-7 (20. Sep, 4.Oct, 25.Oct), 9 (22.Nov) [1/17-1/24 (5.Jan-1.Mar) as typed xerox/digi.copy]
1941: Vol. 2/13 (7.Feb), 15-16 (21.Mar,Nov)
JAZZ INFORMATION – P-762
Denmark
1950: Vol. 1/1-5 (Feb-Jun/Jul)
JAZZ-INFORMATIONEN – P-1086
Germany
1959: #8 (Feb)
JAZZ INSIDE NY – P-1073
The Ultimate Directory of NY Area Jazz Club, Concert & Event Listings
USA
2009: Vol.1/2 (Sep)
2011: Vol. 2/7 (Feb)
2012: Vol. 3/7 (Feb)
[complete issues from Aug.2009 as pdf-Files]
JAZZ IN TIME – P-178
Belgium
1989: #1-9 (Mar-Dec)
1990: #10-19 (Jan-Dec/Jan)
1991: #20/21-29 (Jan-Dec)
1992: #30-38 (Jan-Dec); Festival-Supplement
1993: #39-48 (Jan-Nov)
1994: #49-58 (Feb-Dec)
1995: #59-61 (Feb-Apr)
JAZZ IN UND UM DARMSTADT – P-179
Germany
1983: Oct, Dec
1984: Jan-Mar, May-Dec
1985: Jan-Oct
1986: Mar-Dec
1987: Jan-Feb, Apr-Dec
1988: Jan-Sep, Nov-Dec
1989: Feb-Dec
1990: Jan-Dec
1991: Jan-Dec
1992: Jan-Dec [last issue]
JAZZISM – P-1088
Netherlands
(formerly “Jazz Nu”)
2011: #2-6 (Mar/Apr-Nov/Dec)
2012: #1-6 (Jan/Feb-Nov/Dec)
2013: #1-7 (Jan/Feb-Nov/Dec)
2014: #1-7 (Jan/Feb-Dec)
2015: #1-7 (Jan/Feb-Dec)
2016: #1-7 (Jan/Feb-Dec/Jan)
2017: #1-4 (Feb/Mar-Jul/Aug)
JAZZIT – P-905
Italy
2000: Vol. 2/1,3 (Jan/Feb,Jul/Aug)
2001: Vol. 3/2,4,6 (Jan/Feb,May/Jun,Sep/Oct)
2002: Vol. 3/8-9 (Jan/Feb-Mar/Apr), 4/12-13 (Sep/Oct-Nov/Dec)
2003: Vol. 5/14 (Jan/Feb)
2009: Vol. 11/51-55 (Mar/Apr-Nov/Dec)
2010: Vol. 12/56-58 (Jan/Feb-May/Jun), 60-61 (Sep/Oct-Nov/Dec)
2011: Vol. 13/62-66 (Jan/Feb-Sep/Oct)
2012: Vol. 14/70-72 (May/Jun-Sep/Oct)
JAZZIZ – P-238
USA
1984: Vol. 1/1-6 (Jan/Feb-Nov/Dec)
1985: Vol. 2/1-4 (Jan/Feb-Jul/Aug)
1986: Vol. 3/1-2 (Dec/Jan-Feb/Mar), 4-6 (Jun/Jul-Oct/Nov)
1987: Vol. 4/1-6 (Dec/Jan-Oct/Nov)
1988: Vol. 5/1-6 (Dec/Jan-Oct/Nov)
1989: Vol. 6/1-6 (Dec/Jan-Oct/Nov)
1990: Vol. 7/1-6 (Dec/Jan-Oct/Nov)
1991: Vol. 8/1-6 (Dec/Jan-Oct/Nov)
1992: Vol. 9/1-6 (Dec/Jan-Oct/Nov)
1993: Vol. 10/1-6 (Dec/Jan-Oct/Nov)
1994: Vol. 11/1-8 (Jan/Feb-Dec)
1995: Vol. 12/1-12 (Jan-Dec)
1996: Vol. 13/1-12 (Jan/Feb-Dec)
1997: Vol. 14/1-8 (Jan-Aug), 10-12 (Oct-Dec)
1998: Vol. 15/1-12 (Jan-Dec)
1999: Vol. 16/1-12 (Jan-Dec)
2000: Vol. 17/1-12 (Jan-Dec)
2001: Vol. 18/1-12 (Jan-Dec)
2002: Vol. 19/1-12 (Jan-Dec)
2003: Vol. 20/1-12 (Jan-Dec)
2004: Vol. 21/1-12 (Jan-Dec)
2005: Vol. 22/1-12 (Jan-Dec)
2006: Vol. 23/3-5, 7-12 (Mar-May, Jul-Dec)
2007: Vol. 24/2-6, 8, 11-12 (Jan/Feb-Jun, Aug, Nov-Dec)
2008: Vol. 25/2, 9-12 (Mar, Sep-Dec)
2009: Vol. 26/1, 3, 5, 8 (Jan/Feb, Summer, Fall, Winter
2010: Vol. 27/2-3, 6, 9, 12 (Mar/Apr, Spring, Summer, Fall, Winter)
2011: Vol. 28/3 (Spring)
2013: Vol. 30/3 (Spring), 9 (Fall), 12 (Winter)
2014: Vol. 31/3, 6, 9 (Spring-Summer-Fall)
2015: Vol. 31/12 (Winter), Vol. 32/3 (Spring), 6 (Summer), 9 (Fall)
2016: Vol. 32/12 (Winter), Vol. 33/3 (Spring), 6 (Summer), 9 (Fall)
2017: Vol. 33/12 (Winter); 34/03 (Spring). 6 (Summer)
JAZZJAARBOEK – P-669
Netherlands
1982: Vol. 1
1983: Vol. 2
1984: Vol. 3
1985: Vol. 4
1986: Vol. 5
1987: Vol. 6
1988: Vol. 7
JAZZ JAMBOREE -P-1163
(Intern. Jazzfestival Warschau, Polen)1971: #14
1974: #17
1976: #19
1977: #20
1978: #21
1979: #22
1980: #23
1981: #24
1983: #25
1984: #26
1985: #27
1986: #28
1987: #29
JAZZ JOURNAL – P-180
England
1949: Vol. 2/6 (Jun), 8 (Aug) [Vol. 2/1-2/12 à digi.copy]
1950: Vol. 3/3 (Mar), 5 (May), 9 (Sep), 11 (Nov) [Vol. 3/1-3/12 à digi.copy]
1951: Vol. 4/3-8 (Mar-Aug), 12 (Dec) [Vol. 4/1-4/12 à digi.copy]
1952: Vol. 5/1-12 (Jan-Dec)
1953: Vol. 6/1-12 (Jan-Dec) [Jul-Aug: some pages cut]
1954: Vol. 8/1-12 (Jan-Dec) [Dec 1954, p.19-26 cut]
1955: Vol. 8/1-12 (Jan-Dec)
1956: Vol. 9/1-12 (Jan-Dec)
1957: Vol. 10/1-12 (Jan-Dec)
1958: Vol. 11/1-12 (Jan-Dec)
1959: Vol. 12/1-12 (Jan-Dec)
1960: Vol. 13/1-12 (Jan-Dec)
1961: Vol. 14/1 (Jan), 3-12 (März-Dec) [Vol. 4/2-4/3 à digi.copy]
1962: Vol. 15/1-12 (Jan-Dec)
1963: Vol. 16/1-12 (Jan-Dec)
1964: Vol. 17/1-12 (Jan-Dec)
1965: Vol. 18/1-12 (Jan-Dec)
1966: Vol. 19/1-12 (Jan-Dec)
1967: Vol. 20/1-12 (Jan-Dec)
1968: Vol. 21/1-12 (Jan-Dec)
1969: Vol. 22/1-12 (Jan-Dec)
1970: Vol. 23/1-12 (Jan-Dec)
1971: Vol. 24/1-12 (Jan-Dec)
1972: Vol. 25/1-12 (Jan-Dec)
1973: Vol. 26/1-12 (Jan-Dec)
1974: Vol. 27/1-12 (Jan-Dec)
1975: Vol. 28/1-12 (Jan-Dec)
1976: Vol. 29/1-12 (Jan-Dec)
1977: Vol. 30/1-12 (Jan-Dec)
1978: Vol. 31/1-12 (Jan-Dec)
1979: Vol. 32/1-12 (Jan-Dec)
1980: Vol. 33/1-12 (Jan-Dec)
1981: Vol. 34/1-12 (Jan-Dec)
1982: Vol. 35/1-12 (Jan-Dec)
1983: Vol. 36/1-12 (Jan-Dec)
1984: Vol. 37/1-12 (Jan-Dec)
1985: Vol. 38/1-12 (Jan-Dec)
1986: Vol. 39/1-12 (Jan-Dec)
1987: Vol. 40/1-12 (Jan-Dec)
1988: Vol. 41/1-12 (Jan-Dec)
1989: Vol. 42/1-12 (Jan-Dec)
1990: Vol. 43/1-12 (Jan-Dec)
1991: Vol. 44/1-12 (Jan-Dec)
1992: Vol. 45/1-12 (Jan-Dec)
1993: Vol. 46/1-12 (Jan-Dec)
1994: Vol. 47/1-12 (Jan-Dec)
1995: Vol. 48/1-12 (Jan-Dec)
1996: Vol. 49/1-12 (Jan-Dec)
1997: Vol. 50/1-12 (Jan-Dec)
1998: Vol. 51/1-12 (Jan-Dec)
1999: Vol. 52/1-12 (Jan-Dec)
2000: Vol. 53/1-12 (Jan-Dec)
2001: Vol. 54/1-12 (Jan-Dec)
2002: Vol. 55/1-12 (Jan-Dec)
2003: Vol. 56/1-12 (Jan-Dec)
2004: Vol. 57/1-12 (Jan-Dec)
2005: Vol. 58/1-12 (Jan-Dec)
2006: Vol. 59/1-12 (Jan-Dec)
2007: Vol. 60/1-12 (Jan-Dec)
2009: Vol. 62/3-10 (May-Dec) [complete year; Jazz Journal folded for some issues, then changed owners]
2010: Vol. 63/1-12 (Jan-Dec)
2011: Vol. 64/1-12 (Jan-Dec)
2012: Vol. 65/1-12 (Jan-Dec)
2013: Vol. 66/1-12 (Jan-Dec)
2014: Vol. 67/1-12 (Jan-Dec)
2015: Vol. 68/1-12 (Jan-Dec)
2016: Vol. 69/1-12 (Jan-Dec)
2017: Vol. 70/1-6 (Jan-Jun)
JAZZ JUBILEE BUGLE – P-617
Sacramento Traditional Jazz Society
USA
Newsletter:
1971: Vol. 2/5 (May)
1972: Vol. 3/11 (Nov)
1973: Mar, May
1974: 22.Jan, 23.Jan, 8.Mar, Vol. 5/8 (Oct),
1975: Jul
1976: Jul, Aug
1978: Jun
JAZZLAND – P-1169 Italien, Mailand
1965 #3/4 (März/April)
JAZZ LIFE BRASS & WOODWIND CATALOG – P-182
Japan
1987: #1 (Jan)
JAZZ LIFE DISC REVIEW/Catalog – P-183
Japan
1987: #11-12 (Nov-Dec)
1988: #1-2 (Jan-Feb), 4-8 (Apr-Aug), 10-12 (Oct-Dec)
1989: #1-12 (Jan-Dec)
1990: #1-12 (Jan-Dec)
1991: #1-10 (Jan-Oct)
1993: [1 Heft]
JAZZ LIFE VIDEO CATALOG – P-184
Japan
1989: #7 (Jul)
JAZZ LINE – P-829
Australia
1974: Vol. 7: #3
AZZLINE NEWS – P-239
LAG Jazz Schleswig-Holstein
Germany
1991: #1-4
1992: #1-2
JAZZ LINK MAGAZINE – P-185
USA
1988: Vol. 1/7 (Nov)
1991: Vol. 4/36-40 (Jun-Oct)
JAZZ LIVE – P-186
Austria
1983: Vol. 1, #1 (Jul), Vol.2, #3-6/7 (Aug/Sep-Dec/Jan)
1984: Vol. 2, #8-13 (Feb-Jul/Aug), 15-17 (Oct-Dec/Jan)
1985: Vol. 2, #19-27 (Mar-Dec)
1986: Vol. 3, #28-32 (Jan-Jun); Vol.4, #33-37 (Jul-Dec)
1987: Vol. 4, #38-47 (Jan-Dec)
1988: Vol. 5, #48-57 (Jan-Dec)
1989: Vol. 6, #60-65 (Jan-Jun); Vol.7, #66-71 (Jul-Dec)
1990: Vol. 7, #72-78 (Jan-Jul); Vol.8, #79 (Aug), 81-83 (Oct-Dec)
1991: Vol. 8, #84-95 (Jan-Dec)
1992: Vol. 9, #96-97, Vol. 10, #98-99
1993: Vol. 10, #100-103, Jazz Live Extra (Herbst ï93)
1994: Vol. 10, #104 (Jazzfest Wien); Vol. 11, #105-106,
1995: Vol. 11, #107; Vol. 12, #108; Vol.12, #109
1996: Vol. 13, #110-114
1997: Vol. 15, #114-117
1998: Vol. 15, #118-121
1999: Vol. 16, #122-125
2000: Vol. 17, #126-129
2001: Vol. 18, #130-134
2002: Vol. 19, #135-136
2003: Vol. 20, #137-138
JAZZ SOCIETY / JAZZ MAGASINET – P-1106
Organ for Norsk Jazzforbund
[”Jazz Society” up to Dec.1958; “Jazz Magasinet” from Jan.1959]
Norway
1958: Vol. 2/9 (Sept), 12 (Dec)
1959: Vol. 3/1-2/3 (Jan-Feb/Mar)
JAZZ MAGAZINE – P-761
Argentina
1945: Vol. 1/2 (Oct), 1/4 (Dec)
1946: Vol. 1/5-10 (Jan-Jul), Vol. 2/12-13 (Sep-Oct)
1954: #44 (Jan/Feb)
JAZZ MAGAZINE – P-187
England
1946: Vol. 3/1-3
JAZZ MAGAZINE – P-188
France
1954: Vol. 1, #1 (Dec)
1955: Vol. 1, #2-11 (Jan-Nov); Vol. 2, #12 (Dec)
1956: Vol. 2, #13-21 (Jan-Nov); Vol. 3, #22(Dec)
1957: Vol. 3, #23-32 (Jan-Nov); Vol. 4, #33(Dec)
1958: Vol. 4, #34-42 (Jan-Nov); Vol. 5, #43(Dec)
1959: Vol. 5, #44-53 (Jan-Nov); Vol. 6, #54(Dec)
1960: Vol. 6, #55-65 (Jan-Dec)
1961: Vol. 7, #66-77 (Jan-Dec)
1962: Vol. 8, #78-89 (Jan-Dec)
1963: Vol. 9, #90-101(Jan-Dec)
1964: Vol. 10, #102-113(Jan-Dec)
1965: Vol. 11, #114-125(Jan-Dec)
1966: Vol. 12, #126-137(Jan-Dec)
1967: Vol. 13, #138-149 (Jan-Dec)
1968: Vol. 14, #150-161 (Jan-Dec)
1969: Vol. 15, #162-173 (Jan-Dec)
1970: Vol. 16, #174-184 (Jan-Dec)
1971: Vol. 17, #185-195 (Jan-Dec)
1972: Vol. 18, #196-206 (Jan-Dec)
1973: Vol. 19, #207-214 (Jan-Sep), #216-217(Oct/Nov-Dec)
1974: Vol. 20, #218-228 (Jan-Dec)
1975: Vol. 21, #229-238 (Jan-Nov)
1976: Vol. 22, #240-242 (Jan-Mar), #244-250 (May-Dec)
1977: Vol. 23, #251-260 (Jan-Dec)
1978: Vol. 24, #261-270 (Jan-Dec)
1979: Vol. 25, #271-281 (Jan-Dec)
1980: Vol. 26, #282-292 (Jan-Dec)
1981: Vol. 27, #293-302 (Jan-Dec)
1982: Vol. 28, #303-313 (Jan-Dec)
1983: Vol. 29, #314-324 (Jan-Dec)
1984: Vol. 30, #325-334 (Jan-Dec)
1985: Vol. 31, #335-345 (Jan-Dec)
1986: Vol. 32, #346-356 (Jan-Dec)
1987: Vol. 33, #357-367 (Jan-Dec/Jan)
1988: Vol. 34, #368-377 (Feb-Dec)
1989: Vol. 35, #378-388 (Jan-Dec)
1990: Vol. 36, #389-399 (Jan-Dec)
1991: Vol. 37, #400-410 (Jan-Dec)
1992: Vol. 38, #411-421 (Jan-Dec)
1993: Vol. 39, #422-432 (Jan-Dec)
1994: Vol. 40, #433-443 (Jan-Dec)
1995: Vol. 41, #444-447 (Jan-Dec)
1996: Vol. 42, #455-465 (Jan-Dec)
1997: Vol. 43, #466-476 (Jan-Dec)
1998: Vol. 44, #477-487 (Jan-Dec)
1999: Vol. 45, #488-499 (Jan-Dec)
2000: Vol. 46, #500-510 (Jan-Dec)
2001: Vol. 47, #511-521 (Jan-Dec) (suppl.: #519, Miles Davis special)
2002: Vol. 48, #522-531 (Jan-Dec) (suppl.: CDs 2001 ranking of the critics) (suppl.: 532, CD:Hommage à Henri Renaud et Guide 2002 Les Meilleurs CDs)
2003: Vol. 49, #533-543 (Jan-Dec)
2004: Vol. 50, #544-554 (Jan-Dec)
2005: Vol. 51, #555-565 (Jan-Dec)
2006: Vol. 52, #566-576 (Jan-Dec)
2007: Vol. 53, #577 (Jan)
2009: Vol. 55, #606-609 (Sep-Dec) [ab September zusammengeführt mit Jazzman als “Jazzmagazine/Jazzman”]
2010: Vol. 56, #610-620 (Jan-Dec)
2011: Vol. 57, #621-632 (Jan-Dec) ) [+ special Jun.2011, “Jazz à Vienne”]
2012: Vol. 58, #633-644 (Jan-Dec) [+ special Jun.2012, “Jazz à Vienne”]
2013: Vol. 59, #645-656 (Jan-Dec) [+ special Jun.2013, “Jazz à Vienne”]
2014: Vol. 60, #657-668 (Jan-Dec) [+ special Jun/Jul.2014]
2015: Vol. 61, #669-679 (Feb-Dec)
2016: Vol. 62, #680-690 (Feb-Dec) [+ special “Portfolio J.-P. Leloir“)
2017: Vol. 63 #691-696 (Feb-Jul)
JAZZ MAGAZINE – P-821
Netherlands
1993: Vol. 1/1-4 (Jun/Jul-Dec/Jan)
JAZZ MAGAZINE – P-941
USA
1976: Vol. 1/1-2 (Summer-Fall)
1977: Vol. 1/3-4 (Spring-Summer)
1978: Vol. 2/3-4 (Spring-Summer),
3/1-2 (Fall-Winter)
1979 Vol: 3, #4
1980: Vol. 4/2 (Spring)
JAZZMÁL – P-897
Iceland
1967: Vol. 1/1
P-453
(Beilage zu La Monde du Musique)
France
1992: #160-161 (Nov-Dec)
1993: #163-164 (Jan-Feb)
1996: #13 (Apr)
1997: #23 (Mars)
JAZZMAN – P-944
France
1995: #1-9 (Mar-Dec)
1996: #10-20 (Jan-Dec)
1997: #21-31 (Jan-Dec)
1998: #32-42 (Jan-Dec)
1999: #43-53 (Jan-Dec)
2000: #54-64 (Jan-Dec)
2001: #65-75 (Jan-Dec)
2002: #76-86 (Jan-Dec)
2003: #87-97 (Jan-Dec)
2004: #98-108 (Jan-Dec)
2005: #109-119 (Jan-Dec)
2006: #120-130 (Jan-Dec)
2007: #131-141 (Jan-Dec)
2008: #142-152 (Jan-Dec)
2009: #153-159 (Jan-Jul/Aug) [ab September fortgeführt als “Jazz Magazine/Jazzman”]
JAZZ MODERNE – P-801
Austria
1953: #2 (Oct/Dec)
JAZZ MONTHLY – P-190
England
1955: Vol. 1/2 (Apr), 4 (Jun), 8-10 (Oct-Dec)
1956: Vol. 1/11-12 (Jan-Feb);
Vol. 2/1-10 (Mar-Dec)
1957: Vol. 2/11-12 (Jan-Feb);
Vol. 3/1-10 (Mar-Dec)
1958: Vol. 3/11-12 (Jan-Feb);
Vol. 4/1-10 (Mar-Dec)
1959: Vol. 4/11-12 (Jan-Feb);
Vol. 5/1-10 (Mar-Dec)
1960: Vol. 5/11-12 (Jan-Feb);
Vol. 6/1-10 (Mar-Dec)
1961: Vol. 6/11-12 (Jan-Feb);
Vol. 7/1-10 (Mar-Dec)
1962: Vol. 7/11-12 (Jan-Feb);
Vol. 8/1-10 (Mar-Dec)
1963: Vol. 8/11-12 (Jan-Feb);
Vol. 9/1-4 (Mar-Jun), 6-10 (Aug-Dec)
1964: Vol. 9/11-12 (Jan-Feb);
Vol. 10/1-2 (Mar-Apr), 4-10 (Jun-Sep-Dec)
1965: Vol. 10/12 (Feb);
Vol. 11/1-10 (Mar-Dec)
1966: Vol. 11/11-12 (Jan-Feb);
Vol. 12/1-10 (Mar-Dec)
1967: Vol. 12/11-12 (Jan-Feb);
Vol. 13, #2-10 (Mar-Dec)
1968: Vol. 13-14/155-166 (Jan-Dec)
1969: Vol. 14-15/167-178 (Jan-Dec; May & Jun both have the same no. [#171])
1970: Vol. 15-16/179-190 (Jan-Dec)
1971: Vol. 16-17/191-192 (Jan-Feb)
JAZZMOZAIEK – P-1025
Belgian
2005: Vol. 3 (Sep/Oct/Nov)
JAZZ MUSIC – P-191
England
1943: Vol. 2/1-4 (#11-14; Sep-Dec)
1944: Vol. 2/5-8 (#15-18; Jan-Apr)
1946: Vol. 3/1-4
1947: Vol. 3/5-6
1948: Vol. 3/7-10
1949: Vol. 4/1-3
1950: Vol. 4/4
1951: Vol. 4/5-7
1952: Vol. 4/8
1954: Vol. 5/1-2, 4-6 (Jul/Aug), 7-8
1955: Vol. 6/1-6
1956: Vol. 7/1-6
1957: Vol. 8/1-2 (Jan/Feb-Mar/Apr), 4-6 (Jul/Aug-Nov/Dec)
1958: Vol. 9/1-6 (Jan/Feb-Nov/Dec)
1959: Vol. 10/1-4 (Jan/Feb-Jul/Aug)
1960: Vol. 11/1-7/8 (Jan-Jul/Aug)
JAZZ MUSIC BOOKS – P-192
England
1943: [Rudi Blesh: This Is Jazz]
1944: [Frederic Ramsey Jr.: Chicago Documentary]
[Jazz Folio]
[Jazz Miscellany]
1945: [Piano Jazz No.1 / No. 2] [Jazz Review]
1946: Apr [A Tribute to Huddie Ledbetter]
JAZZ MUSIC TODAY – P-193
Japan
1990: Vol. 1 (PR-Newsletter)
JAZZ ‘N’ BLUES ‘N’ AROUND – P-832
Italy
1998: Vol. 5/3-7 (Aug/Sep-Dec)
JAZZ ‘N’ MORE – P-880
(Das Schweizer Jazzmagazin)
Switzerland
1999: #4 (Dec)
2000: #1-6 (Feb/Mar-Dec/Jan)
2001: #1-6 (Feb/Mar-Dec/Jan)
2002: #1-6 (Feb/Mar-Dec/Jan)
2003: #1-3, 5-6 (Feb/Mar-Jun/Jul,Oct/Nov-Dec/Jan)
2004: #1-6 (Feb/Mar-Nov/Dec)
2005: #1-6 (Jan/Feb-Nov/Dec)
2006: #1-6 (Jan/Feb-Nov/Dec)
2007: #1-6 (Jan/Feb-Nov/Dec)
2008: #2-6 (Mar/Apr-Nov/Dec)
2009: #1-6 (Jan/Feb-Nov/Dec)
2010: #1-6 (Jan/Feb-Nov/Dec)
2011: #1-6 (Jan/Feb-Nov/Dec)
2012: #1-6 (Jan/Feb-Nov/Dec)
2013: #1-6 (Jan/Feb-Nov/Dec)
2014: #1-6 (Jan/Feb-Nov/Dec)
2015: #1-6 (Jan/Feb-Nov/Dec)
2016: #1-6 (Jan/Feb-Nov/Dec), special edition
2017: #1-4 (Jan-Jul/Aug)
JAZZ NAD ODRA, Polen) -P-1164

1976: #1
1977: #1-3

JAZZ NACHRICHTEN – P-596
East Germany (DDR)
1984: Jan/Feb.1984
JAZZ NEW ENGLAND – P-194
USA
1974: Vol. 1/1-3 (Oct-Dec)
1975: Vol. 1/4-8 (Jan-Nov)
1983: #1-2 (fall-winter)
JAZZ NEW ENGLAND NEWSLETTER – P-431
USA
1984: spring
JAZZ NEWS – P-1109
International Jazz Festival Prague
1967: Oct
JAZZ NEWS – P-195
France
1948: #1 (Christmas)
1949: #2-6 (Jan-Jun), 7-10 (Oct-Nov)
1950: #9-11 (Mar,Apr,Jun)
JAZZ NEWS – P-1129
France
2012: #17 (Dez)
2013: #19-21 (Mar-Mai), 27 (Dec)
2014: #28-33 (Jan/Feb-Jul), 35-37 (Sep-Dec)
2015: #38 (Jan/Feb)
JAZZ NEWS – P-196
England
1957: Aug
1960: Vol. 4/31-32 (17.-24. Sep)
1961: Vol. 5/8 (25.Feb), 10 (8.Mar)
1962: Vol. 6/6 (7. Feb), 17 (25. Apr), 21-22 (30. May-6. Jun), 23 (13.Jun), 38 (26. Sep)
JAZZ NEWS – P-197
Ireland
1987: Vol. 1/3, 5, 6 (May/Jun, Sept/Okt, Nov/Dec)
1988: Vol. 2/1-5 (Mar-Nov/Dec)
1989: Vol. 3/3-5 (May/Jun-Sep/Oct)
JAZZ NEWS – P-498
Austria
1971: #1, 5-6
JAZZ NEWS – P-1095
Publikationsorgan der Interessengemeinschaft der Zürcher Jazz-Clubs
Switzerland
1952: unnumbered
JAZZ NEWS FROM SWEDEN – P-686
Sweden
1993: #1-2
1994: #3
JAZZ NEWSLETTER (#0 als JID Newsletter) – P-447
Jazz-Institut Darmstadt
Germany
1992: #0 (Sep), special number [Wynton Marsalis Discography]
1993: #1 (Jan), #2 (May), #3 (Aug), #4 (Sep)
1994: #5 (Nov), #6 (Dec)
JAZZNEWSLETTER – P-634
(DRS) Switzerland
1991: #4-5 (Aug-Sep), #8 (Dec)
1992: #9-10 (Jan-Feb)
1993: #21 (Jan), #24-26 (Apr-Jun), #31-32 (Nov-Dec)
1994: #33 (Jan), #35-44 (Mar-Dec)
1995: #45-53, 55-56 (Jan-Sep, Nov-Dec)
1996: #57-62, 64-66 (Jan-Jun, Oct)
JAZZ NZ – P-881
New Zealand
1981: Vol. 1/2 (Apr/Jun)
JAZZNOCRACY – P-1174 (Wavendon, England)
(?) #5
JAZZ NOTES – P-198
A Newsletter of the Jazz Journalists Association
USA
1989: Vol. 1/2-4 (Summer-Winter)
1990: Vol. 2/1-4 (Spring-Winter)
1991: Vol. 3/2-4 (Spring-Winter)
1992: Vol. 4/1-4 (Spring-Winter); “The Best of 1992”
1993: Vol. 5/1-2
1994: Vol. 6/1-3
1995: Vol. 7/1-4
1996: Vol. 8/1-4
1997: Vol. 9/1-4
1998: Vol. 10/1-2
1999: Vol. 10/3-4, 11/1
2000: Vol. 11/2-4
2001: Vol. 12/1-4
2002: Vol. 13/1-4
2003: Vol. 14/1,3-4
2004: Vol. 15/1-4
2005: Vol. 16/1-4
2006: Vol. 17/1-4
2007: Vol. 18/1-3 (Spring-Autumn)
[discontinued as printed magazine; contined as web pdf files]
JAZZ NOTES – P-571
France
1989: #1, #3-6 (Jan,May-Dec)
1990: #7-10/11 (Feb/Mar-Oct/Nov)
1991: #12-16 (Jan/Feb-Oct/Nov)
1992: #17-21 (Jan/Feb-Dec)
1993: #22-26 (Feb/Mar-Dec)
1994: #27-31 (Feb-Dec)
1995: #32-36 (Mar-Dec)
1996: #37-41 (Mar-Dec)
1997: #42-46 (Mar-Dec)
1998: #47-51 (Mar-Dec)
1999: #52-56 (Mar-Dec)
2000: #57-61 (Mar-Dec)
2001: #62-66 (Mar-Dec)
2002: #67-71 (Mar-Dec)
2003: #72-76 (Mar-Dec)
2004: #77-81 (Mar-Dec)
2005: #82-86 (Mar-Dec)
2006: #87-89 (Mar-Jul)
JAZZ NOTES – P-655
Australien
1946: #63 (Apr), #67-69 (Sep,Nov,Dec)
1947: #70-79 (Jan-Dec)
1948: #80 (Jan), #82-86 (Mar- Aug), #88-89 (Oct/Nov-Dec)
1949: #90-96 (Jan/Feb-Sep)
1950: #99-103 (Jan/Feb-Oct)
1960: #104 (Jul)
JAZZ NOTES – P-682
Indianapolis Jazz Club Newsletter
USA
1959: Vol. 4/4-12 (Apr-Dec/Jan)
1960: Vol. 5/1-4 (Dec/Jan-Apr), 6/7-12 (Jun/Jul-Dec/Jan)
1961: Vol. 6/1-2/3 (Jan-Feb/Mar)
1962: Vol. 7/2-5
1963: Vol. 8/6-7
1964: Summer, Fall, Winter
1965: Spring-Fall
1968: Spring
1975: May-Jun
1978: Feb-Jun/Jul
JAZZ NOTES – P-625
***
1979: Spring
JAZZ (Jazz NU) – P-199
Netherlands
1978: Vol. 1/0,1-3 (Feb,Oct-Dec)
1979: Vol. 1/4-12 (Jan-Sep); Vol. 2/1-3 (Oct-Dec)
1980: Vol. 2/4-10 (Jan-Sep); Vol. 3/1-3 (Oct-Dec)
1981: Vol. 3/4-12 (Jan-Sep); Vol. 4/1-3 (Oct-Dec)
1982: Vol. 4/4-12 (Jan-Sep); Vol. 5, #48-50 (Oct-Dec)
1983: Vol. 5, #51-59 (Jan-Sep); Vol. 6, #60-62 (Oct-Dec)
1984: Vol. 6, #63-71 (Jan-Sep); Vol. 7, #72-74 (Oct-Dec)
1985: Vol. 7, #75-83 (Jan-Sep); Vol. 8, #84-86 (Oct-Dec)
1986: Vol. 8, #87-95 (Feb-Sep); Vol. 9, #96-99 (Oct-Dec)
1987: Vol. 9, #99 (Jan)-107 (Sep); Vol. 10, #108-110 (Oct-Dec)
1988: Vol. 10, #111-118 (Jan-Sep); Vol. 11, #119-121 (Oct-Dec)
1989: Vol. 11, #122-130 (Jan-Sep); Vol. 12, #131-133 (Oct-Dec)
1990: Vol. 12, #134-145
1991: Vol. 13, #146-156
1992: Vol. 14, #157-164 (Jan-Sep); Vol. 15, #165-167 (Oct-Dec)
1993: Vol. 16, #168-178
1994: Vol. 17, #179-189
1995: Vol. 18, #190-200
1996: Vol. 18, #201-211
1997: Vol. 19, #212-222
1998: Vol. 20, #223-233
1999: Vol. 21, #234-244
2000: Vol. 22, #245-246; Vol. 22, #1-5 (Mar/Apr-Winter) [changes name to “JAZZ” in 2000]
2001: Vol. 23, #1(Winter) –
2001: Vol. 24 #2-6 (Winter)
2002: Vol. 25 #1-6 (Winter-Winter)
2003: Vol. 26 #1-6 (Winter-Winter)
2004: Vol. 27 #1-6 (Winter-Winter)
2005: Vol. 28 #2-6 (Spring-Winter)
2006: Vol. 29 #1-6 (Spring-Winter)
2007: Vol. 30 #1-6 (Winter-Winter)
2008: Vol. 31 #1-6 (Winter-Winter)
2009: Vol. 32 #1-6 (Winter-Winter)
2010: Vol. 33 #1-6 (Spring-Winter) [changes name to “JAZZISM” and starts with new numbering in 2011]
JAZZ NYTT – P-240
Norway
1965: Vol. 1: Jul
1966: Vol. 2: Mar
1967: Vol. 3: Apr,Jun,Oct,Dec
1968: Vol. 4: Mar,Jun,Nov
1969: Vol. 5: Mar,May,Jul,Nov
1970: Vol. 6/1-4 (?,May,Jul,Nov)
1971: Vol. 7/1-3 (Mar,Jun,Oct)
1972: Vol. 8: Jun
1973: Vol. 9/2-4 (Apr,Jun)
1974: Vol. 10/1
1975: Vol. 11/1-2
1976: Vol. 12/1-5/6
1977: Vol. 13/5
1978: Vol. 14/1-5
1979: Vol. 15/1-5
1980: Vol. 16/1-5
1981: Vol. 17/1-5
1982: Vol. 18/1-2,4
1984: Vol. 20/1-6
1985: Vol. 21/1-6
1986: Vol. 22/1-6
1987: Vol. 23/2-6
1988: Vol. 24/1-5
1989: Vol. 25/1-5
1990: Vol. 26/1,4
1991: Vol. 27/1-5
1992: Vol. 28/1-5
1993: Vol. 29/1-5
1994: Vol. 30/1-5
1995: Vol. 31/1-4/5
1996: Vol. 32/1-4
1997: Vol. 33/1-4
1998: Vol. 34/1-4
1999: Vol. 35/1-2
2008: Vol. 44/1,5-6
2009: Vol. 45/1,3-6
2010: Vol. 46/1-6
2011: Vol. 47/1-5
2012: Vol. 48/2-3,5-6
2013: Vol. 49/1-2
JAZZOLOGIST, THE – P-584
USA
1964: Vol. 2 [no dates] (23.Jul, 28.Aug)
1965: Vol. 3 (1.Feb, 1.Mar, 29.Apr, 1.Jul, 1.Sep, 7. Nov, 5.Dec)
1966: Vol. 3/9 (Jan), 3/12 (1.Apr); Vol. 4/2 (1.Jun), 4/6 (Oct), 4/8 (4.Dec)
1967: Vol. 4/9-11 (1.Jan-1.Mar); Vol. 5/1 (May), 5/3-6 (1.Jul-30.Sep), Vol. 5/8 (3.Dec)
1968: Vol. 5/9 (Jan), 5/11-12; Vol. 6/1-4 (May/Jun-Jul/Aug), 6/6-7 (Oct/Nov)
1969: Vol. 7/2-5 (Jun/Jul-Aug/Sep)
1970: Vol. 7/9-10 (Jan/Feb); Vol. 8/1-8 (May/Dec)
1971: Vol. 7/9-12 (Jan/Feb-Mar/Apr); Vol. 8/1-3 (May/Jul); special issue (24.Apr); Vol. 9/4-5,8-11 (Aug/Sep, Dec 71/Jan-Mar 72)
1972: Vol. 10/7-9 (Nov/Dec)
1973: Vol. 10/10-12 (Feb-Apr),Vol. 11/1-3 (May/Jul) 11/4-6 (Aug-Oct)
1974: Vol. 11/11-12; Vol. 12/1-2 (Mar-Jun), 12/7-8 (Nov-Dec)
1975: Vol. 12/7-10 (Nov-Feb); Vol. 13/2-8 (Jun-Dec)
1976: Vol. 13/12; Vol. 14/1-2 (Apr/Jun)
1977: Vol. 14/9-12 (Jan-Apr); Vol. 15/1-7 (May-Nov); special issue #103-A (Jan)
1978: Vol. 16/7-9 (Nov-Dec/Jan)
1979: Vol. 17/4-8 (Aug/Sep-Oct/Dec)
1980: Vol. 17/12 (Apr); Vol. 18/1-2 (May/Jun), 6-9 (Oct-Dec/Jan)
1982: Vol. 20/3-4 (Jul/Aug)
JAZZOLOGY – P-241
USA
1967/68 Vol.18, #2 (Nov/Dez/Jan)
1968: Vol.18, #3 (Feb/März/Apri), #4 (Mai/Juni/Juli),
Vol.19 #1 (Aug/Sep/Okt), #2 (Nov/Dez/Jan)
1969: Vol. 19/3-4 (Feb/Mar/Apr-May/Jun/Jul)
1970: Vol. 20/2, (Nov 69, Dec 69, Jan 70), 3 (Feb/Mar/Apr)
1974: Vol. 24/1 (May-Oct)
JAZZOLOGY – P-242
American Jazz Society Booklets
England
ca. 1945: one issue
JAZZOLOGY – P-713
Publicacio dels Amics del Jazz de Lleida
Spain
1994: #6 (Jun)
1995: #7-8 (Jan,Jun)
1996: #9-10 (Jan,Jun)
1997: #11-12 (Mar,Dec)
JAZZOMANIA – P-678
Literary Organ of the Sierra Jazz Club
USA
1978: Vol. 1/4-9 (Mar-Aug)
JAZZ ON CD – P-668
England
1993: #1-5 (May-Oct)
1994: #6-11 (Jun-Dec
1995: #12-18 (Jan-Nov)
1996: #19 (Jan) [last issue]
JAZZ ON THE RIVER – P-626
St. Louis Jazz Club
USA
1977: Sep
1978: Feb, Apr-Jul, Sep-Oct
1979: Mar
1982: Nov-Dec
JAZZ PARADE – P-1119
Denmark
1952: Vol. 3/8 (Nov)
1953: Vol. 4/4 (Apr/May), 6-7 (Nov-Dec)
1955: Vol. 5/1-6 (Jan,Feb,Mar,Apr/May,May,Aug,Sep), 8A-9 (Nov-Dec)
JAZZPATORS INSIDE INFORMATION – P-1116
Germany
1959: #1 (Summer)
JAZZOPHONE – P-500
France
1978: #1
1983: #14 (Jan), #16 (Nov)
JAZZ ORCHESTRAS – P-1027
England
1946: #1 (Feb)
JAZZ PANORAMA – P-919
France
1960: #2 (Sep/Oct)
JAZZ PERSPECTIVE –P-1139
Japan
2014: #8 (Jun), #9 (Dec) ­­­­­­­­­­­­­­­­
JAZZ PERSPECTIVES – P-1044
USA
2007: Vol. 1/1-2 (May,Nov)
2008: Vol. 2/1-2 (May,Nov)
2009: Vol. 3/1-3 (April,Aug,Dec)
2010: Vol. 4/1-3 (Apr,Aug,Dec)
2011: Vol. 5/1-3 (Apr,Aug,Dec)
2012: Vol. 6/1-3 (Apr,Aug,Dec)
2014: Vol. 8/2-3 (Aug,Dec)
2015: Vol. 9/1-3 (Apr,Aug,Dec)
JAZZ PLAYER – P-578
USA
1993: Vol. 1/1 (Dec)
1994: Vol. 1/2-6 (Feb/Mar-Oct/Nov); 2/1 (Dec/Jan)
1995: Vol. 2/2-6 (Feb/Mar-Oct/Nov)
1996: Vol. 3/1-6 (Dec/Jan-Oct/Nov)
1997: Vol. 4/1-6 (Dec/Jan-Oct/Nov)
1998: Vol. 5/1-6 (Dec/Jan-Oct/Nov)
1999: Vol. 6/1-6 (Feb/Mar-Dec/Jan)
2000: Vol. 7/1-6 (Feb/Mar-Dec/Jan)
2001: Vol. 8/1-6 (Feb/Mar-Dec/Jan) [eingestellt]
JAZZ PODIUM – P-200
Germany
[zuvor “Das internationale Podium”, siehe dort]
1953: Vol. 2/1-11 (Jan-Dec)
1954: Vol. 3/1-12
1955: Vol. 4/1-12
1956: Vol. 5/1-12
1957: Vol. 6/1-12
1958: Vol. 7/1-12
1959: Vol. 8/1-12
1960: Vol. 9/1-12
1961: Vol. 10/1-12
1962: Vol. 11/1-12
1963: Vol. 12/1-12
1964: Vol. 13/1-12
1965: Vol. 14/1-12
1966: Vol. 15/1-12
1967: Vol. 16/1-12
1968: Vol. 17/1-12
1969: Vol. 18/1-12
1970: Vol. 19/1-12 [Oct einzeln vorhanden]
1971: Vol. 20/1-12
1972: Vol. 21/1-12
1973: Vol. 22/1-12
1974: Vol. 23/1-12
1975: Vol. 24/1-12
1976: Vol. 25/1-12
1977: Vol. 26/1-12
1978: Vol. 27/1-12
1979: Vol. 28/1-12
1980: Vol. 29/1-12
1981: Vol. 30/1-12
1982: Vol. 31/1-12
1983: Vol. 32/1-12
1984: Vol. 33/1-12
1985: Vol. 34/1-12
1986: Vol. 35/1-12
1987: Vol. 36/1-12
1988: Vol. 37/1-12
1989: Vol. 38/1-12
1990: Vol. 39/1-12
1991: Vol. 40/1-12
1992: Vol. 41/1-12
1993: Vol. 42/1-12
1994: Vol. 43/1-12
1995: Vol. 44/1-12
1996: Vol. 45/1-12
1997: Vol. 46/1-12
1998: Vol. 47/1-12
1999: Vol. 48/1-12
2000: Vol. 49/1-12
2001: Vol. 50/1-12
2002: Vol. 51/1-12
2003: Vol. 52/1-12
2004: Vol. 53/1-12
2005: Vol. 54/1-12
2006: Vol. 55/2-12
2007: Vol. 56/2-12
2008: Vol. 57/2-12
2009: Vol. 58/2-12
2010: Vol. 59/2-12
2011: Vol. 60/1-12
2012: Vol. 61/2-12
2013: Vol. 62/2-12
2014: Vol. 63/2-12
2015: Vol. 64/2-12
2016: Vol. 65/2-12
2017: Vol. 65/2-8 (Feb-Aug)
JAZZPRESS – P-800
Germany
1958: Vol.1/1-12 (13.Oct-29.Dec)
1959: Vol.2/1-4 (12.Jan-2.Feb), 6-9 (16.Feb-9.Mar), 11-20 (23.Mar-15.Jun)
JAZZ PRESS – P-201
Netherlands
1975: #5-8 (Nov-Dec)
1976: #9-28 (Jan-Dec)
1977: #29-46 (Jan-Dec)
1978: #47-53/54 (Jan-Sep)
JAZZ PRESS HAMBURG – P-752
Germany
1996: #8,10-12
1997: #1-12
1998: #1-6
1999: #3,9-12
2000: #1-6,9-10,12
2001: #3-4, 6-7, 10-12
2002: #2-11
2003: #2, 5, 6 [7/2003: eingestellt]
JAZZ QUAD – P-845
Belorussia
1998: #3,5-11/12
1999: #1-7,11-12
2000: #1/2-9
JAZZ QUARTERLY – P-733
USA
1942: Summer-Fall
1943: Spring
1944: Vol. 2/1 (Spring)
1945: Vol. 2/3 (Spring),Vol. 2/4 (Summer)
JAZZ QUIZ – P-202
England
1945: Jun
1946: Aug
JAZZ RAG, The – P-477
England
1987: #2 (Spring), 4 (Winter)
1988: #5-7 (Spring-Winter)
1989: #8-10 (Spring, Jun, Sep)
1990: #11-13 (Winter, Summer, Autumn)
1991: #14-18
1992: #19-23
1993: #24-28
1994: #29-32
1995: #33-36
1996: #37-41
1997: #42-47
1998: #48-53
1999: #54-59 (Jan/Feb-Nov/Dec)
2000: #60-65 (Jan/Feb-Dec/Jan)
2001: #66-70 (Jan/Feb-Dec/Jan)
2002: #71-74 (Spring-Winter)
2003: #75-79 (Spring-Winter)
2004: #80-84 (Spring-Winter)
2005: #85-89 (Spring-Winter)
2006: #90-94 (Spring-Winter)
2007: #95-99 (Winter-Winter)
2008: #100-104 (Winter-Summer, Winter)
2009: #105-109 (Winter-Summer/Autumn)
2010: #110-114 (Spring-Winter)
2011: #115-119 (Spring-Winter)
2012: #120-124 (Spring-Winter)
2013: #125-129 (Winter-Winter)
2014: #130-134 (Winter-Winter)
2015: #135-139 (Winter-Winter)
JAZZRAG – P-572
The “Traditional” Jazz Quarterly
New Zealand
1989: Vol.1/3 (Nov)
1990: Vol. 2/3 (Nov)
1991: #10 (Aug)
1992: #15 (Nov)
1993: #16-18 (Mar-Sep)
1994: #22 (Sep)
1995. #24 (März)
JAZZ REALITIES – P-203
Germany
1982: #1 (Aug)
1983: #2 (Jan), #3 (Nov)
1984: #4 (Feb), #5 (Apr-May), #6 (Nov)
1985: #7 (Summer)
1986: #8 (Summer)
1987: #9 (Summer)
1989: #10 (Summer)
1992: #11 (Summer)
1999: #12 (Fall)
2000: #13 (Winter)
2003: #14 (Summer)
JAZZ RECORD – P-760
England
1943: #1, #3, #7
JAZZ RECORD, The – P-204
USA
1943: #1 (15.Feb), 5 (15.Apr), 10 (Jul), 12 (1.Sep), 15 (Dec)
1944: #16,21-27 (Jan,Jun-Dec)
1945: #28-39 (Jan-Dec)
1946: #40-50 (Jan-Nov)
1947: #51-54 (Jan-Apr), 56 (Jun), 59-60 (Oct-Nov)
JAZZ RECORDS (JAZZ, FOLK & BLUES) – P-205
England
1962: Oct-Dec
1963: Jan-Dec
1964: Jan-Dec
1965: Jan-Dec
1966: Jan-Feb
JAZZ REGISTER – P-662
England
1965: Vol. 1/3 (Juli/Aug/Sep), Vol.1/4 (Oct/Dec)
1966: Vol. 2/1 (Jan/Mar)
JAZZREPORT – P-560
East Germany
1981: #9 (Mar)
1984: #25 (May)
1985: #32 (Nov)
JAZZ REPORT – P-930
(Ventura/CA)
USA
1960: Vol. 1/1 (Sep), 1/3-1/4 (Nov-Dec)
1961: Vol. 1/6-12 (Feb-Aug), Vol. 2/1-4 (Sep-Dec)
JAZZ REPORT – P-206
The Record Collector’s Magazine; USA (irregular)
1962: Vol. 2/5,7-10, Vol. 3/1-3
1963: Vol. 3/3-4 (Jan-Feb)
ca. 1964-1974: Vol. 4/4,6
Vol. 5/3-6
Vol. 6/1-6
Vol. 7/2-6
Vol. 8/1-6
Vol. 9/1-3, 5-6
JAZZ REPORT – P-539
USA
1978: #51 (May), 53/54 (Jul/Aug)
JAZZ REPORT – P-1087
(published by Robert G. Koester / Seymour’s Records)
USA
1956: Vl. 6/2 (May)
1958: Vol. 6/6 (Jul)
1959: Vol. 7/1 (Jan)
1960: Vol. 8/1-2 (Feb,May)
JAZZ REPORT, The – P-207
Voice of the Artist
Canada
1987: Vol. 1/1 (Aug/Sep), 3 (Dec/Jan)
1988: Vol. 1/5-6 (Apr/May-Jun/Jul); Vol. 2/1-3 (Aug/Sep-Dec/Jan)
1989: Vol. 2/4-6 (Feb/Mar-Jun/Jul); Vol. 3/1-3 (Aug/Sep-Dec/Jan)
1990: Vol. ¾-6 (Feb/Mar-Jun/Jul); Vol. 4/1-3 (Aug/Sep-Dec/Jan)
1991: Vol. 4/4-5 (Spring-Summer); Vol. 5/1-2 (Fall-Winter)
1992: Vol. 5/3-4 (Spring-Summer); Vol. 6/1-2 (Fall-Winter)
1993: Vol. 6/3-4 (Spring-Summer); Vol. 7/1-2 (Fall-Winter)
1994: Vol. 7/3-4 (Spring-Summer); Vol. 8/1 (Fall)
1995: Vol. 8/2-4 (Winter-Summer); Vol. 9/1 Fall)
1996: Vol. 9/2-4 (Winter-Summer); Vol. 10/1 (Fall)
1997: Vol. 10/2-4 (Winter-Summer); Vol. 11/1 (Fall)
1998: Vol. 11/2-4 (Winter-Summer); Vol. 12/1 (Fall)
1999: Vol. 12/2-4 (Winter-Summer); Vol. 13/1 (Fall)
2000: Vol. 13/2-4 (Winter-Summer); Vol. 14/1 (Fall)
2001: Vol. 14/2-4 (Winter-Summer); Vol. 15/1 (Fall)
2002: Vol. 15/2-4 (Winter-Sep/Oct/Nov)
2003: Vol. 16/1 (Winter)
JAZZ REPORTS – P-720
Organ for “Swing-Fans” i Danmark
Denmark
1943: ¾ (Sep)
JAZZ RESEARCH JOURNAL – P-1052
England
2007: Vol. 1/1, 1/2
JAZZ RESEARCH NEWS – P-937
Austria
2000: #1 (Nov)
2001: #2-5 (Feb-Nov)
2002: #6-9 (Mar-Sep)
2003: #10 (Mar)
2004: #11-16 (Apr-Dec)
2005: #17-20 (Mar,Oct,Nov,Dec)
2006: #21-24
2007: #25-27
2008: #28-30
2009: #31-33
2010: #34-36
2011: #37-39
2012: #40-42
2013: #43-44
2014: #45-46
2015: #47
JAZZ RESEARCH PAPERS – P-208
(continued as “Jazz Research Proceedings Yearbook”)
USA
1981: Vol. 1
1982: Vol. 2
1983: Vol. 3
1984: Vol. 4
1985: Vol. 5
1986: Vol. 6
1987: Vol. 7
1988: Vol. 8
1989: Vol. 9
1990: Vol. 10
1991: Vol. 11
1992: Vol. 12
1993: Vol. 13
1994: Vol. 14
1995: Vol. 15
1996: Vol. 16
1997: Vol. 17
1998: Vol. 18
1999: Vol. 19
2000: Vol. 20
2001: Vol. 21
2002: Vol. 22
2003: Jan
2004: Jan
2005: Jan
JAZZ REVIEW – P-957
England
1959. Vol:2, #6 (Juli), #8 (Sept)
1960: Vol.3, #3 (März/April)
1999: #2 (Nov)
2000: #4-15 (Jan-Dec)
2001: #16-27 (Jan-Dec)
2002: #28-39 (Jan-Dec)
2003: #40-51 (Jan-Dec)
2004: #52-63 (Jan-Dec)
2005: #64-73 (Jan-Dec/Jan)
2006: #74-79 (Feb/Dec/Jan)
2007: #80-85 (Feb/Mar-Dec/Jan)
2008: #86-91 (Feb/Mar-Dec/Jan)
2009: #92 (Feb/Mar)
JAZZ REVIEW – P-1050
(Jazz Music Books)
England
1945: [no number]
JAZZ REVIEW, The – P-209
USA
1958: Vol. 1/1-2 (complete)
1959: Vol. 2/1-11 (complete)
1960: Vol. 3/1-8 [except Vol. 3/9 (Nov/Dec) missing]
1961: Vol. 4/1 (complete)
[all issues complete as reprint]
JAZZ REVIEW, THE – P-210
USA
1991: Vol. 1/1-6 (Jan-Jul), Sep, Nov
1992: Jan-Mar
JAZZ REVISTA- P-1018
Spain
1980: 1 (Oct)
JAZZ REVUE – P-211
MONATSZEITSCHRIFT DER INTERESSENGEMEINSCHAFT GERMAN JAZZ COLLECTORS
Germany
1952: Vol. 3/1-12 (Jan-Dec)
1953: Vol. 4/1-12 (Jan-Dec)
1954: Vol. 5/1-12
JAZZ REVY – P-1094
Denmark
1965: #4 (Dec)
JAZZ RING AUSTRIA JAZZ NEWS – P-1103
Austria
1972: #7 (Jul)
1973: #1 (Jan)
JAZZ ROCK POP INDEX (früher: Jazz-, Rock- Und Popmusik-Register) – P-212
Germany
1992: Vol. 5/1-12
1993: Vol. 6/1-12
1994: Vol. 7/1-12
1995: Vol. 8/1-12
1996: Vol. 9/1-12
1997: Vol. 10/1-12
1998: Vol. 11/1-12
1999: Vol. 12/1-12
[publication stopped with Dec.1999]
JAZZ RYTMIT – P-842
Finland
1997: #6 (16.Oct.)
1998: #7 (10.Dec.)
2000: #5 (2.Nov.)
2007: #5-6 (14. Sep, 16. Nov)
2008: #1-5/6
JAZZ SCENE, The – P-215
England
1962: Vol. 1/2 (Jun)
1963: Vol. 2/4-6 (Mar-Jul/Aug)
JAZZSCENE – P-213
Jazz Society of Oregon
USA
1991: Nov-Dec
1992: Jan-Nov
JAZZ SCENE – P-993
Melbourne
2002: Vol. 2 /10 (Jun)
JAZZSCOPE – P-214
N.C. Jazz Network
USA
1992: Vol. 3/3 (Winter)
JAZZ SESSION – P-828
USA
1944: Vol. 1/1 (1.Sep)
1945: Jul/Aug, Sep/Oct, Nov/Dec
1946: Jan, Jul
JAZZ SHEET, The – P-216
Published by the Jazz Institute of Chicago
USA
1970: one issue
JAZZ SOCIETY OF PENSACOLA – P-217
USA
1991: Vol. 9/3-4 (Aug-Sep)
JAZZ SOUNDINGS – P-627
Puget Sound Traditional Jazz Society
USA
1978: Sep-Oct
1979: Jan-Mar
JAZZ SOUTH – P-451
Southern Arts Federation
USA
1992: Vol. 3/3-4, Vol. 4/2
1993: Vol. 4/2.5-4
1995: Vol. 5/2-4
1996: Vol. 6/1-2
JAZZ SPECIAL – P-218
Denmark
1991: #1 (Dec)
1992: #2-7 (Feb/Mar-Dec/Jan)
1993: #8-13 (Feb/Mar-Dec/Jan)
1994: #14-19 (Feb/Mar-Dec/Jan)
1995: #20-25 (Feb/Mar-Dec/Jan)
1996: #26-31 (Feb/Mar-Dec/Jan)
1997: #32-37 (Feb/Mar-Oct/Dec)
1998: #38-43 (Feb/Mar-Dec/Jan)
1999: #44-49 (Feb/Mar-Dec/Jan)
2000: #50-55 (Feb/Mar-Dec/Jan)
2001: #56-61 (Feb/Mar-Dec/Jan)
2002: #62-67 (Feb/Mar-Dec/Jan) [International Edition #1]
2003: #68-70 (Feb/Apr-Jun/Jul) [International Edition #2]
2004: #74-79 (Feb/Mar-Dec/Jan)
2005: #80-86 (Feb/Mar-Dec/Jan) [Festival 2005]
2006: #87-93 (Feb/Mar-Dec/Jan)
2007: #94-100 (Feb/Mar-Dec/Jan)
2008: #101-106 (Feb/Mar-Dec/Jan)
2009: #107-112 (Feb/Mar-Dec/Jan)
2010: #113-118 (Feb/Mar-Dec/Jan)
2011: #119-124 (Feb/Mar-Dec/Jan)
2012: #125-130 (Feb/Mar- Dec/Jan)
2013: #131-136 (Feb/Mar-Dec/Jan) [suppl. Lira Festival Guide 2013]
2014: #137-142 (Feb/Mar-Dec/Jan)
2015: #143-148 (Feb/Mar-Dec/Jan) [Festival 2015]
2016: #149-153 (Feb/Mar-Dec/Jan) [Festival 2016]
2017: #154-156 (Feb/Mar-Jun/Sep)
JAZZSPIEGEL – P-1049
Belgium
1967: #3 (Apr)
JAZZ SPOT -P-709
Germany
1996: 1-2
JAZZ STATISTICS – P-575
Switzerland
1960: #15 (Mar)
1962: #25 (Mar) + Beilage, 26 (Dec)
JAZZ STRING NEWSLETTER – P-577
USA
1982: Vol. 1/2-1/3 [xerox copies only]
1983: Vol. 2/1-2/2 [xerox copies only]
JAZZ STUDIES – P-219
British Institute of Jazz Studies
England
1968: Vol. 2/1-3
1970: Vol. 3/1
JAZZ STUDIUM – P-637
Hungary
1984: #7
JAZZ SWING JOURNAL – P-912
France
1988: #9 (Jul/Aug)
1990: #17 (Jul/Aug)
JAZZ TALK – P-220
England
1991: #1 (Summer)
JAZZ TEMPO – P-221
Germany
1951: Vol. 1/1-2 (Apr-May)
JAZZ TEMPO – P-1009
England
1944: #16-19
JAZZTHETIK – P-243
Germany
1987: Vol. 1/0, 1-8 (May-Dec)
1988: Vol. 2/1-12
1989: Vol. 3/1-12
1990: Vol. 4/1-12
1991: Vol. 5/1-12
1992: Vol. 6/1-12
1993: Vol. 7/1-12
1994: Vol. 8/1-12
1995: Vol. 9/1-12 (Dec/Jan)
1996: Vol. 10/2-12 (Dec/Jan)
1997: Vol. 11/2-12 (Dec/Jan)
1998: Vol. 12/2-12 (Dec/Jan)
1999: Vol. 13/2-12 (Dec/Jan)
2000: Vol. 14/2-12 (Dec/Jan)
2001: Vol. 15/2-12 (Dec/Jan)
2002: Vol. 16/2-12 (Dec/Jan)
2003: Vol. 17/2-12 (Dec/Jan)
2004: Vol. 18/2-12 (Dec/Jan)
2005: Vol. 19/2-12 (Dec/Jan)
2006: Vol. 20/2-12 (Feb-Dec/Jan)
2007: Vol. 21/2-12 (Feb-Dec/Jan)
2008: Vol. 22/2-12 (Feb-Dec/Jan)
2009: Vol. 23/2-12 (Feb-Dec/Jan)
2010: Vol. 24/1-11/12 (Feb-Nov/Dec)
2011: Vol. 25/1/2-11/12 (Jan/Feb-Nov/Dec)
2012: Vol. 26/1/2-11/12 (Jan/Feb-Nov/Dec)
2013: Vol. 27/1/2-11/12 (Jan/Feb-Nov/Dec)
2014: Vol. 28/1/2-11/12 (Jan/Feb-Nov/Dec)
2015: Vol. 29/1/2-11/12 (Jan/Feb-Nov/Dec)
2016: Vol. 30/1/2-09/10 (Jan/Feb-Nov/Dec)
2017: Vol. 31/1/2-07/08 (Jan/Feb-Jul/Aug)
JAZZ THING – P-573
Germany1993: #0 (Fall), #1 (Winter)
1994: #2-6 (Feb/Mar-Nov/Jan)
1995: #7-11, (Feb/Mar-Nov/Jan)
1996: #12-16 (Feb/Mar-Nov/Jan)
1997: #17-21 (Feb/Mar-Nov/Dec)
1998: #22-26 (Feb/Mar-Nov/Dec)
1999: #27-31 (Feb/Mar-Nov/Dec)
2000: #32-36 (Feb/Mar-Nov/Dec)
2001: #37-41 (Feb/Mar-Nov/Dec)
2002: #42-46 (Feb/Mar-Nov/Dec)
2003: #47-51 (Feb/Mar-Nov/Dec)
2004: #52-56 (Feb/Mar-Nov/Jan)
2005: #57-61 (Feb/Mar-Nov/Jan)
2006: #62-66 (Feb/Mar-Nov/Jan)
2007: #67-71 (Feb/Mar-Nov/Jan)
2008: #72-76 (Feb/Mar-Nov/Jan)
2009: #77-81 (Feb/Mar-Nov/Jan)
2010: #82-86 (Feb/Mar-Nov/Jan)
2011: #87-91 (Feb/Mar-Nov/Jan)
2012: #92-96 (Feb/Mar-Nov/Jan)
2013: #97-101(Feb/Mar-Nov/Jan)
2014: #102-106 (Feb/Mar-Nov/Jan)
2015: #107-111 (Feb/Mar-Nov/Dec)
2016: #112-116 (Feb/Mar-Nov/Jan)
2017: # 117-119 (Feb/Mar-Jun/Aug)
JAZZ TICKER – P-799
Jazz- und Live-Veranstaltungen Rhein-Main
Germany
1997: Dec
JAZZTIME – P-222
Switzerland
1984: Feb-Dez
1985: Jan-April
1986: Aug
1988: Nov
1989: Jun
1991: Jun-Jul
1992: Oct-Dec
1993: Jan-Dec
1994: Jan-Dec
1995: Jan-Dec
1996: Jan-Dez, +1996 News (Jan/Febr/März)
+1996/2,1996/3: (Juli/Aug/Sept)
1997: Jan/Febr/Marz – Oct/Dec
1998: Jan, April, Juni
1999: Okt
2000: Feb
2001: Oct-Dec
2002: Jan-Dec
2003: Jan-Dec
2004: Jan-Dec
2005: Jan-Dec
2006: Jan-Dec
2007: Jan-Dec
2008: Jan-Dec
2009: Jan-Dec
2010: Jan-Dec
2011: Jan-Dec
2012: Jan-Dec
2013: Jan-Dec
2014: Jan-Dec
2015: Jan-Dec
2016: Jan-Dec
2017: Jan-Aug
JAZZTIME – P-244
Germany, Frankfurt
1991: Spring; #1-3 (Oct-Dec)
1992: #4-8 (Jan-May) [nach #8 eingestellt]
JAZZ TIDSSKRIFTET – P-1095
Denmark
1980: #1
JAZZ TIMES – P-223
USA
1980: Vol. 10/6, 8-12
1981: Vol. 11 (Jan-Dec)
1982: Vol. 12 (Jan-Dec)
1983: Vol. 13 (Jan-Dec)
1984: Vol. 14 (Jan-Dec)
1985: Vol. 15 (Jan-Dec)
1986: Vol. 16 (Jan-Dec)
1987: Vol. 17 (Jan-Dec)
1988: Vol. 18 (Jan-Jun, Aug-Dec)
1989: Vol. 19 (Jan-Dec)
1990: Vol. 20 (Jan-Dec)
1991: Vol. 21 (Feb-Dec)
1992: Vol. 22 (Feb-Dec)
1993: Vol. 23 (Feb-Dec)
1994: Vol. 24 (Feb-Dec)
1995: Vol. 25 (Feb-Dec)
1996: Vol. 26 (Feb-Dec)
1997: Vol. 27 (Feb-Dec)
1998: Vol. 28 (Feb-Dec); [special: “1998/1999 Jazz Education Guide”]
1999: Vol. 29 (Feb-Dec); [special: “1999/2000 Jazz Education Guide”]
2000: Vol. 30 (Feb-Dec); [special: “2000/2001 Jazz Education Guide”]
2001: Vol. 31 (Feb-Dec); [special: “2001/2002 Jazz Education Guide”]
2002: Vol. 32 (Feb-Dec); [special: “2002/2003 Jazz Education Guide”]
2003: Vol. 33 (Feb-Dec)
2004: Vol. 34 (Feb-Dec); [special: “2004/2005 Jazz Education Guide”]
2005: Vol. 35/1-10 (Feb-Dec); [special: “2005/2006 Jazz Education Guide”]
2006: Vol. 36/1-10 (Feb-Dec)
2007: Vol. 37/1-10 (Feb-Dec); [special: “2007/2008 Jazz Education Guide”]
2008: Vol. 38/1-10 (Feb-Dec); [special: “2008/2009 Jazz Education Guide”]
2009: Vol. 39/1-3,5-8 (Feb-Apr,Aug/Sep-Dec) [magazine folded temporarily with the April 2009 issue]; [special “2009/2010 Jazz Education Guide”]
2010: Vol. 40/1-6,8-10 (Feb-Jun, Aug-Dec); [special “2010/2011 Jazz Education Guide”]
[other numbers are online issues]
2011: Vol. 41/2-10 (Mar-Dec) [special: “2011/2012 Jazz Education Guide”]
2012: Vol. 42/3-10 (Mar/Apr-Dec)
2013: Vol. 43/1-12 (Feb-Dec)
2014: Vol. 44/1-5, 7-10 (Jan/Feb-Jun, Sep-Dec)
2015: Vol. 45/1-10 (Jan-Dec)
2016: Vol. 46/1-12 (Feb-Dec)
2017: Vol. 47/1-8 (Feb-Aug)
JAZZ TIMES [GB] – P-648
England
1964: Vol. 1/1-1.2 (Sep-Oct)
1966: Vol. 3/8, 11 (Aug, Nov)
1967: Vol. 4/1 (Jan)
1969: Vol. 6/12 (Dec)
1970: Vol. 7/1-9 (Jan-Sep)
(BRITISH) JAZZ TIMES – P-553
England
1986: #2 (Aug), #5 (Nov)
1987: #7-8 (Jan-Feb), #10 (Apr), #12 (Jun), #15-16 (Sep-Oct), #18 (Dec)
1988: #20 (Feb), #22 (Apr), #24-26 (Jun-Aug), #29-30 (Nov-Dec)
1989: #31-37 (Jan-Jul), #39-42 (Sep-Dec)
1990: #43-54 (Jan-Dec)
1991: #55-57 (Jan-Mar), #59-66 (May-Dec)
1992: #67-78 (Jan-Dec)
1993: #80-87 (Feb-Nov/Dec)
1994: #88-93 (Jan/Feb-Nov/Dec)
1995: #94-97 (Jan/Feb-Jul/Aug)
Mit #97 eingestellt
JAZZ TODAY – P-750
USA
1956: Vol. 1/1-3 (Oct-Dec)
1957: Vol. 2/1-10 (Jan-Nov)
JAZZ-TON – P-715
Austria
1996: Spring/Summer
JAZZTOWN CRIER – P-694
Louisiana Jazz Federation
USA
1995: Fall
JAZZ TRUMPET JOURNAL – P-224
USA
1991: Vol. 1/6 (Aug), 8-10 (Oct-Dec)
1992: Vol. 1/11-12 (Jan-Feb), 2/1-10 (Mar-Dec)
1993: Vol. 2/11-12 (Jan-Feb), 3/1-10 (Mar-Dec)
1994: Vol. 3/11-12 (Jan-Feb); 4/1-9 (Mar-Oct)
JAZZ & TZAZ – P-853
Greece
1995: # 31 (Oct)
JAZZUITZENDINGEN – P-1132
Netherlands
1970: Feb
JAZZ UK – P-838
England
1995: #1-6 (Jan/Feb-Nov/Dec)
1996: #7-11 (Jan/Feb-Sep/Oct)
1997: #13-18 (Jan/Feb-Nov/Dec)
1998: #19-24 (Jan/Feb-Nov/Dec)
1999: #25-30 (Jan/Feb-Nov/Dec)
2000: #31-35 (Jan/Feb-Nov/Dec)
2001: #36-42 (Jan/Feb-Nov/Dec)
2002: #43-48 (Jan/Feb-Nov/Dec)
2003: #49-54 (Jan/Feb-Nov/Dec)
2004: #55-60 (Jan/Feb-Nov/Dec)
2005: #61-66 (Jan/Feb-Nov/Dec) [digi.copy]
2006: #67-72 (Jan/Feb-Nov/Dec) [digi.copy]
2007: #73-78 (Jan/Feb-Dec/Jan) [digi.copy]
2008: #79-84 (Feb/Mar-Dec/Jan) [digi.copy]
2009: #85-90 (Feb/Mar-Dec/Jan) [digi.copy]
2010: #91-96 (Feb/Mar-Dec/Jan) [digi.copy]
2011: #97-102 (Feb/Mar-Dec/Jan) [digi.copy]
2012: #103-108 (Feb/Mar-Dec/Jan) [digi.copy]
2013: #104-113 (Feb/Mar-Dec/Jan) [digi.copy]
2014: #114-118 (Feb/Mar-Aug/Sep) [digi.copy]
JAZZWAYS – P-245
A Yearbook of Hot Music
England
1946: Vol. 1/1
JAZZ WERELD – P-225
Netherlands
1965: #1-3
1966: #4-9
1967: #10-15
1968: #16-21
1969: #22-27
1970: #28-32
1971: #33-36
1972: #37-41
1973: #42-43
JAZZWISE – P-754
England
1997: #1-8 (Apr-Dec/Jan)
1998: #9-18 (Feb-Dec/Jan), direct 12/98
1999: #19-28 (Feb-Dec)
2000: #29-38 (Feb-Dec)
2001: #39-49 (Feb-Dec)
2002: #50-60 (Feb-Dec)
2003: #61-71 (Feb-Dec)
2004: #72-82 (Feb-Dec)
2005: #83-93 (Feb-Dec)
2006: #94-104 (Feb-Dec)
2007: #105-115 (Feb-Dec)
2008: #116-126 (Feb-Dec/Jan)
2009: #127-137 (Feb-Dec)
2010: #138-148 (Feb-Dec)
2011: #149-159 (Feb-Dec)
2012: #160-170 (Feb-Dec/Jan)
2013: #171-181 (Feb-Dec)
2014: #182-192 (Feb-Dec)
2015: #193-203 (Jan-Dec)
2016: #204-213 (Feb-Dec)
2017: #214-221 (Feb-Aug)
JAZ DIRECT – P-841
England
1998: December
1999: December
JAZZ WORLD INDEX – P-226
USA
1982: Vol. 12, #55 (Sep/Oct)
1983: Vol. 13, #56-57
1984: Vol. 14, #58-62
1985: Vol. 15, #63-67
1986: Vol. 16, #68-69, 71
1987: Vol. 17, #72
JAZZ WORLD – P-227
USA
1957: Vol. 1/1 (Mar)
JAZZ WORLD INDEX – P-228
USA
1981: Vol. 11/46 (Aug)
1982: Vol. 12, #50-51 (Jan-Feb), 63 (May/Jun), 55 (Sep/Oct)
1983: Vol. 13, #57 (Jan)
JAZZZEIT – P-878
Austria
1999: #1-6 (May-Dec)
2000: #7-16 (Feb-Dec)
2001: #17-25 (Mar-Dec)
2002: #26-34 (Mar-Dec) [special issue: jazz.atlas.2002; summer-festivals, scedule for Austria]
2003: #35-43 (Mar-Dec) [special issue: jazz.atlas.2003; summer-festivals] winter
2004: #44-52 (Mar-Dec)
2005: #53-57 (Mar/Apr-Nov/Dec)
2006: #58-63 (Jan/Feb-Nov/Dec) [special issue: jazz.atlas.2006; summer-festivals] #59 (März-April)
2007: #64-69 (Jan/Feb-Nov/Dec) [special issue: jazz.atlas.2007; summer-festivals]
2008: #70-75 (Jan/Feb-Nov/Dec) [special issue: jazzzeit.reise Feb 2008; jazz.austria 4/2008;
jazz.atlas.2008]
2009: #76-78 [magazine folded with issue no. 78]
JAZZ ZEITUNG – P-229ermany
1976: #2-6, 8, 10
1978: #10, 12
1979: #5-6 (May-Jun), 11 (Nov)
1980: #1 (Jan), 4-5 (Apr-May), 7-11 (Jul-Nov)
1981: #2-12 (Feb-Dec)
1982: #1-12 (Jan-Dec)
1983: #1-3 (Jan-Mar)
1984: Vol. 9/1-12 (Jan-Dec)
1985: Vol. 10/1-12 (Jan-Dec)
1986: Vol. 11/1-12 (Jan-Dec)
1987: Vol. 12/1-8 (Feb-Aug), 11-12/12 (Nov-Dec)
1988: Vol. 13/1-11 (Jan-Dez)
1989: Vol. 14/1-12 (Jan-Dec)
1990: Vol. 15/1-12 (Jan-Dec)
1991: Vol. 16/1-12 (Jan-Dec)
1992: Vol. 17/1-12 (Jan-Dec)
1993: Vol. 18/1-12 (Jan-Dec)
1994: Vol. 19/1-12 (Jan-Dec)
1995: Vol. 20/1-12 (Jan-Dec)
1996: Vol. 21/1-12 (Jan-Dec)
1997: Vol. 22/1-5 (Jan-May), 9-12 (Sep-Dec) [complete volume]
1998: Vol. 23/1-12 (Jan-Dec)
1999: Vol. 24/1-12 (Jan-Dec)
2000: Vol. 25/1-12 (Jan-Dec)
2001: Vol. 26/1-12 (Jan-Dec)
2002: Vol. 27/2-12 (1/03) (Feb-Dec/Jan)
2003: Vol. 28/2-12 (Feb-Dec)
2004: Vol. 29/1-12 (Jan-Dec/Jan)
2005: Vol. 30/2-12 (Feb-Dec/Jan)
2006: Vol. 31/2-12 (Feb-Dec)
2007: Vol. 32/1-4 (Feb/Mar-Nov/Dec)
2008: Vol. 33/1-5 (Feb/Mar-Nov/Dec)
2009: Vol. 34/1-5 (Feb/Mar-Nov/Dec)
2010: Vol. 35/1-5 (Feb/Mar-Nov/Dec)
2011: Vol. 36/1-5 (Feb/Mar-Nov/Dec)
2012: Vol. 37/1-5 (Feb/Mar-Nov/Dec)
2013: Vol. 38/1-5 (Feb/Mar-Nov/Dec)
2014: Vol. 39/1-5 (Feb/Mar-Nov/Dec) [letzte Ausgabe]
JAZZ 58 – P-1048
(Mensuel pour la connaissance et la diffusion de la véritable musique de jazz)
Belgium
1958: Vol. 2/3 (Feb)
JEFFERSON – P-246
Sweden
1976: Vol. 8/#72
1992: Vol. 24/#95
1999: Vol. 31/#119
JEMF QUARTERLY – P-564
John Edwards Memorial Foundation
USA
1979: Vol. 15/54 (Summer)
JERRY’S RHYTHM RAG – P-551
Sweden
1993: #1-4 (Winter-Fall)
1995: #5
JERSEY JAZZ – P-247
Dedicated to the Performance, Promotion and Preservation of Jazz
USA
1974: Vol. 2/1 (Jan), 2/3-8 (Mar-Aug)
1975: Vol. 3/7-8 (Jul-Aug), 3/11 (Dec)
1976: Vol. 3/12 (Jan), Vol. 4/1-10 (Feb-Dec)
1977: Vol. 4/12 (Jan), Vol. 5/1-10 (Feb-Dec)
1978: Vol. 5/12 (Jan); Vol. 6/1-10 (Feb-Dec)
1979: Vol. 6/11 (Jan); Vol. 7/1-10 (Feb-Dec)
1980: Vol. 7/11 (Jan); Vol. 8/1-10 (Feb-Dec)
1981: Vol. 9/1-11 (Jan-Dec)
1982: Vol. 10/1-10 (Jan-Dec)
1983: Vol. 11/1-11 (Jan-Dec)
1984: Vol. 11/12 (Jan); Vol. 12/1-10 (Feb-Dec)
1985: Vol. 12/11 (Jan); Vol. 13/1-10 (Feb-Dec)
1986: Vol. 13/11 (Jan); Vol. 14/1-10 (Feb-Dec)
1987: Vol. 14/11 (Jan); Vol. 15/1-10 (Feb-Dec)
1988: Vol. 15/11 (Jan); Vol. 16/1-10 (Feb-Dec)
1989: Vol. 16/11 (Jan); Vol. 17/1-10 (Feb- Dec)
1990: Vol. 17/11 (Jan); Vol. 18/1-10 (Feb-Dec)
1991: Vol. 18/11 (Jan); Vol. 19/1-10 (Feb-Dec)
1992: Vol. 19/11 (Jan); Vol. 20/1-10 (Feb-Dec)
1993: Vol. 20/11 (Jan); Vol. 21/1-10 (Feb-Dec)
1994: Vol. 21/11 (Jan); 22/1-10 (Feb-Dec)
1995: Vol. 22/11 (Jan); 23/1-10 (Feb-Dec)
1996: Vol. 24/1-11 (Jan-Dec)
1997: Vol. 25/1-11 (Jan-Dec)
1998: Vol. 26/1-11 (Jan-Dec)
1999: Vol. 27/1-11 (Jan-Dec)
2000: Vol. 28/1-11 (Jan-Dec)
2001: Vol. 29/1-11 (Jan-Dec)
2002: Vol. 30/1-11 (Jan-Dec)
2003: Vol. 31/1-2, 4-11 (Jan-Feb, Apr-Dec)
2004: Vol. 32/1-12 (Jan-Dec)
2005: Jan-Feb
2007: Vol. 35/7 (Jul/Aug)
JET – P***
(USA)
1969: Vol. 36/1 (10.Apr) [Special über Martin Luther King]
JOSLIN’s JAZZ JOURNAL – P-248
Dedicated to the Glory of Record Collecting
USA
1982: Vol. 3/1 (Aug)1984: Vol. 3/2 (Mai)
1985: Vol. 3/2 (Aug)
1986: Vol. 5/1 (Feb)
1992: Vol. 11/1-4 (Feb,May,Aug,Nov)
1993: Vol. 12/1-4 (Feb,May,Aug,Nov)
1994: Vol. 13/1-4 (Feb,May,Aug,Nov)
1995: Vol. 14/1-4 (Feb,May,Aug,Nov)
1996: Vol. 15/1-4 (Feb,May,Aug,Nov)
1997: Vol. 16/1-4 (Feb,May,Aug,Nov)
1998: Vol. 17/1-4 (Feb,May,Aug,Nov)
1999: Vol. 18/1-4 (Feb,May,Aug,Nov)
2000: Vol. 19/1-4 (Feb,May,Aug,Nov)
2001: Vol. 20/1-4 (Feb,May,Aug,Nov)
2002: Vol. 21/1-4 (Mar,May,Aug,Nov)
2003: Vol. 22/1-4 (Feb,May,Aug,Nov)
2004: Vol. 23/1-4 (Feb,May,Aug,Nov)
2005: Vol. 24/1-4 (Feb,May,Aug,Nov)
2006: Vol. 25/1-4 (Feb,May,Aug,Nov)
2007: Vol. 26/1 (Feb), 26/3 (Aug) [last issue; periodical folded]
JOURNAL OF JAZZ DISCOGRAPHY – P-879
USA
1976: #1 (Nov)
1977: #2 (Jun)
1978: #3 (Mar)
1979: #4-5 (Jan,Sep)
JOURNAL OF JAZZ STUDIES – P-249
USA
1973: Vol. 1/1 (Oct)
1974: Vol. 1/2 (Jun); Vol. 2/1 (Dec)
1975: Vol. 2/2 (Jun)
1976: Vol. 3/2 (Spring); Vol. 4/1 (Fall)
1977: Vol. 4/2 (Spring/Summer)
1978: Vol. 5/1 (Fall/Winter)
1979: Vol. 5/2 (Spring/Summer)
Vol. 6/1 (Fall/Winter)
[continued as “Annual Review of Jazz Studies]
2011: Vol. 7/1 [digi.copy]
Journal of world Popular Music – P-1135
England
2014: Vol. 1/1
JUBILATION NEWS – P-614
Official Newsletter of the Montreal Jubilation Gospel Choir
USA
1994: Spring/Summer
JUNGE DAME, Die – P-250
Germany
1951: Vol. 13/7 (4. Apr) [Joachim-Ernst Berendt: Geburtstag beim jüngsten Jazzmusiker der Welt (Sugar Chile Robinson)]
Vol. 13/14 (11.Jul) [Joachim-Ernst Berendt: Jazz-Lady Nr. Eins (Mary Lou Williams)]
Vol. 13/15 (25. Jul), 16 (8. Aug), 17 (22. Aug), 18 (5. Sep) [Peter Bopp: Kleines Jazz-Lexikon]
JUST JAZZ GUITAR – P-811
The Publication for the Archtop and Jazz Guitar Enthusiast
England
1996: #7-8 (May,Aug)
1997: #10-11 (Feb,May), #13 (Nov); Collectors Edition #2 (Sep; special issue on Barney Kessel)
1998: #14-17 (Feb,May,Aug,Nov)
1999: #18-21 (Feb,May,Aug,Nov)
2000: #22-25 (Feb,May,Aug,Nov)
2001: #26-29 (Feb,May,Aug,Nov)
2002: #30-33 (Feb,May,Aug,Nov)
JUST JAZZ MAGAZINE – P-867
The Traditional Jazz Magazine
England
1999: #16-20 (Aug-Dec)
2000: #21-32 (Jan-Dec)
2001: #33-44 (Jan-Dec)
2002: #45-56 (Jan-Dec)
2003: #57-68 (Jan-Dec)
2004: #69 (Jan), #73-74 (May-Jun), #79(Nov)
2005: #87-88, 90-91 (Jul-Aug, Oct-Nov)
2006: #103-104 (Nov-Dec)
2007: #105-116 (Jan-Dec)
2008: #117-128 (Jan-Dec)
2009: #130-140 (Jan-Dec)
2010: #141-152 (Jan-Dec)
2011: #153-164 (Jan-Dec)
2012: #165-176 (Jan-Dec)
2013: #177-188 (Jan-Dec)
2014: #188-200 (Jan-Dec)
2015: #201-212 (Jan-Dec)
2016: #213-224 (Jan-Dec)
2017: #225-232 (Jan-Aug)
JUKE BLUES – P-1053
England
1985: #1-3 (Jul,Oct,Dec)
1986: #4-7 (Spring-Winter)
1987: #8-11 (Spring-Winter)
1988: #12-14 (Spring-Winter)
1989: #15-18
1990: #19-22
1991: #23-24
1992: #25-26
JUUL’S HALO – P-877
Netherlands
1999: Vol. 1/4 (Sep/Oct)
KATAKOMBINATIONEN – P-807
Mitteilungsblatt des studentischen “club priv’” Katakombe für Literatur, Malerei, Musik Mainz
Germany
1958: #25 (Jun)
1959: Jun
KELLER-KUNST-KELLER – P-790
Germany
1982: Mar/Jun
KEN COLYER TRUST NEWSLETTER & MEMORABLILIA – P-598
England
1992: March
1993: Sep
1995: Dez
1996: März
1996: Juni
1996: Sept
1996: Dez
1997: März
1997: Juni
1997: Sept
1997: Dez
1998: Febr
1998: Juni
1998: Sept
1998: Dez
1999: März
1999: Juni
1999: Herbst
1999: Winter
2000: Frühjahr
2000: Sommer
2000: Herbst
2000: Winter
2001: Frühjahr
2001: Sommer
2001: Herbst
2001: Winter
2002: Frühjahr
2002: Sommer
2002: Herbst
2002: Winter
2003: Frühjahr
2003: Sommer
2003: Herbst
2003: Winter
2004: Frühjahr
2004: Sommer
2004: Herbst
2004: Winter
2005: Frühjahr
2005: Sommer
2005: Herbst
2005: Winter
2006: Frühjahr
2006: Sommer
2006: Herbst
2006: Winter
2007: Frühjahr
2007: Sommer
2007: Herbst
2007: Winter
2008: Frühjahr
2008: Sommer
2008: Herbst
2008: Winter
2009: Frühjahr
2009: Sommer
2009: Herbst
2009: Winter
KEY – P-622
This Week in St.Louis
USA
1974: 6.-13.Jul
KEYBOARD – P-251
(Contemporary Keyboard)
USA
1975: Vol. 1/1 (Sep/Oct), (Nov/Dez)
1976: Vol. 2/1 (Jan/Feb), 2/2 (März/April), 2/3
(Mai/Juni), 2/4 (Aug), 2/5 (Okt), 2/6 (Dez)
1977: Vol. 3/2 (Feb), 3/3 März, 3/5 Mai, 3/6 Juni,
3/7 Juli, 3/8 Aug, 3/11 Nov, 3/12 Dez.
1978: 4/1-12 (Jan-Dez)
1979: Vol. 5/2-12 (Feb-Dez)
1980: Vol. 6/1-4 (Jan-April), 6/11-12) (Nov, -Dez)
1981: Vol. 7/1-5 (Jan-Mai), 7/7-11 (Juli-Nov)
1982: Vol. 8/1 (Jan), 8/3-12 (März-Dez)
1983: Vol. 9/1-2 (Jan-Febr) 9/10 (Oct)
1984: Vol. 10/8 (Aug)
1986: Vol. 12/9 (#125/Sep)
1992: Vol. 18/1 (#189/Jan), 4 (#192/Apr), 6 (#194/Jun), 8-10 (#196-198)
1993: Vol. 19/1 (#201/Jan), 6 (#206/Jun), 10-12 (#210-212/Oct-Dec)
1994: Vol. 20/1-7 (#213-219/Jan-Jul)
1997: Vol. 23/1 (#249/Jan), 3-9 (#251-257/Mar-Sep), 11-12 (#259-260/Nov-Dec)
2000: Vol. 26/9-12 (#294-297/Sep-Dec)
2001: Vol. 27/1-7 (#298-304)
2002: Vol. 28/4-9 (#313-318,Apr-Sep)
KEYBOARD CLASSICS & Piano Stylist – P-1069
USA
1993: Vol. 13/2-6 (Mar/Apr-Nov/Dec)
1994: Vol. 14/1-6 (Jan/Feb-Nov/Dec)
1995: Vol. 15/2 (Mar/Apr)
KEYBOARDS – P-870
Germany
1998: #12 (Dec)
2008: #2 (Feb)
KEY NOTES – P-252
Netherlands
1975/1: #1
1976/1: #3
1980/2: #12
1982/2: #16
1983/1: #17
1984/1: #19
1986: #23
KEYS – P-883
Belgium
1979: [one issue]
KIRCHENMUSIKALISCHE NACHRICHTEN – P-876
Germany
1999: Vol. 50/4 (Oct/Dec)
KIRCHENMUSIKER, Der – P-253
Mitteilungen der Zentralstelle für evangelische Kirchenmusik
Germany
1965: Vol. 16/5 (Sep/Oct) [Joachim-Ernst Berendt: Ekstase im Gottesdienst. Der Spiritual in seiner und in unserer Welt]
KLASSIK HEUTE – P- 903
(Germany)
1999: Vol. 2/11 (Nov)
KLON JAZZ GUIDE – P-254
(ab 7/2003 fortgeführt als KJazz 88.1 FM)
USA
1992: Vol. 12/1-2 (Jan/Mar, Apr/Jun)
1993: Vol. 13/1-4 (Jan/Mar-Oct/Dec)
1994: Vol. 14/2 (Apr/Jun) [Sonderheft Jazz West Coast], 14/4 (Nov/Dec)
1995: Vol. 15/1-4 (Jan/Mar-Oct/Dec)
1996: Vol. 16/1 (Jan/Mar), 16/3 (Jul/Sep), 16/4 (Oct/Dec)
1997: Vol. 17/1 (Jan/Mar), 17/3 (Jul/Sep), 17/4 (Oct/Dec)
1998: Vol. 18/1-2, (Jan/Mar-Apr/Jun), 19/4 (Oct/Dec)
2000: Vol. 20/1-4 (Jan/Mar-Oct/Dec)
2001: Vol. 21/1-4 (Jan/Mar-Oct/Dec)
2002: Vol. 22/1-3 (Jan/Mar-Jul/Sep)
2003: Vol. 23/2-3 (fortgeführt als KJazz 88.1 FM) (Apr/Jun- Jul/Aug/Sep)
2004: Vol.24/1-4(Jan/Mar-Oct-Dec)
2005: Vol. 25/1(Jan/Mar)
KNIT KNEWS – P-813
USA
1998: Jan
KNOTES – P-255
USA
1991: Vol. 1/1-5 (Jan/Feb-Nov/Dec)
KONKRET – P-256
Germany
1967: #9 (Sep) [Joachim-Ernst Berendt: Joachim-Ernst Berendts Jazz-Magazin]
KONTAKTE – P-1096
Germany
1964: Oct
KONTRA – P-1064
(Zeitschrift für Klang, Bewegung und Sprache)
Austria
2006: #8 (Apr)
KONTRASTE – P-257
Germany
1965: #18 [Joachim-Ernst Berendt: Jazz]
DER KREIS – P-778
(Zeitschrift für künstlerische Kultur)
Germany
1929: Vol. 6/4 (Apr)
KUNST & KULTUR – P-1150
Kulturpolitische Zeitschrift der IG Medien
Germany
1994: Vol. 1, #1-2 (Feb-Mar)
1995: Vol. 2, #4-5 (May-Jun/Aug)
KUNSTFORUM – P-728
Germany
1996: #134 (May/Sep)
KURT WEILL NEWSLETTER – P-258
USA
1986: Vol. 4/1-2 (Spring, Fall)
1987: Vol. 5/1 (Spring)
1988: Vol. 6/1-2 (Spring, Fall)
1989: Vol. 7/1-2 (Spring, Fall)
1990: Vol. 8/1-2 (Spring, Fall)
1991: Vol. 9/1-2 (Spring, Fall)
1992: Vol. 10/1-2 (Spring, Fall)
1993: Vol. 11/1-2 (Spring, Fall)
1994: Vol. 12/1-2 (Spring, Fall)
1995: Vol. 13/1-2 (Spring, Fall)
1996: Vol. 14/1-2 (Spring, Fall)
1997: Vol. 15/1-2 (Spring, Fall)
1998: Vol. 16/1-2 (Spring, Fall)
1999: Vol. 17/1-2 (Fall)
2000: Vol. 18/1-2 (Fall)
2001: Vol. 19/1-2 (Spring-Fall)
2002: Vol. 20/1-2 (Spring-Fall)
2003: Vol. 21/1-2 (Spring-Fall)
2004: Vol. 22/1-2 (Spring-Fall)
2005: Vol. 23/1 (Spring)
2006: Vol. 24/1-2 (Spring-Fall)
2007: Vol. 25/1-2 (Spring-Fall)
2008: Vol. 26/1-2 (Spring-Fall)
2009: Vol. 27/1-2 (Spring-Fall)
2010: Vol. 28/1-2 (Spring-Fall)
2011: Vol. 29/1-2 (Spring-Fall)
2012: Vol. 30/1-2 (Spring-Fall)
2013: Vol. 31/1-2 (Spring-Fall)
2014: Vol. 32/1-2 (Spring-Fall)
2015: Vol.33/1-2 (Spring-Fall)
2016: Vol. 34/1-2 (Spring-Fall)
2017: Vol.35/1 (Spring)
KWICK DRUM TIPS – P-259
USA
1991: #8
L’INDEPENDANT DU JAZZ – P-265
France
1975: #3-5 (Apr-Oct)
1976: #6-9 (Jan-Oct)
1977: #10-13 (Apr-Oct)
1978: #14-16 (Jan-May)
1979: #17-19 (Jan-Oct), 17bis
1980: #21 (May)
L’UMJ EN CHANTIER (LA GAZETTE) – P-450
(Union des Musiciens de Jazz)
France
1992: #2-3 (Summer-Winter)
1993: #4-5 (Spring-Winter)
1994: #6-7 (Summer-Winter)
1995: #8 (Summer)
1996: #9 (Summer)
2000: #12 (Jan)
L.A. JAZZ SCENE – P-457
USA
1992: #58 (Jun)
LABORATORIO MUSICA – P-486
Italy
1979: Vol. 1/4-7/8 (Sep-Dec/Jan)
1980: Vol. 2/9 (Feb + Dossier Musica, istituzioni e legislazione), 11 (Apr)
LABEL JAZZ – P-260
France
1991: #4-6 (Apr/May/Jun-Oct/Nov/Dec)
1992: #7
1993: #8
LATIN BEAT – P-261
Salsa, Afro-Antillana, Latin Jazz and More
USA
1991: Vol. 1/1-11 (Jan-Dec/Jan)
1992: Vol. 2/1-10 (Feb-Dec/Jan)
1993: Vol. 3/1-10 (Feb-Dec/Jan)
1994: Vol. 4/1-10 (Feb-Dec/Jan)
1995: Vol. 5/1-10 (Feb-Dec/Jan)
1996: Vol. 6/1-10 (Feb-Dec/Jan)
1997: Vol. 7/1-10 (Feb-Dec/Jan)
1998: Vol. 8/1-10 (Feb-Dec/Jan)
1999: Vol. 9/1-10 (Feb-Dec/Jan)
2000: Vol. 10/1-10 (Feb-Dec/Jan)
2001: Vol. 11/1-10 (Feb-Dec/Jan)
2002: Vol. 12/2-10 (Mar-Dec/Jan)
2003: Vol. 13/1-10 (Feb-Dec/Jan)
2004: Vol. 14/1-10 (Feb-Dec/Jan)
2005: Vol. 15/1-10 (Feb-Dec/Jan)
2006: Vol. 16/1-10 (Feb-Dec/Jan)
2007: Vol. 17/1-10 (Feb-Dec/Jan)
2008: Vol. 18/1 (Feb)
LEAD BELLY NEWSLETTER – P-704
USA
1990: Vol. 1/1 (Autumn)
1991: Vol. 1/2-4 (Winter-Fall)
1992: Vol. 2/1-4 (Winter-Fall)
1993: Vol. 3/1-4 (Winter-Fall)
1994: Vol. 4/1-4 (Winter-Fall)
1995: Vol. 5/1-4 (Winter-Fall)
1996: Vol. 6/1-4 (Winter-Fall)
DAS LEBEN – P-769
Germany
1927: Vol. 5/1 (Jul)
1928: Vol. 6/6 (Dec)
LEE LO’S JAZZ NEWSLETTER – P-262
USA (New York)
1992: Vol. ¾-5 (Apr-May)
LEG AUF UND SIEH FERN – P-1149
Germany
1965: #1-2 (Jan-Feb), 5-12 (May-Dec)
1966: #1-6 (Jan-Jun), 8 (Aug), 10 (Oct), 12 (Dec)
1967: #3 (Mar), 11 (Nov)
1968: #1 (Jan), 8-9 (Aug.Sep)
LETTER FROM EVANS – P-263
USA
1989: Vol. 1/1-2 (Sep/Oct-Nov/Dec)
1990: Vol. 1/3-6 (Jan/Feb-Jul/Aug); Vol. 2/1-2 (Sep/Oct-Nov/Dec)
1991: Vol. 2/3-6 (Jan/Feb-Jul/Aug); Vol. 3/1-2 (Sep/Oct-Nov/Dec)
1992: Vol. 3/3-6 (Jan/Feb-Jul/Aug); Vol. 4/1 (Sep/Oct)
1993: Vol. 4/2-4/4 (winter-summer); 5/1 (Fall)
1994: Vol. 5/2-4 (Winter-Summer) [eingestellt]
LETTRE INTERNATIONAL – P-541
Germany
1989: #6
1993: #20 [Gary Giddins: Listig wie ein Fuchs. Dizzy Gillespie]
1994: #24 [Peter Niklas Wilson: Improvisation. 16 Stichworte zu einer flüchtigen Kunst]
LE POINT DU JAZZ – P-1159
France
1973. #09 (Dez)
1974: #10 (Okt)
1981: #17 (Juli)
1982: #18 (Nov)
1984: #19 (Juni)
LIBERTY – P-1156 (USA)
(The Nostalgia Magazin)
1973: Vol.1 #8 (Spring)
LIFE – P-264
USA
1955: Vol. 18/3 (7.Feb)
1966: Vol. 60/15 (15.Apr) [Richard Meryman: Louis Armstrong. An Authentic American Genius; Armstrong-Cover]
LIGNE 8 -P-1045
Le Journal de L’Opera National de Paris
France
2005: Vol. 7 (Nov/Dec)
The LIGNTNING EXPRESS – P-1102
An Occasional Newspaper Devoted to American Music
USA
1976: #3
LINERNOTES – P-266
Stateline Jazz Society
USA
1992: Vol. 2/1 (Jan)
LIRA –P-1145
Musikmagasin
Sweden2010: #22011: #1-2
2012: #2 (Mar), 4 (Sept)
LIST UDRUZENJA JAZZ MUZICARA – P-765
Bulgaria
1953: #1 (Aug)
1954: #2 (Feb)
LISTEN TO NORWAY – P-550
Norway
1993: Vol. 1/1-2
1994: Vol. 2/1-3
1995: Vol. 3/1-3
1996: Vol. 4/1 [complete volume]
1997: Vol. 5/1-3
1998: Vol. 6/1-3
1999: Vol. 7/1-3
2000: Vol. 8/1-3
2001: Vol. 9/1 [eingestellt]
LIVING BLUES – P-267
USA
1970: Vol. 1, #1-4 (Spring-Winter)
1971: Vol. 2, #5-7 (Spring-Winter)
1972: Vol. 3, #8-11 (Spring-Winter)
1973: Vol. 4, #12-15 (Spring-Winter)
1974: Vol. 5, #16-18 (Spring-Fall)
1975: Vol. 6, #19-24 (Jan/Feb-Nov/Dec)
1976: Vol. 7, #25-30 (Jan/Feb-Nov/Dec)
1977: Vol. 8, #31-35 (Mar/Apr-Nov/Dec)
1978: Vol. 9, #36-41 (Jan/Feb-Nov/Dec)
1979: Vol. 10, #42-44 (Jan/Feb-Fall)
1980: Vol. 11, #45/46-49 (Spring-Winter)
1981: Vol. 12, #50-51 (Spring-Summer)
1982: Vol. 13, #52-55 (Spring, Summer/Fall, Fall/Winter, Winter)
1983: Vol. 14, #56-58 (Spring-Winter)
1984: Vol. 15, #59-62 (Spring-Winter)
1985: Vol. 16, #63-66 (Jan/Feb-Jul/Aug)
1986: Vol. 17, #67-72 (Jan/Feb-Nov/Dec)
1987: Vol. 18, #73-77 (Jan/Feb-Nov/Dec)
1988: Vol. 19, #78-83 (Jan/Feb -Nov/Dec)
1989: Vol. 20, #84-89 (Jan/Feb-Nov/Dec)
1990: Vol. 21, #90 (Mar/Apr)
1991: Vol. 22, #95-100 (Jan/Feb-Nov/Dec)
1992: Vol. 23, #101-106 (Jan/Feb-Nov/Dec)
1993: Vol. 24, #107-112 (Jan/Feb-Nov/Dec)
1994: Vol. 25, #113-118 (Jan/Feb-Nov/Dec)
1995: Vol. 26, #119-124 (Jan/Feb-Nov/Dec)
1996: Vol. 27, #125-130 (Jan/Feb-Nov/Dec)
1997: Vol. 28, #131-136 (Jan/Feb-Nov/Dec)
1998: Vol. 29, #137-142 (Jan/Feb-Nov/Dec)
1999: Vol. 30, #143-148 (Jan/Feb-Nov/Dec)
2000: Vol. 31, #149-154 (Jan/Feb-Nov/Dec)
2001: Vol. 32, #155-157,159 (Jan/Feb-May/Jun,Oct)
2002: Vol. 33, #161-165 (Feb-Aug)
LIVING BLUESLETTER – P-268
USA
1983: Vol. 1/1 (Jan), 6-9 (Jun-Sep), 11-12 (Nov-Dec)
1984: Vol. 2/1-3 (Jan-Mar), 5&6-12 (May/Jun-Dec)
LONDONS MUSICIANS COLLECTIVE NEWS (LMC News) – P-269
England
1991: Dec
1992: Feb, Apr-Dec (Oct-issue part of RESONANCE)
1993: Jan,Mar,Apr,May,Aug
1996: Feb/Mar
LOOKING AHEAD – P-270
Coastal Jazz & Blues Society’s Newsletter
Canada
1989: Vol.1/2 (Mar/Apr)
1993: Apr/May, Aug/Sep, Oct/Nov, Dec/Jan
1994: Feb/Mar-Apr/May, Aug/Sep-Dec/Jan
1995: Feb/Mar-Apr/May-Aug/Sep-Oct/Nov-Dec/Feb
1996: Spring-Winter
1997: Spring
1998: Fall,Winter
LOOP P-1148
USA (New York)
2016: #1 (Fall)
LOUISIANA RENAISSANCE – P-563
A Publication of the Louisiana Educational and Cultural Foundation
USA
1978: Vol. 1/2 (Fall)
LUI – P-271
Germany
1978: #11 (Nov) [Joachim-Ernst Berendt, Friedrich Gulda, Klaus Doldinger, Claus Schreiner, George Gruntz: Jazz in Deutschland. Eine Bilanz]
MAGASIN DU SPECTACLE, Le – P-272
France
1946: #2 (Jun) [Hugues Panassie: Fats Waller … Paris]
MAGAZINE LITTERAIRE – P-273
France
1974: #87 (Apr) [special issue on Boris Vian]
MAGNUM – P-274
Germany
1954: Vol. 1/2 [no jazz content], 3 [Joachim-Ernst Berendt: Jazz – wie weiter?]
1955: Vol. 2/7 (Joachim-Ernst Berendt: Jazz in Europa]
1957: Vol. 4/15 [Joachim-Ernst Berendt: Warum Jazz in Donaueschingen?]
1958: Vol. 5/16 [no jazz content], 19 [Olaf Hudtwalker: Zur Situation des Jazz in Deutschland; Joachim-Ernst Berendt: Deutsches Jazz-Festival 1958]
MAINSTREAM – P-275
England
1974: Vol. 1/1
MARGE HOFACRE’S JAZZ NEWS – P-826
USA
(as “No Name Jazz Newsletter”; after Vol. 5/7
as “Marge Hofacre’s Jazz News”; after #76 as
“Marge Hofacre’s Jazz News”:)
1984: Vol. 1/1-2 (Nov-Dec)
1985: Vol. 1/3-12 (Jan-Oct); Vol. 2/1-2 (Nov-Dec)
1986: Vol. 2/3-11 (Jan-Oct); Vol. 3/1-2 (Nov-Dec)
1987: Vol. 3/3-11 (Jan-Oct); Vol. 4/1-2 (Nov-Dec/Jan)
1988: Vol. 4/3-8 (Feb-Oct); Vol. 5/1-2 (Nov-Dec/Jan)
1989: Vol. 5/3-8 (Feb-Oct/Nov); Vol. 6/1 (Dec/Jan)
1990: Vol. 6/2-6 (Feb/Mar-Oct/Nov); Vol. 7/1 (Dec/Jan)
1991: Vol. 7/2-5 (Mar/Apr-25.Sep), #62 (Dec)
1992: Vol. 8, #63-58 (Jan/Feb-Nov/Dec)
1993: Vol. 9, #69-74 (Jan/Feb-Dec)
1994: Vol. 10, #75-79 (Jan/Feb-Dec)
1995: Vol. 11, #80-84 (Mar/Apr-Nov/Dec)
1996: Vol. 12, #85-89 (Jan/Feb-Nov/Dec)
1997: Vol. 13, #90-94 (Jan/Feb-Nov/Dec)
1998: Vol. 14, #95-99 (Jan/Feb-Nov/Dec)
1999: Vol. 15, #100-102 (Mar/Apr-Winter)
2000: Vol. 16, #103-106 (Mar/Apr-Winter)
2001: Vol. 17, #107 (Spring)
MARGEN – P-901
Spain
1995: #3
1996: #6
1996/97: #8 (Winter)
1997: #10
MARKETING FOR MUSICIANS – P-611
USA
1993: #1-2 (Jul,Oct)
1994: #3 (Winter)
MASTERBAG – P-520
The News Magazine of the Independent Wholesalers
England
1982: #12 (24.Jun-7.Jul)
MATRIX – P-276
England
1956: #11/12
1958: #18-20
1959: #21-26
1960: #28-31
1961: #32-38
1962: #39-44
1963: #45-50
1964: #51-56
1965: #57-62
1966: #63-68
1967: #69-74
1968: #75-80
1969: #81-86
1970: #87-90
1971: #91-95
1972: #96-103
1973: #104-108
1974: #102-105
1975: #106-108
MAX – P-488
Germany
1993: #4-7 (Apr-Jul) [NN: Jazz Extra (Fotos aus dem JID)]
MEDIUM – P-436
Germany
1980: Vol. 10/7 (Jul) [Joachim-Ernst Berendt: Über die Zurückweisung des Möglichen. Ein Beitrag zur Debatte um den öffentlich-rechtlichen Rundfunk]
1992: Vol. 22/special [Thema: Volkstümliche Unterhaltung im Fernsehen. Wie harmlos ist die deutsche Gemütlichkeit?]
MELODIE – P-562
Czechoslovakia
1964: #2, 5, 7-12
1965: #1-2, 4-6, 8, 10-12
1966: #2, 5-7, 8-9
1970: #3 (includes supp.)
1971: #8-12
1972: #1-12
1973: #1-121974: #1-12
1975: #10, (komplett gebunden #1-12)
1977: #1-12
1978: #1-12
1979: #1-12
1980: #1-12
1981: #1-12
1982: #1-12
1983: Vol. 21 #1-9
1986. Vol. 24 #5, #6, #8-12,
1988: Vol. 26/10, 12
1989: Vol. 27/1-6, 8
1990: Vol. 28/1-2, 6-9, 10, 11-12
MELODIE – P-1126
Germany
1947: Vol. 2/1 (Jan), 5 (May), 8-9 (Aug-Sep)
1948: Vol. 3/3-5 (Mar-May), 11-12 (Nov-Dec)
1949: Vol. 4/1 (Jan), 6 (May)
MELODIE UND RHYTHMUS – P-277
East Germany / Germany
1960: Vol.04/1-24
1961: Vol.05/1-24
1962: Vol.06/1-24
1963: Vol.07/1-24
1966. Vol.10/1-24
1967: Vol.11/1-24
1968: Vol.12/1-24
1969: Vol 13/1-24
1970: Vol. 14/1-14/24
1971: Vol. 15/1-15
1972: Vol. 16/1-12
1973: Vol. 17/1-12
1974: Vol. 18/1-12
1975: Vol. 19/1-12
1976: Vol. 20/1-12
1977: Vol. 21/1-12
1978: Vol. 22/1-12
1979: Vol. 23/1-12
1980: Vol. 24/1-12
1981: Vol. 25/1-12
1982: Vol. 26/1-12
1983: Vol. 27/1-12
1984: Vol. 28/1-12
1985: Vol. 29/1-12
1986: Vol. 30/1-12
1987: Vol. 31/1-12
1988: Vol. 32/1-12
1989: Vol. 33/1-12
1990: Vol. 34/1-4, 6-12 1991: Vol. 35/1-3
2015: Jul/Aug-Nov/Dec
2016: Jan/Feb-Nov/Dec
2017: Jan/Mar-Jun/Aug
MELODIVA – P-712
Germany
(Frauen Musik Journal)
1996: 1/96 (Mar-Jun)
1998: #8 (Jan-Mar)
MELODY MAKER – P-278
England
1937: #202 (3.Apr)
1938: #246 (5.Feb), 248 (19.Feb), 251 (12.Mar)
1952: #967-968 (29.Mar-5.Apr)
1953: #1017-1023 (14.Mar-25.Apr), #1025-1037 (9.May-1.Aug), #1039-1058 (15.Aug-26.Dec)
1954: #1059-1069 (2.Jan-13.Mar), #1071-1075 (27.Mar-24.Apr), #1077-1110 (8.May-25.Dec)
1955: 1.Jan-19.Mar, 2.Apr-25.Jun, 9.Jul-31.Dec
1956: 7.Jan-11.Feb, 7.Apr-29.Dec
1957: 5.Jan-28.Dec
1958: 4.-18.Jan, 1.Feb-27.Dec
1959: 3.Jan-20.Jun, 8.Aug-10.Oct, 24.Oct-26.Dec
1960: 7.Jan-9.Apr, 23.Apr-10.Dec, 24.-31.Dec
1961: 7.Jan-18.Feb, 4.Mar-24.Jun, 8.Jul-30.Dec
1962: 13.Jan-11.Aug, 1.Sep-10.Nov, 24.Nov-8.Dec, 29.Dec
1963: 5.Jan-16.Feb, 2.-9.Mar, 6.-27.Apr, 11.May, 21.Sep, 19.Oct, 2.Nov
1964: 21.Mar, 4.Apr-26.Sep, 2.-17.Oct, 31.Oct-26.Dec
1965: 2.Jan-27.Feb, 13.-20.Mar, 3.Apr, 1.-8.May, 22.May, 5.Jun-10.Jul, 24.Jul-18.Sep, 9.Oct-20.Nov, 4.-25.Dec
1966: 25.Feb, 9.Apr-21.May, 4.-25.Jun, 9.Jul, 23.Jul, 8.-20.Aug, 17.-24.Sep, 8.Oct-5.Nov, 19.Nov, 31.Dec
1967: 14.Jan-4.Feb, 8.Apr, 22.Apr, 27.May-7.Oct, 2.-16.Dec
1968: 13.-20.Jan, 3.Feb-9.Mar, 13.Apr-1.Jun, 15.-29.Jun, 13.-27.Jul, 7.-14.Sep, 5.Oct-28.Dec
1969: 4.Jan-1.Mar, 22.Mar-12.Apr, 10.May-26.Jul, 6.Sep, 20.Sep-27.Dec
1970: 3.Jan-7.Mar, 21.Mar-26.Dec
1971: 2.Jan-13.Mar, 27.Mar-2.Oct, 16.Oct, 30.Oct-11.Dec
1972: 15.Jan-6.May, 20.May-29.Jul, 12.Aug, 2.Sep, 14.-21.Oct, 4.Nov, 25.Nov-30.Dec
1973: 6.Jan-17.Mar, 31.Mar, 14.Apr, 2.Jun, 16.Jun, 7.Jul, 25.Aug, 15.Sep,
29.Sep, 3.-10.Nov, 24.Nov
1974: 2.Feb, 23.Feb, 9.-30.Mar, 18.May-15.Jun, 29.Jun-17.Aug, 14.Sep-28.Dec
1975: 4.Jan-1.Feb, 29.Mar-5.Apr, 12.Apr-10.May, 24.May.-7.Jun, 2.Aug, 27.Sep, 29.Nov
1976: 24.-31.Jan, 6.-20.Mar, 1.-8.May, 29.May-10.Jul, 24.Jul-7.Aug, 4.Sep, 9.Oct, 13.Nov-11.Dec, Special (50 Years of Music)
1977: 8.-15.Jan, 5.Feb, 7.May, 28.May-4.Jun, 6.Aug
1978: 22.Apr
1979: 16.Jun
1982: 24.Jul, 16.Oct-18.Dec
1983: 1.Jan-17.Dec
1984: 7.Jan-9.Jun, 28.Jul-8.Dec
1985: 5.-12.Jan, 26.Jan-7.Dec, 21./28.Dec
1986: 4.Jan-1.Mar, 22.Mar-19.Apr, 3.May-14.Jun, 28.Jun-11.Oct, 8.Nov-27.Dec
1987: 3.Jan-4.Apr, 26.Apr, 21.Jun, 25.Oct-1.Nov, 14.Dec
1992: 25.Jan, 16.May, 8.Aug, 26.Sep, 5.Dec
MELODY MAKER YEARBOOK – P-279
England
1969
1971
MELOS – P-280
Germany
1947: Vol. 14/5 (Mar) [Joachim-Ernst Berendt: Vom Choral zum Swing]
1949: Vol. 16/12 (Dec) [Joachim-Ernst Berendt: Das Radio oder die Musik]
1951: Vol. 18/3 (Mar) [Joachim-Ernst Berendt: Americana]
1952: Vol. 19/4 (Apr) [Special issue on jazz; articles by Sidney Finckelstein, Joachim-Ernst Berendt, Olaf Hudtwalker, Peter S. Bopp, Kurt Westphal]; Vol. 19/7 (Jun/Jul) [Joachim-Ernst Berendt: Salon du Jazz]
1954: Vol. 21/2 (Feb) [Walter Harth: Ein Kompendium der Jazzmusik (book review on Berendt’s Jazzbuch)]
1955: Vol. 22/11 (Nov) [G.W.B.: Ein Jahr in Jazz]
1967: Vol. 34/10 (Oct) [Joachim-Ernst Berendt: Free Jazz – der neue Jazz der sechziger Jahre]
1970: Vol. 37/10 (Oct)
1974: Vol. 41/2 (Mar/Apr) [Joachim-Ernst Berendt: Der neue Jazz der siebziger Jahre]
1984: Vol. 46/3 [kein Jazzgehalt]
MEMORY LANE – P-814
England
1969: Vol.2 #1-4 (Febr., Mai, Aug., Nov.)
1970: Vol.2 #2-4 (Febr, Mai, Aug)
1971: Vol.3 #2 (Febr)
1971/2: Vol.3 #3&4 kombiniert (Winter)
1972: Vol.4 #1-31974: Vol.6 #24
1975: Vol.7 #25 bis #32
1977: Vol.9 #33 bis #36
1977/8 Vol.10 #37 bis #40
1978/9 Vol.11 #41 bis #45
1980: Vol.12 #46 bis #48
1980/1 Vol.13 #49 bis #52
1981/2 Vol.14 #53 bis #56
1982/3 Vol.15 #57 bis #60
1983. Vol.16 #4
1984: #62 bis #65 (Spring – Autumn)
1985: #66 bis #69 (Spring – Autumn)
1986: #70 bis #73 (Spring – Autumn)
1987: #74, #75, #77 (#76 fehlt)
1988: #78 bis #80
1989: #81 Spring, #82 Summer
1990: #85, #87, #88 (#86 fehlt)
1991: #89 bis #92
1992: #94 (Summer)
1993: #98, #99, #100 (Winter)
1994: #102, #103, #104
1995: #105 bis #108 (Winter)
1996: #109, #110, #112 (#108 fehlt)
1997: #113-116 (Spring-Winter)
1998: #117-121 (Spring-Winter)
1999: #122-125 (Spring-Winter)
2000: #126-129 (Spring-Winter)
2001: #130-133 (Spring-Winter)
2002: #134-137 (Spring-Winter)
2003: #138-141 (Spring-Winter)
2004: #142-145 (Spring-Winter)
2005: #146-149 (Spring-Winter)
2006: #150-153 (Spring-Winter)
2007: #154-157 (Spring-Winter)
2008: #158-161 (Spring-Winter)
2009: #162-165 (Spring-Winter)
2010: #166-169 (Spring-Winter)
2011: #170-173 (Spring-Winter)
2012: #174-177 (Spring-Winter)
2013: #178-181 (Spring-Winter)
2014: #182-185 (Spring- Winter)
2015: #186-189 (Spring-Winter)
2016: #190-193 (Spring-Winter)
2017: #194-195 (Spring-Summer)
MEMORY MAIL – P-884
England
1973: #35 (Nov)
MERIAN – P-439
Germany
1979: Vol. 32/2 (Feb)
MERKUR – P-281
Deutsche Zeitschrift für Europäisches Denken
Germany
1952: Vol. 6/2 (#48) [Joachim-Ernst Berendt: Vom “schwarzen” Amerika]
1953: Vol. 7/9 (#67) [Joachim-Ernst Berendt: Theodor W. Adorno – Für und wider den Jazz]
1964: Vol. 18/4 (#194) [Joachim-Ernst Berendt: Nekrolog auf die Jazzliteratur]
METIER, Le – P-282
France
1969: #15 (Jul) [Philippe Paringaux: Interview de George Wein, maitre de Newport]
METRONOME – P-283
USA
1936: Vol. 52/10 (Oct)
1937: Vol. 53/5 (May); 54/6 (Jun), 8 (Aug)
1939: Vol. (56)/9 (Sep)
1940: Vol. (57)/6 (Jun)
1941: Vol. (58)/3 (Mar), 5 (May), 12 (Dec)
1944: Vol. (61)/8, (62)/11-12
1945: Vol. (62)/1 (Jan), 5-6 (May-Jun), 8-10, (63)/11-12
1946: Vol. (64)/1-10, 12
1947: Vol. 63/1-12
1948: Vol. 64/1-3, 5-12
1949: Vol. 65/1-12
1950: Vol. 66/1-11 (complete)
1951: Vol. 67/1-12
1952: Vol. 58/1-12
1953: Vol. 69/1-12
1954: Vol. 70/1-12
1955: Vol. 71/1-12
1956: Vol. 72/1-12
1957: Vol. 74/1-8, 10-11
1958: Vol. 75/1-12
1959: Vol. 76/1-10, 12
1960: Vol. 77/6-12
1961: Vol. 78/1-12
METRONOME YEARBOOK, The – P-284
USA
1950
1951
1953
1954
1955
1956
1957
1958
1959
MI – Músicas improvisadas – P-956
Spain
1995: #4-6
MICROGRAPHY – P-285
Netherlands
1969: #1-7
1970: #8-11
1971: #12-16
1972: #17-22
1973: #23-29
1974: #30-34
1975: #35-38
1976: #39-42
1977: #43-45
1978: #46-49
1979: #50-51
1980: #52-54
1981: #55-57
1982: #58-60
1983: #61-63
1984: #63-66
1985: #67-68
1986: #69-71
1987: #72-73
1988: #74-76
MISSISSIPPI COAST SOCIETY NEWSLETTER – P-681
USA
1978: 20.Apr
MISSISSIPPI RAG – P-286
The Voice of Traditional Jazz and Ragtime
USA
1973: Nov
1974: Feb, Sept,
1975: Apr,Jun,Sep,Dec
1977: Jun,Aug,Nov
1978: Apr,Jul,Dec
1979: Jan,Feb,Apr
1980: Dec
1981: May-Jun,Sep,Dec
1982: Jan
1983: Oct-Dec
1984: Jan
1985: Jan-Mar,Jun,Nov
1986: Feb,May,Dec
1987: Nov
1988: Jan,May-Jun,Nov,Dec
1989: Feb,Jun
1990: Jan,May
1991: Jun,Aug-Dec
1992: Jan-Dec
1993: Jan-Dec
1994: Jan-Dec
1995: Jan-Dec
1996: Jan-Dec
1997: Jan-Dec
1998: Jan-Dec
1999: Jan-Dec
2000: Jan-Dec
2001: Jan-Dec
2002: Jan-Dec
2003: Jan-Dec
2004: Jan-Dec
2005: Jan-Dec
2006: Jan-Oct
MITTEILUNGSBLATT DER DEUTSCHEN JAZZ-FÖDERATION – P-820
Germany
1952: Apr, #4 (Jun)
MODERN DRUMMER – P-287
USA
1977: Vol. 1/1-4 (Jan-Oct)
1978: Vol. 2/1 (Jan), 3 (Jul)
1979: Vol. 3/1-2 (Jan/Feb-Mar/Apr), 6 (Dec/Jan)
1980: Vol. 4/1-5 (Feb/Mar-Oct/Nov)
1981: Vol. 5/2-4 (Apr-Jun)
1982: Vol. 6/5 (Jul), 7 (Oct)
1983: Vol. 7/3 (Mar), 5-6 (May-Jun), 12 (Dec)
1984: Vol. 8/1 (Jan), 6 (Jun)
1985: Vol. 9/3-5,7-10,12 (Mar-May,Jul-Oct,Dec
1986: Vol. 10/1-7,9-12 (Jan-Jul, Sep-Dec)
1987: Vol. 11/6-7 (Jun-Jul), 9 (Sep), 10-11 (Oct-Nov)
1988: Vol. 12/1, 3-5, 8, 10-12 (Jan,Mar-May,Aug, Oct-Dec)
1989: Vol. 13/1-12 (Jan-Dec)
1990: Vol. 14/1-2,5-9,11-12 (Jan-Feb,May-Sep,Nov-Dec)
1991: Vol. 15/1-12 (Jan-Dec)
1992: Vol. 16/1-12 (Jan-Dec)
1993: Vol. 17/1-12 (Jan-Dec)
1994: Vol. 18/1-12 (Jan-Dec)
1995: Vol. 19/1-12 (Jan-Dec)
1996: Vol. 20/1,3-12 (Jan,Mar-Dec)
1997: Vol. 21/1-12 (Jan-Dec)
1998: Vol. 22/1-12 (Jan-Dec)
1999: Vol. 23/1-12 (Jan-Dec)
2000: Vol. 24/1-12 (Jan-Dec)
2001: Vol. 25/1-12 (Jan-Dec)
2002: Vol. 26/1-12 (Jan-Dec)
2003: Vol. 27/1-12 (Jan-Dec)
2004: Vol. 28/1-12 (Jan-Dec)
2005: Vol. 29/1-12 (Jan-Dec)
2006: Vol. 30/1-12 (Jan-Dec)
2007: Vol. 31/1-11 (Jan-Dec)
2008: Vol. 32/1-9 (Jan-Sep)
MODERN JAZZ BREDA – P-288
Netherlands
1974/75: Vol. 2/3
1977: Vol. 4/4-5
1978/79: Vol. 5/1, 5-6
MODERN KEYBOARD REVIEW – P-647
USA
1970: Vol. 2/6 (Sep)
DER MONAT – P-772
Germany
1963: Vol.15/179 (Aug) [Norbert Muhlen: Die schwarzen Amerikaner]
MONDE DE LA MUSIQUE, Le – P-487
France
1979: #12 (Jun)
1980: #23-26 (May-Sep), 28 (Nov)
1982: #43 (Mar)
1984: #64 (Feb)
MONITOR – P-985
Portugal
1994: Vol. 2/3-4 (Aug-Sep)
MONK MINK PINK PUNK – P-863
USA
1997: #4 (Summer)
MOUNTAIN FOLD – P-1142
Australia
2010: Vol.2/1
MUMBO JUMBO – P-936
3D Family’s News Letter
2000: #2 (Nov)
2001: #3 (Sep)
2002/2003: #4 (Nov)
MÜNCHNER JAZZ NACHRICHTEN – P-289
Germany
1974: Vol. 3/1 (Jan), 11 (Nov)
1975: Vol. 4/3 (Mar), 5 (May), 9 (Sep)
1976: Vol. 5/1-4 (Jan-Apr)
MULLIGAN’S INTERNATIONAL STEW – P-730
France
1994: Mar,Jun,Sep,Dec
1995: Jun
1996: Dec/Jun
MUSIC (Magazine International du Jazz / Le Magazine du Jazz) – P-927
Belgium
1933: Vol. 9/88 (Jan), 90-92 (Mar-May) [covers missing]
1934: Vol. 10/101-106/107 (Feb-Jul/Aug)
1935: Vol. 11/114 (Mar), 118 (Jul) [cover missing], 121 (Oct) [cover only], 122 (Nov) [cover missing]
1936: Vol. 12/124 (Jan) [cover missing], 125 (Feb) [cover only]; 132-133 (Sep-Oct)
1937: Vol. 13/136 (Jan), 139 (Apr), 141-147 (Jun-Dec)
1938: Vol. 14/148-149 (Jan-Feb), 151-158/159 (Apr-Nov/Dec)
1939: Vol. 15/161(Feb),165 (Jun) [cover only], 166/167-168-171 (Jul/Aug-Sep/Dec)
MUSIC – P-920
Le magasine du Jazz
France
1939: Vol 15/166/167 (Jun/Jul)
MUSIC – P-546
Das Shopping Magazin
Germany
1989/90: Winter
MUSIC AMERICA MAGAZINE – P-430
(USA)
1976: Vol. 1/2-3 (Nov-Dec)
1977: Vol. 1/4-7 (Jan-May/Jun)
MUSIC AND RHYTHM – P-630
USA
1941: Vol. 2/13 (Dec)
1942: Vol. 3/8 (Aug)
MUSIC BOX, The – P-290
A Journal of Independent Reviews of Jazz and Classical Music
USA
1991: Vol. 1/1-5 (Mar/Apr-Nov/Dec)
1992: Vol. 1/6 (Jan/Feb)
MUSICCLUB – P-632
I Ritmi del Messico
Italy
1994: #31, 33-34
MUSIC IN SWEDEN – P-291
Sweden
1979: #2 (May) [special jazz issue]
MUSIC MAGAZINE, the – P-969
Musical Courier
USA
1961: Nov
MUSIC MAKER – P-941
Australia
1967: Vol. 35/9 (Feb)
1972: Vol. 41/11 (Apr)
MUSIC MAKER – P-292
England
1966: Vol. 1/1-4 (Sep-Dec)
1967: Vol. 1/6-12 (Feb-Aug); Vol. 2/1-4 (Sep-Dec)
1968: Vol. 2/5-6 (Jan-Feb)
MUSIC MAKER (THE) – P-665
USA
1969: Vol. 37 (Apr)
MUSIC MANAGEMENT – P-508
The Magazine Behind the Business News
USA
1983: #1 (May/Jun)
MUSIC MEMORIES AND JAZZ REPORT – P-621
covering all phases of music collecting
USA
1963: Vol. 3/5-6 (Fall,Winter)
1964: Vol. 4/1-2 (Spring,Summer)
1965: Vol. 4/3 (Spring)
MUSIC PERCEPTION – P-991
an interdisciplinary journal
USA
2002: Vol. 19/3 (Spring)
MUSIC SCENE – P-293
Germany (Berlin)
1979: Mar
1980: May
1982: Jul, Sep-Dec
1983: Jan, Apr-Jun, Nov-Dec
1984: Feb-Apr, Nov-Dec
1985: Mar-Apr, Jun-Jul, Nov
1986: Feb, May, Nov-Dec/Jan
1987: Jul
MUSIC SCENE – P-514
Switzerland
1972: 23.Nov
1972: 1.Feb-15.Feb, 4.May; #1-13
1980: #15 (Oct)
1983: #10 (Oct)
MUSIC TODAY – P-294
Italy
1986: Vol. 1/1 (Nov)
1987: Vol. 2/3 (Jun)
1988: Vol. 3/5-6
MUSICA – P-295
Germany
1951: Vol. 5/12 (Dec) [Joachim-Ernst Berendt:Von Musikern und Musikanten]
1963: Vol. 17/5 (Sep/Oct) [Joachim-Ernst Berendt: Musik im Fernsehen]
MUSICA JAZZ – P-296
Italy
1964: Vol. 20/1 (#203)
1966: Vol. 22/1-12 (#225-235) [Pecherstorfer]
1967: Vol. 23/1-12 (#236-246)
1968: Vol. 24/1-12 (#247-257)
1969: Vol. 25/1-12 (#258-268)
1970: Vol. 26/1-12 (#269-279)
1971: Vol. 27/1-6,8/9 (#280-285, 287)
1972: Vol. 28/3 (#293)
1973: Vol. 29/12 (#307,#312)
1974: Vol. 30/4 (#316), 30/10 (#321)
1975: Vol. 31/1 (#324), 31/6 (Jun), 31/10-12 (Oct-Dec)
1976: Vol. 32/1-2, 4-12
1977: Vol. 33/1-12 (#346-356)
1978: Vol. 34/1-12 (#357-367)
1979: Vol. 35/1-12 (#368-378)
1980: Vol. 36/1-12 (#379-389)
1981: Vol. 37/1-12 (#390-400)
1982: Vol. 38/1-12
1983: Vol. 39/1-12
1984: Vol. 40/1-12
1985: Vol. 41/1-12
1986: Vol. 42/1-12
1987: Vol. 43/1-12
1988: Vol. 44/1-12
1989: Vol. 45/1-12
1990: Vol. 46/1-12
1991: Vol. 47/1-12
1992: Vol. 48/1-11 [Dec fehlt]
1993: Vol. 49/1-10,12 [Nov fehlt]
1994: Vol. 50/1-12
1995: Vol. 51/1-12
1996: Vol. 52/1-12
1997: Vol. 53/1-12
1998: Vol. 54/1-12
1999: Vol. 55/1-12
2000: Vol. 56/1-12
2001: Vol. 57/1-12
2002: Vol. 58/1-12
2003: Vol. 59/1-3 (Jan-Mar)
2004: Vol. 60/1-4 (Jan-Apr), 60/6-8/9 (Jun-Aug/Sep), 60/11-12 (Nov-Dec)
2005: Vol. 61/1-12
2006: Vol. 62/3-4 (Mar-Apr)
2009: Vol. 65/3-8,10-12 (Mar-Aug, Oct-Dec) [Musica Jazz speciale suppl.8/9]
2010: Vol. 66/1-12 (Feb-Dec) [Musica Jazz „Speciale Latin“]
2011: Vol. 67/1-12
2012: Vol. 68/1-12
2013: Vol. 69/1-10 (Jan-Oct)2014: Vol. 70/3 (Mar)
MUSICA NEWS – P-742
Italy
1996: #4 (Jazz in Regia)
MUSICA OGGI – P-787
Italy
1997: #17
1998: #18
1999: #19
2000: #20
2001: #21
2002: #22
2003/04: #23
2005/06: #24
MUSICA VIVA – P-537
Italy
1978: Vol. 2/6-7 (Jul-Aug)
1979: Vol. 3/1 (Jan)
MUSICAL – P-774
France
1987: #4 (Jun)
MUSICAL COURIER – P-297
USA
1925: Vol. 90/7 (12.Feb)
1925: Vol. 90/10 (30.Apr), 17-20 (23.Apr-14.May), 22-23 (28.May-4.Jun), 25 (18.Jun); Vol. 91/15-16 (8.Oct-15.Oct), 21-22 (19.Nov-26.Nov), 25 (17.Dec)
1926: Vol. 92/5 (4.Feb), 7 (18.Feb), 15 (15.Apr)
1931: Vol. 103/13 (26.Sep), 18 (31.Oct), 22 (28.Nov)
1935: Vol. 111/10 (9.Nov)
MUSICAL DENMARK – P-298
Danmark
1978/79: #30
1979/80: #31
1980/81: #32
1981/82: #33
1982/83: #34
1983/84: #35
1985: #36
1986: #37
1987: #38
1988: #39 [Paul Brasso: Danish Rock and Jazz for Export]
1989: #40-41
1990: #42-43
1991: #44-45
1992: #46
1994: #48
MUSICAL OBSERVER, The – P-299
USA
1922: Vol. 21/10 (Oct)
1923: Vol. 22/11 (Nov)
1924: Vol. 23/5-6 (May-Jun), 9 (Sep), 12 (Dec)
1925: Vol. 24/1 (Jan), 7 (Jul)
1926: Vol. 25/8 (Aug)
1927: Vol. 26/1 (Jan), 9 (Sep), 11 (Nov)
1928: Vol. 27/1 (Jan), 3(Mar), 5 (May)
1929: Vol. 27/4
MUSICHE PRIMAVERA – P-300
Italy
1988: #1 (Mar)
1989: #5 (Summer), 6 (Fall/Winter)
1990: #7-8 (Spring-Fall)
1991: #9-11 (Spring-Winter)
1992: #12-13 (Spring-Fall)
1993: #14 (Spring)
1994: #15-16 (Spring-Fall)
1996: #17-18 (Spring)1997: #18
MUSICIAN – P-301
USA
1977: Vol. 1/8-9 (15.Sep-15.Dec)
1978: Vol. 1/10-15 (15.Dec.1977-Dec.1978)
1979: #16-21 (Feb-Nov)
1980: #22-29 (Jan-Dec)
1981: #30-38 (Feb-Dec)
1982: #39-50 (Jan-Dec)
1983: #51-62 (Jan-Dec)
1984: #63-74 (Jan-Dec)
1985: #75-86 (Jan-Dec)
1986: #87-98 (Jan-Dec)
1987: #99-110 (Jan-Dec)
1988: #111-122 (Jan-Dec)
1989: #123-134 (Jan-Dec)
1990: #135-146 (Jan-Dec)
1991: #147-150 (Jan-Apr)
MUSICS – P-469
England
1975: #2 (Juni/Juli), #4 (Okt/Nov)
1977: #15 (Dec)
1978: #16-20 (Feb, May, Jul, Sep, Dec)
1979: #21-23 (Mar, Jun, Nov)
MUSICWORKS – P-642
The Journal of Sound Exploration
Canada
1993: #55
1994: #58-60; Index to #1-59
1995: #61
DIE MUSIK – P-757
Germany
1903: Vol. 2/10 (Feb), 12 (Mar); Vol. ¾ (Nov)
1928: Vol. 20/10 (Jul)
1929: Vol. 21
1932: Vol. 25/2 (Nov)
MUSIKFORUM – P-827
Germany
(Ab 2004 fortgeführt als vierteljähl. Zeitung)
1998: #88-89 (Jun,Dec)
1999: #90-91 (Jun,Dec) + Bibliographie 1965-1998
2000: #92-93 (Jun,Dec)
2001: #94-95 (Jun,Dec)
2002: #96
2004: Vol. 2/2-4 (Apr/Jun-Oct/Dec)
2005: Vol. 3/1-4 (Jan/Mar-Oct/Dec)
2006: Vol. 4/1-4 (Jan/Mar-Oct/Dec)
2007: Vol. 5/1-4 (Jan/Mar-Oct/Dec)
2008: Vol. 6/1-4 (Jan/Mar-Oct/Dec)
2009: Vol. 7/1-4 (Jan/Mar-Oct/Dec) + Sonderheft “Richard Jacoby” (Oktober)
2010: Vol. 8/1-4 (Jan/Mar-Oct/Dec)
2011: Vol. 9/1-4 (Jan/Mar-Oct/Dec)
2012: Vol. 10/1-4 (Jan/Mar-Oct/Dec)
2013: Vol. 11/1-4 (Jan/Mar-Oct/Dec)
2014: Vol. 12/1-4 (Jan/Mar-Oct-Dec)
2015: Vol. 13/1-4 (Jan/Mar-Oct/Dec)
2016: Vol. 14/1-4 (Jan/Mar-Oct/Dec)
2017: Vol. 15/1
MUSIK IN SCHWEDEN – P-302
Sweden
1979: #2 (May) [special issue on jazz; English and German language issues]
1984: Jun [special issue: “Jazz & Improvisierte Musik”; English and German language issues]
MUSIKNYTT – P-785
(Dans och Konsert)
Sweden
1937: Jul-Aug, Nov-Dec
1938: Jan-Feb, Apr, Jul
MUSIKREVUE – P-1101
Jazz Pop Klassik
Denmark
1957: Vol. 4/9 (Nov)
MUSIKTEXTE – P-1006
(Zeitschrift für neue Musik)
Germany
2003: #99 (Dec)
MUSIK UND BILDUNG – P-303
Germany
1983: Vol. 15/3 (Mar) [special on jazz education in school and university]
1994: Vol. 26/1 (Jan/Feb) [special on jazz education]
1996: Vol. 5 (Sep/Oct)
MUSIK UND GESUNDSEIN – P-945
Halbjahreszeitung für Musik und Therapie, Medizin und Beratung
Germany
2001: #1
MUSIK UND KIRCHE – P-304
Germany
1962: Vol. 32/3 (May/Jun) [Herbert Haag: Jazzgottesdienst?]
1963: Vol. 33/1 (Jan/Feb) [review of Erhard Kayser’s book Mahalia Jackson]
1965: Vol. 35/3 (May/Jun) [review of Joachim-Ernst Berendt’s essay “Ekstase im Gottesdienst – Das Spiritual in seiner und in unserer Welt”]
MUSIK UND LEBEN – P-1115
Germany
1959: #7 (Jul)
MUSIK UND MEDIZIN – P-435
Germany
1977: #1-2 (Jan-Feb) [Joachim-Ernst Berendt: Jazz und die Neue Religiosität. Wo der Gebetsteppich ausgebreitet wird]
MUSIK & THEATER – P-530
Die aktuelle schweizerische Kulturzeitschrift
Switzerland
1983: #10 (Oct)
MUSIKBLATT – P-519
Germany
1981: Vol. 8/62 (Feb)
1984: Vol. 11/98 (Oct)
MUSIKBLÄTTER DES ANBRUCHS – P-305
Germany
1925: Vol. 7/4 [special jazz issue]
MUSIKBULLETIN – P-306
Poland
1974: #6/7
MUSIKER -P-1166
Fachzeitschrift für Popmusiker
1999: #4
MUSIKER MUSIC NEWS – P-555
Germany
1981: #1 (Jan)
MUSIKERN – P-307
Sweden
1985: #11
1987: #2-3, 5-7
1988: #1-2, 5-7, 10-11
1989: #1-5, 10-12
1990: #2-7, 11-12
1991: #1, 3-12
1992: #1-12
1993: #1-5, 8/9-10
1994: #1-8/9
1995: #1
MUSIKERTREFF – P-536
Germany
1980: Jul
1981: Feb
1982: Feb
MUSIKMARKT, Der – P-308
Germany
1959: Vol. 1/3 (Sep) [Joachim-Ernst Berendt: Die Situation des Jazz in Deutschland 1959]
1968: Vol. 10/10 (Oct)
MUSIKREVY – P-309
Nordisk Tidskript för Musik och Grammofon
Sweden
1959: Vol. 14/3 [Olle Helander: Schwedischer Jazz]
MUSIKSZENE – P-310
Germany
1984: Vol. 3/2 (Feb), 3/7-8 (Jul/Aug), 10 (Oct) [no jazz content]
MUSIKTIDNINGEN – P-311
Sweden
1974: Vol. 2/3 [Erik Centerwall: Han spelar för att p†minna oss im v†r mänsklighet (on Red Mitchell)]
MUSIQUE EN QUESTIONS – P-312
France
1983: #5 (Mar/Apr) [special jazz issue]
MUZIEK & BEELD INFO – P-534
Netherlands
1984: #8 (22.Feb), #10 (7.Mar), #13
(28.Mar)
MUZIEK & DANS – P-313
Netherlands
1988: #3 (Apr) [Frits Lagerwerff: Swingt er nog iets in het pluche? Frits Lagerwerff over jazz en pop in het Concertgebouw]
MUZIEK EXPRES – P-804
Netherlands
1957: Vol. 2/19 (Jul)
1958: Vol. 3/28-36 (April-Dec)
1959: Vol. 4/38-42 (Feb-Jun), 44 (Aug)
MUZIEKKRANT – P-510
Netherlands
1983: #17 (Jan-Mar)
NAJE NEWSLETTER – P-314
USA
1986: Jul
NAMES & NUMBERS – P-831
Netherlands
1985: #1 (Apr), 2 (Sep)
1986: #3-5 (Jan-Sep)
1987: #6 (Jan)
1998: #7 (Oct)
1999: #8,9-11 (Jan,Mar,Jun,Sep)
2000: #12-15 (Jan,Apr,Jul,Oct)
2001: #16-19 (Jan,Apr,Jul,Oct)
2002: #20-23 (Jan,Apr,Jul,Oct)
INDEX OF MUSICIANS ISSUES 1-25
2003: #24-27 (Jan,Apr,Jul,Oct)
2004: #28-31 (Jan,Apr,Jul,Oct)
2005: #32-35 (Jan,Apr,Jul,Oct)
2006: #36-39 (Jan,Apr,Jul,Oct)CONTENTS OF ISSUES 31-40
2007: #40-43 (Jan,Apr,Jul,Oct)
2008: #44-47 (Jan,Apr,Jul,Oct)
2009: #48-51 (Jan,Apr,Jul,Oct)
2010: #52-54 (Jan,Apr,Jul,Oct)
2011: #55-59 (Jan,Apr,Jul,Oct)
2012: #60-63 (Jan,Apr,Jul,Oct)
2013: #65-67 (Apr,Jul,Oct)
2014: #68-71 (Jan,Apr,Jul,Oct)
2015: #72-75 (Jan,Apr,Jul,Oct)
2016: #76-78 (Jan,Apr,Jul)
NATIONAL JAZZ FOUNDATION ARCHIVE NEWSLETTER – P-724
England
1996: #1-2 (Spring,Autumn)
1997: #3-4 (Spring,Autumn)
1998: #5-6 (Spring,Autumn)
1999: #7 (Summer)
2000: #8 Summer)
2001: #10 (Summer); forgeführt als “National Jazz Archive Newsletter)
2002: #10 (Summer)
Neděle – P-1113
CSSR
1968: Dec
NEDERLANDS JAZZ ARCHIEF BULLETIN (NJA Bulletin) – P-315
Netherlands
1991: #1 (Sep), #2 (Dec)
1992: #3 (Mar), #4 (Jun), #5 (Sep), #6 (Dec)
1993: #7 (Mar), #8 (Jun), #9 (Sep), #10 (Dec)
1994: #11 (Mar), #12 (Jun), 13 (Sep), 14 (Dec)
Index Nr. 1-12
1995: #15-18 (Mar,Jun,Sep,Dec); suppl.
1996: #19-22 (Mar,Jun,Sep,Dec)
1997: #23-26 (Mar,Jun,Sep,Dec); Index #1-24
1998: #27-30 (Mar,Jun,Sep,Dec); Index #25-28
1999: #31-34 (Mar,Jun,Sep,Dec); Index #29-32
2000: #35-38 (Mar,Jun,Sep,Dec); Index #33-36
2001: #39-42 (Mar,Jun,Sep,Dec); Index #37-40
2002: #43-46 (Mar,Jun,Sep,Dec); Index #41-44
2003: #47-50 (Mar,Jun,Sep,Dec); Index # 1-48
2004: #51-54 (Mar,Jun,Sep,Dec)
2005: #55-57 (Mar,Jun,Oct) [changes name to
“Jazz Bulletin” with no. 58]
2006: #58-61 (Jan,Apr,Jul,Oct)
2007: #62-65 (Jan,Apr,Jul,Oct)
2008: #66-69 (Jan,Apr,Jul,Oct)
2009: #70-73 (Jan,Apr,Jul,Oct)
2010: #74-77 (Jan,Apr,Jul,Oct)
2011: #78-81 (Mar,Jun,Sep,Dec)
2012: #82-84 (Mar,Jun,Sep) (Dec fehlt)
2013: #86-89 (Mar,Jun,Sep,Dec)
2014: #90-93 (Mar,Jun,Sep,Dec)
2015: #94-97 (Mar,Jun,Sep,Dec)
2016: #98-101 (Mar,Jun,Sep,Dec)
2017: #102-103 (Mar,Jun)
NDR MAGAZIN – P-316
Germany
1990: Apr [Michael Naura: King of Swing (Benny Goodman)]
NEEDLE, The – P-640
Record Collectors’ Guide
USA
1944: Jun-Jul,Oct-Dec
1945: Vol. 2/1
NEEDLE TIME – P-317
England
1985: #1 (Nov/Dec)
1986: #2-7 (Jan,Mar,May,Jul,Sep,Nov)
1987: #8-13 (Jan,Mar,May,Jul,Sep,Nov)
1988: #14-19 (Jan-Nov)
1989: #20-21,23 (Jan-Mar, Jul)
1990: #26, 28-30 (Jan, May-Sep)
NEROSUBIANCO – P-727-
SISMA – Società Italiana della Musica Afroamericana
Italy
1994: Vol. 2/3 (Apr)
NETWORK, The – P-318
(Stan Kenton Newletter)
USA
1985: 3.Oct
1986: 30.Jan; #1-2 (15.Jul-30.Oct)
1987: #3-6 (Feb-15.Nov)
1988: #7-9 (15.Feb-15.Nov)
1989: #10-11 (1.May-15.Dec)
1990: #12 (20.Nov)
1991: #13 (21.Jul)
1992: #14-15 (Feb, 31.Jul)
1993: #16-17 (28.Feb, Sep)
1994: #18-19 (Mar, Aug/Sep)
1995: #20-21 (Jan/Feb-Aug/Sep)
1996: #22 (Jun/Jul)
1997: #23 (Aug/Sep)
1998: #24 (Nov/Dec)
2000: #25 (Fall)
NEUE MUSIKZEITUNG (NMZ) – P-674
Germany
1995: 44/3 (Jun/Jul)
2000: 49/9 (Sep)
2002: 51/11 (Nov)
2003: 52/11 (Nov)
2007: 56/1 (Feb/Mar); 56/6
2008: Beilage “Netzwerk Neue Musik, 1’33“ (Feb), 2’33“ (Oct)
2009: Beilage “Netzwerk Neue Musik, 3’33“ (Feb), 4’33“ (Sep)
2010: 59/11 (Nov)
2010: Beilage „Netzwerk Neue Musik“ 5’33’ (May), 59/11 (Nov)
2011: Beilage „Netzwerk Neue Musik“, 6’33 (May)
2014: 63/12
2015: 64/1, 4 (Dec/Jan, Apr)2017: 66/4 (Apr)
DAS NEUE PODIUM – P-1024
Germany
1946: Vol. 1/2 (25.Mar)
NEUE ZEITSCHRIFT FÜR MUSIK (NZ) – P-319
Germany
1979: #1 (Jan/Feb), 3 (May/Jun), 5 (Sep/Oct)
1980: #1 (Jan)
1981: #3 (May/Jun), 5-6 (Sep/Oct-Nov/Dec), Inhaltsverzeichnis
1982: #1 (Jan), 5 (May)
1983: #10 (Oct)
1984: #9 (Sep)
1985: #10 (Oct)
1989: #7/8 (Jul/Aug)
1990: #7/8 (Jul/Aug), 9 (Sep), 10 (Oct)
1991: #1 (Jan), 5 (May), 6 (Jun)
1992: #7/8 (Jul/Aug), 11 (Nov), 12 (Dec)
1993: #1 (Jan), 9 (Sep)
1994: #1 (Jan), 3 (May), 5 (Sep)
1997: #1 (Jan-Feb)
1998: #1-3 (Jan/Feb-May/Jun), 6 (Nov/Dec)
1999: #3-4 (May/Jun-Jul/Aug)
2000: #3 (May/Jun)
2001: #6 (Nov/Dec)
2011: #4 (Jul/Aug)
2015: #1 (Jan)
NEW AMBEROLA GRAPHIC, THE – P-1065
(USA)
Vol. 28/4
NEW BOURBON STREET JAZZ SOCIETY – P-680
USA
1973: May
1974: Apr
1978: Feb
NEW DEPARTURES – P-320
England
1962: #4 [Jazz & Poetry Special]
NEW ORLEANS JAZZ CLUB OF CALIFORNIA – P-663
USA
1963: Jun,Sep-Dec
1964: Jan-Apr,28.Aug,Sep,Oct
1965: Feb,Mar,Apr,29.Apr
NEW ORLEANS JAZZ – NATIONAL HISTORICAL PARK – P-738
USA
1996: Vol. 1/2 (Dec)
1997: Vol. 1/4 (Dec)
NEW ORLEANS JAZZ RECORD SOCIETY – P-649
USA
????: Index of Jazz + Supplements:
1966: #1 (Nov)
1968: #3-4 (Jul, Dec)
1969: #5-6 (Jun, Dec)
1970: #2 (Feb)
1971: #7
THE NEW YORK CITY JAZZ RECORD -P-995
[formerly “All About Jazz, New York”]
USA, New York
2002: #1-8 (May-Dec)
2003: #9-20 (Jan-Dec)
2004: #21-29 (Jan-Sep)
2005: #41(Sep)
2006: #45-56 (Jan-Dec)
2007: #57-68 (Jan-Dec)
2008: #70-80 (Feb-Dec)
2009: #81-92 (Jan-Dec)
2010: #93-104 (Jan-Dec)
2011: #105-106 (Jan-Feb) [last issue under this name. new name: The New York City Jazz Record]
2011: #107-116 (Mar-Dec)
2012: #117-128 (Jan-Dec)
2013: #129-140 (Jan-Dec)
2014: #141-152 (Jan-Dec)
2015: #153-164 (Jan-Dec)
2016: #165-177 (Jan-Dec)
2017: #178-184 (Jan-Aug)
[kein Re-Abo, da Zeitschrift komplett online als PDF-Download verfügbar]
NEW YORKER, The – P-583
USA
1966: 11.Jun. [Whitney Balliett: Our Footloose Correspondents, Mecca, LA. über New Orleans damals und heute]
1996: Jan-Dez
1997: Jan-Dez
1998: Jan-Dez
1999: Jan-Dez
2000: Jan-Dez
2001: Jan-Feb
NEWSLETTER – JASS, INCORPORATED – P-666
Minneapolis/MN
USA
1963: Vol. 1/1-2 (May/Jun, Jul/Aug)
1964: Vol. 2/1-2 (Jan/Feb-Mar/Apr)
1965: Vol. 3/1 (Jan/Feb)
1967: Vol. 6/2-3 (May/Jun, Nov/Dec)
1968: Vol. 7/1-2 (Feb/Mar, 23.Jul)
1969: Vol. 9/2 (May/Jun)
1970: Vol. 10/1 (Jun/Jul)
NIT & WIT – P-321
USA
1987: Vol. 8/2 (Apr) [photo of Herbie Hancock; record review of a release by Richard Pierce Milner]
NITE LITES (THE) – P-667
USA
1968: Vol. 1/4 (May)
NJCB-REPORT – P-1041
(Mitteilungen des New Jazz-Circle Berlin e.V.)
Germany
1958: Vol.3/5 (May)
NJSO JOURNAL – P-322
USA
1990: Vol. 1/4 (Fall)
1991: Vol. 2/2-3 (Spring-Summer)
1992: Vol. 3/2
1993: Vol. 4/3
1995: Fall
NOISE GATE – P-864
England
1996: #5
NO NAME JAZZ NEWS – P-489
USA
completely filed under “MARGE HOFACRE’S JAZZ NEWS”
1990/91: Vol. 7/1-2 (Dec/Jan/Feb-Mar/Apr)
NON STOP -P-1167 (Music Entertainment, Polen, Warschau)
1974: Vol.12, #29
NORDIC SOUNDS – P-323
Norway
1985: Jun [Ib Skovgaard: Marilyn Mazur: A Musical Multi-Personality]
1988: Sep [Jostein Simble: Atlantic Jazz]
1989: Jun [Poul Bratbjerg: Norwegian Jazz. Tradition and Experiment]
1990: #1 [Marit Lauten: The Oslo Jazz House]
1991: #3-4
1992: #1-4
1993: #1-4
1994: #1-4
1995: #1-4
1996: #1-4
1997: #1-4
1998: #1-4
1999: #1-4
2000: #1-4
2001: #1-4
2002: #1-4
2003: #1-4
2004: #1-3
2005: #1-4 (Mar,May,Aug,Dec)
2006: #1-4 (Feb, May, Sep, Dec)
NOTA NOTE – P-859
France
1996: #3 (Apr)
The NOTE – P-446
(Al Cohn Memorial Jazz Collection)
USA
1990: Vol. 2/1-3
1991: Vol. 3/1-3
1992: Vol. 4/1-3
1993: Vol. 5/1-3
1994: Vol. 6/1-3
1995: Vol. 7/1-3
1996: Vol. 8/1-3
1997: Vol. 9/1-2
1998: Vol. 10/1-2
1999: Vol. 11/1-3
2000: Vol. 12/1-3
2001: Vol. 13/1-2
2005: Vol. 14/1-3
2006: Vol. 15/1-3
2007: Vol. 16/1-3
2008: Vol. 18/1-3 (Winter/Spring-Fall)
2009: Vol. 19/1-3 (Winter/Spring-Fall)
2010: Vol. 20/1-3 (Winter/Spring-Fall)
2011: Vol. 21/1-2 (Winter/Spring-Fall)
2012: Vol. 22/1-2 (Winter/Spring-Fall)
2013: Vol. 23/1-2 (Winter/Spring-Summer/Fall)
2014: Vol. 24/1 (Summer/Fall)2015: Vol. 25/1-2 (Fall/Winter-Spring/Summer)
2016: Vol. 26/1-2 (Winter-Spring/Summer)
2017: Vol. 27/1 (Fall/Winter)
NOTES – P-324
Le magazine des autres musiques
France
1983: #11
1985: [no number: discographie du jazz anglais]
1990: #36 (Oct)
1991: #37 (Mar), 38/39 (Oct)
1993: #44 (May)
NOTES JAZZOWY – P-557
Poland
1980: Vol. 1/1 (ca. Oct)
1981: Vol. 2/1-2 (#2-3)
1983: Vol. 3/1-3
1984: Vol. 4/1-3
NOTES TO YOU – P-700
(Illiana Club of Traditional Jazz Newsletter)
USA
1978: Feb, Mar, May, Jul, Aug
NOTIZEN – P-1120
(Zeitschrift für junge Menschen)
Germany
1962: #4
1963: #1
NOTTINGHAM FRENCH STUDIES – P-1011
England
2004: Vol. 43/1 (Spring) [”Jazz Adventures in French Culture]
NOUVEAU DIRE – P-325
France
1974: #2 (Jan) [Jean MoriÜres: Odette au Free Jazz]
NOW’S THE TIME – P-938
Porgy & Bess
Austria
2000: Dec
NUGGET – P-326
USA
1965: Vol. 9/4 (Feb) [James Adrian: Last Jam (Short Story)]
NUR MUSIK – P-327
Germany (Berlin)
1976: #4, 9-11 (Sep-Nov)
NYJO – P-1089
National Youth Jazz Orchestra
England
1995: Summer
1996: Summer
1997: Spring
1998: Spring
1999: 1 (Jan)
2002: 1; 4; 7; 10 (Jan; Apr; Jul; Oct)
2003: 1 (Jan)
2004: 1 (Jan)
2005: 4; 10 (Apr; Oct)
2006: 1; 10 (Jan; Autumn
2007: 1; 10 (Jan; Oct)
2008: 10 (Oct)
2009: 1;10 (Jan; Oct)
NYU TODAY – P-569
A Newspaper for the New York University Community
USA
1983: Vol. 6/10 (23.Mar) [Craig Smith: SCE Professor Crawford takes jazz students into the venues where the music is born]
O PAPEL DO JAZZ – P-815
Portugal
1997: #2
1998: #3,#4
OBOE/FAGOTT – P-907
Germany
2000: #59-61
2001: #62-65
2002: #66-69
2003: #70-76
2004: #77-78
2005: #79-81
2006: #82-85
2007: #86-90
2008: #91-93
2009: #94-97
2010: #98-101
2011: #102-105
2012: #106-109
2013: #110-113
2014: #114-117
2015: #118-121 [gescannte Digitalkopien]
2016: #122-125 [gescannte Digitalkopien]
2017: #126 [gescannte Digitalkopien]
OBSERVER – P-328
England
1969: 27. Jul (Special Blues Issue)
OCCIDENT – P-1114
USA
1950: spring
OCTOPUS – P-958
France
1995: #3 (fall)
1996: #4 (spring)
OFFBEAT – P-695
New Orleans’ and Lousiana’s Music & Entertainment Magazine
USA
1988: Vol. 1/1 (Summer)
1989: Vol. 2/2-4,6-12 (Feb-Apr,Jun-Dec)
1990: Vol. 3/1-9,11-12 (Jan-Sep,Nov-Dec
1991: Vol. 4/1-5,7-12 (Jan-May,Jul/Aug-Dec)
1992: Vol. 5/1-12 (Jan-Dec)
1993: Vol. 6/1-12 (Jan-Dec)
1994: Vol. 7/1-12 (Jan-Dec)
1995: Vol. 8/1-12 (Jan-Dec)
1996: Vol. 9/1-9 (Jan-Dec)
1997: Vol. 10/1-12 (Jan-Dec)
1998: Vol. 11/1-12 (Jan-Dec)
1999: Vol. 12/1-12 (Jan-Dec)
2000: Vol. 13/1-12 (Jan-Dec)
2001: Vol. 14/1-12 (Jan-Dec)
2002: Vol. 15/1-12 (Jan-Dec)
2003: Vol. 16/1-12 (Jan-Dec)
2004: Vol. 17/1-12 (Jan-Dec)
2005: Vol. 18/1-10 (Jan-Sep,Dec) [complete; missing issues caused by Hurricane Katrina]
2006: Vol. 19/1-12 (Jan-Dec)
2007: Vol. 20/1-12 (Jan-Dec)
2008: Vol. 21/1-12 (Jan-Dec)
2009: Vol. 22/1-12 (Jan-Dec)
2010: Vol. 23/1-12 (Jan-Dec)
2011: Vol. 24/1-12 (Jan-Dec)
2012: Vol. 25/1-12 (Jan-Dec)
2013: Vol. 26/1-12 (Jan-Dec)
2014: Vol. 27/1-7 (Jan-Jul)
OFFBEAT – P-701
(Central Coast Hot Jazz Society Newsletter)
USA
1977: Vol. 14/12-14 (Jul-Sep)
1978: Vol. 14/20, (Mar), 22-24 (May-Jul)
OFF BEAT JAZZ – P-882
(Overseas Jazz Club)
USA
1983: Vol. 2/2
OH PLAY THAT THING – P-910
USA
1953?
OKEY! – P-1000
Magazin für Orgel und Keyboar
Germany
1995: #7 (Sep/Oct)
1996: #13-14 (Oct/Nov-Dec/Jan1997)
1997: #16-18 (Apr/May-Aug/Sep)
1998: #22 (Apr/May), #24 (Aug/Sep)
1999: #28 (Apr/May), #30 (Aug/Sep)
2000: #33-37 (Feb/Mar-Oct/Nov)
2001: #38-41, 43 (Dec2000/Feb-Jul/Aug, Nov/Dec)
2002: #45-49 (Mar/Apr-Nov/Dec)
2003: #50-55 (Jan/Feb-Nov/Dec)
2004: #56-61 (Jan/Feb-Nov/Dec)
2005: #62-67 (Jan/Feb-Nov/Dec)
2006: #68-73 (Jan/Feb-Nov/Dec)
2007: #74-79 (Jan/Feb-Nov/Dec)
2008: #80-85 (Jan/Feb-Nov/Dec)
2009: #86-91 (Jan/Feb-Nov/Dec)
2010: #92-97 (Jan/Feb-Nov/Dec)
2011: #98-103 (Jan/Feb-Nov/Dec)
2012: #104-109 (Jan/Feb-Nov/Dec)
2013: #110-115 (Jan/Feb-Nov/Dec)
2014: #116-121 (Jan/Feb-Nov/Dec)
2015: #122-127 (Jan/Feb-Nov/Dec)
2016: #128-133 (Jan/Feb-Nov/Dec)
2017: #134-137 (Jan/Feb-Jul/Aug)
OLD TIME MUSIC – P-1079
England
1971: #1 (Sep)
ON THE ONE – P-671
Jazzmopolitan Magazine
USA
1994: Vol. 1/3 (Winter)
1995: Vol. 1/4 (Spring); Vol. 2/1-3 (Summer-Winter)
1996: Vol. 2/4 (Spring)
1997: Vol. 3/2 (Winter)
ON THE RECORD – P-868
IAJRC Newsletter
USA
1999: Vol. 1/1 (Jul)
2000: Vol. 2/1,3 (Jun,Dec)
2001: Vol. 3/1-2 (Mar,Jun), 4 (Dec)
OOR – P-504
Netherlands
1982: #9 (5.May)
1983: #3 (9.Feb)
1984: #6 (24.Mar), #11 (2.Jun), #14 (14.Jul)
OP – P-511
USA
1983: #T (Nov/Dec)
OPPROBRIUM – P-856
New Zealand
1996: #3 (Nov)
1997: #4 (Dec)
1998: #5 (Jul)
OPTION – P-329
Music Alternatives
USA
1986: Jul/Aug
1989: #24 (Jan/Feb)
1992: #42-47 (Jan/Feb-Nov/Dec)
1993: #48-53 (Jan/Feb-Nov/Dec)
1994: #54-59 (Jan/Feb-Nov/Dec) [+ U.H.F. Supplement]
1995: #60-65 (Jan/Feb-Nov/Dec)
1996: #66-71 (Jan/Feb-Nov/Dec)
1997: #72-77 (Jan/Feb-Nov/Dec)
1998: #78-80 (Jan/Feb-May/Jun)
OREGON JAZZ SOCIETY – P-697
(Newsletter)
USA
1973: Vol. 1/7 (Nov)
ORAL HISTORY ASSOCIATION NEWSLETTER – P-330
(OHA Newsletter)
USA
1991: 25/3 (Fall)
ORCHESTER, Das – P-331
Germany
1953: Vol. 1/2 (Jun) [Joachim-Ernst Berendt: Zur Problematik der Unterhaltungsmusik]
1982: Vol. 30/11 (Nov)
OREGON CITY TRADITIONAL JAZZ SOCIETY NEWSLETTER – P-679
USA
???: 3 issues
ORGAN SHOWBUSINESS – P-791
Germany
1986: #6 (Jun)
ORKESTER JOURNALEN – P-332
Sweden
1938: Jun, Oct
1939: Feb-Mar, May-Sep
1940: Dec
1941: Jun
1943: Jan, Aug, Dec
1944: Jan-Mar, May-Jun, Oct, Dec
1945: Jan-Feb, Apr-Sep, Dec
1949: Jun, Dec
1950: Jan
1951: Mar-Jun, Aug, Oct-Nov
1952: Apr-May, Jul-Sep
1953: Jul, Aug
1954: Jan-Dec
1955: Mar-Apr, Jun-Dec
1956: Jan-Dec
1957: Jan-Dec
1958: Vol. 26/1-12 (Jan-Dec)
1959: Vol. 27/1-12 (Jan-Dec)
1960: Vol. 28/1-12 (Jan-Dec)
1961: Vol. 29/1-12 (Jan-Dec)
1962: Vol. 30/2 (Feb), 4-9 (Apr-Sep)
1963: Vol. 31/5 (May), 8 (Jul/Aug), 12 (Dec)
1964: Vol. 32/1-12 (Jan-Dec)
1965: Vol. 33/1-12 (Jan-Dec)
1966: Vol. 34/1-12 (Jan-Dec)
1967: Vol. 35/2-12 (Feb-Dec)
1968: Vol. 36/1-12 (Jan-Dec)
1969: Vol. 37/1-12 (Jan-Dec)
1970: Vol. 38/1-12 (Jan-Dec)
1971: Vol. 39/1-12 (Jan-Dec)
1972: Vol. 40/1-12 (Jan-Dec)
1973: Vol. 41/1-12 (Jan-Dec)
1974: Vol. 42/1-12 (Jan-Dec)
1975: Vol. 43/1-12 (Jan-Dec)
1976: Vol. 44/1-3 (Jan-Mar), 5-8 (May-Aug)
1977: Vol. 45/1-12 (Jan-Dec)
1978: Vol. 46/1-12 (Jan-Dec)
1979: Vol. 47/1-12 (Jan-Dec)
1980: Vol. 48/1-12 (Jan-Dec)
1981: Vol. 49/1-12 (Jan-Dec)
1982: Vol. 50/1-12 (Jan-Dec)
1983: Vol. 51/1-12 (Jan-Dec)
1984: Vol. 52/1-12 (Jan-Dec)
1985: Vol. 53/1-12 (Jan-Dec)
1986: Vol. 54/1-12 (Jan- Dec)
1987: Vol. 55/1-5 (Jan-May), 11-12 (Nov-Dec)
1988: Vol. 56/1-10 (Jan.Oct), 12 (Dec
1989: Vol. 57/1-4 (Jan-Apr), 6 (Jun), 9-10 (Sep-Oct), 11 (Nov),
1990: Vol. 58/2-3 (Feb, März), 6-9 (Jun-Jul/Aug, Sept), 10 (Oct), 12 (Dec)
1991: Vol. 59/1-4 (Jan-Apr), 6 (Juni), 7/8-10 (Jul/Aug-Oct)
1992: Vol. 60/1-12 (Jan-Dec)
1993: Vol. 61/1-12 (Jan-Dec)
1994: Vol. 62/1-12 (Jan-Dec)
1995: Vol. 63/1-12 (Jan-Dec)
1996: Vol. 64/1-12 (Jan-Dec)
1997: Vol. 65/1-6 (Jan-Jun), 9-10 (Sep-Oct)
1998: Vol. 66/1-12 (Jan-Dec)
1999: Vol. 67/1-12 (Jan-Dec)
2000: Vol. 68/1-12 (Jan-Dec)
2001: Vol. 69/1-12 (Jan-Dec)
2002: Vol. 70/1-12 (Jan-Dec)
2003: Vol. 71/1-12 (Jan-Dec)
2004: Vol. 72/1-12 (Jan-Dec)
2005: Vol. 73/1-12 (Jan-Dec)
2006: Vol. 74/1-12 (Jan-Dec)
2007: Vol. 75/1-12 (Jan/Feb-Dec/Jan)
2008: Vol. 76/1-6 (Feb/Mar-Dec/Jan)
2009: Vol. 77/1-6 (Feb/Mar-Dec/Jan)
2010: Vol. 78/1-6 (Feb/Mar-Dec/Jan)
2011: Vol. 79/1-6 (Feb/Mar-Dec/Jan)
2012: Vol. 80/1-6 (Feb/Mar-Dec/Jan)
2013: Vol. 81/1-5 (Feb/Mar-Nov/Dec)
2014: Vol. 82/1-6 (Feb/Mar-May/Jun, Sep/Oct, Dec/Jan)
2015: Vol. 83/1-3, 5-6 (Feb/Apr, Jul/Aug, Nov-Dec)
2016: Vol. 84/1-6 (Mar/Apr-Dec/Jan)
2017: Vol. 85/1-3 (Feb/Apr-Jul/Aug)
OSTEUROPA – P-1028
2005: Vol. 55/11 (Nov) [Einzelheft]
OSTINATO – P-479
England
1990: #2-3
1993: #4/5
OUTLOOK – P-506
USA
1979: Vol. 1/2 (Sep-Dec)
PAN – P-332
Performing Arts Network. Supplement to “Il Nuovo Ravennate”/
Supplement to “Euromail”
Italy
1991: #5 (8.Feb), #12 (29.Mar), #137 (8.Jul)
1992: #54 (7.Mar), #199 (26.Jun)
1993: #45 (24.Feb), #119 (16.Jun)
1994: Vol. 4/1-2 (Feb,Jun)
1995: Vol. 5/1-3 (Feb,Jun,Sep)
1996: Vol. 6/1-3 (Feb,Jun,Oct)
1997: Vol. 7/1-3 (Mar,Jun,Oct)
1998: Vol. 8/1-3 (Feb,Jun,Oct)
1999: Vol. 9/1-3 (Mar,Jun,Oct)
2000: Vol. 10/1-3 (Mar,Jun,Oct)
2001: Vol. 11/1-3 (Mar,Jun,Oct)
2002: Vol. 12/1-3 (Mar,Jun,Nov)
2003: Vol. 13/1-2 (Feb-Jun)
2004: Vol. 14/1-3 (Feb,Jun,Oct)
2005: Vol. 15/1-3 (Feb,Jun,Sep)
2006: Vol. 16/1-3 (Feb,Jun,Sep)
2007: Vol. 17/1-3 (Feb,Jun,Sep)
2008: Vol. 18/1-3 (Feb,Jun,Oct)
2009: Vol. 19/ 1,3 (Feb, Sep)
2010: Vol. 1 (Feb)
PAERNU JAZZ – P-1172 (Paernu, Estland)
1988: Paernu Jazz
PANORAMADE – P-595
Le magazine de fans de John Zorn
France
1993: #1
1994: #2
PAPA JAZZ – P-333
Germany
1972: #1
1973: #2-3
1974: #4
1975: #5
1976: #6
1977, #7
1978: #8-9
1979: #10
1980: #11-12
1981: #13
1982: #14
1983: #15
1984: #16
1985: #17
PAPA JOE’s KUNST & BIER BLATT – P-783
Germany
1983: #50 (Jun)
The PARIS REVIEW – P-1067
USA
2008: #184 (Spring 2008)
PARKETT, Das – P-334
Monatszeitschrift zur Kultivierung des Gesellschaftstanzes
Germany
1955: Vol. 85 (May) [Peter Bopp: Was man vom Jazz wissen sollte…]
PARLAMENT, Das – P-335
Germany
1988: Vol. 38/2 (8.Jan) [special pop issue]
PASTORALTHEOLOGIE – P-613
Monatsschrift für Wissenschaft und Praxis in Kirche und Gesellschaft
Germany
1994: Vol.83/6 (Jun) [Hans-Martin Gutmann: Popularmusik – vernachlässigtes Thema der Religionspädagogik]
PC & MUSIK – P-869
Germany
1999: #4 (Jun/Jul)
PEACE WARRIORS – P-976
France
1997: #5 (Spring), 6 (Fall)
1998: #7 (Jan), 9 (Oct)
1999: #10 (Jan), 11 (Apr)
PENGUIN MUSIC MAGAZINE – P-336
England
1947: #2, 4
PERCUSSION CREATIV – P-843
(Newsletter)
Germany
1999: #1-3
2000: #1
PERCUSSION NEWS – P-337
USA
1992: Mar
PERCUSSIVE NOTES – P-338
USA
1991: Vol. 30/1 (Oct)
PERSPEKTIVEN – P-339
Germany
1953: #5 (Nov) [Otis Ferguson: Der junge Mann mit der Trompete]
1954: #9 (Fall) [Joachim-Ernst Berendt: Der Jazz in Europa]
1956: #14-15 (Winter-Spring)
PETITE QUINZAINE, Le – P-485
France
1978: #29-30 (19.Apr-26.Apr)
PFMENTUM – P-794
“to advocate and promote the creation and performance of new music in Ventura”
USA
1997: fall
PHONO – P-340
Germany
1954: #1-3
 

PHOTO – P-341
Die Zeitschrift für Fotografie und Film
Germany
1973: #3 [some jazz photos by Art Kane]
1974: #20 [no jazz content]

PIANO & KEYBOARD – P-749
up to #159: “THE PIANO QUARTERLY”
USA
1981: #115 (Fall)
1988: #141 (Spring)
1989: #148 (Winter)
1993: #160-165 (Jan/Feb-Nov/Dec)
1994: #166-171 (Jan/Feb-Nov/Dec)
1995: #172-173 (Jan/Feb-Mar/Apr, 175-177 (Jul/Aug-Nov/Dec)
1996: #178-183 (Jan/Feb-Nov/Dec)
1997: #186-189 (May/Jun-Nov/Dec)
1998: #190-195 (Jan/Feb-Nov/Dec)
1999: #196-201 (Jan/Feb-Nov/Dec)
2000: #202-207 (Jan/Feb-Nov/Dec)
2001: #208 (Jan/Feb)
PIANOFORTE – P-342
Germany
1991: Vol. 1/1 [Albrecht Piltz: Bill Evans]
PIANO NEWS – P-871
Magazin für Klavier und Flügel
Germany
1999: #4 (Jul/Aug)
PIANO STYLIST – P-723
& Jazz Workshop
USA
1988: Jan-Feb, Jun/Jul-Aug/Sep [Jazz & Keyboard Workshop]; Oct/Nov
1989: Dec/Jan-Oct/Nov
1990: Apr/May-Oct/Nov
1991: Feb/Mar, Aug/Sep
PIANO TODAY – P-1051
(formerly Keyboard Classics & Piano Stylist)
1995: Vol. 15/3-6 (May/Jun-Nov/Dec)
1996: Vol. 16/1 (Jan/Feb), 3-5 (May/Jun-Fall), Vol. 17/1 (Winter)
1997: Vol. 17/3-4 (Summer-Fall), 18/1 (Winter)
1998: Vol. 18/2-4 (Spring-Fall)
1999: Vol. 19/2-4 (Spring-Fall)
2000: Vol. 20/1-2 (Winter-Spring), 4 (Fall)
2001: Vol. 21/2-4 (Spring-Fall)
2002: Vol. 22/1-2 (Winter-Spring), 4 (Fall)
2003: Vol. 23/1-2 (Winter-Spring)
PICKUP – P-343
The Record Collector’s Guide
1946: Vol. 1/1 (Jan), 3-5 (Mar-May), 7 (Jul), 9-12 (Sep-Dec)
1947: Vol. 2/1-12 (Jan-Dec)
PIECES OF JAZZ – P-1080
England
1968: #2
1969: #5-6
1970: #1
PITT – P-344
USA
1988: Sep
PJS-INFOBLATT – P-449
(Pro Jazz Schweiz)
Switzerland
#1-3
1989: #4 (Dec)
1990: #5 (Mar), 6 (Jun), 7/8 (Monographie: Bill Mantovani)
1991: #9 (Mar), 10 (Oct), 11/12 (Sieben Jahrzehnte afro-amerikanische Musik in der Schweiz)
1992: #13 (May), 14 (Jul), 15 (Aug), 16/17 (Oct: Spezialausstellung Big Bands: Fred Böhler – George Gruntz)
1993: #18 (Mar), 19 (Aug), 20 (Dec)
1994: #21 (Mar)
1995: #23 (Jan), 24 (Nov: Jazz im Umbruch 1940-1960)
PL YEARBOOK OF JAZZ – P-345
USA
1946
1947 [as PL Jazzbook]
PLAKATJOURNAL – P-1077
Germany
1995: #1 (Spring)
PLANET JAZZ – P-753
Canada
1997: Vol. 1 (Spring,Fall)
1998: Vol. 2 (Spring,Fall/Winter)
1999: Vol. 3 (Spring,Fall/Winter)
2000: Vol. 4 (Spring/Summer-Fall/Winter)
2001: Vol. 5 (Spring/Summer-Fall/Winter)
2002: Vol. 6 (Summer/Fall-Winter/Spring)
2003: Vol. 7 (Summer/Fall-Winter/Spring)
2004: Vol. 8 (Summer/Fall) [last issue; magazine folded]
PLAY BLACK – P-347
Germany
1980s: no year given, one issue
1987: Apr
PLAYBACK – P-639
USA
1949: Jan-Dec
1950: Jan-Mar
1952: Jan-Mar/Apr
PLAYBACK – P-346
The Bulletin of the National Sound Archive
England
1992: #1 (Spring)
POINT DU JAZZ, Le – P-348
France
1969: #1
1971: #4-5
1972: #6-7
1973: #8-9
1974: #10
1975: #11
1976: #12
1977: #13
1978: #14
1979: #15
1980: #16
1981: #17
1982: #18
1984: #19
1986: #20
POLISH MUSIC FORUM – P-461
Poland
1968/69: Vol. 1
1969/70: Vol. 2
1970/71: Vol. 3
POMPI – P-349
Popular Music Periodicals Index
England
1984-86: #1-2
1986-88: #3-4
1988-89: #5
POPSCRIPTUM – P-350
Beiträge zur populären Musik
Germany
1992: #1
POPÜLER MELODI – P-1098
Turkey
1961: #13 (23.Aug)
POPULAR MUSIC – P-351
England
1987: Vol. 6/1-3
1988: Vol. 7/1-3
1989: Vol. 8/1-3
1990: Vol. 9/1-3
1991: Vol. 10/1-3
1992: Vol. 11/1-3
1993: Vol. 12/1-3 [+ special issue: cummulative index vol. 6-10]
1994: Vol. 13/1-3
1995: Vol. 14/1-3
1996: Vol. 15/1-3
1997: Vol. 16/1-3
1998: Vol. 17/1-3
1999: Vol. 18/1-3
2000: Vol. 19/1-3
2001: Vol. 20/1-3
2002: Vol. 21/1-3
2003: Vol. 22/1-3
2004: Vol. 23/1-3
2005: Vol. 24/1-3
2006: Vol. 25/1-3
2007: Vol. 26/1-3
2008: Vol. 27/1-3
2009: Vol. 28/1-3
2010: Vol. 29/1-3
2011: Vol. 30/1-3
2012: Vol. 31/1-3
2013: Vol. 32/1-3
2014: Vol. 33/1-3
2015: Vol. 34/1-3
2016: Vol. 35/1-3
2017: Vol. 36/1-2
POPULAR MUSIC AND SOCIETY – P-1001
USA
2003: Vol. 26/1
POSAUNE, Die – P-352
Germany
1962: Aug
1971: #9 (Jun)
1974: #10 (Sep)
1975: #11 (Dec)
1977: #12 (Jun)
1983: #13 (Feb)
PRELUDE, FUGUE & RIFFS – P-353
News for friends of Leonard Bernstein
USA
1992: Summer,Fall
1993: Winter,Spring, Summer
1994: Winter,Spring, Fall
1995: Winter,Spring/Summer, Fall
1996: Winter,Spring/Summer, Fall
1997: Winter,Spring/Summer, Fall
1998: Winter,Spring/Summer,Fall
1999: Winter,Fall
2000: Winter,Spring/Summer/Fall
2001: Winter, Spring/Summer, Fall/Winter
2002: Spring/Summer/Fall/Winter
2003: Spring/Summer, Fall/Winter
2004: Spring/Summer/Fall/Winter
2005: Spring/Summer-Fall/Winter
2006: Spring/Summer-Fall/Winter
2007: Spring/Summer-Fall/Winter
2008: Spring/Summer-Fall/Winter
2009: Spring/Summer-Fall/Winter
2010: Spring/Summer-Fall/Winter
2011: Spring/Summer-Fall/Winter
2012: Spring/Summer-Fall/Winter
2013: Fall/Winter
2014: Spring/Summer-Fall/Winter
2015: Spring/Summer-Fall/Winter
2016: Spring/Summer-Fall/Winter
2017: Spring/Summer
PROFESSIONAL, The – P-354
England
1974: #2-12
PROFIL – P-779
Methodik zur Tanzmusik (East Germany)
1986: #7
1987: #7(?)
P.T.M. – P-619
Pacific Telephone Magazine
USA
1963: Jun [Pat Davis: Jazzman (über Bill Bacin)]
1965: Nov [Jim Barner: Jazz at Monterey]
PULSE! – P-544
USA
1989: Mar
1994: Sep
1995: #142 (Oct), 143 (Nov)
1997: #159 (May), 173 (Aug)
PULSUS – P-889
Italy
1981: Vol. 1/1
PURE JAZZ – P-1062
African-American Classical Music
2000: Vol.1/2
2011: Vol. 4/1 (Spring)
QUARTERLY RAG – P-618
Sydney Jazz Club
Australia
1966: Mar, Jun
1967: #1
1976: Apr
1977: Jan, Apr
1978: Apr
QUARTICA JAZZ – P-766
Spain
1981: Vol.1/1-6 (Apr-Oct)
1982: Vol.2/7/8-9 (Jul-Sep)
1983: Vol.3/11-15/16 (Jan-May,Aug)
1984: Vol.4/17-18 (Jan-May)
1985: Vol.5/4-6 (Sep-Nov)
1986: Vol.6/8, 13-14 (Feb, Jul/Aug-Sep)
1987: Vol.7/17-21 (Mar-Jul/Aug)
DER QUERSCHNITT – P-768
Germany
1924: Vol. 4/5 (Nov)
1927: Vol. 7/9 (Sep)
1929: Vol. 9/12 (Dec)
1930: Vol. 10/2-3 (Feb-Mar)
RADIO FREE JAZZ – P-355
USA
1976: May
1977: Jan-Dec
1978: Jan-Dec
1979: Jan-Dec
1980: Jan-Mar, May
RAGTIMER, The – P-620
The Ragtime Society
Canada
1972: Sep/Oct
1981: May/Aug-Sep/Dec
RAG TIMES – P-463
USA
1970: Vol. ¾ (Sep); Vol. 4/1 (May), 4/4 (Nov) [sic]
1971: Vol. 5/2 (Jul), 5/4 (Nov)
1972: Vol. 6/2 (Jul, 6/4 (Nov)
1983: Vol. 17/2-4 (Jul,Sep,Nov)
1984: Vol. 17/5-6 (Jan,Mar); Vol. 18/2-4 (Jul,Sep,Nov)
1985: Vol. 19/4 (Nov)
1986: Vol. 19/5-6 (Jan,Mar)
1990: Vol. 23/5-6 (Jan,Mar); Vol. 24/1-4 (May,Jun,Sep,Nov)
1991: Vol. 24/5-6 (Jan,Mar); Vol. 25/1-4 (May,Jul,Sep,Nov)
1992: Vol. 25/5-6 (Jan,Mar); Vol.26/1-4 (May,Jul,Sep,Nov)
1993: Vol. 26/5-6 (Jan,Mar); Vol. 27/1-4 (May,Jul,Sep,Nov)
1994: Vol. 27/5-6 (Jan,Mar); Vol. 28/1-4 (May,Jul,Sep,Nov)
1995: Vol. 28/5-6 (Jan,Mar); Vol. 29/1-4 (May,Jul,Sep,Nov)
1996: Vol. 29/5-6 (Jan,Mar); Vol. 30/1-4 (May,Jul,Sep,Nov)
1997: Vol. 30/5-6 (Jan,Mar); Vol. 31/1-4 (May,Jul,Sep,Nov)
1998: Vol. 31/5-6 (Jan,Mar); Vol. 32/1-4 (May,Jul,Sep,Nov)
1999: Vol. 32/5-6 (Jan,Mar); Vol. 33/1-4 (May,Jul,Sep,Nov)
2000: Vol. 33/5-6 (Jan-Mar); Vol. 34/1-3 (May,Jul,Sep)
2001: [no issues published between Sep.2000 and Nov.2002]
2002: Vol. 34/4 (Nov)
2003: Vol. 34/5-6 (Jan-Mar); Vol. 35/1-2 (May,Jul)
RE-RECORDS QUARTERLY, The – P-362
England
1985: Vol. 1/1-2
1986: Vol. 1/3-4
1987: Vol. 2/1-2
1988: Vol. 2/3
1989: Vol. 2/4
1990: Vol. 3/1-2
1991: Vol. 3/3
READER’S DIGEST – P-356
Canada
1971: Vol. 99, #596 (Dec) [Tyree Glenn: Unforgettable Satchmo]
RECORD CHANGER – P-357
USA
1943: Vol.? ( Aug), (Sep), 4/8 (Oct 2x), Nov
1944: Vol. 3/2 (May), (Jun), ? (Sep), ? (Oct), (Nov)
1945: Vol. 4/1-5,7,10 (Jan-Jul,Sep,Dec)
1946: Vol. 4/11-12 (Jan-Feb); Vol. 5/1-10 (Mar-Dec)
1947: Vol. 5/11-12 (Jan-Feb); Vol. 6/1-10 (Mar-Dec)
1948: Vol. 7/2-12 (Feb-Dec)
1949: Vol. 8/1-12 (Jan-Dec)
1950: Vol. 9/1-11 (Jan-Dec)
1951: Vol. 10/1-12 (Jan-Dec)
1952: Vol. 11/1-11 (Jan-Dec)
1953: Vol. 12/1-10 (Jan-Oct), 12 (Dec)
1954: Vol. 13/1-2 (Jan-Feb), 4-7 (Apr-Jul), Summer, 11-12 (Nov-Dec)
1955: Vol. 14/1-6
1956: Vol. 14/7-9
1957: Vol. 14/10 (Jan); Vol. 15/1 (Feb), Vol. 15/2 (Feb), ? (Fall)
RECORD FINDER, The –
USA
1993: #104 Dec)
1981: #140 (Oct)
RECORD INFORMATION – P-358
England
mid-1940s: one issue
RECORD INFORMATION – P-558
England
1985: #5 (Sep)
1986: #6 (Oct)
RECORD MEMORY CLUB MAGAZINE – P-739
(formerly: 78 Memory Magazine)
Belgium
1984: #1-3
1985: Special
1985/86: #1-3
1987: Apr,
1988: Oct, Dec
1989: #1-3
1990: #1-4
1991: #1-4
1992: #1-4
1993: #1-4
1994: #1-4
1995: #1-4
1996: #1-2, 40-41
1997: #42-45
1998: #46-48
2000: #49-51
RECORD PARADE – P-359
Germany
1973: #1-4
1974: #5-6
1975: #7-10
1976: #11
1977: #12
1978: #13-14
1979: #15
1981: #16-17
1982: #18
1983: #19
RECORD RESEARCH – P-360
USA
1955: Vol. 1/3 (Jun), 1/5 (Oct)
1956: Vol. 2/2 (May/Jun), 2/4, #10 (Nov/Dec)
1957: #13 (Jun/Jul), 14-15 (Aug/Sep-Oct/Nov)
1958: #16-17 (Jan/Feb-Mar/Apr), 19-20 (Sep/Oct-Nov/Dec)
1959: #21-23 (Jan/Feb, Apr/May, Jun/Jul), 25 (Nov/Dec)
1960: #26-31
1961: #32-39
1962: #40-47
1963: #48-56
1964: #57-65
1965: #66-72
1966: #73-80
1967: #81-87
1968: #88-94
1969: #95-102
1970: #103-108
1971: #109-114
1972: #115-120
1973: #121-124
1974: #125-130
1975: #131-136
1976: #137-143
1977: #144/145-149/150
1978: #151/152-159/160
1979: #161/162-167/168
1980: #169/170-177/178
1981: #179/180-187/188
1982: #189/190-193/194
1983: #195/196-203/204
1984: #205/206-209/210
1985: #211/212-217/218
1986: #219/220-225/226
1987: #227/228-231/232
1988: #233/234-237/238
1989: #239/240-241/242
1990: #243/244
1991: #245/246-247/248
1992: #249/250
1993: #251/252
RECORD RESEARCH BULLETIN – P-361
USA
1958: #3
ca.1959: #11
RECORD WORLD – P-501
USA
1981: 31-Jan
RECORDED AMERICANA BULLETIN – P-895
USA
1958: #1-6
1959: #7-10
1960: #11-12
RED BANK SPECIAL – P-1056
(Official Journal of the Count Basie Society)
1986: Vol. 4/1 (Nov)
1987: Vol. 4/2 (Feb); Vol. 5/1
1994: Vol. 11/1-3 (Mar,Aug,Nov)
RESONANCE – P-445
England
1992: #0
1993: Vol. 1/2; Vol. 2/1
1994: Vol. 2/2; Vol. 3/1; review supplement
1995: Vol. 4/1
1996: Vol. 4/2; Vol. 5/1
1997: Vol. 5/2; Vol. 6/1
1998: Vol. 6/2; Vol. 7/1
1999: Vol. 7/2
2000: Vol. 8/1; Vol. 8/2-9/1 [double issue]
2002: Vol. 9/2
REVUE & CORRIGEE – P-467
France
1989: #1-4
1990: #5-7
1991: #8-10
1992: #11-14
1993: #15-18
1994: #19-22 (Mar,Jun,Sep,Dec)
1995: #23-26 (Mar,Jun,Sep,Dec)
1996: #27-30 (Mar,Jun,Sep,Dec)
1997: #31-34 (Mar,Jun,Sep,Dec)
REVUE DU JAZZ, LA – P-363
France
1949: Jan-Dec
1950: Jan/Feb, Apr
1952: Jul
REVUE FRANCAISE D’ETUDES AMERICAINES – P-962
France
2001: hors-série (Dec)
RHYTHM – P-364
England
1935: Dec
1936: Jan-Jun, Sep, Nov-Dec
1937: Feb, Apr, Dec
1938: Jan
RHYTHM AND BLUES – P-808
USA
1957: Vol. 5/30 (Jul)
RHYTHM & NEWS – P-1033
published by the Jazz Record Mart
USA
2006: #704
RHYTHM CLUB NEWS – P-365
British Forces Network
Germany (Hamburg)
[continued from Anglo German Swing Club News]
1950: #10-12 [#10-12 also in Reprint]
1951: #1-3/4, 10/11 [volume complete, numbers in between never published] [#1-3/4, 10/11 also in Reprint]
RHYTHME – P-1039
Maandblad voor Jazz, Dansmuziek en Televisie
Netherlands
1954: Vol. 6, #63 (15.Dec)
1961: Vol. 12, #136-144 (Jan-Sep)
RHYTHMS – P-1059
The Ellington Fund Newsletter
2008: #21 (Winter)
RHYTHMUS 78 – P-788
(Fachzeitschrift der JGAS)
Germany
#17
RHYTHM RAG – P-885
England
1976: #1-3 (Spring-Winter)
1977: #4-5 (Spring-Winter)
RICH REPORT, The – P-366
The International Buddy Rich Fan Club
USA
1991: #2 (Jul)
RING SHOUT – P-1031
Rivista di Studi Musicali Afroamericani
Italy
2002: Vol.1
2003: Vol.2
2004: Vol.3
2005: Vol.4
RITMO – P-711
amici del jazz
Italy
1995: #687/688 (Dec/Jan), #690 (Mar), #695 (Sep)
1996: #700-701 (Feb-Mar), 703-709/710 (May-Dec/Jan)
1997: #711-720/721 (Feb-Dec/Jan)
1998: #722-731/732 (Feb-Dec/Jan)
1999: #733-742/743 (Feb-Dec/Jan)
2000: #744-753/754 (Feb-Dec/Jan)
2001: #755-763/764 (Feb-Dec/Jan)
2002: #765-774/775 (Jan-Nov/Dec)
2003: #776-785/786 (Jan-Nov/Dec)
2004: #787-792 (Jan/Feb-Nov/Dec)
2005: #793-798 (Jan/Feb-Nov/Dec)
2006: #799 (Jan/Feb)
RITMO Y MELODIA
Spain
1947: Vol.3/20-25 (May,Jun,Jul,Sep,Nov)
1949: Vol.5/33-35 (Feb,Mar/Apr,May)
ROCK & FOLK – P-509
France
1982: #182 (Mar)
ROCK DREAMS – P-367
Germany
1973: #1-11 (complete)
ROCKERILLA – P-977
Italy
1990: #116 (Apr)
ROCK JAZZ – P-561
Poland
1983: #9
ROCKMUSIKER / MUSIKER MAGAZIN – P-513
Kulturzeitung für Rock & Popmusiker
Germany
1992: Jun
1993: #2-4
1994: #1-4
1995: #1-4
1996: #1-4
1997: #1-4
1998: #1-4
1999: #1-4
2000: #1-3 [complete]
2001: #1-3 [complete]
2002: #1-4
2003: #1-4
2004: #1-4
2005: #1-4
2006: #1-4
2007: #1-3
2008: #1, 3-4
2009: #1-4
2010: #1-4
2011: #1-4
2012: #1-4
2013: #1-3
2014: #1-3
2015: #1-2
ROCKY – P-368
Germany
1979: #8 (15.Feb) [Hubert Skolud: All We Need Is Rock (Geschichte der Rockmusik]
ROHRBLATT – P-929
Magazin für Oboe, Klarinette, Fagott und Saxophon
Germany
1994: 9/4 (Dec)
1995: 1 (Mar)
1996: 10/4 (Dec)
1997: 12/2 (Jun), 4 (Dec)
1998: 13/2-4 (Jun,Sep,Dez))
1999: 14/1-3 (März,Jun,Sep)
2000: 15/2 (Jun) 3 (Sept)
2001: 16/1 (Mar), 2 (Jun), 3 (Sept) 4 (Dec)
2002: 17/1, (Mar), 17/3 (Sep) 17/4 (Dec)
2004: 19/1 (Mar), 3 (Sep
2005: 20/1 (Mar), 20/2 (Jun)
2006: 21/4 (Dec)2011: 26/1 (März)2012: 27/2 (Juni)2013: 28/1 (März)
ROLLING STONE – P-369
USA
1969: #40 (23.Aug)
1970: #55 (2.Apr), 58 (14.May), 60 (11.Jun), 62 (9.Jul), 63 (23.Jul), 64 (6.Aug), 66 (17.Sep), 68 (15.Oct), 69 (29.Oct), 70 (12.Nov), 71 (26.Nov), 73 (24.Dec).
1971: #76 (18.Feb), 77 (4.Mar),80 (15.Apr), 81(29.Apr),82 (13.May), 84-91,92(30.Sep),93 (14.Oct), (10 –
Jun-16.Sep), #94-95 (28.Oct-11.Nov),96 (25.Nov),97 (9.Dec), #98 (23.Dec)
1972: #99-100 (6.-20.Jan), #102-114 (17.Feb- 3.Aug), #116 -124 (31.Aug-21.Dec)
1973: #125-150 (4.Jan – 20.Dec)
1974: #151-158 (3.Jan – 11.Apr), #160-165 (9.May – 18.Jul), #167-168 (15.-29.Aug), #170 (26.Sep), #174-176 (21.Nov-19.Dec)
1975: #180-185 (13.Feb-24.Apr), #187-189 (22.May-19.Jun), #193-195 (14.Aug-11.Sep), #200 (20.Nov)
1976: #208 (11.Mar), #212 (6.May), #214-216 (3.Jun-1.Jul), #218 (29.Jul), #226 (18.Nov)
1982: #378-380 (16.Sep-14.Oct)
1984: #431 (27-Sep)
RONDO – P-455
Germany
1992: #1-3 [complete set]
1993: #1-4 [complete set]
1994: #1-4 [complete set]
1995: #2-6 [complete set]
1996: #1-6 [complete set]
1997: Vol. 6/1-6 [complete set]
1998: Vol. 7/1-6 (Feb/Mar-Dec/Jan)
1999: Vol. 8/1-6 (Feb/Mar-Dec/Jan)
2000: Vol. 9/1-6 (Feb/Mar-Dec/Jan)
2001: Vol. 10/1-6 (Feb/Mar-Dec/Jan)
2002: Vol. 11/1-6 (Feb/Mar-Dec/Jan)
2003: Vol. 11/1-6 (Feb/Mar-Dec/Jan)
2004: Vol. 12/1; Vol. 13/2-6
2005: Vol. 13/1; Vol. 14/2-6
2006: Vol. 15/1-6
2007: Vol. 16/1-6
2008: Vol. 17/1
ROUTE – P-1118
Quartalschrift des Jazz Circle Coesfeld
1956: #1-2 (Feb-May/Jul)
1959: #9 (spring)
RSVP – P-370
Record Sales Various Prices
England
1965: #6-7 (Nov-Dec)
1966: #8-14 (Jan-Jul), #16-19 (Sep-Dec)
1967: #20-31 (Jan-Dec)
1968: #32-43 (Jan-Dec)
1969: #44-51 (Jan-Dec)
1970: #52-57 (Jan/Feb-Nov/Dec)
1971: #58-65 (Jan/Feb-Dec)
1972: #66-72 (Jan/Feb-Dec)
1973: #73-75 (Jan/Feb-Apr-May)
1974: #76 (Jan/Feb)
RUBBERNECK – P-371
England
1989: #4-6
1990: #7
1991: #8-9
1992: #10/11-12
1993: #13-15
1994: #16-17
1995: #18-20
1996: #21-23
1997: #24-25
RUNDBRIEF FRAUEN MACHEN MUSIK – P-660
Germany
1994: #25-26 (Jul/Sep-Oct/Dec)
1995: #27-28 (Jan/Mar-Apr/Jun)
RYTHMES
(Revue fondée pour la diffusion de la véritable musique de jazz)
1942: #6
RYTHMES – P-911
France
1962: Vol. 5/31
1963: Vol.6/32-34
1964: Vol.7/36
1965: Vol.8/37-38
RYTMI – P-372
Finland
1967: #1, 3
1968: #3-41969: #1, #3 (Pori Special)
1983: #2-4, 6
1985: #1-10
1986: #1-10
1988: #1-3
SACRAMENTO NEW ORLEANS & HOT JAZZ SOCIETY – P-687
USA
1978: Mar
SAGA – P-373
USA
1954: Vol. 9/2 (Nov) [Louis Armstrong: Satchmo – My Life in New Orleans (excerpt from book)]
SATURDAY REVIEW – P-374
USA
1957: (16.Nov) [Joachim-Ernst Berendt: Jazz in West Germany; Wilder Hobson: Homage Here and There; Martin Williams: Recordings Reports: Jazz LPs; I.K.: Recordings Reports: Jazz and Pop. Vocals]
1970: (4.Jul.) [the man who revolutionaized jazz. A symposium on Louis Armstrong]
SAXOPHONE JOURNAL – P-375
USA
1985: Vol. 10/2-3 (Summer-Fall)
1986: Vol. 10/4 (Winter), Vol. 11/1-3 (Spring-Fall)
1987: Vol. 11/4 (Winter), Vol. 12/1-3 (Spring-Fall)
1988: Vol. 13/1 (Spring), 3 (Nov/Dec)
1989: Vol. 14/3 (Nov/Dec)
1990: Vol. 14/4-6 (Jan/Feb-May/Jun), 15/1-3 (Jul/Aug-Nov/Dec)
1991: Vol. 15/4-6 (Jan/Feb-May/Jun), 16/1-3 (Jul/Aug-Nov/Dec)
1992: Vol. 16/4-6 (Jan/Feb-May/Jun), 17/1-3 (Jul/Aug-Nov/Dec)
1993: Vol. 17/4-6 (Jan/Feb-May/Jun), 18/1-3 (Jul/Aug-Nov/Dec)
1994: Vol. 18/4-6 (Jan/Feb-May/Jun); 19/1-3 (Jul/Aug-Nov/Dec)
1995: Vol. 19/4-6 (Jan/Feb-May/Jun); 20/1-3 (Jul/Aug-Nov/Dec)
1996: Vol. 20/4-6 (Jan/Feb-May/Jun); 21/1-3 (Jul/Aug-Nov/Dec)
1997: Vol. 21/4-6 (Jan/Feb-May/Jun); 22/1-3 (Jul/Aug-Nov/Dec)
1998: Vol. 22/4-6 (Jan/Feb-May/Jun); 23/1-2 (Jul/Aug-Sep/Oct)
1999: Vol. 23/3-6 (Jan/Feb-Jul/Aug); 24/1-2 (Sep/Oct-Nov/Dec)
2000: Vol. 24/3-6 (Jan/Feb-Jul/Aug); 25/1-2 (Sep/Oct-Nov/Dec)
2001: Vol. 25/3-6 (Jan/Feb-Jul/Aug); 26/1-2 (Sep/Oct-Nov/Dec)
2002: Vol. 26/3-6 (Jan/Feb-Jul/Aug); 27/1-2 (Sep/Oct-Nov/Dec)
2003: Vol. 27/3-6 (Jan/Feb-Jul/Aug); 28/1-2 (Sep/Oct-Nov/Dec)
2004: Vol. 28/3-6 (Jan/Feb-Jul/Aug); 29/1-2 (Sep/Oct-Nov/Dec)
2005: Vol. 29/3-6 (Jan/Feb-Jul/Aug); 30/1-2 (Sep/Oct-Nov/Dec)
2006: Vol. 30/3-6 (Jan/Feb-Jul/Aug); 31/1-2 (Sep/Oct-Nov/Dec)
2007: Vol. 31/3-6 (Jan/Feb-Jul/Aug); 32/1-2 (Sep/Oct-Nov/Dec)
2008: Vol. 32/3-6 (Jan/Feb-Jul/Aug); 33/1-2 (Sep/Oct-Nov/Dec)
2009: Vol. 33/3-6 (Jan/Feb-Jul/Aug); 34/1-2 (Sep/Oct-Nov/Dec)
2010: Vol. 34/3-6 (Jan/Feb-Jul/Aug); 35/1-2 (Sep/Oct-Nov/Dec)
2011: Vol. 35/4-6 (Mar/Apr-Jul/Aug); 36/1-2 (Sep/Oct-Nov/Dec)
2012: Vol. 36/3-6 (Jan/Feb-Jul/Aug); 37/1-2 (Sep/Oct-Nov/Dec)
2013: Vol. 37/3-6 (Jan/Feb-Jul/Aug); 38/1 (Sep-Dec)
SCALA – P-904
Germany
1999: 2/6 (Nov/Dec)
2000: 3/1-3 (Jan/Feb-Jun), 5 (Sep/Oct)
SCHALLDOSE INTERNATIONAL -P-1151
Schellacksammler-Verein Wien
Austria
1992: 9. Jahrgang, #45
1997: 14. Jahrgang. #68
SCHALL UND RAUCH – P-758
Germany
1919: Vol. 0/1 (Dec)
1920: Vol. 0/2-7 (Jan-Jun); Vol. 1/1-4 (Sep-Dec)
1921: Vol. 1/5-6 (Jan-Feb)
SCHALL & RAUCH – P-817
Organ der IASA-Ländergruppe Deutschland/Deutschschweiz e.V.
Germany/Switzerland
1999: #2
2000: #3
2001: #4
2002: #5
2003: #6
2004: #7
2005: #8
2006: #9
2007: #10
2009: #11/12
2010: #13 (Aug)
2014: #14/15 (Mar)
SCHALLPLATTE, DIE – P-376
Germany
1952: #9, 11-12
1953: #1-5, 8
1954: #1, 3-4, 6-12
1955: #1-8, 10
1956: #1-5, 12
1958: #3
SCHALLPLATTENRING ILLUSTRIERTE – P-947
Germany
1961: Jul/Aug/Sep-Oct/Nov/Dec
1962: Jan/Feb/Mar
SCHALLTRICHTER, Der – P-968
Germany
1988: #4
SCHEINWERFER – P-822
Germany
1949: Vol. 2/7 (Apr)
SCHLAGZEUG – P-377
Germany
1958: Vol. 3/8-16 (Apr-Dec)
1959: Vol. 4/1-12
1960: Vol. 5/1-2
SCHRITTE – P-784
Magazin für Christen
Germany
1981: Oct
SCHWEIZER JOURNAL – P-378
Switzerland
1954: Vol. 20/2 (Feb) [Jan Slawe: Jazz. Ein musikalisches Generationenproblem; book review on Joachim-Ernst Berendt’s Jazzbuch
SCHWEIZERISCHE MUSIKZEITUNG – P-379
Switzerland
1947: Vol. 87/12 (Sep) [Joachim-Ernst Berendt on Boris Blacher’s “Der Großinquisator”]
1948: Vol. 88/8/9 (Sep) [Joachim-Ernst Berendt: Musik im deutschen Rundfunk]
Vol. 88/11 (Nov) [Joachim-Ernst Berendt: classical concert review, Baden-Baden]
Vol. 88/12 (Dec) [Joachim-Ernst Berendt: Neue Musik und deutsche Jugend]
1949: Vol. 89/1 (Jan) [Joachim-Ernst Berendt: classical concert review, Baden-Baden]
Vol. 89/4 (Apr) [Joachim-Ernst Berendt: classical concert review, Baden-Baden]
Vol. 89/6 (Jun) [Joachim-Ernst Berendt: classical concert review, Baden-Baden]
1950: Vol. 90/2 (Feb) [Joachim-Ernst Berendt: Musik im deutschen Rundfunk]
Vol. 90/3 (Mar) [Joachim-Ernst Berendt: classical concert review, Baden-Baden]
Vol. 90/4 (Apr) [Joachim-Ernst Berendt: classical concert review, Baden-Baden]
1951: Vol. 91/3 (Mar) [Joachim-Ernst Berendt: classical concert review, Baden-Baden]
Vol. 91/4 (Apr) [Joachim-Ernst Berendt: classical concert review, Baden-Baden]
SICIENCE ET VIE , P-1178
France
1956: Vol. 89 #465 (Juni)
The SCORE – P-1107
Berklee School of Music
USA
1958: Vol. 10/5 (Mar)
SDR MAGAZIN – P-380
Germany
1989: #7 (Jul) [Dizzy Gillespie on cover]
SECOND LINE, The – P-381
USA
1950: Vol. 1/9 (Dec)
1951: Vol. 2/1-11 (Jan-Dec)
1952: Vol. 3/1-12 (Jan-Dec)
1953: Vol. 4/1-12 (Jan-Dec)
1954: Vol. 5/1-12 (Jan-Dec)
1955: Vol. 6/1-12 (Jan-Dec)
1956: Vol. 7/1-12 (Jan-Dec)
1957: Vol. 8/1-12 (Jan-Dec)
1958: Vol. 9/1-12 (Jan-Dec)
1959: Vol. 10/1-12 (Jan-Dec)
1960: Vol. 11/1-12 (Jan-Dec)
1961: Vol. 12/1-12 (Jan-Dec)
1962: Vol. 13/1-12 (Jan-Dec)
1963: Vol. 14/1-12 (Jan-Dec)
1964: Vol. 15/1-12 (Jan-Dec)
1965: Vol. 16/1-12 (Jan-Dec)
1966: Vol. 17/1-12 (Jan-Dec)
1967: Vol. 18/1-12 (Jan-Dec)
1968: Vol. 19/1-12 (Jan-Jun)
1968: Vol. 20 (Jul-Nov/Dec)
1969: Vol. 21 (Jan/Feb-Nov/Dec) [Mar/Apr never issued]
1969: Vol. 22 (Sep-Dec)
1970: Vol. 23 (Jan-Dec)
1971: Vol. 25 (Jan-Feb) [wrong numbering/24];
Vol. 22 (Spring);
Vol. 23 (Summer-Fall)[wrong numbering/24]
1972: Vol. 23 (Spring,Spring Special Edition,Summer,Fall);
Vol. 24 (Winter)
1973: Vol. 25 (Spring,Summer,Winter)
1974: Vol. 26 (Spring-Winter)
1975: Vol. 27 (Spring-Winter)
1976: Vol. 28 (Spring-Winter)
1977: Vol. 29 (Spring-Winter)
1978: Vol. 30 (Spring-Winter)
1979: Vol. 31 (Spring-Winter)
1980: Vol. 32 (Spring-Winter)
1981: Vol. 33 (Spring-Winter)
1982: Vol. 33 (Spring-Winter)
1983: Vol. 35 (Spring-Winter)
1984: Vol. 36 (Spring-Winter)
1985: Vol. 37 (Spring-Winter)
1986: Vol. 38 (Spring-Fall/Winter)
1987: Vol. 39 (Spring-Fall)
1988: Vol. 40 (Spring-Winter)
1989: Vol. 41 (Spring-Winter)
1990: Vol. 42 (Spring-Winter)
1991: Vol. 43 (Spring-Winter)
1992: Vol. 44 (Spring-Winter)
1993: Vol. 45 (Jazz Year Review)
1994: Vol. 46 (Jazz Year Review)
1995: Vol. 47 (Jazz Year Review)
SELECCION DE HOT JAZZ – P-764
(Organo del Hot Club de Buenos Aires)
Argentina
1952: Vol.2/5 (Nov)
1957: Vol.2 (#16-17)
SESSION! – P-699
(Dixieland Jazz Incorporated of California Newsletter)
USA
1978: Vol. 10/2 (Feb)
SEVEN – P-861
Germany
1996: #1-2
1997: #3 (Apr)
78 QUARTERLY – P-643
USA
1967: Vol. 1/1-2
1988: Vol. 1/3
1989: Vol. 1/4
1990: Vol. 1/5
1991: Vol. 1/6
1992: Vol. 1/7
1993: Vol. 1/8
1994: Vol. 1/9
SHEET MUSIC MAGAZINE – P-1070
USA1987. Vol:11/6 (Aug/Sept), 11/8 (Nov),11/9 (Dez)1988: Vol.12/1 (Jan) 12/2 (Febr) 12/3 (März) 12/8
(Nov)1989: Vol. 13/1 (Jan/Febr) 13/2 März/April) 13/3
(Mai/Juni) 13/4 (Juli/Aug)
1990: 14/1 (Jan/Febr) 14/2 (März/April) 14/3
(Mai/Juni) 14/4 (Jluli/Aug)
1991: 15/4 (Jul/Aug) 15/6 (Nov/Dez)
1992: 16/1 (Jan/Febr) 16/2 (März/April) 16/3
(Mai/Juni) 16/5 (Sep/Okt)

1993: Vol.17/2 (März/April) 17/4 (Luli/Aug)
1994: Vol.18/1 (Jan/Febr) 18/2 (März/April) 18/3
(Mai/Juni) 18/4 (Juli/Aug) 18/5 (Sept/Okt)
18/6 (Nov/Dez)

1995: Vol. 19/1 (Jan/Febr) 19/2 März/April) 19/4
(Juli/Aug)19/6 (Nov/Dez)

1996: Vol. 20/1 (Jan/Febr) 20/2 (März/April) 20/3
(Mai/Juni) 20/4 (Juli/Aug) 20/5 (Sept/Okt)

1997: Vol. 21/1 (Jan/Febr) 21/2 (März/April) 21/4
(Juli/Aug) 21/5 (Sept/Okt) 21/6 (Nov/Dez)
1998: 22/1 (Jan/Febr) 22/3 (Mai/Juni) 22/5
(Sept/Okt) 22/6 (Nov/Dez)
1999: 23/6 (Nov/Dez)

2000: 24/1 (Jan/Febr) 24/2 (März/April) 24/3
(Mai/Juni) 24/4 (juli/Aug)
2001: 25/3 (Mai/Juni) 25/4 (Juli/Aug)
2002: 26/2 (März/April) 26/5 (Sept/Okt)
2003: 27/2 (März/April) 27/3 (Mai/Juni) 27/4
(Juli/Aug) 27/5 (Sept/Okt)
2004: Vol. 28/3 (Sommer) 28/4 (Fall)
2005: Vol. 29/1 (Winter)

SHOUT – P-1111
England
1975: #102 (Apr)
SHOWBUSINESS – P-1042
Internationales Journal für Musik
Germany
1961: Vol. 1/2 (Dec)
1962: Vol. 2/1-8 (Jan-Nov); Vol. 3/1 (Dec)
1963: Vol. 3/2-6 (Feb-Dec)
[changes name to “musikwelt”]
1964: Vol. 4/1 (Jul/Sep)
1965: Vol. /1 (15.Dec)
SHOWTIME – P-531
Unterhaltungs- und Freizeit-Zeitschrift
Switzerland
1983: #1 (Oct)
SIDEWINDER – P-673
England
1995: Vol. 3
SIERRA JAZZ CLUB NEWS – P-646
USA
1974: Feb, Apr-Aug
SIGHT AND SOUND (Wire) – P-574
England
1993: first issue
SIGNAL TO NOISE – P-949
USA
1997: #1-2 (Sep/Oct-Noc/Dec) [all as “Soundboard]
1998: #3-8 (Jan/Feb-Nov/Dec) [as “Soundboard” until #7]
1999: #9-14 (Jan/Feb-Nov/Dec)
2000: #15 (Jan/Feb), #19 (fall)
2001: #22-23 (Summer-Fall)
2002: #25-27 (Spring-Fall)
2003: #28-31 (Winter-Fall)
2006: #40 (Winter)
SILBERHORN – P-1137
Deutschland
[Nachfolge der Jazzzeitung]
2015: #1-4 (Feb,May,Sep,Nov)
2016: #1-4 (Feb,May,Sep,Nov)
SINATRA SOCIETY OF AUSTRALIA NEWSLETTER – P-888
Australia
1978: #17 (Mar/Apr)
SISMOGRAFO – P-786
(Bollettino della S.I.S.M.A.)
Italy
1997: Vol. 6/20-23 (Jan,Apr,Jul,Oct)
1998: Vol. 7/25 (Jan, Apr)
SIXTY CYCLE HUM – P-987
USA
1994: Vol. 7/1 (Winter)
SKUG – Journal für Musik – P-1177
Austria
2010: #82/ 4-6
2011: #88/ 10-12
SLAGWERKKRANT – P-996
Netherlands
2002: #112 (Nov/Dec)
SMATTERBOOKS – P-382
England
1948: #4 [special jazz issue]
SMITH’S ACADEMY INFORMER – P-496
England
1985: #1-2 (Jun,Sep)
1986: #3-6 (Feb,Jul,Oct,Dec)
1987: #7-10 (May,Jul,Sep,Winter)
1988: #11-13 (Apr,Jul,Oct)
1989: #14-17 (Feb,Apr,Aug,Nov)
1990: #18-21 (Jan,May,Aug,Oct)
1991: #22-26 (Feb,Apr,Jul,Oct,Dec)
1992: #27-29 (May,Aug,Oct)
1993: #30-34 (Jan,Apr,Summer,Oct,Dec)
1994: #35-38
1995: #39-42 (Mar,May,Sep,Dec)
1996: #43-46 (Mar,Oct,Dec)
1997: #47-50 (Mar,Jun,Oct,Dec)
1998: #51-53 (Mar,Jun,Oct)
1999: #54-57 (Jan,Apr,Aug,Oct)
2000: #58-60 (Feb,May,Sep)
2001: #61-63 (Jan,May,Sep)
2002: #64-67 (Jan,Apr,Aug,Nov)
2003: #68-70 (Mar,Jul, Nov)
2004: #71-72 (Mar,Jul)
2005: #73-74 (May,Nov)
2006: #75-77 (Mar,Jun,Oct)
2007: #78-79 (Feb,Aug,Oct)
LA SOLUTION – P-997
La gazette française de Moscou
Russia
#8 (Jul.2000)
SO JAZZ – P-1130
Switzerland
2012: #23 (Mar), #29 (Oct)
2013: #32-34 (Feb-Apr)
SONIC-P-1020
Magazin fuer Holz- und Blechblasinstrumente
Germany
2005: #1 (Jan/Feb)2016: #3 (May/Jun)
SONO – P-1090
Musik für erwachsene Hörer
Germany
2011: Nov/Dec
SOUND – P-1117
Mitteilungsblatt des Jazzclub Köln
Germany
1955: #2 (Nov)
SOUND BLAST – P-970
Australia
1973: May
SOUND NOTES – P-383
An Independent Review of New Music in Canada
Canada
1991: Vol. 1/1 (Fall/Winter)
SOUNDS – P-384
Germany
1967: #1-4
1968: #5-9 (Mar-Nov)
1969: #10-14 (Jan-Sep)
1970: #16-17 (Mar-Apr), 20-21 (Jul/Aug-Sep), 23-24 (Nov-Dec)
1971: #28-31 (Apr-Aug)
1972: #1, 6, 8-10 (= #35,40,42-44)
1973: Vol. 5/1 (Jan), 3-12 (Mar-Dec)
1974: Vol. 6/1-12 (Jan-Dec)
1975: Vol. 7/1-12 (Jan-Dec)
1976: Vol. 8/1-12 (Jan-Dec)
1977: Vol. 9/1-7 (Jan-Jul), 9 (Sep), 11-12 (Nov-Dec)
1982: #12
1983: #1
SOUNDS & FURY – P-385
USA
1965: Vol. 1/4 (Feb), 7-10 (Jul-Oct), 12 (Dec)1965: #? (Juli/Aug), #2 (Sept/Okt),
1966: Vol. 2/1-3 (Feb,Apr,Aug)1966. Vol. 1 #4 (Febr), April,
Vol. 2 #2 (April), #3 (Aug)
SOUNDS ON CAMPUS – P-1093
USA
1966: #3
SOUNDS VINTAGE – P-777
England
1979: Vol. 1/1-6 (Jan/Feb-Nov/Dec)
THE SOURCE -P-1013
Challenging Jazz Criticism
England
2004: Vol.1
2005: Vol. 2
SOUTH P-1153
publié per le jazz-club d’ Aix – Marseille
1969: SOUTH 1
SOUTH BAY BEAT – P-616
Bulletin of the South Bay Traditional Jazz Society
USA
1978: Vol. 6/13 (Jan), 6/16 (Apr), 6/18 (Jun), 6/19 (Jul), Vol. 7/20 (Aug), 7/21 (Oct), 7/22 (Nov)
SOUTHERN REGISTER, The – P-644
The Newsletter for the Center for the Study of Southern Culture
USA
1987: Vol. 5/1
SO WHAT – P-706
Mensuel gratuit distribu’ par l’association Le Journal de Jazz
France
1995: #1-2 (Oct-Dec)
1996: #3-11 (Feb-Dec)
1997: #13-20 (Jan-Nov)
1998: #21-29 (Jan-Dec)
1999: #30-37 (Jan-Dec)
2000: #38-40 (Jan-May) [eingestellt]
SOZIALISTISCHE ZEITSCHRIFT FÜR KUNST UND GESELLSCHAFT – P-386
Germany
1971: #5-6 [special issues on pop music]
SPEX – P-543
Germany
1988: #4 (Apr)
DER SPIEGEL – P-387
Germany
1949: Vol. 3/52 (22.Dec) [NN: Die Null fühlend. Mit Leib und Seele (reviewv of Coleman Hawkins concert)]
1949: Vol. 3/46 (10.Nov) [Louis Armstrong]
Vol. 3/51 (15.Dec) [”Jazz” Journal from Frankfurt]
1950: Vol. 4/19 (11.May) [NN: Milhaud: Gute reife Olive; NN: Ellington. Schwarze Musik]
Vol. 4/20 (18.May) [NN: Goodman. Es ist sein Stück]
Vol. 4/25 (22.Jun) [NN: Psychose. Jedermann tanzt (jazz as dance music)]
Vol. 4/28 (13.Jul) [NN: Cocktail. Alles schon einmal gehört (Oscar Peterson)]
Vol. 4/30 (27.Jul) [NN: Miller. In seinem Geiste (Glenn Miller)]
Vol. 4/33 (17.Aug) [NN: Gillespie. Jetzt spielt er wieder]
Vol. 4/36 (6.Sep) [NN: Kollektiv. Mit Bach fing es an (jazz education at State College, San Francisco); letter on Gillespie re article in Vol. 4/33]
Vol. 4/39 (27.Sep) [NN: Kenton. Nichts, als die Tür schließen]
Vol. 4/44 (1.Nov) [NN: Cesana. Auf jeden Fall laut (Otto Cesana); Helmut Zacharias/Personalien]
Vol. 4/51 (20.Dec) [NN: Kombination. Be-bop mit Orgel (Billy Taylor)
1951: Vol. 5/2 (10.Jan) [NN: Weltrekord. Mit sieben Trompeten (Bob Crosby’s “All Dixie Show”)]
Vol. 5/6 (7.Feb) [NN: Geige. Viele Pesos herausstreichen (violin in jazz; cover: violinist Ray Nance)]
Vol. 5/10 (7.Mar) [NN: Goodman. Auf Welle Dabbljuänidabblju]
Vol. 5/13 (27.Mar) [NN. Flanagan. Geschäft mit der Army (Ralph Flanagan)]
Vol. 5/15 (11.Apr) [NN: Tristano. Mit Bach fing es an]
Vol. 5/19 (9.May) [NN: Toscanini. Du bist ein Wilder (cover: Toscanini)]
Vol. 5/21 (23.May) [no jazz content]
Vol. 5/24 (13.June) [Oscar (Pettiford) zupft besser]
Vol. 5/26 (27.Jun) [NN: Kritik. Wie eine Dreschmaschine (Stan Kenton)]
Vol. 5/28 (11.Jun) [NN: Swing. Zu verkaufen (Les Brown)]
Vol. 5/35 (29.Aug) [NN: Ellington. Tee für zwei]
Vol. 5/36 (5.Sep) [letter on jazz in Der Spiegel]
Vol. 5/41 (10.Oct) [3 letters on jazz in Der Spiegel]
Vol. 5/43 (24.Oct) [NN: Strawinsky. Dies is Apolls Gebot (Strawinsky on cover)]
Vol. 5/45 (7.-Nov) [NN: Andrews-Sisters. Chop, Chop, Chop (Patty Andrews on cover)]
Vol. 5/48 (28.Nov) [NN: Armstrong. Baby, jetzt kommt die Krone (Louis Armstrong on cover)]
1952: Vol. 6/5 (30.Jan) [NN: Phänomen. Lady mit Trick-Kehle (Yma Sumac, also on cover)]
Vol. 6/9 (27.Feb) [letter about the cover with Yma Sumac]
Vol. 6/10 (5.Mar) [NN: Kreuder. Oesterreich im Herzen (Peter Kreuder on cover)]
Vol. 6/15 (9. Apr) [NN: Ein-Mann-Orchester. Echo vom andern Stern (Les Paul)]
Vol. 6/16 (16.Apr) [no jazz content]
Vol. 6/17 (23.Apr) [NN: Sowjetzone. War in Sosa auch dabei (jazz in East Germany)]
Vol. 6/22 (28.May) [letters on the Peter Kreuder article; one letter from Kreuder; NN: Schlager-Geschäft. Boogie des dicken Mannes (Billy May, Ray Anthony, Jimmy Lunceford]
Vol. 6/24 (11.Jun) [NN: Gefühle. Weinen wie ein Baby (Johnnie Ray, Al Jolson, Frank Sinatra, Billie Holiday)]
Vol. 6/25 (18.Jun) [letters on jazz in Der Spiegel]
Vol. 6/28 (9.Jul) [NN: Lena Horne. Die Story von Jim Crow (Lena Horne on cover)]
Vol. 6/43 (22.Oct) [NN: Edelhagen. Präzis wie die Preußen (Kurt Edelhagen on cover)]
Vol. 6/45 (5.Nov) [NN: Armstrong-Tournee. Künstlerisch sehr wertvoll]
Vol. 6/52 (24.Dec) [NN: Gesang. Songs in Bethlehem (Mahalia Jackson)]
1953: Vol. 7/6 (4.Feb) [NN: Tonband-Schmuggel. Klassiker zu Vorzugspreisen (Black Bootleg Market with classical music)]
Vol. 7/9 (25.Feb) [letter on article from Vol. 7/6; NN: Jazz. In der Philharmonie (JatP)]
Vol. 7/12 (18.Mar) [NN: Charmaine. Wie gut bei ihm gegeigt wird (Mantovani, Kostelanetz); NN: Madame. Gardez vos illusions (Josephine Baker)]
Vol. 7/17 (22.Apr) [Ella Fitzgerald]
Vol. 7/38 (14.Sep) [NN: Kenton. Musik im Niemandsland (Stan Kenton on cover)
Vol. 7/46 (11.Nov.) [Die Groschen-Troubadoure (also Tin Pan Alley)]
1954: Vol. 8/46 (10. Nov) [Jazz-Platten]
1955: Vol. 9/5 (26.Jan) [Eartha Kitt]
Vol. 9/14 (30.Mar) [Joachim-Ernst Berendt letter on cooperation between Toscanini and Ellington]
Vol. 9/15 (6.Apr) [NN: Valente. Stimme wie ein Instrument (Catherina Valente on cover)]
Vol. 9/16 (13.Apr) [Charlie Parker]
1956: Vol. 10/9 (29.Feb) [Louis Armstrong]
Vol. 10/31 (1.Aug) [no jazz content]
Vol. 10/39 (26.Sep) [NN: Rock ‘N’ Roll. Der Über-Rhythmus]
Vol. 10/50 (12.Dec) [NN: Presley. Elvis, the Pelvis (Elvis Presley on cover)]
1957: Vol. 11/3 (16.Jan) [ad of Star Revue on Berendt-article: “Vom ‘Rag’ zum ‘Cool’ – der Jazz-Professor doziert”]
1985: Vol. 39/11 (11.Mar) [Karl-Heinz Krüger: “Oh, Baby. Scheiße. Wie ist das alles gekommen?” SPIEGEL-Redakteur Karl-Heinz Krüger über Blüte, Zerfall und Sanierung des New Yorker Schwarzenviertels Harlem]
1990: Vol. 45/1 (31.Dec) [NN: Entertainment. Young Blue Eyes (Harry Connick Jr.)]
1991: Vol. 45/29 (15.Jul) [Peter Bölke & Claudius Seidl: “Manchmal muß es Big Mäc sein”. Pianist Herbie Hancock über Jazz, Rock, Religion und seinen kommerziellen Erfolg (Interview)]
Vol. 45/31 (29.Jul) [NN: Jazz: Zwei Stunden Achterbahn (über Quincy Jones)]
Vol. 45/41 (7.Oct) [Jürg Laederer: Fahrstuhl zum Erfolg. Zum Tod des Jazz-Trompeters Miles Davis]
1992: Vol. 46/7 (10.Feb) [Peter Bölke & Helmut Sorge: “Ich mach’ einfach so weiter”. Jazztrompeter Dizzy Gillespie über das Alter, seine Freunde und den Bebop (Interview)]
SPIEGEL SPECIAL – P-703
Germany
1995: #12 (“Musik-Lust fürs Ohr”)
SPINNING CIRCLE – P-906
Germany
2000: #1
SPOTLIGHT – P-503
Germany
1978: #5 (Mar), 7 (May), 9 (Aug)
1979: Nov
SPYRO GYRA NEWSLETTER – P-580
USA
1993: Vol. 1
DAS STACHELSCHWEIN – P-770
Germany
1927: Oct
STAR REVUE – P-388
Germany
1957: Vol. 2 (Jan) [NN: Der Jazz-Professor aus Baden-Baden (von Joachim-Ernst Berendt)]
STEAUA – P-612
Revista de literatura, cultura si spiritualitate romaneasca
Rumania
1994: #1/2-3 (Jan/Feb-Mar)
STEREO – P-389
Germany
1973: #4
1974: #5-16
1975: #17-18, 20-27
1976: #29, 31, 33, 35, 37-39
1977: #41-43, 45, 48, 50
1978: Vol. 5/1
1979: Vol. 6/10
1980: Vol. 7/5, 8
1981: Vol. 8/2-3, 6
1982: Vol. 9/1, 10-11
1983: Vol. 10/1-5
1984: Vol. 11/10
1985: Vol. 12/3, 9-10, 12
1986: Vol. 13/1-2, 8-12
1987: Vol. 14/2
1991: Vol. 18/8-9
2011: Vol. 6, 8, 11, 12 (Jun, Aug, Nov, Dez)
2012: Vol.1, 4-5 (Jan, Apr-Mai) [nicht weiter aufnehmen: nur Jazzseiten scannen, z.B. Instrumentenakustik!]
STEREOPLAY – P-390
Germany
1982: #12
1983: #1, 7
1984: #7, 10
1985: #7-10, 12
1986: #2-3, 5-56, 8-11
1987: #1, 3-4
STEREOPLAY – P-524
France
1982: #24 (Mar)
STEREOPLAY – P-516
Italy
1978: Vol. 7/60 (Nov)
STERN, Der – P-391
Germany
1950: Vol. 3/23 (4.Jun) [NN: Duke ist da. Duke Ellington in Deutschland]
1953: Vol. 6/10 (8. Mar) [NN: Das Publikum raste Beifall. Namen, die den Jazzfreund in Ehrfurcht erbleichen lassen (JatP)]
STERN-WHEELER, The – P-615
Automotive Booster Club
USA
1968: May
STORYVILLE – P-392
England
1965: #1-2 (???, Dec)
1966: #3-8 (Feb-Dec/Jan)
1967: #9-14 (Feb/Mar-Dec/Jan)
1968: #15-20 (Feb/Mar-Dec/Jan)
1969: #21-26 (Feb/Mar-Dec/Jan)
1970: #27-32 (Feb/Mar-Dec/Jan)
1971: #33-38 (Feb/Mar-Dec/Jan)
1972: #39-44 (Feb/Mar-Dec/Jan)
1973: #45-50 (Feb/Mar-Dec/Jan)
1974: #51-56 (Feb/Mar-Dec/Jan)
1975: #57-62 (Feb/Mar-Dec/Jan)
1976: #63-68 (Feb/Mar-Dec/Jan)
1977: #69-74 (Feb/Mar-Dec/Jan)
1978: #75 (Feb/Mar), 77-80 (Jun/Jul-Dec/Jan)
1979: #81-86 (Feb/Mar-Dec/Jan)
1980: #87-92 (Feb/Mar-Dec/Jan)
1981: #93-96 (Feb/Mar-Aug/Sep)
1982: #99 (Feb/Mar), 103 (Oct/Nov)
1983: #105-107 (Feb/Mar-Jun/Jul), 109-110 (Oct/Nov-Dec/Jan)
1984: #111-116 (Feb/Mar-Dec/Jan)
1985: #120-122 (Aug/Sep-Dec/Jan)
1986: #123-128 (Feb/Mar-Dec)
1987: #129-132 (Mar,Jun,Sep,Dec)
1988: #133-136 (Mar,Jun,Sep,Dec)
1989: #137-140 (Mar,Jun,Sep,Dec)
1990: #141-144 (Mar,Jun,Sep,Dec)
1991: #145-148 (Mar,Jun,Sep,Dec)
1992: #149-152 (Mar,Jun,Sep,Dec)
1993: #153-156 (Mar,Jun,Sep,Dec)
1994: #157-160 (Mar,Jun,Sep,Dec)
1995: #161 (Mar)
1996-97: book edition
1998-99: book edition
2000-01: book edition
STRAIGHT NO CHASER – P-393
England
1988: #2 (Autumn)
1989: #3-6 (Spring-Winter)
1990: #7-10 (Spring-Winter)
1991: #11-14 (Spring-Winter)
1992: #15-19 (Spring-Winter)
1993: #21-22 (Spring/Summer-Summer), 24 (Winter)
1994: #25-29 (Spring-Winter)
1995: #30-34 (Spring-Winter)
1996: #35-39 (Spring-Winter)
1997: #40-44 (Spring-Winter)
1998: #45-48 (Spring-Winter)
1999: Vol. 2/5-8 (Spring-Winter)
2000: Vol. 2/9-13 (Spring-Winter)
2001: Vol. 2/14-18 (Spring-Winter)
2002: Vol. 2/19-23 (Spring-Winter)
2003: Vol. 2/24-25 (Spring-Summer)
STREET SINGER, The – P-394
England
1968: #6-7 (Sep/Oct-Nov/Dec)
1969: #8-11 (Jan/Feb-Jul/Aug)
1971: #24-25 (Sep/Oct-Nov/Dec)
1973: #32-33 (Jul/Aug/Sep-Oct/Nov/Dec)
STRICTLY JAZZ – P-707
Your Total Jazz Source
USA
1996: 3/8 (Mar), 4/1 (Nov)
STRIDER NEWS – P-865
Universal Zine of All Music
USA
1998: #5-10
STRINGS – P-395
USA
1992: Vol. 6/4 (Jan/Feb), 6/6 (May/Jun), 7/1-3 (Jul/Aug-Nov/Dec)
1993: Vol. 7/4-6 (Jan/Feb-May/Jun), 8/1-3 (Jul/Aug-Nov/Dec); Supplement
[1994 Resource Guide]
1994: Vol. 8/4-5 (Jan/Feb-Mar/Apr)
STUDIENKREIS RUNDFUNK UND GESCHICHTE – P-396
Germany
1975: Vol. 1/5 (Oct) [Joachim-Ernst Berendt: Der Jazz als Indiz. Beiträge zu einer Geschichte des Jazz am deutschen Rundfunk]
SÜDWESTFUNK INTERN – P-397
Germany
1972: #1 [Reinhard Oehlschlägel: Sinfonieorchester morgen: Reform durch Streik?]
1974: #1 [NN: Aus Baden-Baden kommt der neue Sound. New Jazz Meeting. Ein Jahr in Jazz]
fortgeführt als
SÜDWESTFUNK JOURNAL
1991: Jun
SÜRAG, Die – P-398
Süddeutsche Illustrierte
Germany
1950: #25 (18.Jun) [photo and short notice on meeting between Benny Goodman and Joachim-Ernst Berendt]
#27 (23.Jul) [no jazz content]
#32 (6.Aug) [no jazz content]
#33 (13.Aug [no jazz content]
#48 (26.Nov) [no jazz content]
1951: #4 (21.Jan) [NN: Jazz im Funk]
SUN RA QUARTERLY – P-732
USA
1996: #1-3 (Jun,Sep,Dec)
1997: #4-5 (Mar,Jun)
SUN RA ARKIVE – P-1003
USA
2002: #1 (Dec)
2003: #2-4 (Jan-Mar)
SUN RA RESEARCH – P-736
USA
1995: #1-4 (May,Jul,Sep,Dec)
1996: #5-9 (Feb,Apr,Jul,Sep,Dec)
1997: #10-14 (Jan,Mar,Jul,Sep,Dec)
1998: #15 (Feb), #16 (Apr), #17 (Jun), #18 (Aug), Index,
SUONO STEREO HI-FI – P-982
Italy
1993: Vol. 22/9 (Sep)
SUPER STEREO – P-522
Italy
1980: Vol. 2/11 (May)
SVENSK MUSIK – P-399
Sweden
1991: #1-4
1992: #1-4
1993: #1-4
1994: #1-4
1995: #1-4
1996: #1-4
1997: #1-4
1998: #1-4
1999: #1-4
2000: #1-4
2001: #1-4
2002: #1-4
2003: #1-4
2004: #1-4
2005: #1-4
2006: #1-4
2007: #1-4
2008: #1-4
2009: #1-4
2010: #1-3
SWF MAGAZIN – P-400
Germany
1988: #11 (Nov) [Klaus Mümpfer: New Jazz Meeting]
SWING – P-401
USA
1938: Vol. 1/2-8 (Jul-Dec)
1939: Vol. 1/9-12 (Jan-Apr); Vol. 2/2-4 (Jun-Aug)
1940: Vol. 2/8 (Jan), 11-12 (May-Jun); Vol. 3/1-3 (Jul-Sep), 5-6 (Nov-Dec)
SWING – P-952
Landelijke Stichting Promotie Muziekimprovisatie
Netherlands
2001: Vol. 11/3 (Oct/Dec)
SWINGING HAMBURG JOURNAL – P-967
Germany
2002: Vol. 1/1-3 (Apr/Jun-Oct/Nov); Sonderheft 1 (25.Apr.)
2003: Vol. 2/4-7 (Jan /Mar-Oct/Dec)
2004: Vol. 3/8-11 (Jan/Mar-Sep/Dec)
2005: Vol. 4/12-15 (Jan/Mar-Oct/Dec)
2006: Vol. 5/16-20 (Jan/Mar-Oct/Dec)
2007: Vol. 6/21-23 (Apr-Dec)
2008: Vol. 7/24-27
2009: Vol. 8/28-31
2010: Vol. 9/32-35
2011: Vol. 10/36-39
2012: Vol. 11/40-43
2013: Vol. 12/44-47
2014: Vol. 13/48-51
2015: Vol. 14/52-55
2016: Vol. 15/56-59
2016: Vol. 16/60
2017: Vol. 16/61-62
SWINGING HAMURG MITTEILUNGEN – P-972
Germany
2002: 2. Quartal
2008: 1. Quartal, 4. Quartal
2013: 1. Quartal, 2. Quartal2015: 3. Quartal2017: 2. Quartal
SWING JOURNAL – P-402
Japan
1968: #4,12
1975: #1 (copy excerpt)
1983: #3
1985: #6, 11
1986: #1-10, 12
1987: #1-12
1988: #1-12
1989: #1-12
1990: #1-12
1991: #1-12
1992: #1-8
SWING JOURNAL – P-403
Jazz CD/Record/Video
Japan
1978
1991
SWING MUSIC – P-404
England
1935: Apr-Sep
1936: Jan-Jun
SWINGING NEWSLETTER – P-405
Poland/USA (IJF)
1972: Vol. 1/1-2 (Oct-Dec)
1973: Vol. 2/3-6 (Feb-Sep)
1974: Vol. 3/9-10 (May-Nov)
1975: Vol. 4/12/13-20/21 (Feb/Mar-Oct/Nov)
1976: Vol. 5/24-29 (Mar-Aug)
1977: Vol. 6/31-34 (Jan-Dec)
1978: Vol. 8/35-37 (Feb-Jul)
SWING SHEET – P-908
The Newsletter of Jazz at Lincoln Center
USA
2000: Vol. 1/2 (Spring/Summer)
SWINGTIME – P-406
Belgium
1955: #35 (Apr)
SWINGTIME – P-532
Maandblad voor Jazz en Blues
Belgium
1977: #21 (May)
1979: #42 (Aug/Sep)
SWISSJAZZORAMA – P-931
Jazzletter
Switzerland
2000: #1 (Nov)
2001: #2-4 (Mar,Jul,Nov)
2002: #5-6 (Mar,Aug)
2003: #7-8,10 (Jan-Aug) [#9 gibt es nicht; falsche Nummerierung]
2004: Mar, Sep
2006: #15
2007: #16
2008: #17-20
2010: #22 (Aug)
2011: #23-24 (Mar,Aug)
2012: #26 (Aug)
2015: #34 (Dec)2016: #36 (Sep)
SWISS MUSIC DIAL – P-651
Switzerland
1978: #13/0 (Apr)
SYNCOPATED TIMES, THE –P1147
2016: Vol.1 #6 (Jul)
TAGES-ANZEIGER/BERNER ZEITUNG – DAS MAGAZIN – P-407
Switzerland
1990: #16 (20./21.Apr) [Ueli Balsiger: Hans Koch Jazzmusiker. Ästhet mit schrägen Tönen]
TAILGATE RAMBLINGS – P-645
Atlanta Dixieland Jazz Society
USA
1973: Jun-Jul,Sep-Oct,Dec
1974: Feb,Nov
1975: Nov
TALK! – P-476
(Sony Music Magazin)
Germany
1993: #1-10 (Feb-Dec)
1994: #1-11 (Feb-Dec/Jan) [Sonderausgabe: Selig]
1995: #1-6 (Feb-Jul), #8-11 (Sep-Dec); [Sonderausgabe: Popkomm 1995]
1996: #2-4 (Feb-Apr)
TALKING BLUES – P-776
England
1976: #1-3 (Apr/Jun-Oct/Dec)
1977: #5 (Apr/Jun)
TALKING DRUMS – P-803
England
#56
TALKING MACHINE INTERNATIONAL (The) – P-946
England
1970: #4,6-7 (Jun, Oct-Dec)
1971: #8-10 (Feb,Apr,Jun)
1972: #17-19 (Aug-Dec)
1973: #20-25 (Feb/Apr-Dec)
1974: #26 (Feb)
1978: #50/51-54/55 (Feb/Apr-Oct/Dec)
1979: #56/57-60/61 (Feb/Apr-Oct-Dec)
1980: #62
1981: #63/64 (Autumn)
1983: #65/66 (Feb), #67 (Nov)
1984: #68 (Jun), #69 (Dec)
1985: #70 (Dec)
1986: #70 (Nov)
1987: #72 (Apr)
1988: #75 (Autumn)
TANECNI HUDBA A JAZZ – P-408
CSSR
1960
1961
1962
1963
1964
1965
1966/67
TANGO – P-603
naujoji muzika
Litauen
1991: #2
1992: #3
TANZ IN DER MODERNEN GESELLSCHAFT, Der – P-409
Germany
???: ??? [NN?: Tanz als Ausbruch. Zur Problematik der modernen Tanzmusik (Sonderdruck)]
TEMPO – P 830
USA
1937: Vol. 4/8 (Feb), 11 (May)
1938: Vol. 6/1-3 (Jul-Sep)
TEXAS JAZZ – P-890
USA
1980: Vol. 4/5-6 (May-Jun)
TEXTE UND ZEICHEN – P-410
Germany
1957: Vol. 3/1 (#11) [Joachim-Ernst Berendt: Mittsommernachts-Jazz (Jazz in Sweden)]
Vol. 3/5 (#15) [Joachim-Ernst Berendt: Komplex und Sprache des Jazz (on Mezz Mezzrow)]
THE RECORD CHANGER -P-1167 (USA, NY)
1951: Mai
THEME – P-917
Music news from Hollywood
USA
1953: Vol. 1/1-4 (Jul,Aug,Oct,Dec/Jan)
1954: Vol. 1/5 (Mar), 2/1 (Nov)
1955: Vol. 2/2-4 (Jan,Mar,NN)
1956: Vol. 3/1
1957: Vol. 4/1-2 (Jan, Fall)
THINK JAZZ! – P-493
USA
1981: Vol. 6/2 (Feb)
THIRD LINE – P-411
Germany
1965: Vol. 1/4 (Sep)
1966: Vol. 2/1-3/4
1967: Vol. 3/5-10 (complete)
THOUGHT – P-412
A Review of Culture and Idea
USA
1969: Summer [Neil P. Hurley: Toward A Sociology of Jazz]
TIME – P-1019
The weekly newsmagazine
USA
1954: Vol. 64/12 (8.Nov)
1956: Vol. 68/8 (20.Aug)
1964: Vol. 83/9 (28.Feb)
1990: Vol. 136/17 (22.Oct)
TIBIA – P-833
Magazin für Holzbläser
1998: #4
TIJD, DE – P-413
Netherlands
1987: #27 (3.Jul) [special jazz issue]
TIJDSCHRIFT OVER CULTUUR & CRIMINALITEIT – P-1127
Netherlands
2013: Vol. 3/3
TIJDSCHRIFT VOOR MUZIEKTHEORIE – P-948
Netherlands
1998: Vol. 3/1-2 (Feb,May)
2000: Vol. 5/1-3 (Feb,May,Nov)
2001: Vol. 6/1-2 (Feb,May)
2003: Vol. 8/1 (Feb)
2004: Vol. 9/3 (Nov)
TONART – Das Musikmagazin für Ärzte – P-1140
Germany2014: Winter
TRANSYLVANIAN REVIEW – P-1026
Romania
2005: Vol. 14/1 (Spring) [Einzelheft]
TRESEN MAGAZIN – P-414
Germany (Berlin)
1991: #20 (Oct)
TRIBE -P-748
USA (New Orleans)
1997: #17
TROPICAL TIMES – P-415
Germany
1990: Summer
1991: Summer, Fall
TSCHIN BUMM – P-528
1. Österreichisches Fachblatt für Musiker und Studiotechnik
Austria
1983: #8
1987: #55
TT – P-896
tonlistart¡maritio
Iceland
1981: Vol. 1/1-2 (Jul-Oct)
1982: Vol. 1/3 (Feb)
TWEN – P-416
Germany
1959: Vol. 1/ No. 4 (Dec)
1960: Vol. 2/ No. 5 (Feb), 6 (Apr), 7 (Jun), 8 (Aug), 9 (Oct)- 10 (Nov)
1961: Vol. 3 / No.1(Jan), 2 (Apr/May), 3 (Jun/Jul), 4 (Aug/Sep), 5 (Oct), 6 (Nov), 7(Dec)
1962: Vol. 4/ No.2 (Feb), 3 (Mar), 4 (Apr), 5(May), 6 (Jun), 7 (Jul), 8 (Aug), 9 (Sep), 10 (Oct), 11 (Nov), 12 (Dec)
1963: Vol. 5 (Jan-Nov)
1964: Vol. 6/ No.1(Jan), 2 (Feb), 4(Apr), 5(May), 9 (Sep) -12 Dec)
1965: Vol. 7 (Jan-Dec)
1966: Vol. 8 (Jan-Dec)
1967: Vol. 9/ No. 1(Jan) -3 (Mar), 5 (May) – 10 (Oct), 12 (Dec)
1968: Vol. 10/No. 1(Jan), 2 (Feb), 4 (Apr) -12 (Dec)
1969: Vol. 11/No. 1(Jan) -5 (May), 7 (Jul) – 12(Dec)
1970: Vol. 12 (Jan-Nov)
1971: Vol. 13/ No. 3(Mar) -5 (May)
TZAZ – P-482
Griechenland
1977: #1 (Dec)
1978: #2-5 (Mar-Dec)
1979: #6-8 (Mar-Sep)
1980: #9-11 (Apr-Dec)
1981: #12-15 (Mar-Dec)
UDJ Info – P-653
Germany
1977: Jul, Dec
UDJ Rundbrief – P-474
Germany
1985: #1 (Nov)
1986: #2 (May), 3 (Oct)
1987: #4 (Feb), 4 (Aug)
1988: #6 (Mar), 7 (Sep)
1989: #8 (May), 9 (Oct), 10 (Dec)
1990: #11 (May), 12 (Aug), 13 (Oct), 14(Dec)
1991: #15 (Jul), 16 (Nov)
1992: #17 (Apr), 18 (Nov)
1993: #19 (Jan), 20 (Dec)
1994: #21 (Dec)
1996: 1/96
1997: 1/97
ÜBERMUSIK – P-652
Germany
late 80’s/early 90’s: Übersoul #1-3
late 80’s/early 90’s: Überbeat #1
UNGARN REVUE – P-990
Ungarn
2002: Vol. 2/1 (Feb)
UNION DES MUSICIENS DE JAZZ LETTRE D’INFORMATION – P-816
France
1997: Nov
1998: Mar,Nov
UNISON – P-535
Mensuel du club socialiste du disque
France
1977: #1-2 (Mar-Apr)
UNITED JAZZ SOCIETY – P-579
Live-Veranstaltungen in NRW
Germany
1993: Vol. 4/3-5 (Mai/Jun-Nov/Dec)
1994: Vol. 5/2 (Jan/Feb), 5/5-6 (Sep/Oct-
Nov/Dec)
1995: Vol. 6/1-5 (Jan/Feb-Nov/Dec)
1996: Vol. 7/1-4 (Jan/Feb-Nov/Dec)
1997: Vol. 8/1-5 (Jan/Feb-Nov/Dec)
1998: Vol. 9/1-5 (Jan/Feb-Nov/Dec)
1999: Vol. 10/1-5 (Jan/Feb-Nov/Dec)
2000: Vol. 11/1-5 (Jan/Feb-Nov/Dec)
2001: Vol. 12/1 (Jan/Feb)
UNKNOWN PUBLIC – P-692
Creative Music Quarterly
England
1992: Vol. 01
1993: Vol. 02-03
1994: Vol. 04-05
1995: Vol. 06-07
1996: Vol. 08
1997: Vol. 09
1998: Vol. 10
2000: Vol. 11
2001: Vol. 12
2002: Vol. 13
2003: Vol. 14
2004: Vol. 15
2005: Vol. 16
[Abo durch Norbert Ruecker eingestellt, 5/2006]
UNTERHALTUNGSKUNST – P-980
Germany (DDR)1979: #2 (Beilage)
1982: #7
UPTOWN STRUT – P-1074
Soul Funk Jazz
Germany
2008: #01-02 (Spring/Summer-Fall/Winter)
2009: #03-04 (Spring/Summer-Fall/Winter)
2010: #05-06 (Spring/Summer-Fall/Winter)
2011: #07-09 (Spring-Fall)
VARIACIONES – P-849
Cuadernos de musica contempor nea
Spain
1992: #1 (May)
1992: #2 (Nov)
1995: #3 (Feb)
1996: #4 (Apr)
VICTORY REVIEW – P-490
USA
1993: Vol. 18/1 (Jan)
VIERVIERTEL – P-576
Germany
1951: Vol. 5/7-12 (Jul-Dec)
1952: Vol. 6/1-11 (Jan-Nov)
1953: Vol. 7/1-12 (Jan-Dec)
1954: Vol. 8/1-9 (Jan-Sep), 11-12 (Nov-Dec)
1955: Vol. 9/1-2 (Jan-Feb), 4-12 (Apr-Dec)
1956: Vol. 10/1 (Jan), 3 (Mar)
VJM’S JAZZ & BLUES MARKT – P-1161
(The ORIGINAL jazz and blues trading magazine)
USA
1994: #94 Summer, #95 Autumn1995: #98 Summer
1996: #96 Winter, #103 Autumn, #104 Winter
1997: #105 Spring2000: #117 Spring, #119 Autumn, #120 Winter2001: #121 Spring, #122 Summer, #123 Autumn

2004: #133 Spring, #134 Summer, #136 Winter

2005: #137 Spring

VIGO – P-953
USA
1995: #1 (Feb/Apr)
VILLAGE VOICE – P-417
(Jazz Supplement)
USA
1988: June
VINTAGE JAZZ MART (VJM’s Jazz and Blues Mart) – P-418
England
1954: Vol. 1/3-5 (Feb-May), 7 (Jul), 9-10 (Oct-Nov)
1955: Vol. 1/12 (Jan); Vol. 2/1 (Feb), 3-11 (Apr-Dec)
1956: Vol. 2/12 (Jan); Vol. 3/1-11 (Feb-Dec)
1957: Vol. 3/12 (Jan); Vol. 4/1-10 (Feb-Nov)
1958: Vol. 4/12 (Jan); Vol. 5/1-11 (Feb-Dec)
1959: Vol. 5/12 (Jan); Vol. 6/1-10 (Feb-Dec)
1960: Vol. 6/11-12 (Jan-Mar); Vol. 7/3-4 (Sep-Nov)
1961: Feb, Apr-May, Jul, Sep
1962: Jan, Mar-Apr/May, Jul, Sep, Nov
1963: Jan, Mar, May/Jun, Aug, Nov
1964: Jan, Apr, Jul, Oct, Dec
1965: Apr, Jul, Sep, Nov
1966: Mar, Jun, Sep, Nov
1967: Feb, Apr, Jul, Oct, Dec
1968: Apr, Jul, Nov, Dec
1969: Mar, Jun, Oct
1970: Jan, Apr, Jul, Oct
1971: Mar/Apr, Jun/Jul, Sep/Oct
1972: Jan, Apr, Jul, Nov
1973: Feb/Mar, May/Jun, Oct
1974: Feb, Jun, Oct
1975: Mar, Jul, Dec
1976: Apr/May, Oct
1977: Mar, Aug, Sep
1978: Mar, Oct
1979: May
1980: May, Nov
1981: May, Oct
1982: Apr, Oct
1983: Apr, Sep/Oct
1984: Mar/Apr, Sep/Oct
1985: Apr, Oct
1986: May, Oct/Nov
1987: May, Nov
1988: Jun
1989: Jan, Jul/Aug,
1990: Jan, Jul/Aug, #80 (Oct/Nov)
1991: #81-84 (Jan/Feb-Dec)
1992: #85-88 (Spring-Winter)
1993: #89-92 (Spring-Winter)
1994: #93-96 (Spring-Winter)
1995: #97-100 (Spring-Winter)
1996: #101-104 (Spring-Winter)
1997: #105-108 (Spring-Winter)
1998: #109-112 (Spring-Winter)
1999: #113-116 (Spring-Winter)
2000: #117-120 (Spring-Winter)
2001: #121-124 (Spring-Winter)
2002: #125-128 (Spring-Winter)
2003: #129-132 (Spring-Winter)
2004: #133-136 (Spring-Winter)
2005: #137-140 (Spring-Winter)
2006: #141-144 (Spring-Winter)
2007: #145-148 (Spring-Winter)
2008: #149-152 (Spring-Winter)
2009: #153-156 (Spring-Winter/Spring)
2010: #157-159 (Summer-Winter/Spring)
2011: #160-161 (Summer-Fall)
2013: #166-167 (Summer-Fall)
2014: #168-170 (Winter,Spring,Fall)
2015: #171-173 (Winter,Spring,Fall)
2016: #174-175 (Winter,Summer)
VINTAGE LIGHT MUSIC –P-1037
England
1975: Spring
1984: Summer-Winter
1985: Winter
VINYL – P-482
Niederlande
1982: Vol. 2/16 (Jul)
1983: Vol. 3/23 (Mar)
1984: Vol. 4/4-6 (Apr-Jun)
VIVA LA MUSICA – P-419
Switzerland
1982: #45-48 (Sep-Dec)
1983: #49-57 (Jan-Dec)
1984: #58-66 (Jan-Dec)
1985: #67-76 (Jan-Dec), special festival issue
1986: #77-83 (Jan-Summer), 85-87 (Oct-Dec)
1987: #88-93 (Jan-Jun), 95-97 (Oct-Dec)
1988: #98-107 (Jan-Dec)
1989: #108-117 (Jan-Dec)
1990: #118-127 (Jan-Dec)
1991: #128-137 (Jan-Dec)
1992: #138-147 (Jan-Dec)
1993: #148-157 (Jan-Dec)
1994: #158-167 (Jan-Dec)
1995: #168-177 (Jan-Dec)
1996: #178-187 (Jan-Dec)
1997: #188-197 (Jan-Dec)
1998: #198-206 (Jan-Dec)
1999: #208-217 (Jan-Dec)
2000: #218-227 (Jan-Dec)
2001: #228-236 (Jan-Dec)
VOX – P-529
Musik – Hifi – Video
Germany
1983: #3-7 (Mar-Apr), 7 (Jul)
WAVELENGTH –P-1146
New Orleans Music MagazineUSA
1981: #4, (Febr); #7-9 (Mai, Juni, Juli) #13 (Nov)
1982: #15 (Jan), #16 (Febr), 18-26 (Apr-Dez)
1983: #27-32 (Jan-Jun), 34 (Aug), 37 (Nov)
1984: #39-50 (Jan-Dec)
1985: #51-62 (Jan-Dec)
1986: #63-74 (Jan-Dec)
1987: #75-86 (Jan-Dec)
1988: #87-98 (Jan-Dec)
1989: #99-110 (Jan-Dec)
1990: #111-122 (Jan-Dec)
1991. #123-125 (Jan-Mar), #127 (May), #128 (Jun), #129-131 (Jul-Sep)
WDR RADIO – P-420
Informationen zum Radioprogramm
1991: Nov
WELTBÜHNE, Die – P-473
Germany (East)
1975: 70/48 (2. Dec) [Lothar Kusche: Was ist Jazz?]
WENDE, DIE – P-421
Zeitung der katholischen Landjugend Österreichs
Austria
1959: Vol. 14/1 (4.Jan) [Kurt Vorhofer: Warum fasziniert Jazz die heutige Jugend (review of Berendt-lecture in Linz, Austria)]
WESPENNEST – P-735
Austria
1996: #1 (Sonderheft Musik: Wiener Musik Galerie), #105/96
1997: #108
WEST COAST RAG – P-422
(continued as THE AMERICAN RAG)
USA
1988: Vol. 3/7 (als “Fresno Ragtimer”)
1989: Vol. 4/1-2 (Jan-Feb), 6 (Jun)
1990: Vol. 2/3 (Jan), 5 (Mar), 7-12 (May-Oct); Vol. 3/1-2 (Nov-Dec/Jan)
1991: Vol. 3/3-5 (Feb-Apr), 7-8 (Jun-Jul), 10-12 (Sep-Nov); Vol. 4/1 (Dec/Jan)
1992: Vol. 4/2-4/5 (Feb-Jun), 7-11 (Aug-Dec)
1993: Vol. 5/1-6 (Feb-Jul), 9-11 (Oct-Dec)
1994: Vol. 6/1-11 (Feb-Dec)
1995: Vol. 7/1-11 (Feb-Dec)
1996: Vol. 8/1-11 (Feb-Dec)
1997: Vol. 9/1-11 (Feb-Dec)
1998: Vol. 10/1-11 (Feb-Dec)
1999: Vol. 11/1-11 (Feb-Dec/Jan)
2000: Vol. 12/1-11 (Feb-Dec/Jan)
2001: Vol. 13/1-11 (Feb-Dec/Jan)
2002: Vol. 14/1-11 (Feb- Dec/Jan)
2003: Vol. 15/1-10 (Feb-Nov)
WESTDEUTSCHE SCHULZEITUNG – P-423
Germany
1961: Vol.70/10 (25.May) [Joachim-Ernst Berendt: Kinder dichten zu Jazzmusik]
WESTERMANNS MONATSHEFTE – P-440
Germany
1979: #3 (Mar) [Joachim-Ernst Berendt: Jenseits von Beton und Hula-Hula: Hawaii]
#10 (Oct) [Joachim-Ernst Berendt: Zen und das moderne Japan]
1981: #1 (Jan) [Joachim-Ernst Berendt: Avantgarde im Aquarium, oder: Ist die Avantgarde am Ende?]
1982: #1 (Jan) [Joachim-Ernst Berendt: Cataract Canyon. Eine Wasser-Erfahrung auf dem Colorado-River]
WESTJAZZ – P-805
Das deutsche Jazz-Nachrichtenblatt
1958: Vol. 4/32-37 (Apr-Sep), 39 (Nov)
1959: Vol. 4/41-42 (Mar-Apr)
THE WHEEL – P-915
(A Record Collector‘s Rag)
USA
1948: Vol. 1/2 (Jun)
WHISKEY, WOMEN, AND… P-916
USA
1982: #9 (Jul)
1984: #14 (Jun)
WINDPLAYER – P-795
(For Woodwind and Brass Musicians)
USA
1992: Vol. 9/4
THE WIRE – P-424
England
1982: #1-2 (Summer, Winter)
1983: #3-5 (Spring-Autumn)
1984: #6-10 (Spring-Dec)
1985: #11-16 (Jan-Jun), 18-22 (Aug-Dec)
1986: #23-34/35 (Jan-Dec/Jan)
1987: #36-46/47 (Feb-Dec/Jan)
1988: #48-58/59 (Feb-Dec/Jan)
1989: #60-70/71 (Feb-Dec/Jan)
1990: #72-82/83 (Feb-Dec/Jan)
1991: #84-94/95 (Feb-Dec/Jan)
1992: #96-106/107 (Feb-Dec/Jan)
1993: #108-118/119 (Feb-Dec/Jan)
1994: #118-130 (Feb-Dec)
1995: #131-142 (Jan-Nov); Sonderheft “Sonic Youth and the Noise of New York”
1996: #143-154 (Jan-Dec)
1997: #155-166 (Jan-Dec)
1998: #167-178 (Jan-Dec)
1999: #179-191 (Jan-Dec)
2000: #192-202 (Jan-Dec)
2001: #203-214 (Jan-Dec)
2002: #215-226 (Jan-Dec)
2003: #227-238 (Jan-Dec)
2004: #239-250 (Jan-Dec)
2005: #251-262 (Jan-Dec)
2006: #263-274 (Jan-Dec)
2007: #275-286 (Jan-Dec)
2008: #287-298 (Jan-Dec)
2009: #299-310 (Jan-Dec)
2010: #311-322 (Jan-Dec)
2011: #323-334 (Jan-Dec)
2012: #335-346 (Jan-Dec)
2013: #347-358 (Jan-Dec)
2014: #359-370 (Jan-Dec)
2015: #371-382 (Jan-Dec)
2016: #383-394 (Jan-Dec)
2017: #395-403 (Jan-Sep)
WOM Journal – P-743
(Germany)
1996: #1-12 (Jan-Dec)
1997: #1-4,6-10,12 (Jan-Apr, Jun-Dec)
1998: #1-12 (Jan-Dec)
1999: #1-12 (Jan-Dec)
2000: #1-12 (Jan-Dec)
2001: #1-12 (Jan-Dec)
2002: #1-11 (Jan-Dec)
2003: #1-11 (Jan-Dec)
2004: #1 (Jan)
WOMEN’S JAZZ ARCHIVE NEWSLETTER – P-934
England1995: Spring/Summer
WORDS ABOUT MUSIC – P-495
Newsletter of the National Academy of Popular Music
USA
1991: Summer/Fall
1992: Winter/Spring
WORLD MUSIC – P-491
Italy
1991: Vol. 1/1-3 (Jan/Feb-May/Jun)
1992: Vol. 2/8 (Mar/Apr)
WORLD OF MUSIC, The – P-425
Germany
1967: Vol. 9/1-4
1968: Vol. 10/1-4
1969: Vol. 11/1-4
1970: Vol. 12/1-4
1971: Vol. 13/1-4
1972: Vol. 14/1-4
WOZ – P-1134
Switzerland
2003: #1 (Music)
XSOUND – P-1021
Germany
2005: #3
ZEIT MAGAZIN – P-426
Germany
1973: #48 (23.Nov)
1983: #46-47 (11.Nov-18.Nov)
1990: #36 (31.Aug)
1991: #18 (26.Apr)
1992: #43 (16.Oct)
ZEITSCHRIFT FÜR MUSIK – P-780
Germany
1940: Vol. 107/8 (Aug)
1942: Vol. 109/1 (Jan)
ZEITWENDE – P-427
Die neue Furche
Germany
1957: Vol. 28/1 (Jan) [Joachim-Ernst Berendt: Der Einbruch des Technischen in die Musik]
1963: Vol. 34/7 (Jul) [Joachim-Ernst Berendt: Das Spiritual in seiner und in unserer Welt]
ZfMP – P-428
Zeitschrift für Musikpädagogik
Germany
1981: Vol. 6/13 (Mar) [Walter Gieseler/Bernd Hoffmann: Interview mit Musikern des “Le Nouveau Salon”. Salonmusik – Vom Tabu bedrohtes Musikgenre; Ekkehard Kreft: Interview mit Hugo Strasser]
1987: Vol. 12/38 (Jan) [Bernd Hoffmann: Zur Frühgeschichte afro-amerikanischer Musik in Deutschland. “Jazz” am Frankfurter Sender]
ZIGZAG – P-429
England
1974: Vol. 4/2 (Feb)
1980: #103
1981: #1
ZOUNDS – P-454
Germany
1992: #4 (Apr)
ZPRAVODAJ PRO CLENY JAZZKLUBU BRNO – P-1043
Czech Republic
1959: 1 issue (unnumbered)
1960: 1 issue (unnumbered)
ZPRAVODAJ – P-552
Czech Republic
list of content for #41-60
1993: #67 (16.Apr), #70 (21.Sep)
1994: #75 (14.Nov.)
5/4 Magazine – P-955
Exploring Jazz from Mainstream to Offbeat
USA
1996: Jun
217 PLUS –P-1046
Sal. Oppenheim
Germany
2006: Vol. 8 (Sep)